"Rap"
Låtar skapade med Voices AI

Låtar gjorda med Voices AI tar röstteknik in i musiken - från covers till originalspår. Se hur skapare och vårt community använder AI-röster för att utforska nya ljud och idéer.

Serial killers

Serial killers

Nu metal rap

The ferryman

The ferryman

Rap nu metal

Afterlife

Afterlife

Nu metal rap

Elvis FSalam 03

Elvis FSalam 03

Generează o piesă originală în duet, combinând rock’n’roll-ul anilor ’50 cu manele balcanice moderne. Două voci masculine distincte: Vocea 1 – bariton profund, cald, cu vibrato amplu, energie rockabilly și frazare teatrală; Vocea 2 – tenor balcanic pasional, cu melisme bogate, ornamentații orientale și improvizații emoționale. Vocile să fie originale, fără clonarea exactă a unor artiști reali. Începe cu chitară electrică, pian și contrabas în ritm rock’n’roll; după prima strofă schimbă brusc în manele cu vioară, acordeon, darbukă și bas modern. Alternează ritmul la fiecare 8 măsuri: rock’n’roll → manele → rock’n’roll. Strofe solo alternate, apoi refren cântat simultan în armonie. Include o punte call-and-response, un duel între chitară și vioară și un refren final în care ambele stiluri se suprapun spectaculos. Versuri în română despre iubire, gelozie și viață de rege; atmosferă energică, luxoasă și dansantă.

Đạt iPhone 15

Đạt iPhone 15

Vietnamese pop-rap with bouncy mid-tempo swing, tight syncopated drums and a playful bass bounce; verse stays lean with cheeky rhythmic phrasing, pre-chorus opens up with filtered pads and handclap lifts, chorus lands on a chantable repeated hook with gang-style ad-libs. Vocal is close-mic and confident, with doubled hook lines, short delay throws, and a few ear-candy risers into each chorus. Bright, punchy, glossy mix.

The enemy within

The enemy within

Rap nu metal

DarksideXS

DarksideXS

disstrack, rap,

Ich bin Ich, ob ihr wollt oder nicht

Ich bin Ich, ob ihr wollt oder nicht

Dark cinematic resistance hip-hop with a commanding male baritone, deep, controlled, intelligent and absolutely self-assured. Verses delivered in precise half-spoken rap with deliberate pauses, sharp articulation and philosophical authority — never hysterical, never chaotic. Gradually increase intensity from calm analytical confidence into a massive defiant hook. Chorus should feel anthemic, wide and unforgettable, with layered male backing vocals emphasizing “Ich bin ich – ob ihr wollt oder nicht.” Modern hard drums, tense cinematic atmosphere, restrained low-end, subtle distorted textures, dramatic rises and strategic silence. Mood: intellectual rebellion, sovereignty, dignity, uncompromising self-determination. Tempo around 88–94 BPM. Vocal attitude: composed under pressure, fearless, reflective, dominant without arrogance. Final section becomes almost spoken manifesto before one last explosive chorus.

Toute ma vie

Toute ma vie

[Genre] Rap FR × Heavy Heels | 90 BPM [Style] Deep, sincere, intimate, emotional, resilient, cinematic, hopeful, touching, never aggressive, Romantic. [Vocals] Deep masculine French baritone, virile, warm, vulnerable and sincere. Melodic rap-singing, soft sung phrases, emotional humming, smooth flow, natural French phrasing, expressive low notes. Hooks are sung and memorable, never shouted or screamed. Controlled em [Structure] Magical cinematic intro → intimate verse → rising pre-chorus → huge catchy pop chorus → post-chorus → second verse → bigger chorus → intimate fantasy bridge → epic chorus →Final Drop →Final Chorus→ emotional outro. [Sound] Warm piano, dreamy synths, deep bass, modern pop drums, cinematic strings, magical bells, choirs, orchestral impacts, shimmering FX, fantasy ambience. [Atmosphere] Superheroes, sorcery, supernatural powers, protecting loved ones, escaping ordinary life, hope, family, dreams. [Mix] Warm, wide, immersive, polished modern pop, cinematic climax.

Toute ma vie

Toute ma vie

[Genre] Rap FR × Heavy Heels | 90 BPM [Style] Deep, sincere, intimate, emotional, resilient, cinematic, hopeful, touching, never aggressive, Motivation. [Vocals] Deep masculine French baritone, virile, warm, vulnerable and sincere. Melodic rap-singing, soft sung phrases, emotional humming, smooth flow, natural French phrasing, expressive low notes. Hooks are sung and memorable, never shouted or screamed. Controlled em [Structure] Magical cinematic intro → intimate verse → rising pre-chorus → huge catchy pop chorus → post-chorus → second verse → bigger chorus → intimate fantasy bridge → epic chorus →Final Drop →Final Chorus→ emotional outro. [Sound] Warm piano, dreamy synths, deep bass, modern pop drums, cinematic strings, magical bells, choirs, orchestral impacts, shimmering FX, fantasy ambience. [Atmosphere] Superheroes, sorcery, supernatural powers, protecting loved ones, escaping ordinary life, hope, family, dreams. [Mix] Warm, wide, immersive, polished modern pop, cinematic climax.

Коса до неба

Коса до неба

Pop-rap with a bouncy mid-tempo groove and syncopated handclaps; verses ride sparse plucks and punchy kick-snare, pre-chorus opens with rising synth tension, chorus lands on a wide chanty hook with doubled vocals and short delay throws on the last word. Add reversed swells into each chorus, tiny bell accents between lines, and a glossy bright mix with close-mic lead and stacked ad-libs on the hook.

MAXIMAL

MAXIMAL

Confident cinematic hip-hop anthem, 92 BPM, dominant male baritone, deep controlled chest voice, razor-sharp articulation, calm authority instead of shouting. Verses: intelligent, precise rap cadence with deliberate pauses, internal rhymes, escalating intensity and occasional half-spoken philosophical lines. Hook: massive layered male vocals chanting “MAXIMAL”, stadium-sized impact, commanding but clean. Production: hard punchy drums, crisp snare, controlled 808s, dark orchestral textures, brass accents, subtle choir layers, futuristic synth atmosphere and dramatic risers. Strong dynamic contrast: restrained verses, explosive hook, stripped-down bridge, monumental final chorus. Mood: absolute confidence, discipline, metacognition, ambition, self-mastery, intellectual dominance. Premium modern mix, wide stereo image, clear vocal center, breathing low-end, no constant sub-bass rumble, cinematic master quality.

Ando Volando

Ando Volando

Latin trap with a bouncy dembow-leaning groove, syncopated percussion and sliding sub-bass; verse rides tight and conversational, pre-chorus opens with filtered pads and rising chants, chorus hits with stacked doubles and a shouted hook. Use ad-lib pings, short delay throws on the anchor line, and a tiny reverse swell into each drop. Bright, punchy, club-ready mix with a glossy low end.

ES GEHT WEITER

ES GEHT WEITER

Vocal- & Sound-Style-Prompt – ES GEHT WEITER German cinematic conscious Hip-Hop / Soul anthem, 88–92 BPM. Begin minimal, reflective and almost documentary-like with a deep, calm male spoken voice, intelligent and trustworthy, no aggression. Gradually introduce warm soul harmony, restrained piano atmosphere, deep organic drums and spacious cinematic textures. Verses delivered as articulate conscious rap with precise diction and increasing conviction. Pre-hook builds tension; chorus explodes into a powerful communal anthem with large mixed choir answering “Es geht weiter – es geht immer weiter.” Emotional arc: uncertainty → observation → understanding → adaptation → collective strength. Modern European urban character, mature and socially conscious, neither patriotic propaganda nor pessimistic protest. Final section should feel enormous, human and hopeful: voices joining together as if an entire city is singing. Dynamic low-end, no constant heavy sub-bass. Ending returns to one calm mal

Toute ma vie

Toute ma vie

[Genre] Rap FR × Heavy Heels | 70 BPM [Style] Deep, sincere, intimate, emotional, resilient, cinematic, hopeful, touching, never aggressive, Motivation. [Vocals] Deep masculine French baritone, virile, warm, vulnerable and sincere. Melodic rap-singing, soft sung phrases, emotional humming, smooth flow, natural French phrasing, expressive low notes. Hooks are sung and memorable, never shouted or screamed. Controlled em [Structure] Magical cinematic intro → intimate verse → rising pre-chorus → huge catchy pop chorus → post-chorus → second verse → bigger chorus → intimate fantasy bridge → epic chorus →Final Drop →Final Chorus→ emotional outro. [Sound] Warm piano, dreamy synths, deep bass, modern pop drums, cinematic strings, magical bells, choirs, orchestral impacts, shimmering FX, fantasy ambience. [Atmosphere] Superheroes, sorcery, supernatural powers, protecting loved ones, escaping ordinary life, hope, family, dreams. [Mix] Warm, wide, immersive, polished modern pop, cinematic climax.

awerysopelea - der Weg zur Niederlage

awerysopelea - der Weg zur Niederlage

Dark cinematic trip-hop / alternative hip-hop, intimate raw vocal, prepared piano, bass clarinet, baritone guitar, bowed vibraphone and nyckelharpa.

Stahl im Mund

Stahl im Mund

Alternative rap crossover with female vocals, clear diction, halftime boom-bap pulse and trap snares; verse rides sparse kick, snapped claps, distorted bass and a glassy keyboard motif, pre-chorus strips to vocal stack and tom build, chorus hits with a huge chant hook, octave doubles and gritty ad-libs. Special instruments: cimbalom hits, electric saz plucks, and bowed saw accents, plus reverse swells before drops and short delay throws on the hook words. Bright, powerful, punchy mix with hard-edged low end., rap

Wer Regiert Die Welt

Wer Regiert Die Welt

Female alternative rap crossover with clear diction, mid-tempo swung drums, sub-bass pulses, chopped choir stabs, distorted electric piano, glassy plucks, and a sharp snare snap; verse rides tight and sparse, pre-chorus opens with rising strings and filtered claps, chorus hits with stacked doubles and a chantable hook, bridge drops to voice, bass, and rim clicks before the final lift. Special instruments include a bowed saw drone, metallic percussion accents, and reverse cymbal swells. Bright, punchy, and modern with an intimate close-mic lead and bold stereo width on the hook., rap

The dad you chose to be

The dad you chose to be

Southern country rap with a male's voice

THE PRINCE IS TIRED

THE PRINCE IS TIRED

Cinematic conscious hip-hop fused with soulful R&B and subtle West Coast nostalgia, 100 BPM. Deep warm 808s, punchy boom-bap drums, modern hi-hats, Rhodes piano, moody guitar, atmospheric synths, low strings and soulful male harmonies. Low expressive male lead, conversational autobiographical rap with clever sarcasm, natural cadence changes and occasional double-time pockets. Verses intimate and story-driven; chorus switches to a haunting melodic R&B hook, almost like a lullaby, with layered harmonies on “The prince is tired, Grandma.” Beat drops around key punchlines. Make “blue enough to disappear” dreamy, submerged and nostalgic. Breakdown nearly spoken-word with sparse Rhodes, bass and distant family laughter. Final chorus hits hard with full drums, 808s, strings and gospel-soul harmonies. Emotional but never self-pitying—humor as armor, childhood nostalgia with darkness underneath. Modern, cinematic, raw and catchy.

DER BAUM WÄCHST

DER BAUM WÄCHST

Powerful cinematic hip-hop anthem with emotional build and relentless forward momentum. Deep, warm, slightly rough male lead vocal; verses start controlled, reflective and close, almost spoken, then gradually increase in intensity. Strong rhythmic rap delivery with clear diction, conviction and mature authority. Pre-hook should feel like realization breaking through exhaustion. Chorus explodes into a huge motivational chant with layered male backing vocals and crowd energy: “DER BAUM WÄCHST!” Massive but not aggressive. Dynamic drums, driving percussion, dramatic harmonic rise, subtle orchestral atmosphere and uplifting cinematic tension. Bridge becomes intimate and nostalgic before the final section grows into a triumphant, goosebump-inducing climax. Theme: repetition is hidden progress; everyday work becomes legacy. No constant heavy sub-bass—keep the low end controlled, breathing and powerful. Tempo around 88–94 BPM.

Wir waren jung

Wir waren jung

Deutschrap mit poppigem Refrain, treibender Midtempo-Beat um 96 BPM, warme Westcoast-inspirierte Synth-Flächen, knackige trockene Drums, runder Subbass, dezente E-Gitarren-Akzente und kurze Vocal-Samples. Rauhe männliche Rapstrophen mit lässigem Flow, großer melodischer Refrain mit leicht heiserer Stimme. Arrangement: kurzer Tape-Noise-Intro, Verse 1 reduziert, Refrain breit und hymnisch, Verse 2 mit zusätzlichen Percussion-Details, kurzer halbgesprochener Bridge, letzter Refrain mit gedoppelten Ad-libs. Nostalgischer, frecher, euphorischer Mix mit klarer Stimme und druckvollem Low-End.

Żniwa

Żniwa

Blues Rap

Nessuno avrà pietà

Nessuno avrà pietà

Dance elettronica cinematica con rap francese incisivo, 128 BPM, kick dritto e basso sidechain, synth arpeggiati scuri, archi tesi e grandi riser. Strofe rap serrate e minacciose, pre-ritornello in crescendo, ritornello melodico e anthemico con voce intensa; break centrale dimezzato, poi drop finale più ampio. Mix brillante ma aggressivo, voce in primo piano, riverbero controllato e finale risolutivo.

Окошко Андрея

Окошко Андрея

Playful Russian rap with bouncy mid-tempo bounce, punchy kick-snare groove and clappy accents; verse rides on tight talk-rapping with cheeky pauses, pre-chorus narrows to hand percussion and a rising synth blur, chorus lands with gang shouts and a simple chant. Vocal is close-mic, lightly doubled on punchlines, with quick ad-lib echoes and playful call-and-response. Ear candy includes reverse risers into the hook, tiny bell hits between lines, and a vinyl crackle burst before the last chorus. Mix is bright, crisp, and hyper-present.

Bass Boosted Lean

Bass Boosted Lean

Rap, heavy bass

SUPER SAIYAJIN

SUPER SAIYAJIN

Vocal Style Prompt – „SUPER SAIYAJIN“ Explosive cinematic German hip-hop with brutal transformation energy. Deep, dominant male rap vocal, controlled aggression, raw pain and absolute willpower. Start dark, tense and restrained, then escalate continuously into a massive battle-state climax. Verses: heavy, precise, muscular flow with dramatic pauses. Pre-hooks build pressure like an internal power surge. Hooks must feel gigantic, shouted in rhythm, anthem-like and victorious. Include intense transformation screams, growls, breath attacks and rising “UHHHH / AAAAAH” energy moments without losing vocal control. Atmosphere: extreme pressure, rage, resilience, survival instinct, unstoppable determination. Cinematic trap drums, distorted bass impacts, ominous textures, rising energy effects, explosive drops and huge low-end punches. Final section should sound like physical limits are breaking while the mind forces the body beyond exhaustion. Dark, epic, heroic, relentless, goosebump-inducin

ALLE SIND KRANK

ALLE SIND KRANK

Explosive Southern crunk / aggressive party-rap anthem with a satirical, socially critical edge. Male lead vocal: deep, rough, commanding, charismatic, half-rapped and half-shouted, with huge crowd-response ad-libs, gang chants and call-and-response hooks. Tempo around 100 BPM, heavy stomping drums, sharp claps, distorted synth stabs, dark club bass, sudden beat stops and massive drop-ins. Verses should feel confrontational, sarcastic and rhythmically precise; hooks extremely simple, loud and instantly chantable. Use theatrical pauses before punchlines, whispered setup lines followed by explosive group shouts. Party atmosphere on the surface, intelligent social criticism underneath. Raw, provocative, humorous, rebellious and infectious. Keep the low-end punchy but breathing, not continuously overloaded. Final section should escalate into a chaotic crowd anthem with the repeated line: “ALLE SIND KRANK – NUR MANCHE ETWAS KRANKER!”

Maßlos vollkommen

Maßlos vollkommen

Epic philosophical Hip-Hop / Cinematic R&B with a powerful, controlled male baritone. Deep, warm, intelligent voice with calm authority, self-awareness and absolute inner conviction. Verses begin measured and reflective, almost spoken-word, then gradually intensify into precise rhythmic rap with elegant articulation. The chorus becomes wide, uplifting and monumental with layered backing vocals and a strong melodic hook. Dark atmospheric intro, cinematic orchestral textures, deep piano, restrained strings, subtle choir, modern punchy drums and a breathing low-end without constant heavy sub-bass. Build continuously toward a transcendent final section. Mood: self-realization, potential, emergence, resonance, inner sovereignty, philosophical grandeur. Confident but never arrogant; powerful because it is conscious. Dynamic pauses, dramatic emphasis, spacious production, premium modern sound. Tempo around 82–88 BPM.

Außerordentliches Erscheinungsbild

Außerordentliches Erscheinungsbild

Vocal Style Prompt – „Außerordentliches Erscheinungsbild“ Modern intellectual flirt R&B with smooth urban sophistication and subtle street attitude. Warm, deep male baritone, confident, articulate, slightly raspy, relaxed and naturally seductive. Delivery should feel conversational and controlled, never needy or overly dramatic. Verses are half-sung, half-spoken with precise phrasing, clever pauses and understated swagger, as if flirting through intelligence rather than clichés. Chorus becomes more melodic, warm and memorable while staying elegant. Production: slow-to-midtempo groove, silky contemporary R&B drums, restrained bass, warm keys, atmospheric textures, subtle neo-soul harmony and tasteful late-night ambience. Mood: cultured, playful, masculine, observant, witty, charming, self-assured. Balance upscale lounge elegance with authentic street credibility. No aggressive trap energy, no excessive vocal runs, no theatrical singing. Sophisticated seduction with brains, humor and ef

SEHR KOOPERATIV

SEHR KOOPERATIV

Vocal Style Prompt – „Sehr kooperativ“ Raw, high-impact East Coast boom-bap hip-hop with two charismatic male rappers trading bars in aggressive call-and-response. Deep, gritty voices, confident swagger, sharp comedic timing, streetwise punchlines, playful hostility and explosive duo chemistry. Dusty hard drums, heavy kick, cracking snare, dirty bass groove, chopped soul/funk textures, sparse eerie samples, vinyl grit and late-90s underground energy with modern punch. Verses should feel loose, unpredictable and conversational, with ad-libs, interruptions, laughter, shouted reactions and sudden emphasis. Hook must be brutally catchy, simple and crowd-ready: “Sehr kooperativ.” Mid-tempo head-nod groove, no melodic pop chorus, no glossy production. Raw cypher atmosphere, smoky basement-club energy, controlled aggression, humorous dominance and massive rhythmic impact.

Jose Counts Coins

Jose Counts Coins

Rap with a dry, punchy boom-bap swing and tight kick-snare pockets; verse rides sparse piano stabs, finger snaps, and a rubbery bass line, pre-chorus strips to vocal chops and hand percussion, chorus hits with stacked gang replies on the hook. Lead vocal stays close-mic and conversational with doubled punch-ins, quick ad-lib echoes, and short delay throws on key lines. Ear candy: coin rattle fills, filtered risers into the hook, and a sudden drum dropout before the final chorus. Mix is gritty, bright, and front-facing., rap

They Lied On Her

They Lied On Her

Rap with tense boom-bap drums, punchy swung hats, dark piano stabs, and a relentless head-nod bounce; verse rides sparse kick-snare and clipped bass, pre-chorus tightens with filtered choir chops and rising tension, chorus hits with stacked gang vocals and a short chant hook. Dry close-mic lead in verses, doubled on key lines, with ad-lib echoes and delay throws on the hook word; reversed swells, vinyl crackle, and a last-bar drop into silence before the final chorus. Bright, hard-edged, and confrontational in the mix., rap

Ash On Her Name

Ash On Her Name

Metal with galloping double-kick, down-tuned palm-muted riffs, and half-time chorus hits; verses bite with tight rhythmic bark, pre-chorus climbs on harmonized lead guitar and stacked gang shouts, chorus opens wide with shouted doubles and a cruel anthem hook. Add reversed cymbal swells into each drop, a scraped-sword guitar scrape before the bridge, and one eerie clean vocal line under the final breakdown. Mix is huge, gritty, and bright on the snare., metal

ALL NIGHT, ALL RIGHT

ALL NIGHT, ALL RIGHT

High-energy American Trap R&B with glossy early-2000s R&B smoothness fused with raw Southern club-bounce energy. Male lead vocal: confident, seductive, playful, rhythmically precise, switching between silky melodic singing, half-sung rap phrasing, charismatic spoken lines and short hype shouts. Strong call-and-response moments, stacked male backing vocals, crowd chants, deep ad-libs and explosive hook doubles. Around 104 BPM. Punchy trap drums, snapping claps, rolling hi-hats, thick but controlled 808s, funky bass movement, bright synth accents and sparse atmospheric R&B chords. Verses feel cool and flirtatious; choruses become huge, catchy and communal. Add a late-song beat switch with harder drums and chant energy. Overall mood: sexy, mischievous, celebratory, confident, nightclub-ready, instantly memorable. No dark atmosphere, no sadness, no aggressive screaming.

Hanuman Chalisa

Hanuman Chalisa

Deeply Emotional Hanuman Chalisa Bhajan, soulful male devotional vocal, heartfelt singing with genuine emotion, soft trembling vocal expressions, deep devotion and surrender, divine spiritual atmosphere, slow cinematic tempo, beautiful harmonium, soft tabla, gentle dholak, bansuri flute, sarangi, tanpura drone, temple bells, conch shell, subtle male choir, warm cinematic strings, emotional pauses between lines, powerful yet peaceful chorus, gradual musical build-up, goosebumps-inducing devotional climax, intimate vocal recording, crystal clear Hindi pronunciation, traditional Indian bhajan with modern cinematic production, pure bhakti, soulful and divine, no rap, no hip-hop, no trap, no aggressive beat, no fast singing, no robotic voice

Pour Mes Enfants

Pour Mes Enfants

French chill rap with laid-back swung drums, warm sub-bass, dusty Rhodes loops, and a patient head-nod groove; verse rides close-mic and intimate with a few doubled end-lines, pre-chorus lifts on stacked harmonies and a filtered pad, chorus lands open with a chantable family refrain and soft group ad-libs. Add vinyl crackle, reverse piano swells into transitions, and a subtle bell run before the hook. Mix is warm, polished, and intimate, rap

Grahame Park

Grahame Park

UK storytelling rap with grime and melodic drill influences, tense minor-key piano, deep controlled 808 bass, clipped sliding hi-hats, stark kick-and-snare groove, sparse atmospheric pads, and a cinematic rise from intimate verses into a forceful sing-rap chorus. Male vocal, conversational and emotionally weathered, precise London phrasing, close dry verses with restrained saturation, wider doubled hook, polished low-end and clear diction. Build with a stripped intro, two detailed verses, a memorable chorus, a reflective bridge, and a final intensified chorus.

Freddie from Grahame Park

Freddie from Grahame Park

Raw UK road rap and conscious hip-hop, tense minor-key piano, heavy sub bass, clipped punchy drums, sparse cinematic strings, gritty male rap vocal with clear storytelling and restrained melodic hook. Start with a stripped piano and intimate verse, build with harder drums into a memorable chorus, add a reflective bridge, then finish with a stark outro. Modern close vocal mix, dry upfront delivery, controlled low end, realistic emotional dynamics.

Djyno En Août

Djyno En Août

Chill rap with laid-back swung drums, mellow bass bounce, dusty Rhodes chords, and a relaxed pocket that lets the words breathe; verse stays intimate and conversational, pre-chorus lifts with stacked humming and a filtered snare roll, chorus lands on a chantable two-line hook with doubled lead and soft gang ad-libs. Ear candy includes vinyl crackle, a small percussion fill into each hook, and reversed piano swells under the transition. Mix is warm, close-mic, and smooth with a sunny dusty glow., rap

O Amor Depois do Amor

O Amor Depois do Amor

Original Brazilian romantic pagode, 90 BPM, 4/4. Warm expressive male tenor/baritone singing in natural Brazilian Portuguese, romantic, soulful and elegant, with smooth phrasing and controlled vibrato. Authentic pagode groove from the first bar: cavaquinho, nylon guitar, melodic bass, pandeiro, tantã, repique de mão and light surdo, with subtle Rhodes. Organic syncopated percussion, no pop drum feel. Verses intimate and conversational. Pre-chorus lifts naturally into a melodic, memorable chorus with rich harmony. Add male backing vocals answering key phrases in authentic call-and-response. Keep Parte B flowing in the groove. Final section expands with coro, vocal ad-libs, cavaquinho fills and lively percussion variations. Warm, romantic and unmistakably Brazilian. No EDM, trap, sertanejo or pop-rock. Fully original.

Milles bitch

Milles bitch

Rap, Indian

Uri Waetda

Uri Waetda

K-pop girl group rap-pop with trap drums, punchy syncopated claps, and a swaggering halftime groove; intro starts with shouted unison chants and a siren riser, verse rides sparse bass and hard-edged rap plucks, pre-chorus opens with stacked harmonies and a lifted melody, chorus hits with gang vocals, sub drops, and razor-sharp ad-lib panning. Close-mic rap delivery with double-tracked hooks, playful call-and-response, glossy bright mix with crisp top-end and stadium-sized echo throws on the chant words., rap, vocal, girl group

NiNSTY

NiNSTY

K-pop girl group rap-pop with trap drums, punchy syncopated claps, and a swaggering halftime groove; intro starts with shouted unison chants and a siren riser, verse rides sparse bass and hard-edged rap plucks, pre-chorus opens with stacked harmonies and a lifted melody, chorus hits with gang vocals, sub drops, and razor-sharp ad-lib panning. Close-mic rap delivery with double-tracked hooks, playful call-and-response, glossy bright mix with crisp top-end and stadium-sized echo throws on the chant words., rap, vocal, girl group

Reprends-toi, petit

Reprends-toi, petit

French conscious rap with a tense minor-key piano loop, dry punchy boom-bap drums, restrained sub bass, and a gradual lift into an anthemic final chorus. Male rap vocal, emotionally urgent and conversational, crisp diction, occasional doubled ad-libs, intimate verses and a wider hook. Keep the mix raw but polished, with tight low end and subtle room ambience.

Where the Water Folds

Where the Water Folds

Laid-back island hip-hop with a midtempo bounce, crisp boom-bap drums blended with hand percussion, rounded sub bass, muted electric guitar chops, breezy marimba accents, and occasional steel-pan phrases. Warm male sing-rap delivery with conversational verses and a catchy melodic hook. Arrange with a short percussion-led intro, spacious verse, lifted chorus with extra percussion and harmony, stripped second verse, then a sunny instrumental outro. Clean punchy mix, dry upfront vocal, gentle room ambience, wide guitars, and smooth low end.

William sait pas

William sait pas

French pop-rap with bouncing dembow-lite drums and crisp handclaps; verse rides a sparse bass pulse and clipped synth plucks, pre-chorus opens with filtered pads and a rising snare roll, chorus hits with stacked gang vocals and a short chantable refrain. Lead vocal stays close-mic and conversational with doubled hook lines, quick delay throws on the last word of each line, and a bright punchy mix with tiny ear-candy glitches between phrases.

Wielcy krytycy

Wielcy krytycy

Dark aggressive Polish boom bap diss beat, 94 BPM, gritty underground hip-hop, heavy punchy drums, deep bass, sinister piano melody, subtle dark strings, raw 2000s street rap atmosphere, lots of space for punchlines, confrontational but slightly humorous energy, catchy chant-style hook, no singing, no melodic vocals, hard head-nod rhythm.

Quando Jesus Segurou Na Minha Mão

Quando Jesus Segurou Na Minha Mão

Gospel pentecostal sertanejo, com violão de aço, viola caipira, baixo suave, bateria acústica e percussão discreta. Andamento moderado, 78–84 BPM, em tonalidade confortável para voz masculina. Vocal masculino grave e emotivo, interpretando um testemunho de salvação: versos humildes e sofridos, refrão crescente, alegre e cheio de fé. Arranjo contido nos versos e mais intenso no refrão, com segunda voz e harmonias congregacionais. Inserir pausas instrumentais antes das repetições do refrão. No final, acrescentar coral masculino e feminino, viola mais presente e bateria forte, repetindo o refrão com intensidade crescente, como uma igreja adorando. Terminar destacando: “Quando Jesus segurou na minha mão”. Não usar: pop moderno, eletrônico, trap, rap, bateria eletrônica, synths excessivos ou vocal pop. Priorizar instrumentos acústicos

Parasite johnny 2

Parasite johnny 2

Extreme blackened satanic death metal. Ultra-aggressive and relentless. Downtuned 7–9 string guitars with razor-sharp tremolo picking, dissonant riffs, dive bombs, pinch harmonics, crushing breakdowns, and chaotic solos. Bass guitar is highly audible and technical with fingerstyle, slap, pop, slides, raking, shredding, and dueling the guitars. Drums are inhumanly fast with relentless blast beats, double- and triple-time patterns, machine-gun kick drums, rapid tom fills, gravity blasts, and galloping rhythms that build from a sprint to full speed apocalyptic, infernal, cosmic, and oppressive with themes of Hell, black holes, gravity, the void, darkness, singularities, annihilation, and the end of the universe, massive low end, crushing dynamics, and maximum intensity from beginning to end

Juan Manuel m’a passé ton

Juan Manuel m’a passé ton

French pop-rap with a warm, conversational male vocal, mid-tempo 96 BPM groove, clean electric piano chords, muted guitar accents, rounded bass, crisp understated drums, catchy melodic chorus, intimate verses, polished modern mix with a short instrumental outro.

Käsefüße

Käsefüße

Playful German electro-pop with a cheeky sensual groove, rubbery synth bass, crisp four-on-the-floor drums, saucy female lead vocal, teasing verse delivery, catchy chant-like chorus, glossy club mix, suggestive but humorous rather than graphic, short instrumental breaks and a confident final hook.

The Ballad of Jimmy Jack

The Ballad of Jimmy Jack

Traditional Bluegrass ballad sung by CHILDREN with novelty, twangy, bluegrass child vocal with tight, 4 part harmony vocals with rapid sliding runs and flourishes. driving 120 bpm tempo and 4/4 time. clawhammer banjo, fiddle, mandolin, and walking bass, washboard; verses fast and twangy with picked guitar and banjo story-forward female child lead vocals, chorus opens on a high acapella wail and a country voice-break before the instruments snap back in with full four-part harmony of children. Ringing church bell accents, creek-noise texture, and a brief fiddle break between verses. Bright, earthy, and close-mic with lively room air. strong, bluegrass, ballad, children harmony. Same quick tempo throughout the entire song.

SELECTA

SELECTA

FRENCH RAP • 2008-2012 • HIP-HOP • BOOM BAP • RAP CONSCIENT • FLOWS VARIÉS • VOIX MASCULINES • CHORUS MÉLODIQUE • ÉNERGIE COLLECTIVE • TEXTES DIRECTS • STREET • OLD SCHOOL MODERNE

GOLDEN STATE OF MIND

GOLDEN STATE OF MIND

Create a smooth early-2000s American West Coast hip-hop track fused with cinematic classical orchestration. Tempo around 78 BPM, relaxed head-nod groove, warm punchy drums, rounded bass, subtle melodic synth textures, elegant piano accents and lush orchestral strings. Use violins, violas and cellos as a real harmonic layer, not decoration: pizzicato patterns in the verses, emotional legato lines in the hook, occasional brass swells for grandeur. Male vocal: deep, calm, charismatic, slightly raspy, confident but never aggressive; effortless laid-back rap flow with clear diction, conversational swagger and melodic phrasing in the chorus. Atmosphere: sunset boulevard, top-down cruising, reflective success, loyalty, maturity and quiet confidence. Spacious mix, cinematic stereo width, organic dynamics, no overpowering sub-bass. Final hook should expand into a full orchestral climax while keeping the hip-hop groove intact.

DarksideXD

DarksideXD

Disstack, rap,

Tout a commencé dans un DM

Tout a commencé dans un DM

Rap romantique français moderne, tempo midtempo autour de 92 BPM, groove hip-hop souple avec batterie feutrée, basse ronde, accords de piano chaleureux et quelques textures de guitare électrique propre. Couplets en rap mélodique très articulé, refrain chanté et mémorable avec une voix masculine tendre, arrangement progressif: intro piano et notification discrète, couplet minimal, refrain plus large, second couplet avec contre-chant, pont dépouillé puis dernier refrain ample. Mix contemporain, voix proche et claire, graves contrôlés, espace doux sans excès de réverbération.

DarksideXD

DarksideXD

Disstack, rap, slow

Engrenages

Engrenages

FRENCH RAP • 2008-2012 • HIP-HOP • BOOM BAP • RAP CONSCIENT • FLOWS VARIÉS • VOIX MASCULINES • CHORUS MÉLODIQUE • ÉNERGIE COLLECTIVE • TEXTES DIRECTS • STREET • OLD SCHOOL MODERNE

Dernier Ticket

Dernier Ticket

French rap with nostalgic boom-bap swing, dusty vinyl crackle, warm Rhodes chords and a punchy kick-snare pocket; verse rides sparse drums and a looping melodic fragment, pre-chorus strips to bass and filtered keys, chorus lands with stacked doubles and a chantable hook. Add reversed swells into each hook, tape stop on the final line of the bridge, and airy delay throws on key words. Intimate close-mic vocal, slightly raspy, with subtle ad-lib echoes; mix is warm, gritty, and melancholic, rap, chanson

Grosse Dédicace

Grosse Dédicace

French pop-rap with a laid-back mid-tempo bounce, punchy kick and snappy clap groove; verse rides sparse keys and muted bass, pre-chorus opens with rising synth air and stacked harmonies, chorus hits wider with gang vocals on the anchor phrase. Lead vocal stays close-mic and conversational with doubled chorus lines, ad-lib echoes on ends of phrases, and a brief filtered break before the final hook. Clean, warm, and radio-bright with crisp low end and glossy top.

Aires de Alfredo

Aires de Alfredo

Dark trap-pop with half-time bounce and skittering hi-hats under glossy synth stabs; verse rides low and sarcastic with tight triplet flow, pre-chorus strips to bass and a filtered clap lift, chorus opens into a sneering pop hook with stacked male doubles and callout ad-libs. Airy whooshes, reversed swells, and a sudden drum stop before the last chorus. Gritty, bright, and punchy mix with close-mic male vocals., pop, male vocals

DarksideXD

DarksideXD

Disstack, rap, Pop,

Des super-pouvoirs

Des super-pouvoirs

[Genre] Rap FR × Heavy Heels | 90 BPM [Style] Deep, sincere, intimate, emotional, resilient, cinematic, hopeful, touching, never aggressive, motivation. [Vocals] Deep masculine French baritone, virile, warm, vulnerable and sincere. Melodic rap-singing, soft sung phrases, emotional humming, smooth flow, natural French phrasing, expressive low notes. Hooks are sung and memorable, never shouted or screamed. Controlled em [Structure] Magical cinematic intro → intimate verse → rising pre-chorus → huge catchy pop chorus → post-chorus → second verse → bigger chorus → intimate fantasy bridge → epic chorus →Final Drop →Final Chorus→ emotional outro. [Sound] Warm piano, dreamy synths, deep bass, modern pop drums, cinematic strings, magical bells, choirs, orchestral impacts, shimmering FX, fantasy ambience. [Atmosphere] Superheroes, sorcery, supernatural powers, protecting loved ones, escaping ordinary life, hope, family, dreams. [Mix] Warm, wide, immersive, polished modern pop, cinematic climax.

All in

All in

Opis bitu: mroczny, kasynowy hip-hop/trap, około 92–96 BPM. Głęboki bas, ciężka stopa, suche werble, pojedyncze dźwięki fortepianu i metaliczne odgłosy żetonów. W tle napięte smyczki, dźwięk tasowanych kart i narastający heartbeat przed refrenem. Refren szeroki, koncertowy, z niskim chórem powtarzającym „all-in, all-in”. Bridge prawie bez perkusji, a po słowie „river” potężny powrót bitu.

Gripped

Gripped

Instrumental only. target runtime approximately four minutes.Dark aggressive relentless duel between a powerful bass guitar and a sharp high gain electric guitar. Bass is evil, low tuned, with heavy slap, bass slides, dive bombs, and crushing groove dominance. Guitar is fast, melodic, tense, with shredding precision, harmonics, and cutting leads. Call and response battle escalating each round. Bass grows heavier and more alpha, oppressive, more dominating, overpowering the mix with deeper sliding tones and relentless rythum combos .Guitar fights back with rapid solos and chaotic phrasing but begins to lose ground. Final battle bass completely dominates, swallowing the guitar in massive low end, crushing grooves, and dark overwhelming force. Style extreme blackened satanic death metal, ultra heavy drums, double kick, double time blast beats, triple time blast beats, pounding tom and snare rolls, chaotic breakdowns 195-220 bpm, no vocals.

Максим Чебурек

Максим Чебурек

Russian pop-rap with bouncy mid-tempo groove, punchy kick-snare, plucked synth bass, and light handclaps; verse rides sparse drums and a cheeky spoken flow, pre-chorus opens with filtered pads and rising percussion, chorus hits with stacked doubles and gang vocal repeats on the name; add short delay throws on punchlines, tiny risers into each hook, and a bright, glossy mix with a playful streetwise edge.

Fasszopó traktoros

Fasszopó traktoros

Hungarian rap with grimy boom-bap drums, rolling bass, and chopped accordion accents; verses ride a tense, conversational pocket while the pre-chorus tightens with filtered snares and rising claps. Chorus hits with shouted doubles, gang ad-libs, and a blunt, chantable anchor phrase. Ear candy includes record scratches between lines, a short siren swell into the hook, and a final drop with handclaps. Mix is raw, punchy, and close-mic, with a dusty street-level edge.

Sad new song

Sad new song

Pure Bollywood Sad / Emotional Ballad with a deeply melancholic, slow and intimate atmosphere. Use soft piano as the main instrument, gentle cinematic strings, warm ambient pads, subtle cello, distant guitar textures and spacious reverb. Keep the rhythm minimal with very soft percussion, light heartbeat-style kick and almost no aggressive drums. Male lead vocal only: deeply emotional, soulful, slightly husky and broken, with soft low-register verses, expressive pauses, breathy delivery, subtle vibrato and controlled emotional cracks. Chorus should become wider and more heartbreaking with layered male harmonies and emotional strings, but never sound energetic. Female voice must NOT sing any lyrics; use only extremely soft, distant soulful humming such as “hmmm, mmm, aah, ooo” as an atmospheric background layer. Rap section should remain slow, painful and emotional rather than aggressive. End with lonely piano, fading strings, soft female humming and long reverb until complete silence.

Chłopaki To Świnie

Chłopaki To Świnie

Polish pop-rap with a bouncy midtempo groove, swung drums and playful bass bounce; verse rides sparse kick, clap, and skippy synth stabs, pre-chorus opens with filtered handclaps and rising vocal stacks, chorus hits with big group chants and a bright hook lead. Lead vocal stays close-mic and cheeky, with doubled punchlines, ad-lib echoes, and short gang shouts on the hook. Ear candy: reversed swell into the chorus, tape-stop into the last line, little chime fills between phrases. Mix is glossy, punchy, and radio-ready.

spongbob

spongbob

**Style:** High-energy female rap, bouncy modern hip-hop, playful attitude, catchy repetitive hook, punchy 808 bass, crisp trap drums, energetic ad-libs, confident female vocal, slightly raspy tone, fast rhythmic delivery, club-ready production, humorous cartoon-inspired vibe, polished commercial sound. **Tempo:** 140–150 BPM **Vocals:** Confident female rapper, energetic delivery, catchy hook, rhythmic verses, short aggressive ad-libs like “grrah”, “yeah”, “uh”, with strong vocal presence. **Beat:** Heavy 808 bass, punchy kick, sharp claps, rolling hi-hats, minimal dark synths, playful sound effects, strong bass drops before the chorus. **Structure:** Short intro → catchy chorus → energetic verse → chorus → second verse → final chorus → outro. **Mood:** Fun, confident, playful, viral, energetic, danceable.

Henley Rose

Henley Rose

Comedy pop-punk with fast palm-muted guitars, bouncy drums, and sneaky halftime pre-chorus lifts; verses stay tight and conversational, chorus hits with gang shouts and a sticky chant. Lead vocal is cheeky and close-mic, with doubled hook lines, goofy ad-libs, and a few shouted crowd responses. Tiny pick-scrapes, cartoonish drum fills, and a final chorus key lift. Bright, crunchy, and mischievous.

Château de verre

Château de verre

Dark pop with slow trap pulse and gothic piano, tense swung drums, minimal verses that tighten into a cold pre-chorus, chorus opens with stacked female-and-male doubles and sharp gang-style replies, eerie reversed swells and gated reverb hits between lines, final lift adds choir-like oohs and a distorted bass drop; glossy but claustrophobic mix, intimate close-mic vocals with icy delay throws on key words

Oniix

Oniix

Alt-pop trap with bouncy half-time drums, rubbery sub-bass, and glittering synth stabs; verse stays tight and sparse with clipped lead vocal and low doubles, pre-chorus lifts with filtered harmonies and rising claps, chorus hits bigger with stacked ad-libs and a chantable repeat. Ear candy includes reverse swells into the hook, bell ticks between lines, and a final drop with crowd-style echoes. Bright, glossy, and punchy with a sleek close-mic vocal

Broken Fender

Broken Fender

Post-grunge rock with a mid-tempo backbeat and chunky palm-muted riffs; verse rides a tight two-guitar grind, pre-chorus strips to toms and bass growl, chorus hits with wide power chords and a clipped guitar kick on the downbeat. Gritty male vocal with doubled choruses, cracked ad-libs, and a shouted last line. Ear candy: pick-scrape lifts, reverse-guitar swells into choruses, and a stop-start break before the final hook. Mix is punchy, raw, and radio-ready with ragged edges., grunge, rock

Broken Porch Screen

Broken Porch Screen

Post-grunge rock with mid-tempo stomp and swung drum hits, gritty male vocals, palm-muted verse guitars opening into huge power-chord choruses, pre-chorus tightening to tom builds and a climbing lead line, bridge dropping to one cracked guitar and half-time drums before the last chorus slams back with layered shout doubles. Gritty close-mic verses, shouted hook doubles, short delay throws on key lines, abrasive pick scrapes and cymbal swells, bright and punchy mix with a thick low-end grind., grunge, rock

Chère Dispo

Chère Dispo

Rap français festif et dansant, ambiance années 2010 avec une touche afro-pop et hip-hop. Voix masculine grave, charismatique et légèrement rauque. Refrain très mélodique, puissant, simple et immédiatement mémorisable, presque chanté. Couplets rappés avec un flow naturel et énergique. Instrumentale autour de 105-110 BPM : grosse basse, kick puissant, percussions afro, batterie hip-hop, synthés dansants et mélodie festive. Sur les phrases longues, accélérer fortement le débit avec un flow rapide et rythmé, tout en gardant les paroles compréhensibles. Sur les phrases courtes, revenir à un flow posé et assuré. Peu d’ad-libs, seulement quelques « eh », « yeah » ou « allez ». Refrain plus énergique à chaque répétition. Ambiance drôle, provocatrice, décalée, insolente et faite pour mettre l’ambiance. Dernier refrain très puissant avec une grosse montée instrumentale.

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