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Dar i

Langsamer Balkan-Trap (ca. 90 BPM) mit hartem 808-Bass, trockener Kick, Refrain gesungen im Balkan-Stil. Tarabuka rhythmisch im Hintergrund, bei „geto tarabuke“ kurz hervorgehoben.

Lyrics

[Intro – düsterer Aufbau, langsamer Beat-Einstieg]
(leises Tarabuka-Loop setzt früh ein, langsam steigend)


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Brzi prsti, teške ruke
[gerappt – hart, tief, direkt]
Igramo uz zvuke geto tarabuke
[Tarabuka rückt in den Vordergrund – markanter Fill-in, dann wieder in den Hintergrund]
Krvav 'leba, zlatne čuke
[Betonung auf Kontraste – Stimme bleibt roh]
Dar i kletva, niko ne zna moje muke
[Pause nach „kletva“ – letzte Zeile halb gesprochen, resigniert]


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[Refrain – gesungen im Balkan-Stil, emotional, leicht getragen]
E, da me vidi ćale sada
[tragend gesungen – orientalische Tonleiter, Tarabuka dezent weiterlaufend]
Crni sin nazdravlja s očevima grada
E, da me vidi keva sada
Crni sin nazdravlja a pored njega mlada
[zweite Stimme oder Harmonie möglich – als Call & Response]


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E, da me vidi ćale sada
Crni sin nazdravlja s očevima grada
(Šta se pije?) Da me vidi keva sada
[gesampelte Zwischenfrage, halb ironisch – Atmosphäre wie Familienfest auf Beton]
Crni sin nazdravlja
[stolz, aber innerlich leer – kurzer instrumental Break mit Tarabuka-Betonung]


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[Strofa 2 – Rap, locker, aber mit Haltung]
Braća pitaju me kad si doš'o, kad si se bre vratio
[schneller Flow, Stimme leicht angehoben]
Mislim da me poštuju zbog stvari što sam radio
A bre, de si komšo, da l' nešto si zaradio
[Ton wird leicht spöttisch – wie Gespräch bei Rakija]
Ma da si dobro doš'o, neka si se napio
[lacher im Hintergrund möglich – Authentizität]


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[Mini-Refrain – gesungen, modern-folkig]
Ta-ta-tabak mala gori
[melodiöser Ohrwurm, volle Stimme – optional mit weiblicher 2. Stimme]
Ovde što je moje to je tvoje
I evo sad me duša boli
[Halb gesungen, halb geweint – Balkan-Tragik]
Al' mi nikad nije bilo bolje
[ironisch, euphorisch – Musik kurz lauter]
Ma idemo do zore
[gerufen, wie Trinkspruch]


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[Hook wiederholt – Rap mit Adlibs, Tarabuka bleibt präsent]
Brzi prsti, teške ruke
Igramo uz zvuke geto tarabuke
Krvav 'leba, zlatne čuke
Dar i kletva, niko ne zna moje muke


---

[Refrain wiederholt – wie oben, diesmal mit leichtem Hall-Effekt]
E, da me vidi ćale sada
Crni sin nazdravlja s očevima grada
(Šta se pije?) Da me vidi keva sada
Rekla bi "Sine, ista si baraba"
[flüstern oder stark verzerrt – klingt wie Erinnerung der Mutter]


---

[Outro – ruhiger, halb gesungen, wie Rede am Grabstein]
Dušo, ženo
[sanft gesungen – instrumentale Tarabuka fast alleine]
Ljuta si pošteno
Ne-ne brini se, samo slavimo i tugujemo
Dušo, ženo
Ljuta si pošteno
Ne-ne brini se, samo slavimo i tugujemo
[Fade-Out mit Hall, Tarabuka verebbt langsam]

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Dar i

Langsamer Balkan-Trap (ca. 90 BPM) mit hartem 808-Bass, trockener Kick, Refrain gesungen im Balkan-Stil. Tarabuka rhythmisch im Hintergrund, bei „geto tarabuke“ kurz hervorgehoben.

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