"Jazz"
Песни, созданные с Voices AI

Песни, созданные с Voices AI, внедряют голосовые технологии в музыку - от каверов до оригинальных треков. Узнай, как создатели и наше сообщество используют AI‑голоса, чтобы исследовать новые звуки и идеи.

Blue Steps Ahead

Blue Steps Ahead

Cool jazz in 5/4 with walking upright bass, brushed ride cymbal, piano comping in clipped syncopation, and a bright sax lead trading short motifs with muted trumpet; verse rides the bass and ride, chorus opens into fuller horns, bridge drops to bass solo and sparse piano, final pass brings handclaps and tag hits. Close-mic vintage ensemble, warm tape glow, crisp transients, airy room spill, playful swing., jazz

Warm Extended Chords

Warm Extended Chords

Slow piano lounge, unhurried rubato feel over a gentle brushed-jazz pulse, intimate felt piano playing warm extended chords and a restrained lyrical melody, soft upright bass and delicate brushed drums entering gradually, spacious pauses between phrases, small-club arrangement that builds subtly then settles into a quiet piano-led outro, close warm recording with natural room tone and rounded dynamics

Cœur sirop de fraise

Cœur sirop de fraise

Bossa nova française intimiste, guitare acoustique sèche en arpèges souples et syncopés, sans section rythmique, voix masculine grave et rocailleuse, proche du micro avec une légère fêlure. Arrangement dépouillé, accords tendres aux couleurs jazzy, mélodie chantée avec une nostalgie retenue; couplets confidentiels, refrain plus ouvert sans épaissir l’accompagnement. Prise chaleureuse et naturelle, guitare au premier plan, ambiance de trajet nocturne sous la pluie.

Manhattan!

Manhattan!

140 BPM, Orchestral Holiday Pop. Warm, festive mix with acoustic guitars, sweeping strings & jazzy horns. Sleigh bells & a driving rhythm section create cozy, nostalgic magic. A slow, cinematic winter intro builds quickly into a lively, upbeat tempo. Verses bounce via I-vi-IV-V (G-Em-C-D) chords & a cheerful walking bass. Vocals are bright, clear & joyful with lush choir-like harmonies. Choruses explode with festive cheer, culminating in a triumphant perfect authentic cadence (V-I) resolving to a G major tonic. The bridge shifts into a soaring vocal breakdown with twinkling glockenspiel & lush orchestral swells. Arrangement favors a dreamy intro that bursts into a bouncy, brass-heavy refrain tinged with holiday romance & childhood joy. Vocals: Clear Pop Mezzo, warm, expressive, dynamic, full of festive wonder. Female vocals only.

Manhattan!

Manhattan!

140 BPM, Orchestral Holiday Pop. Warm, festive mix with acoustic guitars, sweeping strings & jazzy horns. Sleigh bells & a driving rhythm section create cozy, nostalgic magic. A slow, cinematic winter intro builds quickly into a lively, upbeat tempo. Verses bounce via I-vi-IV-V (G-Em-C-D) chords & a cheerful walking bass. Vocals are bright, clear & joyful with lush choir-like harmonies. Choruses explode with festive cheer, culminating in a triumphant perfect authentic cadence (V-I) resolving to a G major tonic. The bridge shifts into a soaring vocal breakdown with twinkling glockenspiel & lush orchestral swells. Arrangement favors a dreamy intro that bursts into a bouncy, brass-heavy refrain tinged with holiday romance & childhood joy. Vocals: Clear Pop Mezzo, warm, expressive, dynamic, full of festive wonder.

Making Room for Me

Making Room for Me

lo-fi bedroom soul, relaxed swung hip-hop groove, soft electric piano chords, muted jazz guitar accents, rounded bass, brushed dusty drums with gentle vinyl texture; close intimate vocal with conversational phrasing and subtle harmonies; sparse verses open into a warm, memorable chorus, restrained dynamics, soft saturation and narrow cozy mix

Indeed

Indeed

Maximalist fusion epic blending bright 70s-style progressive rock, quirky folk storytelling, angular post‑punk energy, chaotic free‑jazz flourishes, and modern folk metal weight, Guitars shift between clean, chorus‑tinted arpeggios and overdriven, harmonized metal riffs with palm‑muted chugs and odd‑meter grooves, Piano and vintage keyboards carry playful, syncopated chord stabs and melodic counterlines, weaving around aggressive, melodic bass that walks, gallops, and pedals in shifting time signatures, Drums are hyper‑dynamic and busy, jumping from shuffling swing to double‑time punk beats and polyrhythmic tom patterns, with explosive cymbal work and sudden half‑time drops, Horns and woodwinds dart in and out with dissonant free‑jazz runs and brassy hits, creating skronky, unpredictable bursts of color, Vocals are male, theatrical, and emotive, banjo and flatpicking acoustic guitars rule the day here, dobro has a say too, Balkan bluegrass swing,

Bells & Wind

Bells & Wind

Maximalist fusion epic blending bright 70s-style progressive rock, quirky folk storytelling, angular post‑punk energy, chaotic free‑jazz flourishes, and modern folk metal weight, Guitars shift between clean, chorus‑tinted arpeggios and overdriven, harmonized metal riffs with palm‑muted chugs and odd‑meter grooves, Piano and vintage keyboards carry playful, syncopated chord stabs and melodic counterlines, weaving around aggressive, melodic bass that walks, gallops, and pedals in shifting time signatures, Drums are hyper‑dynamic and busy, jumping from shuffling swing to double‑time punk beats and polyrhythmic tom patterns, with explosive cymbal work and sudden half‑time drops, Horns and woodwinds dart in and out with dissonant free‑jazz runs and brassy hits, creating skronky, unpredictable bursts of color, Vocals are male, theatrical, and emotive, banjo and flatpicking acoustic guitars rule the day here, dobro has a say too, Balkan bluegrass swing,

Balkan Swing of the Stars

Balkan Swing of the Stars

Maximalist fusion epic blending bright 70s-style progressive rock, quirky folk storytelling, angular post‑punk energy, chaotic free‑jazz flourishes, and modern folk metal weight, Guitars shift between clean, chorus‑tinted arpeggios and overdriven, harmonized metal riffs with palm‑muted chugs and odd‑meter grooves, Piano and vintage keyboards carry playful, syncopated chord stabs and melodic counterlines, weaving around aggressive, melodic bass that walks, gallops, and pedals in shifting time signatures, Drums are hyper‑dynamic and busy, jumping from shuffling swing to double‑time punk beats and polyrhythmic tom patterns, with explosive cymbal work and sudden half‑time drops, Horns and woodwinds dart in and out with dissonant free‑jazz runs and brassy hits, creating skronky, unpredictable bursts of color, Vocals are male, theatrical, and emotive, banjo and flatpicking acoustic guitars rule the day here, dobro has a say too, Balkan bluegrass swing,

Aaj mere Shyam ka janmdin hai

Aaj mere Shyam ka janmdin hai

Traditional live Jagran bhajan. Strict 8-beat Keherwa taal at 132 BPM from beginning to end. Strong continuous dholak, dhol, nagara and hand-clap rhythm. Harmonium and manjira support the melody. Real live Jagran energy, with a simple traditional bhajan melody that is easy to sing and remember. Sweet yet powerful female lead vocal. Every lyric must sit naturally and clearly on the beat. Build gradually into a high-energy, catchy devotional chorus. Make “Aaj mere Shyam ka janmdin hai” the biggest rhythmic sing-along hook. Keep the composition traditional, earthy, joyful and devotional. NO Bollywood melody, NO film-song structure, NO pop production, NO rap, NO EDM, NO trap, NO cinematic arrangement, NO dramatic background score, NO complicated vocal runs. Avoid sudden tempo changes and unnecessary instrumental breaks.avoid Bollywood, Film Music, Pop, Rap, Hip Hop, Trap, EDM, R&B, Rock, Cinematic, Ambient, Lo-fi, Jazz, Opera, Experimental

Solitaria Navidad 5

Solitaria Navidad 5

Pop, piano, romantic, drum and bass, rock, sad, saxophone, jazz, pop jazz

Solitaria Navidad 4

Solitaria Navidad 4

Piano, jazz, pop, saxophone, romantic, drum and bass

Solitaria Navidad 3

Solitaria Navidad 3

Jazz, piano, drum and bass, saxophone, strings, easy listening, romantic, sad

Solitaria Navidad 2

Solitaria Navidad 2

Jazz, drum and bass, guitar, strings, easy listening, romantic, sad

Solitaria Navidad

Solitaria Navidad

Jazz, guitar, drum and bass, easy listening, pop punk

Whispers in the heart

Whispers in the heart

Jazz, slow brushed swing; close-miked acoustic and electric guitars with audible room bleed; soft male tenor with gentle scat inflections; piano chords, brushed drums, upright bass, and restrained electric guitar fills.

Whispers in the heart

Whispers in the heart

Jazz, fingerpicked acoustic guitar and mellow electric-guitar lines, intimate androgynous midrange vocals with soft phrasing, warm tube-amplifier saturation, unhurried brush-led swing.

AryaDwisat3S1M

AryaDwisat3S1M

Jazz, interlocking xylophone figures beneath lyrical violin lines, airy flute phrases and plucked veena; gently swinging midtempo groove; warm male vocal in a clear, measured register; wide stereo mix with rounded ensemble balance.

AryaDwisat3S1M

AryaDwisat3S1M

Jazz, wide stereo mix with interlocking xylophone figures, lyrical violin lines, airy flute phrases and plucked veena; warm male vocal in a clear, measured register; gently swinging midtempo groove.

AryaDwisat3S1F

AryaDwisat3S1F

Jazz, wide stereo mix with warm female vocals in a clear, measured register; interlocking xylophone figures, lyrical violin lines, airy flute phrases and plucked veena; gently swinging midtempo groove.

AryaDwisat3S1F

AryaDwisat3S1F

Jazz, wide stereo mix with a gently swinging midtempo groove; interlocking xylophone figures, lyrical violin lines, airy flute phrases and plucked veena; clear, measured female vocal.

AryaDwisat2SF

AryaDwisat2SF

Jazz, expressive clear female lead vocal, wide stereo ensemble with warm balanced instrument placement, flowing mid-tempo swing, flute and veena trading melodic phrases over a steady ghatam pulse, brushed drums, lyrical violin counterlines.

AryaDwisat2SF

AryaDwisat2SF

Jazz, wide stereo ensemble with warm, balanced instrument placement; expressive, clear female lead vocal; flute and veena trade melodic phrases over steady ghatam pulse, brushed drums, and lyrical violin counterlines; flowing mid-tempo swing.

AryaDwisat3S1M

AryaDwisat3S1M

Jazz, male Telugu vocal in a warm mid-range with relaxed phrasing; unhurried swing; bright xylophone figures, lyrical violin, airy flute, and gently plucked veena; roomy natural reverb around a clear ensemble mix.

AryaDwisat3S1M

AryaDwisat3S1M

Jazz, wide stereo mix with a gently swinging midtempo groove, interlocking xylophone figures, lyrical violin lines, airy flute phrases and plucked veena; warm male vocal in a clear, measured register.

AryaDwisat2S3M

AryaDwisat2S3M

Jazz, expressive clear male lead vocal, wide stereo ensemble with warm balanced instrument placement, flowing mid-tempo swing, flute and veena trading melodic phrases over a steady ghatam pulse, brushed drums, and lyrical violin counterlines.

AryaDwisat2S4M

AryaDwisat2S4M

Jazz, flowing mid-tempo swing with flute and veena trading melodic phrases over a ghatam pulse, brushed drums, and violin counterlines; wide stereo ensemble mix, warm balanced instrument placement; expressive, clear male lead vocal.

AryaDwisat2S2F

AryaDwisat2S2F

Jazz, unhurried swinging groove, close-miked percussion with a crisp, intimate ghatam and drum sound, female vocal in a clear mid-register with fluid phrasing, veena lead weaving with flute, violin lines, and conversational drum fills.

AryaDwisat2S1F

AryaDwisat2S1F

Jazz, flowing mid-tempo swing, flute and veena trading melodic phrases over ghatam pulse, brushed drums and violin counterlines; female lead vocal, expressive and clear; wide stereo ensemble mix with warm, balanced instrument placement.

Midnight Groove in Neon

Midnight Groove in Neon

Bossa nova with soft jazz drum kit, gentle nylon-string guitar and warm upright bass; relaxed swaying groove; intimate male vocal with smooth phrasing; soft room ambience and a close, lightly blended mix.

Tatort Faden trip

Tatort Faden trip

Jazz, fast trip-hop-grunge pulse; wide, disciplined mix with punchy mids and shadowy low end; muted drums and brushed snare drive clipped saxophone and woodwind motifs, low brass swells build pre-drop tension, filtered risers and reverse-cymbal breaths bridge sections; verse-like instrumental statements, sharp returning accents, compact unresolved cadence.

The Balkans

The Balkans

Progressive folk metal, Balkan bluegrass swing at 132 BPM with explosive odd-meter grooves; clawhammer banjo, flatpicked acoustic guitar and dobro slides ride chorus-tinted arpeggios, harmonized metal riffs, palm-muted chugs, syncopated piano stabs, vintage keyboard counterlines, aggressive melodic bass, polyrhythmic toms, free-jazz horn runs and brass hits; plate reverb and tape saturation; instrumental.

Funk Gunk

Funk Gunk

Progressive folk metal with Balkan bluegrass swing; tape saturation and plate reverb, explosive 132 BPM odd-meter grooves, clawhammer banjo rolls, flatpicked acoustic guitar, dobro slides, chorus-tinted arpeggios, harmonized metal riffs and palm-muted chugs, syncopated piano stabs, vintage keyboard counterlines, aggressive melodic bass, polyrhythmic toms, free-jazz horn runs and brass hits; instrumental.

Rap do Barroco

Rap do Barroco

Brazilian boom bap with swung dusty drums, warm vinyl crackle, and jazzy looped keys; verse rides a tight drum-bass pocket with clear storytelling, pre-chorus strips to snare taps and bass hints, chorus hits with stacked gang responses and a short chantable hook. Close-mic male vocal, crisp doubles on key lines, ad-lib echoes on the anchor phrase, filtered risers into each section, bright punchy mix with gritty low-end bounce., rap

YOUR MY FOREVER

YOUR MY FOREVER

Dark blues with close-miked piano resonance, piano chords and bluesy harmonica answers over a slow, restrained groove; male mid-range vocal, warm and intimate, with an unhurried jazz-inflected pulse.

AryaDwisatiFE1

AryaDwisatiFE1

Jazz, relaxed syncopated swing, spacious room reverb, xylophone, guitar, veena, ghatam, flute, and violin interweaving melodic and rhythmic lines, female vocal in a clear, poised register.

AryaDwisatiFE2

AryaDwisatiFE2

Jazz led by interweaving xylophone, guitar, veena, ghatam, flute, and violin; melodic and rhythmic lines in spacious room reverb; female vocal in a clear, poised register; relaxed syncopated swing.

AryaDwisati1S4F

AryaDwisati1S4F

Jazz with spacious room reverb; female vocal in a clear, poised register; relaxed syncopated swing; xylophone, guitar, veena, ghatam, flute, and violin interweave melodic and rhythmic lines.

AryaDwisati1S3F

AryaDwisati1S3F

Jazz, dry percussion with natural transients; female vocal; xylophone and guitar weave around veena, ghatam, flute, and violin; relaxed, lilting groove.

AryaDwisati1S1M

AryaDwisati1S1M

Jazz, veena and guitar trade delicate melodic phrases over ghatam, flute, and violin; an unhurried, lilting pulse, with close-miked veena resonance; male vocals in a warm, clear register.

AryaDwisati1S2M

AryaDwisati1S2M

Jazz with veena-led Indian classical phrasing, guitar, flute, violin, and hand-played ghatam; male vocal in a resonant mid-range with clear, sustained lines; natural room decay; flowing, unhurried groove.

Al CB nun se sta più

Al CB nun se sta più

chill rap romano, groove rilassato e ironico, basso morbido, batteria hip-hop laid-back, pianoforte elettrico caldo, sassofono tenore jazzy con brevi risposte tra le barre e assolo nel finale, voce maschile parlata e rappata con cadenza romana, intro recitata, ritornello corale orecchiabile, produzione calda da jam notturna, dinamica leggera e conviviale

Summer Evening Lounge

Summer Evening Lounge

Relaxed jazz fused with retro synthwave, slow low-BPM lounge groove for a warm summer evening cocktail hour. Breath-soft tenor saxophone carries a languid melody over understated electric piano, rounded analog bass, restrained brushed percussion, clean nylon-string guitar, and delicate legato violin replies. Add unusual soothing liquid, glassy sound-design accents as brief background textures. Intimate, sensual late-evening atmosphere; polished warm analog mix, spacious but restrained, gradual arrangement with a sparse opening, gentle instrumental lift, and soft taper.

Cock-hour Lounge

Cock-hour Lounge

Relaxed jazz-inflected synthwave lounge, slow unhurried low-BPM groove, warm analog bass and rounded vintage synth chords, breathy saxophone lead, elegant violin replies, muted clean guitar accents, subtle unusual liquid and airy texture effects, intimate cocktail-hour atmosphere, polished soft-focus production, tasteful sensual feminine vocal ad-libs used sparingly, gentle arrangement that stays mellow throughout

Beach Club Sighs

Beach Club Sighs

slow-tempo jazz synthwave, relaxing summer evening cocktail lounge, sultry saxophone, warm violin melody, jazzy clean electric guitar, strange soothing analog synthesizer effects, sensual female vocal sighs, low BPM, chill atmospheric production, late-night beach club vibes

Summer Evening Lounge

Summer Evening Lounge

Slow low-BPM jazz synthwave instrumental for a warm summer-evening cocktail lounge, intimate and sensual. Lazy brushed-jazz groove with rounded analog bass, soft vintage synth pads, smoky tenor saxophone phrases, lyrical violin counterlines, and clean electric guitar with spacious chord voicings. Add subtle strange relaxing effect sounds as soft breathy wordless vocal-like textures, kept ambient and non-explicit. Build gently from sparse opening into a mellow layered middle, then unwind into a quiet fade; warm tape character, restrained dynamics, wide soft reverb, polished but unhurried mix.

Velvet Afterglow

Velvet Afterglow

Jazz-inflected synthwave with a low-BPM laidback sway, brushed drums and syncopated bass under shimmering pads; verse rides sparse electric guitar, soft sax phrases, and muted violin; pre-chorus opens with filtered arpeggios and rising tape hiss; chorus settles into a sultry hook with layered harmonies and breathy ad-libs. Use close-mic female vocals, silky doubles, short delay throws on the last word, and a few sensual moan-like vocal ornaments. Add reversed swell transitions, cocktail-glass chimes, and a dreamy wide mix with smoky warmth and glossy top end., violin, jazz, low, saxophone, theme, relaxing

Velvet Dusk Sip

Velvet Dusk Sip

Jazz-inflected synthwave at low BPM with lazy swung drums, warm electric bass, brushed percussion, and a smooth late-night groove; verse section leans on Rhodes, guitar harmonics, and restrained sax phrases, pre-chorus opens with rising violin lines and filtered pads, chorus blooms with lush synth chords and a tender sax hook. Whispers of strange relaxing FX drift between phrases, with tape flutter, glassy chimes, and soft reverse swells. Intimate close-mic mix, warm and glossy, with a summer-evening glow., violin, theme, relaxing, low, saxophone, jazz

Velvet Sunset Drift

Velvet Sunset Drift

Jazz-synthwave fusion at a low BPM with brushed kit swing, warm Rhodes chords, lazy electric bass, airy sax phrases, and gliding violin lines; verse-like sections start sparse with guitar harmonics, the middle opens with soft synth pads and subtle cocktail-hour percussion, and the final pass blooms with longer sax replies. Reversed swells, glassy chimes, tape hiss, and slow sidechain pulses. Smooth, dusky, intimate mix with a neon sheen., jazz, saxophone, theme, relaxing, violin, low

Neon Patio Drip

Neon Patio Drip

Jazz-synthwave chill at a low BPM with a laid-back swung groove, brushed drums, warm sub bass, and hazy chord stabs; verse-like sections lean on electric piano and muted guitar, the middle opens for lyrical sax and violin phrases, and the final section widens with fuller harmony layers. Soft breathy top-line processing, tape-warm doubles, and distant room tails. Ear candy includes reversed cymbal swells, glassy delay blooms, and weird relaxing texture drops between phrases. Bright, smooth, and cinematic with a sunset-glow mix., low, violin, theme, jazz, relaxing, saxophone

Summer Breeze Motel

Summer Breeze Motel

Jazz-synthwave with a laid-back low-BPM swing, brushed drums, velvet Rhodes, smoky sax lead, and dreamy guitar harmonics; verse section rides filtered keys and soft bass, pre-chorus opens with rising violin figures, chorus blooms into glowing synth pads and a warm sax hook. Breathy vinyl crackle, reverse swell transitions, subtle tape flutter. Intimate, glossy, dusk-lit mix with wide stereo sheen., low, jazz, theme, saxophone, violin

Summer Breeze

Summer Breeze

Jazz-synthwave lounge at low BPM with brushed kit sway, warm electric piano, rubbery sub, and a smoky sax lead weaving through violin harmonies and muted guitar flicks; verse section keeps cocktail-bar intimacy, middle lifts with wider chords and a gliding sax motif, final pass settles into a dreamy dusk haze. Airy delay tails, vinyl crackle, and soft tape bloom; glossy, intimate, sunset-warm mix., low, violin, theme, saxophone, jazz

Diciembre es hogar

Diciembre es hogar

Romantic pop-jazz duet in Spanish, intimate mandolin and piano lead with warm upright bass and brushed percussion, relaxed swung groove, male and female singers trading distinct verses, male voice warm and tender, female voice bright and intimate; shared harmony chorus where both themes converge, close vocal blend, elegant acoustic arrangement, gentle lift into the chorus, polished warm mix.

Bienvenido, invierno 2

Bienvenido, invierno 2

Pop-jazz, light swung groove, polished warm intimate mix; close male-female duet with gentle harmonies; mandolin leads and drives the rhythm, joined by upright bass, brushed drums, soft piano voicings, subtle strings, brief mandolin turn, mandolin-and-piano outro.

Bienvenido, invierno 2

Bienvenido, invierno 2

Polished, warm, intimate pop-jazz production; mandolin leads with a light rhythmic figure, supported by warm upright bass, brushed drums, soft piano voicings and subtle strings, opening from a close mandolin intro into buoyant verses, a tender chorus, brief mandolin turn and soft mandolin-piano outro; light swung groove; lightly husky female alto with restrained vibrato and gentle vocal harmonies.

Nieve de abril

Nieve de abril

Spanish-language romantic pop with jazz harmony, buoyant brushed swing groove, mandolin leading crisp syncopated arpeggios and a lyrical violin answering between vocal lines; warm upright bass and soft piano voicings, intimate expressive lead vocal, gentle lift into a memorable chorus, polished organic arrangement with a close vocal and natural room ambience.

Vals de Cristal

Vals de Cristal

mandolin led pop jazz, romantic winter atmosphere, warm acoustic swing, cozy fireplace jazz chords, sweet expressive violin melody, brushed drums, upright bass, intimate and dreamy production

Bienvenido, invierno

Bienvenido, invierno

Spanish-language romantic pop-jazz with mandolin as the clear lead and rhythmic centerpiece. Light swung groove, warm upright bass, brushed drums, soft piano voicings, and subtle strings. Begin with an intimate mandolin figure, open into a buoyant verse, then a memorable, tender chorus with gentle vocal harmonies; add a brief mandolin instrumental turn before the final chorus. Close softly with mandolin and piano. Polished, warm, intimate arrangement.

Manto de Nieve

Manto de Nieve

Pop jazz romántico midtempo with lilting mandolin arpeggios, brushed drums, upright bass, and warm piano chords; verse stays intimate and close-mic, pre-chorus lifts with soft harmony stacks and a rising mandolin run, chorus opens into a singable sway with gentle scat ad-libs and subtle brass color; bridge turns smoky and sparse before the final chorus blooms with fuller backing vocals. Bright, glossy mix with an intimate nocturnal feel., pop, jazz

Mantón de Escarcha

Mantón de Escarcha

Pop-jazz with dancing mandolin, brushed drums, upright bass, and warm major-chord turns; verse glides in lightly syncopated phrasing, pre-chorus opens with climbing harmonies, chorus blooms on a singable hook and a short call-and-response. Add a mandolin arpeggio intro, a muted brass swell before the chorus, and a final lift with handclaps and doubled vocals. Bright, intimate, and cozy in the mix, with a touch of smoky club warmth., pop, jazz

Dash

Dash

RAP with a polished, crisp-transient mix; confident female rap with sharp cadence and a big doubled hook; deep sub-bass, heavy 808 drops, tight punchy drums, jazzy sample chops, clipped vocal samples, synth stabs, DJ scratches, and orchestral accents over a jazzy beach vibe; energetic, driving groove.

Dash

Dash

RAP, confident female rap with sharp cadence and a big doubled hook; polished mix with crisp transients, energetic bounce; deep sub-bass, tight punchy drums, heavy 808 drops, jazzy sample chops, clipped vocal samples, synth stabs, DJ scratches, and bright orchestral accents over a beachy tropical vibe.

Maintenant ou Jamais

Maintenant ou Jamais

mid-tempo classic swing, big band jazz, 1940s style orchestration, solemn yet driving brass section, deep gravelly male vocals, prominent female backing choir, lush harmonic backing vocals, military marching snare elements blended into a swing jazz drum kit, warm vintage vinyl mix, dynamic emotional shifts

N'oublions pas

N'oublions pas

French swing jazz, medium-up walking-bass groove with brushed snare and swinging ride cymbal, upright bass, stride piano, muted trumpet and clarinet. Deep gravelly male baritone in French, firm conversational phrasing with clear diction. Intro begins with piano and bass, verses stay spare, choruses open into brass responses, a compact clarinet break leads to a final full-ensemble refrain. Warm vintage room sound, intimate vocal upfront, natural dynamics and restrained mastering.

Le Devoir du Souvenir

Le Devoir du Souvenir

Swing français traditionnel, tempo medium entraînant, contrebasse en walking bass, piano stride, batterie aux balais puis aux baguettes dans les refrains, cuivres chaleureux en ponctuations, guitare jazz discrète. Voix masculine grave, rocailleuse, diction française claire et proche. Couplets narratifs retenus, refrain ample et mémorable, montée d'ensemble au dernier refrain; mix organique, cuivres bien détachés, sensation de défilé digne et vivante.

On a tous la banane

On a tous la banane

Jazz électro festif à groove syncopé, basse ronde et profonde, batterie électronique souple mêlée à des balais jazz, piano électrique ponctué de cuivres sourds et petits accents de saxophone. Voix masculine grave, rocailleuse, parlée-chantée avec diction française théâtrale et bonhomie. Couplets narratifs, refrain fédérateur et accrocheur, arrangement qui s’étoffe progressivement avec ponctuations de cuivres, break instrumental dansant puis refrain final ample. Mix chaleureux, légèrement rétro, précis et entraînant.

La Banane dans l' dans

La Banane dans l' dans

Jazz de danse rétro, swing énergique façon orchestre de bal, contrebasse bondissante, batterie aux balais puis cymbales entraînantes, piano stride, cuivres joueurs et clarinette en réponses. Voix masculine grave, rocailleuse, française, diction théâtrale et malicieuse. Intro instrumentale brève, couplets narratifs, refrain accrocheur repris en chœur, petit pont instrumental de cuivres, dernier refrain ample; prise chaleureuse avec grain vintage, arrangements nets et groove souple.

La Bande a la Banane

La Bande a la Banane

Jazz dansant rétro, swing marqué, cuivres espiègles et piano stride, contrebasse bondissante, batterie aux balais puis claquements de mains; voix masculine grave, rocailleuse, articulation française théâtrale; couplets narratifs, refrain collectif accrocheur, breaks de saxophone, finale festive, mix chaleureux façon orchestre de cabaret.

Breathe Where We Began

Breathe Where We Began

Dark jazz ballad with a slow, deliberate groove and live concert-hall stage ambience. Deep electric guitar leads with rounded low-register phrases, expressive bends, and melodic delay; upright bass and restrained brushed drums anchor the verses. Cello and violin answer the vocals, then widen into a dramatic string-led lift for the chorus. Deep, resonant male baritone duets with a tender female contralto, trading intimate lines before joining in close harmony. Begin sparse, build gradually toward a full, aching final chorus, then resolve softly. Warm analog tone, natural hall reflections, clear vocal focus, cinematic dynamics.

I Love You from Far Away

I Love You from Far Away

Dark cinematic jazz ballad performed on a concert-hall stage, slow spacious 6/8 groove, deep clean electric guitar with expressive melodic bends and long sustained notes, cello and violin weaving mournful countermelodies, restrained piano and brushed drums. Deep resonant male lead trades intimate lines with a clear, tender female voice; they join in close harmony for a memorable soaring chorus. Gradual rise from sparse guitar-and-cello opening to a full orchestral final chorus, natural hall ambience, rich low end, warm analog character, spacious polished live-stage mix.

The Blue Coat

The Blue Coat

Dark cinematic jazz ballad, slow spacious swing feel, deep clean electric guitar with sustained expressive bends, cello and violin in low-register counter-melodies, intimate stage-hall ambience and close microphone presence. Deep resonant male lead in duet with a contrasting warm female voice; melodic vocal phrasing with subtle tasteful pitch effects. Sparse piano and brushed drums support the verses, strings widen the chorus, then strip back for a close final exchange. Warm analog mix, dramatic dynamics, natural room reflections, restrained vintage microphone texture.

Mad Love Game

Mad Love Game

Dark cinematic jazz ballad, slow swaying 6/8 groove with spacious live-stage hall ambience; deep electric guitar sustains and bends a bluesy melodic motif, warm upright bass, restrained brushed drums, expressive cello and violin answering the vocal phrases. Deep resonant male baritone leads with an intimate, controlled delivery; contrasting female voice trades lines and joins in close harmony on the refrain. Gradual rise from sparse guitar-and-cello opening to a broad string-supported final chorus, melodic guitar fills between lines, natural room reflections, rich low end, clear vocals, dynamic performance mix.

Sweet Child in Us

Sweet Child in Us

Dark cinematic jazz ballad performed live in a spacious concert hall: slow swaying 6/8 groove, deep breathy tenor saxophone phrases answering the lead vocal, warm piano chords, upright bass, restrained brushed drums, and lyrical cello and violin lines. Begin intimate with piano and low strings, bring in saxophone between vocal phrases, then let strings broaden into a dramatic final refrain. Duet with a rich low male voice and a clear, tender female voice, trading lines and joining in close harmony. Expressive melodic phrasing, subtle vocal delay and hall reverb, wide natural stage ambience, warm detailed mix with deep low end.

Where Is the Time

Where Is the Time

Dark, slow theatrical jazz ballad with deep baritone saxophone carrying the main melodic replies, expressive cello and violin weaving sustained counterlines, restrained piano chords, upright bass, brushed drums, and a spacious concert-hall ambience that feels like a live stage performance. A deep, intimate male baritone duets with a warm, expressive female voice; trade lines in the verses and join in close harmony for a memorable, aching chorus. Let the arrangement begin spare, build with strings into the chorus, then fall back to saxophone and voice for the bridge; natural dynamic swells, rich room reflections, clear vocal presence, elegant cinematic mix.

Is That All There Is to

Is That All There Is to

Theatrical late-night jazz ballad for a concert hall stage: deep, breathy tenor saxophone carries a smoky answering melody; warm cello and restrained violin sustain and swell between vocal lines; slow brushed-kit pulse, upright bass, sparse piano chords. Deep male baritone sings with intimate, measured phrasing, opening close and growing into a dramatic final refrain. Add tasteful melodic vocal slides and subtle hall reverb; rich, dark orchestral-jazz mix with clear live-stage presence.

The Child in Me Says, "Why?

The Child in Me Says, "Why?

Dark cinematic jazz ballad performed on a concert hall stage; deep, breathy female contralto with expressive melodic phrasing and subtle vocal reverb; rich tenor saxophone carrying a smoky, lyrical counter-melody; cello and violin in restrained, aching sustained lines; slow swung pulse, intimate piano chords, brushed drums, warm upright bass. Begin sparsely with piano and cello, bring the saxophone forward between vocal lines, widen the strings in the chorus, then resolve quietly with sax and voice. Spacious live-hall ambience, deep rounded low end, natural dynamics, polished but intimate mix.

The Old Man I Call My

The Old Man I Call My

Deep, slow jazz ballad performed on a concert hall stage; rich low-register tenor saxophone leads with expressive melodic runs, supported by lyrical cello and sustained violin lines. A deep, dark female contralto sings with intimate warmth and restrained melodic pitch bends. Spacious live-stage ambience, subtle hall reflections, deliberate dynamic swells from hushed verses to a full, aching chorus; warm analog tone and clear vocal-forward mix.

The Mirror Held Its Breath

The Mirror Held Its Breath

Noir jazz ballad performed live in a resonant concert hall, slow swung pulse, deep breathy tenor saxophone carrying a mournful counter-melody, cello and violin in dark legato phrases, sparse upright bass and brushed drums, cinematic melodic flourishes between vocal lines; intimate low-register female contralto with controlled vibrato and shadowed, questioning delivery, building to a dramatic final refrain; spacious natural hall ambience, warm close vocal, dynamic stage mix.

Once Upon a Time

Once Upon a Time

Cinematic jazz ballad performed live in a concert hall, deep smoky tenor saxophone carrying a slow lyrical theme, warm cello and violin answering in long bowed phrases, restrained piano voicings, brushed drums and upright bass. Deep dark female contralto sings with intimate, expressive phrasing and subtle melodic ornaments. Begin sparsely with saxophone and cello, let the vocal enter close and hushed, widen into a sweeping string-backed chorus, then give the sax a plaintive solo before a quiet, resolved ending. Spacious stage ambience, natural hall reverb, rich low-mid warmth and clear vocal presence.

When the Lights Went Low

When the Lights Went Low

deep noir jazz ballad, dark moody atmosphere, slow tempo 65 bpm, deep sultry female vocals, expressive tenor saxophone lead, melancholic cello and violin orchestration, lush hall reverb, live stage ambience, intimate cinematic production

Создавай озвучку и песни с помощью AI

Скачать Voices AI

Создавайте аудио более чем с 300 различными голосами из нашей библиотеки.

4.7•176 тыс. отзывов•20M+ Загрузки

Открой будущее музыки с нашей библиотекой AI‑песен

Добро пожаловать в новое поколение создания музыки с нашей библиотекой AI‑песен, где инновационный искусственный интеллект встречается с творческим самовыражением. Исследуй огромный подбор пользовательских AI‑песен разных жанров, настроений и языков. От атмосферных и кинематографических звуковых ландшафтов до энергичного попа и глубоких резонансных треков - наша AI‑технология оживляет уникальную, высококачественную музыку, идеальную для любого проекта или личного удовольствия.

Независимо от того, создаёшь ли ты контент, разрабатываешь игры, подкастишь или просто любишь музыку, наша библиотека AI‑песен предлагает что‑то для каждого. Каждый трек создан с помощью передовых AI‑технологий, гарантируя реалистичное звучание и естественное ощущение, с настраиваемыми опциями под твои уникальные потребности. От фоновой музыки до вдохновляющих саундтреков - открой многообразие и глубину AI‑музыки на нашей платформе.

Ключевые особенности нашей библиотеки AI‑песен:

  • Широкий выбор жанров: Открой песни в разных музыкальных стилях - поп, рок, хип‑хоп, классика, джаз, эмбиент и многое другое, все сгенерированы передовой AI‑технологией.
  • Настройка настроения и тона: Легко находи или создавай треки, соответствующие нужному настроению - будь то бодрый, расслабленный, драматичный или вдохновляющий, наша AI‑музыка предложит идеальную атмосферу.
  • Многоязычные тексты: Наша библиотека содержит песни на разных языках, включая английский, немецкий, испанский и многие другие, расширяя твоё охват и соединяя с глобальной аудиторией.
  • Идеально для мультимедиа: Используй наш генератор AI‑песен для фоновой музыки, звуковых эффектов или как уникальное дополнение к видео, подкастам и презентациям.

Почему стоит выбрать наши AI‑песни?

  • Высококачественное звучание: Поддержка нескольких языков позволяет твоей музыке привлекать слушателей со всего мира, делая её идеальной для кросс‑культурных проектов.
  • Бесконечная креативность: Благодаря AI‑настройкам каждый трек можно уникально адаптировать под потребности проекта, делая его ценным активом для создателей.
  • Глобальная доступность: Поддержка нескольких языков позволяет твоей музыке привлекать слушателей со всего мира, делая её идеальной для кросс‑культурных проектов.
  • Лёгкая интеграция: Скачай и без усилий интегрируй песни в свои текущие рабочие процессы, будь то аудиопроизводство, стриминг, соцсети или коммерческое использование.

Просмотри нашу библиотеку AI‑песен прямо сейчас, чтобы исследовать пользовательскую музыку, созданную с помощью передовых AI‑технологий. Найди идеальный саундтрек для своего контента, подними проекты с инновационными звуковыми ландшафтами и ощути будущее создания музыки уже сегодня.