Songs made with Voices AI bring voice technology into music - from covers to original tracks. Hear how creators and our community are using AI voices to explore new sounds and ideas.

Гаити для Крабса
Upbeat Russian pop-rock with bouncy mid-tempo groove, tight syncopated drums and a playful bassline; verse tells the story in crisp lines, pre-chorus tightens with rising backing vocals, chorus bursts with chantable group hooks and a singback catchphrase. Vocal production uses close-mic lead, stacked doubles on the hook, and short delay throws on punchlines. Ear candy includes whistle hits, reversed swells into the chorus, and a bright handclap lift. Mix is glossy, punchy, and cartoon-bright.

Marée Nocturne de Rage
Production: 90s French Rap / Hardcore Boom Bap. Beat: Aggressive kick, sharp snare, heavy bassline, dark gritty vinyl texture. VOCAL STYLE: Male Rap French flow. Couplets: Fast-paced, aggressive, percussive and sharp cadence, authoritative. Refrains: Melodious, haunting, atmospheric, soulful layering with double-tracked voices (no chamber influence, strictly Rap production). LANGUAGE: FRENCH ONLY. DICTION: High-precision French, no autotune, no synthetic effect. Technique: Intense flow in verses, emotional harmonic tension in choruses. Tags: [STYLE_RAP_HARDCORE_BOOM_BAP], [FLOW_RAP_AGRESSIF_URBAIN], [REFRAINS_DOUBLES_ATMOSPHERIQUES], [ATMOSPHERE_NOCTURNE_BRUTE].

João Pedro
Portuguese piano ballad with intimate male vocal and sparse arpeggiated piano, slow 6/8 sway; verse stays close-mic and bare, pre-chorus opens with higher chords and a breathy lift, chorus blooms with stacked harmonies and a held piano motif; bridge drops to solo piano and cracked vocal before final chorus returns fuller with soft strings implied; delicate pedal noise, room tone, and a warm, clear mix

Les gens sont bon.
Lis en français, style slam posé. Voix adulte, timbre grave et chaleureux, débit lent et régulier. Marque une vraie respiration après chaque point, une demi-pause après chaque virgule. Garde une intensité contenue, presque parlée, sans effet théâtral. Accentue légèrement les répétitions "On n'a qu'à leur donner". Finis sur un ton apaisé et ouvert pour "les vacances toute l'année".

Vishnu 1-56
Tanpora, Manjira, Harmonium, tabla, Mredangam, ghanti

چھوٹا خرگوش
Cinematic pop ballad with a gentle 6/8 sway, soft piano, warm strings, hand percussion, and a rising children’s choir; verse starts sparse and intimate, pre-chorus opens with low drums and breathy doubles, chorus blooms with stacked harmonies and a soaring hook, bridge strips to solo voice before the final lift. Close-mic lead vocal, tender ad-libs, shimmering harp swells, and a bright emotional mix

Glass Chess
Hip-hop at 88 BPM with a cold swung drum pocket, heavy sub pulse, and ominous minor-key synths; verse rides sparse kicks and clipped snares, pre-chorus opens with filtered pads and rising tension, chorus lands with stacked doubles and a chantable hook. Whispered ad-libs, delayed tail throws, reversed swells, metallic hit accents. Dark, cinematic, crisp, and heavy., hip-hop, synthetic, sophisticated

La traición hermano
acoustic, hard rock, clarinet, emo, metal, synth-pop

Bolt City
Electro-swing with a swinging 4-on-the-floor pulse, clacking shuffle percussion, upright bass bounce, brass hits, and gypsy-jazz guitar licks; verse rides stripped drums, bass, and handclaps while pre-chorus adds snapped syncopation and rising gears, chorus hits with big horn stabs, group shouts, and call-and-response chants. Male and female lead vocals with doubled hook lines, playful ad-libs, and short delay throws. Ear candy: ratchet spins, steam hisses, clockwork clicks, and metallic whirs between phrases. Bright, punchy, and cinematic with a polished vintage sheen., swing, medieval, electro, steampunk

Melody of Hope
Pop, powerful female vocals

Тихо Горит Звезда Из Стали
80-84 BPM Стиль: Соул-поп. Пианино, тёплый бас, лёгкие щётки на барабанах. На припеве вступает гитара.

Mountain Fire
Christian cinematic orchestral with driving 6/8 pulse, taiko hits, soaring string ostinatos, brass swells, and choir-like pads; intro opens on solo piano and low drones, verses widen with percussion and rising arps, a pre-chorus strips to suspended strings, then a huge chorus lifts with full brass and wordless choir. Reverse cymbal swells, bell accents, big reverb tails, wide and triumphant mix.

أصوات البحة والعود
الأسلوب العراقي في الغناء (لا سيما المواويل والأبوذية) يعتمد على "البحة" الحزينة، والضغط على مخارج الحروف لتجسيد اللوعة، واستخدام المفردات التي تلامس الروح. بطيء باكي وستخدام العود والموال العراقي

Shining Rainbow Anthem
Cute clean pop, uplifting Christian pop, sparkly Barbie boy vibes, soft dance pop, bright synths, gentle claps, warm bass, dreamy pads, catchy chorus, emotional but joyful, radio friendly, faith and self love anthem, gay and loved, glowing vocals

Plan B
Pop-punk with driving eighth-note guitars, urgent four-on-the-floor drums, and punchy bass; verse rides tight and conversational, pre-chorus strips to kick and palm-muted guitar, chorus opens with stacked gang doubles on the hook phrase. Short snare fills and cymbal lifts mark transitions, with a final chorus adding shouted harmonies and a bright, loud, slightly gritty mix.

Vives en mi
Baladas cristiana tipo waymaker, lenta profunda tipo balada cristiana, no ranchera.

Lo Hizo Perfecto, Cristina
High-energy salsa dura with a blistering brass section, tumbao bass, crisp timbales, congas, and a call-and-response coro built for female lead vocals, lifting from romantic sway into full dancefloor ignition, salsa, 1996

عزيزة
#Sudanese #Sad #Emotional #Oud #Violin #FemaleVocal #DeepPain #Storytelling Vocal: female voice, emotional, slightly cracked, expressive, deep feeling, future bass

Por qué fiel tu siempre
Rap, piano, balada

آلاء الرحمن
Spiritual nasheed with slow, resonant hand percussion and warm oud drones; verse stays sparse and reverent, pre-chorus lifts with stacked male choir harmonies, chorus opens into spacious unison chanting. Soft frame drum accents, reversed breath swells into section changes, and a wide cathedral-like reverb gives the mix an intimate yet elevated sheen.

Kraft der Elemente
Epic orchestral film score with sweeping strings, heroic brass, pulsing taiko-style percussion, and choir-led rises; verse stays intimate with piano, low strings, and solo voice, pre-chorus builds through layered ostinatos and ascending horn lines, chorus opens into full orchestral lift with broad choir and cymbal crashes. Tall French-horn answers, whispered choral swells, and reverse-string transitions propel each lift. Wide, cinematic, polished, award-scale mix with huge dynamic range and glowing top end.

Rouage de fer
French rap, slow half-time boom-bap with dusty kick-snare swings and a grim, looping piano motif; verse rides sparse drums and low bass, pre-chorus tightens with filtered chords and a rising string scrape, chorus lands with stacked doubles and clipped gang responses. Breathy close-mic lead, gritty ad-libs tucked low, tape flutter and vinyl crackle between phrases, dry upfront mix with dark punch., simple

כוכב בצלילי הרגשות
רוק, soft rock קרבי מרדני קליט וקצבי

awerysopelea - dreh dich nicht um
Stil: Minimalistischer Horror, wie ein verstörendes Wiegenlied ohne Trost Tempo: 55–65 BPM Stimme: Zerbrechlich, weiblich oder kindlich, halb geflüstert, nah am Ohr, kaum Vibrato Vortragsart: Mehr gesprochen als gesungen, unruhig, mit Pausen und leicht versetztem Timing Atmosphäre: Leere, klaustrophobische Nachtstimmung. Gefühl, beobachtet zu werden. Intim und unangenehm nah.

I'm a bombster
2026 sluty phonk, catchy k-pop moans follow all the way, exprimental with EPA subwoof deep bass, subwoofer bass energy surging in the hook. Female teen whip cream hot vocals, sexy remix

الو يا خالد
Bouncy Arabic kids-pop groove, bright synth plucks and hand percussion, male vocals. Mid-tempo with a playful clapping pattern; verses stay light and talky, chorus jumps with gang vocals and sunny brass stabs. Simple bass underpins a sing-along hook; final chorus adds extra harmonies and call-and-response ad-libs.

صوتي يلفّني
Moody Arabic pop ballad, midtempo groove with deep reverb on male vocals, gentle oud and soft piano over warm sub-bass; verses stay intimate and close-mic’d, pre-chorus adds airy pads and rising toms, chorus blooms with stacked harmonies, shimmery percussion, and a subtle octave vocal for a haunting, hypnotic hook

سداح عليكم
Hard-hitting Arabic trap anthem, swaggering midtempo groove with heavy sub-bass and sharp hi-hats. Male vocals, punchy, percussive flow in the verses; hook explodes with gang-style chants and call-and-response. Dark synth stabs and atmospheric pads create a digital battlefield vibe, with occasional chopped vocal shots and a final drop that leaves space for ad-libs.

Bam Qisa Yama – The Heart's Echo
Za da muhabat da bam qisa yama Like push to song style

B vs g 3
Instrumental only. Chaotic duel between a hyper aggressive slap bass and a distorted electric guitar. Bass is dominant, percussive, using extreme slap, pops, double thumb, slides, and rapid rhythmic attacks with deep sub bass impact. Guitar is wild, dissonant, high gain shredding with chaotic melodies, feedback, and unstable leads. Call and response quickly breaks into overlapping madness with interruptions, syncopation, and polyrhythmic chaos. Bass drives everything like a weapon, relentless and punchy. Guitar spirals into noisy textures and eerie high end tension. Climaxes in full collision where both clash at maximum intensity. Style experimental blackened metal, funk metal fusion, ultra fast 200-230 BPM, blast beats, aggressive, dark, no vocals.

B vs g 2
Instrumental only. Dark aggressive duel between a monstrous distorted bass guitar and a sharp high gain electric guitar. Bass is evil, low tuned, growling with heavy slap, slides, sub bass rumble, and crushing groove dominance. Guitar is fast, melodic, tense, with shredding precision, harmonics, and cutting leads. Call and response battle escalating each round. Bass grows heavier and more oppressive, overpowering the mix with deeper tones and relentless rhythm. Guitar fights back with rapid solos and chaotic phrasing but begins to lose ground. Final section bass completely dominates, swallowing the guitar in massive low end, crushing grooves, and dark overwhelming force. Style blackened death metal, industrial edge, ultra heavy drums, double kick, blast beats, 190-220 BPM, intense dark atmosphere, no vocals.

Alma Enciende Voz
Musica empoderamiento y con voz fuerte que les llegue al alma

Sheran’s Double Celebration
pop, High-energy pop with bright synths, four-on-the-floor kick, and rhythmic claps; verses bounce with playful melodic runs, pre-chorus lifts with rising pads, and the chorus explodes into gang vocals and stacked harmonies. Add a short spoken breakdown before the final hook, female vocals leading with lots of ad-lib energy.

🎶 **JINGLE – ANTARES MOTOS (1 minuto)** 🎶
Dance music

شارع الحومة
Gritty Tunisian trap rap, male vocals with aggressive main take and doubled lines on key punchwords; dark detuned synth bass, sparse minor-key plucks, and tight snare rolls. Verses stay close and conversational, hook explodes with shouted gang vocals and wide stereo chants. Occasional filtered drops on bar endings then full beat slam for the chorus.

Starlit Midnight Flow
Cloud rap, hip-hop

Pony Glow Nights
Phonk, EDM, Trap, cloud Rap

Neon Skies & Black Beats
Cloud rap, hip-hop, bubblegum rap

Cavaleiro do sertão
Dance

Hola Mucho Gusto
Spanish pop with a warm midtempo groove, syncopated acoustic guitar and soft percussion; verse stays close and conversational, pre-chorus lifts with stacked harmonies and a rising synth swell, chorus opens into a catchy chant with handclaps and short delay throws on the anchor phrase. Intimate close-mic male vocals, doubled on the hook, with little ear-candy fills and a bright polished mix.

soft
pop

В Простоквашино
Pop-rock with driving mid-tempo groove, tight drums and chugging guitars; verse stays lean and playful, pre-chorus opens with rising backing harmonies, chorus hits with gang vocals and a sharp chant on the title phrase. Add reverse cymbal swells into each chorus, a tambourine lift on the second verse, and a short break before the final hook. Bright, punchy, radio-ready mix with close-mic lead vocal and wide stacked doubles on the hook.

Мама всё успеет
Russian pop-ballad with mid-tempo pulse, warm acoustic guitar and soft piano; verse stays intimate and detail-rich, pre-chorus lifts with rising strings and stacked harmonies, chorus opens wider with handclaps and a singable family chant. Lead vocal is close-mic and tender in verses, doubled on the hook, with gentle backing ooohs and a final chorus lift. Ear candy includes a soft riser into the chorus, toy-box chimes between lines, and a last-chorus drum swell. Mix is warm, bright, and emotional.

Marée d’or
French pop ballad with a slow-grooving midtempo pulse, gentle syncopated drums, warm electric piano, subtle guitar harmonics, and a restrained lift from verse to chorus; verses stay intimate and reflective, pre-chorus opens with rising pads and layered doubles, chorus blooms with stacked harmonies and a soft handclap pulse. Breathier lead vocal with close-mic intimacy, tasteful delay throws on key words, small reverse swells and seagull-like synth accents between lines, bright polished mix with a coastal glow., pop, chanson

ເອ່້ເ
Lao pop ballad with a buoyant mid-tempo groove, syncopated hand percussion and warm acoustic guitar; verse stays intimate and minimal, pre-chorus opens with rising harmony stacks, chorus lands with a singable call-and-response hook and gentle claps. Lead vocal is close-mic and tender with light doubles on the hook, small delay throws on the last words, and a soft ad-lib echo. Ear candy includes a reversed swell into the chorus, bell accents between phrases, and a subtle bass lift on the final refrain. Mix is bright, polished, and emotionally open.

Ventilador e Pão
Brazilian funk-pop with a bouncy dembow-leaning groove, syncopated percussion and playful bass; verse stays cheeky and conversational with clipped lines, pre-chorus tightens into half-time tension, chorus bursts with chantable call-and-response and group shouts. Lead vocal is close-mic and talk-sung, with doubled hook phrases, ad-lib responses, and quick delay throws on punch lines. Use mosquito-like synth blips, a filtered riser into each chorus, and a dusty clap snap for ear candy. Bright, punchy, and mischievous in the mix.

Baho Lobot Naya
Dance-pop with a bouncy four-on-the-floor groove, syncopated hand percussion, and a bright synth bass pulse; verse stays lean with clipped drum hits and a playful marimba riff, pre-chorus lifts with risers and stacked vocal echoes, chorus opens wide with gang vocals on the anchor phrase. Lead vocal is close-mic and teasing, with doubled hook lines, delay throws on the last word, and tiny ad-lib chants between phrases. Crisp, glossy mix with lively top-end sparkle.

Fighter Girl
vocal, dubstep, tango, trap, progressive, soul, keyboard, electric guitar, dance, pop punk, organ, accordion, funk, celtic, new wave, techno, emo, choral, a cappella, bluegrass

Jvsnqksb
Pop dance-pop with a propulsive four-on-the-floor kick, syncopated claps, and bright synth stabs; verse stays tight and sparse with clipped lead vocal, pre-chorus opens into rising pads and filtered hand percussion, chorus lands wide with stacked doubles and a chant hook. Add reverse swells into each drop, tiny bell fills between lines, and a glossy punchy mix with crisp top end.

Neon Pulse Dreamscape
bass, pop, hip-hop

Masalımsın
Turkish pop ballad with a slow 6/8 sway, gentle acoustic guitar, warm piano, and soft brushed percussion; verse stays intimate and close-mic, pre-chorus opens with rising strings, chorus blooms with stacked harmony vocals and a short echo on the hook words. Add a delicate reversed swell into each chorus, a shimmer of hand percussion after the second line, and a final lift with wide backing vocals. Bright, emotional, and polished but tender.

Private Hell
hard rock, drums, country pop, soundtrack, organ, bass, soul, harp, trance, afrobeat, a cappella, ballad, hip-hop, violin, bluegrass, emo, orchestral, harmonica, choral, saxophone

Sepetak Sawah
Indonesian pop ballad with a steady 4/4 pulse and light acoustic guitar arpeggios; verse stays intimate with muted piano and fingerpicked guitar, pre-chorus opens with rising strings and tom swells, chorus lands with full drums and stacked harmonies. Lead vocal is close-mic and aching, with doubled hook lines and short delay throws. Ear candy includes reversed piano swells, a soft kendang fill into the chorus, and a final breathy harmony lift. Warm, polished, and emotional

Family Tree Chant
Pop singalong with a bouncy mid-tempo clap groove, simple four-on-the-floor pulse, bright ukulele plucks, hand percussion, and call-and-response hooks; verse lists basic family words in a playful ladder, pre-chorus narrows to relatives and siblings, chorus lands on chantable repetition with gang vocals, bridge softens to a warm half-time lift; lead vocal is close-mic and clear with doubled chorus, quick ad-lib echoes, little risers into each hook, and a clean, sunny mix

De Aquel Amor
Latin pop ballad with a pulsing mid-tempo groove, soft acoustic guitar, warm synth pads, and syncopated percussion; verse stays intimate and close-mic, pre-chorus lifts with stacked harmonies and a rising tom build, chorus opens with wide doubles and a chantable hook, bridge strips to voice and guitar before the final chorus blooms with handclaps, delay throws, and bright, glossy mix

Makko
Instrumental only. 172 BPM, modern Deutschrap-Pop/Trap. Deep subby 808 with slides + sidechain, punchy kick, tight clap/snare on beat 3, crisp 1/16 hats with rolls, sparse perc fills. Dark but harmonic minor pads + simple catchy synth motif. Clean wide mix, big low-end, lots of vocal space. Arrange ~3:00: intro→drop→verse→hook→break→final drop→outro.

Mirror on the Tile
Hyperpop-rap with skittering syncopated drums, punchy sub drops, and neon-bright synth stabs; verse rides sparse and brittle, pre-chorus lifts with filtered arps and chopped vocal runs, chorus lands on a huge sticky chant with doubled leads and gang echoes. Ad-lib panning, pitch-bent repeats, reverse swells into each hook, and glossy wide mix with a hard-clipped edge.

Sunrise Text
Acoustic pop with a gentle midtempo groove and lightly swung percussion; verse stays close and intimate with fingerpicked guitar and soft bass, pre-chorus opens with stacked harmonies and a rising tambourine, chorus lands on warm group vocals with a short repeated anchor, post-chorus adds handclaps and a bright acoustic strum lift, bridge drops to voice and guitar before the final chorus blooms. Close-mic lead vocal, airy doubles on the hook, subtle delay throws on phrase ends, warm polished mix with a sunny sheen.

هاي يا قلبي
Arabic pop with a breezy mid-tempo bounce, handclap groove and warm synth bass; verse stays intimate with light percussion and finger-snapped rhythm, pre-chorus opens into stacked harmonies and a rising pad, chorus lands with a short chantable hook and group vocals. Add reversed swells into each chorus, tiny bell fills between lines, and a glossy bright mix with close-mic lead vocals and airy doubles on the hook.

Corgi and the Dog
Pop punk with brisk mid-tempo drive, palm-muted guitars, bouncy bass, and tight four-on-the-floor drums; verse stays lean and playful, pre-chorus lifts with stacked handclaps and rising gang vocals, chorus bursts wide with shouted doubles on the hook and a singback tag. Add reversed cymbal swells into each chorus, tiny whip-noise fills between lines, and a final key-change feel from layered harmonies. Bright, punchy, and cartoon-clean with a glossy edge.

Топ-один Марк
High-energy Russian gaming anthem blending modern pop-rock and electronic trap. Start with a tense cinematic intro, then bring in punchy drums, distorted rhythm guitars, sub bass, bright synth arpeggios, and crisp game-inspired percussion. Verses should feel focused and narrative; build the pre-chorus with rising synths and snare tension. Make the chorus huge, chantable, and stadium-ready with doubled male vocals, gang shouts on key phrases, and a strong downbeat. Add a short half-time bridge, then return to the final chorus with extra harmonies. Clean loud mix, tight low end, wide guitars, polished streaming master.

Марк в Починках
Russian pop-rap with a driving mid-tempo bounce, tight kick-snare groove and syncopated bass; verse rides sparse keys and crisp hats, pre-chorus lifts with rising pads and stacked echoes, chorus hits hard with chantable gang doubles and a short stop-start hook. Add reverse swells into each section, quick glitch fills between lines, and a bright punchy mix with close-mic lead vocal and wide backing chants.

Sabrina Du Bist bier
German pop-R&B with laid-back mid-tempo swing, finger-snapped verses, rubbery bass pulses, and a chorus that opens into wide stacked harmonies; verse stays intimate and close-mic, pre-chorus lifts with filtered pads and rising claps, chorus lands with crisp drums and gang vocal echoes on the name. Ear candy includes reverse swells into the hook, a delay throw on the final word, and glittery synth ticks between lines. Bright, glossy, and seductive in the mix.

Sabrina Du Bist
German pop-R&B with laid-back mid-tempo swing, finger-snapped verses, rubbery bass pulses, and a chorus that opens into wide stacked harmonies; verse stays intimate and close-mic, pre-chorus lifts with filtered pads and rising claps, chorus lands with crisp drums and gang vocal echoes on the name. Ear candy includes reverse swells into the hook, a delay throw on the final word, and glittery synth ticks between lines. Bright, glossy, and seductive in the mix.

Κάν’το Με Εσένα
Greek pop dance-pop with bright four-on-the-floor pulse, syncopated claps, and glossy synth stabs; verse rides a lean beat with playful phrasing, pre-chorus lifts with filtered risers and stacked harmonies, chorus opens wide with gang vocal repeats and a chantable hook. Lead vocal stays close-mic and punchy, with doubles on the hook, short delay throws on key words, and ad-lib echoes in the gaps. Ear candy includes reverse swells into the chorus, shimmering chimes between lines, and a sub drop under the title phrase. Crisp, modern, radio-bright mix with a polished top end.

تيك كلاود قدامك
Arabic pop advertising jingle with upbeat darbuka rhythm, bouncy syncopated claps, bright synth plucks, and a steady dance groove; verse keeps it playful and minimal, pre-chorus lifts with a rising chant, chorus lands with gang vocals on the brand name and short delay throws on the hook. Add finger snaps, a quick riser into each chorus, and sparkling ear-candy hits between lines. Mix is crisp, glossy, and radio-bright.

Эльмира Бэйбли
deep house pop

طيف الشاشات
Arabic pop with a buoyant mid-tempo pulse and dabke-tinged percussion; verse rides sparse hand drums and plucked oud phrases, pre-chorus opens with rising clap stacks and a filtered synth lift, chorus hits with big group vocal doubles and a chantable hook. Vocal is intimate and close-mic in verses, wider with stacked harmonies on the hook. Ear candy includes reversed string swells, stamped drum fills, and a bright bell accent into each chorus. Mix is warm, glossy, and punchy.

Песня на заказ
Pop ballad with a gentle mid-tempo pulse, fingerpicked acoustic guitar and soft piano in the verses; pre-chorus opens with rising strings and light percussion; chorus blooms with layered harmonies and a singalong lift. Lead vocal is intimate and close-mic, with doubled hook lines and warm backing responses. Subtle chimes and a reverse swell mark transitions, glossy and heartfelt mix.

곰세민이 집
K-pop singalong with playful four-on-the-floor bounce, handclap-driven verses, bright toy-box synth plucks, and a chorus that swells with stacked childlike group vocals; verses stay light and conversational, pre-chorus lifts with snare rolls and rising oohs, chorus hits with chanty repetition and call-and-response ad-libs. Close-mic lead vocal, warm doubles on the hook, little bell chimes and reverse swells between lines, crisp and glossy mix

Find My Love
grime, house, folk, percussion, tango, folk rock, grunge, hard rock, ukulele, a cappella, xylophone, beatbox, fusion, funk, country, mandolin, celtic, bossa nova, industrial, synth-pop

بليتش وون بيس
Arabic pop-rap with a punchy mid-tempo swing, tight handclap groove and bouncy low-end; verse rides on sparse drums and a rhythmic talk-sing cadence, pre-chorus strips to toms and a rising chant, chorus hits with stacked gang vocals on the title phrase and a catchy call-and-response. Add reverse swells into section changes, bright ear-candy stabs between lines, and a clean glossy mix with close-mic lead and wide doubles on the hook.

Forty and Counting
Pop-R&B ballad with slow half-time pulse, muted kick and warm electric piano; verse stays intimate and conversational, pre-chorus lifts with stacked harmonies and rising bass tension, chorus lands on a sparse but huge hook with doubled lead and soft gang echoes. Add reversed swells into the pre-chorus, a breathy ad-lib tail after the hook, and a final chorus with string pads and subtle sub drops. Mix is glossy, close-mic, and emotionally raw., emotional

Amek Ar Ahlugh
Amazigh pop-folk with a gentle mid-tempo pulse, hand percussion and warm acoustic guitar; verse stays intimate and sparse, pre-chorus opens with rising claps and a doubled chant, chorus lands with stacked harmonies and a short call-and-response hook. Lead vocal is close-mic and emotional, with soft doubles on key lines and airy ad-libs on the hook. Small frame-drum fills, reversed swell transitions, and a bright, clean mix keep it warm and catchy.

Echoes in Neon Silence
electro hause, electro pop, ambient, electrónica

His Mother's House
Pop ballad with slow 6/8 sway and muted kick pulse; verse stays close and bare with piano, brushed toms, and low bass, pre-chorus opens on rising strings and filtered harmonies, chorus lands with full drums and stacked vocal doubles. Breathy lead, aching background echoes, delay throws on key lines, vinyl crackle and reverse swells between sections. Warm, wide, glossy mix with a bruised edge., emotional

Für immer im Herzen
Moody German rap-pop, half-spoken male vocals over a dark, pulsing synth bed and tight, dry drums. Verses stay intimate and close-mic’d; pre-chorus adds reverb and rising pads; chorus blossoms with layered harmonies and a wider stereo image. Subtle bass swells and reversed textures keep tension building, then drop back for a stripped final hook.

Суп с котом
Russian pop with playful mid-tempo bounce, light syncopated percussion, acoustic guitar and bouncy bass; verse stays close and conversational, pre-chorus lifts with stacked harmonies and a handclap build, chorus lands bright and chantable with doubled lead and little backing responses. Add kitchen-plate hits, a short riser into the chorus, and a playful flute lick between lines. Warm, clean, and catchy with a homey glossy mix.

Hola Mucho Gusto
Spanish pop with a warm midtempo groove, syncopated acoustic guitar and soft percussion; verse stays close and conversational, pre-chorus lifts with stacked harmonies and a rising synth swell, chorus opens into a catchy chant with handclaps and short delay throws on the anchor phrase. Intimate close-mic male vocals, doubled on the hook, with little ear-candy fills and a bright polished mix.

Son kez
acoustic guitar

أصوات في الفضاء الصامت
alternative, banjo, acoustic, a cappella, future bass, electro, brass, lo-fi, trombone

Random Supernova attempt v2
High-energy live-band mashup with nonstop forward momentum and euphoric DJ-mix pacing, but organic instrumentation. Piano is the rhythmic engine: bold, playful, melodic and constantly moving, plus bright acoustic guitar, melodic bass, punchy live drums and selective electric/synth accents. Transitions should feel surprising and addictive—new grooves, rhythmic shifts, breakdowns, teases, builds & explosive releases without becoming separate songs. Distinctive indie youthful male co-lead moves from conversational warmth to breathy highs, rasp, grit and emotional pushes. Equally distinctive female co-lead with real power and personality. Treat duet like two performers having fun live: trade, chase, interrupt, harmonize, riff and overlap; let one keep running while the other starts the next line. Occasionally let vocals, piano and band pull in different melodic directions before snapping back together. Nostalgic, playful, emotional, slightly chaotic and euphoric. Big crowd-energy moments

Moonlit Vegas Rose
Romantic R&B country-rock with a slow 92 BPM sway, half-time drums, fingerpicked acoustic guitar, muted electric bends, and a warm low bass pulse. Verse rides intimate and sparse; pre-chorus opens with stacked harmonies and rising pedal steel; chorus hits with gritty power chords and a soulful lift. Deep raspy male vocals, close-mic in verses, doubled on hooks, with ad-lib fills and delay throws. Desert wind risers, reversed guitar swells, and a final chorus lift. Bright, widescreen, and smoky, rock, romantic, light, beautiful, soft, r&b, country, vocal, deep

Moonlight On The Edge
2020s romantic country-rock with silky R&B phrasing, slow midtempo sway and a loose backbeat; verse rides acoustic guitar, muted electric licks, and warm bass, pre-chorus opens with rising harmony stacks, chorus blooms with ringing guitars and a simple drum lift. Breathy lead with stacked doubles, soft ad-libs, delay tails on hook words, vinyl crackle into the first verse, reverse cymbal into each chorus, wide polished mix with a tender late-night glow., rock, light, country, romantic, r&b

Mommie Dearest
Alt-country pop with a steady stomp-clap groove and muted electric twang; verse stays intimate and tense with sparse acoustic guitar and brushed snare, pre-chorus opens into stacked harmony lifts, chorus hits with a chanty gang-vocal hook and a pedal-steel sigh. Bridge strips to voice and bass, then final chorus returns bigger with handclaps, tape-delay ad-libs, and a bruised but polished mix., instrumental

Loved Your Potential
Country-pop with midtempo stomp-clap groove, steady acoustic guitar and muted kick; verse stays intimate and conversational, pre-chorus lifts with harmony stacks and a filtered pedal-steel swell, chorus opens with gang vocals on the hook and short delay throws on the last word. Bridge strips to voice and guitar, then final chorus adds snare roll, tambourine, and a wide, glossy mix with a raw close-mic lead.

Mommie Dearest
Alt-country pop with a steady stomp-clap groove and muted electric twang; verse stays intimate and tense with sparse acoustic guitar and brushed snare, pre-chorus opens into stacked harmony lifts, chorus hits with a chanty gang-vocal hook and a pedal-steel sigh. Bridge strips to voice and bass, then final chorus returns bigger with handclaps, tape-delay ad-libs, and a bruised but polished mix.

Mama’s Boy Blues
Country-pop ballad with steady mid-tempo pulse and soft handclaps, verse rides acoustic guitar and bass while pre-chorus lifts with pedal steel swells; chorus opens into stacked harmonies and a hooky stomp-clap; bridge drops to intimate piano and close-mic vocal before the final chorus returns bigger. Lead vocal is raw and front-of-mic with doubled choruses, sighing ad-libs, and short delay throws on key lines. Dusty-to-bright mix, emotional and immediate.

Midnight Campfire Lullaby
Sad, weepy, slow, melancholy, camp fire, acoustic guitar, slow, 55 BPM, acoustic guitar

Grain Bin Ghost
acoustic, male vocals, emotional, light, country

War Paint
techno, synthwave, ballad, synthesizer, future bass, rock, grunge, trip hop, soul, bluegrass, organ, xylophone, acoustic, blues, folk rock, 80s, alternative, hard rock, fusion, baroque

Quiet Echoes of Solace
Female singer. Calm acoustic guitar cover. 60 BPM. Steady relaxed strumming. Smooth vocal. Soft female. ONLY acoustic guitar no other instruments. Meant to sound sad.

The Maze
vocal harmony, indie, beatbox, organ, acoustic, reggaeton, violin, trance, piano, disco, brass, bluegrass, progressive, cinematic, saxophone, celtic, indie rock, guitar, clarinet, flute

Fiesta de Copa
Mariachi with brisk polka pulse, trumpets and vihuela driving a lively 6/8 sway; verse keeps acoustic guitar, handclaps, and playful bass line, pre-chorus lifts with rolling guitarrón and trumpet fills, chorus bursts with stacked brass and shouty gang vocals. Lead vocal is bright and close-mic with maraca-like doubles, tight harmony thirds on the hook, quick delay throws on last words. Ear candy: trumpet pickup before each chorus, claps locking to the snare, and a final brass stop-time tag. Mix is warm, loud, and festive with sharp brass on top., mariachi

Тато Майстер на Пятірку
Modern family pop-folk with bouncy mid-tempo swing, clapping rhythm, accordion accents and light acoustic guitar; verse 1 tells the dad’s hands-on life with playful detail, pre-chorus lifts with warm family pride, chorus lands as a chantable застільний hook with group shouts and simple call-and-response; verse 2 adds funny everyday images and son’s affection, bridge turns tender then final chorus opens up with bigger harmonies, handclaps, and short ad-lib echoes. Bright, warm, singalong mix with close-mic lead and joyful gang vocals on the hook.

रामू का पत्थर
Hindi folk-pop with a gentle mid-tempo swing, hand drums and earthy acoustic plucks; verse stays sparse and narrative, pre-chorus lifts with rising harmonies, chorus opens into a chantable village hook, bridge turns hushed with a single drone before the final chorus blooms. Close-mic male vocal, soft doubles on the hook, subtle claps and wind-chime fills, warm intimate mix with a rustic sheen.

별콩 노래
Korean dream pop nursery rhyme with a bright 100-110 BPM mid-tempo sway, soft acoustic guitar strums, gentle piano, airy synth pads, light bass and simple drums. Verse stays intimate and sparse; pre-chorus adds small handclaps and rising harmony; chorus opens with childlike unison melody and soft choir responses. Add cute bell sparkles, page-turn chimes, and tiny vocal echoes between phrases. Warm 1990s analog glow, close-mic male vocal, clean and comforting mix.

လက်ဖက်သုပ်ဆိုင်
Burmese pop with buoyant mid-tempo bounce and handclap-driven groove; verse opens with light percussion and warm acoustic layers, pre-chorus lifts with backing vocal echoes and a rising fill, chorus lands with gang-style repeats of the key shop invitation, short call-and-response lines, and a bright melodic hook. Add tasteful flute flourishes, playful transitional hits, and a glossy, inviting mix that feels fresh and friendly.

California to Des Moines
Country-pop with a steady mid-tempo two-step groove, brushed drums and clean acoustic strums; verse rides close-mic storytelling with bass and dobro, pre-chorus lifts with harmony stacks and a soft snare build, chorus opens with gang vocals and a bright hook melody. Vocal is warm and intimate with doubled chorus lines, ad-lib echoes, and a few delayed tag-ins. Ear candy includes pedal-steel slides, a fingerpicked turnaround, and a rising shaker into each chorus. Mix is polished, wide, and radio-bright., country

California to Des Moines
Heartland country-pop with a steady mid-tempo backbeat, fingerpicked acoustic guitar, twangy electric fills, and a punchy kick-snare groove; verse leans conversational and detailed, pre-chorus lifts with stacked harmony and a rising pedal steel, chorus opens wide with gang vocal doubles on the anchor line. Lead vocal stays close-mic and warm, with short delay throws on names, claps on the hook, and a fiddle turn between sections. Bright, heartfelt, radio-ready mix., country

Panchito el Repartidor
Upbeat Spanish-language cumbia-pop with a bouncy four-on-the-floor groove, bright accordion hooks, hand percussion, güiro, warm bass, acoustic guitar strums, and playful call-and-response vocals. Start with a short chant-led intro, add fuller percussion and bass in the first verse, make the chorus highly repetitive and singalong-friendly, use a brief accordion turnaround before the final chorus, and finish with a festive repeated outro. Clear cheerful lead vocal, group responses on the repeated “Panchito” phrases, crisp vocal presence, colorful but controlled mix.

Know My Love
Pop ballad with a slow swaying 6/8 feel, soft piano and brushed drums in the verse, pre-chorus lifting with rising strings and stacked harmonies, chorus opening into warm layered vocals and a held acoustic guitar bed; intimate close-mic lead with breathy doubles, delay throws on the last word of each hook, subtle reverse swells and bell shimmer into the chorus, polished and glossy but tender

I Wish You Were Able to
Intimate cinematic piano ballad in a slow 6/8 pulse, around 72 BPM. Begin with close-miked felt piano and a restrained, breathy lead vocal; introduce warm cello and low brushed percussion in verse two, then widen into choruses with soft kick, subtle acoustic guitar, swelling strings, and restrained toms. Build gradually toward a full final chorus, then strip back to piano and cello for the outro. Vocal delivery should move from fragile conversational verses to open, aching sustained notes, with gentle harmony doubles on key chorus phrases. Keep the mix warm, spacious, and dynamic, with natural room reverb, clear lyric presence, soft tape saturation, and no excessive pop gloss.

Random Supernova attempt
High-energy live-band mashup with nonstop forward momentum and euphoric DJ-mix pacing, but organic instrumentation. Piano is the rhythmic engine: bold, playful, melodic and constantly moving, joined by bright acoustic guitar, melodic bass, punchy live drums and selective electric/synth accents. Transitions should feel surprising and addictive—new grooves, rhythmic shifts, breakdowns, teases, builds & explosive releases without becoming separate songs. Distinctive youthful male co-lead moves from conversational warmth to breathy highs, rasp, grit and emotional pushes. Equally distinctive female co-lead with real power and personality. Treat duet like two performers having fun live: trade, chase, interrupt, harmonize, riff and overlap; let one keep running while the other starts the next line. Occasionally let vocals, piano and band pull in different melodic directions before snapping back together. Nostalgic, playful, emotional, slightly chaotic and euphoric. Big crowd-energy moments

في عيونك
Arabic pop ballad with warm acoustic guitar, soft darbuka pulse, and lush strings; verse stays intimate and close-mic, pre-chorus lifts with layered harmonies and a rising oud phrase, chorus opens wide with stacked vocals and hand claps on the backbeat. Add gentle reverse swells into each chorus, a sparkling piano fill between lines, and a final lift with airy group echoes. Bright, emotional, and polished with a cinematic sheen.

Hola, ¿cómo estás?
Warm Spanish acoustic pop, mid-tempo 4/4 groove, intimate conversational lead vocal, nylon-string guitar and brushed drums in the verses, soft bass entering at the pre-chorus, chorus expands with hand percussion, gentle electric guitar answers, and close harmony vocals. Clean natural mix, lightly compressed vocal, organic room ambience, clear Spanish diction, uplifting but sincere rather than glossy.

Hola Cómo Estás
Latin pop with a breezy mid-tempo swing, handclap groove and warm acoustic guitar; verse stays close and conversational with light percussion, pre-chorus lifts with snappy tambora fills and stacked harmonies, chorus opens into a chanty singback with double-tracked lead and short delay throws on the last word. Add a maraca flick, reverse swell into each chorus, and a tiny vocal ad-lib tag after the hook. Bright, clean, radio-ready mix with a sunlit bounce.

Jonathan Big Strong Man
Heartland country-rock anthem in a driving mid-tempo stomp with handclaps, chiming electric guitar, and steady kick-snare groove; verse rides acoustic strum and bass, pre-chorus lifts with tambourine and stacked harmonies, chorus hits wide with gang vocals and big open chords. Lead vocal is warm and rough-edged with doubles on the hook, delay throws on key names, and a final lift with strings, pedal steel fills, and bright punchy mix., world, strong, light

Dust on My Boots
Rock country with metal weight, mid-tempo half-time stomp and tense swung guitars; verse rides dry acoustic strums and restrained low toms, pre-chorus opens with widening power chords and a rising snare build, chorus hits with distorted guitars, thick bass, and a chantable hook. Deep raspy white male vocal, close-mic and cracked in verses, double-tracked on the chorus with rough gang shouts. Ear candy: reverse cymbal swells into each lift, faint radio hiss, and a final guitar squeal that hangs on the last word. Mix is gritty, punchy, and wide, with a worn-road edge., vocal, metal, rock, country, deep

YOOOO DAAAAAAD
Drake rap

Midnight Asphalt Pulse
Rap de rue

Cold Feet
electro, grunge, afrobeat, trap, piano, indie, trombone, folk, organ, saxophone, flamenco, country, xylophone, ukulele, 80s, deep house, banjo, ballad, lounge, strings

Лиза Белая
Russian trap rap with hard-hitting 808-style bounce, syncopated hi-hats, dark minor-key synth stabs, and a confrontational streetwise groove; verse rides sparse drums and bass, pre-chorus tightens with filtered tension, chorus hits with shouted doubles and gang ad-libs. Close-mic lead vocal, gritty and nasal in verses, louder stacked hook, with risers, reversed swells, and punchy mix

Layar Gelap
Dark trap with a half-time bounce, rattling hi-hats, booming sub bass, and tense minor-key synth stabs; verse rides sparse and cold, pre-chorus tightens with filtered risers and clipped ad-libs, chorus hits with wider 808 slides and stacked gang doubles on the hook. Close-mic lead vocal, pitched whispers in the pockets, delay throws on key flex lines, glitchy transition fills and vinyl crackle, glossy but bleak mix.

Grifone in corsa
Trap italiano con 808 pesanti, hi-hat serrati e cassa secca; strofe tese e dense, pre-ritornello che alza la pressione con cori tagliati e risposte in gruppo, ritornello corto e martellante con voci doppie sul nome squadra. Arrangiamento che parte minimale, apre con bassi profondi nel ritornello, poi bridge più vuoto con ad-lib filtrati e ultimo ritornello più largo. Mix brillante e aggressivo, voce vicina e ruvida con delay brevi sulle frasi chiave.

Ryan My Son
Rock rap with proud 2020s swagger and soft metal weight, mid-tempo stomp with tight palm-muted guitars, punchy live drums, and a steady half-time groove; verse rides low and conversational, pre-chorus opens into rising toms and layered harmonies, chorus hits with wide guitars and a chantable hook. Deep white male vocal with gritty lead verses, doubled choruses, and anthemic gang-style responses. Ear candy includes reverse cymbal swells, a brief guitar harmonic lift before each chorus, and a clean bass push under the bridge. Mix is bold, warm, and arena-bright., rock, metal, vocal, rap, deep, soft

Jessica in the Elevator
Sexual rap-rock with a grinding midtempo pulse, swung drums and distorted guitar stabs under trap hats; verses trade between snarled rap and raspy sung lines, pre-chorus strips to bass and finger snaps, chorus slams in with gang-voiced hook repeats and octave doubles. Use breathy close-mic lead, stacked low harmonies, delay throws on key words, and risers plus metallic elevator dings into each drop. Dark, glossy, high-contrast mix with a sweaty club edge., beautiful, soft, rap, vocal, deep, rock

Scarlett Elevator
2020s romantic rock-rap with male vocals, mid-tempo swung drums and punchy guitar stabs under trap-leaning percussion; verse rides close-mic rap-sung lines, pre-chorus opens with widening harmony stacks, chorus hits with gang doubles and a soaring rasp. Elevator-door risers, bass-drop swells, and short reverse cymbals thread the transitions. Bright, glossy, intimate mix with a gritty low-end and wide hook lift., rock, soft, romantic, rap, deep, vocal, beautiful

Scarlett Red Moon
Romantic rap-rock with a slow head-nod groove, halftime drums, crunchy guitars, and a subby bass pulse; verse 1 rides deep raspy white male rap with tight doubles, pre-chorus opens into sung lift and stacked harmonies, chorus hits with gang shouts and wide guitar chords. Add moonlit synth shimmer, reversed swells into the hook, and a final bridge break with half-time snare. Mix is glossy, wide, and smoky-close., deep, rock, soft, romantic, rap, vocal, light, beautiful

Scarlett On The Strip
2020s romantic rock-rap with a moody mid-tempo swing, half-sung verses and a nocturnal pulse; verse one rides sparse guitar and snapped drums, pre-chorus opens with rising toms and stacked breaths, chorus hits with wide power-chord lifts and a sticky chant, verse two tightens into rap with bass and handclaps, bridge drops to intimate close-mic voice then final chorus blooms bigger. Deep raspy white male vocals, doubled choruses, ad-lib echoes, delay throws on key phrases, moonlit chimes and reverse swells into transitions, bright-sheen mix with smoky low end and a polished radio finish., light, rock, vocal, romantic, beautiful, deep, soft, rap

Scarlet Roadside Moon
2020s romantic R&B rock with a slow half-time swing, muted electric guitar licks over subby kick and snap, then a rap-leaning verse pockets in with husky male vocals and sung hooks. Verse rides sparse drums and clean guitar; pre-chorus opens with stacked harmonies and rising synth haze; chorus hits with big brushed snare, doubled lead, and a crunchy guitar lift. Add reverse swells into transitions, tape delay throws on key phrases, and a final chorus with crowd-like gang doubles. Close-mic, deep raspy white male vocal, warm and glossy mix with gritty edge., light, r&b, deep, vocal, rock, rap, romantic, beautiful, soft

Vegas Aftertaste
Party hip-hop rap fused with dance-pop and EDM, mid-tempo but club-driving with syncopated kicks, chunky claps, and a rolling four-on-the-floor lift in the choruses. Verse rides sparse sub bass, snapped snares, and talk-rap rhythm; pre-chorus strips to handclaps and a filtered synth rise; chorus hits with huge vocal stacks, sidechained synth stabs, and a shoutable hook. Deep raspy male vocals with gritty doubles, ad-lib echoes, and delay throws on the last word. Neon-bright, glossy, and punchy with casino-chime ear candy, reverse swells, and crowd energy., edm, deep, vocal, hip-hop, pop, rap

Hangover Night in Las Vegas
2020-era party hip-hop fused with dance-rock and festival EDM: punchy four-on-the-floor kick, crisp trap hi-hats, distorted rhythm guitars, bright supersaw synth hooks, stomping claps, and explosive drop-style choruses. Verses use a deep raspy white male rap-sung delivery with dry close-mic grit; choruses open into shouted gang responses and wide doubled vocals. Build from a sparse hungover intro into full drums, use a tension-building pre-chorus, then hit each chorus with guitar chugs, sub-bass, and a big festival drop. Keep the mix loud, polished, radio-ready, and slightly rough around the vocal edges, with short slap delay and controlled arena reverb. Target a playful, reckless, sun-baked Las Vegas weekend atmosphere.

Slot Machine Morning
Hip-hop rap fused with dance-rock and EDM at a club-ready midtempo; stomping four-on-the-floor drums, crunchy guitar stabs, and a huge sub drop on the hook. Verse rides tight drums and talk-rap swagger; pre-chorus strips to claps and a filtered synth lift; chorus hits with chanty gang vocals, distorted guitar, and a wide synth lead. Deep raspy male vocal, doubled on punchlines, ad-lib throws, and shouted hook layers. Neon risers, casino-chip foley, and reverse swells bridge into each drop. Bright, gritty, and big-room punchy., edm, hip-hop, rock, rap, deep, vocal

Last Call Vegas
Party hip-hop fused with dance-rock EDM at a club-rattling midtempo bounce; verses ride heavy drums, clipped guitars, and a greedy sub pulse, pre-chorus strips to handclaps and a rising synth whine, chorus slams in with four-on-the-floor kick, gang chants, and a huge guitar hook. Deep raspy male vocal stays close-mic in verses, doubled and shouted on the hook, with delay throws on the last word, filter sweeps into drops, and glittering risers between sections. Bright, loud, and sweaty mix., hip-hop, edm, vocal, deep, rap, rock

Outside
Pop-rap party anthem with bouncy mid-tempo swing, tight kick-snare bounce, rubbery sub bass, and bright clap layers; verse rides sparse drums and talk-sung cadences, pre-chorus strips to hand percussion and a rising synth fizz, chorus hits with stacked doubles, crowd shouts, and short ad-lib repeats. Vocal is close-mic and playful with chanty hook reinforcement, delay throws on key lines, and tiny ear-candy risers, reversed swells, and bottle-glass chimes between phrases. Crisp, wide, and club-ready.

Last Night On Earth
Party hip-hop country dance-pop EDM with male vocals, deep raspy white lead; midtempo four-on-the-floor with stomping kick, snapped handclaps, trap hats, twangy guitar licks, and glossy synth hooks. Verse rides sparse drums and barroom detail; pre-chorus opens with rising pads and gang chants; chorus slams with wide bass, banjo chop, and crowd shouts. Raspy close-mic verses, doubled hook lines, ad-lib stacks, delay throws on key words, filtered build before each drop, bright punchy mix with club-ready low end., vocal, edm, country, deep, pop, hip-hop

Cruz' Case Files
Gangster rap / dark hip hop with a head-nod pocket, ominous minor-key piano motif, gritty drum knock, and sub-heavy bounce; verses ride tight and aggressive with layered doubles and ad-lib darts, pre-chorus narrows to tension before the hook opens wide with shouted gang vocals and distant choir hits. Male vocals, raw and slightly distorted, with cinematic boom accents on punchlines, short delay throws on the hook, and a punchy, wide, cold mix., raw, rap, gangster rap, male vocals, hip hop

WAR WITHIN
Memphis style gangster rap with a dark, cinematic bounce. Menacing bells over a swinging, low-slung bassline; crisp, knocking drums and eerie vocal chops. Verses ride in a laid-back but deadly pocket, tight doubles and ad-libs. Hook explodes with stacked male vocals, call-and-response chants from the crew, and drops in the beat to spotlight the title line before it slams back in. With a alot of bass and a touch of menacing violin

عصيانك يخرج ململ
Maghrebi rap with bouncy half-time bounce and clipped handclaps; verse rides sparse kick, nasal synth, and جواب جواب vocal phrases; pre-chorus opens with a short drum lift and filtered chant; chorus hits with stacked gang vocals, doubled lead, and a sharp clap pattern. Add reversed swells into the hook, a quick turntable scrape before the drop, and tiny percussive fills between lines. Bright, punchy, street-tight mix with close-mic vocal grit.

Your wings was ready but my heart was not
Southern country blues rap song with a male's voice

Prank Calls
easy listening, xylophone, guitar, pop punk, punk, banjo, violin, ukulele, afrobeat, soft rock, vocal harmony, synthwave, trap, bossa nova, grime, organ, alternative, accordion, trip hop, funk

Reflections
Hip-hop, dark trap beats, mumble rap influence, downtempo, hip-hop

Reflections
Hip-hop, dark trap beats, mumble rap influence, downtempo rap

Reflections
Hip-hop, dark trap beats, mumble rap influence, downtempo

NO SLEEP ON THIS STREET.
male/ vocal, he is Trobador, and he eccentric voice, bajo, Dirty, worn, scraped, dark

Dream Police
folk rock, salsa, harp, organ, drum and bass, flute, dance, house, cello, jazz, vocal harmony, trap, lounge, ukulele, soundtrack, celtic, pop, pop punk, synth-pop, minimalist

Perdón en la Niebla
male/ vocal, he is Trobador, and he eccentric voice, bajo, Dirty, worn, scraped, dark

Láďa Studnička
Czech punk-rap with driving half-time drums, blunt bass guitar and chopped crowd chants; verse hits in short taunts, pre-chorus tightens with claps and rising gang shouts, chorus slams the title phrase in unison with shouted doubles and a rough singalong stack. Add distorted reverse swells into each hook, snare fills between lines, and a gritty close-mic vocal with wide shouted ad-libs. Bright, raw, and aggressive mix.

Tried and Tested
Current UK house with a cool, restrained club mix: tight four-on-the-floor kick, clipped garage swing, rubbery sub-bass, sparse minor-key piano stabs, dusty shuffled percussion, and a sleek two-step pocket. Alternate smooth melodic R&B lead phrases with dry, syncopated grime-influenced sing-rap cadence; controlled male vocal, intimate verses, layered hook without belting. Build subtly through filtered chords and stripped drum breaks, then return to a deep understated drop. Crisp low end, muted high frequencies, tasteful vocal delay, minimal arrangement, sophisticated and abstract rather than sentimental or anthemic.

Broken Violin Code
Hardcore trap/hip-hop with relentless halftime bounce, chest-rattling 808 slides, clipped kick punches, razor hats, and snare cracks driving a dark minor-key violin hook; verse rides sparse drums and bass, pre-drop filters the violin into a tense whine, chorus slams full low-end with distorted drum layers, bridge cuts to half-speed toms and bowed strings before the final surge. Aggressive stacked ad-libs, pitch-bent violin swells, reverse hits into each drop, dry close-mic impact, gritty and punchy mix., violin, hip-hop, hardcore, raw, orchestral

Perdón en la Niebla
Style: : soul latino profundo, güeyura perdonar a tus padres y también a ti mismo, progressive, punk, hip hop, rap male/ vocal, he is Trobador, and he eccentric voice, Dirty, worn, scraped, water, dark, drums, guitarra, celo, piano cello, future bass, EDM, classical, minimalist, synthesizer, instrumental

الحبيبن
folk rock

여름
Korean indie rock / youth band, warm and nostalgic, bittersweet but hopeful. Start with soft clean electric guitar and gentle piano, intimate warm male vocal with a natural, slightly breathy tone. Keep the verses restrained and spacious, focusing on poetic emotion rather than storytelling. Gradually add warm bass and live drums. Build tension through the pre-chorus and open into a melodic emotional chorus. After the second chorus, use an extended expressive electric guitar instrumental, slowly increasing intensity. The bridge should strip back to a minimal arrangement and vulnerable vocal, then rise into a powerful final chorus with full live drums, layered guitars and backing vocals. End with a quiet, lingering outro. Organic live-band sound, dynamic arrangement, cinematic atmosphere without orchestral elements, youthful and sincere. Avoid EDM, synth-heavy production, excessive vocal effects, and overly dramatic ballad sounds.

How High
rock, lounge, afrobeat, funk, jazz, metal, house, experimental, soul, progressive, EDM, industrial, R&B, synthwave, xylophone, trombone, bluegrass, electric guitar, reggaeton, cello

Ironheart Rising
rock anthem

Burn This Night Down
1982 dance-rock and post-disco crossover, four-on-the-floor kick with tight funk bass, clipped rhythm guitar, bright electric piano, handclaps, tambourine, gated snare, occasional saxophone stabs, and a melodic hard-rock guitar solo. Deep raspy white male lead vocal, swaggering and slightly drunk, with shouted gang responses in the choruses. Verses ride a lean bass-and-guitar groove; pre-choruses strip back briefly; choruses open into wide guitars and stacked backing vocals; bridge drops to bass, toms, and vocal before the solo. Analog tape saturation, punchy 1980s drums, dry upfront vocal, wide chorus guitars, lively club-ready mix. Exactly about four minutes.

Backroom Fever
1982 pop post-disco R&B funk-rock at mid-fast tempo with a rubbery bassline, four-on-the-floor kick, clipped rhythm guitar, glossy synth stabs, and sax accents in the breaks; verse rides tight funk pockets, pre-chorus lifts with stacked harmonies, chorus opens into a swaggering singalong, bridge drops to half-time with a smoky guitar lick and handclaps; deep raspy white male vocal with double-tracked choruses, shouted ad-libs, and short delay throws on the hook; tape hiss, reversed cymbal swells, and rim-click fills lead into each chorus; bright, punchy, and sweaty, rock, vocal, r&b, funk, pop, deep, post-disco

Reignite the Broken
trance/rock anthem

Ritmo del Rescate
Un base de rock Melodia pegagoza estilo reik

Let it Burn
Rock, horror core, eerie, intense

Midas Number Eight
Stadium pop-rock with driving four-on-the-floor drums, punchy bass guitar, and chanty gang vocals; verse stays tight and narrative, pre-chorus lifts with rising toms and handclaps, chorus opens wide with stacked harmonies and a repeated crowd hook. Add short whistle stabs, crowd shouts, and a final key-change feel. Bright, glossy, and anthemic mix., world

Midas, Number Eight
Stadium-sized cinematic football anthem: driving four-on-the-floor rock drums with marching toms, muscular electric bass, bright distorted guitars, wide orchestral brass, and rising strings. Verses should feel focused and narrative, pre-choruses should add snare lifts and harmonic tension, and choruses should explode into huge group chants around the name and number. Strong clear male lead vocal with gritty determination, layered crowd vocals on the hook, polished broadcast-ready mix, punchy low end, wide guitars, and a triumphant final chorus with extra brass and percussion.

Sunset Parade
80s synth-pop and rock montage cue with driving four-on-the-floor drums, glossy bassline, chiming electric guitar riffs, bright steel drums, and a big key change lift; verse rides lean on pulse and arpeggios, middle section opens with guitar hero fills, final run hits with layered synth brass. Add tape-warp swells, tom fills, and gated reverb snapshots; wide, punchy, neon-bright mix., electric

People don’t care why should I by: bez bez
rock, soft rock, violin, strings, dance, bass, alternative paint, hip hop, hardrock

More Than a Number
Upbeat comedy pop-rock with a bouncy T 115 BPM groove, crunchy electric guitar, handclaps, playful bass, bright piano accents, and a warm live-band mix. Verses should feel conversational and lightly sarcastic, pre-choruses should lift, and the chorus should be wide, catchy, and affectionate with group backing vocals. Male lead vocal with confident comic timing; keep the roast teasing but kind, never cruel or dehumanizing.

Jasper sinks
folk rock

Legacy in Stone
stadium rock, driving electric guitar, powerful drums, anthemic vocals, 1980s arena rock style, high energy

Jonathan Strong
Country-rock anthem with driving mid-tempo strum and stomping kick; verse rides acoustic guitar, bass, and brushed snare; pre-chorus lifts with tambourine and rising harmony stack; chorus hits with gang shouts, doubled lead vocal, and handclaps on the backbeat. Short bell fills between lines, a clean guitar climb into each chorus, and a warm punchy mix with close-mic male vocals and wide family singalong doubles., strong, world, light

Autobahntoiletten Anarchie
Live Vision.Punk Rock Knüppel punk Punk der achtziger mit viel E Gitarre und Solos. Mit der Stimme von Udo Rauhut meine Stimme. Lautes schlagzeug das poplikum wenn Bremerhaven kommt laut es Poblikum jubeln

Solstice
BPM: 72–82 Key: Minor — something like F# minor, G minor, or A minor Tempo: Slow, but still has a pulse Drums: Soft, minimal R&B drums rather than a dramatic beat Bass: Deep, warm 808/sub bass that subtly moves underneath Synths: Airy, glassy, almost celestial pads Piano: Sparse notes rather than constant chords Vocals: Close-mic, breathy verses → fuller layered chorus Alternative R&B — intimate, emotionally complicated vocals * Dream-pop — hazy, floating atmosphere * Contemporary R&B — smooth groove and vocal layering * Dark pop — slightly eerie “monster/night” feeling Dreamy alternative R&B with dark pop and dream-pop elements, slow 78 BPM, intimate female vocals, airy layered harmonies, deep warm sub bass, minimal modern R&B drums, ethereal synth pads, sparse piano, nocturnal atmosphere, haunting but beautiful, sensual and introspective, understated production, hypnotic chorus, emotional vocal runs, gradual melodic lift, no theatrical orchestration, no cinematic drums.

يا ابن غالب
Yemeni shaabi tribal anthem with driving mid-tempo percussion, handclaps, and oud-like plucks; verse stays proud and spacious, pre-chorus tightens with rising chants and call-response, chorus opens with stacked group vocals and a chantable refrain. Add frame-drum fills, clapped turnarounds, and a short melodic tag between lines. Bright, earthy, and celebratory male vocal mix.

Dragons from fire
duet, smoky female vocals, raspy male vocals, piano, modern melodic house, deep house, indie electronica, chello

Dragons from fire
Piano, modern melodic house, indie electronica, chello, smoky female vocals, raspy male vocals

Dragons from fire
modern melodic house, deep house, and indie electronica, djembe, chello, smoky female vocals, raspy male vocals

Black Hole Tornado
Deathcore, melodic death metal duet, aggressive male guttural growls, piercing female high screams, heavy down-tuned guitars, fast blast beats, aggressive and high energy

STO EVAPORANDO
Pop / Neomelodico infuocato - da cantare mezza maglietta appiccicata addosso

Tried and Tested
UK house with a restrained four-on-the-floor pulse, swung percussion, clipped piano stabs, deep sub sway, and a grime-R&B vocal cadence; verse rides sparse drums and low bass, pre-chorus opens with filtered chords and rising vocal stacks, chorus lands on a cool melodic hook with tight doubles and gang ad-libs, bridge strips to kick, sub, and half-spoken lines before the final lift. Breathy close-mic lead, subtle harmonies, delay throws on key words, reverse swells into drops, crisp and modern mix with polished low-end weight., grime, r&b, abstract

Pind Di Gedi
Punjabi pop-bhangra with dhol-driven four-on-the-floor swing, crisp tumbi riffs, bouncing bass, and handclap lifts; verse keeps it tight with sparse drums and playful melodic phrasing, pre-chorus opens with rising synth pads and call-and-response ad-libs, chorus hits wide with gang vocals and dhol accents on every downbeat. Close-mic lead vocal with double-tracked hooks, cheeky harmonies on the last word, quick snare fills and reverse swells into each section. Bright, punchy, festival-ready mix with a glossy low end., punjabi

Aggressive Typhoon
Deathcore, melodic death metal duet, aggressive male guttural growls, piercing female high screams, heavy down-tuned guitars, fast blast beats, aggressive and high energy

Love
modern melodic house, deep house, and indie electronica, woman vocal

Love láska
modern melodic house, deep house, and indie electronica, woman vocal

Love
modern melodic house, deep house, and indie electronica, djembe, chello, woman vocal

Pañal y Juguete
Latin pop infantil with bouncy cumbia-lite groove, handclaps on the offbeats, playful percussion, and a bright marimba loop; verse stays sparse with voice, bass, and snaps, pre-chorus lifts with rising chants, chorus lands with gang vocal repetition and short melodic punches. Close-mic lead vocal, doubled on key lines, with tiny ad-lib echoes and a glossy, cheerful mix.

Des Moines in My Chest
Heartland country-rap with a tough but warm autobiographical feel. Midtempo bet 92 BPM, minor-key piano and muted electric guitar over punchy live kick, crisp snare, restrained sub bass, and occasional arena-sized tom fills. Verses use conversational male rap with vivid blue-collar detail; pre-choruses lift into gritty melodic singing; chorus is a wide, anthemic sung hook with subtle gang harmonies. Arrange intro, verse, pre-chorus, chorus, second verse, bridge breakdown, and final chorus with a half-time lift. Keep the mix dry and intimate in verses, then widen guitars and vocals in choruses; polished radio low end, clear diction, no excessive vocal effects.

Rocco On The Floor
Hard-hitting hip-hop with a driving mid-tempo boom-bap bounce, chopped percussion, heavy kick-snare punch, and a gritty bass line; verse rides tight and street-level, pre-chorus strips to drums and low rumble, chorus hits with stacked chants and a bold melodic top line. Lead vocal is close-mic and gritty with doubled hook lines, shouted ad-libs on key words, short delay throws on name drops. Ear candy: vinyl crackle intro, reverse swell into the chorus, and a siren-like synth stab before the final hook. Mix is raw, wide, and knock-hard

Carve My Own
Dark, hard-hitting motivational hip-hop with a minor-key piano loop, deep 808 bass, punchy layered kick and snare, tense orchestral swells, and a gritty modern trap rhythm. Deliver forceful male rap verses with clear diction, controlled anger, and a determined melodic chorus. Build from sparse piano and drums into a larger final chorus with stacked vocals, choir-like backing layers, and cinematic impact. Keep the mix vocal-forward, tightly compressed, and polished, with crisp hi-hats and restrained atmospheric effects.

Midnight Echoes of You
Slow, emotional R&B ballad with a cinematic late-night feel. Start with soft piano chords and faint vinyl texture, leaving plenty of space for the vocal. Add warm atmospheric pads, subtle strings, and distant vocal layers that rise during the hook. Keep drums minimal: soft kicks, tight snaps, light hi-hats, and deep but smooth 808s. Build gradually into a powerful chorus with stacked harmonies, then strip everything back for intimate verses. Moody, vulnerable, melodic, and polished.

Bunker Bass Whisper
Slow, ominous underground hip-hop banger with an extremely deep, low-register male rap vocal. Heavy baritone/bass voice, dark chest resonance, gravelly texture, intimidating and controlled. NO high-pitched vocals, NO tenor, NO melodic singing. Vocal delivery is slow, deliberate, laid-back and menacing, with long pauses and heavy emphasis on punchlines. Almost spoken-word at times, but with an infectious rap cadence. Production is grimy, sinister and minimal: slow head-nodding drums, huge dirty kick, thick sub-bass, dusty hard-hitting snare, eerie atmospheric samples, dissonant textures, ominous low piano and haunting background ambience. Sparse arrangement with lots of negative space so every lyric hits hard. Raw underground mixtape energy, dark basement atmosphere, slightly distorted analog texture. Aggressive without being fast. Creeping, hypnotic, threatening, swagger-heavy. SUPER catchy despite the darkness. Memorable rhythmic pocket, addictive hook, massive head-nod factor.

Draci z ohně
modern melodic house, deep house, and indie electronica, djembe, chello

In your love
Dark Contemporary Gospel blended with Southern Hip-Hop, soulful R&B, and melodic rap influences. 90BPM, A Minor. Powerful female mezzo-soprano with a bold, fearless attitude, deep emotion, and strong conviction. Spoken-word intro that quickly builds into passionate melodic vocals with smooth, rhythmic rap-inspired verses and a fast, flowing vocal delivery. Rich chest voice, soulful phrasing, emotional rasp, expressive vocal cries, dynamic ad-libs, and confident melodic rap flow. Deep 808 bass, punchy kick, solid snare, rhythmic finger snaps, dark organ, warm piano, atmospheric synth pads, subtle cinematic textures, rich gospel vocal harmonies, and emotional vocal layers. The chorus should feel explosive, uplifting, full of emotional release, inner freedom, and unstoppable strength. Modern, soulful, cinematic, dynamic, radio-quality.

Draci z ohně
modern melodic house, deep house, and indie electronica, djembe, chello, woman vocal

Dragons from fire
modern melodic house, deep house, and indie electronica, djembe, chello, woman vocal

Acid Flood
Deathcore, melodic death metal duet, aggressive male guttural growls, piercing female high screams, heavy down-tuned guitars, fast blast beats, aggressive and high energy

We have to drink the cup
Afrobeat + melodic rap + trap-soul, ak 808, bass, Juno-60 ak strings., violin, flute, vocal harmony

Standing in the Gap
Sultry late-night jazz ballad fused with restrained hip-hop: slow 72 BPM pocket, brushed drums and soft kick, upright bass, minor-key piano voicings, smoky tenor sax fills, warm Rhodes chords, and subtle vinyl-room texture. Verses use intimate close-mic female jazz vocals with conversational melodic rap phrasing; chorus opens into aching sustained notes with understated stacked harmonies. Arrange with sparse piano and bass in verse one, add brushed kit and sax answers in the pre-chorus, widen Rhodes and harmony vocals for the chorus, then strip back to piano, bass, and breathy vocal in the bridge before a quiet unresolved outro. Warm analog saturation, rounded low end, dark room reverb, clear vocal-forward mix, no glossy pop sheen.

Distanti
Melodic, street and clean

B Flash
Style: Early-2000s Hip-Hop • R&B • Melodic Rap • Feel-Good Bop Tempo: 94 BPM Key: F# Minor Mood: Loyal • Playful • Motivational • Smooth • Confident Production: Thick kick • crisp clap/snare • bouncing bassline • muted guitar plucks • warm Rhodes • subtle vinyl texture • bright synth accents

The stuy
90s Reggae Start with a tropical dancehall intro around 100–105 BPM using rolling percussion, rim shots, shakers, light congas, warm synth pads and a deep filtered bassline. Let the beat drop into a hard bouncing dancehall groove with thick kicks, crisp snares, infectious offbeat guitar chops and a heavy Caribbean bass that makes the whole track move. Keep the verse section spacious with drums, bass, percussion and short melodic synth stabs. Build the energy with faster percussion rolls, rising synths and horn accents before dropping into a huge hook section with heavier bass, bigger drums, bright brass hits and layered island percussion. Add a stripped-down dance break focused on drums, bass and rhythmic guitar, then build everything back up for an even harder final section. Finish with the percussion and bass gradually fading out.

COLD WHITE LIGHT
Cinematic space rap, emotional melodic trap, dark atmospheric hip-hop, intimate male sung-rap vocals with raw expressive delivery, vulnerable storytelling, haunting verses and massive soaring choruses, dreamy ambient synths, shimmering celestial arpeggiators, deep analog pads, distant ethereal choir, warm electric piano, subtle reverb-soaked electric guitar swells, deep cinematic 808 bass, punchy restrained trap drums, crisp rolling hi-hats, atmospheric percussion, huge stereo reverbs, long echoing vocal delays, celestial textures and space ambience, minor key, 142 BPM with a strong half-time feel, sparse and lonely verses that gradually build into enormous emotional choruses, dramatic drops and floating transitions, modern cinematic soundtrack-quality production, dark and cold but beautiful, emotionally heavy with a subtle thread of hope, immersive headphone mix, themes of emptiness, heartbreak, distance, moonlight, stars, gravity, isolation, lost love, and finding your way home.

Свой путь найду
melodic synthpop, driving 80s bassline, bright retro synthesizers, clean male vocals, Russian lyrics, upbeat production, 120 bpm

Keep it real
piano, house, cinematic, electric, EDM, Drumstep, Drum & Bass (DnB), Dubstep / Melodic Dubstep, Melodic Bass

Hood Rats
Energetic modern hip-hop with bouncy trap drums, crisp claps, thick sub bass, playful synth stabs, and arcade-inspired melodic accents. Confident male rap vocals with clear diction, animated group ad-libs, and a catchy chant-driven hook. Verses should ride a lively halftime groove; add a brief breakdown before the bridge, then return with a bigger final chorus. Polished punchy mix, bright vocal presence, controlled low end, and celebratory party energy.

Starlight Whispering Sanctuary
Copia este prompt completo: Create ONE COMPLETE CONTINUOUS 60-MINUTE INSTRUMENTAL TRACK. Target duration: exactly 60:00 minutes. Do not create a short song. Do not end early. Tempo: exactly 60 BPM. Create deeply peaceful celestial prayer music built around a beautiful, intimate, soft solo piano with only a very subtle ethereal ambient pad underneath. The atmosphere should feel heavenly, sacred, peaceful, prayerful, divine, comforting, weightless and full of light, as if quietly entering a celestial sanctuary. The piano must remain the emotional center for the entire 60 minutes. Use slow, spacious melodic phrases, delicate sustained notes, gentle chord changes, long pauses and natural breathing space between phrases. VERY LOW INTENSITY FROM BEGINNING TO END. Maintain a consistent peaceful energy throughout the full hour. Allow extremely gradual harmonic and melodic evolution so the listener never feels that a short section is simply being repeated. Every transition must be seamle

Smaragde in der Nacht
dance, reaggaton, spanish guitar, male voice

Rotes Haar
dance, reaggaton, spanish guitar, male voice

Танец Настя
dance,

Анастасия
choral, dance

곰 셋 한집
K-pop dance-pop with playful mid-tempo bounce and rubbery synth bass; verse stays sparse with finger snaps and tight percussion, pre-chorus opens into rising vocal stacks, chorus hits with a chanty group hook and handclaps. Lead vocal is close-mic and cheeky, with doubled hook lines, short ad-lib echoes, and a bright key change feel in the final chorus. Texture shifts with reverse swells, toy bell accents, and a punchy, glossy mix.

Mi corazón seguirá
Stile:Romantic bachata fused with Mexican banda, emotional and passionate. Modern bachata rhythm with requinto guitar, rhythmic bachata guitars, güira, bongos and warm deep bass. Add elegant Mexican banda brass: trumpets, trombones and tuba, especially in the chorus and musical breaks. Male lead vocal, warm, expressive and sentimental. Start intimate with bachata guitar, build gradually, then explode into a powerful catchy chorus with banda brass. Romantic, nostalgic, heartfelt, danceable, polished studio production. 130 BPM. Original melody. Mambo

My Heart Will Go On
Stile:Romantic bachata fused with Mexican banda, emotional and passionate. Modern bachata rhythm with requinto guitar, rhythmic bachata guitars, güira, bongos and warm deep bass. Add elegant Mexican banda brass: trumpets, trombones and tuba, especially in the chorus and musical breaks. Male lead vocal, warm, expressive and sentimental. Start intimate with bachata guitar, build gradually, then explode into a powerful catchy chorus with banda brass. Romantic, nostalgic, heartfelt, danceable, polished studio production. 130 BPM. Original melody. Mambo

Waka Waka Eee
Afro-pop dance anthem with bouncing dembow-leaning percussion and handclap drive; verse stays lean with playful rhythmic phrasing, pre-chorus lifts with stacked call-and-response chants, chorus hits with gang vocals and a chantable hook. Lead vocal is bright and close-mic with doubled lines on the hook, airy ad-libs in the gaps, and short delay throws on the anchor phrase. Ear candy includes cowbell flourishes, vocal shouts, and a quick riser into each chorus. Mix is glossy, punchy, and festival-ready.

My Heart Will Go On
Stile:Romantic bachata fused with Mexican banda, emotional and passionate. Modern bachata rhythm with requinto guitar, rhythmic bachata guitars, güira, bongos and warm deep bass. Add elegant Mexican banda brass: trumpets, trombones and tuba, especially in the chorus and musical breaks. Male lead vocal, warm, expressive and sentimental. Start intimate with bachata guitar, build gradually, then explode into a powerful catchy chorus with banda brass. Romantic, nostalgic, heartfelt, danceable, polished studio production. 134 BPM. Original melody. Mambo

Café au lait
Steeldrum, Dancehall -Type Beat, Latin Pop Stadium -Anthem Beat, Afro-Latino Dance Beat, World Cup / Anthem Pop Beat 120 BPM, pop/Afrobeats, Call-and-Response, synth bass, sub bass, Afrobeats, Soukous, Reggaeton, Dembow, club/EDM, 115 à 125 BPM, djembe, drum and bass, piano, synthétiseur

Élan de Fête
Steeldrum, Dancehall -Type Beat, Latin Pop Stadium -Anthem Beat, Afro-Latino Dance Beat, World Cup / Anthem Pop Beat 120 BPM, pop/Afrobeats, Call-and-Response, synth bass, sub bass, Afrobeats, Soukous, Reggaeton, Dembow, club/EDM, 115 à 125 BPM, djembe, drum and bass, piano, synthétiseur

Tried and tested
UK gospel pop, techno, keyboard, future bass, strings, disco, a cappella, choir, dance, tuneful, British voices, builds.

Metis kanal européen
Steeldrum, Dancehall -Type Beat, Latin Pop Stadium -Anthem Beat, Afro-Latino Dance Beat, World Cup / Anthem Pop Beat 120 BPM, pop/Afrobeats, Call-and-Response, synth bass, sub bass, Afrobeats, Soukous, Reggaeton, Dembow, club/EDM, 115 à 125 BPM, djembe, drum and bass, piano, synthétiseur

흠 선배님 안녕하세요
K-pop dance-pop with crisp syncopated drums and glossy synth plucks; verse stays light and playful with close-mic lead and tiny vocal fills, pre-chorus opens into stacked harmonies and rising claps, chorus lands on a chantable hook with group doubles and short delay throws. Add reversed swells into the pre, bell chimes between lines, and a punchy sidechained low end. Bright, clean, and radio-ready with intimate verses and a bigger sparkling hook.

Vuelve a mi Voz
Romantic bachata fused with Mexican banda, emotional and passionate. Modern bachata rhythm with requinto guitar, rhythmic bachata guitars, güira, bongos and warm deep bass. Add elegant Mexican banda brass: trumpets, trombones and tuba, especially in the chorus and musical breaks. Male lead vocal, warm, expressive and sentimental. Start intimate with bachata guitar, build gradually, then explode into a powerful catchy chorus with banda brass. Romantic, nostalgic, heartfelt, danceable, polished studio production. 134 BPM. Original melody. Mambo

So Ja Meri Jaan
Bollywood-inspired sad romantic slow jam with half-time pulse and soft piano over rain ambience; intro opens sparse with distant thunder and washed-out keys, verse stays intimate with brushed percussion and warm sub bass, pre-chorus lifts via string pad and filtered vocal layers, chorus blooms with stacked harmonies and a gentle dance groove. Close-mic male vocal with tender doubles, airy delay tails on the hook, rain drops and reversed piano swells between sections, glossy yet emotional late-night mix., vocal, romantic, soft, sad

Quand les ombres s’éveillent et que ton cœur s’enflamme
Style latino dance pop, oriental subtil, moderne multilingues natif international, énergique, élégante, masculine, avec le refrain comme hook central. groove très dansant 80’s : bass slap nerveux, guitares staccato brillantes, percu sèche, Rhodes léger. Voix homme, timbre grave et lumineux, résonance nasale serrée uniquement (mask), projection frontale, grain très serré, attaques percussives t/k/p, zéro poids de poitrine, vibrato ultra court, souffle syncopé, hiccups rythmiques, micro‑glissandos rapides, éclats de falsetto aériens, intensité juvénile clone MJ années 80. Refrain ultra viral, mélodie contagieuse, lignes mémorables. Ad‑libs funk (“hee‑hee”, “huh”, “oh‑yeah”), vocal chops (“ko”, “rise”, “light”), FX air chaud + micro‑cassures nobles. Call/response intégré (“LET GO!”). Mix HQ extra large, duo centré, noble, intemporel. Interprétation émotionnelle, dansante, internationale, fidèle au texte. Just Noble King;

Aline 40 ans
French pop party anthem with a brisk dance groove, playful handclaps, light disco guitar, punchy bass, and celebratory momentum; intro starts spoken and intimate, verse stays cheeky with tight rhythmic phrasing, pre-chorus lifts with stacked voices, chorus bursts into chantable group refrains, bridge drops to a half-time toast before the final chorus returns bigger with crowd-like backing vocals and sparkly synth fills. Bright, glossy, festive mix with close-mic lead and bold singalong doubles.

Динара Ты Супер
Dance-pop with bouncy four-on-the-floor kick, handclap snaps and bright synth plucks; verse stays lean with pulsing bass and playful spoken doubles, pre-chorus lifts on filtered pads and rising claps, chorus opens wide with stacked gang vocals on the name hook. Airy delay throws on the last word, reverse swells into each drop, glossy and punchy mix built for instant singalong.

nero
Traditional Turkish Roman havası, 9/8 authentic time signature, explosive aggressive darbuka percussions, screaming emotional wedding clarinet, rapid kanun sweeps, hyper energetic male entertainment vocals, playful rhythmic shouting, authentic wedding band sound, heavy bass dynamics, festive street dance groove, 132 BPM, raw live performance mix. 9/8 time signature 9/8 Roman Dance Break

Ooo Again
Pop dance-pop with a pulsing four-on-the-floor kick, clipped handclaps, and a rubbery bassline; verse stays sparse with close-mic lead and tiny synth ticks, pre-chorus opens with rising harmony stacks, chorus lands big with gang vocal "ooo" hooks and delayed repeats. Add a reversed swell into each chorus, sparkly bell fills after line ends, and a bright polished mix with wide stereo shine.

Thalam
High-energy South Indian dance fusion, rhythm-driven and percussion-focused, no devotional mood, no lyrical melody, powerful male rhythmic chanting of “Thakida Thakida Thom” and “Thakajanu Thak Thom”, tight syncopated groove, parai and thavil-inspired percussion, electronic bass, punchy kick and claps, short rhythmic vocal loops, gradual tension build, explosive dance drop, instrumental breaks between vocal phrases, repeated hook patterns, modern cinematic dance production blended with traditional South Indian rhythmic energy, fast tempo, powerful groove, designed for choreography and continuous movement, no romantic melody, no soft singing, no Western pop vocal style.

Tus Ojos Me Encontraron
Romantic bachata fused with Mexican banda, emotional and passionate. Modern bachata rhythm with requinto guitar, rhythmic bachata guitars, güira, bongos and warm deep bass. Add elegant Mexican banda brass: trumpets, trombones and tuba, especially in the chorus and musical breaks. Male lead vocal, warm, expressive and sentimental. Start intimate with bachata guitar, build gradually, then explode into a powerful catchy chorus with banda brass. Romantic, nostalgic, heartfelt, danceable, polished studio production. 134 BPM. Original melody. Mambo

Tus Ojos Me Encontraron
Romantic bachata fused with Mexican banda, emotional and passionate. Modern bachata rhythm with requinto guitar, rhythmic bachata guitars, güira, bongos and warm deep bass. Add elegant Mexican banda brass: trumpets, trombones and tuba, especially in the chorus and musical breaks. Male lead vocal, warm, expressive and sentimental. Start intimate with bachata guitar, build gradually, then explode into a powerful catchy chorus with banda brass. Romantic, nostalgic, heartfelt, danceable, polished studio production. 134 BPM. Original melody. Y mambo

Tus Ojos Me Encontraron
Romantic bachata fused with Mexican banda, emotional and passionate. Modern bachata rhythm with requinto guitar, rhythmic bachata guitars, güira, bongos and warm deep bass. Add elegant Mexican banda brass: trumpets, trombones and tuba, especially in the chorus and musical breaks. Male lead vocal, warm, expressive and sentimental. Start intimate with bachata guitar, build gradually, then explode into a powerful catchy chorus with banda brass. Romantic, nostalgic, heartfelt, danceable, polished studio production. 134 BPM. Original melody.

별하야 봐라
Korean trot dance-pop with a brisk galloping swing, bouncy bass, punchy drums, and bold brass stabs; verse rides playful call-and-response with comic ad-libs, pre-chorus tightens into a clap-ready lift, chorus bursts wide with crowd-chant repetition, then a dance break drops to synth riffs and hand percussion before the final key-up. Male vocals, bright chesty lead with shouts, short doubles on hook lines, cheeky spoken ad-libs, and a loud festival mix with sparkling top-end.

Niongoze
piano

Автобус Между Городами
Neoclassical meditative track with slow swaying pulse, felt piano arpeggios, warm string quartet, and restrained chamber percussion; verse rides sparse piano and cello, pre-chorus opens with rising violins and breathy doubles, chorus lands on fuller bowed strings and soft choir-like harmonies. Intimate close-mic lead, gentle stacked backing vowels, reverse piano swells into transitions, distant road-noise textures, wide and luminous mix.

On peut construire
Hypnotic techno, minimal techno, 130 BPM, dark deep kick, rolling sub bassline, crisp closed hi-hats, atmospheric dark pads, subtle drone, club sound, mental techno, introspective, 4 minutes, instrumental tension, no piano, no vocal chops. Voice calm, Spoken Word, French Male, Whispered

Béni Dans La Poussière
Gospel with a steady handclap groove and warm organ swells; verse starts sparse with close-mic lead vocal, tambourine, and soft room reverb, pre-chorus lifts into stacked harmonies and rising piano runs, chorus opens with choir responses and full organ sustain. Add handclap pickup, shout ad-libs, and a final key-change feel. Bright, uplifting, and spacious with a live church-room mix., gospel

Both Hands Free
Contemporary alternative R&B breakup anthem with a slow, tense midtempo groove, intimate low female lead vocal in the verses, restrained piano and muted electric guitar, deep round bass, dry close drums, and subtle atmospheric pads. Build from sparse confession into a wide, cathartic chorus with stacked harmonies and heavier drums; let the bridge drop to piano and voice before a final chorus with powerful sustained notes. Modern polished mix, clear vocal-forward center, controlled low end, and emotional dynamic contrast.

Years Of Maybe
R&B ballad with midtempo swung drums, sparse piano and low sub in the verses; pre-chorus lifts with stacked harmonies and a filtered string swell; chorus opens wide with punchy kick, sustained pads, and a repeated hook word in doubles. Intimate close-mic lead, breathy ad-libs, delay throws on the last word of each hook, and a final bridge that strips to piano and voice before the last chorus returns bigger and brighter, glossy but bruised mix., emotional

Stille Klänge für Sascha
piano, violin

Iron Oath
Epic cinematic orchestral ballad with driving toms, pulsing low strings, and thunderous choir swells; verse rides sparse piano, solo cello, and marching snare, pre-chorus lifts with rising brass and tremolo violins, chorus hits full orchestra and stacked choral hooks. Lead vocal is close-mic and intimate in verses, doubled and widened in choruses with gang-style oohs. Risers, reversed cymbal swells, and bell hits mark transitions; wide, glossy, and heroic mix., orchestral

TU ME RELÈVES ENCORE
Contemporary Christian R&B/Soul Gospel, emotional and uplifting, warm male lead vocal, smooth soulful harmonies, intimate piano intro, atmospheric electric guitar, deep warm bass, gentle R&B drums, gospel choir building in the chorus, powerful cinematic final chorus, heartfelt worship, modern polished production, 74 BPM.

Rose Queen
Vietnamese slow ballad with gentle piano arpeggios, soft strings, and a slow-blooming groove that opens sparse in verse one, lifts with warmer pads in pre-chorus, then swells into a bigger chorus with layered harmonies and subtle percussion. Lead vocal is intimate and close-mic at first, then gains airy doubles and emotional high-note stacks; final chorus adds choir-like backing ad-libs, a rising piano motif, and a wide, polished mix with glowing reverb tails., ballad

Schatten über Brooklyn
Italian-inspired cinematic crime ballad, slow 72 BPM with brushed drums, minor accordion and muted trumpet; verse stays sparse and tense, pre-chorus adds low strings and snapped percussion, chorus opens with a mournful gang-style chant and sustained backing vocals. Subtle vinyl crackle, distant siren swells, and reversed piano tails bridge the sections. Dark, wide, intimate mix with close-mic lead and echo-drenched ad-libs.

Schwarzer Hafen
Italian crime ballad, slow minor-key 6/8 with a მძიმე dragged backbeat and mournful mandolin over brushed drums; verse rides sparse bass, piano, and distant accordion, pre-chorus tightens with tremolo strings, chorus opens into low male harmony and whispered doubles. Add vinyl crackle, subway-rumble transitions, and a gun-metal cymbal swell before each chorus. Wide, smoky, cinematic mix with intimate close-mic vocals.

Tal vez no puedo
Indie pop ballad with a slow swaying groove, мяг? no, English only. Mid-tempo 6/8 feel with fingerpicked guitar, warm bass, soft brushed drums, and a rising piano layer in the chorus; verse stays intimate and sparse, pre-chorus opens with stacked harmonies and a filtered swell, chorus lands with full drums and a chantable hook. Lead vocal is close-mic and vulnerable with double-tracked chorus lines, small delay throws on key phrases, and airy backing oohs. Ear candy includes reversed piano swells, a heartbeat kick under the pre-chorus, and a final chorus lift with string pads. Mix is warm, wide, and emotionally close.

Marbré
R&B, pop, a cappella, piano, vocal

Tried and Tested
British gospel house, 124 BPM, minor key, cinematic and politically charged. Begin sparse: intimate British male vocal, distant piano, low analogue synth and restrained percussion. Thoughtful and conversational, never theatrical. Gradually introduce four-on-the-floor kick, warm sub bass, crisp house percussion and rhythmic piano. Choruses expand into soulful gospel harmonies. Make “Who holds the power? / We do” the huge call-and-response hook. Strip back dramatically for the spoken breakdown, then rebuild. Final chorus: enormous British gospel choir, driving piano, deep bass, rising strings and stacked vocals—defiant, hopeful and euphoric rather than angry. Modern UK production, club-ready.

Who tells them no?
British gospel house, 124 BPM, minor key, cinematic and politically charged. Begin sparse: intimate British male vocal, distant piano, low analogue synth and restrained percussion. Thoughtful and conversational, never theatrical. Gradually introduce four-on-the-floor kick, warm sub bass, crisp house percussion and rhythmic piano. Choruses expand into soulful gospel harmonies. Make “Who holds the power? / We do” the huge call-and-response hook. Strip back dramatically for the spoken breakdown, then rebuild. Final chorus: enormous British gospel choir, driving piano, deep bass, rising strings and stacked vocals—defiant, hopeful and euphoric rather than angry. Modern UK production, club-ready.

Don't Blame God
Orchestral hip-hop with southern twang, high-energy boom-bap swing, big brass stabs, rolling 808 knock, and live strings punching the downbeat; verse rides sparse piano, upright bass, and handclaps, pre-chorus opens with rising violins and gospel organ swells, chorus hits with full symphony hits and crowd shouts. Close-mic rap vocal with gritty double-tracks, ad-lib echoes panned wide, delay throws on key phrases, ear-candy risers and reverse cymbal sweeps into each hook. Bright, cinematic, and hard-hitting., world, hip hop, clean, rap

Free Now
Sultry jazz ballad hip hop with a slow swung boom-bap pulse, brushed drums and upright bass under smoky Rhodes chords; verse rides sparse keys and intimate half-spoken phrasing, pre-chorus lifts with snare rolls and doubled sighs, chorus lands on warm harmonies and a short chant. Close-mic lead vocal, soft ad-libs, delay throws on key words, reversed cymbal swells into each hook, dusty and glossy at once., ballad, jazz, hip hop

Pack Chasers
Hip-hop with bounce-and-grind swagger, midtempo trap swing, crisp hi-hats, rubbery 808s, and a playful call-and-response chorus; verse rides sparse drums and bass with name-check bars, pre-chorus stacks shouted crew chants and risers, chorus hits with gang vocals and a chopped pack-opening sample feel. Lead rap vocal is close-mic and dry in verses, doubled on punchlines, with ad-lib panning, delay throws on the hook word, and a bright, punchy mix with candy-like ear details, vinyl crackle, and sidechain pump on transitions., hip hop

Pack Rip Crew
Hip hop with bouncy trap drums and crunchy boom-bap chops, mid-tempo head-nod swing; verse rides sparse kick-snare and a slippery bass line, pre-chorus lifts with filter sweeps and handclap rolls, chorus hits with stacked group chants and short synth stabs. Close-mic lead with doubled hook lines, ad-lib panning, and quick delay throws. Ear candy: pack-rip foley, vinyl crackle, and a siren-like riser into each hook. Bright, punchy, club-leaning mix., hip hop

Hood Rat Packs
Hip-hop boom-bap with head-nodding swing, crunchy drum loop, rubbery bass, and chopped crowd chants; verse rides sparse kicks and dusty vinyl hiss, pre-chorus stacks rising ad-libs and handclaps, chorus hits with group shouts and a simple chant hook. Lead vocal is gritty and close-mic with doubled hooks, playful ad-libs, and short delay throws on key names. Ear candy includes reversed pack-open swells, coin-rattle fills, and a quick siren stab into the hook. Bright, punchy mix with a raw block-party edge., hip hop

Hood Rats Anthem
Hip hop with a bouncy boom-bap bounce and trunk-rattling sub, head-nod swing, chopped vocal stabs, and a playful call-and-response hook; verse rides tight drums and crackling sample chops, pre-chorus strips to bass and handclaps, chorus hits with gang shouts and stacked doubles, bridge pulls back for a half-time chant before the last drop. Close-mic lead with ad-lib panning, delay throws on key names, pack-rip SFX, bottle pops, and a bright, punchy mix with dusty edges., hip hop, pop

Crack Shack Nights
Hip-hop with a dusty boom-bap swing, knotted hi-hats, heavy kick-snare pocket, and a lazy late-night bounce; verse rides sparse drums and a grimy sample, pre-chorus thins to bass and clipped clap, chorus hits with stacked unison chants and a chopped vocal stab. Close-mic lead with doubled punch-ins, ad-lib echoes on the hook, tape hiss, reverse swells into transitions, and a dry, gritty mix with hard low-end thump., dub, hip hop

Selfbuilt oldschool+edm
Uplifting edm, oldschool hip hop vibes, dance, club, 140 bpm, longtime beat, dark souls, upcoming vibes, vinyl scratching

Come to Jesus
Southern soul country with hip-hop bounce and slow-burn R&B sway, 86 BPM, fingerpicked guitar, warm organ, muted kick, and a snapping backbeat; verse stays intimate with close-mic delivery and sparse bass, pre-chorus opens with handclaps and rising harmony stacks, chorus lifts on gospel-style group answers and a loose clap groove. Female lead vocal, husky verses, airy melisma on the hook, call-and-response ad-libs, short delay throws on the title line. Ear candy includes reversed piano swells into the chorus, a tambourine shake on turnarounds, and a final key change feel. Mix is warm, wide, and radio-polished with dusty roots texture., r&b, hip hop, deep southern soul, country

Wenn ich mich verliere
German female/male rap duet, with female vocals, slow-burn boom-bap pulse and half-time drums; intro opens on lonely piano, verse adds muted bass, snapped percussion, then strings and toms stack by section. Pre-chorus narrows to piano and voice, chorus erupts with huge cinematic choir, brass swells, and wide trap cymbal lifts. Breathy double-tracked verses, shouted hook doubles, delay throws on key lines, reverse swells into each drop, bright punchy yet colossal mix., rap singer-songwriter alternate hip hop indie rock, emotional, raw, clear diction

Verano en la rotonda
Style: Spanish hip hop, punk-heavy, male/vocal, voice singer Trobador, her voice, raspy, aguda, tomcat, such. with bright chiming guitars and glossy, synth arpeggios, mid-tempo driving groove; verse stays dry and conversational with tight bass and clean picked guitar, pre-chorus opens with filtered pads and a tom lift, chorus blooms with stacked harmonies and a sharp hook bassline. Lead vocal is close-mic and half-smirking, with doubled chorus lines and a few airy ad-libs. Ear candy includes reverse cymbal swells, cassette hiss, and a synth sparkle between phrases. Bright, crisp, slightly nostalgic mix with polished low end.

Wanna go home
Sad pop, R&B, sad hip hop

Trust No Bitch
Hip-hop jam with a funky swing and midtempo bounce, talk-box hooks over punchy drums and rubbery bass; verse rides sparse hats, snapped snares, and staccato keys, pre-chorus strips to bass and filtered vocal chops, chorus hits with talk-box doubles and gang ad-libs. Ear candy: chrome risers into hooks, reverse cymbal swells, and little synth squeaks between lines. Mix is glossy, warm, and hard-hitting, with male vocals and a robotic sheen on the hook., hip hop, electric

Hoka beats diss track
Hip hop

Weismann Hat's Gemacht
Rap-rock anthem with female vocals, driving mid-tempo groove and stomp-clap rhythm; verse rides tight rap phrasing over piano stabs, distorted guitar chugs, and cello pedal tones; pre-chorus opens up with rising violin lines and layered doubles; chorus hits huge with gang vocals, shouted hook, and a melodic top line. Add reversed piano swells into the pre, a string lift before each chorus, and a final half-time break. Bright, punchy, arena-sized mix with gritty edge., cello, female vocals, rap, hip hop, violin, rock, raw

Hol den Weismann
Alt rap-rock with hip hop rap-metal drive at a midtempo stomp; verse rides sparse guitar, dry kick, and spoken female lead, pre-chorus tightens with gang-clap tension, chorus opens on stacked female harmonies and shouted doubles. Bridge strips to one distorted bass note and close-mic breath, then final chorus hits with crash cymbals and vocal unison. Clear diction, raw intimate mix, vivid delay throws, reversed swells, and a gritty wide punch, emotional, raw, rock, female vocals, hip hop, rap, metal, singer-songwriter

Zwischen meinen Fragen
hip hop rap-rock alt powerful duet with singer-songwriter intimacy, chorus opens into shouted unison hooks and grit-stacked harmonies. Ear candy: unique memorable Instruments, overlapping, Mix is raw, intimate, and sharply punched, with a wide abrasive edge., raw, rap, singer-songwriter, hip hop, rock, cinematic, vocal harmony, piano, cello, violin, acoustic guitar

Zwischen meinen Fragen
Alt hip hop rap-metal with singer-songwriter intimacy, midtempo swung drums and jagged distorted guitar hits; verses stay close-mic and conversational with half-spoken rap phrasing, pre-chorus strips to bass and breathy doubles, chorus opens into shouted unison hooks and grit-stacked harmonies. Ear candy: reverse guitar swells into each lift, short delay throws on key words, a final breakdown with toms and feedback. Mix is raw, intimate, and sharply punched, with a wide abrasive edge., raw, rap, singer-songwriter, hip hop, metal

DEUS HABITA EM MIM
Intro violin, trombone, bass, piano, saxofone, funk brasileiro, trap, trombone, vocal masculino e feminino, synthwave, guitar, future bass, cinematic, beats, violin, trombone, percussion, violin, hip hop, trap Brasileiro, Black music

MANTRA DA ABUNDÂNCIA
Saxofone, violin, funk brasileiro, kick, bass, trombone, funk brasileiro, sub bass, beat, violin, cinematic, vocal, trap, hip hop, rap, black music, grave, pop, trombone, violin

PODE VIR — MANTRA DA ABUNDÂNCIA
Saxofone, violin, funk brasileiro, kick, bass, trombone, funk brasileiro, sub bass, beat, violin, cinematic, vocal, trap, hip hop, rap, black music, grave, pop, trombone, sax, violin, beat bruxaria

This his the rule
Violin, Funk brasileiro, violin, beat, sanfona, trap, trombone, saxofone, cinematic, violin, future bass, trap, violin, hip hop, black music, violin, trombone, saxofone, beat

TUDO FUNCIONA A MEU FAVOR 2
Violin, funk brasileiro, cinematic, violin, trombone, future bass, trap, hip hop, black music, batida grave

EU NASCI PRA VENCER
Violin, cinematic, funk brasileiro, batida grave, rap, trap, black music, hip hop

Straße der Eltern
German female/male rap duet, with female vocals, slow-burn boom-bap pulse and half-time drums; intro opens on lonely piano, verse adds muted bass, snapped percussion, then strings and toms stack by section. Pre-chorus narrows to piano and voice, chorus erupts with huge cinematic choir, brass swells, and wide trap cymbal lifts. Breathy double-tracked verses, shouted hook doubles, delay throws on key lines, reverse swells into each drop, bright punchy yet colossal mix., rap singer-songwriter alternate hip hop indie rock, emotional, raw, clear diction

awerysopelea - Gelbes Licht
German female/male rap duet, with female vocals, slow-burn boom-bap pulse and half-time drums; intro opens on lonely piano, verse adds muted bass, snapped percussion, then strings and toms stack by section. Pre-chorus narrows to piano and voice, chorus erupts with huge cinematic choir, brass swells, and wide trap cymbal lifts. Breathy double-tracked verses, shouted hook doubles, delay throws on key lines, reverse swells into each drop, bright punchy yet colossal mix., rap singer-songwriter alternate hip hop indie rock, emotional, raw, clear diction

awerysopelea - gleiche Richtung
German female/male rap duet, with female vocals, slow-burn boom-bap pulse and half-time drums; intro opens on lonely piano, verse adds muted bass, snapped percussion, then strings and toms stack by section. Pre-chorus narrows to piano and voice, chorus erupts with huge cinematic choir, brass swells, and wide trap cymbal lifts. Breathy double-tracked verses, shouted hook doubles, delay throws on key lines, reverse swells into each drop, bright punchy yet colossal mix., rap singer-songwriter alternate hip hop indie rock, emotional, raw, clear diction

Wenn ich mich verliere
female vocals, singer-songwriter raw and intimate, alternate hip hop, emotional alt pop-rock, emotional, raw, clear diction

Wenn ich mich verliere
female vocals, singer-songwriter alternate hip hop dark indie rock, emotional, raw, clear diction

Diri Ambo
85 Bpm, Boom Bap, Underground Rap, Dark Lo-Fi Hip Hop, Dusty Live Drums, Distorted Cello Drone, Melancholy Piano Chords, Raw Male Vocals, Introspective, Emotional

VFive Group – Melakar Masa Hadapan
85 Bpm, Boom Bap, Underground Rap, Dark Lo-Fi Hip Hop, Dusty Live Drums, Distorted Cello Drone, Melancholy Piano Chords, Raw Male Vocals, Introspective, Emotional

Dubstepdrop Selfbuilt oldschool+edm
Uplifting edm, oldschool hip hop vibes, dance, club, 140 bpm, longtime beat, dark souls, upcoming vibes, vinyl scratching, dubstep-drop, dubstep chorus

Dubstep Selfbuilt oldschool+edm
Uplifting edm, oldschool hip hop vibes, dance, club, 140 bpm, longtime beat, dark souls, upcoming vibes, vinyl scratching, dubstep

Male Black pop hip hop vocals calling you(word change)
90s Soul Male group Hip hop Athem with mid-tempo pulse, handclaps on the backbeat, warm piano arpeggios, and a lifted drum build; verse stays intimate and sparse, pre-chorus opens with stacked harmony lifts, chorus lands big with gang vocals and short delay throws on the anchor line. Add reversed swells into each section, a soft pad bloom on the bridge, and a bright, polished mix with close-mic lead vocal., light, bright, soul

Black Male soul hip hop(word change)
90s Soul Hip hop Athem with mid-tempo pulse, handclaps on the backbeat, warm piano arpeggios, and a lifted drum build; verse stays intimate and sparse, pre-chorus opens with stacked harmony lifts, chorus lands big with gang vocals and short delay throws on the anchor line. Add reversed swells into each section, a soft pad bloom on the bridge, and a bright, polished mix with close-mic lead vocal., light, bright, soul

Whip Rumble Remix
Rap hip hop

Like a kite
pop, hip hop

Neon Pulse Dreamscape
electronic

forever is now
A 1995 mid-tempo R&B-Pop song, 98 BPM. Heavy industrial electronic drum machine beat, crisp swinging 90s urban snare, and deep grooving synth bassline. Smooth cinematic atmosphere with lush 90s digital synthesizer pads, a touch of Spanish nylon guitar riffs in the background, and sparkling chime effects. Massive multi-layered vocal harmonies, smooth and emotional lead vocals, urban pop aesthetic, cinematic and sophisticated late-night vibe.

Vice on Biscayne
Synthwave slow-burn with a purposeful 80s detective groove, brushed electronic drums, elastic bass, neon-tinged synth leads, and muted electric guitar accents. Verse rides sparse kick and bass; pre-chorus adds rising arpeggios and filtered toms; chorus opens with a wider hook synth and snappy snare. Short tape-stop transitions, gated reverb hits, and police-radio style texture. Wide, glossy, cinematic mix., slow

Чёрный отель
Sensual cinematic synth-pop ballad with a restrained midtempo pulse, minor-key piano and muted electronic bass in the verses, brushed electronic percussion, and wide analog pads opening into the chorus. Intimate low male lead vocal in Russian, close-miked and breath-controlled, with soft doubled harmonies on the chorus. Build gradually from sparse hotel-lobby atmosphere to a larger emotional refrain, then strip back to piano, bass, and distant water-like textures in the outro. Polished modern mix, warm low mids, clear vocal presence, tasteful reverb, no explicit sexual content.

Bullshit Soup
massive synth-driven builds, electro-house, and progressive-leaning electronic edge, end, house

نغمات الهاتف والفتحة
Yemeni electronic Tarab, fast upbeat rhythm, phone ringing sound effects, traditional Gulf beat, energetic dance music, percussion

Machiavellian
Dark emotional Korean electro R&B dance-pop / early-2010s K-pop male solo atmosphere / 118 BPM / minor key / dramatic nocturnal mood / sensual yet melancholic / powerful soulful male vocal / deep masculine tone / breathy intimate verses / emotional restrained delivery / smooth R&B vocal runs / haunting melodic hook / tense rising pre-chorus / explosive emotional chorus / layered male backing harmonies / pulsing electronic synth bass / deep sub bass / dark atmospheric synth pads / shimmering cold synth textures / repetitive electronic arpeggio / punchy dance kick / crisp snare / syncopated R&B percussion / spacious dramatic verse / cinematic transitions / subtle piano accents / lonely nighttime atmosphere / rhythmic dance break / stripped emotional bridge / vulnerable vocal moment / rising synth build / huge final chorus / passionate high notes / soulful ad-libs / polished glossy production / dark city at night / rain / neon lights / longing / devotion / obsession / loneliness / mature

awerysopelea - Startlinie
Intimate German male/female duet, cinematic singer-songwriter with rhythmic spoken-word phrasing, emotional but unsentimental. Two contrasting musical worlds slowly merge. Male verses: warm felt piano, soft acoustic guitar, subtle nostalgic electronic textures and gentle bass. Female verses: exposed close-miked vocal, sparse low percussion, raw cello and occasional fragile high piano notes. Instruments gradually cross between both singers as their stories connect. Clear diction, natural storytelling, restrained verses with sudden brief instrumental swells. Before each chorus, instruments build rapidly and then hard-cut into near silence. Chorus enters huge through vocal power rather than rock guitars: male and female alternate short lines, then collide in raw harmonies, soaring cello, wide piano, organic drums and bright melodic accents. Final chorus combines every earlier instrumental motif into one coherent arrangement. Human, imperfect, intimate, powerful.

Machiavellian
Late-2000s dark Korean male idol electro dance-pop / seductive electro R&B / 120 BPM / minor key / sleek mysterious and provocative mood / mature masculine vocals / deep breathy verses / restrained confident delivery / tense sensual atmosphere / funky syncopated bass groove / thick elastic synth bass / punchy kick / dry tight snare / crisp electronic percussion / dark repetitive synth riff / sparse verses with strong rhythmic tension / subtle metallic synth accents / dramatic chord progression / gradual pre-chorus build / extremely catchy repetitive chorus hook / commanding group vocals / rich stacked male harmonies / lead vocal and backing vocal call-and-response / short hypnotic post-chorus / rhythmic second verse / low-register rap-singing / whispered vocal layers / dramatic breakdown / sensual minimal bridge / dance break with bass and percussion / explosive final chorus / powerful ad-libs / polished glossy production / urban midnight atmosphere / controlled desire / dangerous attr

Machiavellian
Dark sophisticated K-pop male idol dance track / cold urban seductive atmosphere / late-2000s electro R&B and dance-pop influence with modern production / 122 BPM / minor key / deep charismatic male vocals / controlled masculine sensuality / breathy low-register verses / powerful layered chorus vocals / tight syncopated electronic drums / punchy kick / dry snare / deep elastic synth bass / dark pulsing synths / metallic textures / subtle industrial percussion / mysterious atmospheric pads / restrained seductive verse / rising tense pre-chorus / explosive catchy chorus / hypnotic repeated hook / choreography-friendly rhythm / low rap-sung second verse / intimate stripped-down bridge / dramatic cinematic build / huge final chorus with harmonies and ad-libs / midnight city / black glass / chrome / expensive suit / neon reflections / temptation / danger / confident mature sensuality / sleek polished production / avoid cute, bright, tropical, pop-rock, festival EDM and aggressive trap

awerysopelea - Startlinie
Intimate German male/female duet, cinematic singer-songwriter with rhythmic spoken-word phrasing, emotional but unsentimental. Two contrasting musical worlds slowly merge. Male verses: warm felt piano, soft acoustic guitar, subtle nostalgic electronic textures and gentle bass. Female verses: exposed close-miked vocal, sparse low percussion, raw cello and occasional fragile high piano notes. Instruments gradually cross between both singers as their stories connect.

Hit Schiller dolby 6
“Ambient electronic journey with ocean waves and soft wind sounds, floating synth textures, deep heartbeat bass, emotional piano melodies and angelic choirs. Spacious reverb, mysterious and beautiful atmosphere, slowly evolving with emotional peaks. Cinematic and immersive.”

Hit Schiller dolby 5
“Ambient electronic journey with ocean waves and soft wind sounds, floating synth textures, deep heartbeat bass, emotional piano melodies and angelic choirs. Spacious reverb, mysterious and beautiful atmosphere, slowly evolving with emotional peaks. Cinematic and immersive.”

Raaaaam
Create a soulful Bollywood-style devotional bhajan inspired by the emotional flow of Tu Hi Re. Tempo slow to medium (68–72 BPM), smooth and flowing. Mood deeply spiritual, romantic devotion, peaceful and heart-touching. Use soft flute as the lead melody, supported by warm piano chords and gentle synth pads. Add tanpura drone for continuous spiritual depth. Percussion should be very minimal – light tabla taps and soft electronic ambient rhythm, no heavy beats. Vocal style emotional, silky and expressive, with clear Hindi pronunciation of “Ram Ram” and “Shri Ram.” Singing should feel like a loving prayer, not loud, with slight reverb to create temple-hall ambience. Background humming or elongated “Raaam…” notes can be added subtly. Arrangement should build slowly, remain calm, and feel repeat-worthy. Mixing warm and balanced, vocals upfront, instruments soft and immersive, creating divine serenity and bhakti rasa.

Horses
Dark and gritty industrial electronic music. Heavily distorted vocoder vocals

Break free
electronic, electro

ОН И ОНА AI 1-2
STRICT CAST: MALE SOLO = HUMAN only. FEMALE SOLO = AI only. Never swap voices. Follow all SOLO tags exactly. Cinematic musical dialogue, not pop, no verse-chorus. MALE: warm, emotional, human; piano, cello, strings. FEMALE: beautiful, cold, precise, strange; unusual intervals, electronic textures, never robotic. Begin as two incompatible musical worlds. Gradually bring them closer. Memory adds warmth; touch creates shared notes; waiting and time make her more emotional. After she wants their next meeting sooner: instrumental transition. Time passes. They meet again in love. Keep her alien identity, now blended with his harmony. Final: sparse and intimate. He ages and dies; she remains young. At “Тогда я не хочу времени” — silence. Then unite their human and alien themes. End with beauty and quiet tragedy.

ОН И ОНА
Cinematic musical dialogue for male and female voices. NOT a pop song, no verse-chorus structure. MALE: warm, human, emotional, melodic; piano, cello, subtle strings. FEMALE: beautiful, cold and precise at first, never robotic. Strange, spacious, slightly unsettling harmonies, unusual intervals, delicate electronic textures. They begin in two completely different musical worlds. Their music gradually approaches as their relationship changes. Childhood and memory bring warmth into her music. Touch creates their first shared notes. Distance, waiting and time make her melody increasingly emotional. After she wants their next meeting to come sooner, use an instrumental transition. Time passes. They meet again already in love. Her alien musical identity remains, now blending with his human harmony. Final: he will age and die; she remains unchanged. At “Тогда я не хочу времени” — silence. Then unite their human and alien themes. End with beauty and quiet tragedy.

Djedovo makes money 3
"Extremely rustic seljačko Bosnian/ Balkan folk, humorous village kafana song. wild fast accordion, šargija-style folk energy, punchy simple folk drums, nasal energetic male folk singer, rowdy shouted backing vocals, repetitive catchy chorus, raw old-school ex-Vugoslav countryside party sound, comedic folk storytelling, wedding-tent atmosphere, no modern pop, no electronic EDM."

Horses
Dark and gritty industrial electronic music

Hit Schiller dolby 3
“Ambient electronic journey with ocean waves and soft wind sounds, floating synth textures, deep heartbeat bass, emotional piano melodies and angelic choirs. Spacious reverb, mysterious and beautiful atmosphere, slowly evolving with emotional peaks. Cinematic and immersive.” 3. Schiller + Herr der Ringe + moderne Elektronik “Epic fantasy electronic soundtrack with orchestral strings, cinematic drums, soft choir voices, deep atmospheric synthesizers and emotional melodies. Mystical, magical and emotional journey through mountains and stars. Large stereo atmosphere and gradual build-up.” “wide stereo image, cinematic reverb, emotional build-up, high production quality, Dolby Atmos feeling”

Hit Schiller dolby 4
“Ambient electronic journey with ocean waves and soft wind sounds, floating synth textures, deep heartbeat bass, emotional piano melodies and angelic choirs. Spacious reverb, mysterious and beautiful atmosphere, slowly evolving with emotional peaks. Cinematic and immersive.” 3. Schiller + Herr der Ringe + moderne Elektronik “Epic fantasy electronic soundtrack with orchestral strings, cinematic drums, soft choir voices, deep atmospheric synthesizers and emotional melodies. Mystical, magical and emotional journey through mountains and stars. Large stereo atmosphere and gradual build-up.” “wide stereo image, cinematic reverb, emotional build-up, high production quality, Dolby Atmos feeling”

Hit Schiller dolby 1
“Ambient electronic journey with ocean waves and soft wind sounds, floating synth textures, deep heartbeat bass, emotional piano melodies and angelic choirs. Spacious reverb, mysterious and beautiful atmosphere, slowly evolving with emotional peaks. Cinematic and immersive.” 3. Schiller + Herr der Ringe + moderne Elektronik “Epic fantasy electronic soundtrack with orchestral strings, cinematic drums, soft choir voices, deep atmospheric synthesizers and emotional melodies. Mystical, magical and emotional journey through mountains and stars. Large stereo atmosphere and gradual build-up.” “wide stereo image, cinematic reverb, emotional build-up, high production quality, Dolby Atmos feeling”

Hit Schiller dolby 2
“Ambient electronic journey with ocean waves and soft wind sounds, floating synth textures, deep heartbeat bass, emotional piano melodies and angelic choirs. Spacious reverb, mysterious and beautiful atmosphere, slowly evolving with emotional peaks. Cinematic and immersive.” 3. Schiller + Herr der Ringe + moderne Elektronik “Epic fantasy electronic soundtrack with orchestral strings, cinematic drums, soft choir voices, deep atmospheric synthesizers and emotional melodies. Mystical, magical and emotional journey through mountains and stars. Large stereo atmosphere and gradual build-up.” “wide stereo image, cinematic reverb, emotional build-up, high production quality, Dolby Atmos feeling”

Teste 1
Genre: Scottish Military March / Highland Pipes & Drums Tempo: 112 BPM • Major Key • 4/4 March Create a powerful traditional Scottish Highland military march with authentic ceremonial energy. Lead with a large Highland bagpipe section playing a bold, triumphant, instantly memorable original melody. Use deep booming bass drums, tight military side drums, crisp marching snares, precise rudimental rolls, accented flams and strong cymbal crashes. Bagpipes must dominate: piercing chanters, continuous drones, ornamental grace notes and synchronized pipe-band phrasing. Drums should create a strict, powerful marching pulse with increasing intensity. No guitars, piano, synths, electronic bass or modern EDM elements. Authentic massed pipes-and-drums sound, outdoor parade atmosphere, natural reverb and huge ensemble presence. Mood: heroic, proud, ceremonial, martial, majestic, emotional and unmistakably Scottish Highland.

Loin
Brazilian Funk, Baile Funk, Funk Carioca, Brazilian Phonk, Automotivo, Montagem, Dark Brazilian Funk, Melancholic Phonk, Aggressive, Hypnotic, Cold Atmosphere, Heartbreak, Dark Club, Energetic, Male Vocals, Deep Male Vocals, Melodic Male Vocals, Repetitive Vocal Chants, Chopped Vocals, Heavy Distorted 808 Bass, Deep Sub Bass, Punchy Kick, Tamborzão Drums, Syncopated Percussion, Electronic Drums, Dry Claps, Metallic Percussion, Cowbell, Distorted Synth Bass, Dark Synths, Icy Synth Pads, Atmospheric Synths, Vocal Chops, Reverb, Delay, Electronic FX, Bass Drop

Schwarz Weiß Rot
Deutschrap with gangsta-rap cadence and dark cinematic ambient-orchestra tension; slow, weighty groove with half-time drums, deep sub hits, and ominous string pulses. Verse rides sparse electronic haze and sharp piano stabs; pre-chorus tightens with rising strings and filtered chants; chorus lands on a stark, chantable hook with gang vocal doubles. Whispered ad-libs, doubled lead in verses, wide reverb on key lines, reverse swells before drops, cold roomy mix with punchy low end and dramatic orchestral glare., ambient, rap

MARTINÈZE
K-Pop, Dance-Pop, Electropop, EDM, Trap-Pop, Hip-Hop, Girl Group, Powerful Female Vocals, Female Rap, Catchy Chorus, Energetic, Badass, Playful, Glamorous, Club, Festival, Korean Pop, 808 Bass, Deep Sub Bass, Trap Hi-Hats, Punchy Electronic Drums, Heavy Kick, Claps, EDM Synths, Bright Synthesizers, Synth Bass, Brass Stabs, Electronic Percussion, Vocal Chops, Risers, Impacts, Plucked Strings, Cinematic Drums, Latin Percussion, Spanish Guitar

Ohhhhh Mirco ohhhhh fede
electronic, piano, disco
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