Utwory stworzone z Voices AI wprowadzają technologię głosową do muzyki - od coverów po oryginalne ścieżki. Posłuchaj, jak twórcy i nasza społeczność wykorzystują głosy AI do odkrywania nowych dźwięków i pomysłów.
Et toi, comment tu vas ?
Rock symphonique moderne • Environ 5 000 caractères • Duo homme-femme • Grande chorale mixte • Orchestre, cuivres, cordes et tambours
awerysopelea - Was sagst du dann
German dark alternative hip-hop, 90 BPM. Raw male rap with precise diction; powerful female sung chorus, strained and pleading, anger mixed with a wish to believe. One narrator addresses God through unanswered questions. Four-bar intro: sparse piano, low bass clarinet, pizzicato strings. Short first verse; first chorus already delivers full emotional and instrumental force: heavy swung boom-bap drums, deep sub, bowed cello, wide strings, low brass, soaring female lead. Verse 2 keeps a tense pulse with bass clarinet accents. Second chorus is extended with a repeated hook, then 8 instrumental bars at FULL energy: violin carries the hook, brass answers, drums keep driving. Only then strip to piano for an intimate, hesitant spoken bridge. Final chorus returns in full, followed by 4 instrumental bars. Sudden stop, half-second silence, final male line alone. Serious, intimate, morally searching; no neat resolution. No rock, EDM drops, crowd noise or theatrical villain voices.
awerysopelea - Noch nicht fertig
German alternative hip-hop, 92 BPM, heavy swung boom-bap drums, deep 808 bass. Raw male rap, clear diction; female lead sings a huge, urgent, emotionally cracked chorus. First full-power chorus after a 4-bar intro, 8-bar rap verse and 2-bar build, around 40 seconds. Piano and pizzicato strings open; cello rises in the build. Every chorus has full drums, wide strings, low brass and soaring vocals. Keep the groove during verse 2, add muted trumpet and hand percussion. Second chorus is the long centerpiece: full chorus, repeated hook, then 8 instrumental bars at FULL energy; violin takes the hook melody, brass answers, drums and bass keep driving. No fade or early breakdown there. Only then a short intimate bridge with solo piano and exposed voices. Final chorus returns at full power, followed by 4 energetic instrumental bars. Hard stop; final spoken line alone. Make powerful sections last. No rock guitars, rock drums, EDM drops, crowd noise or choir.
Stay When the World Walks Out
Romantic 80s/90s rock power ballad about lifelong friendship, 68 BPM, 4/4, major key, nostalgic and bittersweet. Clean arpeggiated electric guitar with soft chorus, warm 12-string acoustic, subtle piano pads, melodic bass. Drums start gentle with brushed snare, then grow into a big arena backbeat in the chorus. Warm, slightly raspy male tenor, intimate in the verses, powerful and emotional in the chorus with lush stacked harmonies. Soaring melodic guitar solo with singing sustain after the bridge. Structure: intro, verse 1, pre-chorus, chorus, verse 2, pre-chorus, chorus, bridge, solo, final chorus with key change up, soft acoustic and piano outro. Cinematic, sincere sunset-drive mood. Polished warm analog production, wide stereo guitars, plate reverb on vocals. About 4 minutes.
We Won't Look Away
Urgent protest rock with punk edges, driving mid-tempo drums, gritty electric guitars, punchy bass, and a forceful mixed-group chorus. Build from a tense, clipped verse into a broad chant-like refrain, with a stripped bridge and a final full-band chorus. Raw, direct vocal delivery, live-room energy, clear words, and an unpolished, confrontational mix.
Who Gets to Belong
Urgent protest rock, driving and anthemic, sung lead addressing a crowd, call-and-response chorus, gritty live-band energy with forceful electric guitars and pounding drums.
Say It Plain
Driving alternative rock protest song, punchy live drums and gritty bass, sharp distorted guitar riffs, urgent conversational lead vocal building into a blunt chant-like chorus, tight verses and explosive refrains, raw room energy with clear modern mix.
Hunting My Heart
Modern country, with an easy conversational vocal phrasing, playful confidence, and a tight syncopated acoustic-guitar groove; contemporary country production with a country-rock edge and a relaxed Southern drawl.
Still Here, Still Swinging
Country rap fused with thrash metal, hard rock, and speed metal; galloping palm-muted guitar riffs, fast double-kick drums, gritty slide-guitar accents, punchy bass, and a rowdy male lead moving between rhythmic rap verses and shouted melodic hooks. Open with a brief slide-guitar-and-riff salvo, drive the verses with tight chugging guitars and clipped vocal cadence, then explode into a gang-shouted chorus with full-speed drums; add a short ripping guitar solo before the final chorus. Raw, aggressive, high-impact live-room mix with clear vocals and crushing guitars.
Eric Rickstraw
Country rap fused with thrash metal, heavy metal, hard rock, and speed metal. Fast driving double-kick drums, galloping distorted guitars, low drop-tuned riffs, sharp snare, gritty country twang guitar accents, and a muscular bass foundation. Aggressive male rap verses with a rough Southern edge, shouted gang-vocal chorus, tight stop-start breakdown, rapid guitar solo, loud live-room punch and raw, hard-edged mix. Competitive, defiant, triumphant energy.
Fight Life With A Smile
Hard-driving arena rock anthem with a muscular four-on-the-floor pulse, pounding live drums, distorted power-chord guitars, gritty bass, and a brief rising guitar lead into the final chorus. Start with a restrained, determined verse, build through a tension-lifting pre-chorus, then hit a huge chantable chorus with layered gang responses. Strong raspy male lead vocal, urgent and resilient; polished but raw-edged stadium mix, bold dynamics, triumphant finish.
Fight Life With A Smile
High-energy cinematic hard rock anthem with a muscular modern groove, driving kick and snare, distorted guitars, gritty bass, and urgent male lead vocals. Start with a tense, restrained guitar pulse, build into punchy verses, then open wide into a massive chantable chorus with stacked backing vocals; add a brief halftime bridge that surges into a final double chorus. Raw determined vocal delivery, tight punchy drums, broad arena-sized mix, clear vocal center.
awerysopelea - ÇA NOUS REGARDE
Piano-led multilingual alternative hip-hop with French chanson phrasing and expansive soul choruses, 92 BPM. Start with ONLY a two-bar piano pickup, then the full French chorus BEFORE any verse. Memorable repeating piano motif, deep warm bass, dry swung hip-hop drums, bowed viola and sparse muted-trumpet replies. Strong female French lead: clear diction, melodic, raw and increasingly defiant. Close male German rap: conversational, rhythmically sharp, building to controlled anger. Both sing the short English hook. Keep the chorus melody identical and immediately memorable; first chorus is strong, later ones grow wider. French verse becomes intimate, then drums return for the German verse. Bridge drops to piano and voices; one-beat silence before the biggest final chorus, with soaring female vocals and layered harmonies. Finish with piano and a restrained trumpet answer. Emotional studio recording, vocals upfront; no EDM drop, rock riffs, audience or cheering.
Princess of the Day
Upbeat playful pop-rock singalong with bouncy piano, punchy live drums, handclaps, bright electric guitar accents, and a buoyant bass groove. Friendly energetic lead vocal with group responses; verses feel conversational, chorus opens into a catchy chant, brief stop-start break, then a jubilant final chorus. Clean warm production, clear vocals, lively but comfortable dynamics.
Kleveta
rock, electronic, violin, flute
STAIRWELL TO HELL prayer A3
Original Christian progressive folk-rock epic, about 7 minutes. Slow fingerpicked acoustic opening in E minor, swaying 6/8, low cello, subtle organ. Warm male storyteller; dark verses build through bass, toms and electric guitar into a brief heavy warning. Keep all prayer and Scripture wording in the later redemption section. Strip back, then shift to driving 4/4 near 100 BPM and brighten toward G major. Deliver prayer lines in clear rhythmic speech over a steady groove; allow extra bars for long lines, never rush or alter words. Sung rhyming responses follow each prayer line. Grow into ringing guitars, powerful live drums, melodic guitar solo and gospel call-and-response. Salvation through Jesus’ death and resurrection is the climax. Strong hook, clear consonants, organic instruments, wide dynamics, original melody and riffs. End with triumphant Amen vocals, then a gentle final invitation., electric guitar, acoustic guitar
3
[Atmospheric alternative rock, experimental psychedelic grunge, hypnotic progressive rock, 100 BPM, 4/4. Dark, spacious, organic, emotionally immersive. MAIN MELODIC MOTIF: B2–C3–D3–A2, based on the repeating piano phrase. Three ascending notes followed by a lower sustained A. Preserve the recognizable melodic contour, deliberate spacing, and falling resolution. Let the motif cycle throughout the composition, gradually transforming through instrumentation, harmony, rhythmic intensity, and texture. Warm vintage piano, resonant melodic bass, earthy tom-driven percussion, shimmering guitar harmonics, gritty distorted guitars, subtle industrial electronics, and haunting atmospheric layers. Alternating intimate restraint with explosive, controlled chaos. Raw human character, hypnotic repetition, unconventional dynamics, and psychedelic depth.]
Break the Rules
Dark pop-rock, hard-panned rhythm guitars with Nightcore speed-up, driving distorted drums, tense violin stabs and sustained lines, fast-paced pulse, deep male baritone vocals with forceful delivery and layered choruses.
Flip-Flop Rhythm
playful roots reggae with a relaxed one drop groove offbeat Reggae, Ska, Rock, Pop Rock guitar warm rounded bass crisp rim click and shaker and bright organ bubbles lead vocal is theatrical and wry with jaunty backing harmonies on the hook keep the verses conversational let the chorus open into a catchy singalong then finish with a brief instrumental tag polished sunny mix with roomy percussion
Static in the DX Land
Rock electric guitar solos, drums lite country
CHASE THE HIGH
Dark, gritty, polished 80s-influenced melodic hard rock. 126 BPM. Driving bass, punchy drums, crunchy distorted guitar riffs and a dangerous, infectious groove. Strong male lead vocal throughout, gritty, confident and slightly raspy, clearly dominant in every section. Female vocals used selectively as powerful backing harmonies and short responses in the pre-choruses and choruses, adding emotion and intensity without taking over the lead. Immediate crunchy guitar riff and drums, male vocal starts straight away. No spoken or whispered intro. Huge, catchy, explosive chorus. Dynamic stripped-back bridge with male lead, building into a powerful final chorus with layered female harmonies. Short, fiery melodic guitar solo. Professional polished studio rock production. No crowd noise, chanting or audience sounds.
CHASE THE HIGH
Dark, gritty, polished 80s-influenced melodic hard rock. 126 BPM. Driving bass, punchy live drums, crunchy distorted guitar riffs and a seductive, infectious groove. Male lead vocal dominant, gritty, confident and slightly raspy, delivering the verses with attitude and building intensity into a huge, anthemic, instantly memorable chorus. Strong female backing vocals and harmonies woven throughout, adding power to the choruses. Immediate instrumental hook with a dirty, rhythmic guitar riff and drums, then male vocals start straight away. No spoken intro, no whispering, no cinematic build-up. Dynamic stripped-back bridge that builds into an explosive final chorus. Short, fiery melodic guitar solo. Professional studio production, powerful radio-ready rock sound. No crowd noise, chanting or audience sounds.
Opa Kalle, wir sind Familie
Modern Rap Trance, 136 BPM, energetic rhythmic male rap verses, deep confident spoken intro, melodic euphoric trance chorus, powerful catchy vocal hook, emotional male singing, subtle female backing harmonies, driving four-on-the-floor kick, rolling bassline, massive atmospheric synthesizers, bright uplifting trance leads, rhythmic synth arpeggios, cinematic risers, electronic vocal chops, huge melodic breakdown, explosive euphoric trance drop, festival atmosphere, powerful modern production. Rap dominates the verses, sung vocals only in the chorus. No Schlager, no Ballermann, no pop-rock, no hard techno, no excessive percussion.
NO LONGER HIM
Dark, emotional, gritty melodic 80s-influenced polished rock. 126 BPM. Crunchy electric guitar riffs, deep driving bass, punchy drums and powerful melodic guitar work. Strong, vulnerable male lead vocal with a slightly raspy edge, supported by powerful female harmonies and emotional responses woven throughout from verse one. Build gradually into a huge, soaring, heartbreaking chorus. Include a passionate melodic electric guitar solo after the second chorus. Strip back the instrumentation for an intimate, emotionally raw bridge before an explosive final chorus with both vocals at full strength. INTRO: Start immediately with a dark, melodic electric guitar riff and punchy drums. Male lead vocal enters straight away, sung with emotion and vulnerability. No spoken words, whispering, cinematic intro, crowd sounds or audience effects. Keep it raw, powerful and radio-ready.
Beauty And Beast
Dark Pop, Dark k Pop, Theatric glam Rock
Run away
Sad K-pop, modern metal/rock production with smooth dynamics; rich deep siren female alto, expressive clean vocals. Celtic Spirit. Clean singing!!! Only one female voice. Rare, unconventional. Beautiful melody. Very sad an emotionally . Extream sad
THE VOICES IN THE WALLS
Dark, gritty, polished 80s-influenced melodic hard rock at 126 BPM. Heavy crunchy guitar riffs, driving bass, punchy hard-hitting drums and an unsettling atmosphere. Gritty, slightly raspy male lead with emotional intensity and vulnerability. Strong female vocals woven throughout from the first pre-chorus, powerful harmonies and responses. Explosive melodic choruses with a memorable hook. Short, soaring emotional electric guitar solo. Stripped-back bridge building into a huge final chorus. INTRO: Immediate crunchy electric guitar riff with punchy drums. Male lead starts singing immediately. No spoken intro, no whispers, no cinematic build-up, no crowd or audience sounds. Keep the verses tense and unsettling, then open into huge powerful choruses. Professional polished studio rock production, radio-ready mix.
I'M STILL STANDING
126 BPM. Polished, gritty, emotional melodic hard rock with a powerful 80s rock influence. Strong melodic electric guitar riffs, punchy live drums, driving bass and a huge, soaring chorus. Male lead vocal, gritty, slightly raspy and emotionally expressive, moving from restrained vulnerability in the verses to powerful delivery in the chorus. Strong female harmonies woven throughout from the first verse, with powerful female backing vocals and harmonies lifting the pre-chorus and chorus. Verses should feel intimate and honest, building naturally into an explosive, memorable melodic chorus. Include an emotional electric guitar solo after the second chorus, followed by a stripped-back, heartfelt bridge that builds into a massive final chorus with layered male and female vocals. Immediate guitar and drum opening, no spoken intro, no whispering, no talking, no cinematic intro, no crowd or audience sounds. Authentic, powerful studio rock production.
Redline
Explosive dark K-pop/trap rock, 150 BPM, under 4 minutes. Solo female lead as Crimson Cecilia: smoky confident verses, razor-sharp melodic rap, commanding whispers and fierce soaring choruses with stacked self-harmonies. Clear English and Korean pronunciation. Crushing deep 808s, sliding sub-bass, punchy kicks, sharp trap hi-hats, down-tuned guitar riffs and aggressive live drums. Make “REDLINE” a powerful, memorable hook with a massive half-time drop. Use chopped female vocals in the post-chorus, brief wicked laughs between phrases and sudden silence before bass impacts. Stop-start breakdown with whispered commands, followed by an eight-bar screaming guitar solo over double-kick drums. Strip the bridge to a thin haunting synth and intimate vocal, then slam into the biggest final chorus. Dangerous confidence, controlled chaos and precise rhythmic delivery. Keep vocals clear above the bass. Tight transitions, no long intro, no dubstep. End abruptly with two sub hits and a quiet laugh.
Amaneti i Elizabetës
Greek Mediterranean melancholic folk-rock, subtle Bosnian sevdah, 122 BPM, minor key. Sad, intimate, dignified; driving rhythm, no festive mood. ONE powerful male baritone singing in ALBANIAN: deep, gritty, raspy, melodic, emotional, clear pronunciation, restrained folk ornaments. Bouzouki lead, acoustic guitar, warm bass, tight live drums, subtle percussion, soft accordion and violin. DRY STUDIO SOUND, close upfront vocal. NO audience, chatter, applause, cheering, backing vocals, choir, vocal doubles, shouts, hall reverb or echo. Start singing immediately. Between verses: maximum ONE BAR, preferably seamless. No long intro, solos, repeated verses or added words. Keep instrumental passages extremely short. Use the LONGEST AVAILABLE DURATION. Sing ALL lyrics in order, including EVERY LINE OF VERSE 13. Do not fade out or end before the final words: ‘këtë fjalë brez pas brezi e ço!’ Brief ending only after all lyrics. No rap, narration or EDM.
Amaneti i Elizabetës
Greek Mediterranean melancholic folk-rock with subtle Bosnian sevdah influences, 116 BPM, steady driving rhythm, minor key, passionate and hopeful. Strong male baritone: deep, gritty, raspy, commanding, with powerful melodic singing. SING IN ALBANIAN with clear native pronunciation. Lead Greek bouzouki, rhythmic acoustic guitar, warm electric bass, punchy live drums, Mediterranean percussion, subtle accordion and expressive violin. Light electric guitar supports the emotional peaks. Organic live-band sound, vocals upfront. Use the LONGEST AVAILABLE GENERATION DURATION. Sing ALL supplied lyrics completely and in order. Begin vocals immediately. Compact phrasing, continuous narrative flow, very brief transitions. No repeated verses, added lyrics, long solos, spoken narration or rap. Do not rush or swallow words. Do not start the outro or fade out until the final supplied line is fully sung. No EDM.
The Bells
Dark Viking trap rock, heavy orchestral band, 150 BPM, target 4:20, under 5 minutes. Female lead as Crimson Cecilia, the terrifying monster her master created. Smoky intimate verses, rapid rhythmic delivery, soaring melodic choruses, brief fierce screams. English lyrics with clear, emotionally intense Japanese lines. Crushing distorted 808 bass, sliding sub-bass, down-tuned guitar chugs, thunderous war drums, ominous Nordic horns, rapid trap hi-hats and massive half-time drops. Layered female war chants. Cold whispered master commands interrupt her singing, triggering explosive bass impacts. Convey dangerous beauty, devastating power, forced obedience and buried grief as she destroys a kingdom. Open with distant horns and heartbeat bass; build into an enormous hook. Savage breakdown, fragile cinematic bridge, apocalyptic final chorus, abrupt whispered ending. Keep vocals clear and forward, bass deep and physical, drums punchy. No extended solos or long outro.
The Age Of Crimson
Epic cinematic Viking rock/trap anthem, 150 BPM, under 5 minutes. Powerful solo female lead as Crimson Cecilia: commanding low verses, sharp melodic rap, chilling whispers and soaring fierce choruses. Tell of her loyalty to the Crimson Bloods as Eri and her sister Xiami defend the people she once protected. Crushing pulsing sub-bass, explosive 808 hits, down-tuned guitar riffs, thunderous Nordic war drums, ominous horns, sweeping strings and crisp trap hi-hats. Clear English and Japanese pronunciation. Open with wind, distant bells and heartbeat bass; unleash massive half-time choruses with layered female harmonies. Include a 20-second intense guitar solo: mournful opening melody, fierce bends, rapid shredding and screaming sustained notes over double-kick drums. Brutal stop-start breakdown, fragile piano bridge, then an apocalyptic final chorus. Keep vocals clear, transitions tight and bass deep. End with dying horns, two heartbeat hits and a cold whisper. No dubstep.
Hallowen rockanrolñ
Rockanroll, twis bailable
Siete a Cinco
Epic Spanish hard rock anthem, powerful raspy male vocals, emotional piano intro, explosive electric guitars, thunderous drums, soaring melodic chorus, stadium rock atmosphere, emotional tribute, triumphant ending, 125 BPM.
Sous la même étoile de Noël
Direction musicale pour créer la chanson Style : Christmas Megamix épique, symphonic rock, pop électro, gospel et rock d'arène. Voix : Soliste masculin puissant, soliste féminin cristallin, chœur d'enfants, immense chorale mixte à mille voix. Instruments : Orchestre philharmonique, violons, cuivres, cloches tubulaires, guitares électriques, batterie rock, basses électro et synthétiseurs modernes. Production : 128 BPM, stéréo cinématographique, transitions entre époques, montée émotionnelle, refrains explosifs et final gigantesque.
L'Hiver Devient Merveilleux
Tempo de 128 BPM, ambiance pop-rock symphonique cinématique. Mélanger batterie rock, grosses guitares électriques, basses électro modernes, violons, cuivres, timbales et chœurs mixtes monumentaux en plusieurs harmonies. Voix principale puissante et expressive, refrains chantés comme par mille personnes. Final grandiose avec montée orchestrale, double grosse caisse et explosion de chœurs, dans une atmosphère de fête hivernale féerique.
Rassemble-nous encore
Modern epic symphonic pop rock, 96 BPM, emotional powerful warm male lead vocals, beautiful female harmonies, massive mixed choir, cinematic string orchestra, grand piano, soaring violins, epic drums, electric guitars, deep bass, atmospheric synthesizers, uplifting Christmas season atmosphere, emotional verses, explosive anthemic choruses, spectacular orchestral climax, professional studio production, French lyrics.
B&E
metal, Thrash, 80s, duble tup, punk rock.
Brand New Day
Rock country western Make voice Fiddle
Bleib kiffm, ano bschissn
folk-rock, Bavarian folk
Bleib kiffm, ano bschissn
Bavarian dialect folk-rock with a brisk pub-singalong groove, acoustic strummed guitar and punchy live drums, warm bass, occasional accordion flourishes, earthy male lead vocal with conversational regional phrasing, cheeky and self-assured delivery, verse lines clipped and rhythmic, chorus broad and memorable, lively room sound with a clear modern mix
Rat King Legends
Medium-paced late-90s/early-2000s skate pop-punk, irreverent melodic punk-rock energy, brisk straight eighth-note guitars, punchy live drums, driving bass, catchy gang-shouted chorus, nasal playful male lead vocal with conversational verses, tight stop-start breaks for comic timing, polished but scrappy band mix, big final chorus
Rat King Legends
Alternative rock, post-grunge, hard-driving modern rock with scrappy arena energy. Crunchy drop-tuned guitar riffs, punchy live kit, thick melodic bass, and a shout-along gang-vocal chorus. Verses stay tight and conversational over chugging guitars; build into a huge, sarcastic chorus with stacked vocals, then a stop-start bridge that breaks into a final double-chorus. Gritty expressive lead vocal, playful timing, punchy polished band mix.
Rat King
Alternative rock, post-grunge, hard-edged comedic arena-rock anthem. Mid-tempo driving 4/4 groove, crunchy drop-D electric guitar riff, thick bass, punchy live drums with a half-time chorus and explosive cymbal crashes. Gritty male lead vocal, conversationally sarcastic verses that break into raw shouted choruses; gang vocals chant the clan name on the hook. Start with a tight riff and clipped vocal; verses leave room for punchlines, pre-chorus builds with rising guitars, chorus opens wide, bridge drops to a stop-start breakdown for shouted call-and-response, then final chorus hits bigger with a scrappy, triumphant ending. Rough-edged but clear modern rock mix, dynamic and energetic.
Rat King Legends
comedy reggae gaming anthem relaxed one drop groove with a buoyant offbeat Reggae, Ska, Rock, Pop Rock round bass crisp rim click and shaker warm organ bubbles and bright muted guitar chops verses use conversational male sing rap with playful call and response ad libs the chorus opens into a rowdy mixed group chant start with a brief spoken clan roll call build with handclaps and harmony layers into the final chorus then end on a loose laughing tag clear punchy live room production with warm bass and roomy group vocals
Rat King Legends
comedy reggae with a relaxed one drop groove warm round bass offbeat Reggae, Ska, Rock, Pop Rock guitar and bubbling organ crisp rim click drums occasional playful brass stabs lead vocal is theatrical and cheeky with a mixed group gang chorus for the clan hook clear english lyrics lively call and response arrange as a laid back verse bigger chantable chorus escalating verse full of raid night mishaps then a triumphant final chorus organic band feel buoyant and funny with a polished but loose live room mix
Rat King Legends
High-energy comedic pop-punk anthem with arena-rock punch, brisk driving drums, chunky distorted guitars, gang-shouted clan responses, a charismatic lead vocal with playful urgency, big melodic chorus, stop-start breaks for punchlines, escalating final chorus, polished but deliberately chaotic live-room energy.
Rat King Legends
Comedic anthemic hard rock with a rowdy arena singalong, driving distorted electric guitars, punchy live drums, bass guitar, gang-shouted backing vocals, and a big melodic chorus. Verses use brisk conversational storytelling and sharp comic timing; build into a loud triumphant chorus, then a playful breakdown and final crowd-sized refrain. Energetic, warm, scrappy band mix with clear lead vocals and audible group shouts.
Rat King Legends
Punk rock, alternative rock, pop punk; brisk driving eighth-note power-chord guitars, tight live-kit snare and kick, melodic bass locked to the kick, urgent raspy lead vocal with gang-shouted chorus responses. Start with a short palm-muted guitar pickup, launch into compact verse grooves, lift with a rising pre-chorus, then open into a big chantable chorus; add a brief half-time bridge before the final double chorus. Bright, raw-edged guitar mix, punchy drums, clear vocal up front.
Rat King Legends
Alternative rock, post-grunge, hard-edged arena rock with a driving mid-tempo groove; palm-muted distorted guitar verses open into wide power-chord choruses, weighty live drums, melodic bass, and a brief lead-guitar lift before the final chorus. Gritty, forceful male rock vocal with clear hooks and gang harmonies on the refrain; punchy, raw-edged guitars balanced by a polished, spacious vocal mix.
Rat King Legends
Dark cinematic electronic rock anthem, tense minor-key pulse with distorted low synth bass, industrial percussion, sharp toms, and gritty electric guitar accents. Verses are restrained and conspiratorial, with close-miked low male vocals; choruses widen into forceful layered gang vocals and heavy drums. Add brief eerie breaks, rising noise swells, and a final chorus that feels defiant and unsettling; polished but rough-edged mix.
Rat King Legends
Aggressive early-2000s rap-rock with cinematic sci-fi game-score tension, downtuned distorted guitars, tight syncopated live drums, sub-bass, and restrained electronic textures. Verses use rhythmic male rap-singing with clipped phrasing over sparse guitar and bass; pre-chorus rises with sustained chords; chorus opens into an anthemic melodic male hook with stacked harmonies and wide guitars. Add a brief half-time breakdown before the final chorus. Polished, punchy, dramatic mix with clear vocal-forward balance.
Rat King Legends
Aggressive early-2000s rap-rock and alternative metal, tight syncopated drop-tuned guitar riffs, punchy live drums, gritty turntable-like textures, tense quiet verse opening into explosive half-time choruses, male vocals alternating rhythmic rap and melodic shouted hooks, polished but raw-edged arena mix, lyrics about a tight-knit sci-fi shooter clan, teamwork and hard-won victory
Rat King
Aggressive early-2000s rap-rock, tight syncopated low-tuned guitar riffs, punchy live drums, turntable-like rhythmic textures, alternating urgent male rap verses and soaring melodic male chorus, dynamic quiet-to-heavy transitions, polished arena-sized mix with gritty vocal edge
The Smallest Teeth
Heavy alternative rock with brooding post-grunge weight, drop-tuned distorted guitars, thick melodic bass, punchy live drums, and tense dynamic builds. Verses use restrained, gritty male vocals over clipped guitar figures; choruses open into a huge melodic hook with layered harmonies. Add a brief atmospheric guitar interlude before the final chorus, then end with a hard, decisive stop. Polished but raw-edged band mix, dramatic and mythic.
Rat King, Rise
Thrash metal, heavy metal, hard rock, speed metal; fast galloping palm-muted guitar riffs, twin harmonized lead guitar, punchy live-kit drums with double-kick drive, gritty bass locked to the riff. Tense minor-key verse with clipped aggressive male vocals, then a huge melodic gang-chorus; brief stop-start breakdown, blistering guitar solo, final chorus with layered shouts. Tight, raw-edged, high-impact mix, sharp guitars and forceful drums.
Rat King Legends
Heavy metal, thrash metal, hard rock, speed metal; a high-voltage, swaggering hard-rock charge fused with razor-fast thrash riffs and galloping speed-metal momentum, gritty forceful lead vocals, twin-guitar attack and a chantable arena-sized refrain.
Rat King
Heavy metal, thrash metal, hard rock, speed metal; breakneck palm-muted guitar riffs, galloping kick drums, sharp snare, gritty bass, fierce male lead vocals, gang-shouted chorus, dramatic guitar harmonies and a blazing solo. Dark, combative sci-fi fantasy with tight stop-start transitions and a huge final refrain; raw-edged, punchy production.
Rat King
Rock, hard rock, pop rock, classic rock; driving mid-tempo groove with punchy live drums, thick distorted rhythm guitars, a melodic bass line, and a bold lead-guitar motif. Start with a tense picked-guitar figure, open into big verse riffs, lift the pre-chorus with rising harmony guitars, then hit a wide sing-along chorus with layered gang vocals; add a concise guitar solo before the final chorus. Gritty, confident lead vocal, clear hooks, warm analog-style mix, energetic and cinematic.
Rat King
Rock, hard rock, pop rock, classic rock. Driving distorted electric-guitar riffs, punchy live drums, thick bass, bright melodic lead guitar, bold anthemic hooks, gritty confident male rock vocals, dynamic verse-to-chorus lifts, arena-sized chorus, polished vintage-meets-modern band mix. Destiny 2 lore: Rat King legends, fireteam solidarity, hidden passageways, and the weapon’s elusive myth.
Don't Give Up On Life
Emotional cinematic pop-rock anthem, powerful expressive female lead vocals in English. Intimate piano opening with soft vulnerable vocals, gradually building with warm strings, deep bass and steady drums. Huge uplifting catchy chorus with soaring passionate female vocals, driving rock drums, electric guitars and layered harmonies. Emotional second verse, delicate whispered bridge with piano, followed by an explosive final chorus with cinematic percussion and powerful backing vocals. Heartbreaking yet hopeful, deeply moving, empowering, resilient. 94 BPM. Strong melodic hooks, natural English pronunciation.
Rat King Legends
Destiny 2 hip hop, Southern hip hop, trap, rap rock; rowdy, triumphant fireteam swagger with hard-hitting rap delivery and gritty rock-guitar accents, a chantable crew-energy hook.
Rat King Legends
Southern hip hop, trap, rap rock, hard-hitting 808 low end, clipped snare and rattling hi-hats, distorted guitar accents, gritty confident rap delivery, chant-ready hook, tight modern mix with a rowdy fireteam feel
Rat King
High-energy sci-fi rap-rock anthem, stomping half-time verses with tight distorted guitar chugs, punchy live drums and sub bass; explosive chant-led chorus with gang vocals, glitchy arcade synth accents and brief stop-start breaks for the hook; confident playful lead vocal, crisp modern mix, escalating final chorus.
And I'm her bitch
Raw vintage garage blues-rock, 106 BPM. Massive dirty fuzz guitar riff, gritty overdriven tube amps, pounding minimalist drums, stomping kick, crunchy snare, thick distorted bass, vintage organ underneath. Soulful raspy male lead vocal with bluesy swagger, slightly nasal and imperfect delivery, hypnotic repetitive hooks, call-and-response backing vocals. Dark seductive groove, playful sinister lyrics, swampy blues attitude, explosive riff-driven chorus. Lo-fi analog saturation, warm tape compression, roomy live drums, stripped-down two-piece rock band energy. No glossy modern pop production, no synthesizers, no autotune.
Cat Named Lucifer
Vintage 1970s American acoustic folk-rock storytelling song, warm and slightly raspy male baritone, conversational and humorous vocal delivery, lively fingerpicked steel-string acoustic guitar, melodic second acoustic guitar, subtle ragtime and blues influences, warm walking bass, brushed snare, occasional tasteful piano fills, organic analog tape warmth. Witty narrative lyrics, charming imperfect vocals, playful rhythmic phrasing, catchy singalong chorus, bittersweet romantic undertones. Intimate coffeehouse and barroom atmosphere, natural live-band feel, no modern synthesizers or electronic drums. 94 BPM.
book
THE TURNING OF THE — Instrumental Overture Cinematic progressive rock, atmospheric industrial, mechanical ambient, orchestral science fiction. 96 BPM, 4/4, D minor with occasional luminous major harmonies. No lyrics.
Oct31
A wild fusion of gritty Detroit street rap and psychedelic 1970s jam-band rock. Funky walking basslines, loose live drums, twangy electric guitars, swirling Hammond organ, bluesy wah-wah solos, and warm vintage analog production. The rapper delivers outrageous, explicit Halloween robbery stories with a deep, raspy, deadpan voice, aggressive swagger, unpredictable punchlines, and hilarious offbeat timing. Verses are fast, conversational, and unapologetically ridiculous. Choruses explode into cheerful, melodic, three-part hippie harmonies with a carefree, singalong feel. Dark comedy meets sunny psychedelic rock. 102 BPM, funky, rebellious, chaotic, and absurdly catchy.
Pour un bonheur pour tous 2
Free, vocal, guitar, jazz, indie rock, electronic
Buloizagulo
Hip-hop r&b ukrobit, ukrobeatbox, edm, ambient, dj, rock, orchestral, melodic, unique unusual pronouncements, пісюнковий злодій на полюванні на бабозавра, ритмобімба, мелодісімо зашибісімо
Behind the Frown, a Grin
Rock electric guitar solo
Banshee, Cry Across the Bog
Celtic punk, Boston pub-rock drive, brisk stomping punk-rock groove, distorted electric guitars, pounding live kit, driving bass, bright fiddle hooks, tin whistle and bagpipe accents, gang-shouted male vocals with a rough Irish-American edge, rowdy communal chorus, Halloween folk-horror atmosphere, raw energetic live-room mix, rising fiddle-and-pipes breaks between choruses
Banshees over Ballymore
Celtic punk, fast driving pub-rock groove with stomping kick and snare, gritty electric guitars, bright mandolin and fiddle answering the vocal, gang-shouted chorus, rough-edged male lead, lively call-and-response, raw live-room energy, compact verses that build into a huge communal refrain, punchy modern mix
Devil’s Red Slippers
Southern country rock with bluegrass drive, a stomping shuffle groove, bright twin fiddles trading with gritty electric guitar, rolling piano, upright-leaning bass, and punchy live drums. Build from a lean verse into a full-band, chantable chorus; feature a fiery fiddle break before the final chorus. Raspy male lead vocal with conversational storytelling, tight gang harmonies on the hook, warm vintage live-band mix with clear guitar bite.
Bats in the Belfry
Hard rock, blues rock, heavy metal Halloween song; stomping mid-tempo riff with a swung blues-rock pocket, overdriven twin electric guitars, thick bass, punchy live drums, and brief eerie organ accents. Begin with a creaking, sparse guitar-and-organ intro; drive into gritty baritone lead vocals, muscular verse riffs, and a big gang-backed chorus. Add a bluesy guitar solo that climbs into a heavier final chorus, then end on a sharp full-band hit. Raw, theatrical, darkly playful performance with clear vocal-forward mixing and a wide, crunchy guitar sound.
Bats in the Belfry
Halloween hard rock, blues rock, heavy metal; stomping mid-tempo groove with a lurching blues shuffle, thick down-tuned guitar riffs, gritty overdriven lead guitar, punchy live drums, and a growling bass line. Open with a sparse, ominous bell-and-guitar figure, build into a forceful verse, then hit a big gang-vocal chorus; add a bluesy guitar solo and a final double chorus. Raspy, theatrical male lead vocal, raw-edged but clear, with a wide, punchy mix and a slightly haunted church-bell accent.
The Owl Is Staring at Me
Pop, R&B, Soul, Funk, Rock, Disco, Dance. Halloween dance-pop with a sly spooky-comedy mood; tight four-on-the-floor disco drums, elastic funk bass, clipped rhythm guitar, bright piano stabs, handclaps, and theatrical organ accents. Verses stay lean and conversational, then open into a big singalong chorus with layered soulful harmonies; add a brief crunchy rock-guitar lift before the final chorus. Polished, punchy mix with warm vocal presence and crisp dance-floor low end.
The Owl Is Staring at Me
Pop, R&B, soul, funk, rock, disco, dance Halloween song. Upbeat, playful spooky party energy, tight four-on-the-floor disco kick and bright handclaps, syncopated funk bass, chanky rhythm guitar with rock edge, soulful electric piano and punchy brass accents. Verses groove with intimate lead vocal, chorus opens into a big catchy group-backed hook; crisp modern dance mix, theatrical owl-like hoots between phrases.
Mon Enfant
Style : Grande chanson française pop-rock symphonique, épique, émotionnelle et pleine d’espoir. Mélange de piano, cordes, cuivres, guitares électriques, batterie rock, basse et sons pop modernes. Voix : Solistes homme et femme, chorale mixte intergénérationnelle de 5 à 99 ans, enfants, adolescents, adultes et seniors. Harmonies chorales puissantes. Tempo : 104 BPM. Départ intime au piano, montée progressive, refrains explosifs, pont parlé émouvant, final orchestral monumental. Déroulement : * Introduction : piano, violoncelle, enfant et voix âgée parlées. * Couplet 1 : duo homme/femme, ambiance sensible. * Pré-refrain : montée des cordes et percussions. * Refrain : grande chorale, batterie rock, guitares et orchestre. * Couplet 2 : pop-rock énergique. * Pont : voix parlées de plusieurs générations, piano doux. * Dernier refrain : toutes les voix, orchestre symphonique complet. * Final : chorale a cappella puis grand accord orchestral.
Generuj nagrania lektorskie i utwory z AI
Twórz audio z ponad 300 różnymi głosami w naszej bibliotece.
Witamy w kolejnej generacji tworzenia muzyki dzięki naszej Bibliotece Piosenek AI, gdzie innowacyjna sztuczna inteligencja spotyka się z kreatywną ekspresją. Odkryj ogromny wybór piosenek generowanych przez AI, stworzonych przez użytkowników, w różnych gatunkach, nastrojach i językach. Od ambientowych i filmowych pejzaży dźwiękowych po energetyczny pop i głębokie, rezonujące utwory - nasza technologia oparta na AI tworzy unikalną, wysokiej jakości muzykę, idealną do każdego projektu lub po prostu dla przyjemności.
Niezależnie od tego, czy jesteś twórcą treści, deweloperem gier, podcasterem czy po prostu miłośnikiem muzyki, nasza biblioteka piosenek napędzana AI oferuje coś dla każdego. Każda ścieżka jest tworzona przy użyciu zaawansowanej technologii AI, zapewniając realistyczną jakość dźwięku i naturalne brzmienie, z opcjami personalizacji dopasowanymi do Twoich indywidualnych potrzeb. Od podkładów muzycznych po inspirujące ścieżki dźwiękowe - odkryj wszechstronność i głębię muzyki AI na naszej platformie.
Przeglądaj naszą Bibliotekę Piosenek AI już teraz, aby odkrywać muzykę tworzoną przez użytkowników, opracowaną z wykorzystaniem najnowocześniejszej technologii AI. Znajdź idealną ścieżkę dźwiękową do swojego contentu, podnieś projekty dzięki innowacyjnym pejzażom dźwiękowym i doświadcz przyszłości tworzenia muzyki już dziś.