"Rock"
Песни, созданные с Voices AI

Песни, созданные с Voices AI, внедряют голосовые технологии в музыку - от каверов до оригинальных треков. Узнай, как создатели и наше сообщество используют AI‑голоса, чтобы исследовать новые звуки и идеи.

Jag Off

Jag Off

Retro superhero surf-rock with punchy toms, clipped electric guitar stabs, and a propulsive march groove; verse rides on tight call-and-response chants, pre-chorus strips to bass and handclaps, chorus hits with gang vocals on the title phrase. Lead vocal is bold and theatrical with stacked doubles, short slapback delay on hook words, and playful shouted ad-libs. Add a siren swell into the chorus and a comic-book cymbal crash between lines. Bright, punchy, and larger-than-life mix., theme

Ashes Awake

Ashes Awake

The song should have a dark, cinematic alternative rock and alternative metal sound with a powerful emotional atmosphere. It begins with a quiet, haunting intro featuring clean electric guitar, soft piano, distant strings, and ambient synth textures, creating a feeling of loneliness and tension. The verses are driven by restrained drums and deep bass while the vocals remain emotional, intimate, and slightly raspy, gradually building intensity with every line. As the pre-chorus approaches, layered guitars, orchestral elements, and stronger percussion increase the sense of anticipation. The chorus explodes with heavy distorted guitars, aggressive drums, soaring string arrangements, and passionate vocals filled with determination and raw emotion. Dynamic shifts between quiet, vulnerable moments and explosive sections create constant tension. The bridge becomes atmospheric again, using echoes, cinematic pads, and minimal instrumentation before leading into the final chorus, which delivers

Black Chapel Smoke

Black Chapel Smoke

Witch house-infused gothic rock metal at a slow, stomping half-time pulse with detuned guitars, sub-heavy kicks, and ghostly synth haze; verse rides sparse bass, distant toms, and cracked vocal lines, pre-chorus tightens with filtered noise and handclap lifts, chorus hits with stacked gang vocals and cathedral-size chords. Whispered doubles, grim shouted harmonies, short delay throws on key words, reversed bell swells, and a warped choir pad before each drop. Dark, wide, and dust-choked mix with a cold stone-room bloom., witch house, metal, rock

Echoes of the Broken Mirror

Echoes of the Broken Mirror

Epic alternative metal, modern hard rock, cinematic electronic metal, emotional male vocals, haunting atmospheric intro, heavy guitars, deep bass, powerful drums, rising intensity, emotional build-up, massive anthemic chorus, futuristic atmosphere, dark mystery transforming into hope and freedom, professional studio production, cinematic soundtrack, no orchestra, emotional but powerful, dynamic, memorable guitar riffs.

Ragtag Rabbit at Albert Hall

Ragtag Rabbit at Albert Hall

Explosive 1950s rock and roll performed by a wildly improvising live band. Every performance feels unique, spontaneous and unpredictable. The musicians react to each other, feeding off the audience's energy, extending solos, changing intensity and creating joyful controlled chaos. Blazing boogie-woogie piano drives the song with pounding left-hand rhythms and wild right-hand riffs, supported by energetic upright bass, punchy drums, joyful honking tenor sax and jubilant trumpet answering the singer with explosive brass accents. Wild, unrestrained male vocalist with explosive gospel preacher energy, hoarse shouts, vocal cracks, ecstatic screams, joyful yelps, falsetto whoops and exclamations, guttural breathy laughter, spontaneous ad-libs, playful interruptions and conversational singing. Background Girls Chor. Raw vintage mono live recording, sweaty dance hall atmosphere, cheering crowd, theatrical, rebellious, imperfect, nonstop excitement, infectious groove, no polished studio vocals.

Ragtag Rabbit

Ragtag Rabbit

Explosive 1950s rock and roll performed by a wildly improvising live band. Every performance feels unique, spontaneous and unpredictable. The musicians react to each other, feeding off the audience's energy, extending solos, changing intensity and creating joyful controlled chaos. Blazing boogie-woogie piano drives the song with pounding left-hand rhythms and wild right-hand riffs, supported by energetic upright bass, punchy drums, joyful honking tenor sax and jubilant trumpet answering the singer with explosive brass accents. Wild, unrestrained male vocalist with explosive gospel preacher energy, hoarse shouts, vocal cracks, ecstatic screams, joyful yelps, falsetto whoops and exclamations, guttural breathy laughter, spontaneous ad-libs, playful interruptions and conversational singing. Background Girls Chor. Raw vintage mono live recording, sweaty dance hall atmosphere, cheering crowd, theatrical, rebellious, imperfect, nonstop excitement, infectious groove, no polished studio vocals.

하이퍼 아리랑 드라이브

하이퍼 아리랑 드라이브

EDM, funk, deep house, indie rock, fusion, orchestral, progressive Korean traditional instruments Daeguem riffs Scratching Sounds

Nonsense Song

Nonsense Song

Explosive 1950s rock and roll performed by a wildly improvising live band. Every performance feels unique, spontaneous and unpredictable. The musicians react to each other, feeding off the audience's energy, extending solos, changing intensity and creating joyful controlled chaos. Blazing boogie-woogie piano drives the song with pounding left-hand rhythms and wild right-hand riffs, supported by energetic upright bass, punchy drums, joyful honking tenor sax and jubilant trumpet answering the singer with explosive brass accents. Wild, unrestrained male vocalist with explosive gospel preacher energy, hoarse shouts, vocal cracks, ecstatic screams, joyful yelps, falsetto whoops and exclamations, guttural breathy laughter, spontaneous ad-libs, playful interruptions and conversational singing. Background Girls Chor. Raw vintage mono live recording, sweaty dance hall atmosphere, cheering crowd, theatrical, rebellious, imperfect, nonstop excitement, infectious groove, no polished studio vocals.

Rätselhafte Rausch‑Rabbits

Rätselhafte Rausch‑Rabbits

Explosive 1950s rock and roll performed by a wildly improvising live band. Every performance feels unique, spontaneous and unpredictable. The musicians react to each other, feeding off the audience's energy, extending solos, changing intensity and creating joyful controlled chaos. Blazing boogie-woogie piano drives the song with pounding left-hand rhythms and wild right-hand riffs, supported by energetic upright bass, punchy drums, joyful honking tenor sax and jubilant trumpet answering the singer with explosive brass accents. Wild, unrestrained male vocalist with explosive gospel preacher energy, hoarse shouts, vocal cracks, ecstatic screams, joyful yelps, falsetto whoops and exclamations, guttural breathy laughter, spontaneous ad-libs, playful interruptions and conversational singing. Background Girls Chor. Raw vintage mono live recording, sweaty dance hall atmosphere, cheering crowd, theatrical, rebellious, imperfect, nonstop excitement, infectious groove, no polished studio vocals.

Kribi en feu

Kribi en feu

French emo rock, mid-tempo with a buoyant backbeat and chiming clean guitars; verses stay intimate with palm-muted strums and bass walking under close-mic vocals, pre-chorus opens into rising toms and stacked harmonies, chorus blooms with wide electric guitars and gang vocal echoes, bridge drops to a lone guitar and breathy voice before the final lift. Spray-sound transition, reverse cymbal swells, and a bright delay tail on the last word. Glossy but human mix, warm and sunlit, chanson, rock

Rabbit-a-hula

Rabbit-a-hula

Explosive 1950s rock and roll performed by a wildly improvising live band. Every performance feels unique, spontaneous and unpredictable. The musicians react to each other, feeding off the audience's energy, extending solos, changing intensity and creating joyful controlled chaos. Blazing boogie-woogie piano drives the song with pounding left-hand rhythms and wild right-hand riffs, supported by energetic upright bass, punchy drums, joyful honking tenor sax and jubilant trumpet answering the singer with explosive brass accents. Wild, unrestrained male vocalist with explosive gospel preacher energy, hoarse shouts, vocal cracks, ecstatic screams, joyful yelps, falsetto whoops and exclamations, guttural breathy laughter, spontaneous ad-libs, playful interruptions and conversational singing. Background Girls Chor. Raw vintage mono live recording, sweaty dance hall atmosphere, cheering crowd, theatrical, rebellious, imperfect, nonstop excitement, infectious groove, no polished studio vocals.

Boogie‑Bomb Blitz II

Boogie‑Bomb Blitz II

Explosive 1950s rock and roll performed by a wildly improvising live band. Every performance feels unique, spontaneous and unpredictable. The musicians react to each other, feeding off the audience's energy, extending solos, changing intensity and creating joyful controlled chaos. Blazing boogie-woogie piano drives the song with pounding left-hand rhythms and wild right-hand riffs, supported by energetic upright bass, punchy drums, joyful honking tenor sax and jubilant trumpet answering the singer with explosive brass accents. Wild, unrestrained male vocalist with explosive gospel preacher energy, hoarse shouts, vocal cracks, ecstatic screams, joyful yelps, falsetto whoops and exclamations, guttural breathy laughter, spontaneous ad-libs, playful interruptions and conversational singing. Background Girls Chor. Raw vintage mono live recording, sweaty dance hall atmosphere, cheering crowd, theatrical, rebellious, imperfect, nonstop excitement, infectious groove, no polished studio vocals.

Boogie‑Bomb Blitz

Boogie‑Bomb Blitz

Explosive 1950s rock and roll performed by a wildly improvising live band. Every performance feels unique, spontaneous and unpredictable. The musicians react to each other, feeding off the audience's energy, extending solos, changing intensity and creating joyful controlled chaos. Blazing boogie-woogie piano drives the song with pounding left-hand rhythms and wild right-hand riffs, supported by energetic upright bass, punchy drums, joyful honking tenor sax and jubilant trumpet answering the singer with explosive brass accents. Wild, unrestrained male vocalist with explosive gospel preacher energy, hoarse shouts, vocal cracks, ecstatic screams, joyful yelps, falsetto whoops and exclamations, guttural breathy laughter, spontaneous ad-libs, playful interruptions and conversational singing. Background Girls Chor. Raw vintage mono live recording, sweaty dance hall atmosphere, cheering crowd, theatrical, rebellious, imperfect, nonstop excitement, infectious groove, no polished studio vocals.

Boots On Gravel

Boots On Gravel

Anthemic folk-rock in a driving mid-tempo march with stomping kick, handclaps, snare rolls, and gritty electric guitar lines; verse rides tight low drums and a clipped bass pulse, pre-chorus strips to voice and drum taps, chorus opens with gang vocals and a chantable hook. Layered lead vocal with doubled chorus lines, shouted ad-libs, reversed cymbal swells into each lift, and a wide, punchy mix with rough edges.

Сыпь гармоника

Сыпь гармоника

Russian folk-rock with a lively swung 6/8 pulse, driving accordion and handclaps; verse rides sparse guitar and stomping low drum, pre-chorus opens with rising harmony and a brief stop-time, chorus hits with full band, accordion riff, and gang shouts on the anchor line. Lead vocal stays close-mic and gritty in verses, doubled and lightly overdriven on hooks; ear candy includes a reversed accordion swell into the chorus, a sharp tambourine lift, and a short brass stab before the final refrain. Mix is bright, earthy, and punchy.

Karanlık Gölge Kıyıları

Karanlık Gölge Kıyıları

Anatolian rock, Turkish alternative rock, melancholic, emotional male vocals, dramatic electric guitar solo, slow mid-tempo rock ballad, acoustic intro, nostalgic, sad, powerful chorus, 90bpm Dark Turkish alternative rock, melancholic indie rock ballad, poetic and metaphorical atmosphere, cynical tone, deep emotional male vocals, crying electric guitar, slow burning tempo, cinematic strings, ambient rock, 80bpm

Boom-Boogie Chaos Riot

Boom-Boogie Chaos Riot

Explosive 1950s rock and roll performed by a wildly improvising live band. Every performance feels unique, spontaneous and unpredictable. The musicians constantly react to each other, feeding off the audience's energy, extending solos, changing intensity and creating joyful controlled chaos. Blazing boogie-woogie piano drives the song with pounding left-hand rhythms and wild right-hand riffs, supported by energetic upright bass, punchy drums, joyful honking tenor sax and jubilant trumpet answering the singer with explosive brass accents. Wild, unrestrained male vocalist with explosive gospel preacher energy, hoarse shouts, vocal cracks, ecstatic screams, joyful yelps, falsetto whoops and exclamations, guttural breathy laughter, spontaneous ad-libs, playful interruptions and conversational singing. Raw vintage mono live recording, sweaty dance hall atmosphere, cheering crowd, theatrical, rebellious, imperfect, nonstop excitement, infectious groove, no polished studio vocals.

Neon Riot Swing

Neon Riot Swing

Explosive 1950s rock and roll performed by a wildly improvising live band. Every performance feels unique, spontaneous and unpredictable. The musicians constantly react to each other, feeding off the audience's energy, extending solos, changing intensity and creating joyful controlled chaos. Blazing boogie-woogie piano drives the song with pounding left-hand rhythms and wild right-hand riffs, supported by energetic upright bass, punchy drums, joyful honking tenor sax and jubilant trumpet answering the singer with explosive brass accents. Wild, unrestrained male vocalist with explosive gospel preacher energy, hoarse shouts, vocal cracks, ecstatic screams, joyful yelps, falsetto whoops and exclamations, guttural breathy laughter, spontaneous ad-libs, playful interruptions and conversational singing. Raw vintage mono live recording, sweaty dance hall atmosphere, cheering crowd, theatrical, rebellious, imperfect, nonstop excitement, infectious groove, no polished studio vocals.

NRC residential journey

NRC residential journey

80s hard rock soft rock, pop rock country, folk rock organ, keyboard piano, bass, drums, brass cinematic guitar guitar electric guitar solo soundtrack Celtic electric guitar, techno, country, pop, synth-pop, soul

Boogie‑Riot in Rabbitville

Boogie‑Riot in Rabbitville

Explosive 1950s rock and roll performed by a wildly improvising live band. Every performance feels unique, spontaneous and unpredictable. The musicians constantly react to each other, feeding off the audience's energy, extending solos, changing intensity and creating joyful controlled chaos. Blazing boogie-woogie piano drives the song with pounding left-hand rhythms and wild right-hand riffs, supported by energetic upright bass, punchy drums, joyful honking tenor sax and jubilant trumpet answering the singer with explosive brass accents. Wild, unrestrained male vocalist with explosive gospel preacher energy, hoarse shouts, vocal cracks, ecstatic screams, joyful yelps, falsetto whoops, breathy laughter, spontaneous ad-libs, playful interruptions and conversational singing. Raw vintage mono live recording, sweaty dance hall atmosphere, cheering crowd, theatrical, rebellious, imperfect, nonstop excitement, infectious groove, no polished studio vocals.

Still Breathing

Still Breathing

Production direction * Tempo: 138 BPM * Key: D minor * Dirty blues-rock rhythm guitar with melodic lead fills * Tight, punchy live-style drums (studio mix) * Deep, driving bass * Clean piano supporting the intro and outro * Female lead with grit and vulnerability * Male lead with a rough, emotional edge * Shared harmonies in every chorus * Emotional blues-inspired guitar solo after the second chorus * Modern, polished Spotify/BandLab production with no crowd noise or arena effects

Schlag der Freiheit

Schlag der Freiheit

Rock-Beat: Ein treibender, energischer Schlagzeugrhythmus mit kraftvollen Drums und markanten Snare-Schlägen. Gitarren: Verzerrte E-Gitarrenriffs, die für eine aggressive und zugleich melodische Atmosphäre sorgen. Bass: Tief und präsent, um dem Song eine solide Grundlage zu geben. Tempo: Mittel bis schnell, um Dynamik und Wucht zu erzeugen, aber nicht zu hektisch, damit die Botschaft klar bleibt.

Brass Crown

Brass Crown

Pop rock anthem with driving four-on-the-floor drums, handclaps, stacked guitars, and a huge chantable chorus; verse rides a tight kick-snare pulse, pre-chorus opens into rising tom fills and harmony lifts, chorus lands with gang vocals and bright power chords. Lead vocal stays gritty and close in verses, doubled on the hook with group shouts and short delay throws. Tape-stop swell into the bridge, then final chorus adds crowd claps and a soaring octave harmony. Bright, punchy, stadium-sized mix.

Quiet Key, Open Heart

Quiet Key, Open Heart

indie rock, lounge

0 to 60 in 3.5

0 to 60 in 3.5

Super upbeat and fast paced, modern country. hyped. Rock and heavy metal accents

0 to 60 in 3.5

0 to 60 in 3.5

Modern country with a Little Rock and heavy metal accent

Not On My Ledger

Not On My Ledger

Classic rock and punk rock with new wave electro drive at 160 bpm; sharp downstroke guitars and tight drums in the verses, pre-chorus opens into stacked dual harmonies, chorus slams with gang vocals and a chantable hook, half-time guitar solo, sweaty bridge, then a stripped breakdown before a final double chorus. Close-mic baritone lead, gritty doubles, shouted backing vocals, bright punchy mix with synth flashes and tape-slap tails., vocal, new wave, electro, bright, classic rock, rock, punk

Dying Isn’t the Plan

Dying Isn’t the Plan

Classic rock and punk rock with new wave electro drive at 160 bpm, galloping drums and sharp offbeat guitar chugs; verse rides tight and nasty, pre-chorus lifts into stacked dual harmonies, chorus hits with gang vocals and a chantable hook, half-time guitar solo gives way to a sweaty bridge and a stripped breakdown before the final double chorus. Close-mic lead vocal, gritty doubles, shouted backing vocals, bright punchy mix with synth flashes and tape-slap tails., world, electro, new wave, punk, rock, classic rock

The beating in my head

The beating in my head

upbeat pop-rock structure

The me inside

The me inside

Upbeat, acoustic guitar building into a lively, feel-good pop-rock beat

Dead Air Signal

Dead Air Signal

Grunge rock with a modern alt-metal edge, mid-tempo swung stomp and jagged syncopated riffs; verse rides tense low-end palm mutes, pre-chorus opens into climbing harmonized guitars, chorus hits with huge downbeat chords and gang shouts. Masculine vocals with gritty doubles, snarled ad-libs, and delay throws on the hook. Static bursts, reversed swells, and dial-tone bleeps bridge sections. Dry, punchy, savage mix., contemporary

Aunque Ya No Estés

Aunque Ya No Estés

Rock ballad with a soft introspective opening, swelling chorus, emotional electric guitars, restrained drums in verses, wider tom lifts in the pre-chorus, layered harmonies and open snare in the chorus, male vocals, intimate close-mic delivery, delay throws on key lines, rising cymbals and a final guitar surge, warm and powerful mix, rock

Incredibles Rise

Incredibles Rise

Post-grunge rock with a 2000s punch, driving mid-tempo drums, crunchy power chords, and soaring string lifts under male vocals; verse stays tight and muscular, pre-chorus climbs with toms and widening harmonies, chorus opens into big heroic gang chants and suspended strings, bridge drops to a lone vocal and piano before the final lift. Close-mic verses, stacked doubles on the hook, bold delay throws on the last word, bright and anthemic mix with cinematic size., rock, post-grunge, male vocals

Midnight Neon Dreamscape

Midnight Neon Dreamscape

electronic, salsa, bluegrass, synthwave, flute, chillout, pop punk, deep house, violin, baroque, punk, trombone, ballad, cinematic, progressive, banjo, hard rock, techno, celtic, cello

Kırık Aynalı Yemin

Kırık Aynalı Yemin

Azeri-leaning Iranian rock fused with chamber strings and dramatic piano; mid-tempo, tense 6/8 feel with driving toms, tremolo guitar accents, qanun-like plucks and a string quartet rising in waves. Verse stays sparse and close-mic, pre-chorus strips to piano and bowed strings, chorus lands with full band, octave harmonies and sequential stacked female vocals answering each line. Ear candy: reverse string swells into each chorus, a brief solo violin cry before the bridge, and cymbal bloom into the final refrain. Mix is wide, emotional, and cinematic with a raw center., rock, arabesk

The Red Comet Comedy Circus (Cosmic Prism)

The Red Comet Comedy Circus (Cosmic Prism)

Mellow theatrical soft rock with classic circus influences and a cosmic idol-pop atmosphere. Slow to mid-slow tempo, around 75–85 BPM, with a swaying waltz or carnival rhythm. Use soft electric guitar, warm bass, gentle drums, piano, and subtle calliope or accordion-style circus melodies. The circus sound should feel old-fashioned, haunting, and slightly sad, not goofy or high-energy. Verses should be spoken-word narration, with Rei performing like a sarcastic ringmaster over soft background music. Her voice should sound charming, tired, theatrical, and bitterly funny, like she is smiling through exhaustion. Choruses should be sung with a melancholic soft rock melody, emotional but controlled, building gently without becoming too powerful or upbeat. Overall mood: a lonely circus under starlight — pretty, strange, satirical, cosmic, and quietly tragic.

Midnight Floor Stamp

Midnight Floor Stamp

Electro-pop party anthem with chunky four-on-the-floor kick, wobbling synth bass, handclap snaps, and a bouncy half-time pre-chorus that snaps back into a shout-along drop; verse rides tight and playful, chorus opens wide with stacked gang vocals and short delay throws on the hook word. Add risers, reverse cymbal swells, and filtered scream-ins before each drop. Bright, punchy, and club-loud with a glossy top end., rock

Shadows Break Through Bass

Shadows Break Through Bass

dubstep, indie rock, hip-hop

Warum wir glauben

Warum wir glauben

Live Vision Punk Trash, Rocken Roll hard Rock mit viel Gitarren und Solos und Udo Rauhut Stimme. Mit ein tolles Publum viel klatschen

Warum wir glauben

Warum wir glauben

Punk Trash, Rocken Roll hard Rock mit viel Gitarren und Solos und Udo Rauhut Stimme

Fruchtsaft Pionier live

Fruchtsaft Pionier live

live vision, Trash Punk Rock Rocken Roll schnell und Hart viel Gitarren, solos und Paul Stanly Ibanez Gitarre .Publikum klatscht Stimme von Udo Rauhut mit ganz weicher zarter stimme .

Ich bin Bauer

Ich bin Bauer

Live vision, Blues mit viel Gitarren solo. Paul Stanley Ibanez Gitarre. publikum ist laut. Mit Udo Rauhut Stimme. Blues Rock mit Udo Rauhut Stimme meine Stimme sehr weiche stimme

Koshare e Lavdisë

Koshare e Lavdisë

Epic patriotic rock ballad with piano and soaring duet vocals, driving half-time drums and martial tom hits; verse opens sparse with piano and low bass, pre-chorus lifts with rising strings and snare roll, chorus bursts into stacked harmonies and gang shouts, bridge strips back to piano and voice before a final anthem-like chorus. Powerful male vocal leads with emotional doubles, octave harmonies, short delay throws on names, and bright wide mix with brass swells, reverse cymbal rises, and a huge cinematic master., ballad, rock

Detour

Detour

Hip-hop, rap, pop, country, techno, rock, r&b, vocal

Detour

Detour

Rap, country, hip-hop, rock, techno, R&B

Rise Beyond Tomorrow

Rise Beyond Tomorrow

Modern Epic Alternative Metal, Electronic Rock, Cinematic Metalcore, Powerful Male Vocal, Heavy Guitar Riffs, Modern Drums, Synth Atmosphere, Emotional, Hopeful, Energetic, No Orchestra, No Piano, Anthemic Chorus, 140 BPM, Wide Stereo, Huge Guitar Wall, Clean Vocals with Light Screams.

Urlo nel Vuoto

Urlo nel Vuoto

pop, folk rock, synthesizer, 80s Veloce incazzata

Echoes of G‑Pulse

Echoes of G‑Pulse

rock, dubstep, afrobeat, easy listening, percussion g major echo cover auto tune

Boom‑Boogie Riot Rumble

Boom‑Boogie Riot Rumble

Explosive 1950s rock and roll performed by a wildly improvising live band. Every performance feels unique, spontaneous and unpredictable. The musicians constantly react to each other, feeding off the audience's energy, extending solos, changing intensity and creating joyful controlled chaos. Blazing boogie-woogie piano drives the song with pounding left-hand rhythms and wild right-hand riffs, supported by energetic upright bass, punchy drums, joyful honking tenor sax and jubilant trumpet answering the singer with explosive brass accents. Wild, unrestrained male vocalist with explosive gospel preacher energy, hoarse shouts, vocal cracks, ecstatic screams, joyful yelps, falsetto whoops, breathy laughter, spontaneous ad-libs, playful interruptions and conversational singing. Raw vintage mono live recording, sweaty dance hall atmosphere, cheering crowd, theatrical, rebellious, imperfect, nonstop excitement, infectious groove, no polished studio vocals.

Echoes of G‑Pulse

Echoes of G‑Pulse

rock, dubstep, afrobeat, easy listening, percussion G major echo auto tune, techno,

Echoes of G‑Pulse

Echoes of G‑Pulse

rock, dubstep, afrobeat, easy listening, percussion major echo auto tune, techno,

Witch 2

Witch 2

Solo female lead vocalist only. No backing vocals, choir, gang vocals, crowd chants, audience sounds, call-and-response, rhythmic shouts, or "hey/oh/whoa" interjections. Dramatic late-80s/90s folk-rock power ballad with a dark cinematic Americana atmosphere. Emotional, rebellious, feminine, mythic, raw, and haunting. Begin with warm acoustic guitar, soft clean electric guitar, subtle bass, light synth pads, and sparse percussion for intimate storytelling. Gradually build tension into a powerful chorus with live drums, deep bass, wider guitars, and dynamic lift. The chorus should be an emotional release, sung powerfully yet melodically by the solo female voice. End with a slow, haunting outro using minimal guitar, soft pads, ambient textures, and a fading heartbeat-like drum pulse. Organic, spacious production with natural dynamics. Tempo: 84–92 BPM.

Witch

Witch

Don't include any rhythmic shouts where fans yell out. Only female singer voice. Dramatic 90s folk-rock power ballad beat. Sound is emotional, rebellious, feminine, and cinematic somewhere between late-80s power ballad, 90s folk-rock, & dark road-trip music. Start the verses stripped down with warm acoustic guitar, soft clean electric guitar, subtle bass, & light atmospheric synth pads. Keep the rhythm steady and serious, not too busy. Let the lyrics feel like storytelling. Build into a big chorus with emotional live drums, deep bass, wider electric guitars, and a powerful lift. The chorus should feel like a painful truth finally being shouted out loud. The outro should slow down and soften. Make it haunting and warning-like, almost like a lullaby turning into a threat. Use minimal guitar, soft pads, and a fading emotional drum pulse. Mood: wounded, defiant, mythic, raw, powerful, feminine, dramatic, late-night highway energy. Tempo: medium-slow, around 84-92 BPM.

Witch

Witch

No rhythmic shouts where fans yell out. Dramatic 90s folk-rock power ballad beat. Sound is emotional, rebellious, feminine, and cinematic somewhere between late-80s power ballad, 90s folk-rock, & dark road-trip music. Start the verses stripped down with warm acoustic guitar, soft clean electric guitar, subtle bass, & light atmospheric synth pads. Keep the rhythm steady and serious, not too busy. Let the lyrics feel like storytelling. Build into a big chorus with emotional live drums, deep bass, wider electric guitars, and a powerful anthemic lift. The chorus should feel like a painful truth finally being shouted out loud. The outro should slow down and soften. Make it haunting and warning-like, almost like a lullaby turning into a threat. Use minimal guitar, soft pads, and a fading emotional drum pulse. Mood: wounded, defiant, mythic, raw, powerful, feminine, dramatic, late-night highway energy. Tempo: medium-slow, around 84-92 BPM.

No crowd

No crowd

Don't include the crowd noise on the background at all! No crowd noise in the song. Dramatic 90s folk-rock power ballad beat. Sound is emotional, rebellious, feminine, and cinematic somewhere between late-80s power ballad, 90s folk-rock, & dark road-trip music. Start the verses stripped down with warm acoustic guitar, soft clean electric guitar, subtle bass, & light atmospheric synth pads. Keep the rhythm steady and serious, not too busy. Let the lyrics feel like storytelling. Build into a big chorus with emotional live drums, deep bass, wider electric guitars, and a powerful anthemic lift. The chorus should feel like a painful truth finally being shouted out loud. The outro should slow down and soften. Make it haunting and warning-like, almost like a lullaby turning into a threat. Use minimal guitar, soft pads, and a fading emotional drum pulse. Mood: wounded, defiant, mythic, raw, powerful, feminine, dramatic, late-night highway energy. Tempo: medium-slow, around 84-92 BPM.

No crowd

No crowd

dramatic 90s folk-rock power ballad beat. Sound is emotional, rebellious, feminine, and cinematic somewhere between late-80s power ballad, 90s folk-rock, & dark road-trip music. Remove the crowd noise on the background completely. Start the verses stripped down with warm acoustic guitar, soft clean electric guitar, subtle bass, & light atmospheric synth pads. Keep the rhythm steady and serious, not too busy. Let the lyrics feel like storytelling. Build into a big chorus with emotional live drums, deep bass, wider electric guitars, and a powerful anthemic lift. The chorus should feel like a painful truth finally being shouted out loud. The outro should slow down and soften. Make it haunting and warning-like, almost like a lullaby turning into a threat. Use minimal guitar, soft pads, and a fading emotional drum pulse. Mood: wounded, defiant, mythic, raw, powerful, feminine, dramatic, late-night highway energy. Tempo: medium-slow, around 84-92 BPM.

No crowd

No crowd

dramatic 90s folk-rock power ballad beat. Sound is emotional, rebellious, feminine, and cinematic somewhere between late-80s power ballad, 90s folk-rock, & dark road-trip music. Don't include the crowd noise on the background. Start the verses stripped down with warm acoustic guitar, soft clean electric guitar, subtle bass, & light atmospheric synth pads. Keep the rhythm steady and serious, not too busy. Let the lyrics feel like storytelling. Build into a big chorus with emotional live drums, deep bass, wider electric guitars, and a powerful anthemic lift. The chorus should feel like a painful truth finally being shouted out loud. The outro should slow down and soften. Make it haunting and warning-like, almost like a lullaby turning into a threat. Use minimal guitar, soft pads, and a fading emotional drum pulse. Mood: wounded, defiant, mythic, raw, powerful, feminine, dramatic, late-night highway energy. Tempo: medium-slow, around 84-92 BPM.

No crowd

No crowd

dramatic 90s folk-rock power ballad beat with a slow-burning anthem feel. Sound is emotional, rebellious, feminine, and cinematic somewhere between late-80s power ballad, 90s folk-rock, & dark road-trip music. Don't include the crowd noise on the background. Start the verses stripped down with warm acoustic guitar, soft clean electric guitar, subtle bass, & light atmospheric synth pads. Keep the rhythm steady and serious, not too busy. Let the lyrics feel like storytelling. Build into a big chorus with emotional live drums, deep bass, wider electric guitars, and a powerful anthemic lift. The chorus should feel like a painful truth finally being shouted out loud. The outro should slow down and soften. Make it haunting and warning-like, almost like a lullaby turning into a threat. Use minimal guitar, soft pads, and a fading emotional drum pulse. Mood: wounded, defiant, mythic, raw, powerful, feminine, dramatic, late-night highway energy. Tempo: medium-slow, around 84-92 BPM.

No crowd

No crowd

dramatic 90s folk-rock power ballad beat with a slow-burning anthem feel. The song should sound emotional, rebellious, feminine, and cinematic somewhere between late-80s power ballad, 90s folk-rock, & dark road-trip music. No crowd noise at all. Start the verses stripped down with warm acoustic guitar, soft clean electric guitar, subtle bass, & light atmospheric synth pads. Keep the rhythm steady and serious, not too busy. Let the lyrics feel like storytelling. Build into a big chorus with emotional live drums, deep bass, wider electric guitars, and a powerful anthemic lift. The chorus should feel like a painful truth finally being shouted out loud. The outro should slow down and soften. Make it haunting and warning-like, almost like a lullaby turning into a threat. Use minimal guitar, soft pads, and a fading emotional drum pulse. Mood: wounded, defiant, mythic, raw, powerful, feminine, dramatic, late-night highway energy. Tempo: medium-slow, around 84-92 BPM.

Sheriff's Cucumber Riddle

Sheriff's Cucumber Riddle

Modern upbeat country rock performed by a tight live honky-tonk band. Warm, deep and powerful male lead vocalist with a natural Southern accent, confident storytelling, rich chest voice and effortless emotional delivery. Sounds like a hardworking small-town sheriff singing after a long day. Strong live bar atmosphere with Telecaster guitar, fiddle, banjo, Hammond organ, upright bass, punchy drums and handclaps. Big singalong choruses, crowd shouting along, conversational verses, playful spoken lines, spontaneous laughter, barroom energy, boots stomping on wooden floors, authentic country groove, raw but polished live recording, catchy hooks, driving rhythm, no pop production, no autotune, every performance feels like a packed Friday night in a roadside honky-tonk where everybody knows the lyrics.

Cucumber Jam

Cucumber Jam

Explosive 1950s rock and roll performed by a wildly improvising live band. Every performance feels unique, spontaneous and unpredictable. The musicians constantly react to each other, feeding off the audience's energy, extending solos, changing intensity and creating joyful controlled chaos. Blazing boogie-woogie piano drives the song with pounding left-hand rhythms and wild right-hand riffs, supported by energetic upright bass, punchy drums and joyful honking tenor sax. Wild, unrestrained male vocalist with explosive gospel preacher energy, hoarse shouts, vocal cracks, ecstatic screams, joyful yelps, falsetto whoops, breathy laughter, spontaneous ad-libs, playful interruptions and conversational singing. Raw vintage mono live recording, sweaty dance hall atmosphere, cheering crowd, theatrical, rebellious, imperfect, nonstop excitement, infectious groove, no polished studio vocals.

Yo estuve allí

Yo estuve allí

Genre: Cinematic Worship, Inspirational Orchestral Ballad, Contemporary Christian, Ambient Spiritual Style: Intimate male lead vocal with deep emotion and sincerity, warm baritone voice, beginning almost as a whisper and growing into a powerful declaration of hope. Piano-driven introduction, soft ambient pads, delicate strings, distant cello, emotional orchestral build, cinematic percussion, uplifting choir in the final chorus, subtle acoustic guitar, heavenly atmosphere, slow and reflective. The song should feel like light breaking through darkness after a disaster. Emotional, compassionate, hopeful, reverent, inspiring, suitable for a true survival story. No aggressive drums, no rock, no electronic dance elements. High dynamic range, crystal-clear production, immersive cinematic sound, ending in peace, comfort, and triumph.

Sonderzug nach Zirndorf

Sonderzug nach Zirndorf

deutscher Rock mit Bläsern

Colors of you

Colors of you

Fantasy Pop, Rock, Rockpop, Metalcore, Screamo. Woman sings: Verse 1, 2 and 3. Men sings: Pre Chorus, Refrain, Outro. Woman and men sing: Chorus. Das Intro sollte gesprochen sein.

JULY BIRTHDAY LOOP REMIX

JULY BIRTHDAY LOOP REMIX

Afro-Juju trap, Black Rhythm & Soulful Blues, rhymal Hip-hop, Deep Afro Soul, Highlife, rock, funk, saxophone, chill wave samba, talking drums, ancestral flute, Soulful Boogie, reggaetonwave, ancestral drill fusion, drum and bass, trumpet, classical, trombone, electronic

Мой гараж мой трон

Мой гараж мой трон

Russian rock with a driving mid-tempo backbeat and stomping handclaps; verse rides on gritty low guitar and dry drums, pre-chorus lifts with bass climbs and short shouted replies, chorus hits wide with gang doubles on the anchor phrase. Lead vocal is close-mic and weathered, with rough harmony on the hook and a few spoken asides. Add a garage-door clang, tape hiss swell into the chorus, and a short turnaround fill before the final hook. Mix is raw, punchy, and warm, like a band playing in a concrete box.

Get up

Get up

Genre: Heavy Metal • Modern Heavy Rock • Techno Metal • Viking Metal Length: 4:45–5:30 Male Vocal: Age 42, deep Viking-style voice Theme: Men's mental health, depression, hope, resilience ---

ゼー・エンリケ (Zē Enrike)

ゼー・エンリケ (Zē Enrike)

Rock alternativo, rock brasileiro, balada rock, violão, guitarra elétrica, vocal masculino emotivo.

Boogie‑Rogue Rabbithole

Boogie‑Rogue Rabbithole

Explosive 1950s rock and roll performed by a wildly improvising live band. Every performance feels unique, spontaneous and unpredictable. The musicians constantly react to each other, feeding off the audience's energy, extending solos, changing intensity and creating joyful controlled chaos. Blazing boogie-woogie piano drives the song with pounding left-hand rhythms and wild right-hand riffs, supported by energetic upright bass, punchy drums and joyful honking tenor sax. Wild, unrestrained male vocalist with explosive gospel preacher energy, hoarse shouts, vocal cracks, ecstatic screams, joyful yelps, falsetto whoops, breathy laughter, spontaneous ad-libs, playful interruptions and conversational singing. Raw vintage mono live recording, sweaty dance hall atmosphere, cheering crowd, theatrical, rebellious, imperfect, nonstop excitement, infectious groove, no polished studio vocals.

Rosinha 1

Rosinha 1

(Alternative Rock • Brazilian Rock • Rock Ballad • Acoustic Guitar • Electric Guitar • Emotional Male Vocal)

WHO DUG THE RABBITHOLE?

WHO DUG THE RABBITHOLE?

Explosive 1950s rock and roll performed by a wildly improvising live band. Every performance feels unique, spontaneous and unpredictable. The musicians constantly react to each other, feeding off the audience's energy, extending solos, changing intensity and creating joyful controlled chaos. Blazing boogie-woogie piano drives the song with pounding left-hand rhythms and wild right-hand riffs, supported by energetic upright bass, punchy drums and joyful honking tenor sax. Wild, unrestrained male vocalist with explosive gospel preacher energy, hoarse shouts, vocal cracks, ecstatic screams, joyful yelps, falsetto whoops, breathy laughter, spontaneous ad-libs, playful interruptions and conversational singing. Raw vintage mono live recording, sweaty dance hall atmosphere, cheering crowd, theatrical, rebellious, imperfect, nonstop excitement, infectious groove, no polished studio vocals.

Čevapovi, Crvena Džep

Čevapovi, Crvena Džep

Powerful modern Bosnian football rock anthem with strong emotional male vocals and subtle traditional Bosnian influences. Energetic electric guitars, driving drums, powerful bass and melodic Balkan-inspired elements create a bold and inspiring sound. Fast-paced, passionate and anthemic, with high energy, stadium atmosphere and a massive singalong chorus. The singer’s voice should stay strong, emotional and dominant, leading the song with confidence and determination. Patriotic, powerful and emotionally charged Bosnian energy, combining modern rock intensity with the spirit of Bosnian football and national pride.

Where Should I Go? 🎸

Where Should I Go? 🎸

Rock alternativo, rock brasileiro, balada rock, violão, guitarra elétrica, vocal masculino emotivo.

Echoes of Void

Echoes of Void

Dark, Mysterious, Emotional, Powerful .rock metal

Сошла с ума

Сошла с ума

Pop-rock with driving mid-tempo drums, punchy bass, and bright guitar stabs; verse keeps it tight and tense, pre-chorus pulls back to half-time with rising toms, chorus opens wide with layered doubles and gang vocals on the anchor line. Add reverse cymbal swells into each lift, a short vocal delay on the hook, and a crisp, glossy mix with an emotional edge.

Être New, cloud rap 3

Être New, cloud rap 3

RAP, POP, ROCK, RAGA, FUNKDark Cloud Rap, 120 BPM. Deep, sub-bass swelling, atmospheric detuned pads with long reverb, FAIS MOI UN TRUC QUI DÉCHIRE, UN NOUVEAU STYLE JAMAIS ENTENDU, TOI ET MOI ON VA INVENTER UN NOUVEAU STYLE MUSICAL

Generate Voiceovers & songs with AI

Скачать Voices AI

Создавайте аудио более чем с 300 различными голосами из нашей библиотеки.

4.7176 тыс. отзывов20M+ Загрузки

Открой будущее музыки с нашей библиотекой AI‑песен

Добро пожаловать в новое поколение создания музыки с нашей библиотекой AI‑песен, где инновационный искусственный интеллект встречается с творческим самовыражением. Исследуй огромный подбор пользовательских AI‑песен разных жанров, настроений и языков. От атмосферных и кинематографических звуковых ландшафтов до энергичного попа и глубоких резонансных треков - наша AI‑технология оживляет уникальную, высококачественную музыку, идеальную для любого проекта или личного удовольствия.

Независимо от того, создаёшь ли ты контент, разрабатываешь игры, подкастишь или просто любишь музыку, наша библиотека AI‑песен предлагает что‑то для каждого. Каждый трек создан с помощью передовых AI‑технологий, гарантируя реалистичное звучание и естественное ощущение, с настраиваемыми опциями под твои уникальные потребности. От фоновой музыки до вдохновляющих саундтреков - открой многообразие и глубину AI‑музыки на нашей платформе.

Ключевые особенности нашей библиотеки AI‑песен:

  • Широкий выбор жанров: Открой песни в разных музыкальных стилях - поп, рок, хип‑хоп, классика, джаз, эмбиент и многое другое, все сгенерированы передовой AI‑технологией.
  • Настройка настроения и тона: Легко находи или создавай треки, соответствующие нужному настроению - будь то бодрый, расслабленный, драматичный или вдохновляющий, наша AI‑музыка предложит идеальную атмосферу.
  • Многоязычные тексты: Наша библиотека содержит песни на разных языках, включая английский, немецкий, испанский и многие другие, расширяя твоё охват и соединяя с глобальной аудиторией.
  • Идеально для мультимедиа: Используй наш генератор AI‑песен для фоновой музыки, звуковых эффектов или как уникальное дополнение к видео, подкастам и презентациям.

Почему стоит выбрать наши AI‑песни?

  • Высококачественное звучание: Поддержка нескольких языков позволяет твоей музыке привлекать слушателей со всего мира, делая её идеальной для кросс‑культурных проектов.
  • Бесконечная креативность: Благодаря AI‑настройкам каждый трек можно уникально адаптировать под потребности проекта, делая его ценным активом для создателей.
  • Глобальная доступность: Поддержка нескольких языков позволяет твоей музыке привлекать слушателей со всего мира, делая её идеальной для кросс‑культурных проектов.
  • Лёгкая интеграция: Скачай и без усилий интегрируй песни в свои текущие рабочие процессы, будь то аудиопроизводство, стриминг, соцсети или коммерческое использование.

Просмотри нашу библиотеку AI‑песен прямо сейчас, чтобы исследовать пользовательскую музыку, созданную с помощью передовых AI‑технологий. Найди идеальный саундтрек для своего контента, подними проекты с инновационными звуковыми ландшафтами и ощути будущее создания музыки уже сегодня.