"Metal"
Песни, созданные с Voices AI

Песни, созданные с Voices AI, внедряют голосовые технологии в музыку - от каверов до оригинальных треков. Узнай, как создатели и наше сообщество используют AI‑голоса, чтобы исследовать новые звуки и идеи.

Abyssal Starfall Cataclysm

Abyssal Starfall Cataclysm

Style: Extreme blackened death metal, atmospheric, apocalyptic, 260 BPM, downtuned aguitars, distortion, bass shredding with slap, rake, and sliding. Bass and guitars duel in escalating runs until the bass overwhelms the guitars. Relentless double-kick, hyper-speed blast beats, machine-gun tom fills, cymbal storms, dive bombs, tremolo-picked riffs, dissonant harmonies, cavernous reverb sdemonic chants, distant screams, black-hole ambience, crushing sub-bass, cinematic cosmic horror. Structure: Intro → Verse → Chorus → Verse → Breakdown → Guitar/Bass Duel → Solo → Final Chorus → Cataclysmic Outro. Mood: Hell as the final destination beyond the end of the universe, where collapsing stars, black holes, and unstoppable gravity are consumed by an eternal abyss. End with a sustained wall of feedback, subterranean rumble, and infernal chanting fading into absolute silence.

Der Feind In Mir

Der Feind In Mir

Early-2000s nu-metal rap rock, clipped rhythmic male rap, sampled beats, glitchy synths, turntable scratches, downtuned guitars, syncopated drums, tense restrained verses, fragile clean vocals, explosive anguished screams, dramatic quiet-loud shifts, no punk.

Spiegelklinge des Feindes

Spiegelklinge des Feindes

Early-2000s nu-metal rap rock, clipped rhythmic male rap, sampled beats, glitchy synths, turntable scratches, downtuned guitars, syncopated drums, tense restrained verses, fragile clean vocals, explosive anguished screams, dramatic quiet-loud shifts, no punk.

DER FEIND IN MIR

DER FEIND IN MIR

nu-metal rap rock, tight spoken male rap, glitchy electronics, turntable scratches, downtuned guitars, syncopated drums, tense verses, vulnerable clean vocals, huge anguished screamed chorus, cinematic quiet-loud shifts, no pop-punk.

Nada De Nada

Nada De Nada

Reggaeton urbano lento con dembow pesado y palmas secas; verso con bajo mínimo y percusión recortada, pre-coro sube con coros filtrados y una línea de synth aguda, coro entra con voz doble y gritos en grupo. Puentes cortos con parones y eco en la última palabra, remates con risers de ruido y percusión de metal. Mezcla brillante y pegajosa, voz muy al frente y seca.

Home In Fallujah

Home In Fallujah

Hybrid 2020s hip-hop rock with country-rock grit and emotionally depressing metal weight; mid-tempo swung stomp, half-time trap drums under distorted guitars and plain-spoken acoustic verses, verses ride tight kick-snare and tense bass, pre-chorus strips to handclaps and open chords, chorus hits with huge downpicked guitars and shouted gang doubles, bridge breaks to lone acoustic and low toms before a final wall of sound; deep raspy male vocals, close-mic verses, stacked hook doubles, scraped ad-libs, delay throws on the title line, distant radio crackle and reverse cymbal swells into each lift, bright compressed low-end with a dark, punchy, arena-sized mix, vocal, depressing, rock, metal, hip-hop, country rock, deep

Still In Fallujah

Still In Fallujah

Alt-metal country-pop hybrid with hip-hop rock pulse, mid-tempo and stomping half-time drums; verse rides dry acoustic guitar, muted bass, and tense rap-rock talk-sing, pre-chorus opens into ringing chords and tom lifts, chorus hits with distorted guitars, lifted harmony stacks, and a short chant hook. Deep raspy male vocals, doubled lines, shouted ad-libs, delay throws on key words, tape hiss and reversed swells into each chorus, dense but cinematic mix with punchy low end and cracked-snare bite., rock, hip-hop, country, depressing, deep, vocal, metal, pop

Not Home Now

Not Home Now

Four-minute 2020s genre hybrid: mentally fractured hip-hop rock fused with polished country-pop and emotionally depressive modern metal. Midtempo 82 BPM, minor-key acoustic guitar and restrained country picking under hard trap drums, sub bass, distorted down-tuned guitars, and explosive live-metal choruses. Verses alternate tight confessional rap with weary melodic phrasing; pre-choruses add pedal steel and widening toms; choruses hit with massive guitars, country-pop vocal doubles, and a deep raspy white male lead vocal that sounds exhausted rather than theatrical. Use abrupt dropouts, radio-like vocal fragments, half-time breakdown, and a final stripped acoustic outro. Contemporary, cinematic but raw mix: intimate dry verses, wide crushed choruses, controlled low end, no glossy triumphant resolution.

Yvan Max

Yvan Max

French electro-rap with fast syncopated drums, robotic vocal processing, tight verse-to-chorus lift, minimal coffee-cup foley and filtered synth pulses in the verses; pre-chorus opens with rising noise and chopped ad-libs; chorus hits with stacked unison hooks, hard sidechain, and a metallic bass stab. Dry close-mic rap in verses, vocoder doubles on key phrases, short delay throws on the hook word, crisp bright and punchy mix., rap

Quelle montre aujourd hui

Quelle montre aujourd hui

French electro-rap with robotic vocal layers, bouncy syncopated groove, tight drum-machine pulse and elastic bass; verse rides sparse kick, clap, and ticking synth blips; pre-chorus opens with filtered risers and chopped vocal echoes; chorus hits with gang doubles and a sharp synth stab hook. Robotic lead voice in verses, stacked rap doubles on hooks, short delay throws on key words, metallic ticks and reversed swells between lines. Bright, punchy, glossy mix with a clean low end., rap

Le Dilemme Du Jour

Le Dilemme Du Jour

Dance-electro with driving four-on-the-floor kick, syncopated bass stabs, and robotic rap vocals; verse rides a tight electro groove with dry snare and talk-rap phrasing, pre-chorus strips to filtered claps and rising synth blur, chorus hits with stacked hooks and vocoder doubles. Add glitch fills, reverse swells, and metallic chimes; bright, punchy, polished mix., rap

NEON SCARS

NEON SCARS

ambient heavy bass metalcore, soft female vocaloid vocals, f minor

NEON SCARS

NEON SCARS

ambient heavy bass metalcore, female vocaloid vocals, f minor

NEON SCARS

NEON SCARS

ambient heavy bass metalcore, female vocaloid vocals

Rudra

Rudra

High-energy Industrial Heavy Metal Indian Devotional Song, Aggressive Electric Guitar Riffs, Fast Nasik Dhol Beats, Extreme Bass Drop, Raw Powerful Male Lead Vocals, Screaming Chorus 'Bam Bam Bhole', Fast Vedic Chants, Gym Workout Anthem Vibe, 432Hz spirit, ultra-fast climactic end.

If you knew (alternativ rock)

If you knew (alternativ rock)

Early-2000s nu metal, tense rap verses, raw high male screams, clean emotional vocals, distorted guitars, electronic textures, heavy drums, explosive chorus, dark, cathartic

Mud on My Boots

Mud on My Boots

Alternative metal with country grit, mid-tempo half-time stomp and swung toms; verse one rides picked acoustic, baritone guitar drones, and a sparse kick, verse two adds distorted low strings and snare cracks, chorus hits with an anthemic wall of guitars and pedal steel bends. Raspy white male vocal, close-mic and cracked in verses, stacked doubles on hooks, shouted gang answers on the title line. Reverse swells into choruses, radio chatter fragments, final bridge strips to acoustic and breath. Dry, heavy, and bruised in the mix., deep, alternative metal, country, vocal

ICH WILL DICH KLEIN

ICH WILL DICH KLEIN

Dark cinematic R&B / Industrial Soul / sinister Spoken Rap. Male lead vocal, deep, controlled, intimate, emotionally cold, close-mic with audible breath. Slow 68–74 BPM, minor key, oppressive sub-bass, sparse distorted piano, metallic textures, low drones, reversed ambience, distant choir, restrained trap percussion, occasional heartbeat-like kick. Verses almost spoken, calm and manipulative rather than shouted; chorus expands into dark melodic R&B with layered low harmonies. Build psychological pressure gradually: seductive control → dependency → domination → total emotional collapse. Strong pauses, whispered doubles, ghostly echoes on key words, unsettling silence between phrases. Final outro nearly whispered, stripped to drone, breath and sub-bass. No heroic energy, no uplifting resolution, no bright synths. Atmosphere: elegant, poisonous, claustrophobic, psychologically destructive, cinematic and disturbing.

Flesh Tired Blood

Flesh Tired Blood

Nightcore fantasy pop with metalcore bite, fast double-time pulse and half-time crush in the drops; verse rides glittering synth arps, punchy toms, and chugged guitars; pre-chorus strips to snare builds and breathy hooks, chorus hits with stacked screams, bright topline, and huge gang chants. Vocal stack has airy lead, whispered doubles, and harsh ad-lib snarls. Ear candy: reversed harps before lifts, glassy risers into drops, chime hits between lines. Bright, wide, and fierce, metalcore, pop

Under My Bed

Under My Bed

Fantasy pop with horrorbeat pulse and bass-boosted low end, mid-tempo and syncopated with a dark anime sheen; verse stays lean with sub-bass, dry snaps, and eerie bell tones, pre-chorus tightens with filtered choirs and rising noise, chorus hits in a half-time stomp with stacked male doubles and shouted hook accents. Add reversed swells, metal-door slams, and a warped music-box turn before the final chorus. Deep close-mic male vocal, intimate in verses and huge on hooks; mix is glossy, heavy, and cinematic., horrorcore, male vocals, pop, deep, anime

Combustion Ride

Combustion Ride

Alt-pop with trap drums, half-time bounce, and a reckless late-night groove; verse rides sparse sub bass and clipped percussion, pre-chorus opens with rising synth tension, chorus hits with stacked doubles and a chanty hook. Vocal is close-mic and sly in verses, wider on the hook with ad-lib throws and a few whispered echoes. Ear candy includes reverse swells into the drop, metallic tick fills, and a tape-stop before the final chorus. Mix is glossy, punchy, and intimate with a hot low end.

Halbzeitknochen

Halbzeitknochen

Metalcore with brutal half-time chugs and tremolo riff bursts; verse stays claustrophobic and close, pre-chorus swells with layered gang shouts and rising tension, chorus slams open with shouted doubles and wide harmony leads. Reverse cymbal swells, blown-out risers, and punchy stops between phrases. Intimate close-mic verses, raw lead, huge gang energy in the hook, bright and crushing mix.

Ashes On Steel

Ashes On Steel

Metal ballad with brutal full-time chugs and tremolo riffs at a driving mid-tempo; verse stays claustrophobic and low-slung, pre-chorus opens wide with swelling tom rolls and stacked shouts, chorus slams with shouted doubles and huge gang vocals. Intimate close-mic verses, cracked lead takes, tight harmony lifts, reverse cymbal swells into blooms, then a crushing final chorus with bright-yet-heavy punch and a gritty cinematic edge., harmony, emotional, vocal, harsh, ballad, slow, synthetic, dynamic

Glaslava

Glaslava

Melodic dubstep with vocal-riddim bounce and autotuned male vocals; verse rides sparse half-time pulses and clipped synth stabs, pre-chorus opens with rising chords and filtered gang doubles, chorus hits wide with soaring lead stacks and a punchy octave lift, bridge strips to airy pads and a heartbeat kick before the final drop. Add reversed swells, metallic risers, and delayed hook throws; bright, glossy, emotional mix with hard low-end impact., riddim, raw, vocal, dubstep, edm

Echo aus Lava

Echo aus Lava

Dubstep-EDM with hyped half-time drops, syncopated synthetic bass stabs, autotuned lead vocal and shouted doubles; verse rides tense filtered synths and clipped drums, pre-chorus strips to pulsing risers and a vocal latch, chorus slams with wide wobble bass and hard kick impact. Ear candy: reversed swells into drops, metallic zaps between lines, glitch flickers on the hook. Bright, aggressive, and glossy with a punchy festival mix., edm, dubstep

Nur noch Vorwärts

Nur noch Vorwärts

EDM dubstep-tekk hybrid with hyped half-time drops and stuttering syncopation; verse rides sparse synth arps and rubbery bass, pre-chorus strips to filtered pads and vocal chops, chorus hits with massive wobble leads and shouted gang doubles. Autotuned lead vocal with tight doubles, formant-bent ad-libs, delay throws on the hook, reversed risers and metallic fills between phrases. Bright, aggressive, punchy mix with glossy top end and seismic low-end impact., edm, dubstep

Hollow Crown

Hollow Crown

sad emotinal melodic soft metalcore unconventional melody and layered harmonies. Unqie!!!! Unique beautiful Chorus!! EPIC!!!! Extrem rare melody and vocal. Sad emotional. Uniqe, rare, unconventional, hypnotic, epic, cinematic. Soft Metalcore, alto, throat Singing, celtic folk, mystical, emotional, rare unconventional uniqe. Beautiful breathtaking melody, epic, hypnotic, cinematic. Recognizable emotional Chorus!!! recognizable rare unconventional song WHOLE SONG IS RECOGNIZABLE AND RARE. EMOTIONAL!!!!!!!!!!!!!

Nur noch vorwärts

Nur noch vorwärts

German hybrid rap with dubstep and tekno energy, half-time verse pulse and abrupt double-time bursts; verse rides tense minimal kick and warped synth stabs, pre-chorus strips to filtered drones and rising noise, chorus slams with distorted bass hits and shouted hook doubles. Vocal is close-mic, slightly autotuned, with stacked ad-libs, pitch flips, and delayed last words. Ear candy includes reversed sweeps, metallic risers, sub drops, and glitch cuts between lines. Mix is dark, wide, and hard-punching., dubstep

Amigo

Amigo

Heavy metal melódico

Treibstoff in der Nacht

Treibstoff in der Nacht

sludge-metal, slow-tempo, heavy-distortion, downtuned-guitars, gritty-male-vocals, dark-ambient-textures, dissonant-arrangement

Salt Glass Amulet

Salt Glass Amulet

Doom metal with slow, dragging half-time riffs and tolling kick drum accents; verse stalks on grim power chords and bass rumble, pre-chorus opens into ringing dissonance, chorus lands on a wider, heavier stomp with layered gang shouts. Gravel-throat lead in verses, double-tracked snarls in choruses, short delay throws on the last word of each hook. Chain-rattle fills, reversed cymbal swells, and a funeral bell hit before the drops. Dark, विशाल, and crushingly dense mix., doom metal

Dunia Terbakar

Dunia Terbakar

Trash metal

Jogo dos Biscoiteiros

Jogo dos Biscoiteiros

Brazilian funk with aggressive batida, syncopated percussion and heavy sub-bass; verse rides tense and sparse with dry snare snaps and vocal commands, pre-chorus strips to claps and filtered bass to raise pressure, chorus hits in a chantable gang-vocal hook with chopped ad-libs and short delay throws on the anchor phrase. Add reversed risers, metallic fills between lines, and a final drop with wider drums and crowd-style shouts. Bright, punchy mix with a raw street edge and upfront vocal presence.

grave

grave

original metallic hardcore song with crushing, down-tuned guitars, chaotic dissonant riffs, explosive breakdowns, relentless double-kick drumming, and a raw, aggressive atmosphere. The vocals should alternate between piercing, high-intensity screams and deeper, commanding shouts, conveying desperation, rage, and catharsis. The structure should build tension with eerie clean guitar passages and unsettling ambience before erupting into massive breakdowns and frantic riffs

Fury of the Storm

Fury of the Storm

Deathcore, melodic death metal duet, aggressive male guttural growls, piercing female high screams, heavy down-tuned guitars, fast blast beats, aggressive and high energy

Под Ледяным Полом

Под Ледяным Полом

Dark pop with slow half-time pulse, jagged low drums, and a nervous synth ostinato; verse stays sparse with close-mic lead and dry room tone, pre-chorus opens into stacked whispers and rising noise, chorus hits with wide vocal doubles and a cold synthetic bass drop. Ear candy: reversed swells before each chorus, metal-door creaks between lines, and a glassy chime tag on the hook. Mix is dark, glossy, and claustrophobic.

Shadows on the Battlefield

Shadows on the Battlefield

Nothing else matter by metallica

Graveyard Slide

Graveyard Slide

Drift phonk at a fast tempo with hard swung trap drums, heavy distorted 808s, down-tuned synth pulses, dark marimba motifs, and aggressive Memphis cowbells; verse keeps it stripped to sub-bass and drum grit, then the drop opens with metal guitar chugs, eerie pads, and a sliding bass lead. Filtered risers, reversed bells, and tape hiss transitions; thick, menacing, punchy, and underground., metal guitar, marimba, hip hop, ambient

Schlechte Karten

Schlechte Karten

Monumental cinematic impact hip-hop, dark philosophical anthem, deep conscious male lead vocal (35–45), intimate low-register delivery with calm authority, evolving into explosive conviction. Slow-burning tension, sparse piano, reversed textures, sub-bass pulses, distant taiko impacts, hybrid orchestral strings, analog synth drones, granular atmospheres, metallic risers, cinematic brass swells, massive but controlled drops. Dynamic contrast between whispered introspection and commanding rap passages. Themes of perception, influence, emergence, psychological pattern recognition, responsibility, and the battle between manipulation and awareness. No gangster clichés, no trap excess, no autotune artifacts. Dense internal rhyme cadence, dramatic pauses, breath details, wide stereo ambience, pristine modern mix, IMAX-scale soundstage, emotionally overwhelming, intellectually provocative, unforgettable final climax that resolves into silence with a single lingering piano note.

Pamba Chenda Drive

Pamba Chenda Drive

Kerala folk percussion instrumental with chenda, ilathalam, and udukku leading a driving pamba groove; opening is a lone chenda motif and soft frame-drum pulse, middle section layers call-and-response patterns between chenda and udukku, final stretch adds faster rolls, metallic cymbal accents, and a celebratory cadence. Tight live-room percussion, earthy and powerful, with a bright, resonant mix.

Pact with the shadows

Pact with the shadows

[Genre] Luxury Noir Pop × Heels × Hard Dark Romance × Cinematic Metal | 80 BPM [Song Time] Under 3:00 [Style] Sensual, seductive, luxurious, mysterious, provocative, hypnotic, cinematic, elegant. [Structure] Cinematic metal guitar intro, slowed vocal intro, seductive verses, tension-building pre-chorus with subtle screams, addictive chorus, cinematic bridge, powerful final chorus. [Instrumentation] Warm piano, lush strings, deep 808s, dark synths, haunting pads, minimal trap drums, analog textures, heartbeat percussion, reverse FX, dark metal guitar, subtle industrial impacts. [Vocals] Deep masculine baritone, virile, smooth, intimate, whispered confidence, expressive harmonies, airy masculine backing vocals. [Atmosphere] Luxury red room, velvet, candlelight, rain, obsession, temptation, forbidden desire, magnetic chemistry, elegant darkness. [Mix] Warm low-end, immersive vocals, polished cinematic production, wide stereo, premium luxury sound.

Maskenbrechende Schatten

Maskenbrechende Schatten

No intro, explosive first second, immediately sing “KEN KANEKI! TOKYO GHOUL!” with a strong, powerful, distinctive male lead voice. Fully sung, no spoken parts. Dark alternative metal and industrial J-Rock with distorted guitars, haunting piano, cinematic strings, heavy drums and unsettling atmospheric textures. Begin fragile and tortured, escalate into rage, psychological collapse and brutal intensity, then evolve toward painful self-acceptance and humanity. Male vocals remain dominant throughout, shifting from vulnerable melodic singing to controlled aggressive power. Huge, dark, unforgettable emotional chorus with dramatic Tokyo Ghoul atmosphere.

Crazy Weatherman

Crazy Weatherman

Deathcore, melodic death metal duet, aggressive male guttural growls, piercing female high screams, heavy down-tuned guitars, fast blast beats, aggressive and high energy

NICHT UMDREHEN

NICHT UMDREHEN

Dark cinematic thriller hip-hop, 78–84 BPM, claustrophobic and suspenseful. Sparse distorted 808s, deep sub-bass, dry kick, metallic clicks, reversed breaths, distant footsteps, wet asphalt ambience, low drones and sudden full silences. No party energy, no bright melodies. Deep male lead vocal, close to the microphone, controlled, tense and narrative-driven. Begin almost whispered, then gradually increase pressure without shouting. Create a living “shadow voice” using stereo whispers, hissing consonants, breathy echoes, reversed syllables, pitch-shifted doubles and delayed fragments that appear behind, beside and inside the lead voice. The shadow should repeat words, finish sentences, answer questions and occasionally imitate the lead exactly. Use cinematic pacing: slow story-rap, nervous rhythmic passages, short double-time bursts, abrupt pauses and isolated spoken lines. Keep the beat spacious so every sound feels dangerous. Build tension continuously like a psychological thriller,

Deadly Forecast

Deadly Forecast

Deathcore, melodic death metal duet, aggressive male guttural growls, piercing female high screams, heavy down-tuned guitars, fast blast beats, aggressive and high energy

Detrimental Lightning

Detrimental Lightning

Deathcore, melodic death metal duet, aggressive male guttural growls, piercing female high screams, heavy down-tuned guitars, fast blast beats, aggressive and high energy

Global Inclement Weather

Global Inclement Weather

Deathcore, melodic death metal duet, aggressive male guttural growls, piercing female high screams, heavy down-tuned guitars, fast blast beats, aggressive and high energy

All in

All in

Opis bitu: mroczny, kasynowy hip-hop/trap, około 92–96 BPM. Głęboki bas, ciężka stopa, suche werble, pojedyncze dźwięki fortepianu i metaliczne odgłosy żetonów. W tle napięte smyczki, dźwięk tasowanych kart i narastający heartbeat przed refrenem. Refren szeroki, koncertowy, z niskim chórem powtarzającym „all-in, all-in”. Bridge prawie bez perkusji, a po słowie „river” potężny powrót bitu.

Kernschrei der Schatten

Kernschrei der Schatten

acoustic guitar, electronic, metal punk fusion with rap, fusion metalcore with deep horror rap vocals speak from male background and powerful emotional aggressive punk metal female vocals speak, drums and double bass guitars with gigantic BOOM akustisch guitars and trash metal guitars and fast energy dramatic drums with brutal goosebumps feeling, aggressive melodic and bad deep dark atmosphere with emotional breaks, instrumental fast and powerful

Destructive Thunderstorm

Destructive Thunderstorm

Deathcore, melodic death metal duet, aggressive male guttural growls, piercing female high screams, heavy down-tuned guitars, fast blast beats, aggressive and high energy

Stahlkälte im Schall

Stahlkälte im Schall

Ultra-fast, ultra-aggressive, melodic and heartbreaking emotional, hard-hitting breakdown, instrumental Power More darkness and deep feeling, dark deep rap, Hardcore Punk fused with dark Hard Rock, Rap Metal and subtle Metalcore. Cold haunting intro rising from sadness to hope. Bombastic, powerful live sound with thunderous drums, relentless double-kick, deep aggressive bass guitar, crushing low-tuned rhythm guitars, emotional lead guitars, unforgettable instrumental hooks and goosebump guitar melodies. Devastating breakdowns, explosive drops, cinematic dynamics. Raw female spoken/sung vocals answered by a young girl's voice. Emphasize only rhyming words and key emotional phrases. Organic live band. No synths, electronics, autotune or pop.

Blackhole of Eternal Damnation

Blackhole of Eternal Damnation

Extreme blackened satanic death metal. Ultra-aggressive and relentless. Downtuned 7–9 string guitars with razor-sharp tremolo picking, dissonant riffs, dive bombs, pinch harmonics, crushing breakdowns, and chaotic solos. Bass guitar is highly audible and technical with fingerstyle, slap, harmonics, slides, raking, shredding, and dueling the guitars. Drums are inhumanly fast with relentless blast beats, double- and triple-time patterns, machine-gun kick drums, rapid tom fills, gravity blasts, and galloping rhythms that build from a sprint to a stampede. Deep demonic growls, black metal shrieks, tortured screams, and layered infernal chants. Atmosphere is apocalyptic, infernal, cosmic, and oppressive with themes of Hell, black holes, gravity, the void, darkness, singularities, annihilation, and the end of the universe. Cinematic production, massive low end, crushing dynamics, and maximum intensity from beginning to end

Pizza Box Clock

Pizza Box Clock

Dark pop-rock with a driving mid-tempo pulse, stomp-clap percussion, crunchy guitar chugs, and a synth bass that stalks the downbeat; verse stays sparse with close-mic vocal and ticking accents, pre-chorus tightens with rising toms and doubled whispers, chorus opens into gang shouts and a sharp singalong hook. Use reversed swells, metal-door hits, and arcade chimes as ear candy. Brightly compressed, tense, and punchy with a glossy horror sheen.

Optimus prime

Optimus prime

Pasowałby tu monumentalny bit trapowo-orchestralny: około **92 BPM**, ciężkie bębny, metaliczne uderzenia, chóry, smyczki, futurystyczne syntezatory i odgłosy transformacji przed refrenem.

Beyond the Horizon

Beyond the Horizon

epic symphonic power metal, dramatic orchestral swells, fast double bass drums, sweeping guitar solos, soaring operatic vocals, heroic atmosphere

That boys

That boys

Electronic Rock / Dance-Metal + heaviness, pure joy, Disney vocal

That boys

That boys

Electronic Rock / Dance-Metal + heaviness, pure joy fun

Twoface On Decks

Twoface On Decks

Dark dubstep and DnB hybrid with rattling halftime drops, shuffling breakbeats, and warped sub hits; verse rides grimy low-end and snare snaps, pre-chorus narrows to chopped vocal stabs and filtered tension, chorus slams with massive wobble bass and rewind accents. Raspy lead vocal with doubled hook shouts, pitch-bent ad-libs, and metallic delay throws., beats, dubstep

DJ TwoFace

DJ TwoFace

Dark dubstep with a half-time stomp, skewed bass growls, rattling hats, and a grimy old-school club pulse; verse rides sparse sub pressure and clipped turntable cuts, pre-chorus strips to filtered drums and a rising siren scrape, chorus hits with a monstrous wobble lead and gang shouts on the name. Raspy male vocals with doubled hooks, ad-lib throws, and short reverse-swell transitions; bright-to-void contrast, heavy low-end, metallic and bruised., beats, dubstep

Hatem der Ayri

Hatem der Ayri

German trap with stomping half-time drums and sliding sub-bass; verse rides sparse with clipped hi-hats and dry kick patterns, pre-chorus opens up with filtered synth lifts and snare rolls, chorus hits wider with stacked gang vocals and a simple chantable lead. Vocal is close-mic, confident, with doubled hook lines and occasional ad-lib pops. Ear candy includes reversed risers into the chorus, a short tape-stop before the second hook, and metallic one-shots between phrases. Mix is dark, punchy, and clean in the low end.

DIE LATTE LIEGT IM SCHATTEN

DIE LATTE LIEGT IM SCHATTEN

Dark cinematic Hip-Hop with an oppressive shadow-rap concept, around 82 BPM. Deep sub-bass, sparse distorted 808s, heavy low drums, metallic impacts, reversed textures, distant drones, eerie room ambience and occasional heartbeat-like percussion. No party energy, no bright melodies, no playful elements. Male lead vocal, deep, calm, dominant and very close to the microphone. Controlled delivery with precise pauses, restrained aggression and strong authority. Add a second “shadow voice”: lower, whispered, slightly distorted, moving between left and right stereo channels. The shadow voice should repeat single words, finish sentences, contradict the lead and occasionally answer in call-and-response. Use abrupt flow changes: slow spoken passages, tightly rhythmic sections, short double-time bursts and sudden complete silence before key lines. Hooks should sound monumental, dark and hypnotic, with layered low vocals and long echoes. Keep the instrumental spacious so every syllable feels he

forged in the fire

forged in the fire

original metallic hardcore song with crushing, down-tuned guitars, chaotic dissonant riffs, explosive breakdowns, relentless double-kick drumming, and a raw, aggressive atmosphere. The vocals should alternate between piercing, high-intensity screams and deeper, commanding shouts, conveying desperation, rage, and catharsis. The structure should build tension with eerie clean guitar passages and unsettling ambience before erupting into massive breakdowns and frantic riffs

Submerged Bass & Midnight Waves

Submerged Bass & Midnight Waves

Metalcore, death metal, pop-punk anthem, serious, dark, a lot of heavy breakdowns, hardcore

Pact with the shadows

Pact with the shadows

[Genre] Dark Pop Romance × Metal × Cinematic Heels | 80 BPM [Song Time] 3 minute [Style] Sensual, seductive, mysterious, provocative, hypnotic, intimate, cinematic. [Structure] Metal Guitar Intro, Intro vocal Slowed, addictive verses, tension-building pre-chorus with screaming, addictive and provocative chorus with aery chorus, cinematic bridge, powerful and provocative final chorus. [Instrumentation] Deep bass, warm 808s, dark synths, haunting pads, cinematic strings, subtle trap drums, analog textures, reverse FX, heartbeat percussion, minimal piano, Guitar metal melodie, Darkness FX. [Vocals] Deep masculine baritone, smooth, confident, intimate, whispered phrases, seductive delivery, expressive harmonies, backing voices, aery chorus. [Atmosphere] Hot red room, candlelight, velvet, temptation, obsession, chemistry, magnetic attraction, forbidden desire, elegant darkness, premium production. [Mix] Warm low-end, wide stereo, immersive vocals, polished cinematic mix.

La patate

La patate

[Genre] INDUSTRIAL HARD TECHNO, DARK PSYTRANCE, HARDCORE UPTEMPO. 160 BPM. [Style] Humorous alpine rave, Savoyard, festival, absurd, energetic. [Structure] Intro, build-up, drop dark Psytrance, melody, build-up, final drop Uptempo Hardcore × Industrial Hard techno. [Kick] Massive industrial kicks, zaag kicks, PVC kicks, metallic punch, deep rumble, rapid kick switches, machine-gun kickrolls, gated fills, fake drops. [Sound] Industrial percussion, dark psy groove, acid leads, alpine horns, cowbells, accordion, mountain wind, chalet ambience, fireplace, village bells. [Vocals] Male festival MC, funny dialogues, crowd chants, call & response, exaggerated Savoyard accent. [Atmosphere] Mountain village, raclette, cheese, snow, chalet party, underground rave, explosive festival energy. [Mix] Kick-forward, huge low-end, loud master, wide stereo.

La patate

La patate

[Genre] INDUSTRIAL HARD TECHNO × Dark PSYTRANCE × HARDCORE UPTEMPO. 160 BPM. [Style] Humorous alpine rave, Savoyard, festival, absurd, energetic. [Structure] Intro, build-up, drop dark Psytrance, melody, build-up, final drop Uptempo Hardcore × Industrial Hard techno. [Kick] Massive industrial kicks, zaag kicks, PVC kicks, metallic punch, deep rumble, rapid kick switches, machine-gun kickrolls, gated fills, fake drops. [Sound] Industrial percussion, dark psy groove, acid leads, alpine horns, cowbells, accordion, mountain wind, chalet ambience, fireplace, village bells. [Vocals] Male festival MC, funny dialogues, crowd chants, call & response, exaggerated Savoyard accent. [Atmosphere] Mountain village, raclette, cheese, snow, chalet party, underground rave, explosive festival energy. [Mix] Kick-forward, huge low-end, loud master, wide stereo.

La patate

La patate

[Genre] INDUSTRIAL HARD TECHNO × PSYTRANCE × HARDCORE UPTEMPO. 160 BPM. [Style] Humorous alpine rave, Savoyard, festival, absurd, energetic. [Structure] Intro, build-up, drop, melody, build-up, final drop. [Kick] Massive industrial kicks, zaag kicks, PVC kicks, metallic punch, deep rumble, rapid kick switches, machine-gun kickrolls, gated fills, fake drops. [Sound] Industrial percussion, dark psy groove, acid leads, alpine horns, cowbells, accordion, mountain wind, chalet ambience, fireplace, village bells. [Vocals] Male festival MC, funny dialogues, crowd chants, call & response, exaggerated Savoyard accent. [Atmosphere] Mountain village, raclette, cheese, snow, chalet party, underground rave, explosive festival energy. [Mix] Kick-forward, huge low-end, loud master, wide stereo.

Pact with the shadows

Pact with the shadows

[Genre] Dark Pop Romance × Metal × Cinematic Trap | 80 BPM [Song Time] 3 minute [Style] Sensual, seductive, mysterious, provocative, hypnotic, intimate, cinematic. [Structure] Metal Guitar Intro, Intro vocal Slowed, addictive verses, tension-building pre-chorus with screaming, addictive and provocative chorus with aery chorus, cinematic bridge, powerful and provocative final chorus. [Instrumentation] Deep bass, warm 808s, dark synths, haunting pads, cinematic strings, subtle trap drums, analog textures, reverse FX, heartbeat percussion, minimal piano, Guitar metal melodie, Darkness FX. [Vocals] Deep masculine baritone, smooth, confident, intimate, whispered phrases, seductive delivery, expressive harmonies, backing voices, aery chorus. [Atmosphere] Hot red room, candlelight, velvet, temptation, obsession, chemistry, magnetic attraction, forbidden desire, elegant darkness, premium production. [Mix] Warm low-end, wide stereo, immersive vocals, polished cinematic mix.

Stahl im Takt

Stahl im Takt

Nu-metal with a militant march pulse, stomping half-time groove, chugging down-tuned guitars, and layered snare battalion rolls; verses march tight and tense over sparse kick, bass, and drum corps hits, pre-chorus opens with rising toms and shouted pickups, chorus slams wide with gang-vocal chants and octave guitar punches. Lead vocal is gritty and close-mic in verses, double-tracked and shouted on hooks, with harsh ad-lib responses. Ear candy includes snare flams into each section, reversed cymbal swells, and a final drumline break before the last chorus. Mix is heavy, punishing, and arena-wide., metal

Eisen im Takt

Eisen im Takt

Nu-metal military march at a grinding mid-tempo with stomping toms, snare cadences, detuned guitar chugs, and a heavy half-time pulse; verse drives like a locked formation, pre-chorus strips to drums and shouted lines, chorus slams with gang vocals and gang-panned gang chants, bridge breaks to marching snare rolls and a low bass drone before the final lift. Gritty close-mic male vocals with stacked snarls on hooks, short delay throws on key words, impact hits and metallic swells between sections. Brightly brutal mix with raw low-end punch and wide stadium scale., metal

Stahl im Takt

Stahl im Takt

Nu-metal military march with stomping double-time drums, chunky down-tuned guitars, and tense snare barrages; verse drives like a boot parade with clipped low vocals and shouted gang answers, pre-chorus narrows to toms and bass rumble, chorus opens into huge unison chants and layered screams. Add reverse cymbal swells, field-snare fills, and brief radio-static transitions. Wide, aggressive, punchy mix with a metallic bite., metal

Stahl auf Stahl

Stahl auf Stahl

Nu-metal with a martial march pulse, mid-tempo and stomping, driven by layered snare drums, syncopated toms, drop-tuned guitar chugs, and bass accents that hit like bootsteps. Verse stays tight and tense with close-mic rough vocals; pre-chorus opens into shouted climbs and gang doubles; chorus lands with a fist-pumping chant and heavy unison hits. Add snare rolls, reversed cymbal swells, and short impact breaks before each chorus. Mix is thick, dark, and punchy with a hard-edged low end., metal

Pact with the shadows

Pact with the shadows

[Genre] Dark Pop Romance × Metal × Cinematic Trap | 80 BPM [Timer] 3 minute [Style] Hotless, Sensual, seductive, confident, mysterious, provocative, hypnotic, intimate, cinematic. [Structure] Hotless intro, seductive verses, tension-building pre-chorus with scream metal, addictive and provocative chorus with aery chorus, cinematic bridge, powerful and provocative final chorus. [Instrumentation] Deep bass, warm 808s, dark synths, haunting pads, cinematic strings, subtle trap drums, analog textures, reverse FX, heartbeat percussion, minimal piano, Guitar metal melodie, Darkness FX. [Vocals] Deep masculine baritone, smooth, confident, intimate, whispered phrases, seductive delivery, expressive harmonies, backing voices, aery chorus. [Atmosphere] Hot red room, candlelight, velvet, temptation, obsession, chemistry, magnetic attraction, forbidden desire, elegant darkness, premium production. [Mix] Warm low-end, wide stereo, immersive vocals, polished cinematic mix.

Pact with the shadows

Pact with the shadows

[Genre] Dark Pop Romance × Metal × Cinematic Trap | 80 BPM [Timer] 3 minute [Style] Hotless, Sensual, seductive, confident, mysterious, provocative, hypnotic, intimate, cinematic. [Structure] Hotless intro, seductive verses, tension-building pre-chorus with scream metal, addictive and provocative chorus with aery chorus, cinematic bridge, powerful and provocative final chorus with aery chorus. [Instrumentation] Deep bass, warm 808s, dark synths, haunting pads, cinematic strings, subtle trap drums, analog textures, reverse FX, heartbeat percussion, minimal piano, Guitar metal, Backings vocals Darkness FX. [Vocals] Deep masculine baritone, smooth, confident, intimate, whispered phrases, seductive delivery, expressive harmonies. [Atmosphere] Hot red room, candlelight, velvet, temptation, obsession, chemistry, magnetic attraction, forbidden desire, elegant darkness, premium production. [Mix] Warm low-end, wide stereo, immersive vocals, polished cinematic mix.

Unknown Devils

Unknown Devils

Hybrid cinematic trailer intro with slow-building pulse, sub-bass swells, heavy impacts, dark ambient drones, metallic hits, subtle heartbeat rhythm, and a massive final drop; verse-like sections keep it sparse and ominous, the build layers distorted pulses and distant choir, then the climax slams with stacked bass, brutal low-end, and a final arena-sized impact. Wide, glossy, and intimidating mix with sharp transient punch., dark ambient, slow, happy, dramatic, deep

war

war

original metallic hardcore song with crushing, down-tuned guitars, chaotic dissonant riffs, explosive breakdowns, relentless double-kick drumming, and a raw, aggressive atmosphere. The vocals should alternate between piercing, high-intensity screams and deeper, commanding shouts, conveying desperation, rage, and catharsis. The structure should build tension with eerie clean guitar passages and unsettling ambience before erupting into massive breakdowns and frantic riffs

Il savait

Il savait

French drill with ominous sliding bass and hard snare knocks; verse rides tense, detail-heavy storytelling with sparse piano stabs; pre-chorus tightens into clipped half-time phrases; chorus lands with chantable group echoes and a cold, memorable refrain. Lead vocal stays close-mic and gravelly, with doubled end words, ad-lib fills, and short delay throws on the hook. Metallic risers, reverse impacts, and wind-like textures bridge sections; mix is dark, punchy, and claustrophobic

Grave Oath

Grave Oath

Fantasy rock with a dominant horrorbeat pulse, brooding half-time drums, distorted electric guitars, and ominous synth choirs; verse stays sparse with deep male lead, low gang doubles on the hook, and whispered octave shadows. Pre-chorus builds with rising toms and reversed swells, chorus hits in wide unison chants and sharp delay throws on the last word. Mix is dark, glossy, and cinematic, with a heavy low end and cold metallic edge., slow, rock, deep, male vocals

scolds brank

scolds brank

original metallic hardcore song with crushing, down-tuned guitars, chaotic dissonant riffs, explosive breakdowns, relentless double-kick drumming, and a raw, aggressive atmosphere. The vocals should alternate between piercing, high-intensity screams and deeper, commanding shouts, conveying desperation, rage, and catharsis. The structure should build tension with eerie clean guitar passages and unsettling ambience before erupting into massive breakdowns and frantic riffs

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Добро пожаловать в новое поколение создания музыки с нашей библиотекой AI‑песен, где инновационный искусственный интеллект встречается с творческим самовыражением. Исследуй огромный подбор пользовательских AI‑песен разных жанров, настроений и языков. От атмосферных и кинематографических звуковых ландшафтов до энергичного попа и глубоких резонансных треков - наша AI‑технология оживляет уникальную, высококачественную музыку, идеальную для любого проекта или личного удовольствия.

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