Músicas feitas com Voices AI trazem tecnologia de voz para a música - de covers a faixas originais. Veja como criadores e nossa comunidade estão usando vozes IA para explorar novos sons e ideias.
Sunday I Got My Breath
Emotional contemporary Black gospel, soulful melodic rap, traditional Pentecostal church worship, 72 BPM opening building into a fast 164 BPM church shout finale. Deep warm masculine baritone lead vocal, intimate emotional rap delivery, expressive soulful singing, rich gospel harmonies, powerful live church choir, Hammond B3 organ, expressive grand piano, warm electric bass, live gospel drums, tambourines, orchestral strings. Begin with vulnerable piano and intimate spoken prayer. Build into passionate gospel choruses, soaring choir harmonies, dramatic pauses, vocal ad-libs, and a powerful worship bridge. Finish with an explosive traditional Black church praise break featuring rapid organ runs, energetic bass, explosive drum fills and joyful choir responses. Organic live church sound, authentic emotion, professional studio mix, dynamic arrangement. No electronic dance beat, no trap hi-hat rolls, no robotic vocals.
Mach halt irgendwas
German electro-pop, cheeky cabaret-pop attitude, brisk four-on-the-floor groove, springy synth bass, clipped electronic drums, bright brassy keyboard stabs, playful spoken-sung female lead with crisp diction, chantable chorus, abrupt stop-start accents, polished punchy mix
VERGEET NIET TE LEVEN — IK BEN NOG HIER
Emotional Dutch cinematic life ballad, 68 BPM. Deep warm mature male voice, clear Dutch pronunciation. Soft trembling spoken verses, beautiful high emotional singing in choruses, occasional powerful heartfelt shouting. Heartbreaking crying solo violin, expressive Turkish clarinet, tender piano, warm cello, dramatic orchestral strings. Slow emotional build, touching pauses and sudden silence. Deep sadness turning into strength and hope. Very clear lyrics, powerful moving climax. No rap, no electronic dance music, no autotune. Finish with a lonely crying violin.
Arena Dominator
Extremely aggressive industrial metal fused with hardcore electronic kicks, grinding bass synths, massive gladiator war drums, razor-sharp down-tuned guitar riffs, rapid double-kick bursts, explosive snare hits, relentless driving 160 BPM groove. Fierce deep male shouted vocals with rhythmic growls and punchy crowd chants. Tight, crushing low end, abrasive guitar distortion, stark industrial percussion, huge arena-scale chorus, minimal memorable hooks, high-impact modern mix.
Iron Will
Brutal industrial metal fused with heavy electronic bass and thunderous Roman war percussion, 150 BPM, machine-tight palm-muted chugging guitars, pounding kick drums, cracking snare, simple menacing bass riff, relentless head-nodding groove. Deep gritty male shouts and rhythmic growls lead, with massive gang-vocal responses. Arrangement: percussive count-in, immediate riff-and-shout verse, short rising gang-vocal pre-chorus, explosive chant chorus, stripped breakdown with war-drum hits, final double-intensity chorus, abrupt impact ending. Dense, hard-edged, punchy mix with tightly gated guitars and forceful low end.
Rat King Legends
Dark cinematic electronic rock anthem, tense minor-key pulse with distorted low synth bass, industrial percussion, sharp toms, and gritty electric guitar accents. Verses are restrained and conspiratorial, with close-miked low male vocals; choruses widen into forceful layered gang vocals and heavy drums. Add brief eerie breaks, rising noise swells, and a final chorus that feels defiant and unsettling; polished but rough-edged mix.
Rat King Legends
Aggressive early-2000s rap-rock with cinematic sci-fi game-score tension, downtuned distorted guitars, tight syncopated live drums, sub-bass, and restrained electronic textures. Verses use rhythmic male rap-singing with clipped phrasing over sparse guitar and bass; pre-chorus rises with sustained chords; chorus opens into an anthemic melodic male hook with stacked harmonies and wide guitars. Add a brief half-time breakdown before the final chorus. Polished, punchy, dramatic mix with clear vocal-forward balance.
Carry The Weight
1980s British Synth-Pop, Melodic Electronic Dance, New Wave, Subtle Hi-NRG, 125 BPM. Authentic 1984–1986 Production. Warm Analogue Synth Bass, Bouncing Rhythms, Juno-Style Chords, Bright Arpeggios, LinnDrum-Style Beats, Electronic Toms, Crisp Handclaps, Lush Pads and Catchy Synth Hooks. Youthful British Male Lead, Natural Conversational Delivery, Slightly Nasal Upper Register, Soft Falsetto, Layered Male Harmonies. Restrained Emotion, Never Theatrical. Bright, Danceable, Nostalgic and Bittersweet. Playful Melodies with Subtle Melancholy and Mystery. Strong Repetitive Chorus, Memorable Synth Riffs, Extended Instrumental Breaks, Intimate Half-Time Bridge, Expansive Final Chorus. Sounds Like a Lost Mid-1980s British Pop Single. Warm Vintage Mix, Human Character, Understated Humour. No Modern EDM Drops, No American Accent.
Guy, guy, guy
British 1985 Synth-Pop, Playful Electronic Dance, Retro Hi-NRG, 125 BPM, Minor Key With Bright Uplifting Chorus. Authentic Mid-1980s UK Pop Production, Warm Analogue Synth Bass, Roland Juno-Style Chords, Playful Arpeggiators, Punchy LinnDrum-Style Electronic Drums, Electronic Toms, Handclaps, Sparkling Synth Leads, Catchy Repeating Melodic Hook. Expressive British Male Lead Vocal, Slightly Nasal High Register, Occasional Light Falsetto, Dry Understated Humour, Conversational Verses, Strong Melodic Choruses, Layered Male Harmonies, Rhythmic Group Backing Vocals. Nostalgic, Cheeky, Catchy, Slightly Absurd But Musically Serious. Distinctly British 1980s Character, Danceable, Warm Vintage Production, Generous Instrumental Sections, Synth Solo, Memorable Chorus, No Modern EDM Drops, No American Accent.
Und wer stoppt ihn? Keiner!
High-energy novelty Eurodance instrumental, 140 BPM, playful 1980s retro synth-pop meets 2000s cartoon rave. Original ultra-catchy synthesizer lead melody, bright analog synth arpeggios, funky electronic bassline, punchy four-on-the-floor kick, crisp claps, electronic tom fills, bouncy dance groove, wild pitch-shifted cartoon male vocals, squeaky robotic voice effects, silly rhythmic gibberish, exaggerated vocal chops, comedic engine revs, laser zaps, energetic synth solos, playful call-and-response shouting "Sascha!" and "Schlucki!". Explosive dance drops, infectious electronic hooks, nostalgic arcade-game atmosphere, polished club production, humorous chaotic energy. Mostly instrumental with short funny vocal interjections. Unique original melody, no sampled or copied melodies.
Guy, guy, guy
British 1985 Synth-Pop, Playful Electronic Dance, Retro Hi-NRG, 126 BPM, Minor Key With Bright Uplifting Chorus. Authentic Mid-1980s UK Pop Production, Warm Analogue Synth Bass, Roland Juno-Style Chords, Playful Arpeggiators, Punchy LinnDrum-Style Electronic Drums, Electronic Toms, Handclaps, Sparkling Synth Leads, Catchy Repeating Melodic Hook. Expressive British Male Lead Vocal, Slightly Nasal High Register, Occasional Light Falsetto, Dry Understated Humour, Conversational Verses, Strong Melodic Choruses, Layered Male Harmonies, Rhythmic Group Backing Vocals. Nostalgic, Cheeky, Catchy, Slightly Absurd But Musically Serious. Distinctly British 1980s Character, Danceable, Warm Vintage Production, Generous Instrumental Sections, Synth Solo, Memorable Chorus, No Modern EDM Drops, No American Accent.
Guy, guy, guy
British 1985 Synth-Pop, Playful Electronic Dance, Retro Hi-NRG, Early Synthwave, 126 BPM, Minor Key With Bright Uplifting Chorus. Authentic Mid-1980s UK Pop Production, Warm Analogue Synth Bass, Roland Juno-Style Chords, Playful Arpeggiators, Punchy LinnDrum-Style Electronic Drums, Electronic Toms, Handclaps, Sparkling Synth Leads, Catchy Repeating Melodic Hook. Expressive British Male Lead Vocal, Slightly Nasal High Register, Occasional Light Falsetto, Dry Understated Humour, Conversational Verses, Strong Melodic Choruses, Layered Male Harmonies, Rhythmic Group Backing Vocals. Nostalgic, Cheeky, Catchy, Slightly Absurd But Musically Serious. Distinctly British 1980s Character, Danceable, Warm Vintage Production, Generous Instrumental Sections, Synth Solo, Memorable Chorus, No Modern EDM Drops, No American Accent.
Cat Named Lucifer
Vintage 1970s American acoustic folk-rock storytelling song, warm and slightly raspy male baritone, conversational and humorous vocal delivery, lively fingerpicked steel-string acoustic guitar, melodic second acoustic guitar, subtle ragtime and blues influences, warm walking bass, brushed snare, occasional tasteful piano fills, organic analog tape warmth. Witty narrative lyrics, charming imperfect vocals, playful rhythmic phrasing, catchy singalong chorus, bittersweet romantic undertones. Intimate coffeehouse and barroom atmosphere, natural live-band feel, no modern synthesizers or electronic drums. 94 BPM.
Back in Six Months
guitar, electronic
Pour un bonheur pour tous 2
Free, vocal, guitar, jazz, indie rock, electronic
I Survive
Deep house, cinematic car music, 122 BPM, syncopated slap bass, dark atmospheric minor-key opening that transitions into a triumphant lift. Four-on-the-floor kick, tight claps, rolling hats, subwoofer-focused bass drop, distorted synth stabs and chopped electronic vocal textures. Male vocals move from close whispered low register to forceful anthemic delivery, with deep pitch-shifting and robotic vocoder processing. Dark tech breakdown strips to bass pulse and processed vocal fragments, then a wide, driving final drop. Polished, punchy low end and spacious cinematic mix.
The Third Night
Title: THE SHADOW WITHIN Dark cinematic superhero orchestral instrumental. 78 BPM, D minor. Deep ominous cellos, aggressive low brass, haunting violins, massive cinematic percussion, distorted synth bass, ticking rhythmic pulses, and atmospheric drones. Begin with eerie silence, distant thunder, and a slow two-note string motif. Gradually build tension through pounding war drums, rising orchestral strings, explosive brass, and unsettling electronic textures. Transition into a powerful, heroic yet tragic orchestral climax with thunderous percussion and sweeping strings. End with a haunting piano melody fading into darkness. Gritty, mysterious, psychological, suspenseful, emotionally intense, epic blockbuster film production. Wide cinematic stereo, deep sub-bass, dramatic dynamics. STRICTLY INSTRUMENTAL. NO VOCALS, NO SINGING, NO CHOIR, NO HUMMING, NO SPOKEN WORDS, NO RAP.
Goblins Within
Electro-swing with a buoyant swung dance pulse and bright 1930s big-band brass section: punchy trumpets, trombones, saxophone riffs, upright-bass bounce, crisp brushed-to-snare transitions, and nimble piano comping. Build from a stately ballroom entrance into increasingly rowdy call-and-response vocals; use a sudden electronic bass drop at the goblin reveal, then return to brass-led swing for a comic, high-energy finale. Theatrical, playful lead vocals with crisp diction, stacked guest-chorus responses, vintage bandroom color against polished modern low end.
The Goblins Own the Ballroom
Upbeat Halloween electro-swing with a brisk, buoyant swing beat and 1930s big-band brass punches. Open with clipped piano, upright-bass bounce, brushed kit and a sly muted-trumpet call; build through jaunty saxophone and trombone answers, theatrical characterful lead vocals, and crisp vintage-room brass against modern, punchy electronic low end. At the reveal, slam into a playful, high-energy electronic bass drop while brass riffs keep the swing lilt; return to a rousing ensemble finale with call-and-response vocals and a tight stop-time ending. Clear vocal intelligibility, lively stage-show delivery, polished vintage-meets-modern mix.
Poltergeist, Poltergeist
Sleek Halloween K-pop dance-pop, punchy syncopated electronic drums, rubbery sub-bass, clipped synth stabs and eerie music-box accents. Tight, rhythmic verses build into a bold, chantable chorus with layered group vocals, playful theatrical delivery, crisp modern pop production and a dramatic final refrain.
Kays Wohnzimmer
80sGermanHeavyMetal, TeutonicMetalAnthem, 145BPM, 4/4, rawaggressiveoldschoolproduction, razor-sharpsaturatedguitarriffs, poundingpalm-mutedrhythmguitars, thunderingbass, explosivedoub le-bassdrums, crashcymbals, drivingmarchinggroove, anthemicpowerchords, catchyguitarmelodies, blisteringmelodicguitarsolos, grittyraspymalevocals, deepcommandingverses, high-pitchedmetal screams, rebelliousgangshouts, massivechant-alongchorus, call-and-responsevocals, stadium-sizedenergy, darkdefiantatmosphere, working-classrebellion, freedomandrevolutionthemes, dramaticdrumfills, rawanalogwarmth, classicMarshallampdistortion, hugehook-drivenchorus, explosivetransitions, extendedguitarsolo, epicfinalchorus, authentic1980sEuropeanHeavyMetal, uncompromisingpower, ferociousintensity, noelectronics, noautotune.
105 BPM aus Berlin
Premium German corporate radio show, 105 BPM, smooth funky lounge, subtle electronic groove. DOMINANT deep, powerful, distinctive male radio announcer, rich resonant baritone, warm chest voice, slightly gravelly, charismatic mature broadcast personality, exceptionally clear German pronunciation, precise articulation, confident deliberate pacing. SPOKEN WORD ONLY, no singing, no rapping. Voice prominently in foreground, close-miked, crystal clear. Background music very quiet during speech, target 18–22 dB below narration, strong automatic ducking. Longer smooth instrumental breaks between announcements, elegant funky bass, Rhodes piano, gentle drums, sophisticated synth textures. Professional radio mastering, warm broadcast compression, minimal reverb, no echo, no distortion. Polished technology event atmosphere, short radio jingles, seamless transitions, relaxed professional energy.
Kaffeepause
Premium corporate radio lounge, modern funky house, smooth soul, sophisticated electronic chill groove, 108 BPM, warm funky bassline, clean electric guitar, Rhodes piano, tasteful synthesizers, crisp drums, uplifting tech conference atmosphere, polished professional radio production. Deep warm German male radio announcer voice, confident, friendly, charismatic, relaxed, natural conversational delivery. All German text must be spoken, never sung or rapped. Short radio station jingles, subtle transitions, smooth instrumental breaks between announcements. Instrumental music stays prominent but automatically ducks beneath spoken announcements. High-end FM radio sound, crystal clear vocals, professional broadcast compression, elegant digital innovation branding, seamless looping atmosphere, no aggressive EDM drops, no cheesy advertising, no sung lyrics.
El bicho
Explosive Big Room House, Festival EDM, 128 BPM, 4/4, powerful four-on-the-floor kick, massive distorted electro bass, aggressive punchy synth stabs, huge festival drops, repetitive hypnotic lead melody, dramatic cinematic risers, energetic snare rolls, massive white noise sweeps, deep sub bass, high energy electronic dance production, euphoric festival atmosphere, instrumental, professional EDM club production.
Is What It Is
A melodic trap-soul R&B track built around a warm, masculine tenor with smooth emotional phrasing and effortless swagger. The production is dark but polished, blending deep 808s, crisp trap drums, moody synths, atmospheric pads, and unusual melodic textures like muted guitar, warped keys, vocal chops, or subtle electronic plucks. The beat should feel hypnotic, spacious, and modern rather than overcrowded. The singer moves smoothly between low, intimate verses and a more open melodic hook with layered harmonies and restrained ad-libs. For the rap verse, the instrumental gets heavier and darker, with stripped-back drums and bass. The cadence is smooth, deep, catchy, and playful, mixing confident punchlines, light double entendres, and relaxed swagger without losing the song’s sensual mood.
Antiguo Nuevo Amor
Uplifting progressive house, euphoric melodic EDM, 126 BPM, emotional male vocals, bright piano chords, uplifting acoustic guitar riffs, powerful four on the floor kick, warm deep bassline, euphoric melodic synth lead, huge festival drop, emotional vocal build-up, energetic electronic percussion, beautiful atmospheric pads, catchy melodic hook, hands in the air festival anthem, joyful romantic atmosphere, polished professional electronic dance music production.
T4CrimeScene
grime, acoustic, electronic, rock, deep house, trip hop
T4DrugComplex
trap, trumpet, electronic, trip hop, acoustic
🎃 Halloween with the Vackenklints 👻
Dark cinematic Halloween synth-pop, eerie repeating piano motif, pulsing analog synthesizers, deep ominous bass, ticking percussion, pounding electronic drums and haunting strings. Slow suspenseful intro building into an energetic, spooky groove. Expressive female and male duet vocals in English, alternating verses, whispered spoken exchanges and powerful shared choruses. Catchy vocal hooks, ghostly backing harmonies and playful family storytelling against a chilling horror atmosphere. Dramatic pauses, rising tension, explosive final chorus, then a quiet music-box outro with three slow knocks and an abrupt ending. Polished cinematic production, clear vocals and strong dynamic contrast.
노래다운 노래 좀
Bright and catchy Korean acoustic pop-rock, upbeat indie folk-pop, youthful and nostalgic atmosphere, playful acoustic guitar strumming, bouncy bassline, lively organic drums, warm piano accents, natural and expressive young male vocals, conversational singing style, clear Korean pronunciation, memorable sing-along chorus, simple and addictive melodies, bittersweet emotions, witty storytelling lyrics, cheerful rhythm with emotional depth, warm vintage band sound, dynamic arrangement, 108 BPM, major key, no rap, no autotune, no excessive high notes, no EDM, no heavy electronic production
Half Past Two
Melancholic art-pop, intimate low-register lead vocal, restrained piano motif with glassy mallet accents and muted electronic pulse; verses sparse and close, choruses widening with soft strings and layered harmonies, then an exposed piano outro. Rain-soft, tactile production with nuanced dynamics.
Rain Against the Stone
Melancholic art-pop, intimate and understated, measured mid-tempo pulse with brushed electronic percussion, muted piano and restrained cello, occasional glassy synth tones; verses sparse and close-miked, chorus opens into layered harmonies and a gentle swelling low end, then falls back to a bare piano outro. Soft, reflective vocal delivery, detailed cinematic production with room for silence.
Schodzeit bis in d’Früah
Austrian alpine folk dance fused with punchy modern electronic club production; brisk stomping two-step groove, bright accordion and zither-like plucked strings trading a catchy motif, rounded bass pulse, crisp kick and handclap accents, lively fiddle flourishes. Build from a rustic instrumental pickup into buoyant verses and a big communal singalong refrain, then break down to accordion before a final full-energy refrain. Warm, cheeky male dialect vocal, tight doubles on the hook, polished and energetic mix.
Pinzga Schodzeitn
Austrian alpine folk dance remix with a brisk polka bounce over punchy modern electronic dance production; bright accordion and zither riffs, buoyant tuba-style bass, crisp kick and handclaps, playful fiddle fills. Start with a short accordion pickup, build into a full groove for the verses, open into a big singalong chorus with layered group vocals, then finish with a tight instrumental tag. Warm, festive, clean mix with lively male lead vocals and communal backing shouts; use authentic Pinzgau dialect phrasing.
Schodzeitn
Austrian Alpine folk-dance fused with energetic modern electronic dance production, buoyant polka two-step groove, bright accordion and fiddle riffs over punchy kick, handclaps, rounded bass and crisp synth accents; lively call-and-response lead vocals, communal chorus, quick instrumental breaks, polished and playful festival mix.
Pinzga Schodzeitn
Austrian alpine party remix, high-energy electronic folk dance, punchy four-on-the-floor kick with crisp claps and stomping percussion, bright accordion riffs and brassy synth stabs, bouncy bass, fast celebratory groove, playful male dialect vocals with chant-along hooks, verses kept nimble then a big crowd-ready chorus, polished loud festival mix.
Heut is Schodzeit
Alpine folk dance fused with upbeat electronic dance-pop, bouncy polka two-step groove, bright accordion and hammered dulcimer riffs, sturdy kick and handclaps, rounded synth bass, playful group responses, exuberant dialect lead vocal, crisp contemporary mix with a festive village-hall energy
Pinzga Schodzeitnremix
Pinzgau Alpine folk dance remix, lively and cheeky, sung in Austrian dialect, driving electronic dance pulse with zither-like plucked strings and a stomping brass-led lift; exuberant communal singalong energy.
Primavera em Porto Feliz
"Baroque techno fusion, Vivaldi's Spring violin melody fused with heavy dark techno beats, 130 BPM, four-on-the-floor pounding sub-bass, sharp harpsichord and classical violins contrasting with heavy electronic bass drops, cinematic, energetic club mix, instrumental."
VitaMinD
deep house, synthesizer, electronic, Violin, Cello, Harp, Handpan, house, soundtrack
VitaMinD
deep house, 80s, synthesizer, electronic, Violin, Cello, Harp, strings, Handpan, house
I knew you
synthesizer, Bluegrass, 80s, punk, electric guitar, electronic
قهرِي على بو اليمامه
Authentic traditional Yemeni Yafa'i folk song, with a distinctive southern Yemeni melody. Warm, powerful and beautiful male vocals, led by one expressive singer with a harmonious male group chorus. Natural moderate tempo, steady traditional Yemeni rhythm, rich melodic keyboard, traditional folk percussion and gentle electronic drums. Emotional and heartfelt singing, clear Yemeni dialect pronunciation, smooth vocal delivery, natural pauses and beautifully sustained notes. Strong memorable chorus, professional studio recording, authentic Yafa'i musical atmosphere. No fast singing, no rushed lyrics, no robotic vocals.
ExtraMile
punk, soundtrack, electronic, electric guitar, deep house
Extramile
80s, punk, synthesizer, drum and bass, electronic, hip-hop
شعر الأدب ناس له راقية؟
A folk song sung in Arabic by a group of male vocalists with an energetic delivery, over electronic percussion and a keyboard.
Coastal Pulse
Instrumental 1980s electronic soundtrack, sleek coastal crime-drama atmosphere, mid-tempo pulsing synth-bass groove, gated drum machine with crisp snare and tom fills, glassy analog synth chords, melodic electric piano, saxophone-like synth lead answering a restrained arpeggiated motif. Begin with spacious keys and distant pulse, bring in the full groove for the main theme, open into a memorable lead melody, then resolve with a warm, cinematic outro. Period-authentic analog synthesizer timbres, tape warmth, wide stereo, polished yet slightly hazy production.
Hinter den Kulissen
Cinematic electronic thriller soundtrack with a restrained, stalking pulse; muted low synth ostinato and dry hand percussion under clipped, intimate German vocals, close-miked and controlled. Begin spare with room tone and a repeating bass figure, build in the verse with ticking percussion and cold piano notes, widen the chorus with layered synth chords and urgent vocal doubles, then strip back to a brief unresolved ending. Precise, shadowy mix with firm low end and clear vocal presence.
mein klavier süilt nur für dich
Melodic Piano Techno-Dance, 136 BPM, 4/4, D minor, approx. 2:45 minutes. Warm, slightly smoky female alto voice, clear German lyrics. Start with an emotional solo grand piano melody, simple and unforgettable. Gradually introduce deep pulsing techno bass, powerful four-on-the-floor kick, crisp hi-hats, rhythmic synthesizers and atmospheric pads. Keep the piano clearly audible throughout. Short rhythmic verses, strong catchy chorus, emotional but never sentimental. After the second chorus, play an expressive piano and synthesizer instrumental break. Build rising tension with electronic effects and rolling drums. At 'Für dich! Für dich!' create a dramatic one-beat silence, then unleash a massive melodic techno bass drop and energetic final chorus. End with the original solo piano melody fading naturally. Professional studio quality, wide stereo, punchy bass, crystal-clear vocals. No rap, no choir, no kitsch. Use only supplied lyrics.
mein klavier spielt für dich
Melodic Piano Techno-Dance, 136 BPM, 4/4, D minor, approx. 2:45 minutes. Warm, slightly smoky female alto voice, clear German lyrics. Start with an emotional solo grand piano melody, simple and unforgettable. Gradually introduce deep pulsing techno bass, powerful four-on-the-floor kick, crisp hi-hats, rhythmic synthesizers and atmospheric pads. Keep the piano clearly audible throughout. Short rhythmic verses, strong catchy chorus, emotional but never sentimental. After the second chorus, play an expressive piano and synthesizer instrumental break. Build rising tension with electronic effects and rolling drums. At 'Für dich! Für dich!' create a dramatic one-beat silence, then unleash a massive melodic techno bass drop and energetic final chorus. End with the original solo piano melody fading naturally. Professional studio quality, wide stereo, punchy bass, crystal-clear vocals. No rap, no choir, no kitsch. Use only supplied lyrics.
Dziewięćdziesiąt Dziewięć Złotych
Fast, energetic Polish electronics retail commercial parody, inspired by the excitement of Polish discount advertising. Professional Polish male sales announcer, fast rhythmic delivery, enthusiastic female Polish voice, secondary deep German commercial announcer. 70% Polish, 30% German. Punchy modern commercial radio production, bright upbeat electronic advertising music, catchy original promo stingers, rapid price announcements, exaggerated sales excitement, funny product descriptions and absurd discounts. Crisp professional FM radio compression, subtle cash register sounds, electronic beeps, dog barking, smooth transitions between advertisements. High-energy but naturally spoken voices, clear native Polish and German pronunciation. Spoken advertisements ONLY, no singing, no rap. No long musical sections, no drawn-out words, no excessive pauses. Fictional comedy advertising for ARES EXPERT, not a real retailer advertisement.
R4F, den multiclass
Czech motorsport party anthem, high-energy stadium rock fused with punchy electronic dance production, driving four-on-the-floor kick, chunky distorted guitars, bright synth accents, forceful male lead vocal with rowdy group shouts on the refrain, crisp modern mix. Start with a brief race-start build, launch into brisk rhyming verses, open into a chantable all-caps chorus, add a short instrumental break, then finish with a bigger repeated crowd chorus.
Zostaw telefon
Professional Polish-German FM traffic news bulletin, polished modern Polish commercial radio sound, similar to mainstream Polish news radio. 65% Polish, 35% German. Mature male Polish traffic announcer, calm confident and natural delivery. Secondary German male reporter with authentic native pronunciation, Polish female correspondent. Serious realistic traffic reporting with subtle dry humor and understated sarcasm. Brisk fluent conversational speech, consistent pace, no stretched words, shouting or theatrical acting. Short concise traffic jingle, soft electronic radio news bed, subtle transitions, minimal sound effects. Clear spoken narration only, absolutely no singing or rap. Realistic professional FM radio sound, warm broadcast compression, seamless transitions. Fictional satirical traffic reports. Keep all dialogue intelligible and natural. No long intro, musical breaks or extended outro.
Wir drehen den Spieß
German satirical rap, brisk boom-bap groove with twitchy electronic accents, rubbery bass, clipped punchy drums, playful call-and-response ad-libs, charismatic male rap delivery with crisp consonants and comic emphasis; verses use tight internal rhymes, hook opens into a chantable crowd refrain, dry upfront vocal and gritty, controlled mix
Stimmung stimmlieren
satirical German-language rap, punchy boom-bap groove with playful electronic accents, nimble conversational flow, sharp comedic delivery, call-and-response ad-libs, compact verse-and-hook arrangement, crisp dry vocal upfront, tight bass and snappy drums
Don’t know why
High energy, country pop catchy, synth, sad, heartfelt, 2010, soundtrack, male voice, clean, high fidelity, no violin, no fiddle, no banjo, dance, keyboard, electronic
Tropical neon sunshine
An Electronic Instrumental Track Featuring Synthesizer, Drum Machine, And Bass, With An Energetic Character.
Bom Dia, Menina
Warm, upbeat romantic Brazilian pop with bossa nova influences and gentle samba rhythms, 105 BPM. Beautiful, warm, expressive female lead vocals with a soft Brazilian accent. Playful acoustic guitar, gentle Brazilian percussion, pandeiro, melodic bass, subtle tropical instruments. Catchy, joyful and memorable Portuguese chorus with a sunny Brazilian summer atmosphere. Sweet, playful, cheeky and charming storytelling, English verses with natural Brazilian Portuguese chorus. Light, uplifting, feel-good morning energy, intimate melodic verses building into bright sing-along choruses. Playful spoken intro and short humorous bridge, warm organic production, smooth flowing melodies, affectionate and happy atmosphere. No EDM, no heavy electronic beats, no sad ballad, no dramatic emotional delivery.
Embrace The System
dubstep, hip-hop, electronic, piano
Wtorek w Krainie Marzeń
Wesoła, electronic, soundtrack
Sou eu
Sertanejo, agitada, festa, country, pop, dance, eletrônica, acoustic guitar, electronic, country pop, future bass
시간을 건너, 다시 나트랑
Emotional cinematic travel documentary song, approximately 3 minutes. Warm nostalgic acoustic pop ballad, gentle piano, acoustic guitar, soft strings, subtle percussion, 78 BPM. Clear mature male lead vocal, natural and heartfelt. Verse 1 entirely in Korean, Verse 2 entirely in English. Melodic bilingual chorus, gradual emotional build, uplifting yet bittersweet ending. Theme: leaving Rwanda, returning to Nha Trang, unexpectedly seeing a hotel from three years ago, and preparing to revisit a place remembered from 57 years ago. Beautiful, reflective, hopeful, not overly dramatic. No rap, no heavy electronic beats, no spoken narration. Gentle instrumental outro.
Bolo de Casamento
Authentic modern Brazilian baile funk, powerful and highly danceable funk pancadão, infectious tamborzão rhythm, bouncy distorted bass, hard-hitting Brazilian funk drums and syncopated percussion. NOT EDM, NOT aerobics, NOT workout music. INTRO: A futuristic, otherworldly electronic vocal sound, very high-pitched feminine robotic voice, chopped and stuttered like an alien spaceship transmission. The words “Le-le-le, Letícia!” and “Ju-ju-ju, Júnior!” sound magical, spacey, synthetic, heavily pitch-shifted, with echo, digital glitches and futuristic laser effects. Make this intro unique, surprising and instantly recognizable. Then a brief dramatic pause and a huge, explosive Brazilian funk beat drop. The main song switches to a youthful, confident Brazilian male funk MC voice, rhythmic and energetic, with natural Brazilian Portuguese pronunciation. Strong dance groove, heavy tamborzão, bouncing bass and crowd-hyping vocal shouts. The futuristic electronic voice returns briefly between
Desce Até o Chão
Authentic modern Brazilian baile funk, powerful and highly danceable funk pancadão, infectious tamborzão rhythm, bouncy distorted bass, hard-hitting Brazilian funk drums and syncopated percussion. NOT EDM, NOT aerobics, NOT workout music. INTRO: A futuristic, otherworldly electronic vocal sound, very high-pitched feminine robotic voice, chopped and stuttered like an alien spaceship transmission. The words “Le-le-le, Letícia!” and “Ju-ju-ju, Júnior!” sound magical, spacey, synthetic, heavily pitch-shifted, with echo, digital glitches and futuristic laser effects. Make this intro unique, surprising and instantly recognizable. Then a brief dramatic pause and a huge, explosive Brazilian funk beat drop. The main song switches to a youthful, confident Brazilian male funk MC voice, rhythmic and energetic, with natural Brazilian Portuguese pronunciation. Strong dance groove, heavy tamborzão, bouncing bass and crowd-hyping vocal shouts. The futuristic electronic voice returns briefly between
Garnek Parówek
pop, lo-fi, dzieci, electronic, ukulele,
08_ LY0N - THE LION CHAIN
Dark futuristic cybernetic industrial trap, 132 BPM, D minor, heavy half-time rhythm. Extremely deep masculine German baritone, precise, cold, authoritative and mysterious. Immediate NFC scan sound followed by deep spoken narration. Pulsating analog synth sequences, encrypted digital textures, mechanical ticking percussion, distorted 808 bass, heavy industrial trap drums, ominous low strings, metallic impacts, deep cinematic brass and atmospheric male choir. Hypnotic German storytelling verses with technical rhythmic precision. Massive bilingual anthem hook: THE LION CHAIN, EVERY OBJECT HAS A NAME. Layered deep male chants, futuristic vocal glitches, powerful orchestral drops. Mid-song minimal breakdown with synthetic voice and electronic pulses. Escalating final chorus, cinematic transition ending. Premium wide stereo mix, crushing sub bass, clear upfront vocals. No female vocals, no cheerful pop, no excessive autotune.
Doctor What?
Quirky British 1983–1986 synth-pop, retro synthwave, novelty sci-fi disco, 124 BPM, D minor. Catchy, playful, danceable, slightly amateur yet surprisingly polished. British male lead, dry understated spoken delivery, slightly nasal melodic singing, high falsetto harmonies. Flat robotic vocoder call-and-response. Bouncy analogue monosynth bass, cheap Casio-style keyboard, bright polyphonic synth stabs, playful arpeggios, wobbly electronic bleeps. Homemade percussion sampled from biscuit tins, saucepan lids, teaspoons, glasses, finger clicks and household objects, combined with a primitive drum machine. Punchy electronic kick, gated snare, warm tape saturation, early digital effects. Repetitive infectious chorus, simple memorable melody, charmingly awkward synth solos, theatrical sci-fi confidence undermined by deadpan British humour. Small home studio aesthetic, no modern EDM drops, no orchestral score, no American accents.
Casamento de 2026
Brazilian mandelão paulista, heavy raw baile funk, same sound and energy as the first version. Aggressive distorted 808 bass, hard tamborzão, punchy kicks, DJ drops and chopped vocal samples. For “Letícia e Júnior”, use a distinctive electronic vocal chop, pitch-shifted processed chant, rhythmic stutter and layered vocoder-like effect, sounding like a DJ sample fused with the bass drop, NOT a normal spoken or sung vocal. Repeat the names rhythmically over the beat. Raw street baile energy, powerful low end, not EDM, not workout music, not pop dance. Preserve the original funk groove and vocal effect throughout.
Solta o Pancadão
Brazilian funk pancadão mixed with explosive EDM. The very first sound must be the recognizable traditional wedding march melody, played instrumentally for 6–8 seconds. Absolutely no voice before the wedding melody. Then a dramatic electronic transition and a powerful funk bass drop. Spoken MC announcements come only after the beat drops. Separate voices, then male lead singer. Heavy tamborzão, deep bass, high-energy dance-floor anthem. No sertanejo, no arrocha.
Cadê o Tamborzão do Casamento?
INTRO: Start with the instantly recognizable traditional wedding march melody, played clearly on its own for several seconds. Make everyone immediately recognize that this is a wedding. SUDDEN TRANSITION: Dramatic silence, electronic riser, massive EDM impact, explosive Brazilian funk pancadão drop, powerful tamborzão, deep distorted bass and aggressive electronic synths. The energy must explode and surprise the entire crowd. ANNOUNCEMENTS: Mature female spoken voice announces LETÍCIA with strong electronic effects. Then a separate deep male robotic electronic voice announces JÚNIOR. Then DJ DIDI hypes up the crowd and announces the music. Each voice must be separate, spoken only, never sung, with no overlapping. MAIN SONG: After the announcements, the male singer enters with the lyrics over an extremely energetic Brazilian funk pancadão mixed with EDM festival music. The wedding march must be clearly audible at the beginning before the beat drops. Do not skip the wedding introduct
Hoje o baile é diferenciado
Brazilian funk pancadão with powerful electronic EDM drops. Start immediately with a strong electronic DJ call, heavy bass and hard-hitting tamborzão. Energetic MC spoken shouts, crowd chants, explosive beat drops, fast dance rhythm, powerful synths and festival-level energy. Minimal singing, mostly rhythmic spoken MC vocals. Make the names LETÍCIA and JÚNIOR hit hard with the beat so the entire crowd can shout along. Huge electronic build-up and explosive final drop. Modern Brazilian baile funk party anthem. Absolutely no sertanejo, no arrocha, no acoustic guitar, no romantic introduction, no wedding march, no beach dance groove, no soft melodic vocals. The instrumental must be dominated by heavy funk percussion and electronic bass.
Di Si Bija Kad Je Grmilo?
Dalmatian Croatian song, authentic Mediterranean atmosphere, mandolin, Elektro Guitar rock style, 120 bpm, lively and energetic rhythm, male lead vocal with a natural Dalmatian accent and clear Croatian pronunciation. Traditional klapa-style male backing harmonies, strong rhythmic phrasing, Powerful, catchy chorus with emphasis on “Di si bija, bija, bija”. Natural human voices, authentic Adriatic character, subtle mandolin accompaniment and traditional Mediterranean instrumentation. Festive, melodic, joyful and unmistakably Dalmatian. Keep the original lyrics exactly as written. No changes to the words. No rap, no EDM, no electronic pop production, no artificial choir.
Di Si Bija Kad Je Grmilo?
Dalmatian Croatian song, authentic Mediterranean atmosphere, mandolin, Elektro Guitar rock style, lively and energetic rhythm, male lead vocal with a natural Dalmatian accent and clear Croatian pronunciation. Traditional klapa-style male backing harmonies, strong rhythmic phrasing, Powerful, catchy chorus with emphasis on “Di si bija, bija, bija”. Natural human voices, authentic Adriatic character, subtle mandolin accompaniment and traditional Mediterranean instrumentation. Festive, melodic, joyful and unmistakably Dalmatian. Keep the original lyrics exactly as written. No changes to the words. No rap, no EDM, no electronic pop production, no artificial choir.
Di Si Bija Kad Je Grmilo?
Dalmatian Croatian song, authentic Mediterranean atmosphere, rock style, lively and energetic rhythm, male lead vocal with a natural Dalmatian accent and clear Croatian pronunciation. Traditional klapa-style male backing harmonies, strong rhythmic phrasing, expressive and emotional singing. Powerful, catchy chorus with emphasis on “Di si bija, bija, bija”. Natural human voices, authentic Adriatic character, subtle mandolin accompaniment and traditional Mediterranean instrumentation. Festive, melodic, joyful and unmistakably Dalmatian. Keep the original lyrics exactly as written. No changes to the words. No rap, no EDM, no electronic pop production, no artificial choir.
LES TROIS CHEVALIERS DU CHÂTEAU MAGIQUE
Epic Celtic Folk Electro anthem, 138 BPM. Authentic Scottish and Irish folk festival energy blended with modern dance production. Powerful melodic bagpipes, fast Irish fiddles, Celtic whistles, bodhrán drums, stomping percussion, acoustic guitars, deep driving bass and punchy electronic kicks. Strong charismatic French male lead singer, warm powerful voice, expressive storytelling, natural French pronunciation. Huge uplifting melodic choruses with passionate mixed crowd choirs singing together, infectious HEY HEY chants, clapping and stomping. Catchy unforgettable melodies, heroic Celtic harmonies, emotional builds, soaring fiddle solos and explosive folk dance drops. Medieval adventure atmosphere, cinematic and joyful. Rich organic instruments, modern polished production, energetic festival sound. Mature musical style, not childish, no nursery-rhyme melodies, no cartoonish singing. Epic, funny, adventurous, highly singable. Duration 3:40.
Mathis, Loan & Tonton Titi – Die Dino-Ritter!
Epic Celtic Electro EDM, 145 BPM, magical medieval fantasy adventure meets explosive modern festival dance music. Powerful Celtic bagpipes, fast Irish fiddles, tin whistles, Celtic harps, medieval flutes, heroic brass and thunderous war drums. Blend traditional Irish folk melodies with massive electronic kicks, deep bouncing bass, euphoric supersaw synths and energetic hardstyle drops. Start with a mysterious medieval castle atmosphere, distant bagpipes and cinematic orchestral strings, then build into an explosive Celtic dance anthem. Energetic French male storyteller, playful theatrical voices, enthusiastic children’s choir chanting “Mathis ! Loan ! Tonton Titi !”. Catchy repetitive singalong choruses, heroic melodies, fast Celtic violin solos, galloping rhythms, dramatic risers and huge festival drops. Dragon roars, horse gallops and magical sound effects. Joyful, funny, adventurous, powerful and incredibly danceable. Epic Celtic festival atmosphere, 3:30.
LES TROIS CHEVALIERS DU CHÂTEAU MAGIQUE
Epic Celtic Electro EDM, 145 BPM, magical medieval fantasy adventure meets explosive modern festival dance music. Powerful Celtic bagpipes, fast Irish fiddles, tin whistles, Celtic harps, medieval flutes, heroic brass and thunderous war drums. Blend traditional Irish folk melodies with massive electronic kicks, deep bouncing bass, euphoric supersaw synths and energetic hardstyle drops. Start with a mysterious medieval castle atmosphere, distant bagpipes and cinematic orchestral strings, then build into an explosive Celtic dance anthem. Energetic French male storyteller, playful theatrical voices, enthusiastic children’s choir chanting “Mathis ! Loan ! Tonton Titi !”. Catchy repetitive singalong choruses, heroic melodies, fast Celtic violin solos, galloping rhythms, dramatic risers and huge festival drops. Dragon roars, horse gallops and magical sound effects. Joyful, funny, adventurous, powerful and incredibly danceable. Epic Celtic festival atmosphere, 3:30.
شيلة الضُّوَيَّان والعُمَيْرِي
Original majestic Saudi Najdi sheila, authentic Al Quwaiiyah dialect, proud Saudi male vocalist, traditional rababa intro, deep Najdi ardah drums, 86 BPM, powerful male chorus repeating Al-Dhuwayyan and Al-Umayri, emotional family pride, ceremonial atmosphere, natural Saudi pronunciation, no electronic instruments, no female vocals, no autotune.
O Pancadão do Casamento
Modern Brazilian funk pancadão, high-energy baile funk, 130 BPM, extremely danceable, heavy tamborzão, massive deep sub bass, hard-hitting kick, punchy electronic drums, syncopated percussion, aggressive electronic bass, sharp synth stabs, powerful DJ effects, rhythmic fills and explosive drops. The beat must be loud, driving, groovy and energetic, like a modern Brazilian funk dancefloor hit. Short suspenseful intro with ONE deep male MC voice speaking alone, no backing vocals. At “DJ, solta o pancadão!”, an immediate massive beat drop with heavy bass and full percussion. Female adult voice calls “Le-le-le, Letícia!”; deep male electronic voice calls “Ju-ju-ju, Júnior!”. Then a separate lead singer performs the remaining lyrics over the powerful funk beat. Alternate these vocal sections clearly. Keep the heavy dance groove throughout, with strong rhythmic variations, punchy transitions and a huge final drop. No soft beat, no slow sections, no childlike voices, no duet during the intro,
Pancadão
Modern Brazilian funk pancadão, high-energy baile funk, 130 BPM, extremely danceable, heavy tamborzão, massive deep sub bass, hard-hitting kick, punchy electronic drums, syncopated percussion, aggressive electronic bass, sharp synth stabs, powerful DJ effects, rhythmic fills and explosive drops. The beat must be loud, driving, groovy and energetic, like a modern Brazilian funk dancefloor hit. Short suspenseful intro with ONE deep male MC voice speaking alone, no backing vocals. At “DJ, solta o pancadão!”, an immediate massive beat drop with heavy bass and full percussion. Female adult voice calls “Le-le-le, Letícia!”; deep male electronic voice calls “Ju-ju-ju, Júnior!”. Then a separate lead singer performs the remaining lyrics over the powerful funk beat. Alternate these vocal sections clearly. Keep the heavy dance groove throughout, with strong rhythmic variations, punchy transitions and a huge final drop. No soft beat, no slow sections, no childlike voices, no duet during the intro,
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