"Electronic"
Песни, созданные с Voices AI

Песни, созданные с Voices AI, внедряют голосовые технологии в музыку - от каверов до оригинальных треков. Узнай, как создатели и наше сообщество используют AI‑голоса, чтобы исследовать новые звуки и идеи.

Niña FHR

English romantic electronic reggaeton fused with Future House, geg 126 BPM. Smooth expressive male vocals, sensual melodic delivery, catchy English lyrics, emotional vocal harmonies and addictive hooks. Powerful Latin dembow rhythm blended with a driving four-on-the-floor house beat, deep pumping sidechained bass, punchy electronic kick, crisp claps, bright high-pitched synth plucks, sparkling arpeggios, futuristic synth leads and euphoric Future House drops. Atmospheric romantic verses, rhythmic vocal flow, uplifting pre-chorus and explosive melodic chorus. Energetic electronic transitions, vocal chops, shimmering synth effects, powerful bass drops and emotional breakdowns. Modern international dance music production, romantic yet festival-ready, polished radio sound. Original melody and arrangement.

If Winter Comes With You

Dreamy, intimate winter Christmas ballad, 6/8 rhythm, 76 BPM. Warm expressive female vocals, soft and breathy with delicate emotional vibrato. Gentle piano, magical celesta, subtle Christmas bells, warm strings and soft acoustic textures. Nostalgic, tender, romantic and slightly playful. Start with intimate piano and whispered vocals, gradually build into a beautiful, memorable, soaring chorus. Add a deeply emotional melodic bridge with fragile, affectionate vocals, then a warm final chorus. Cozy London Christmas atmosphere, twinkling lights, snowy streets, hot chocolate, innocent anticipation and the magic of sharing winter with someone special. Original melody, cinematic and heartfelt, no heavy drums or electronic dance beats.

Niña

Emotional melodic future bass, romantic electronic dance pop, 110 BPM. Warm expressive male vocals, intimate and heartfelt delivery, dreamy atmospheric synth pads, delicate piano chords, bright pluck synthesizers, soft electronic percussion, deep smooth bass, shimmering high-pitched synth textures, catchy melodic hooks and euphoric emotional drops. Gentle verses that gradually build into a beautiful uplifting chorus. Wide layered synthesizers, lush vocal harmonies, rhythmic electronic beats, melodic bass drops and cinematic transitions. Dreamy, nostalgic, youthful and deeply romantic atmosphere. Powerful final chorus with an emotional instrumental climax. Modern polished electronic production, completely original melody and arrangement.

Padre nuestro

Epic spiritual electronic music, cinematic melodic techno, 122 BPM, mystical and sacred atmosphere. Deep powerful sub bass, hypnotic electronic percussion, ethereal ambient synthesizers, majestic orchestral strings, dramatic violin solo performances, angelic female soprano lead vocal, deep male choir harmonies, ancient Aramaic prayer recitation, solemn and emotional delivery, celestial soundscapes, massive cinematic build-ups, explosive melodic drops, cathedral reverb, spiritual transcendence, professional high-end production. Preserve the original Aramaic words and pronunciation. No Spanish translation, no additional lyrics. Original composition.

العالم كذاب

Emotional old-school Algerian Rai with rich 1990s North African instrumentation and timeless production. 94 BPM, 4/4. Deep expressive male lead vocal, slightly raspy and warm, with authentic emotional phrasing in Moroccan Darija. The singer must tell a personal life story, with sincerity, controlled pain, dignity and intensity. Fully melodic vocal delivery, natural vocal ornaments, expressive rises and falls, never monotonous or mechanically spoken. Vintage analog synthesizers, melodic electric guitar, warm electric bass, classic acoustic drum kit, traditional Rai rhythmic patterns, subtle electronic percussion and atmospheric keyboard melodies. Memorable emotional chorus with powerful vocal projection and restrained male backing harmonies. Intimate verses, dramatic musical build-up and an emotionally powerful final chorus. Beautiful nostalgic old-school Rai sound, carefully arranged, warm and organic, without sounding outdated. No trap, no drill, no EDM, no generic modern pop.

Luvias de ael

Dark medieval fantasy ballad, ancient royal lament, 65 BPM, 6/8 time signature, D minor. Deep male baritone solo voice, solemn, intimidating, melancholic and restrained. Slow descending vocal melody, long sustained notes, haunting minor harmonies, dramatic pauses between verses. Medieval harp, soft lute, deep cello, low strings, subtle male choir in the background. Minimal instrumentation, intimate castle hall acoustics, natural reverb. Tragic and majestic atmosphere, like an ancient song warning kings about the fall of a powerful kingdom. No modern instruments, no pop, no drums, no electronic music. Original medieval melody.

On Locked

East Coast hardcore trap with boom-bap swing, Afro-Caribbean percussion, flutes and electronic textures; verse-forward arrangement that keeps evolving, with sparse drum breaks, then bass-drop surges and cinematic swells. Deep male lead, high female replies, raspy smoky male and bluesy female harmonies, Auto-Tune edges, bilingual Spanish-English-Chinese call-and-response, echo throws on key lines, dark orchestral and worldbeat mix with bright low-end impact., doo-wop, opera, hardcore, orchestral, electronic, sensual, blues, deep

Te Pido Perdón 1.1

Instrumental intro, Deep Male Voice, Electronic merengue urbano rhythm, 128 BPM, energetic tropical beat with digital synths, punchy electronic drums and modern dancefloor style, clean bass, emotional pads, mellow electric keys, ambient textures, and heartfelt vibe, 128 BPM, energetic piano, Full instrumental accompaniment throughout the song, Instrumental melody based on the chorus vocal melody using bright synths and piano

Kleveta

old school hip hop, flow drama, threatening rap, electronic, acoustic guitar, bass

Mango en la Radio

Boom bap with African percussion, flute riffs, electronic textures, and rustic salsa-dembow pulse; verse one rides dusty drums and call-and-response doo-wop stacks, verse two opens with heavier Auto-Tune, double-time hand percussion, and shifting male/female lines. Bridge lifts with raspy male grit and operatic female swells. Wide, warm, and handmade with crisp low-end and vivid room detail., deep, electronic, hypnotic, african percussion, salsa, doo-wop, opera

Kleveta

rock, electronic, violin, flute

3

[Atmospheric alternative rock, experimental psychedelic grunge, hypnotic progressive rock, 100 BPM, 4/4. Dark, spacious, organic, emotionally immersive. MAIN MELODIC MOTIF: B2–C3–D3–A2, based on the repeating piano phrase. Three ascending notes followed by a lower sustained A. Preserve the recognizable melodic contour, deliberate spacing, and falling resolution. Let the motif cycle throughout the composition, gradually transforming through instrumentation, harmony, rhythmic intensity, and texture. Warm vintage piano, resonant melodic bass, earthy tom-driven percussion, shimmering guitar harmonics, gritty distorted guitars, subtle industrial electronics, and haunting atmospheric layers. Alternating intimate restraint with explosive, controlled chaos. Raw human character, hypnotic repetition, unconventional dynamics, and psychedelic depth.]

Croa-Hero Noct

Epic ancient Chinese war anthem, cinematic Three Kingdoms battlefield atmosphere. Powerful native Mandarin Chinese male vocalist with a deep, weathered voice and natural Chinese-accented English singing. Traditional Chinese operatic vocal techniques, dramatic vibrato, sliding notes and fierce warrior cries. Thunderous Chinese tanggu and dagu war drums, pounding ceremonial percussion, crashing gongs, dramatic erhu melodies, guzheng, pipa, guqin and piercing dizi bamboo flutes. Traditional Chinese pentatonic melodies. Massive ancient Chinese male warrior choir chanting in Mandarin during choruses. Slow, haunting storytelling verses building into explosive battle chants and relentless war drums. Heroic, mystical, tragic and grand, like an ancient Chinese army marching into its final battle. Powerful emotional climax with mournful erhu and desperate warrior vocals. Clear English lyrics with strong natural Mandarin accent. No modern pop, rap, electronic beats or Western vocals.

A Centímetros

Melodic Future House, Future Bounce, Dance Pop, 126 BPM. Inspired by Don Diablo's energetic electronic sound. Powerful punchy kick, deep rolling bass, bouncy synth bass, futuristic vocal chops, bright melodic plucks, atmospheric pads, emotional piano and massive euphoric synth drops. Deep expressive male Spanish vocals, intimate storytelling verses, tension-building pre-chorus and an explosive, unforgettable melodic chorus. Emotional heartbreak meets high-energy festival sound. Catchy vocal hooks, dramatic risers, crisp percussion, cinematic breakdown and powerful final drop. Modern international EDM production, radio-ready, addictive melody, emotional yet uplifting, massive festival anthem.

Meine Lieblingskäfer

Emotional Stadium Anthem meets Melodic Uplifting Trance, 132 BPM, warm expressive male lead vocals alternating with beautiful female lead vocals, authentic male and female duet, rich vocal harmonies, soft powerful delivery, no shouting, no screaming, no aggressive vocals. Massive melodic stadium choir singing harmoniously, atmospheric piano intro, uplifting synthesizer melodies, warm driving bassline, punchy but controlled kick, subtle stadium claps, cinematic strings, euphoric melodic breakdown, emotional build-ups, huge beautiful singalong chorus, wide atmospheric sound, polished festival production, emotional goosebumps finale. Balanced electronic drums, melodic and majestic, not hard techno.

Opa Kalle, wir sind Familie

Modern Rap Trance, 136 BPM, energetic rhythmic male rap verses, deep confident spoken intro, melodic euphoric trance chorus, powerful catchy vocal hook, emotional male singing, subtle female backing harmonies, driving four-on-the-floor kick, rolling bassline, massive atmospheric synthesizers, bright uplifting trance leads, rhythmic synth arpeggios, cinematic risers, electronic vocal chops, huge melodic breakdown, explosive euphoric trance drop, festival atmosphere, powerful modern production. Rap dominates the verses, sung vocals only in the chorus. No Schlager, no Ballermann, no pop-rock, no hard techno, no excessive percussion.

2 Jahre

Emotional Vocal Trance, melodic uplifting trance, 132 BPM, warm euphoric synthesizers, atmospheric pads, beautiful piano intro, emotional male lead vocals with expressive delivery, powerful melodic chorus, layered backing vocals, cinematic choir harmonies, uplifting string elements, deep warm bass, smooth four-on-the-floor kick, tasteful percussion, beautiful melodic trance breakdown, emotional build-ups, wide stereo atmosphere, sparkling arpeggios, huge euphoric finale. Heartfelt, nostalgic, celebratory and inspiring. Balanced electronic production, melodic rather than techno, no aggressive hardstyle, no industrial sounds, no excessive drums.

Papa

Create a beautiful, deeply emotional birthday tribute song titled 'Papa, I'm So Proud of You.' Style: cinematic acoustic pop ballad with a gentle Christian inspirational feeling. Warm, rich, mature male baritone voice, singing with genuine love, gratitude, tenderness and emotion. Begin with intimate soft piano and delicate acoustic guitar, gradually introduce lush orchestral strings and subtle percussion, building to a soaring but heartfelt final chorus. Tempo 72 BPM, 4/4 time, major key, elegant natural melody, crystal-clear English vocals, polished studio production. The song should feel like a loving son singing directly to his beloved Papa on his birthday. Emotional, uplifting, respectful, sincere, and deeply moving, never theatrical or overly dramatic. End with the instruments fading gently beneath a softly spoken personal birthday blessing. Total duration 1 minute 45 seconds to 2 minutes. No rap, no electronic dance beats, no choir, no long instrumental introduction.

Ride the Rim

Industrial world techno, driving four-on-the-floor kick with tight syncopated hand percussion and rolling low sub-bass; shamisen plays sharp, percussive pentatonic riffs, answered by bold Irish uilleann pipe phrases and drones. Mongolian throat-singing lead with resonant overtone harmonics and forceful rhythmic phrasing. Start with exposed shamisen and pipe drone, bring in the kick and bass in stages, open into a dense instrumental-vocal refrain, then strip back to the drone and a final shamisen flourish. Raw, spacious, punchy club mix with clear separation between acoustic timbres and electronic low end.

Vitamina

Instrumental intro, Deep Male Voice, Electronic merengue urbano rhythm, 128 BPM, energetic tropical beat with digital synths, punchy electronic drums and modern dancefloor style, clean bass, emotional pads, mellow electric keys, ambient textures, and heartfelt vibe, 128 BPM, energetic piano, Full instrumental accompaniment throughout the song, Instrumental melody based on the chorus vocal melody using bright synths and piano

When Was the Last Time

Synth country pop, midtempo straight 4/4 with a gentle country sway, warm acoustic guitar strums beneath rounded analog synth bass and restrained electronic drums, pedal steel flourishes answering the vocal, intimate low male baritone with conversational phrasing, verses sparse and close, chorus widening with stacked harmonies and fuller drums, bittersweet reflective mood, polished radio-ready mix with organic country details.

Sometimes It Feels Good to

Bright synth country pop, relaxed mid-tempo two-step groove, warm acoustic guitar strums tucked beneath a rounded synth bass and crisp electronic drums, twangy electric guitar answers between vocal lines, subtle banjo accents, male lead vocal with an easy conversational verse delivery opening into a big melodic chorus, polished radio-ready mix, playful and good-hearted; arrangement builds from a light verse into a punchy singalong chorus, with a short instrumental lift before the final chorus.

Hallowen dia de muertos

Hallowen, dia de muertos, reggaeton, electronica

Ein Leben lang mit dir

Romantic orchestral Viennese pop waltz, strictly 3/4 throughout. RADIO EDIT, target duration 3:20–3:28, absolute maximum 3:35. Preserve original demo melody. Elegant, timeless romantic schlager with sweeping symphonic strings, emotional solo violin, grand piano, warm accordion, beautiful Spanish and Italian acoustic guitars, subtle mandolin and traditional waltz rhythm. Expressive natural male-female duet, alternating vocal lines, beautiful two-part chorus harmonies. Romantic Italian bridge with Mediterranean flair. Clear upfront vocals, warm spacious live orchestra sound. Short 4-bar intro, compact verses, catchy chorus, brief Italian bridge, short violin and guitar solo, uplifting key change from C major to D major, powerful final duet chorus. Short elegant ending. No extended instrumental sections, no long outro, no repeated chorus loops, no autotune, no electronic dance beats, no 4/4 or 6/8. Use my lyrics.

08_ THE ALGORITHM DOESN'T CARE

Dark electronic rap and industrial cyber-trap, 116 BPM, F-sharp minor. Extremely deep male baritone, dry intimate verses with precise internal rhymes, escalating to venomous rapid-fire delivery and a massive low-register shouted hook. Cold synthetic male AI voice, never emotional. Begin with a notification ping swallowed by silence, server fans and a broken metronome. Sparse analog bass, distorted 808 pressure, mechanical rimshots, glitching hi-hats, detuned synth arpeggios, ominous cello pulses, subharmonic brass and distant male choir. The hook “THE ALGORITHM DOESN’T CARE” strikes like a mechanical verdict; make the rhythm instantly memorable. Strip the bridge to bare voice and static, then shift into savage halftime industrial percussion with double-time vocal attacks. Finale becomes defiant, not falsely triumphant: protect the message, study genuine response, never invent success. Cinematic dynamics, clear vocal, no female singing, glossy pop or excessive autotune.

06_ WEDNESDAY NIGHT

Cinematic suspense trap and dark electronic rap, 104 BPM, B minor. Ultra-deep male baritone, close-mic whispered tension evolving into precise percussive rap and explosive commanding hooks; cold, restrained synthetic male AI dialogue. Begin with midnight rain, a server-room fan, distant clock strikes, keyboard taps and a muted loading chime. Pulsing sub-808, heartbeat kick, ticking rimshots, ghostly analog synths, low cello ostinato, reverse piano, restrained brass and distant male choir. Each verse adds pressure like a countdown; pre-chorus drops into near silence, then a massive hook built around “WEDNESDAY NIGHT” and “NOT YET.” The bridge features an apparent upload trigger, abrupt dead stop and explicit human authorization check. Beat switch to heavy halftime industrial drums, rising brass and urgent double-time rap. End unresolved with the launch queue staged, not falsely reported as deployed. Clear vocals; no female vocals or pop.

Sunday I Got My Breath

Emotional contemporary Black gospel, soulful melodic rap, traditional Pentecostal church worship, 72 BPM opening building into a fast 164 BPM church shout finale. Deep warm masculine baritone lead vocal, intimate emotional rap delivery, expressive soulful singing, rich gospel harmonies, powerful live church choir, Hammond B3 organ, expressive grand piano, warm electric bass, live gospel drums, tambourines, orchestral strings. Begin with vulnerable piano and intimate spoken prayer. Build into passionate gospel choruses, soaring choir harmonies, dramatic pauses, vocal ad-libs, and a powerful worship bridge. Finish with an explosive traditional Black church praise break featuring rapid organ runs, energetic bass, explosive drum fills and joyful choir responses. Organic live church sound, authentic emotion, professional studio mix, dynamic arrangement. No electronic dance beat, no trap hi-hat rolls, no robotic vocals.

Mach halt irgendwas

German electro-pop, cheeky cabaret-pop attitude, brisk four-on-the-floor groove, springy synth bass, clipped electronic drums, bright brassy keyboard stabs, playful spoken-sung female lead with crisp diction, chantable chorus, abrupt stop-start accents, polished punchy mix

VERGEET NIET TE LEVEN — IK BEN NOG HIER

Emotional Dutch cinematic life ballad, 68 BPM. Deep warm mature male voice, clear Dutch pronunciation. Soft trembling spoken verses, beautiful high emotional singing in choruses, occasional powerful heartfelt shouting. Heartbreaking crying solo violin, expressive Turkish clarinet, tender piano, warm cello, dramatic orchestral strings. Slow emotional build, touching pauses and sudden silence. Deep sadness turning into strength and hope. Very clear lyrics, powerful moving climax. No rap, no electronic dance music, no autotune. Finish with a lonely crying violin.

Arena Dominator

Extremely aggressive industrial metal fused with hardcore electronic kicks, grinding bass synths, massive gladiator war drums, razor-sharp down-tuned guitar riffs, rapid double-kick bursts, explosive snare hits, relentless driving 160 BPM groove. Fierce deep male shouted vocals with rhythmic growls and punchy crowd chants. Tight, crushing low end, abrasive guitar distortion, stark industrial percussion, huge arena-scale chorus, minimal memorable hooks, high-impact modern mix.

Iron Will

Brutal industrial metal fused with heavy electronic bass and thunderous Roman war percussion, 150 BPM, machine-tight palm-muted chugging guitars, pounding kick drums, cracking snare, simple menacing bass riff, relentless head-nodding groove. Deep gritty male shouts and rhythmic growls lead, with massive gang-vocal responses. Arrangement: percussive count-in, immediate riff-and-shout verse, short rising gang-vocal pre-chorus, explosive chant chorus, stripped breakdown with war-drum hits, final double-intensity chorus, abrupt impact ending. Dense, hard-edged, punchy mix with tightly gated guitars and forceful low end.

Rat King Legends

Dark cinematic electronic rock anthem, tense minor-key pulse with distorted low synth bass, industrial percussion, sharp toms, and gritty electric guitar accents. Verses are restrained and conspiratorial, with close-miked low male vocals; choruses widen into forceful layered gang vocals and heavy drums. Add brief eerie breaks, rising noise swells, and a final chorus that feels defiant and unsettling; polished but rough-edged mix.

Rat King Legends

Aggressive early-2000s rap-rock with cinematic sci-fi game-score tension, downtuned distorted guitars, tight syncopated live drums, sub-bass, and restrained electronic textures. Verses use rhythmic male rap-singing with clipped phrasing over sparse guitar and bass; pre-chorus rises with sustained chords; chorus opens into an anthemic melodic male hook with stacked harmonies and wide guitars. Add a brief half-time breakdown before the final chorus. Polished, punchy, dramatic mix with clear vocal-forward balance.

Carry The Weight

1980s British Synth-Pop, Melodic Electronic Dance, New Wave, Subtle Hi-NRG, 125 BPM. Authentic 1984–1986 Production. Warm Analogue Synth Bass, Bouncing Rhythms, Juno-Style Chords, Bright Arpeggios, LinnDrum-Style Beats, Electronic Toms, Crisp Handclaps, Lush Pads and Catchy Synth Hooks. Youthful British Male Lead, Natural Conversational Delivery, Slightly Nasal Upper Register, Soft Falsetto, Layered Male Harmonies. Restrained Emotion, Never Theatrical. Bright, Danceable, Nostalgic and Bittersweet. Playful Melodies with Subtle Melancholy and Mystery. Strong Repetitive Chorus, Memorable Synth Riffs, Extended Instrumental Breaks, Intimate Half-Time Bridge, Expansive Final Chorus. Sounds Like a Lost Mid-1980s British Pop Single. Warm Vintage Mix, Human Character, Understated Humour. No Modern EDM Drops, No American Accent.

Guy, guy, guy

British 1985 Synth-Pop, Playful Electronic Dance, Retro Hi-NRG, 125 BPM, Minor Key With Bright Uplifting Chorus. Authentic Mid-1980s UK Pop Production, Warm Analogue Synth Bass, Roland Juno-Style Chords, Playful Arpeggiators, Punchy LinnDrum-Style Electronic Drums, Electronic Toms, Handclaps, Sparkling Synth Leads, Catchy Repeating Melodic Hook. Expressive British Male Lead Vocal, Slightly Nasal High Register, Occasional Light Falsetto, Dry Understated Humour, Conversational Verses, Strong Melodic Choruses, Layered Male Harmonies, Rhythmic Group Backing Vocals. Nostalgic, Cheeky, Catchy, Slightly Absurd But Musically Serious. Distinctly British 1980s Character, Danceable, Warm Vintage Production, Generous Instrumental Sections, Synth Solo, Memorable Chorus, No Modern EDM Drops, No American Accent.

Und wer stoppt ihn? Keiner!

High-energy novelty Eurodance instrumental, 140 BPM, playful 1980s retro synth-pop meets 2000s cartoon rave. Original ultra-catchy synthesizer lead melody, bright analog synth arpeggios, funky electronic bassline, punchy four-on-the-floor kick, crisp claps, electronic tom fills, bouncy dance groove, wild pitch-shifted cartoon male vocals, squeaky robotic voice effects, silly rhythmic gibberish, exaggerated vocal chops, comedic engine revs, laser zaps, energetic synth solos, playful call-and-response shouting "Sascha!" and "Schlucki!". Explosive dance drops, infectious electronic hooks, nostalgic arcade-game atmosphere, polished club production, humorous chaotic energy. Mostly instrumental with short funny vocal interjections. Unique original melody, no sampled or copied melodies.

Guy, guy, guy

British 1985 Synth-Pop, Playful Electronic Dance, Retro Hi-NRG, 126 BPM, Minor Key With Bright Uplifting Chorus. Authentic Mid-1980s UK Pop Production, Warm Analogue Synth Bass, Roland Juno-Style Chords, Playful Arpeggiators, Punchy LinnDrum-Style Electronic Drums, Electronic Toms, Handclaps, Sparkling Synth Leads, Catchy Repeating Melodic Hook. Expressive British Male Lead Vocal, Slightly Nasal High Register, Occasional Light Falsetto, Dry Understated Humour, Conversational Verses, Strong Melodic Choruses, Layered Male Harmonies, Rhythmic Group Backing Vocals. Nostalgic, Cheeky, Catchy, Slightly Absurd But Musically Serious. Distinctly British 1980s Character, Danceable, Warm Vintage Production, Generous Instrumental Sections, Synth Solo, Memorable Chorus, No Modern EDM Drops, No American Accent.

Guy, guy, guy

British 1985 Synth-Pop, Playful Electronic Dance, Retro Hi-NRG, Early Synthwave, 126 BPM, Minor Key With Bright Uplifting Chorus. Authentic Mid-1980s UK Pop Production, Warm Analogue Synth Bass, Roland Juno-Style Chords, Playful Arpeggiators, Punchy LinnDrum-Style Electronic Drums, Electronic Toms, Handclaps, Sparkling Synth Leads, Catchy Repeating Melodic Hook. Expressive British Male Lead Vocal, Slightly Nasal High Register, Occasional Light Falsetto, Dry Understated Humour, Conversational Verses, Strong Melodic Choruses, Layered Male Harmonies, Rhythmic Group Backing Vocals. Nostalgic, Cheeky, Catchy, Slightly Absurd But Musically Serious. Distinctly British 1980s Character, Danceable, Warm Vintage Production, Generous Instrumental Sections, Synth Solo, Memorable Chorus, No Modern EDM Drops, No American Accent.

Cat Named Lucifer

Vintage 1970s American acoustic folk-rock storytelling song, warm and slightly raspy male baritone, conversational and humorous vocal delivery, lively fingerpicked steel-string acoustic guitar, melodic second acoustic guitar, subtle ragtime and blues influences, warm walking bass, brushed snare, occasional tasteful piano fills, organic analog tape warmth. Witty narrative lyrics, charming imperfect vocals, playful rhythmic phrasing, catchy singalong chorus, bittersweet romantic undertones. Intimate coffeehouse and barroom atmosphere, natural live-band feel, no modern synthesizers or electronic drums. 94 BPM.

Back in Six Months

guitar, electronic

Pour un bonheur pour tous 2

Free, vocal, guitar, jazz, indie rock, electronic

The Third Night

Title: THE SHADOW WITHIN Dark cinematic superhero orchestral instrumental. 78 BPM, D minor. Deep ominous cellos, aggressive low brass, haunting violins, massive cinematic percussion, distorted synth bass, ticking rhythmic pulses, and atmospheric drones. Begin with eerie silence, distant thunder, and a slow two-note string motif. Gradually build tension through pounding war drums, rising orchestral strings, explosive brass, and unsettling electronic textures. Transition into a powerful, heroic yet tragic orchestral climax with thunderous percussion and sweeping strings. End with a haunting piano melody fading into darkness. Gritty, mysterious, psychological, suspenseful, emotionally intense, epic blockbuster film production. Wide cinematic stereo, deep sub-bass, dramatic dynamics. STRICTLY INSTRUMENTAL. NO VOCALS, NO SINGING, NO CHOIR, NO HUMMING, NO SPOKEN WORDS, NO RAP.

Goblins Within

Electro-swing with a buoyant swung dance pulse and bright 1930s big-band brass section: punchy trumpets, trombones, saxophone riffs, upright-bass bounce, crisp brushed-to-snare transitions, and nimble piano comping. Build from a stately ballroom entrance into increasingly rowdy call-and-response vocals; use a sudden electronic bass drop at the goblin reveal, then return to brass-led swing for a comic, high-energy finale. Theatrical, playful lead vocals with crisp diction, stacked guest-chorus responses, vintage bandroom color against polished modern low end.

The Goblins Own the Ballroom

Upbeat Halloween electro-swing with a brisk, buoyant swing beat and 1930s big-band brass punches. Open with clipped piano, upright-bass bounce, brushed kit and a sly muted-trumpet call; build through jaunty saxophone and trombone answers, theatrical characterful lead vocals, and crisp vintage-room brass against modern, punchy electronic low end. At the reveal, slam into a playful, high-energy electronic bass drop while brass riffs keep the swing lilt; return to a rousing ensemble finale with call-and-response vocals and a tight stop-time ending. Clear vocal intelligibility, lively stage-show delivery, polished vintage-meets-modern mix.

Poltergeist, Poltergeist

Sleek Halloween K-pop dance-pop, punchy syncopated electronic drums, rubbery sub-bass, clipped synth stabs and eerie music-box accents. Tight, rhythmic verses build into a bold, chantable chorus with layered group vocals, playful theatrical delivery, crisp modern pop production and a dramatic final refrain.

Kays Wohnzimmer

80sGermanHeavyMetal, TeutonicMetalAnthem, 145BPM, 4/4, rawaggressiveoldschoolproduction, razor-sharpsaturatedguitarriffs, poundingpalm-mutedrhythmguitars, thunderingbass, explosivedoub le-bassdrums, crashcymbals, drivingmarchinggroove, anthemicpowerchords, catchyguitarmelodies, blisteringmelodicguitarsolos, grittyraspymalevocals, deepcommandingverses, high-pitchedmetal screams, rebelliousgangshouts, massivechant-alongchorus, call-and-responsevocals, stadium-sizedenergy, darkdefiantatmosphere, working-classrebellion, freedomandrevolutionthemes, dramaticdrumfills, rawanalogwarmth, classicMarshallampdistortion, hugehook-drivenchorus, explosivetransitions, extendedguitarsolo, epicfinalchorus, authentic1980sEuropeanHeavyMetal, uncompromisingpower, ferociousintensity, noelectronics, noautotune.

105 BPM aus Berlin

Premium German corporate radio show, 105 BPM, smooth funky lounge, subtle electronic groove. DOMINANT deep, powerful, distinctive male radio announcer, rich resonant baritone, warm chest voice, slightly gravelly, charismatic mature broadcast personality, exceptionally clear German pronunciation, precise articulation, confident deliberate pacing. SPOKEN WORD ONLY, no singing, no rapping. Voice prominently in foreground, close-miked, crystal clear. Background music very quiet during speech, target 18–22 dB below narration, strong automatic ducking. Longer smooth instrumental breaks between announcements, elegant funky bass, Rhodes piano, gentle drums, sophisticated synth textures. Professional radio mastering, warm broadcast compression, minimal reverb, no echo, no distortion. Polished technology event atmosphere, short radio jingles, seamless transitions, relaxed professional energy.

Kaffeepause

Premium corporate radio lounge, modern funky house, smooth soul, sophisticated electronic chill groove, 108 BPM, warm funky bassline, clean electric guitar, Rhodes piano, tasteful synthesizers, crisp drums, uplifting tech conference atmosphere, polished professional radio production. Deep warm German male radio announcer voice, confident, friendly, charismatic, relaxed, natural conversational delivery. All German text must be spoken, never sung or rapped. Short radio station jingles, subtle transitions, smooth instrumental breaks between announcements. Instrumental music stays prominent but automatically ducks beneath spoken announcements. High-end FM radio sound, crystal clear vocals, professional broadcast compression, elegant digital innovation branding, seamless looping atmosphere, no aggressive EDM drops, no cheesy advertising, no sung lyrics.

El bicho

Explosive Big Room House, Festival EDM, 128 BPM, 4/4, powerful four-on-the-floor kick, massive distorted electro bass, aggressive punchy synth stabs, huge festival drops, repetitive hypnotic lead melody, dramatic cinematic risers, energetic snare rolls, massive white noise sweeps, deep sub bass, high energy electronic dance production, euphoric festival atmosphere, instrumental, professional EDM club production.

Is What It Is

A melodic trap-soul R&B track built around a warm, masculine tenor with smooth emotional phrasing and effortless swagger. The production is dark but polished, blending deep 808s, crisp trap drums, moody synths, atmospheric pads, and unusual melodic textures like muted guitar, warped keys, vocal chops, or subtle electronic plucks. The beat should feel hypnotic, spacious, and modern rather than overcrowded. The singer moves smoothly between low, intimate verses and a more open melodic hook with layered harmonies and restrained ad-libs. For the rap verse, the instrumental gets heavier and darker, with stripped-back drums and bass. The cadence is smooth, deep, catchy, and playful, mixing confident punchlines, light double entendres, and relaxed swagger without losing the song’s sensual mood.

Antiguo Nuevo Amor

Uplifting progressive house, euphoric melodic EDM, 126 BPM, emotional male vocals, bright piano chords, uplifting acoustic guitar riffs, powerful four on the floor kick, warm deep bassline, euphoric melodic synth lead, huge festival drop, emotional vocal build-up, energetic electronic percussion, beautiful atmospheric pads, catchy melodic hook, hands in the air festival anthem, joyful romantic atmosphere, polished professional electronic dance music production.

T4CrimeScene

grime, acoustic, electronic, rock, deep house, trip hop

T4DrugComplex

trap, trumpet, electronic, trip hop, acoustic

🎃 Halloween with the Vackenklints 👻

Dark cinematic Halloween synth-pop, eerie repeating piano motif, pulsing analog synthesizers, deep ominous bass, ticking percussion, pounding electronic drums and haunting strings. Slow suspenseful intro building into an energetic, spooky groove. Expressive female and male duet vocals in English, alternating verses, whispered spoken exchanges and powerful shared choruses. Catchy vocal hooks, ghostly backing harmonies and playful family storytelling against a chilling horror atmosphere. Dramatic pauses, rising tension, explosive final chorus, then a quiet music-box outro with three slow knocks and an abrupt ending. Polished cinematic production, clear vocals and strong dynamic contrast.

노래다운 노래 좀

Bright and catchy Korean acoustic pop-rock, upbeat indie folk-pop, youthful and nostalgic atmosphere, playful acoustic guitar strumming, bouncy bassline, lively organic drums, warm piano accents, natural and expressive young male vocals, conversational singing style, clear Korean pronunciation, memorable sing-along chorus, simple and addictive melodies, bittersweet emotions, witty storytelling lyrics, cheerful rhythm with emotional depth, warm vintage band sound, dynamic arrangement, 108 BPM, major key, no rap, no autotune, no excessive high notes, no EDM, no heavy electronic production

Half Past Two

Melancholic art-pop, intimate low-register lead vocal, restrained piano motif with glassy mallet accents and muted electronic pulse; verses sparse and close, choruses widening with soft strings and layered harmonies, then an exposed piano outro. Rain-soft, tactile production with nuanced dynamics.

Rain Against the Stone

Melancholic art-pop, intimate and understated, measured mid-tempo pulse with brushed electronic percussion, muted piano and restrained cello, occasional glassy synth tones; verses sparse and close-miked, chorus opens into layered harmonies and a gentle swelling low end, then falls back to a bare piano outro. Soft, reflective vocal delivery, detailed cinematic production with room for silence.

Schodzeit bis in d’Früah

Austrian alpine folk dance fused with punchy modern electronic club production; brisk stomping two-step groove, bright accordion and zither-like plucked strings trading a catchy motif, rounded bass pulse, crisp kick and handclap accents, lively fiddle flourishes. Build from a rustic instrumental pickup into buoyant verses and a big communal singalong refrain, then break down to accordion before a final full-energy refrain. Warm, cheeky male dialect vocal, tight doubles on the hook, polished and energetic mix.

Pinzga Schodzeitn

Austrian alpine folk dance remix with a brisk polka bounce over punchy modern electronic dance production; bright accordion and zither riffs, buoyant tuba-style bass, crisp kick and handclaps, playful fiddle fills. Start with a short accordion pickup, build into a full groove for the verses, open into a big singalong chorus with layered group vocals, then finish with a tight instrumental tag. Warm, festive, clean mix with lively male lead vocals and communal backing shouts; use authentic Pinzgau dialect phrasing.

Schodzeitn

Austrian Alpine folk-dance fused with energetic modern electronic dance production, buoyant polka two-step groove, bright accordion and fiddle riffs over punchy kick, handclaps, rounded bass and crisp synth accents; lively call-and-response lead vocals, communal chorus, quick instrumental breaks, polished and playful festival mix.

Pinzga Schodzeitn

Austrian alpine party remix, high-energy electronic folk dance, punchy four-on-the-floor kick with crisp claps and stomping percussion, bright accordion riffs and brassy synth stabs, bouncy bass, fast celebratory groove, playful male dialect vocals with chant-along hooks, verses kept nimble then a big crowd-ready chorus, polished loud festival mix.

Heut is Schodzeit

Alpine folk dance fused with upbeat electronic dance-pop, bouncy polka two-step groove, bright accordion and hammered dulcimer riffs, sturdy kick and handclaps, rounded synth bass, playful group responses, exuberant dialect lead vocal, crisp contemporary mix with a festive village-hall energy

Pinzga Schodzeitnremix

Pinzgau Alpine folk dance remix, lively and cheeky, sung in Austrian dialect, driving electronic dance pulse with zither-like plucked strings and a stomping brass-led lift; exuberant communal singalong energy.

Primavera em Porto Feliz

"Baroque techno fusion, Vivaldi's Spring violin melody fused with heavy dark techno beats, 130 BPM, four-on-the-floor pounding sub-bass, sharp harpsichord and classical violins contrasting with heavy electronic bass drops, cinematic, energetic club mix, instrumental."

VitaMinD

deep house, synthesizer, electronic, Violin, Cello, Harp, Handpan, house, soundtrack

VitaMinD

deep house, 80s, synthesizer, electronic, Violin, Cello, Harp, strings, Handpan, house

I knew you

synthesizer, Bluegrass, 80s, punk, electric guitar, electronic

قهرِي على بو اليمامه

Authentic traditional Yemeni Yafa'i folk song, with a distinctive southern Yemeni melody. Warm, powerful and beautiful male vocals, led by one expressive singer with a harmonious male group chorus. Natural moderate tempo, steady traditional Yemeni rhythm, rich melodic keyboard, traditional folk percussion and gentle electronic drums. Emotional and heartfelt singing, clear Yemeni dialect pronunciation, smooth vocal delivery, natural pauses and beautifully sustained notes. Strong memorable chorus, professional studio recording, authentic Yafa'i musical atmosphere. No fast singing, no rushed lyrics, no robotic vocals.

ExtraMile

punk, soundtrack, electronic, electric guitar, deep house

Extramile

80s, punk, synthesizer, drum and bass, electronic, hip-hop

شعر الأدب ناس له راقية؟

A folk song sung in Arabic by a group of male vocalists with an energetic delivery, over electronic percussion and a keyboard.

Coastal Pulse

Instrumental 1980s electronic soundtrack, sleek coastal crime-drama atmosphere, mid-tempo pulsing synth-bass groove, gated drum machine with crisp snare and tom fills, glassy analog synth chords, melodic electric piano, saxophone-like synth lead answering a restrained arpeggiated motif. Begin with spacious keys and distant pulse, bring in the full groove for the main theme, open into a memorable lead melody, then resolve with a warm, cinematic outro. Period-authentic analog synthesizer timbres, tape warmth, wide stereo, polished yet slightly hazy production.

Hinter den Kulissen

Cinematic electronic thriller soundtrack with a restrained, stalking pulse; muted low synth ostinato and dry hand percussion under clipped, intimate German vocals, close-miked and controlled. Begin spare with room tone and a repeating bass figure, build in the verse with ticking percussion and cold piano notes, widen the chorus with layered synth chords and urgent vocal doubles, then strip back to a brief unresolved ending. Precise, shadowy mix with firm low end and clear vocal presence.

mein klavier süilt nur für dich

Melodic Piano Techno-Dance, 136 BPM, 4/4, D minor, approx. 2:45 minutes. Warm, slightly smoky female alto voice, clear German lyrics. Start with an emotional solo grand piano melody, simple and unforgettable. Gradually introduce deep pulsing techno bass, powerful four-on-the-floor kick, crisp hi-hats, rhythmic synthesizers and atmospheric pads. Keep the piano clearly audible throughout. Short rhythmic verses, strong catchy chorus, emotional but never sentimental. After the second chorus, play an expressive piano and synthesizer instrumental break. Build rising tension with electronic effects and rolling drums. At 'Für dich! Für dich!' create a dramatic one-beat silence, then unleash a massive melodic techno bass drop and energetic final chorus. End with the original solo piano melody fading naturally. Professional studio quality, wide stereo, punchy bass, crystal-clear vocals. No rap, no choir, no kitsch. Use only supplied lyrics.

mein klavier spielt für dich

Melodic Piano Techno-Dance, 136 BPM, 4/4, D minor, approx. 2:45 minutes. Warm, slightly smoky female alto voice, clear German lyrics. Start with an emotional solo grand piano melody, simple and unforgettable. Gradually introduce deep pulsing techno bass, powerful four-on-the-floor kick, crisp hi-hats, rhythmic synthesizers and atmospheric pads. Keep the piano clearly audible throughout. Short rhythmic verses, strong catchy chorus, emotional but never sentimental. After the second chorus, play an expressive piano and synthesizer instrumental break. Build rising tension with electronic effects and rolling drums. At 'Für dich! Für dich!' create a dramatic one-beat silence, then unleash a massive melodic techno bass drop and energetic final chorus. End with the original solo piano melody fading naturally. Professional studio quality, wide stereo, punchy bass, crystal-clear vocals. No rap, no choir, no kitsch. Use only supplied lyrics.

Dziewięćdziesiąt Dziewięć Złotych

Fast, energetic Polish electronics retail commercial parody, inspired by the excitement of Polish discount advertising. Professional Polish male sales announcer, fast rhythmic delivery, enthusiastic female Polish voice, secondary deep German commercial announcer. 70% Polish, 30% German. Punchy modern commercial radio production, bright upbeat electronic advertising music, catchy original promo stingers, rapid price announcements, exaggerated sales excitement, funny product descriptions and absurd discounts. Crisp professional FM radio compression, subtle cash register sounds, electronic beeps, dog barking, smooth transitions between advertisements. High-energy but naturally spoken voices, clear native Polish and German pronunciation. Spoken advertisements ONLY, no singing, no rap. No long musical sections, no drawn-out words, no excessive pauses. Fictional comedy advertising for ARES EXPERT, not a real retailer advertisement.

R4F, den multiclass

Czech motorsport party anthem, high-energy stadium rock fused with punchy electronic dance production, driving four-on-the-floor kick, chunky distorted guitars, bright synth accents, forceful male lead vocal with rowdy group shouts on the refrain, crisp modern mix. Start with a brief race-start build, launch into brisk rhyming verses, open into a chantable all-caps chorus, add a short instrumental break, then finish with a bigger repeated crowd chorus.

Zostaw telefon

Professional Polish-German FM traffic news bulletin, polished modern Polish commercial radio sound, similar to mainstream Polish news radio. 65% Polish, 35% German. Mature male Polish traffic announcer, calm confident and natural delivery. Secondary German male reporter with authentic native pronunciation, Polish female correspondent. Serious realistic traffic reporting with subtle dry humor and understated sarcasm. Brisk fluent conversational speech, consistent pace, no stretched words, shouting or theatrical acting. Short concise traffic jingle, soft electronic radio news bed, subtle transitions, minimal sound effects. Clear spoken narration only, absolutely no singing or rap. Realistic professional FM radio sound, warm broadcast compression, seamless transitions. Fictional satirical traffic reports. Keep all dialogue intelligible and natural. No long intro, musical breaks or extended outro.

Wir drehen den Spieß

German satirical rap, brisk boom-bap groove with twitchy electronic accents, rubbery bass, clipped punchy drums, playful call-and-response ad-libs, charismatic male rap delivery with crisp consonants and comic emphasis; verses use tight internal rhymes, hook opens into a chantable crowd refrain, dry upfront vocal and gritty, controlled mix

Stimmung stimmlieren

satirical German-language rap, punchy boom-bap groove with playful electronic accents, nimble conversational flow, sharp comedic delivery, call-and-response ad-libs, compact verse-and-hook arrangement, crisp dry vocal upfront, tight bass and snappy drums

Открой будущее музыки с нашей библиотекой AI‑песен

Добро пожаловать в новое поколение создания музыки с нашей библиотекой AI‑песен, где инновационный искусственный интеллект встречается с творческим самовыражением. Исследуй огромный подбор пользовательских AI‑песен разных жанров, настроений и языков. От атмосферных и кинематографических звуковых ландшафтов до энергичного попа и глубоких резонансных треков - наша AI‑технология оживляет уникальную, высококачественную музыку, идеальную для любого проекта или личного удовольствия.

Независимо от того, создаёшь ли ты контент, разрабатываешь игры, подкастишь или просто любишь музыку, наша библиотека AI‑песен предлагает что‑то для каждого. Каждый трек создан с помощью передовых AI‑технологий, гарантируя реалистичное звучание и естественное ощущение, с настраиваемыми опциями под твои уникальные потребности. От фоновой музыки до вдохновляющих саундтреков - открой многообразие и глубину AI‑музыки на нашей платформе.

Ключевые особенности нашей библиотеки AI‑песен:

  • Широкий выбор жанров: Открой песни в разных музыкальных стилях - поп, рок, хип‑хоп, классика, джаз, эмбиент и многое другое, все сгенерированы передовой AI‑технологией.
  • Настройка настроения и тона: Легко находи или создавай треки, соответствующие нужному настроению - будь то бодрый, расслабленный, драматичный или вдохновляющий, наша AI‑музыка предложит идеальную атмосферу.
  • Многоязычные тексты: Наша библиотека содержит песни на разных языках, включая английский, немецкий, испанский и многие другие, расширяя твоё охват и соединяя с глобальной аудиторией.
  • Идеально для мультимедиа: Используй наш генератор AI‑песен для фоновой музыки, звуковых эффектов или как уникальное дополнение к видео, подкастам и презентациям.

Почему стоит выбрать наши AI‑песни?

  • Высококачественное звучание: Поддержка нескольких языков позволяет твоей музыке привлекать слушателей со всего мира, делая её идеальной для кросс‑культурных проектов.
  • Бесконечная креативность: Благодаря AI‑настройкам каждый трек можно уникально адаптировать под потребности проекта, делая его ценным активом для создателей.
  • Глобальная доступность: Поддержка нескольких языков позволяет твоей музыке привлекать слушателей со всего мира, делая её идеальной для кросс‑культурных проектов.
  • Лёгкая интеграция: Скачай и без усилий интегрируй песни в свои текущие рабочие процессы, будь то аудиопроизводство, стриминг, соцсети или коммерческое использование.

Просмотри нашу библиотеку AI‑песен прямо сейчас, чтобы исследовать пользовательскую музыку, созданную с помощью передовых AI‑технологий. Найди идеальный саундтрек для своего контента, подними проекты с инновационными звуковыми ландшафтами и ощути будущее создания музыки уже сегодня.