Песни, созданные с Voices AI, внедряют голосовые технологии в музыку - от каверов до оригинальных треков. Узнай, как создатели и наше сообщество используют AI‑голоса, чтобы исследовать новые звуки и идеи.

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Create an original jazz-rock and soul anthem with an infectious groove, powerful brass arrangements, and sophisticated musicianship. Mid-tempo around 100 BPM. Blend classic soul, jazz, blues, funk, and rock into a timeless live-band performance. Lead vocal: A warm, expressive male soul voice with natural grit, confidence, and emotional authenticity. The vocal should be dynamic and conversational, delivering wisdom with charisma and optimism. Create a unique vocal identity rather than imitating any existing singer. Mood: Soulful Optimistic Groovy Sophisticated Energetic Reflective Joyful Timeless Theme: Life moves in cycles. Every setback creates an opportunity for growth, every ending opens the door to a new beginning. Encourage listeners to embrace change, stay humble, and keep moving forward with courage, gratitude, and resilience. Instrumentation: * Hammond organ * Fender Rhodes * Grand piano * Tight funk rhythm guitar * Expressive blues-rock lead guitar * Driving electric bass

Tee Hee Charlie
Jazzy blues with a laid-back swung pocket, brushed drums, upright bass, smoky piano comping, and trumpet fills; verse sits intimate and conversational, pre-chorus lifts with walking bass and clipped vocal doubles, chorus opens into playful call-and-response with giggling ad-libs. Bridge drops to half-time with a youth-machine sparkle and tape-warp swells, then final chorus comes back warm and wide. Close-mic female vocals, honeyed harmonies, light delay throws on key names, bright and punchy mix with a dusty club feel., blues, jazzy, deep

Balafon de Minuit
Jazz swing medium-tempo with a buoyant brushed-drum pulse, walking bass, comping piano and guitar, and a smoky sax lead carrying the theme marks; verse-like A sections trade between sax and piano, a bolder middle break opens for drum accents and bass walks harder, then the return quotes the theme with sharper hits. Close, club-warm vocal-style phrasing translated into horn lines, light call-and-response between instruments, tasteful fills and turnaround stabs, crisp midrange mix with airy room tone., saxophone, swing, jazz

The River Club at Waterleaf
Jazz-pop crooner swing with brushed drums, upright bass, piano comping, and muted trumpet fills; verse glides in close-mic croon over walking bass, pre-chorus opens with strings and snare swells, chorus lands with full band, horn punches, and warm backing harmonies. Add finger snaps, a soft ride-cymbal lift into the hook, and a final key change feel. Polished, smoky, and elegant.

Window at Waterleaf
Jazz swing crooner with brushed drums, upright bass, piano comping, and a muted trumpet riff; verse glides with relaxed syncopation, pre-chorus lifts with walking bass and string swells, chorus opens into a warm horn-hit chant. Close-mic male vocal with playful phrasing, subtle doubles on the hook, small delay throws on last words, and a silky, polished mix with room glow and vintage polish.

Window at Waterleaf
Swinging jazz crooner with brushed drums, walking upright bass, and bright piano comping; verse glides in a relaxed two-step sway, pre-chorus lifts with horn swells and tighter harmony, chorus opens wide with gang-style backing oohs and a smiling key change feel. Smooth male vocals, close-mic intimacy, tasteful scat turns, tiny cymbal pickups, and a warm glossy mix with room sparkle.

By The Waterlefe Window
Swinging jazz crooner with brushed drums, walking bass, muted trumpet riffs, and velvet piano comping; verse glides with intimate close-mic phrasing and light scat fills, pre-chorus lifts with bass walk and horn swells, chorus opens into warm brass hits and playful group echoes. Add vinyl crackle, glass clinks, and a soft sax turn before the final chorus. Bright, polished, supper-club mix with a roomy Manhattan lounge glow.

River Club Bolognese
Swinging big-band jazz-pop with brushed drums, walking upright bass, piano comping, muted trumpet kisses, and a relaxed mid-tempo lilt; verse glides with buttery croon and light horn punctuations, pre-chorus tightens into playful syncopation, chorus opens wide with stacked doo-wop harmonies and a cheeky brass tag. Close-mic male vocals, elegant doubles on the hook, short delay throws on key phrases, spoon clinks and room chatter as ear candy, glossy warm mix with a satin sheen., musical

The River Club
Jazz swing crooner with brushed drums, upright bass walking, warm piano comping, and brass hits; verse glides in a suave half-swing, pre-chorus thins to piano and bass, chorus blooms with band punches and close-harmony replies. Lead vocal is intimate and playful with double-tracked hook words, short delay throws on the title, shaker lift into each chorus, and a glossy, intimate-to-lively mix., musical

Forgot?
Retro-swing meets modern pop-EDM fusion, 1920s-30s jazz and vaudeville influence blended with electronic production. Theatrical male vocal, baritone-tenor, radio-announcer showman delivery, crisp diction. Playful, charismatic, slightly sinister undertone, like an old-time emcee introducing an act. Verses near-spoken, sing-song, narrative, low energy, building tension. Choruses open into a fuller, belted, anthemic pop vocal, huge and hooky, catchy nursery-rhyme-simple melody. Layered harmonized backing vocals on hooks, call-and-response ad-libs (na-na-na, ha-ha-ha style). Gramophone-filtered vintage-radio vocal texture in verses, clean modern vocal in choruses. Instrumentation: big-band horn stabs, clarinet or music-box motifs, synth bass, sidechained pads, crisp modern trap-influenced or four-on-the-floor drums. Dynamic build-drop structure, cinematic energy shifts between verse and chorus, danceable and theatrical.

Forgot?
Electro swing (in the style of Caravan Palace) meets modern pop-EDM fusion, 1920s-30s jazz and vaudeville influence blended with electronic production. Theatrical male vocal, baritone-tenor, radio-announcer showman delivery, crisp diction. Playful, charismatic, slightly sinister undertone, like an old-time emcee introducing an act. Verses near-spoken, sing-song, narrative, low energy, building tension. Choruses open into a fuller, belted, anthemic pop vocal, huge and hooky, catchy nursery-rhyme-simple melody. Layered harmonized backing vocals on hooks, call-and-response ad-libs (na-na-na, ha-ha-ha style). Gramophone-filtered vintage-radio vocal texture in verses, clean modern vocal in choruses. Instrumentation: big-band horn stabs, clarinet or music-box motifs, synth bass, sidechained pads, crisp modern trap-influenced or four-on-the-floor drums. Dynamic build-drop structure, cinematic energy shifts between verse and chorus, danceable and theatrical.

Spring Bear Hunting
Jazz upbeat

Clouds
Retro-swing meets modern pop-EDM fusion, 1920s-30s jazz and vaudeville influence blended with electronic production. Theatrical male vocal, baritone-tenor, radio-announcer showman delivery, crisp diction. Playful, charismatic, slightly sinister undertone, like an old-time emcee introducing an act. Verses near-spoken, sing-song, narrative, low energy, building tension. Choruses open into a fuller, belted, anthemic pop vocal, huge and hooky, catchy nursery-rhyme-simple melody. Layered harmonized backing vocals on hooks, call-and-response ad-libs (na-na-na, ha-ha-ha style). Gramophone-filtered vintage-radio vocal texture in verses, clean modern vocal in choruses. Instrumentation: big-band horn stabs, clarinet or music-box motifs, synth bass, sidechained pads, crisp modern trap-influenced or four-on-the-floor drums. Dynamic build-drop structure, cinematic energy shifts between verse and chorus, danceable and theatrical.

شعر الحنين في الليل
مالك أبو الشويرة الحمرة خلفيتك متل الرماني دق حماري دق حماري خصرك يا عود الريحان [Chorus] ناشرها ع الطبالة يا اهبل و يا اهبل عيونك نار شعلاني قلبي بيصرخ يا ويلي [Verse 2] مشيت و خطوتك رقصة ضحكتك بتسحر كل حي وينك يا حبيبي الغالي قلبي ناطر يا عيني [Chorus] ناشرها ع الطبالة يا اهبل و يا اهبل عيونك نار شعلاني قلبي بيصرخ يا ويلي [Bridge] الليل طويل و أنا سهرانة أفكر فيك يا عمري يا ليت, jazz

Cross Settled It
Gospel soul-rock with boom-bap swing and festive Southern groove; verse rides tight live-band riffs over crisp drums and groovy bass, pre-chorus strips to organ stabs and handclap lift, chorus hits with stacked gang vocals and call-and-response shouts. Pitch-shifted hook doubles, shouted ad-libs, short delay throws, vinyl crackle into the first downbeat, and a bright punchy mix with warm analog grit., rock, warm, soulful, jazz, soul, hip hop, rhythmic, bassline, groovy

Shift Your Praise
Soulful gospel-jazz with high-energy swing, boom-bap drums, walking bass, warm analog organ, horn hits and handclap accents; verse rides tight rhythmic scat and preacher-like phrasing, pre-chorus lifts with stacked choir answers, chorus hits bigger with brass stabs and call-and-response chants; vocal is gritty and joyful with male lead doubles, ad-lib runs, and shouted hook responses, plus organ swells, reverse cymbals, and a final horn break; crisp, bright, live-room mix with dusty groove punch, warm, bassline, groovy, soul, jazz, hip hop, soulful, praise, rhythmic

Cho Blessing
Soul-jazz hip-hop with crisp boom-bap drums, walking bass, warm analog organ, horn bursts, and handclap lift; verse rides a loose pocket with scatted ad-libs, pre-chorus tightens on bass and organ stabs, chorus hits with full band shouts and stacked call-and-response. Vocal is playful and gritty, with quick doubles, horn punctuation, and little delay throws on the hook. Vintage, festive, and bright-punchy., bassline, soulful, groovy, soul, rhythmic, hip hop, jazz, warm

Argue Witcha Mama
Soul-rock with high-energy jazz band swagger, crisp boom-bap hip hop drums, groovy bassline, warm analog organ, horn punches, and Southern stomp; verse rides tight pocket and call-and-response, pre-chorus lifts with organ swells and handclaps, chorus hits with shouty gang vocals and brass stabs. Lead vocal is gritty and soulful with ad-lib doubles, short delay throws, and stacked hook harmonies. Ear candy: trumpet flicks into each turnaround, reversed cymbal swells into the chorus, and a final horn break. Mix is bright, punchy, and warm, with a live-room glow., soulful, soul, jazz, warm, bassline, rock, hip hop, rhythmic, groovy

Ova Here
Soul-funk with high-energy jazz band arrangements, crisp boom-bap drums, groovy bassline, warm analog organ, horn punches, and a festive Southern swing; verse rides tight pocket drums and bass, pre-chorus strips to handclaps and organ swell, chorus hits with full brass, stacked gang vocals, and shouty ad-libs. Lead vocal stays gritty and joyful with call-and-response doubles, quick delay throws on key phrases, and organ fills between lines. Bright, punchy, live-room mix with a vintage analog sheen., warm, soul, praise, groovy, rhythmic, bassline, jazz, soulful, funk, hip hop

Jejak monpus jeynas
piano, trumpet, brass, jazz, metal, saxophone, a cappella, mariachi, acoustic guitar, mandolin, orchestral, reggaeton

Taça de Fumo
Romantic jazz with brushed drums, upright bass walking softly, muted trumpet answers, and warm electric piano voicings; verse glides in close-mic phrasing, pre-chorus thins to bass and piano, chorus blooms with sax lines and whispered doubles on the anchor phrase. Bridge opens into a rubato breakdown with brushed cymbal swells, then final chorus returns fuller with tasteful horn ad-libs. Intimate, smoky, lush mix with velvet low end and air around the voice., jazz

Seda no Copo
Romantic jazz with brushed drums, upright bass walking softly, warm Rhodes chords, and a smoky late-night swing; verse leans intimate and conversational with sparse piano fills, pre-chorus opens into lifted harmony stacks, chorus lands on a repeated chantable anchor with short sax replies, bridge drops to bass and voice before the final chorus blooms. Close-mic vocal with breathy doubles, tasteful delay throws on last words, tiny cymbal swells and finger snaps between phrases, glossy but intimate mix., jazz

Ritmo de Veludo
Upbeat jazz swing at a lively medium tempo with walking bass, brushed drums, bright piano comping, and horn stabs answering the vocal; verse glides with playful syncopation, pre-chorus opens into tighter call-and-response, chorus snaps with catchy scatted syllables and gang-style doubles on the anchor phrase. Add sax fills between lines, quick cymbal swells into transitions, and a warm analog mix that feels polished, smoky, and danceable., jazz

Vidro Na Chuva
Jazz ballad with brushed drums, upright bass walking softly, warm Rhodes chords, and a smoky brushed-swing feel; verse rides sparse piano and bass, pre-chorus opens with muted trumpet and close harmony, chorus blooms with sax lines and subtle cymbal lift. Intimate male vocal with close-mic phrasing, light scat ad-libs, and soft doubled hooks. Vinyl crackle in the intro, reverse piano swells into each chorus, and a brushed fill before the final lift. Mix is warm, late-night, and velvety with a glowing analog sheen., jazz

Taça E Fumaça
Romantic jazz ballad with brushed drums, upright bass walking softly, warm Rhodes chords, and smoky tenor sax phrases; verse rides intimate and sparse, pre-chorus opens with suspended piano voicings and a gentle bass climb, chorus blooms with close harmony and a satin sax response. Lead vocal stays close-mic and breathy, with doubled hook lines, small delay throws, and soft scatted ad-libs. Ear candy includes brushed snare swells, muted horn pickups, and a late-night room tone. Mix is warm, velvety, and intimate-close., jazz

Noite em Copo Baixo
Romantic jazz with a brushed swing feel and laid-back walking bass; verse glides on piano, upright bass, and soft ride cymbal, pre-chorus opens with muted trumpet swells and bass moving forward, chorus lands warmer with brushed drums, close harmony, and a sax line answering each hook. Intimate male vocal, breathy doubles on key phrases, tiny delay throws on the last word of each chorus, vinyl crackle and brushed snare lifts between sections. Warm, smoky, close-mic mix with a velvet low end., jazz

Give Me a Chance
Slow Jazz (Ray Charles)

بين الليل والنجوم
reggaeton, piano, jazz, dubstep, violin, a cappella, afrobeat, future bass

Omega au poignet
Hip-hop jazz with swung drums and upright bass bounce; verse rides brushed breakbeats and Rhodes chords, pre-chorus thins to bass, piano, and snapped hi-hats, chorus opens with smoky sax stabs and gang vocal echoes. Close-mic French vocal with lazy double tracking, ad-lib replies, and a short reverb tail on the hook. Vinyl crackle into the intro, muted trumpet turnarounds between lines, tape-stop swell before the final chorus. Warm, dusty, and intimate with a polished late-night mix., hip-hop, jazz

Omega Aujourd’hui
Hip-hop jazz with swung brushed drums, upright bass walking under Rhodes stabs and muted trumpet accents; verse rides a laid-back pocket with sparse piano and close-mic rap delivery, pre-chorus opens with lifted harmony stacks and ride cymbal shimmer, chorus locks into a chantable hook with gang doubles and short ad-lib echoes. Add filtered vinyl crackle in the intro, a sax swell before each drop, and a warm, wide, smoky mix with crisp vocal presence., hip-hop, jazz

Champagne On The Downbeat
Big band jazz with a brisk swung shuffle, walking bass, snap-snare hits, brassy horn punches, and a dancing ride-cymbal pulse; verse swings lean with piano comp and sax fills, pre-chorus stacks rising brass and handclap accents, chorus opens wide with trumpet stabs and gang-vocal shouts. Feature trombone, piano, and tenor sax solos between sections. Close-mic lead vocal with playful shout doubles, call-and-response ad-libs, bright punchy mix with room bloom and sparkling horn sheen., jazz, big band

Gooftadha Swing
Yesus gooftadha, jazz

Velvet Side Door
Jazz trap hip-hop with swung hi-hats, dusty upright bass, brushed snare accents, and nocturnal minor-key keys; verse rides sparse with close-mic talk-rap and snapped syllables, pre-chorus tightens with filtered piano and rising toms, chorus opens on a smoky repeated hook with gang doubles. Sax fragments and reversed cymbal swells bridge sections, then a half-time final chorus lands wide and tense. Intimate, glossy mix with warm low end and crisp top., jazz

Blue Note Spill
Jazz fusion with a laid-back 106 BPM pocket, swung sixteenth-note drums, electric bass walking then snapping into syncopated funk, Rhodes comping under cracked horn riffs; verse rides sparse guitar and brushed kit, pre-chorus lifts with tom fills and stacked scats, chorus opens with gang vocal chants and brass unisons. Close-mic lead with playful ad-libs, short delay throws on tag lines, tape hiss, cymbal swells, and a wide glossy mix with warm low-end punch., jazz fusion, groovy

Velours en Cuivre
Symphonic jazz with a swaying 6/8 pulse, brushed drums and upright bass laying a warm swing pocket while French horn, woodwinds, and muted trumpet trade lush chord voicings. Intro opens with solo piano and distant strings; the ensemble blooms in waves, then drops to a smoky trio break before the final orchestral swell. Wide, glossy, and cinematic., jazz

Velvet Back Room
Sultry jazz with brushed drums, walking bass, muted trumpet answers, and lazy piano comping in a swaying late-night groove; verse stays intimate and conversational, pre-chorus lifts with snapped cymbals and higher harmony, chorus blooms with smoky horn stabs and held vocal doubles. Finger snaps, a reed swell into the hook, and a tape-saturn sheen on the low end keep it lush, warm, and close-mic., jazz

Au poignet
Jazz swing with a light, bouncing brushed-drum groove and walking bass, male vocals; verse stays intimate and conversational over piano comping and muted horn stabs, pre-chorus opens with rising sax lines and tighter backing syllables, chorus lands with group vocal doubles and a playful call-and-response feel. Add tiny ride-cymbal flourishes, short horn fills between phrases, and a warm tape glow in a bright, classy mix., swing, jazz

Plaisir au poignet
Jazz-pop with male vocals, swung mid-tempo groove and lightly syncopated drums; verse stays intimate with brushed kit, upright bass, and Rhodes chords; pre-chorus opens with rising piano voicings and stacked oohs; chorus lands on a smooth, singable hook with doubled lead, airy harmonies, and short call-and-response tags. Add a muted trumpet fill between sections, a soft tape-warp swell before the chorus, and a final lift with claps and gliding bass. Polished, warm, and close-mic with a velvet sheen., pop, jazz

Temps au poignet
Jazz pop with male vocals, swung mid-tempo groove and brushed drums; verse rides upright bass, Rhodes chords, and muted guitar stabs, pre-chorus tightens with chromatic walkups, chorus opens on lush sax swells and stacked harmony answers. Close-mic lead vocal with warm doubles on the hook, soft delay throws on the last word of each chorus line, finger snaps and vinyl crackle as ear candy, polished intimate mix with a glossy low end., pop, jazz

Geçmişin Renkli Yolları
turkish retro pop, acoustic guitar, soft piano, smooth nostalgic tango, melancholic, intimate male vocal, slow tempo, 1980s turkish pop vibe turkish retro jazz pop, elegant piano lounge, slow tempo, melancholic brass, smooth female vocal, vintage 1970s nostalgia

Zwischentakt
Create an original cinematic soul masterpiece that blends vintage 1970s orchestral soul, deep funk grooves, jazz harmony, and golden-age hip-hop aesthetics. Tempo around 88 BPM. The song should feel timeless, elegant, emotionally rich, and effortlessly cool. Lead vocal: A rich, warm, soulful male voice with natural grit and emotional depth. Smooth phrasing, expressive dynamics, subtle gospel influence, and effortless authenticity. The vocal should feel intimate in the verses and soar with emotional conviction in the chorus. * Fender Rhodes electric piano * Warm analog synthesizers * Vintage string orchestra * Expressive flute * Muted trumpet * Tenor saxophone * Clean jazz guitar * Deep melodic electric bass * Tight live drums with a relaxed pocket * Congas and light percussion * Hammond organ * Vibraphone * Analog tape saturation * Subtle vinyl ambience Mood: Soulful Cinematic Melancholic Hopeful Sophisticated Warm Urban Timeless Theme: Finding hope and strength after hardship. Looking

Иначе
**Аранжировка + перемена голоса (тёмный альт-рок/трип-хоп, Am, ~78 BPM):** Интро: пиано + вокал а капелла (хук) — чистый, тихий тембр. Куплет 1: сухой бит, бас, синт-пэд. Пред-припев: гитара с дилеем, бас плотнее. Припев: полный бэнд, дисторшн-гитара, бэк-вокал в терцию. Куплет 2: минимализм (бас+перкуссия). Бридж: тишина, реверб. гранулированный вокал (вокодер или лоу-фай фильтр), как будто голос из подсознания. Финал: полный саунд, струнные. Эхо-аутро: вокал с эхо/дилеем, затухание до одного пианоаккорда, trance, rap, folk, reggaeton, harmonica, synthesizer, soundtrack, grunge, trance, ambient, piano, orchestral, pop, lo-fi, R&B, synth-pop, bluegrass, jazz, accordion, electric guitar, pop punk, deep house, ballad

Midnight Sax Walk
Jazz ballad at a relaxed 72 BPM with brushed drums, walking upright bass, comping piano, and smoky tenor sax lines that roam freely. Intro opens with solo piano and bass; verse-like head states the melody in warm unison; middle section stretches into traded fours and a loose sax-piano dialogue; final return brings fuller brushes, bass walk, and a soft horn tag. Close, intimate club mix with room tone and velvet warmth., jazz

Blue Apron Swing
Jazz swing at a brisk mid-tempo, with syncopated upright-jazz pulse, brushed quiet drums, smoky tenor sax phrases, and cello answering in warm pizzicato and long bow swells. Intro opens with sax over spare brushes; head section brings cello counterlines; middle breaks to a hushed drum-and-cello ride; final return lifts with playful sax flourishes. Intimate, glossy, and warmly mixed., jazz, cello, saxophone

Honestly?
Retro-swing meets modern pop-EDM fusion, 1920s-30s jazz and vaudeville influence blended with electronic production. Theatrical male vocal, baritone-tenor, radio-announcer showman delivery, crisp diction. Playful, charismatic, slightly sinister undertone, like an old-time emcee introducing an act. Verses near-spoken, sing-song, narrative, low energy, building tension. Choruses open into a fuller, belted, anthemic pop vocal, huge and hooky, catchy nursery-rhyme-simple melody. Layered harmonized backing vocals on hooks, call-and-response ad-libs (na-na-na, ha-ha-ha style). Gramophone-filtered vintage-radio vocal texture in verses, clean modern vocal in choruses. Instrumentation: big-band horn stabs, clarinet or music-box motifs, synth bass, sidechained pads, crisp modern trap-influenced or four-on-the-floor drums. Dynamic build-drop structure, cinematic energy shifts between verse and chorus, danceable and theatrical.

Jazzed Cat Charade
Retro-swing meets heavy modern pop-EDM, 1920s-30s jazz and vaudeville influence, theatrical male vocal (baritone-tenor), radio-announcer showman delivery, upbeat and warmly charming with a playful predatory undercurrent, like a cat happily toying with its food, delivered with a genuine smile rather than menace, confident he can win either way, crisp consonant-driven diction, cheeky and fun on the surface, near-spoken sing-song verses building into a huge EDM-driven anthemic drop, layered/harmonized vocals on hooks feel teasing rather than threatening, gramophone-filtered vocal texture in verses, clean modern pop vocal on chorus, pulsing synth arps, sidechained bass, big-band horn stabs, music-box motifs, four-on-the-floor drums, festival-style build-drop structure, catchy nursery-rhyme hook that stays fun even with its hidden edge

Honestly?
Retro-swing meets modern pop-EDM, 1920s-30s jazz and vaudeville influence, theatrical male vocal (baritone-tenor), radio-announcer showman delivery, playful and slightly sinister charisma, crisp consonant-driven diction, near-spoken sing-song verses building into belted anthemic chorus, layered/harmonized vocals on hooks, gramophone-filtered vocal texture in verses, clean modern pop vocal on chorus, big-band horn stabs, music-box motifs, synth bass, crisp modern drums, build-drop structure, catchy nursery-rhyme hook

Honestly?
Retro-swing meets modern pop-EDM, 1920s-30s jazz and vaudeville influence, theatrical male vocal (baritone-tenor), radio-announcer showman delivery, playful and slightly sinister charisma, crisp consonant-driven diction, near-spoken sing-song verses building into belted anthemic chorus, layered/harmonized vocals on hooks, gramophone-filtered vocal texture in verses, clean modern pop vocal on chorus, all vintage instrumentation (strings, horns, music-box, woodwinds) morphs into electronic textures by the chorus, synth strings, synth brass stabs, electronic pluck and bell tones replacing acoustic timbres, synth bass, crisp modern drums, build-drop structure, catchy nursery-rhyme hook

Noir Ten Kilos
TITLE: TEN KILOS Genre: Dark Jazz Trap • Cinematic Noir Hip-Hop • Luxury Crime Rap 72 BPM • D Minor A sinister cinematic trap instrumental inspired by smoky jazz clubs, Prohibition-era noir, and modern luxury crime films. Vinyl crackle opens the track, followed by three slow knocks, a ticking pocket watch, whiskey pouring into crystal, a single muted trumpet note, then a thunderous 808 drop. Instrumentation: • Deep upright bass • Massive rolling 808s • Sparse trap drums • Crisp rimshots • Slow rolling hi-hats • Dissonant jazz piano • Muted trumpet • Haunting tenor saxophone • Dark orchestral strings • Vinyl crackle • Tape saturation • Reverse piano swells • Thunder ambience • Whisper choir textures • Wide cinematic stereo image Vocal: Deep male rap vocal. Calm. Syrupy. Velvet smooth. Every word delivered with effortless confidence and hidden menace. Never yelling. Every bar feels like a quiet threat spoken inches from your ear. Mood: Elegant. Predatory. Expensive. Sinister. Hypno

Blue Velvet Coda
Jazz ballad, 60s slow swing at a languid dusk tempo; brushed drums and upright bass hold a lazy pulse while smoky tenor sax leads the first section, piano comps with sparse voicings, then the middle opens into a warm trumpet chorus over walking bass and soft ride cymbal. Final stretch strips back to sax and brushed snare. Intimate close-mic room tone, mellow analog warmth, dusty and round., slow, jazz

Jive After Hours
Upbeat jazz swing with walking bass, crisp ride cymbal, punchy piano comping, and bright horn riffs; verse-like sections would trade between sax and trumpet, a stripped break drops to brushed drums and bass, then the groove returns with shouty horn hits. Add quick drum fills, muted brass stabs, and a cheeky glissando turnaround. Lively, glossy, and dancefloor-bright., jazz

After Hours Jive
Soulful funky jazz with laid-back swung groove and pocketed drum accents; verse rides Rhodes, upright bass, and brushed kit, then pre-drop filters to hand percussion and muted guitar before the main groove opens with horn stabs and greasy sax replies. Short breakdowns trade between organ swells and walking bass. Quick tape-stop flicks, crowd-room claps, and bright vibraphone fills add ear candy. Warm, punchy, analog mix with smoky club presence., soulful, jazz, funky

__replici 002A
Create a high-energy Electro Swing track designed for seamless insertion of short spoken dialogue clips. Blend vintage 1920s jazz with modern electronic production, powerful electro house grooves, cinematic sound design and festival energy. Feature swinging drums, upright bass, brass section, clarinet, piano, gypsy jazz guitar, vinyl crackle, gramophone textures and punchy electronic bass. Include frequent instrumental breaks, stop-and-go transitions, filtered sections and quiet moments that leave space for dialogue without masking speech. Avoid lead vocals; use only subtle vocal chops and crowd textures. Build through energetic swing rhythms, catchy horn riffs, dramatic risers and explosive Electro Swing drops with a playful, classy and slightly mischievous atmosphere. Crystal-clear mix, wide stereo image, 126 BPM, dynamic arrangement, cinematic transitions and an unforgettable finale. Instrumental only, optimized for adding external movie dialogue or voice samples during post-product

__replici 002B
Create a high-energy Electro Swing track designed for seamless insertion of short spoken dialogue clips. Blend vintage 1920s jazz with modern electronic production, powerful electro house grooves, cinematic sound design and festival energy. Feature swinging drums, upright bass, brass section, clarinet, piano, gypsy jazz guitar, vinyl crackle, gramophone textures and punchy electronic bass. Include frequent instrumental breaks, stop-and-go transitions, filtered sections and quiet moments that leave space for dialogue without masking speech. Avoid lead vocals; use only subtle vocal chops and crowd textures. Build through energetic swing rhythms, catchy horn riffs, dramatic risers and explosive Electro Swing drops with a playful, classy and slightly mischievous atmosphere. Crystal-clear mix, wide stereo image, 126 BPM, dynamic arrangement, cinematic transitions and an unforgettable finale. Instrumental only, optimized for adding external movie dialogue or voice samples during post-product

TÖCHTER
Create an original jazz-infused hip-hop track with a smooth, sophisticated, and effortlessly cool atmosphere. Tempo around 96 BPM. Blend laid-back boom-bap drums, upright bass, jazz piano, brushed percussion, vibraphone accents, and mellow horn arrangements. Lead vocals: Three charismatic vocalists trading verses with relaxed confidence, intelligent wordplay, and conversational flow. The delivery should feel natural, stylish, and highly musical. Theme: Creativity, individuality, artistic expression, urban culture, independent thinking, and effortless self-confidence. Celebrate originality and authenticity rather than material success. Mood: Cool Sophisticated Relaxed Intelligent Stylish Positive Creative Timeless Instrumentation: - Upright bass - Jazz piano - Soft trumpet and saxophone - Vibraphone - Boom-bap drums - Light vinyl texture - Rhodes piano - Subtle guitar chords Lyrics: Clever, poetic, and culturally aware. Use vivid imagery, jazz-inspired metaphors, city life observat

Wind of Change
Smooth Jazz, Jazz, Jazz Ballad, Instrumental Pop

Clocking Out in Coney
Slow jazz ballad with brushed drums, upright bass, smoky Rhodes chords, and lilting sax fills; verse stays intimate and conversational, pre-chorus opens with suspended harmony, chorus blooms into a warm unison hook with soft backing oohs. Add brushed ride swells, brushed drum pickups, and a sax response after each chorus line. Mix is velvety, close-mic, and late-night intimate., slow, jazz, ballad

Clocking Out At Mccaffreys
Slow jazz ballad with brushed drums, upright bass, smoky Rhodes, and muted trumpet accents in a lazy 6/8 sway; verse stays close-mic and conversational, pre-chorus opens with soft harmony stacks, chorus blooms with warm unison doubles and little scat replies. Add a brushed snare pickup into each section, a sax swell between lines, and a vinyl crackle bed under the bridge. Intimate, dim, and velvet-smooth mix with a late-night lounge feel., jazz, slow, ballad

La montre Sartory
Jazz pop with male vocals, swung mid-tempo groove and brushed drums; verse rides upright bass, Rhodes chords, and sparse guitar; pre-chorus strips to bass pulse and vocal climbs; chorus opens with warm horns, tight harmony doubles, and short call-and-response accents. Breathy close-mic lead, subtle ad-libs, delay throws on the brand name, tape hiss between phrases, bright polished mix with a silky vintage sheen., pop, jazz

Sur-mesure Sartory
Jazz pop with male vocals, swung mid-tempo groove, brushed drums and upright bass verse, Rhodes chords and muted guitar in pre-chorus, chorus opens with warm horn swells and stacked backing vocals on the anchor phrase; vocal is intimate and close-mic with light double tracking, airy ad-libs, and delay throws on the last word. Ear candy: watch-tick percussion, reverse piano swells into the chorus, and a soft sax fill between lines. Mix is glossy, warm, and elegant with a polished boutique sheen., jazz, pop

Sartory-Billard
Jazz-pop with swung brushed drums, walking upright bass, Rhodes chords, and a muted trumpet answer phrase; verse stays intimate and conversational, pre-chorus opens with rising piano voicings and soft vocal doubles, chorus lands on a catchy handclap lift with stacked male harmonies and short delay throws on the brand name. Warm, polished mix with glossy top end and a classy late-night groove; small ear-candy fills, reverse cymbal swells, and tasteful sax flourishes between lines; male vocals, jazz, pop

Sur-Mesure Sartory
Jazz pop with male vocals, swung mid-tempo groove and brushed drums; verse rides upright bass, Rhodes chords, and muted guitar; pre-chorus narrows to bass and finger snaps; chorus opens with warm piano, sax answers, and stacked vocal doubles on the hook. Subtle tape hiss, reverse cymbal lifts, and bell accents between lines. Intimate, glossy mix with a smoky club feel., pop, jazz

Sur-Mesure Sartory
Jazz pop with swung groove and brushed drums, upright bass walking under muted Rhodes chords; verse stays intimate and conversational, pre-chorus lifts with string swells and suspended piano voicings, chorus blooms with stacked male doubles and soft gang harmonies on the hook. Add reverse cymbal rises, fingertip snaps, and little bell glints between lines; polished, warm, and close-mic with a luxe nocturnal sheen., jazz, pop

Sur-Mesure
Jazz pop with swung groove at mid-tempo, brushed drums and upright bass carrying the verse; pre-chorus thins to Rhodes chords and hand percussion, then chorus opens with lush sax harmonies and warm backing vocals. Lead vocal stays intimate and close-mic in verses, with doubled hook lines and airy ad-lib tails in the chorus. Ear candy includes watch-tick accents, brushed snare pickups, and a short horn swell into the final refrain. Mix is glossy, elegant, and warmly detailed., pop, jazz

Ombres d’Acier Doux
Upbeat French chanson with gypsy jazz influences, acoustic guitar, accordion, double bass, brushed drums, lively swing rhythm, expressive female vocals, poetic lyrics, nostalgic Paris streets, joyful melancholy, organic acoustic production, charming and emotional, warm live ensemble, timeless French atmosphere.

Ombres d’Acier Doux
French chanson, Parisian café vibe, acoustic guitar, upright bass, brushed jazz drums, subtle accordion, lively folk-pop rhythm, expressive female vocals, poetic, nostalgic yet optimistic, warm, elegant, free-spirited, joyful with a touch of melancholy, organic live performance.

Ombres d’Acier Doux
Create a French acoustic pop song with gypsy jazz influences, upbeat rhythm, raw and expressive vocals, simple instrumentation (guitar, double bass, light percussion), playful yet rebellious tone, and lyrics about freedom, simplicity, and rejecting materialism

Ombres d’Acier Doux
Create an upbeat French gypsy jazz-inspired chanson with lively acoustic guitar, swinging rhythm, playful upright bass, brass accents, hand claps, expressive raspy female vocals, street-performance energy, joyful rebellious spirit, catchy sing-along chorus, organic live-band feel, Paris café atmosphere.

250 july
Pop and jazz

Take me home
jazz blues

Im not alone
jazz blues

Im looking for a way home
jazz blues

Cuphead Run
Boom-bap rap with swung drums and jazzy piano stabs; verse rides hard with sparse bass and finger-snapped percussion, pre-chorus tightens with filtered horns and rising toms, chorus hits with gang shouts and a sticky chant. Vocal is punchy, close-mic, with double-tracked hook words and sly ad-libs. Add tape hiss, coin jangles, and arcade start-screen bleeps. Bright, gritty, vintage mix., rap

Barış 78
Turkish arabesk slow pop orchestral ballad, 78 BPM, A minor. Deep emotional male vocal, strong chest resonance, controlled vibrato, high octave emotional chorus, long sustained notes. Start with a sad clean electric guitar intro, emotional melodic guitar phrases for 15–20 seconds, then wordless male vocal “Aaaaa / Aaaah” softly enters before the lyrics. Use electric guitar throughout the song with emotional fills and a short crying guitar solo between sections. Soft piano, warm acoustic guitar, deep bass, slow drums, large symphonic strings, sad violins, subtle qanun texture. Verses calm, intimate and wounded; chorus powerful, emotional and heartbreaking. No jazz, no swing, no blues, no saxophone, no scat singing, no choir, no audience, no spoken section labels. Clean studio recording, cinematic sad atmosphere.

Barış
Turkish arabesk slow pop orchestral ballad, 72 BPM, A minor. Deep emotional male vocal, strong chest resonance, controlled vibrato, high octave emotional chorus, long sustained notes. Start with a 20-second wordless “Aaaaa / Aaaah” male vocal intro, soft and painful, then enter the lyrics. Emotional Turkish slow pop feeling mixed with arabesk orchestral drama. Soft piano, warm acoustic guitar, deep bass, slow drums, large symphonic strings, sad violins, subtle qanun texture. Verses calm, intimate and wounded; chorus powerful, emotional and heartbreaking. No jazz, no swing, no blues, no saxophone, no scat singing, no choir, no audience, no spoken section labels. Clean studio recording, cinematic sad atmosphere.

DB Aufbrecher-Song 2025
electro, EDM, industrial, classical, hip-hop, rock, guitar, disco, progressive, punk, country, fusion, grunge, bass, country pop, electric guitar, saxophone, woodwinds, baroque, jazz, epic, werbefilm, Imagefilm, Deutsche Bahn, DB, Piano, Geige, klangschale, marimba, Orgel, two steps from hell

Lukewarm Hot Dogs in the Car Dealership Parking Lot
Laid-back, luxurious but gritty hip-hop. Smooth, chopped soul sample beat over crisp, mid-tempo boom-bap drums. The vocal delivery should be a relaxed, conversational, slightly cynical rap flow, sprinkled with dry humor and ad-libs. Reminiscent of a Griselda, Larry June, or Freddie Gibbs track. Include a jazzy bassline, atmospheric rain sound effects in the background, and a slow, bluesy saxophone loop to emphasize the gloomy, rainy holiday mood contrasting with the celebratory concept. Clean production with a raw, underground street-rap aesthetic.

The Crown 2.0
Retro-swing meets modern pop-EDM, 1920s-30s jazz and vaudeville influence, theatrical male vocal (baritone-tenor), radio-announcer showman delivery, playful and slightly sinister charisma, crisp consonant-driven diction, near-spoken sing-song verses building into belted anthemic chorus, layered/harmonized vocals on hooks, gramophone-filtered vocal texture in verses, clean modern pop vocal on chorus, big-band horn stabs, music-box motifs, synth bass, crisp modern drums, build-drop structure, catchy nursery-rhyme hook

The Crown 2.0
1920s-30s jazz and vaudeville influence meets lavish Gatsby-era glamour and heavy modern pop-EDM, warm golden-toned production, theatrical male vocal (baritone-tenor), radio-announcer showman delivery, warm and cheerful charisma with a playful, slightly sinister undercurrent that never breaks its smile, crisp consonant-driven diction, laughter woven into the rhythm as a light motif, near-spoken sing-song verses over swinging brass building into a huge belted anthemic EDM drop, layered/harmonized vocals on hooks, gramophone-filtered vocal texture in verses, clean modern pop vocal on chorus, radio static and tuning-dial effects, big-band horn stabs, music-box motifs, pulsing synth arps, sidechained bass, four-on-the-floor drums, festival-style build-drop structure, catchy nursery-rhyme hook

Honestly?
1920s-30s jazz and vaudeville meets lavish Gatsby-era party glamour and heavy modern EDM, warm golden-toned production, theatrical male radio-host vocal (baritone-tenor), inviting ‘aw-shucks’ showman charm, warm and cheerful delivery that never breaks its smile, playful teasing energy with a hidden predatory undercurrent, laughter used as a rhythmic motif (light chuckles and bursts of giggling woven into the beat), crisp old-timey diction, near-spoken sing-song verses over lush swinging brass building into a huge warm EDM anthemic drop, radio static and tuning-dial effects, layered/harmonized vocals on hooks, gramophone-filtered texture in verses, clean modern pop vocal on chorus, opulent big-band horn stabs, music-box motifs, pulsing synth arps, sidechained bass, four-on-the-floor drums, festival-style build-drop structure, catchy nursery-rhyme hook that stays warm and cheerful even at its darkest
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