"Rock"
Chansons créées avec Voices AI

Les chansons créées avec Voices AI intègrent la technologie vocale à la musique - des reprises aux titres originaux. Découvrez comment les créateurs et notre communauté utilisent les voix IA pour explorer de nouveaux sons et idées.

Meet Your Dragon

Meet Your Dragon

Dark, twisted, evil, Orchestral rock, fierce female lead against warm, steady female vocals, whispered and low tense passages, wide cinematic reverb, synth guitar over swelling strings and weighty drums, measured pulse rising into a driving chorus, heavy hitting bass

She Was Never Just a Girl

She Was Never Just a Girl

Style: Epic Rock Ballad Vocal reference: A fusion of Florence + the Machine, Evanescence, and Nothing But Thieves Instrumentation: Emotional piano and strings in the intro and bridge, layered with powerful electric guitars, cinematic drums, and epic build-ups in the choruses Mood: Heartfelt, raw, cinematic, and resilient Tempo: Slow to mid-tempo, with swelling dynamics (think soft verses that explode into intense choruses) Genre Tags: Rock, Epic, Emotional, Cinematic, Alternative Rock

Open Road Vows

Open Road Vows

Create a duet with Christian rock vibe

Toprağa Gömülmüş Gönül

Toprağa Gömülmüş Gönül

Mystical Anatolian folk rock, mid-tempo 100 BPM, steady driving rhythmic bağlama, hypnotic Anatolian groove, deep warm female alto vocals, crystal clear Turkish pronunciation, emotional and powerful low-register singing, rhythmic acoustic strumming, melodic electric bağlama, warm bass guitar, organic live percussion, subtle bendir and darbuka, haunting kaval melodies, atmospheric strings, ancient Anatolian mysticism, bittersweet longing, spiritual depth, restrained rebellion, memorable flowing folk melody, dynamic verses, strong emotional chorus, rich organic production, captivating forward momentum, melancholic but not slow or sleepy, no cheerful dance rhythms, no high-pitched vocals, no shouting, no electronic dance beats., acoustic guitar, accordion, piano

Razor Edge Ascension

Razor Edge Ascension

Betroth type with, hard rocks, fast and intense drums, insane speed, and perfect guitar

Damla Deryanın Gölgesi

Damla Deryanın Gölgesi

Çok daha vurucu rock lofi türküye dönüştür nağmeler ve nidalar olsun yürüyen bir hüzünlü melodisi olsun çok az lofi çok az nostalji tınılar Mystical Anatolian folk ballad, haunting and hypnotic atmosphere, ancient Turkish folk lament, deep warm female contralto voice, crystal clear Turkish pronunciation, soulful and emotionally intense vocals, low register, sorrowful traditional bağlama melodies, delicate cura, distant haunting kaval, atmospheric cinematic strings, subtle traditional percussion, slow hypnotic rhythm, spiritual Sufi-inspired atmosphere, ancient Anatolian mountain echoes, profound longing, heartbreak and silent rebellion, mysterious and enchanting melodies, emotional instrumental passages, dramatic pauses, gradual cinematic build, powerful yet restrained chorus, ethereal acoustic textures, authentic organic production, timeless and deeply moving, no high-pitched vocals, no shouting, no electronic beats, no modern pop elements., folk, acoustic, progressive, cello, guitar,

Handball im Blut

Handball im Blut

German arena rock, driving straight eighth-note drums, punchy bass, crunchy electric guitar power chords and bright melodic lead fills, energetic male lead vocal with gang shouts on the hook, rising verse-to-chorus dynamics, chant-ready chorus, tight modern live-band mix

Kırık Gözlerin Çığlığı

Kırık Gözlerin Çığlığı

Emotional Turkish acoustic pop rock ballad, intimate warm low female alto voice, crystal clear Turkish diction, expressive natural vocals, melancholic acoustic guitar arpeggios, soft piano, subtle electric guitar textures, warm bass, gentle live drums, gradual emotional build, powerful heartfelt chorus, bittersweet atmosphere, organic studio sound, 76 BPM, no vocal shouting, no high-pitched singing, no excessive vibrato, no electronic dance beats.

Pintu yang Lain

Pintu yang Lain

Rock alternatif berbahasa Indonesia, riff gitar elektrik bertenaga dengan distorsi hangat, bass tebal dan drum akustik menghentak; verse lebih tertahan lalu chorus melebar dengan vokal utama emosional dan hook mudah diingat; bridge menurunkan dinamika sebelum final chorus besar, produksi band live yang punchy dan jelas.

Parade of Silent Sighs

Parade of Silent Sighs

Acoustic rock Male voice

Karanlık Sırların Ardından

Karanlık Sırların Ardından

Vurucu nidalı Çoklu duygu değişikliğini yansıtan indie pop, building midtempo pulse with a driving drum beat, raw melancholic male vocals in an intimate close-mic delivery, cinematic atmospheric production with widening layers and restrained room reverb, dramatic piano carrying the ballad beneath increasingly forceful drums, mandolin, folk rock, soft rock, accordion

On

On

A high-octane, aggressive industrial rock and experimental hip-hop instrumental at 130 BPM. The core foundation is a massive, booming tribal drum pattern featuring heavy, thudding floor toms and a marching, syncopated rhythm. Layer the beat with a violently distorted, buzzing synth-bassline that mimics an overdriven electric guitar. Integrate frantic, echoing audio samples of manic breathing, primal panting, and sudden, distorted screams cut into the rhythm. The arrangement is chaotic and minimalist, driving forward with explosive energy, dropping out abruptly into stark silence before crashing back in with absolute sonic force."

شركة من سريري

شركة من سريري

Heartland rap-rock at a mid-tempo driving pulse, acoustic guitar strums under warm electric swells and stomping backbeat. Verse rides tight rap phrasing and story detail; pre-chorus opens with lifted melody and stacked lines; chorus hits with gang doubles and chantable response. Filtered AM-radio flicker, tape-stop transitions, and a pedal-steel-like cry between sections. Warm, cinematic, vintage, and sun-faded in the mix., nostalgic, theme, warm, rock, electric, metal, emotional, classic, acoustic

O2 Tekort

O2 Tekort

Dark cinematic heartland rock ballad with blues-rock and Americana influences. Deep raspy male baritone with a weathered, soulful voice. Slow 72 BPM. Start with intimate spoken vocals over sparse acoustic guitar. Gradually build with gritty electric guitars, deep bass, steady live drums and atmospheric organ. Powerful anthemic chorus with raw emotional vocals and subtle gospel backing choir. Stripped-down bridge with almost whispered vocals before an explosive final chorus. Include a tender acoustic passage dedicated to Sam, his loyal dog, expressing unconditional love, companionship and the desire to walk the road together again. Build from despair and loneliness toward defiance, loyalty and a fragile sense of hope. Organic live-band production. Minor key. Dynamic arrangement. Imperfect human vocal delivery. Haunting final outro with solo acoustic guitar and whispered vocals. No pop gloss. No electronic beats. No artificial vocal runs. Emotionally devastating and authentic.

Я запомню маршрут

Я запомню маршрут

Russian dark alternative rock with a tense, stalking mid-tempo groove; muted low guitar ostinato and dry toms in the verses, widening into distorted guitars and forceful live drums in the chorus; intimate low male vocal with clipped phrasing, rising to a rough, urgent refrain; close, gritty mix with controlled low end and a stark final stop.

Swamp Riff

Swamp Riff

Swamp blues rock, slow loping shuffle, heavy fuzz electric guitar with thick low-mid saturation and spring reverb, gritty bass locked to a loose kick-and-snare groove, occasional bent-note slide guitar answers, sparse organ swells, raw live-room dynamics, instrumental intro that builds into a crushing riff, stripped-back middle break, final riff returns with full band, warm tape grit and wide room ambience

The Morning Finds Me Gone

The Morning Finds Me Gone

Slow-burning alternative rock ballad, restrained close-miked verses opening into a wide, cathartic distorted-guitar chorus; steady mid-slow pulse, clean electric guitar arpeggios, warm bass, roomy live drums that enter gradually, expressive male lead vocal with a vulnerable edge, dynamic build, raw band performance and clear modern mix.

불합격 사유: 본인

불합격 사유: 본인

Dark experimental emo rap fused with psychedelic alternative rock. Raw confessional vocals shift between detached whispers, half-spoken rap, and desperate melodic screams. Distorted angular guitars, dissonant chords, deep saturated bass, erratic live drums, glitchy textures, and sudden dynamic changes. Begin sparse and numb, then spiral into a feverish wall of sound. Lyrics explore academic trauma, shame, self-hatred, religious guilt, and an invisible judge living inside the mind. Use surreal imagery: a ruined chapel, a god behind glass, abandoned classrooms, a bloodless sacrifice, and a future buried beneath stone. Unsettling, intimate, chaotic, and devastating, like the last song in a collapsing world. Avoid polished pop, predictable hooks, and comforting resolutions. End with distorted guitar feedback, a fading heartbeat-like rhythm, and an unresolved silence.

시험지에 그려진 심판

시험지에 그려진 심판

Dark experimental emo rap fused with psychedelic alternative rock. Raw confessional vocals shift between detached whispers, half-spoken rap, and desperate melodic screams. Distorted angular guitars, dissonant chords, deep saturated bass, erratic live drums, glitchy textures, and sudden dynamic changes. Begin sparse and numb, then spiral into a feverish wall of sound. Lyrics explore academic trauma, shame, self-hatred, religious guilt, and an invisible judge living inside the mind. Use surreal imagery: a ruined chapel, a god behind glass, abandoned classrooms, a bloodless sacrifice, and a future buried beneath stone. Unsettling, intimate, chaotic, and devastating, like the last song in a collapsing world. Avoid polished pop, predictable hooks, and comforting resolutions. End with distorted guitar feedback, a fading heartbeat-like rhythm, and an unresolved silence.

미워도

미워도

Late 1960s Japanese Showa kayokyoku, sophisticated vintage orchestral pop, around 106 BPM, 4/4 time. Instantly recognizable melodic instrumental intro featuring bright harpsichord, crisp brass accents, warm electric bass, steady restrained drums, and elegant strings. Smooth, flowing rhythm with a cool, romantic nighttime city atmosphere. Female vocalist with a soft, distinctive, slightly nasal tone, intimate delivery, clear Japanese diction, subtle vibrato, and understated emotional expression. Elegant melodic phrasing, catchy lyrical chorus, memorable instrumental interludes with independent melodic lines. Refined orchestration, bittersweet romance, nostalgic Yokohama harbor lights, cinematic 1960s Japanese TV music atmosphere. Keep the arrangement stylish, melodic, and uncluttered, balancing gentle melancholy with a graceful, lightly swaying groove. Warm vintage analog recording character. No modern EDM, no heavy rock, no exaggerated enka ornamentation.

Permission to Exist

Permission to Exist

Create an experimental alternative art-rock song with haunting electronic textures, dissonant guitars, and a cold, melancholic atmosphere. The mood should convey alienation, emotional numbness, existential dread, and quiet desperation. Use fragile, intimate vocals with ethereal falsetto, sparse piano, deep bass, intricate live drums, glitchy electronics, and atmospheric guitar layers. Begin minimally and gradually build tension through unconventional harmonies, irregular rhythms, and distorted textures, culminating in an overwhelming yet restrained climax before collapsing into an eerie, unresolved ending. Theme: the aftermath of academic pressure. The examination is over, but the internal voice of judgment never stops. A person who sacrificed the present for the future now feels empty, exhausted, and disconnected from their identity. Nobody is watching, yet they still feel constantly evaluated. Make it beautiful yet unsettling, emotionally restrained yet devastating. Avoid convent

Parecido video

Parecido video

Hard rock, clásica, piano, violín, con estos estilos, un coro de fondo cantando la letra y estos instrumentos, hazme una melodía de unos dos minutos para promocionar una carrera de trial

Parecido video

Parecido video

Hard rock, clásica, piano, violín, con estos estilos e instrumentos hazme una melodía de unos dos minutos para promocionar una carrera de trial

Trail de los cerros y las Trincheras

Trail de los cerros y las Trincheras

Necesito una canción para promocionar un trial, de estilo hard rock, acoustic guitar, orquesta y coros

BAD FOR ME

BAD FOR ME

126 BPM gritty, melodic 80s-influenced polished studio rock. Sexy, dangerous, rebellious groove with crunchy electric guitars, punchy drums and driving bass. Dominant gritty, slightly raspy male rock lead with swagger; strong, fierce female rock vocals throughout, sharp call-and-response and powerful harmonies. Sung intro immediately, no instrumental intro. Catchy, explosive melodic chorus, steamy vocal exchanges, dynamic build and short melodic 80s-style guitar solo. Big radio-ready production, tight rhythm and clear vocals. Explosive final chorus, ending with a full-band hit and ringing guitar chord, clean stop. Aim for 3–3:30 minutes. STRICTLY NO crowd noise, cheering, clapping, chants, audience singalongs, stadium effects, spoken or whispered vocals, blues, country, heavy metal or arena rock. All vocals sung with attitude.

NOT GOING BACK

NOT GOING BACK

STYLE & TEMPO: 126 BPM gritty, melodic, polished 80s-influenced studio rock with pure attitude and swagger. Crunchy electric guitars, punchy drums, driving bass and a dangerous, confident groove. Powerful, slightly raspy male lead vocals with strong female backing vocals, sharp responses and bold harmonies. Explosive, catchy chorus, memorable hooks and a short melodic 80s guitar solo. Radio-ready production, tight and energetic. No blues, country, heavy metal or arena rock. Absolutely no crowd noise, chanting, clapping or audience sounds. INTRO: Start immediately with a sung male vocal, gritty and confident over a tight, crunchy guitar riff and driving drums. [Male lead] You showed your colours, I saw the truth Now there’s nothing left between me and you [Female vocal — sharp and defiant] You had your chance! [Male lead — cocky, punchy] Yeah, you blew it! Full band kicks in hard, launching straight into Verse 1. No spoken vocals, no whispering, no long intro.

THE WOMAN I BECAME

THE WOMAN I BECAME

Gritty, melodic, polished 80s-influenced studio rock at 126 BPM. Crunchy electric guitars, punchy live-sounding drums, driving bass and a confident, dangerous rock groove. Powerful, gritty, slightly raspy male lead vocals with strong female rock vocals throughout, sharp responses, harmonies and explosive call-and-response. Big, catchy melodic chorus with attitude, swagger and defiance. Short, melodic 80s-style electric guitar solo. Strong dynamic builds, tight transitions and a huge final chorus. Intro starts immediately with a gritty, confidently SUNG male vocal: “You don’t know me anymore, ” followed by a sharp, powerful female response: “Not the woman you knew before!” No spoken or whispered vocals, no atmospheric intro, no crowd noise, clapping, chants or audience sounds. Professional studio production, memorable hooks, around 3 minutes.

Liberty Oath

Liberty Oath

Anthemic folk-rock with steady marching drums, strummed acoustic guitars, handclaps, and a rising snare build; verse stays warm and plainspoken, pre-chorus opens with stacked harmonies and a lifted chord turn, chorus hits with gang vocals and a stamp-along pulse. Lead vocal is close-mic and earnest, with doubled hook lines and short delay throws on key phrases. Add a brief drum break before the final chorus, bright and punchy mix with crowd-sized space.

Never Stop

Never Stop

high-energy electro-industrial rock, aggressive synth bassline, driving electronic drums, dark tension building into an explosive anthemic drop, heavy distorted guitars, commanding energetic male vocals

Without a Sound

Without a Sound

female-fronted modern rock, heartfelt power-ballad energy, clean electric guitar arpeggios opening into crunchy rhythm guitars, live drums with wide tom fills, melodic bass, dynamic verse-to-chorus lift, expressive clear female lead vocal, restrained verses and soaring anthemic choruses, polished punchy mix

When You Stay Close

When You Stay Close

Female-fronted melodic rock ballad, mid-tempo 4/4 groove, clean electric guitar arpeggios opening into crunchy rhythm guitars and steady live drums, rounded bass, expressive female lead vocal with restrained verses and soaring choruses, dynamic build to a full-band final chorus, polished organic studio mix.

Your Quiet Heart

Your Quiet Heart

Heartfelt mid-tempo rock ballad, steady live-kit groove, warm overdriven electric guitars, melodic bass, piano accents; restrained close vocal in the verses opening into a powerful, sustained chorus, dynamic build with a guitar-led instrumental break, polished organic mix.

Closer To The Dark

Closer To The Dark

Dark, seductive, teasing, Orchestral rock, fierce female lead against warm, steady female vocals, whispered and low tense passages, wide cinematic reverb, synth guitar over swelling strings and weighty drums, measured pulse rising into a driving chorus, heavy hitting bass

New

New

acoustic guitar, flamenco, drum and bass, hard rock, vocal coro, violín, trap

New

New

acoustic guitar, flamenco, drum and bass, rock, vocal coro, violín

O2 End

O2 End

Dark cinematic heartland rock ballad with blues-rock and Americana influences. Deep raspy male baritone with a weathered, soulful voice. Slow 72 BPM. Start with intimate spoken vocals over sparse acoustic guitar. Gradually build with gritty electric guitars, deep bass, steady live drums and atmospheric organ. Powerful anthemic chorus with raw emotional vocals and subtle gospel backing choir. Stripped-down bridge with almost whispered vocals before an explosive final chorus. Include a tender acoustic passage dedicated to Sam, his loyal dog, expressing unconditional love, companionship and the desire to walk the road together again. Build from despair and loneliness toward defiance, loyalty and a fragile sense of hope. Organic live-band production. Minor key. Dynamic arrangement. Imperfect human vocal delivery. Haunting final outro with solo acoustic guitar and whispered vocals. No pop gloss. No electronic beats. No artificial vocal runs. Emotionally devastating and authentic.

The Last Diamond Ring

The Last Diamond Ring

🔥 This time we’re making a dramatic BEZBEZ duet where you’re confronting a woman you still love, and she answers every question. Both of you have secrets. Both of you are hurting. The argument turns into a powerful, emotional conversation over hip hop, R&B, cinematic piano, electric guitar, and explosive trance. The twist is that she didn’t leave because she stopped loving you. She left because she believed you had stopped loving her., piano, electric guitar, disco, keyboard, fusion, new wave, trance, hiphop, rock, r&B violin

O2 Time is running out

O2 Time is running out

Dark cinematic heartland rock ballad with blues-rock influences. Deep raspy male baritone vocal. Raw emotional delivery with a lived-in voice full of pain, pride and defiance. Slow tempo around 72 BPM. Start with sparse acoustic guitar and intimate spoken vocals. Gradually build with haunting electric guitars, deep bass, steady drums and atmospheric organ. Powerful explosive chorus with gritty vocals and subtle gospel backing harmonies. Stripped-down emotional bridge followed by a massive final chorus. End with a lone acoustic guitar and a whispered final line. Organic live-band sound. Minor key. Moody, honest and cinematic. Themes of physical exhaustion, loneliness, being written off by society, fading oxygen, lost identity and the stubborn will to keep fighting. A broken man who is not ready to surrender. No pop production. No electronic beats. No glossy vocals. Authentic, raw and devastating.

New

New

acoustic guitar, flamenco, drum and bass, rock, vocal coro

Bike Beneath the Night

Bike Beneath the Night

Rock, driving midtempo pulse, roomy snare reverb with a wide modern mix, mixed duet with close harmonies and alternating lead vocals, acoustic piano anchoring the verses with electric guitars, bass, and powerful drums

La Alianza de Acero

La Alianza de Acero

Épica de rock cinematográfico en español, tempo firme y ascendente, guitarras eléctricas amplias, percusión orquestal con toms y metales en los estribillos; versos tensos y narrativos que crecen hacia un coro masivo, puente de caída dramática y último coro triunfal. Voz masculina potente y clara, mezcla moderna con capas corales y gran dinámica.

Flamenco Vuelve a Latir

Flamenco Vuelve a Latir

Flamenco-pop with Spanish rock drive, celebratory community anthem, brisk handclap and palmas groove, strummed nylon-string guitar over punchy electric rock guitars and live drums, passionate male lead vocal in Spanish, chantable group responses on the chorus, rising arrangement into a heavier distorted-guitar final chorus, warm raw band mix with clear vocal

Cañete Revolt

Cañete Revolt

Hugito cañete vino para mejorar la seccional el nuevo presidente del barrio que quiere la gente va ayudar a traer cursos a la seccional a los jovenes a motivar a trabajar por el barrio. ROCK PESADO

Jóvenes Unidos

Jóvenes Unidos

Flamenco-Pop, Spanish Rock, upbeat anthemic groove with Spanish guitar strumming, handclaps, driving live drums, rounded bass, bright electric guitar accents; energetic male lead vocal in Spanish with communal backing responses, clear melodic chorus, polished band production, verse builds into a celebratory singalong refrain.

Vamos a Avanzar

Vamos a Avanzar

Flamenco-pop with Spanish rock energy and a reggaeton pulse, brisk handclap-driven groove, Spanish guitar rasgueado over punchy electric guitars and tight bass, crisp dembow percussion, spirited male lead vocal with communal chorus responses; build from a guitar-led verse into a broad singalong chorus, polished and lively mix

Vamos, Flamenco

Vamos, Flamenco

Flamenco-pop and Spanish rock with a reggaeton pulse, spirited and community-minded. Open with handclaps, palmas and rasgueado Spanish guitar; drive verses with tight rock drums, warm bass and gritty electric-guitar accents. Build a broad, singalong chorus with layered group vocals, then add a concise urban rhythmic break before the final chorus. Clear, passionate Spanish lead vocal, lively live-band feel, polished punchy mix.

Te Vuelvo a Entender

Te Vuelvo a Entender

Spanish-language dramatic Latin rock ballad, driving mid-tempo groove, overdriven electric guitar swells and tight live drums, warm melodic bass, verses restrained and intimate, choruses opening into forceful sustained vocal phrases, expressive male lead vocal with emotional grit, polished but organic mix

Fuck me

Fuck me

An epic journey of apocalyptic epicness, Viking style, hard rock symphony

Human in the Morning

Human in the Morning

Gritty protest folk-rock with a slow, marching 6/8 pulse, low warm acoustic guitar, restrained floor tom and bass, then rising electric guitar and communal backing vocals in the final chorus. Intimate, weathered lead vocal with clear diction; build from spare verses to a forceful, human-scale anthem, dry close mix widening at the end.

I Am a Human Being

I Am a Human Being

Urgent cinematic protest rock with a steady marching pulse, low-tuned electric guitars, restrained toms and handclaps, and a raw, resolute lead vocal. Begin with sparse guitar and voice, build into a forceful anthemic chorus with layered backing voices, pull back for a vivid bridge, then finish on a broad final chorus and decisive stop. Gritty, close vocal mix; dynamic drums; organic, spacious guitars.

Say My Name

Say My Name

Dark alternative folk-rock protest song, steady marching 4/4 groove, low piano and muted acoustic guitar in the verses, restrained toms and bass entering at the pre-chorus, broad distorted guitars and urgent layered vocals in the chorus, intimate raw lead vocal that grows into a defiant communal refrain, organic live-room production with clear lyrics and controlled grit.

Walking on Eggshells

Walking on Eggshells

Rock country Male voice

Mason's Crew

Mason's Crew

Upbeat family-friendly pop-rock with a bouncy 4/4 groove, bright piano, handclaps, warm bass, crisp live drums, and cheerful strummed guitar. Start with a short piano-and-clap intro, bring in an energetic youthful lead vocal for the verses, lift into a big easy-to-sing chorus with group backing vocals, add a brief guitar-and-piano turnaround, then finish with a joyful final chorus and clean button ending. Clear, warm, polished mix; playful and affectionate.

One More Step

One More Step

Cinematic Japanese anime rock with a dark orchestral edge, driving toms and punchy rock drums, distorted guitars, low strings, tense piano accents, and a soaring melodic hook. Begin with sparse, ominous piano and bowed strings; build into urgent verses, then explode into a wide, emotionally charged chorus with layered guitars and bold lead vocals. Add a brief breakdown with half-time drums before a final bigger chorus. Polished, dramatic mix with clear vocal focus and strong dynamics.

Morgane

Morgane

Modern Congolese Afro-pop, Afrobeat and Ndombolo fusion, 108 BPM. Infectious African dance groove, deep bouncy syncopated bassline, powerful kick, crisp claps, rolling congas, shakers and energetic tribal percussion. Bright rhythmic African guitars, catchy tropical synth melodies, warm plucked chords and hypnotic repetitive loops. Deep charismatic male French vocals, playful rhythmic delivery, melodic chanting, spoken ad-libs, energetic call-and-response with group backing vocals. Extremely catchy short repetitive chorus, infectious vocal hooks, joyful party atmosphere. Minimal groovy verses, rhythmic pre-chorus, explosive danceable chorus, dynamic percussion breaks and powerful bass drops. Warm emotional bridge followed by a massive celebratory final chorus. Authentic African urban pop energy, polished modern production, irresistible dance rhythm, strong low end, festive and uplifting. No EDM, no rock, no aggressive rap.

That's Enough

That's Enough

Punchy alternative pop-rock with a brisk, stomping groove; clipped palm-muted guitar and dry kick-snare drive the verses, opening into broad crunchy guitars and stacked harmonies on the chorus. Confident, slightly raspy lead vocal with sharp consonants; tight modern mix, energetic stops between phrases, decisive ending.

जय माता दी

जय माता दी

epic devotional anthem, powerful hindi bhakti rock, heavy dhol beats, resonant temple bells, majestic brass, high energy cinematic percussion, fierce and passionate male vocals, triumphant build-up, Indian cinematic orchestral

Akakja

Akakja

dark synthwave, industrial electronic rock, driving 808 bass, heavy pulse drums, aggressive analog synthesizers, intense male lead vocals, energetic, anthem, 110 bpm

Beim Bacchus, wo ist mein Wein?

Beim Bacchus, wo ist mein Wein?

Ancient Roman and Greco-Roman inspired music, lively theatrical comedy song, expressive and charismatic mature female mezzo-soprano, warm powerful voice with playful arrogance, dramatic emotions and mischievous humor. Authentic ancient Mediterranean atmosphere, plucked lyre, kithara, double-reed aulos flutes, panpipes, frame drums, hand percussion, crotales and rhythmic clapping. Catchy melodic refrains, energetic dance rhythms, playful instrumental passages, occasional male chorus responding to the lead singer. Rich acoustic textures, festive Roman banquet atmosphere, humorous dramatic bridge, grand triumphant finale. Fully melodic singing throughout, clear German pronunciation, no spoken narration, no modern instruments, no electronic sounds, no synthesizers, no rock drums.

Not U

Not U

Metal, hårdrock, symphoni orchestra, choir, violin, sadness, piano, electric guitar, shimmer, love, consert, fading

Fear

Fear

Metal, hårdrock, children choir, symfoni orchestra, violin, sadness, shimmer, piano, electric guitar

Bara en dröm

Bara en dröm

Metal, hårdrock, rock, piano, symfoniorkester, synth, electric guitar, shimmer, fading, consert, dream

Brandt på bussen

Brandt på bussen

Swedish hard rock power ballad, mid-tempo 6/8 pulse, ringing overdriven guitars and broad piano chords in the verses, bass and steady live drums building into a huge melodic chorus, gritty expressive male lead vocal with mixed group backing vocals, dynamic quiet-to-loud arrangement, guitar solo before final chorus, polished arena-sized production

The Banana Republic Turns

The Banana Republic Turns

playful two tone ska with a brisk offbeat guitar Reggae, Ska, Rock, Pop Rock springy walking bass punchy live kit bright trombone and trumpet call and response and a jaunty organ bubble verses stay nimble and narrative choruses open into a rowdy singalong with gang responses then a short brass break and a tidy stop time ending warm lively band room mix with crisp brass and lightly gritty guitar

Blood on the Wall

Blood on the Wall

electric guitar, rock/heavy metal, easy listening

Blood in My Eye

Blood in My Eye

2000s rock, electric guitar, young white male singer.

Nothing Matters Like Before

Nothing Matters Like Before

Slow alternative rock ballad, around 68 BPM, minor-key guitar arpeggios opening into broad overdriven power chords; restrained live drums enter after the first verse, with tom-heavy builds and a wide, aching chorus. Intimate, weathered male lead vocal, rising to a raw but controlled belt in the chorus. Let the bridge drop to voice and clean guitar before the final chorus swells; organic room drums, warm bass, gritty guitars, spacious vocal mix.

Many men

Many men

80s rock with linkin park voice

Schleiereulen Song 4

Schleiereulen Song 4

Indie Rock für Kinder

Brandt-gänget från Säffle

Brandt-gänget från Säffle

Swedish hard rock, driving mid-tempo groove, chunky palm-muted electric guitar riffs, punchy live-kit drums, thick melodic bass, bold gang-shout backing vocals in the chorus, gritty charismatic male lead vocal, verse riffs build into a wide anthemic chorus, short guitar solo before the final chorus, raw energetic band mix with clear vocals and powerful guitars

Oath of the Flame‑Wielding

Oath of the Flame‑Wielding

RAGNARROIT: A radically original Viking Punk fusion, raw punk rebellion colliding with overwhelming primal sonic force. Razor-sharp savage punk guitar riffs clash with crushing groove-metal riffs, ferocious distorted bass guitar driving the entire attack, explosive independent bass solo, thunderous live drums, frantic punk rhythms, pounding Nordic war drums, violent fills and earth-shattering synchronized hits. Raw female punk princess vocals, ancient Norse battle cries, fierce male Viking chants and haunting Valkyrie voices. Extreme dynamics: sudden dead silence, eerie ritualistic tension, deceptive fragile beauty, then shocking full-band detonations. Unexpected rhythmic shifts, monstrous breakdowns, seismic bass drops, unforgettable goosebump-inducing returns. Dangerous, defiant, majestic, untamed and unmistakably original. No generic metal, no polished rock, no pop, no rap.

WATCH ME

WATCH ME

Gritty, melodic 80s-inspired rock with polished, radio-ready studio production. 126 BPM, driving 4/4 groove, crunchy electric guitar riffs, punchy drums, deep bass and confident swagger. Powerful, slightly raspy male lead vocal with strong, gritty female rock responses and harmonies. Huge catchy chorus, infectious hooks and a short, soaring melodic 80s guitar solo. Defiant, rebellious, energetic and uplifting. INTRO: Start immediately with the male lead singing over a tight guitar riff: “You wrote me off — your first mistake / Now watch the ground beneath you shake.” Female vocal fires back: “You ain’t seen nothing yet!” Full band slams into the main riff. Clear vocals, tight rhythm, professional studio mix. No crowd noise, clapping, chanting, live audience, spoken or whispered intro, blues, country, heavy metal or long instrumental intro.

НЕ НАВСЕГДА  - CamaradaV

НЕ НАВСЕГДА - CamaradaV

Atmospheric 1970s progressive rock, 76 BPM, minor key. Deep emotional male baritone, nostalgic and sorrowful verses, warm Hammond organ, melodic bass, spacious electric guitars with long delays, orchestral strings, steady drums. Haunting Soviet-era atmosphere, expressive guitar solos, gradual dramatic build-up. Vocals grow from quiet reflection to passionate determination. Powerful uplifting finale with majestic choir, soaring guitars and triumphant symphonic crescendo.

Pasillo de Rock

Pasillo de Rock

## 🎶 La melodía y el sonido * Tempo: 124 BPM, con batería pop-rock enérgica y palmas. * Acordes principales: G – D – Em – C, repetidos en versos y estribillos. * Versos: voces alternadas y melodía rítmica, con guitarra eléctrica y bajo. * Estribillo: notas más altas, frases pegadizas y los cuatro cantando juntos en las respuestas y los “oh-oh-oh”. * Puente: baja la instrumentación para que cada voz destaque; después, una subida instrumental lleva al último estribillo. * Reparto vocal: Carlos, Kendall, James y Logan tienen líneas individuales, y los cuatro comparten los estribillos y el final.

White Guy in 1985

White Guy in 1985

Comedic garage rock with brisk, stomping drums, crunchy rhythm guitar, rubbery bass, and a wiry lead-guitar riff. Male lead vocal delivered with dry, conversational swagger, escalating into emphatic gang-style repeats on the year refrain. Tight, slightly ragged live-room mix; verses stay lean, choruses open up with handclaps and backing shouts, then stop sharply for the spoken-style correction before a short absurdist outro.

Broken Angel

Broken Angel

Intimate alternative rock ballad, slow 6/8 sway, close-miked husky lead vocal with fragile verses that open into a forceful chorus, fingerpicked electric guitar and restrained piano at first, low bass and roomy live drums entering gradually, dynamic build to a cathartic final chorus, warm analog texture and natural vocal grit.

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