Songs created with Voices AI

Songs made with Voices AI bring voice technology into music - from covers to original tracks. Hear how creators and our community are using AI voices to explore new sounds and ideas.

New Releases

Brilho de Mãe

Brilho de Mãe

Funk consciente brasileiro, feminino, 95 BPM, batida leve e emocionante. Introdução falada por uma menina de 12 anos, voz doce e sincera. Versos em rap falado e refrão melódico, clima de homenagem para a mãe no aniversário. Música alegre, emocionante e familiar, sem conteúdo adulto, com final marcante dizendo "Feliz aniversário, mãe. Eu te amo!".

Muddy Shoes

Muddy Shoes

Children's singalong with bouncy handclaps, simple acoustic guitar, and a bright marching groove; verse lists the muddy mess, pre-chorus softens into Mom's comfort, chorus jumps into a cheerleader-style repeat with claps and group shouts, then a tiny bridge strips to voice and snaps before the final singalong lift. Lead vocal is warm and close, with childlike doubles on hooks, call-and-response backing phrases, and a sunny, clean mix with little bell fills between lines., sad, happy, clean

Dry Glass Sky

Dry Glass Sky

Downtempo dance-pop with female vocals, swung four-on-the-floor kick, clipped hi-hats, rubbery bass, and shimmering synth plucks; verse stays intimate with sparse drums and dry handclaps, pre-chorus opens with rising pad swells and filtered vocal repeats, chorus lands with a bigger pulse and stacked harmonies on the hook. Breathy lead with close-mic doubles, whispered ad-libs, and delay throws on the last word of each hook line. Ear candy includes reverse cymbal swells, glassy arpeggios between phrases, and a soft sidechain pump on the chorus. Bright, polished, and glossy with a clean low end., downtempo, female vocals, pop

Gopak

Gopak

Altwenative Experimental, melodic, folkhop, folkbeatbox, unique unusual pronouncements, на хвилі мелодії піниться бандур вокал серфінгує, instrumental orchestral dj wave, drumobandura and bass bandura, trako parfenyuk vocal style

An Ode To The Woof!

An Ode To The Woof!

saxophone, guitar, pop punk, ukulele, accordion, synthesizer punk

Ecos de Luz Silente

Ecos de Luz Silente

Poesía, reflexión, música acústica instrumental

Paper Thin Swagger

Paper Thin Swagger

Hip-hop roast rap with a bouncy mid-tempo swing, tight kick-snare pockets, playful bass snaps, and stop-start arrangement; verses stay sparse and mean with crisp double-tracked lines, pre-chorus leans into clipped chant phrasing, chorus lands on a smug gang-vocal hook with short delay throws on the punchline word. Ear candy includes vinyl cuts, reverse risers into each hook, and handclap fills. Bright, punchy, mischievous mix with a sharp vocal front.

Marée de Verre

Marée de Verre

Cold wave / post-punk with brittle drum-machine pulse, angular bassline, and reverb-scraped guitar stabs; verse rides sparse low-end and dry spoken-sung phrasing, pre-chorus tightens with tremolo guitar and rising toms, chorus opens into a grim chant with doubled vocals. Add reversed noise swells, tape flutter between lines, and a clipped synth drone in the transitions. Cold, spacious, and starkly analog with an intimate, haunted mix., experimental, punk

Screeching Silence

Screeching Silence

DUNNN… …tick… tick… tick… BWAAAAHHHHM… low cello rise… dark piano tap… doom… doom… DOOM… shhhhhhhh… KRAKKK! violin scrape — heartbeat bass — echo horns in the distance… BUM… bum… bum… bum… TENSION RISING feet stepping through puddles… TSSSSSS… metal chain drag… wind howl… BOOM… BOOM… pause… tiny piano notes… ding… ding… ding ding… RRRRMMMMM… bass swell growing louder… orchestra stab — HAH! DUN DUN DUNNNNN… rapid drums begin… tak tak tak tak BOOM tak tak tak tak BOOM sirens fade in… crowd yelling muffled… BRAAAAAAMMMMM!!! full strings attack… heavy war drums pounding… THUD! silence… single violin note holding… eeeeeeeeeeeee… then suddenly — KABOOM! all instruments crash together… choir chanting low… “OHHHHH… OHHHHH…” fast percussion chase rhythm: doom-tak doom-tak doom-tak doom-tak KICK KICK SNARE KICK KICK SNARE cinematic horns climbing higher… tension… tension… tension… then CUT TO BLACK with one final: BOOOOOOMMMMMM.

Feria de la piña

Feria de la piña

Future house, reggaeton

Marée Haute

Marée Haute

Deep House with a laid-back midtempo groove, four-on-the-floor kick, resonant sub-bass, sleek synth stabs, and smooth saxophone flourishes; verse keeps it sparse and hypnotic, pre-chorus opens with filtered pads and rising tension, chorus lands warmer with a singable chant and sax answer phrases. Dual male-female vocals with intimate close-mic leads, layered doubles on the hook, airy ad-libs, short delay throws, shimmering risers, and a wide polished mix built for beach club nights., deep house, saxophone, chanson

Two Fleas In A Pond

Two Fleas In A Pond

Alt-pop with swampy groove, mid-tempo swung drums and rubbery bass; verse stays sparse with clipped guitar and handclap snaps, pre-chorus tightens into filtered synth lift, chorus opens wide with stacked gang vocals and a chanty hook. Lead vocal is intimate and dry in verses, doubled and slightly pitched on the hook, with delay throws on the name drop. Ear candy includes frog-like synth blips, reversed coin swells into each chorus, and a sub drop on the last line. Bright, punchy, slightly grimy mix.

92i

92i

shatta français 110 bpm

الدنيا خدتني

الدنيا خدتني

Arabic pop with a mid-tempo swung groove and warm darbuka layers; verse rides sparse keys and hand percussion, pre-chorus opens with rising strings and claps, chorus hits with stacked gang vocals and a simple octave melody. Lead vocal stays intimate in verses with doubles on key lines, short delay throws on the hook, and a filtered lift into each chorus. Ear candy includes reversed swells before the chorus, a tambourine pickup, and a final post-chorus chant. Bright, polished, and emotional mix with a clean low end.

Un choix

Un choix

Tecno dance

مجلس الزحازيح

مجلس الزحازيح

Arabic tribal chant with proud folk percussion, marching hand claps, and warm oud phrases; verse lines carry the named guests in a ceremonial roll-call, pre-chorus lifts with stacked male chants, and the chorus opens wide with group vocals and shout-backs. Add darbuka fills, frame-drum rolls, and a final handclap break before the last refrain. Bright, spacious mix with an earthy live-room feel.

Ritmul Luminilor Sfinte

Ritmul Luminilor Sfinte

Soft rock, canon, Praise and worship, choir song, hymns song, piano, guitars, drums, energic song, soundtrack

Maribel y Carlos

Maribel y Carlos

Latin pop ballad with a steady mid-tempo pulse, gentle syncopated drums, warm electric guitar arpeggios, and a rising piano line; verse stays intimate and close-mic, pre-chorus opens with layered harmonies and a filtered build, chorus lands with fuller drums and a singable melodic lift. Breathier lead vocal in verses, doubled on hooks, with echo throws on the last word of each chorus line. Soft shaker lift, reverse piano swell into the chorus, and a glossy, emotional mix with bright top end.

هب السعد

هب السعد

Khaleeji wedding anthem with a luxurious slow sway, regal folk percussion, warm oud phrases, glossy strings, and handclap accents; verse stays graceful and spacious, pre-chorus lifts with choral swell and rising tabla fills, chorus blooms with doubled lead vocals and bridal gang responses. Elegant, ceremonial mix with wide reverb, polished lows, and sparkling ornamental ear candy.

مهرجان الألوان

مهرجان الألوان

Latin pop-reggaeton with dembow-locked groove at a bright dance tempo; verse rides tight percussion, handclaps, and a bouncing bass line; pre-chorus strips to shakers and a rising synth, chorus hits with brass stabs, crowd chants, and stacked backing vocals on the hook. Lead vocal stays playful and close-mic, with doubled lines, short delay throws, and ad-lib pings; add reversed swells before each drop and a glossy, punchy mix with wide percussion

Dreams carved in my soul

Dreams carved in my soul

Create a fully acoustic emotional piano ballad. The piano must be the main instrument from start to finish. Use a warm grand piano with broken chords, raw raspy male vocals, soft acoustic guitar, subtle cello, gentle strings, light brush drums, and warm gospel-style backing vocals near the final chorus. The song should feel painful, hopeful, spiritual, and powerful. Start very intimate with solo piano and voice, then slowly build into a big emotional chorus. Keep everything organic and acoustic. No synths, no electronic drums, no heavy guitars. Style: acoustic heartland rock ballad, Southern gospel soul, cinematic piano ballad. Tempo 72–78 BPM. Mood: faith, survival, dreams, redemption, pain turning into hope. Final chorus should feel huge but still natural and acoustic. End with voice and piano only.

Sargija Kamancha Frula Lyra

Sargija Kamancha Frula Lyra

Balkan sargija, vocal harmony, guitar, kamancha, frula, Greek Pontic lyra, and one traditional drum, instrumental

Ritmul Luminilor Sfinte

Ritmul Luminilor Sfinte

Canon version, Praise and worship, choir song, hymns song, piano, guitars, drums, energic song,

Žiarivé Káble Vzduchu

Žiarivé Káble Vzduchu

Industrial, elektrická guitar, synth-pop

Poslední žetony

Poslední žetony

Tender Czech pop-folk with a twilight fairground pulse, accordion carrying the melody, brushed percussion, upright bass, and a warm carnival organ that swells into the chorus; intimate male vocals, vivid crowd-sound atmosphere, and a gentle lift on the final refrain

우리사이는

우리사이는

Kpop / exciting / dance song / career male walking proudly on the city / excitedly / Powerful female voice

Cartão-Postal em Azul e Ouro

Cartão-Postal em Azul e Ouro

Sweeping orchestral big-band crossover: lush strings and warm brass evoke classic mid-century Manhattan grandeur, with brushed snare, walking bass, and velvety clarinet. Verses stay intimate around crooner-style male vocals; chorus blooms into full ensemble swells and backing “oohs”. Final section shifts into a subtle Brazilian color with light samba-jazz percussion, nylon-string guitar, and playful woodwinds, ending on a rich, cinematic cadence.

Feria Morazán Yoro 2026

Feria Morazán Yoro 2026

salsa, electro, coro marcado mucha alegria, fiesta, redoble coros, efecto hit

Echoes of the Silent Field

Echoes of the Silent Field

Vocally clear and natural tone, fair and balanced delivery. low drone harmony (male) • or a soft female airy layer (for contrast) Classic guitar with Gentle Irish folk influence subtle flamenco influence and light rasgueado accents. Phrygian and Balkan influence infusion. Acoustic bass and percussion. tension-driven phrasing, dramatic dynamics, cinematic intensity, minimal reverb, raw and human performance

Ingen vei med hat

Ingen vei med hat

Dark, tense Scandinavian pop-rap, minor-key piano motif over heavy, slow-bouncing drums, gritty bass. Male vocals that shift from cold, almost spoken verses into an anthemic, shouted hook with gang-style backing. Arrangement builds from sparse first verse to a wall-of-sound final chorus with distorted synth swells and sharp percussive hits, spotlighting the moral turn-away from extremism.

Om Rahand Mouad Mert

Om Rahand Mouad Mert

Hypnotic desert-pop groove with hand percussion, deep drones, and reverb-washed guitars; male vocals in a chant-like cadence that blooms into a wide, soaring hook. Sub-bass pulses under claps and frame drum hits, with airy pads lifting the chorus. Bridge strips to voice and drone before everything crashes back in for a final refrain.

Harter Bass, Heiße Haut

Harter Bass, Heiße Haut

Relentless German techno banger with female vocals; distorted kick and sub-heavy bass drive a hypnotic 130–135 BPM groove. Sparse, percussive synth stabs and filtered risers build heat into each drop. Verses are almost spoken, close-mic and teasing; choruses open with breathy stacked chants and a saturated lead. Occasional stuttered vocal chops between phrases heighten the erotic tension., german techno

Love is the Way

Love is the Way

Warm neo-soul / lo-fi hip-hop fusion with a relaxed, head-nod groove. Tempo around 70–80 BPM with a swung, Dilla-style rhythm (slightly off-grid timing, human feel, not quantized).

Jordanow odwyk

Jordanow odwyk

92 bpm hip hop story telling

Midnight Rooftop Cipher

Midnight Rooftop Cipher

rap, Moody boom-bap with dusty vinyl crackle and swung drums, melodic bassline and chopped jazz piano loop; subtle reverse textures in the intro. Beat builds by adding filtered strings and distant vocal chops, then strips back to drums and bass for a head-nod section before a layered, slightly wider outro., hip hop

Midnight Witching Hour

Midnight Witching Hour

Cloud rap, Hip-hop, Trap, Emo Trap

Insane Ger-Eng

Insane Ger-Eng

Electro Swing + Dark Cabaret + Villain Show Song

Bajo Tu Ventana

Bajo Tu Ventana

Latin pop ballad with a gentle mid-tempo swing, brushed percussion and warm guitar arpeggios; verse stays intimate with sparse keys, pre-chorus lifts with stacked harmonies and a rising bass line, chorus opens with full drums and a singable hook. Lead vocal is close-mic and tender, with doubled lines on the chorus and soft ad-libs at phrase ends. Ear candy includes reversed swells into the pre-chorus, a chime figure between lines, and a final chorus lift. Bright, polished, emotional mix with a glossy radio sheen.

R K

R K

Country pop

Όσο υπάρχω άραβ

Όσο υπάρχω άραβ

Traditional Arabic love duet, deep emotional male and female vocals, authentic maqam Hijaz and Bayati, passionate vocal improvisations, oud, qanun, ney, violin taksim, rich Arabic orchestra, darbuka, riq, slow romantic rhythm, intense longing, timeless Middle Eastern love song, heartfelt call and response, authentic Arabic tarab, warm analog recording, live musicians, soulful ornamentation, emotional climax, no pop, no EDM, no western style, authentic Arabic atmosphere.

Luz de Guerra e Amor

Luz de Guerra e Amor

Rap romântico. Rap agressivo e romântico., metal, country pop

Promesse qui s’efface

Promesse qui s’efface

French chanson-pop mid-tempo with a restrained 4-on-the-floor pulse, warm bass and sparse piano in verses; pre-chorus opens with rising strings and snapped hand percussion; chorus blooms with layered harmonies, soft claps, and a delayed lead vocal. Breathier close-mic verses, doubled choruses, a few intimate ad-lib echoes, reverse swells into each lift, glossy but ache-filled mix.

Weekend Dayshift Deputy

Weekend Dayshift Deputy

Country Pop, Funny, Upbeat, guitar, drums, comedy, comedian, Pop

दूसरा जन्म

दूसरा जन्म

Hindi cinematic pop-ballad with a steady mid-tempo pulse and gentle syncopated percussion; verse stays sparse with piano and low strings, pre-chorus opens with rising pads and breathy doubles, chorus lands on a wide melody with stacked harmonies and a chantable anchor phrase. Add soft risers, reversed piano swells, and a final lift with strings and handclaps. Intimate close-mic lead, emotional backing vocals on the hook, polished and expansive mix.

Zyon Zanga

Zyon Zanga

Brazilian funk-pop with trap drums and bouncy dembow accents; verse rides tight percussive flow and playful stop-start phrasing, pre-chorus strips to claps and bass pulses, chorus hits with stacked chants and a bright synth lead. Vocal is close-mic, confident, with doubled hook lines, ad-lib echoes, and gang vocals on the anchor phrase. Ear candy includes risers into the chorus, reversed swells before the drop, and short delay throws on key words. Mix is glossy, punchy, and club-ready.

Ment Her in Chicago

Ment Her in Chicago

Country-pop with steady mid-tempo two-step groove, picked acoustic guitar and warm kick-snare; verse rides sparse steel guitar and bass, pre-chorus opens with tambourine lift and harmony stack, chorus hits with a big singback hook and claps. Lead vocal stays intimate and conversational with doubled chorus lines, small delay throws on the last word of each hook, and a few response ad-libs. Ear candy: pedal steel swells into the chorus, a tape-stop flick before the bridge, and a final key change sparkle. Bright, open, road-worn mix with polished radio sheen.

على ضفة النيل

على ضفة النيل

Arabic pop-folk with a flowing baladi pulse and gentle syncopation; verse rides acoustic oud, hand percussion, and soft bass; pre-chorus thins to frame drum and airy backing hums; chorus opens with warm strings, claps, and a repeated chant hook. Lead vocal is intimate and close-mic with doubled phrases on the hook, light delay throws on the last words, and a few call-and-response ad-libs. River-water swells, reversed oud tails, and a subtle rise into each chorus create movement. Mix is warm, clear, and cinematic

Luz Ráfaga

Luz Ráfaga

[Style]: Cinematic African Pop, Tribal Broadway, Musical Theater, energetic percussions, uplifting acoustic guitars, joyful flutes, vibrant backing choir, storytelling flow, theatrical vocals, Lion King style. [Structure]: Intro, Verse 1, Verse 2, Chorus, Verse 3, Verse 4, Chorus, Verse 5, Outro. [Instructions]: Start with an iconic, soaring tribal vocal call and warm acoustic strings. Build into an infectious, joyful afro-pop rhythm with marimbas and heavy tom-toms. The lead vocal must be theatrical, playful, and full of life. The chorus should feel like a massive celebration with an entire village singing in harmony. Voz masculina e voz feminina em dueto.

ከድር ወንድሜ

ከድር ወንድሜ

Amharic afropop ballad with a gentle mid-tempo bounce, soft hand percussion and warm guitar figures; verse stays intimate and conversational, pre-chorus opens into sustained harmony lifts, chorus lands with stacked male-female-style doubles and a singable call phrase. Add small clap pickups, airy risers into the hook, and a final chorus with fuller harmony. Mix is warm, close-mic, and glowing.

Καραμέλα Γλιτερι

Καραμέλα Γλιτερι

Greek pop with trap percussion, syncopated groove, verse built from intimate spoken-sing delivery, pre-chorus tightens with stacked doubles, chorus opens into a sticky chant with ad-lib echoes and breathy fills; glossy synth shimmer, delayed vocal throws, reverse swells into each hook, bright punchy mix with a slick midnight sheen

Luz da Dor

Luz da Dor

kpop, dramático estilo Dorama. Triste, emocional, com choro.

بيع الجبل

بيع الجبل

Shaabi pop with bouncy darbuka grooves and a rolling bassline, verse rides tight percussion and handclaps, pre-chorus strips to clap rhythm and a rising chant, chorus hits with full synth stabs and group shouts. Lead vocal is gritty and close-mic with doubled hook lines, small delay throws on key phrases, and playful ad-libs between lines. Bright, punchy, party-forward mix with a dusty street feel.

Luz Pura: Guerra de Amor

Luz Pura: Guerra de Amor

kpop, dramático estilo Dorama. No idioma português do Brasil. Dueto de voz feminina e masculino. Kpop lento, romântico e muito triste. Com rap agressivo. Speed flow. Não adicione nenhuma batida envolvendo Brasil, quero rap com kpop, não me coloque nenhum estilo fora os que eu pedi.

Luz Pura: Guerra de Amor

Luz Pura: Guerra de Amor

kpop, dramático estilo Dorama. Dueto de voz feminina e masculino. Kpop lento, romântico e muito triste. Com rap agressivo. Speed flow.

Luz Pura: Guerra de Amor

Luz Pura: Guerra de Amor

kpop, dramático estilo Dorama. No idioma português do Brasil. Dueto de voz feminina e masculino. Kpop lento, romântico e muito triste. Com rap agressivo. Speed flow.

Estrelas de Fogo e Luz

Estrelas de Fogo e Luz

Cinematic orchestral com kpop, dramático estilo Dorama. No idioma português do Brasil. Dueto de voz feminina e masculino. Com rap flow rápido e flow lento.

Песнь о Внутреннем Свете

Песнь о Внутреннем Свете

Contemporary cinematic singer-songwriter, slow 6/8 (74 BPM). Warm weathered male baritone, intimate conversational vocal, calm and sincere, never theatrical or sentimental. The singer shares hard-earned wisdom, not advice. Start with solo piano and soft cello, add delicate acoustic guitar after verse one. Very light low toms and soft kick enter after the first chorus. Warm strings gradually widen the sound without overpowering the voice. Emotional journey from old pain to quiet inner freedom. Each section becomes brighter, not louder. Expressive pauses, natural phrasing, unpredictable melody. Finish with long instrumental decay and silence. No pop ballad, no rock anthem, no gospel choir, no electronic sounds.

Estrelas de Fogo e Luz

Estrelas de Fogo e Luz

Cinematic orchestral com kpop, dramático estilo Dorama. No idioma português do Brasil. Dueto de voz feminina e masculino.

Hello Dale

Hello Dale

Pop ballad with a steady mid-tempo pulse, fingerpicked guitar in the verses, a lifted pre-chorus with stacked harmonies, and a chorus that opens wide with claps and soft synth pads; lead vocal stays close-mic and intimate, with delay throws on the last word of each hook line, light ear-candy arpeggios between phrases, and a bright polished mix that feels personal and immediate

Ich bin’s Zahide

Ich bin’s Zahide

German pop with a bouncy mid-tempo groove, crisp syncopated drums and warm bass pulses; verse stays lean with tight percussion and a simple synth motif, pre-chorus opens with rising chords and clipped vocal stacks, chorus lands with a chantable hook and handclap lift. Lead vocal is intimate in verses, doubled and slightly gritty on the hook, with short delay throws and airy ad-libs. Sparkly risers, reversed swells, and a subtle crowd-like chant bridge the sections. Bright, polished, radio-ready mix.

Pour Toi Je Ferai Tout

Pour Toi Je Ferai Tout

French pop ballad with a slow swaying 6/8 feel, soft piano arpeggios and warm acoustic guitar; verse stays intimate and close-mic, pre-chorus lifts with rising strings and handclaps, chorus opens with stacked harmonies and a chantable hook. Use gentle vocal doubles, a few whispered ad-libs, and delay throws on key phrases. Add a brushed drum swell before each chorus and a final lift with glowing pads. Mix is warm, polished, and emotional.

Pinscherzinho Do Meu Coração

Pinscherzinho Do Meu Coração

Pop romântico brasileiro with light percussive groove, swung and syncopated feel; verse rides intimate acoustic guitar and soft hand percussion, pre-chorus strips to bass and claps, chorus opens with bright synth pads and a catchy melodic lift. Vocal is close-mic and emotional with stacked doubles on the hook, little breathy ad-libs in the gaps, and a short delay throw on the last word of each chorus line. Ear candy includes a tiny riser into the chorus, reversed shimmer before the pre-chorus, and a soft tambourine shimmer in the final hook. Mix is warm, glossy, and radio-bright.

ارجع وخليني

ارجع وخليني

Arabic pop ballad with a mid-tempo sway and hand percussion pulse; verse stays intimate with sparse keys and low drum taps, pre-chorus opens into swelling strings and stacked harmonies, chorus lands with a singable hook and clapped accents. Lead vocal is close-mic and emotional, with doubled chorus lines, soft ad-lib echoes, and a short instrumental turn before the final lift. Warm, polished mix with a glossy but heartfelt sheen.

Knochen auf Glas

Knochen auf Glas

German indie-pop with intimate rhythmic storytelling, sparse fingerpicked guitar and pulse-like percussion; verse stays close-mic and detail-rich, then a radical drop to near-silence before a raw emotional chorus with stacked female vocal doubles, breathy ad-lib tails, and a huge organic wave of strings, hand drums, and swelling bass. Reverse swells, room-noise pulls, and a final lift into wide, warm, cinematic mix. female vocals, female vocals, vocal

Viaje Sin Ti

Viaje Sin Ti

Spanish indie-pop ballad with a slow 92 BPM sway, brushed percussion and warm nylon guitar; verse stays intimate and sparse, pre-chorus opens with rising harmony and suspended chords, chorus lands with stacked vocals and a simple clap pulse. Breathy lead vocal, doubled on key lines, with soft delay throws on the last word of each hook. Add a piano swell before the final chorus and a subtle roomy mix, close and aching.

Kore Kagaz

Kore Kagaz

Hindi pop ballad with a slow 6/8 sway, gentle acoustic guitar and soft piano carrying the verses; pre-chorus opens with brushed percussion and rising strings, chorus blooms with layered harmonies and a restrained drum pulse. Lead vocal stays intimate and close-mic in verses, then gains warm doubles on the hook with a few whispered echoes. Paper rustle, reversed piano swells, and a soft string lift between sections. Clean, emotional, and spacious mix with a glowing low end.

Zaddy Zairo Birthday

Zaddy Zairo Birthday

Bubblegum dance-pop with four-on-the-floor bounce, handclaps, bright synth plucks, and cheeky disco bass; verse stays playful and sparse with staccato lead vocal, pre-chorus adds risers and stacked “oh-oh”s, chorus hits big with gang vocals and candy-shiny synth hooks. Tight close-mic verses, doubled choruses, playful ad-lib pings, glittery chime fills, crisp bright mix with punchy low end., world

Zairo Lollipop

Zairo Lollipop

Bubblegum pop with skipping clap groove and bright synth bass; verse stays playful and sparse with handclaps, candy-gloss keys, and a cheeky spoken pickup; pre-chorus lifts with filtered plucks and stacked oohs; chorus bursts into four-on-the-floor glitter energy with gang vocals and pitch-shifted ad-libs. Sweet close-mic lead, doubled hooks, sparkly risers, confetti hits, and a glossy, punchy mix., world

Moo Dimsum

Moo Dimsum

Pop with bouncy syncopated claps, playful bass plucks, and a bright four-on-the-floor pulse; verse stays sparse with rubbery synth pops, pre-chorus strips to handclaps and rising vocal stacks, chorus hits with gang shouts and a sticky chant hook. Lead vocal is close-mic and cheeky, with doubled phrases, quick ad-lib echoes, and short delay throws on the title line. Steam-swish risers, chopstick clicks, and a tiny bell sparkle into the drop; crisp, glossy mix with a candy-colored sheen.

Zairo Birthday Pop

Zairo Birthday Pop

Bubblegum pop with bouncey four-on-the-floor, rubbery synth bass, glittering handclaps, and playful disco guitar accents; verse stays cheeky and sparse with tight vocal doubles, pre-chorus lifts with rising choir stacks and a filtered sweep, chorus bursts into bright gang vocals and short delay throws on the name, plus candy-sparkle chimes and a party horn pop between lines. Crisp, shiny mix with a punchy low end and wide candy-coated hooks., world

Zaddy Zairo Birthday

Zaddy Zairo Birthday

Club pop with four-on-the-floor bounce, rubbery synth bass, punchy clap snaps, and a playful call-and-response groove; verse rides a slim drum loop and cheeky synth plucks, pre-chorus strips to kick, handclaps, and a rising vocal chant, chorus hits with stacked gang vocals and a hooky bass stab. Lead vocal is flirty and bright with doubled hook lines, ad-libbed laughs, and short delay throws. Candy-like risers, airhorn pops, and a quick filter sweep into the drop. Crisp, glossy, and party-bright.

Crowns UP

Crowns UP

EDM, electro, K-pop

Marathon Belarbzz

Marathon Belarbzz

French motivational pop-rap with a steady mid-tempo bounce, crisp drums and warm synth bass; verse stays conversational and grounded, pre-chorus narrows to a rising chant, chorus opens into a repeatable anthem with gang vocal doubles. Add filtered risers into the hook, handclap lifts on the turnarounds, and a short melodic synth tag after each chorus. Bright, punchy mix with an intimate lead vocal and confident ad-lib stacks on key lines.

awerysopelea - fünf Minuten länger

awerysopelea - fünf Minuten länger

Modern German cinematic indie-pop with intimate warm female lead vocals, soft male backing harmonies, glowing Rhodes piano, shimmering twelve-string acoustic guitar, a gentle pizzicato cello pulse, deep baritone electric guitar, organic bass, brushed verse drums, rising floor toms and wide powerful live drums. Close vivid verses, an immediate melodic hook, emotional dynamic growth, a spacious half-time bridge and a radiant final chorus.

Zaddy Zairos Birthday

Zaddy Zairos Birthday

Club-pop with bouncing four-on-the-floor kick, rubbery synth bass, snapped claps, and disco-leaning piano stabs; verse keeps it lean with playful chanty phrasing, pre-chorus lifts via filtered risers and handclap buildup, chorus hits wide with gang vocals on the name and a celebratory drop. Processed lead vocal with doubles on punch lines, ad-lib echoes on the hook, and a bright punchy mix with glittery ear-candy fills, reverse swells, and crowd-shout transitions.

Zaddy Zairos Birthday

Zaddy Zairos Birthday

Dance-pop with four-on-the-floor kick, bouncy syncopated bass, bright synth stabs, and glossy club percussion; verse rides sparse drums and playful chants, pre-chorus strips to claps and rising filters, chorus hits with stacked crowd hooks and a punchy bass drop. Lead vocal stays close-mic in verses, doubled and pitched up on the hook, with ad-lib throws and gang vocal replies. Ear candy includes reversed swells into each drop, champagne-sparkle top lines, and short delay tails on key phrases. Mix is bright, wide, and loud

Тишина Внутренних Песен

Тишина Внутренних Песен

Slow cinematic singer-songwriter in 6/8. Warm mature male baritone. Intimate, reflective, deeply human. The singer is not preaching or asking for sympathy—he quietly shares what life has taught him. Restrained dynamics, expressive pauses, natural phrasing, fresh melody. Emotional movement from pain to inner peace. Each chorus grows wider but never louder. Timeless, sincere, hopeful. No melodrama, no pop clichés, no rock anthem.

Acoustic

awerysopelea - Der Ort zwischen Hier und Dort

awerysopelea - Der Ort zwischen Hier und Dort

Female vocals, intimate and raw singer-songwriter. Warm piano, sparse acoustic guitar, subtle violin or cello. Clear emotional storytelling with a fragile, breathy beginning. The chorus expands into a emotional soaring melody with layered harmonies, cinematic strings and gentle percussion.

awerysopelea - Der Ort zwischen Hier und Dort

awerysopelea - Der Ort zwischen Hier und Dort

Female vocals, intimate and raw singer-songwriter ballad. Warm piano, sparse acoustic guitar, subtle cello and deep atmospheric reverb. Clear emotional storytelling with a fragile, breathy beginning. The chorus expands into a soaring melody with layered harmonies, cinematic strings and gentle percussion. A luminous, spiritual atmosphere shaped by wonder, memory, love, mortality and renewed faith.

awerysopelea - bis sie dich freigibt

awerysopelea - bis sie dich freigibt

Female vocals, singer-songwriter, intimate and raw. Warm piano and sparse acoustic guitar. Verses begin almost spoken, like someone remembering different chapters of a life. Deep emotional storytelling with clear diction and lots of space between lines. Slow cinematic build. Chorus expands into a soaring melody with layered harmonies and subtle percussion, creating a powerful feeling of growth and movement. Nostalgic but hopeful. Feels like looking back on a life while realizing the journey is still just beginning. Themes of freedom, curiosity, self-discovery, love, consciousness, wonder and the search for meaning. Emotional, reflective, human. German lyrics.

Whispers of Forgotten Canine Hearts

Whispers of Forgotten Canine Hearts

Create a modern, cinematic instrumental that tells the emotional story of abandoned shelter dogs. The music should begin with a soft, melancholic piano and gentle ambient textures, creating a feeling of loneliness and reflection. Slowly introduce warm strings, emotional pads, subtle acoustic guitar, and deep cinematic percussion. The melody should evoke sadness, compassion, hope, and the desire to help. Build gradually into an inspiring, heartfelt climax without becoming epic or aggressive. Keep the atmosphere intimate, emotional, and deeply moving. Modern film score meets emotional ambient music, similar to humanitarian campaign videos. No vocals. 75–85 BPM. Emotional, reflective, touching, cinematic, hopeful ending. Keywords: Emotional • Sad • Modern • Cinematic • Piano • Strings • Ambient • Heartfelt • Shelter Dogs • Animal Rescue • Adoption • Hope • Documentary • Inspirational • Viral TikTok Background • No Vocals

awerysopelea - b1s s1e d1ch fre1g1bt

awerysopelea - b1s s1e d1ch fre1g1bt

Female vocals, singer-songwriter, intimate and raw. Warm piano and sparse acoustic guitar. Verses begin almost spoken, like someone remembering different chapters of a life. Deep emotional storytelling with clear diction and lots of space between lines. Slow cinematic build. Chorus expands into a soaring melody with layered harmonies and subtle percussion, creating a powerful feeling of growth and movement. Nostalgic but hopeful. Feels like looking back on a life while realizing the journey is still just beginning. Themes of freedom, curiosity, self-discovery, love, consciousness, wonder and the search for meaning. Emotional, reflective, human. German lyrics.

awerysopelea - bis sie dich freigibt

awerysopelea - bis sie dich freigibt

Modern German singer-songwriter, intimate and raw, female vocals, close-miked emotional piano, subtle percussion played on the piano body, acoustic guitar, deep cello ostinatos, delicate violin textures and a distant wordless choir as a recurring signature. Half-spoken storytelling verses, rising tension and sudden complete silence before each chorus. The chorus begins with a raw almost a cappella vocal, followed powerful and soaring cello and strings. Dramatic stop-start dynamics, vulnerable bridge, memorable hook and an explosive chorus.

awerysopelea - bis sie dich freigibt

awerysopelea - bis sie dich freigibt

Modern German cinematic singer-songwriter, with intimate raw female lead vocals, close-miked emotional piano, subtle percussion played on the piano body, muted acoustic guitar pulses, deep cello ostinatos, delicate violin textures and a distant wordless choir as a recurring signature. Half-spoken storytelling verses, rising tension and sudden complete silence before each chorus. The chorus begins with a raw almost a cappella vocal, followed by powerful live drums, wide electric guitars, bass, soaring cello and strings. Dramatic stop-start dynamics, vulnerable bridge, memorable hook and an explosive final chorus.

Сквозь Тени и Свет

Сквозь Тени и Свет

Contemporary cinematic singer-songwriter, slow 6/8 (74 BPM). Warm weathered male baritone, intimate conversational vocal, calm and sincere, never theatrical or sentimental. The singer shares hard-earned wisdom, not advice. Start with solo piano and soft cello, add delicate acoustic guitar after verse one. Very light low toms and soft kick enter after the first chorus. Warm strings gradually widen the sound without overpowering the voice. Emotional journey from old pain to quiet inner freedom. Each section becomes brighter, not louder. Expressive pauses, natural phrasing, unpredictable melody. Finish with long instrumental decay and silence. No pop ballad, no rock anthem, no gospel choir, no electronic sounds.

Kamre ke in diwaro pe teri yaad hai

Kamre ke in diwaro pe teri yaad hai

electric guitar, piano, country, acoustic guitar, clarinet, acoustic, woodwinds, bass, flute

Pal Pal Jeena

Pal Pal Jeena

Hindi pop ballad with mid-tempo sway, soft syncopated percussion, warm acoustic guitar, airy synth pads, and a rising chorus that opens into layered harmonies; verse stays intimate and close-mic, pre-chorus lifts with tambourine and filtered strings, chorus blooms with stacked vocals and gentle delay throws on the hook, with a brief instrumental swell into the final lift; bright, polished, emotional mix

जादुई बीज

जादुई बीज

Hindi children’s singalong with bouncy mid-tempo acoustic percussion, handclaps, simple call-and-response chorus, playful verse-to-chorus lift, bright childlike lead vocal with group echoes on the hook, tiny bell chimes and leafy swells between lines, clean and colorful mix

Zlatan: Srce na Trgu

Zlatan: Srce na Trgu

Emotional modern Bosnian football song with soft traditional Bosnian atmosphere and strong emotional male vocals in the foreground. Minimal instrumental production with gentle harmonika, saz, acoustic Balkan guitar and subtle sevdah-inspired melodies in the background. Deep emotional feeling, cinematic ambience and light modern drums with soft bass. The singer’s voice should stay clear, powerful and dominant, while the music supports the emotion without overpowering it. Patriotic, soulful and emotional Bosnian energy with a huge heartfelt chorus.

Zlatanova Srca Pripadni

Zlatanova Srca Pripadni

Emotional modern Bosnian song with strong narodna muzika foundation, light zabavna muzika influences and subtle folk-rock energy. Strong emotional male vocals in the foreground. Warm harmonika, acoustic Balkan guitar, violina and soft rhythmic drums create a proud and heartfelt atmosphere. Emotional, inspiring and authentic, with a strong connection to homeland, family and Bosnian roots. No instrumental intro. Vocals start immediately in the first second with a powerful emotional hook and memorable opening line. Authentic native Bosnian pronunciation, natural Bosnia and Herzegovina accent, crystal-clear articulation and correct pronunciation of all Bosnian words and names, especially Zlatan Ibrahimović. No foreign accent. Fully sung performance from beginning to end. No spoken narration, no talking and no documentary voice. Every line must be sung melodically, emotionally and naturally. Themes of Zlatan Ibrahimović, Bosnian roots, family, pride, homeland, diaspora, belonging, respe

Before I Walk

Before I Walk

Pop ballad with warm acoustic guitar, gentle piano, slow swaying groove, and a tender build from sparse verse to fuller chorus; verse stays intimate and close-mic, pre-chorus adds soft harmony lift, chorus opens with stacked vocals and sustained strings; brushed percussion, reverse piano swells before the lift, and a final key change glow; bright, emotional, and cinematic, beautiful

Zlatan, srcem Bosni

Zlatan, srcem Bosni

Authentic Bosnian emotional folk ballad with modern sevdah influences and traditional Bosnian musical identity. Warm, expressive male vocals with strong emotion, natural Balkan melodic ornamentation and deep feeling. Harmonika, violina, klarinet, acoustic guitar and gentle traditional percussion. Proud, nostalgic and heartfelt atmosphere rooted in Bosnian tradition. No instrumental intro. Vocals begin immediately in the first second with a powerful and memorable opening line that instantly captures attention. Authentic native Bosnian pronunciation, natural Bosnia and Herzegovina accent, crystal-clear articulation, correct pronunciation of all Bosnian words and names, especially Zlatan Ibrahimović. No foreign accent. Natural Bosnian vocal expression and traditional Balkan phrasing. Fully sung performance from beginning to end. No spoken narration. No talking. No documentary voice. Every line must be sung melodically and emotionally. Themes of Zlatan Ibrahimović, Bosnian roots, famil

सावन आया है

सावन आया है

Hindi pop-folk with a swaying mid-tempo groove, hand percussion and acoustic guitar; verse stays intimate and sparse, pre-chorus lifts with rising harmonies and a tambourine roll, chorus opens wide with stacked male-female style doubles and chant-like backing responses. Add rainstick splashes, a soft clap pickup into each hook, and a bright, polished mix with warm low end and glossy highs.

Zlatanov Bogomil

Zlatanov Bogomil

Authentic Bosnian emotional folk ballad with strong sevdah influence and a recognizable traditional Balkan sound. Warm native male singer with expressive Bosnian vocal ornamentation, emotional melodic runs and powerful sustained notes. Harmonika, violina, klarinet, acoustic guitar, soft tapan and subtle saz. Slow to moderate traditional folk rhythm, deep nostalgia, pride, roots and connection to Bosnia. Vocals begin immediately with a strong sung opening line. No instrumental intro. Fully sung from beginning to end. No talking, no spoken narration and no documentary voice. Perfect native Bosnian pronunciation with natural accent and clear articulation, especially Zlatan Ibrahimović, Bosna i Hercegovina and all Bosnian sounds. The song must sound unmistakably Bosnian and Balkan, not Western pop, not cinematic soundtrack and not generic international ballad. Emotional and memorable folk chorus about roots, family, diaspora, belonging and never forgetting where you come from.

Zlatanova Draga – Bosna

Zlatanova Draga – Bosna

Emotional Bosnian patriotic ballad blended with modern sevdah and inspirational Balkan storytelling. Warm and powerful male vocals, proud yet emotional atmosphere, themes of roots, identity, family, belonging and homeland. Piano, acoustic guitar, soft orchestral strings and authentic Balkan melodies. Inspiring, nostalgic and uplifting mood. No instrumental intro. Vocals start immediately in the first second with a powerful emotional hook that captures attention instantly. Authentic native Bosnian pronunciation, natural Bosnia and Herzegovina accent, crystal-clear articulation, correct pronunciation of all Bosnian words and names, especially Zlatan Ibrahimović. No foreign accent. Natural Bosnian emotional expression. Fully sung performance from beginning to end. No spoken narration, no talking, no documentary voice. Every line must be sung melodically and emotionally. Themes of Zlatan Ibrahimović, Bosnia and Herzegovina, roots, family, diaspora, pride, identity, respect, belonging,

Тени Мелодии и Пламени

Тени Мелодии и Пламени

A modern Caucasian pop song with emotional male vocals in the style of Murad Gamidov. Romantic, melodic, passionate, with a dance-pop groove and light eastern flavor. Instrumentation: acoustic guita

Tempestad Interior

Tempestad Interior

Spanish pop ballad with a slow 74 BPM pulse, gentle acoustic guitar and soft piano carrying the verse, pre-chorus opening into rising strings and tom hits, chorus lifting with stacked vocal doubles and a late delay tail on the hook line, bridge dropping to bare piano and breathy lead before the final chorus blooms, intimate close-mic vocal in verses and wide harmony swells in the chorus, warm polished mix with a soft cinematic sheen

بيت الخباز

بيت الخباز

Arabic pop with warm mid-tempo swing, light hand percussion and acoustic guitar; verse stays intimate and image-rich, pre-chorus lifts with stacked harmonies and a rising clap pattern, chorus lands on a chantable family-bakery hook with handclaps and group vocals. Add floury foley, oven-door whooshes, and a short melodic flute turn between sections. Bright, cozy, and glossy with a homemade shine.

Don Flavio Pelayo

Don Flavio Pelayo

Mexican corrido with proud acoustic guitarrón pulse, brisk polka-tinged rhythm, verse-led storytelling, a raised-voice chorus with unison gang vocals, and brief trumpet accents between sections; close-mic lead vocal in verses, rough double-tracked hook lines, warm and punchy mix with a dusty rural edge

Desde 2014

Desde 2014

Pop ballad with warm acoustic guitar, soft piano, pulsing kick, and rising string layers; verse stays intimate and close-mic, pre-chorus opens with stacked harmonies and held notes, chorus blooms wide with doubled lead and gentle gang vocals on the title phrase. Add reversed swells into each lift, a subtle hand percussion shuffle, and a final key change feel. Bright, emotional, and polished with a tender radio-ready mix.

Bloom Tonight

Bloom Tonight

Pop ballad with a gentle midtempo groove, soft four-on-the-floor pulse, and lightly syncopated acoustic guitar; intro opens with airy group vocal and sparse piano, verse rides intimate close harmony, pre-chorus lifts with stacked doubles and a rising pad, chorus blooms with full drums, handclaps, and group unison on the anchor phrase. Add reversed swells, chime accents into the chorus, and a warm close-mic lead with glossy backing vocals on the hook. Bright, polished, and uplifting., slow, light

Шанс

Шанс

Rap, trance, hammali, easy listening, electronic, beatbox, jazz, banjo, brass, chillout, country, acoustic guitar, drums, trumpet, techno, emo, instrumental, trombone, classical, soul, violin, tango, cinematic

La niña que trajo la luz

La niña que trajo la luz

Cinematic Spanish Pop Ballad • Orchestral • Piano • Acoustic Guitar • Cello • Emotional Strings • Ethereal Female Choir • Slow Crescendo • Poetic • Deeply Emotional • 72 BPM • Timeless • Father to Daughter • Inspired by magical storytelling (without imitating any existing melody)

White Boots Okay

White Boots Okay

Country pop with a bright four-on-the-floor stomp, handclaps on the backbeat, acoustic guitar skittering under a punchy bass line; verse stays tight and conversational, pre-chorus lifts with snare rolls and stacked harmonies, chorus hits with gang vocals on the hook phrase. Lead vocal is close-mic and playful, with doubled lines on the chorus, short delay throws on the last word, and a sparkly pedal-steel lift into each turnaround.

Ilusión De Amor

Ilusión De Amor

Latin pop ballad with a steady mid-tempo groove, softly swung percussion and warm acoustic guitar in the verses; pre-chorus narrows to piano and handclaps, chorus opens with layered harmonies and a singable top-line. Lead vocal stays intimate and close-mic, with doubled hook words, light delay throws, and a few airy ad-libs. Ear candy includes reversed swells into the chorus, a soft shaker lift, and a final key change feel. Bright, polished mix with emotional low-end weight.

Grande é o Senhor

Grande é o Senhor

Contemporary worship anthem in Portuguese with mid-tempo 6/8 pulse, steady kick and hand percussion; verse stays intimate with piano and light acoustic guitar, pre-chorus opens with rising pads and stacked harmony, chorus lifts into full drums, group vocals, and claps. Lead vocal is close-mic and heartfelt with doubles on key lines, delay throws on the hook, and a final lift with cymbal swell, warm wide mix., louvor

Call It Home

Call It Home

Pop with indie-tropical house polish at a bright mid-tempo, four-on-the-floor groove, syncopated acoustic-guitar chops, soft palm-muted synths, and lifted drum fills; verse stays intimate and airy, pre-chorus opens with rising pads and handclap lift, chorus lands on a big singable hook with layered female doubles and group ad-libs. Clean radio-ready mix, glossy top end, warm low end, subtle marimba accents, reverse swells into each chorus, premium and welcoming throughout., fresh, female vocals, tropical, inspiring, clean, uplifting, contemporary, pop, beautiful

Balcony Keys

Balcony Keys

Tropical house pop at 118 BPM with claps, acoustic guitar chops, buoyant offbeat bass, and glossy synth percussion; verse rides a light apartment-tour groove, pre-build strips to palm-muted guitar and handclaps, chorus opens with bright sidechain pads and a singable topline feel. Add vocal ooh stacks, rising reverse swells, and a small drum fill into each lift. Mix is bright, luxurious, and polished for commercial background use., acoustic, feel-good, electronic, tropical house, pop, beautiful, happy, stylish

EU não sou daqui

EU não sou daqui

Sad, emo, rap triste, dueto com duas vozes masculinas. Música de trilha sonora de filme romântico.

Luz Frágil, Vozes Eternas

Luz Frágil, Vozes Eternas

Sad, emo, rap triste, dueto voz masculina e feminina. Música de trilha sonora de filme romântico.

Luz de Guerra e Amor

Luz de Guerra e Amor

Rap agressivo com rock metal.

Luz de Guerra e Amor

Luz de Guerra e Amor

Rap de anime estilo vmz. Gospel com rap agressivo.

Luz Ráfaga

Luz Ráfaga

Rap agressivo com cinematic orqhestral.

Luz Ráfaga

Luz Ráfaga

Rap agressivo.

Luz Ráfaga

Luz Ráfaga

Cinematic orchestral, animation movie style, emotive male lead, heroic builds, soaring strings, woodwinds, dramatic percussion, grand finale, magical atmosphere, storytelling, 7 minutes long. orchestral. orchestral, cinematic, com rap agressivo. Voz masculina e feminina. Rap agressivo, emocional.

Luz Ráfaga

Luz Ráfaga

Cinematic orchestral, animation movie style, emotive male lead, heroic builds, soaring strings, woodwinds, dramatic percussion, grand finale, magical atmosphere, storytelling, 7 minutes long. orchestral. orchestral, cinematic, com rap agressivo. Voz masculina e feminina. Rap triste, emocional.

Voo da Luz e das Sombras

Voo da Luz e das Sombras

Cinematic orchestral, animation movie style, emotive male lead, heroic builds, soaring strings, woodwinds, dramatic percussion, grand finale, magical atmosphere, storytelling, 7 minutes long. orchestral. orchestral, cinematic, com rap agressivo. Voz masculina e feminina. Rap triste, emocional.

Luz Ráfaga

Luz Ráfaga

Cinematic orchestral, animation movie style, emotive male lead, heroic builds, soaring strings, woodwinds, dramatic percussion, grand finale, magical atmosphere, storytelling, 7 minutes long. Combine rap de anime com cinemática orchestral. Respeite as pausas, a voz 1 é sempre feminina, uma garota cantando. A voz 2 é masculina, um garoto cantando. É para ser divertida a música, com risadas, ritmo animado, estilo rap de anime com orchestral. Adicione batidas com as mãos, coral angelical no meio do rap de anime., orchestral, cinematic, rap.

Luz Ráfaga

Luz Ráfaga

Rap de anime agressivo.

Luz Veloz

Luz Veloz

Rap de anime agressivo. Rap de anime. traga batida agressiva. Adicione agressivo flow e cinematic orqhestral. Com coro. Rap para dançar.

Luz Veloz

Luz Veloz

Rap de anime agressivo. Rap de anime. traga batida agressiva, dueto feminino e masculino. Adicione agressivo flow e cinematic orqhestral. Com coro. Rap para dançar.

Luz Pura, Guerra Intensa

Luz Pura, Guerra Intensa

Rap de anime agressivo.

Fúria Celestial Maláki

Fúria Celestial Maláki

Rap de anime agressivo.

Céu de Luz e Lâminas

Céu de Luz e Lâminas

Cinematic com rap de anime triste . Voz masculina e feminina. Rap triste, emocional.

Sombras de Luz Infinita

Sombras de Luz Infinita

Rap agressivo com orqhestral cinematic. Estilo a música Ordinary ou Thousand Years.

Céu de Fúria Blues

Céu de Fúria Blues

Rap de anime agressivo com country blues.

Sangue & Serras no Coração

Sangue & Serras no Coração

Rap de anime agressivo com country blues.

Sombras de Luz Infinita

Sombras de Luz Infinita

Rap agressivo com orqhestral cinematic. Estilo a música Ordinary ou Thousand Years. Com rap como Eminem, ou rap de anime.

Luz Flamejante

Luz Flamejante

Rap de anime agressivo.

Fogo Celestial

Fogo Celestial

Rap agressivo.

Coro de Luz Flamejante

Coro de Luz Flamejante

Rap de anime agressivo rap emocional, batida forte, e emocional.

Coro de Luz Flamejante

Coro de Luz Flamejante

Rap de anime agressivo com cinematic orchestral, voz masculina fazendo dueto com voz feminina, e coro agressivo, com palmas. Flow agitado, flow lento. Pegada de rap alternando os flows. Pegada emocional, batida forte, e emocional.

Vórtice de Luz e Fúria

Vórtice de Luz e Fúria

Rap de anime agressivo com cinematic orchestral, voz masculina fazendo dueto com voz feminina, e coro agressivo, com palmas. Flow agitado, flow lento. Pegada de rap alternando os flows.

Роналду Сбился

Роналду Сбился

Russian rap diss with dark trap bounce, halftime swing, punchy 808-driven drums, sparse verses that open into a taunting chant chorus, doubled lead vocal with shouted backing hooks and delayed ad-libs, reverse swells into each hook, tight low-end and sharp, aggressive mix

Portal Gun Proof

Portal Gun Proof

Sci-fi rap with half-time bounce, sharp triplet cadences, messy drunk-genius ad-libs, verse rides sparse synth stabs and rubbery low-end, pre-chorus tightens to handclaps and filtered noise, chorus hits with gang shouts and a warped hook chant, close-mic lead with doubled punchlines, pitch-smeared glitches, reverse swells into drops, bright and savage mix

Buffering Morty

Buffering Morty

Drill rap with halftime 808 bounce, tense off-beat hats, sliding sub-bass, and sharp stop-start phrasing; verse runs dense and taunting, pre-chorus tightens into a chant, chorus lands with repeated ad-libs and gang shouts. Vocal is close-mic male lead with doubled sneers, pitch-rattled accents, and delay throws on punch lines. Glitch risers, portal swirls, and a hard bass drop before the hook. Bright, aggressive, and metallic in the mix.

Aku Ingin Berpisah

Aku Ingin Berpisah

Genre: Emotional Hip Hop, Sad Rap, Cinematic Ambient Tempo: 70 Bpm | Key: D Minor Heartbreaking Emotional Hip Hop With A Dark Cinematic Atmosphere. Soft Felt Piano, Distant Cello, Emotional Violins, Ambient Pads, Subtle Electric Guitar, Deep Warm 808 Bass, Slow Trap Drums, Gentle Hi-Hats, Vinyl Crackle, Spacious Reverb And Immersive Ambience. Male Vocal Only. Deep Husky Wet Baritone Voice, Naturally Raspy, Smooth Auto-Tune, Warm Compression, Lush Hall Reverb, Soft Stereo Delay, Breathing Between Lines, Emotional Vocal Cracks, Intimate And Vulnerable Delivery. Painful Melodic Rap With Clear Pronunciation And A Heartfelt Singing Chorus. Style: Malique × Kmy Kmo × Tuju × Cinematic Emotional Hip Hop. No Female Vocals, No Edm, No Aggressive Rap.

Heat wave

Heat wave

Dark club bass house with layered distortion, low-end rumble, crackling textures, and off-kilter percussion, subwoofer effects, buildups and drops, subwoofer effects, rock guitar samples, 128 bpm

Rustic Echoes

Rustic Echoes

folk rock

Raggar-Nettan & Lill-Ragge

Raggar-Nettan & Lill-Ragge

Rockabilly, Inspired by " Despacito " with Swedish Male vocal

Kälte im Herz des Gesetzes

Kälte im Herz des Gesetzes

Dark Anime Orchestral Rock, deep emotional male vocals, cinematic strings, powerful drums, emotional electric guitars, mysterious atmosphere, melancholic but determined mood, inspired by Trafalgar D. Law, emotional and epic anime soundtrack, strong chorus, dramatic storytelling.

Eisige Schatten, Schöne Hoffnung

Eisige Schatten, Schöne Hoffnung

Dark cinematic anime song, emotional rock ballad, deep male vocals, dramatic orchestra, emotional piano, slow build up, powerful chorus, atmosphere of loss, survival, intelligence and inner strength, inspired by One Piece emotional character themes, melancholic but hopeful, cinematic and epic.

Raggar-Nettan & Lill-Ragge

Raggar-Nettan & Lill-Ragge

Rockabilly with Swedish Male vocal

Headlight

Headlight

soft rock

Já to zvládnu

Já to zvládnu

Metal, rock

Das Universum Ruf

Das Universum Ruf

Rap, Hip-Hop, Schlagzeug, Oboe, Celtic, Cello bass, schnell, erstaunt, etwas ängstlich, neugierig, rock

Zlatan, Dom i Duh

Zlatan, Dom i Duh

Authentic Bosnian emotivna narodna pjesma with zabavna muzika and light folk-rock elements. Strong, warm male vocals, memorable melodies, emotional but proud atmosphere. Harmonika, akustična gitara, violina, bass and soft drums. Traditional Balkan musical feeling that ordinary Bosnians would instantly recognize and enjoy. No intro. Singing starts immediately in the first second with a powerful hook and strong opening line. Authentic native Bosnian pronunciation, natural Bosnia and Herzegovina accent, crystal-clear articulation, correct pronunciation of all Bosnian words and names, especially Zlatan Ibrahimović. No foreign accent. Fully sung from beginning to end. No spoken narration, no talking, no documentary voice. Every line must be sung emotionally and melodically. Themes of Zlatan Ibrahimović, Bosnian roots, family, homeland, diaspora, pride, respect, belonging and never forgetting where you come from. Emotional and catchy chorus that people can remember after hearing it once.

SANTA MARIA

SANTA MARIA

Reggaeton, dance, swing, R&B, piano, roots vocals, jamaican harmony, rock vocals, djembe, percussions, bamboo band, Bamboo best, Vanuatu string band, dynamic

Trolls & Bossa Nova Roots

Trolls & Bossa Nova Roots

D major, rock, organ, techno, fusion scary, easy listening

Trolls & Bossa Nova Roots

Trolls & Bossa Nova Roots

D major, bossa nova, banjo, celtic, violin, bluegrass rock, organ, techno, fusion

La Bombonera Late

La Bombonera Late

Stadium chant-driven Latin pop-rock with cumbia percussion and marching snare energy; verse rides tight guitar stabs and handclaps, pre-chorus strips to toms and a rising vocal chant, chorus hits with giant gang vocals and brass punches. Lead vocal stays gritty and close-mic, with shouted doubles on the hook and delay throws on the last word. Reversed swells, crowd-riser chants, and a final key lift keep it roaring. Bright, loud, and anthemic mix with punchy low end.

A Wolf's heart broken

A Wolf's heart broken

synthwave, future bass, dark fantasy, cinematic, melancholic, 1980s retro, heavy gated reverb drums, driving analog bass, atmospheric, soaring synth melodies, werewolf deep male voice, emotionally heartfelt, sadcore, retro, J-Metal, cinematic, dubstep, beatbox, bass, easy listening, ambient, synthesizer, pop, soft rock, Drum & Bass

Hulk green rage

Hulk green rage

rock, trip hop

Dad's Bathroom Blues

Dad's Bathroom Blues

Rock with driving mid-tempo drums, crunchy power chords, and a stomping bassline; verse rides gritty spoken-sung lines, pre-chorus strips to bass and handclaps, chorus hits with gang vocals and a shouted chant hook. Add slide-guitar squeals, a bathroom-door slam as transition, and a final key-change lift. Bright, punchy, rowdy mix with close-mic lead vocal and ragged backing shouts., rock

Broken Teeth

Broken Teeth

Punk rock with fast downstroke guitars, stomping kick-snare, and a shouted, gang-vocal chorus; verse runs tight and blunt, pre-chorus pulls back to a half-time snarl, chorus slams full-band with stacked gang shouts and clipped ad-libs. Add a tape-stop before the final hook, a filthy feedback squeal into the bridge, and a bright, raw mix with ragged edge.

Banjo ##2

Banjo ##2

Deep southern soul Folklore, candence fast banjo picking, syncopated bass drums. Harmonics, folk rock

Electric Mandolin Surge

Electric Mandolin Surge

Rock melody, Elektro Guitar, Mandoline, Saxophon, Harmonika, summer dance, future bass

Midnight V10 Symphony

Midnight V10 Symphony

rock, electro, electronic, guitar, hip hop, r&B, metal, hard rock, piano, flute, base and drums!violin, suck symphonies, bass

Don’t Bring Me Down

Don’t Bring Me Down

Afrobeat with Arabian oud motifs and Hawaiian slack-key guitar, mid-tempo and swingy with a dembow-leaning percussion bounce; verse rides tight hand drums and palm-muted guitar, pre-chorus strips to bass and claps, chorus opens with stacked chants and a soaring hook. Lead vocal stays intimate in verses with doubles on key lines, gang harmonies on the hook, delay throws on phrase ends. Ear candy: reversed swell into choruses, ululating ad-libs, shaker lifts and a flute tag. Bright, glossy, and dance-floor warm., uplifting, hawaiian, afrobeat, strong, rock

Dont Bring Me Down

Dont Bring Me Down

Afrobeat with Arabian and Hawaiian accents, midtempo bounce and syncopated percussion over palm-muted guitar, talking drum, darbuka, ukulele plucks, and sub-bass. Verse stays lean and percussive; pre-chorus opens with handclaps and rising chants; chorus drops into a bright singalong with stacked harmonies. Lead vocal is close-mic, with ad-lib doubles, delay throws, and gang responses. Oud swells, reversed shakers, and tropical chimes add transitions. Crisp, glossy, warm, and trendy., rock, hawaiian, uplifting, afrobeat, strong

Lion of Casterly Rock

Lion of Casterly Rock

Epic orchestral rock with martial drums, brass stabs, and heavy toms; verse marches in measured half-time while pre-chorus tightens with snare rolls and rising choir layers; chorus opens into massive gang vocals, low strings, and trumpet fanfare. Gruff lead vocal with doubled lines, chant replies, and short delay throws on the name; shield-rattle transitions, reverse cymbal swells, and a final key lift. Wide, polished, thunderous mix., theme

Electric Mandolin Surge

Electric Mandolin Surge

Rock melody, Elektro Guitar, Mandoline, Saxophon, Harmonika, summer dance

Electric Mandolin Surge

Electric Mandolin Surge

Rock melody Elektro Guitar, Mandoline, Saxophon, Harmonika, summer dance, future bass

Don’t Bring Me Down

Don’t Bring Me Down

Afrobeat fused with Arabian oud motifs and Hawaiian ukulele sparkle, midtempo and danceable with syncopated percussion, rolling congas, and a warm island sway. Verse rides sparse hand drums and bass; pre-chorus lifts with claps and rising chants; chorus opens with bright hook synth, stacked harmonies, and gang responses. Close-mic lead vocal with ad-lib doubles, echo throws on key lines, reversed swells into each chorus, crisp and punchy mix with sunlit low end., rock, afrobeat, hawaiian, uplifting, strong

Don’t Bring Me Down

Don’t Bring Me Down

Arabian pop-rap with dembow-leaning percussion, handclaps, darbuka rolls, and a warm oud riff over punchy sub bass; verse rides sparse frame drums and a dry clap, pre-chorus opens with risers and stacked chants, chorus hits with soaring strings, finger cymbals, and a bold hook melody. Close-mic lead vocal with doubled lines, group shouts on the hook, delay throws on key phrases, and a glossy wide mix with desert-air sparkle and big low-end lift., uplifting, strong, rock

Dont Bring Me Down

Dont Bring Me Down

Afrobeat with bright log drums, syncopated guitar chops, bouncing percussive shakers, and a mid-tempo dance groove; verse stays tight and conversational, pre-chorus lifts with stacked harmonies and handclaps, chorus opens wide with chantable gang vocals and call-response. Lead vocal is warm and close-mic with airy doubles, ad-lib throws, and catchy repeats. Crisp, glossy, sunlit mix with playful ear-candy fills and risers into every hook., uplifting, afrobeat, rock, strong

Dont Bring Me Down

Dont Bring Me Down

R&B mid-tempo with a slippery swung pocket, muted guitar stabs, velvet sub-bass, and crisp clap snaps; verse rides sparse keys and finger clicks, pre-chorus lifts with stacked harmonies and a filtered pad, chorus opens into layered vocals and a catchy chant. Lead vocal is intimate and raspy with doubled hooks, ad-lib echoes, and short delay throws. Ear candy: reverse piano swells into the pre, rainstick shimmer before the chorus, and a final key change lift. Bright glossy mix with warm low end and radio-ready sheen, uplifting, r&b, strong, rock

Don’t Bring Me Down

Don’t Bring Me Down

Pop-gospel anthem with angelic choir pads, half-time trap drums, glossy piano arpeggios, and a soaring four-on-the-floor chorus; verse stays intimate with close-mic vocals and light snaps, pre-chorus opens with stacked harmonies and rising claps, chorus blooms with kids’ choir doubles and wide reverb. Ear candy includes reversed harp swells into each hook, a shimmer riser before the drop, and delay throws on the title phrase. Bright, polished, and uplifting with a trendy radio sheen., uplifting, rock, strong

Electric Mandolin Surge

Electric Mandolin Surge

Rock melody Elektro Guitar, Mandoline, Saxophon, Harmonika, summer dance

Don't Bring Me Down

Don't Bring Me Down

Pop-trap anthem with 94 BPM bounce, crisp claps, rolling sub, and glossy synth plucks; verse rides sparse drums and tense muted chords, pre-chorus opens with stacked lifts and filtered pads, chorus hits with wide gang vocals and a bright octave hook. Lead vocal stays close-mic and emotional, with doubles on key lines, delay throws on the title, and handclaps, risers, and reverse swells carrying transitions. Clean, radio-bright, uplifting mix., uplifting, strong, rock

Don't Bring Me Down

Don't Bring Me Down

Pop-trap gospel with a steady half-time bounce, crisp claps, warm sub, and airy synth plucks; verse rides sparse drums and intimate piano, pre-chorus opens with rising chords and stacked harmonies, chorus hits with handclaps, choir pads, and a chantable hook. Lead vocal stays close-mic and vulnerable in verses, doubled and lifted in the hook, with ad-lib echoes and short delay throws on key lines. Ear candy includes reversed swells into the chorus, a light tambourine lift, and a final lift with crowd-like gang vocals. Bright, polished, radio-ready mix with a glossy low end., uplifting, rock, strong

Electric Mandolin Surge

Electric Mandolin Surge

Rock melody Elektro Guitar, Mandoline, Saxophon, dalmatian

Melodic

بنات الزلفاوي

بنات الزلفاوي

Traditional Arabic pride anthem with a steady mid-tempo darbouka groove, warm oud phrases and handclap accents; verse flows in proud narrative lines, pre-chorus rises with stacked chants, chorus lands on a bold unison hook. Lead vocal stays close and commanding with double-tracked refrains, group responses on key phrases, and short melodic turns between lines. Add a tasteful zurna lift into the chorus and a final lift with fuller percussion. Bright, celebratory, and richly centered in the mix.

Shattered Chains, Rising Fury

Shattered Chains, Rising Fury

Asking Alexandria style, heavy downtuned guitar chugs, fast relentless double bass drums, guttural mid-growl vocals, primal gut-wrenching screamed vocals, clean melodic tenor vocals layered, industrial glitchy synths, cathedral reverb, no intro, heavy slow chug with fast drums throughout, song about breaking chains and finding freedom, dark and aggressive, raw powerful delivery

Dont Bring Me Down

Dont Bring Me Down

Melodic dubstep with a driving four-on-the-floor pulse in the verses, half-time drops in the chorus, and shimmering synth leads over tight future-bass chords; verse rides a sparse kick, plucked arps, and sub pulses, pre-chorus strips to vocal and rising noise, chorus opens wide with stacked harmonies and a soaring lead hook, bridge falls to piano and heartbeat drums before the final lift. Close-mic lead vocal, airy doubles on the hook, ad-lib lifts in the gaps, reverse swells and sparkling chimes into each drop, bright and cinematic mix with a glossy modern top end., uplifting, strong, dubstep, rock

Dont Bring Me Down

Dont Bring Me Down

Dance-pop with pulsing four-on-the-floor kick, glossy synth arps, and syncopated claps; verse keeps a tight, low-slung groove with sparse piano and sub hits, pre-chorus opens with filtered pads and rising vocal stacks, chorus lifts into a bright melodic hook with stacked doubles and gang chants. Breathier close-mic verses, wider sung doubles on the hook, delay throws on the title phrase, risers and reverse swells into each drop, crisp and radio-bright with a warm glossy sheen., strong, uplifting, rock

Aya Below Deck

Aya Below Deck

Gothic sea shanty with a driving mid-tempo stomp and swung handclaps, built on bowed bass, cracked snare, and gang shouts in the chorus; verse rides a sparse harmonium and creaking hull rhythm, pre-chorus strips to foot-stomps and ominous low harmonies, chorus hits with rough crew chants and a cursed melodic lift. Lead vocal stays close-mic and gritty, with doubled hook lines, call-and-response echoes, and delay throws on “Aya.” Salt spray risers, chain rattle fills, and a reversed swell into each chorus. Dark, cinematic, and wet with deck-room reverb.

Papa ko

Papa ko

Create an epic cinematic world-folk instrumental celebrating life after survival, inspired by forgotten civilizations and tribal cultures. The music should feel ancient, joyful, spiritual, and powerful. Use only natural acoustic instruments with minimal electronic elements. Tempo: 112–118 BPM. Begin with soft bamboo flute, clay ocarina, wooden whistles, distant frame drums, and nature ambience (wind, birds, river). Gradually introduce layers of tribal percussion including taiko-inspired drums, djembe, davul, udu drum, talking drum, mridangam, parai, and large ceremonial bass drums. Add rich melodic textures using Armenian duduk, bansuri, Native American flute, kora, Celtic harp, nyckelharpa, Hardanger fiddle, rebab, sarangi, esraj, Chinese guqin, Japanese shakuhachi, and African kalimba. Introduce rare ancient instruments such as the Greek lyre, tagelharpa, jouhikko, balafon, hulusi, jaw harp, bullroarer, rainstick, and conch shell horns. Use deep male tribal chants, joyful female folk

After Hours

After Hours

Alt Hip-Hop / Pop-R&B with trap influences. Playful, confident, flirtatious, and high-energy. Mid-tempo (95–105 BPM) with hard-hitting 808s, punchy kick, crisp snare, rolling hi-hats, deep bass, sparse synth melodies, catchy vocal chops, and a clean, modern mix. The beat should feel bouncy, rhythmic, and addictive with space for melodic verses, rap-inflected vocal delivery, layered harmonies, and memorable call-and-response ad-libs. The overall mood should be bold, fun, and sexy with a hook that immediately sticks. Pop-R&B with hip-hop influences. Bright, romantic, and playful with a nostalgic summer feel. Mid-tempo around 84 BPM. Warm Rhodes piano, sparkling keys, smooth synth pads, melodic bass, crisp hip-hop drums, light guitar textures, subtle strings, airy vocal chops, and a polished radio-ready mix. The groove should be bouncy yet laid-back, with an infectious melody, space for expressive vocals, harmonies, and catchy ad-libs.

After Hours

After Hours

Alt Hip-Hop / Pop-R&B with trap influences. Playful, confident, flirtatious, and high-energy. Mid-tempo (95–105 BPM) with hard-hitting 808s, punchy kick, crisp snare, rolling hi-hats, deep bass, sparse synth melodies, catchy vocal chops, and a clean, modern mix. The beat should feel bouncy, rhythmic, and addictive with space for melodic verses, rap-inflected vocal delivery, layered harmonies, and memorable call-and-response ad-libs. The overall mood should be bold, fun, and sexy with a hook that immediately sticks.

Where the Stars Collide

Where the Stars Collide

atmospheric melodic trap, soft dreamy synth pads, crisp minimal trap drums, deep pulsing 808s, spacious and ethereal, polished modern production

After Hours

After Hours

Hip-Hop / Pop-R&B with trap influences. Playful, confident, flirtatious, and high-energy. Mid-tempo (95–105 BPM) with hard-hitting 808s, punchy kick, crisp snare, rolling hi-hats, deep bass, sparse synth melodies, catchy vocal chops, and a clean, modern mix. The beat should feel bouncy, rhythmic, and addictive with space for melodic verses, rap-inflected vocal delivery, layered harmonies, and memorable call-and-response ad-libs. The overall mood should be bold, fun, and sexy with a hook that immediately sticks.

NEW SHIVA SONG 16.7

NEW SHIVA SONG 16.7

Purely acoustic South Indian classical instrumental fusion, Carnatic and ancient temple ritual music, zero modern instruments, no synthesizers, no electronics. Heavy acoustic percussion featuring the thunderous dual-headed Mridangam, the booming clay pot Ghatam, the sharp snapping Kanjira, and the loud, resonance-heavy temple Tavil drum. Melodic lead provided by the soaring, piercing double-reed Nagaswaram, a deep resonant Saraswati Veena (plucked string with gamaka slides), and a breathy bamboo Bansuri flute. Backed only by a steady, hypnotic acoustic Tanpura drone. Features rapid classical rhythm patterns (Solkattu, Konnakol vocalizations) and transition segments with traditional bronze Elathalam cymbals. Deep, authentic, spiritually intense, classical raga Revathi, majestic, raw, acoustic masterpiece, 8K pristine temple studio recording. NO CHORUS

After Hours

After Hours

R&B / Pop-R&B / Alternative R&B with hip-hop Pop-R&B with funk-pop and hip-hop influences. Bright, playful, flirtatious, and smooth. Mid-tempo (around 108–112 BPM) with a groovy bassline, clean electric guitar, shimmering synths, warm Rhodes keys, crisp live-style drums layered with hip-hop percussion, subtle 808 support, catchy melodies, airy vocal harmonies, and a polished, summery feel. The production should be light, rhythmic, infectious, and danceable with a memorable hook, leaving space for melodic verses, playful ad-libs, and vocal runs. Romantic, confident, and fun.

Shadows know my name

Shadows know my name

Dark cinematic alt-pop with expressive male vocals, moody and midtempo. Verses stay intimate and almost spoken over a pulsing mono synth, dry close-mic lead, heartbeat kick, and distant eerie pads. Pre-chorus builds with filtered stomps, rising tension, and reverse swells. Chorus detonates with blown-out distorted bass, heavy stomps, punchy drums, wide gang-style harmonies chanting key phrases, and a bold, catchy melodic lift. Add subtle octave doubles and vocal-chop replies in the second chorus. Bridge strips to filtered pads, echoes, and heartbeat pulse before a massive final chorus with wider vocals, delay throws, bright-but-grimy production, menace, swagger, and an apocalyptic edge. Catchy, dramatic, and easy to sing.

NEW SHIVA SONG 16.7

NEW SHIVA SONG 16.7

Purely acoustic South Indian classical instrumental fusion, Carnatic and ancient temple ritual music, zero modern instruments, no synthesizers, no electronics. Heavy acoustic percussion featuring the thunderous dual-headed Mridangam, the booming clay pot Ghatam, the sharp snapping Kanjira, and the loud, resonance-heavy temple Tavil drum. Melodic lead provided by the soaring, piercing double-reed Nagaswaram, a deep resonant Saraswati Veena (plucked string with gamaka slides), and a breathy bamboo Bansuri flute. Backed only by a steady, hypnotic acoustic Tanpura drone. Features rapid classical rhythm patterns (Solkattu, Konnakol vocalizations) and transition segments with traditional bronze Elathalam cymbals. Deep, authentic, spiritually intense, classical raga Revathi, majestic, raw, acoustic masterpiece, 8K pristine temple studio recording.

After Hours

After Hours

Contemporary R&B / Pop-R&B / Alternative R&B with hip-hop influences. Sultry, late-night, and sensual. Smooth electric piano, atmospheric synth pads, airy vocal chops, warm sub-bass, deep 808s, crisp trap-inspired hi-hats, snappy rimshots, and clean R&B percussion. Mid-tempo (around 92–98 BPM) with a bouncy groove, spacious mix, melodic bassline, subtle guitar textures, and lush background harmonies. Polished, modern, intimate, and radio-ready with a catchy hook, leaving space for expressive vocals and ad-libs. Romantic summer-night atmosphere.

Gracee neww

Gracee neww

Title: Eternal Sunrise Create a modern cinematic instrumental inspired by the Carnatic ragas Mohanam (70%), Bilahari (20%), and Hamsadhwani (10%). Avoid a classical concert feel. The music should sound fresh, global, emotional, and instantly uplifting—as if every worry disappears with the first few notes. Mood: Pure happiness, childlike wonder, freedom, hope, celebration, inner peace, gratitude, sunlight after a storm. Tempo: 118–124 BPM. Melody: - Strong, unforgettable pentatonic lead inspired by Mohanam. - Catchy melodic hooks that listeners can hum after hearing them once. - Continuous upward-moving phrases that create excitement and optimism. - No melancholy, tension, or dark harmonic colors. Instrumentation: - Warm bamboo flute carrying the main melody. - Bright solo violin. - Grand piano with sparkling arpeggios. - Rich cinematic string orchestra. - Acoustic guitar with rhythmic strumming. - Soft veena used only as a modern texture. - Light synth pads for warmth. - Glocken

Gravity

Gravity

Title: Eternal Sunrise Create a modern cinematic instrumental inspired by the Carnatic ragas Mohanam (70%), Bilahari (20%), and Hamsadhwani (10%). Avoid a classical concert feel. The music should sound fresh, global, emotional, and instantly uplifting—as if every worry disappears with the first few notes. Mood: Pure happiness, childlike wonder, freedom, hope, celebration, inner peace, gratitude, sunlight after a storm. Tempo: 118–124 BPM. Melody: - Strong, unforgettable pentatonic lead inspired by Mohanam. - Catchy melodic hooks that listeners can hum after hearing them once. - Continuous upward-moving phrases that create excitement and optimism. - No melancholy, tension, or dark harmonic colors. Instrumentation: - Warm bamboo flute carrying the main melody. - Bright solo violin. - Grand piano with sparkling arpeggios. - Rich cinematic string orchestra. - Acoustic guitar with rhythmic strumming. - Soft veena used only as a modern texture. - Light synth pads for warmth. - Glocken

Povratak srca

Povratak srca

Emotional Bosnian folk ballad blended with modern sevdah and diaspora nostalgia. Warm and heartfelt male vocals, deep emotions, longing for homeland, family memories and pride in Bosnian roots. Acoustic guitar, accordion, soft piano, traditional Balkan melodies and gentle orchestral strings. Authentic, emotional and timeless atmosphere. No instrumental intro. Vocals start immediately in the first second with a powerful emotional hook that instantly touches the listener. Authentic native Bosnian pronunciation, natural Bosnia and Herzegovina accent, crystal-clear articulation, correct pronunciation of all Bosnian words and names. No foreign accent. Natural Bosnian emotional expression. Fully sung performance from beginning to end. No spoken narration, no talking, no documentary voice. Every line must be sung melodically and emotionally. Themes of Bosnia, diaspora, homeland, childhood memories, returning home, family roots, Bosnian rivers and mountains, belonging, nostalgia, love for

New

New

Title: Eternal Sunrise Create a modern cinematic instrumental inspired by the Carnatic ragas Mohanam (70%), Bilahari (20%), and Hamsadhwani (10%). Avoid a classical concert feel. The music should sound fresh, global, emotional, and instantly uplifting—as if every worry disappears with the first few notes. Mood: Pure happiness, childlike wonder, freedom, hope, celebration, inner peace, gratitude, sunlight after a storm. Tempo: 118–124 BPM. Melody: - Strong, unforgettable pentatonic lead inspired by Mohanam. - Catchy melodic hooks that listeners can hum after hearing them once. - Continuous upward-moving phrases that create excitement and optimism. - No melancholy, tension, or dark harmonic colors. Instrumentation: - Warm bamboo flute carrying the main melody. - Bright solo violin. - Grand piano with sparkling arpeggios. - Rich cinematic string orchestra. - Acoustic guitar with rhythmic strumming. - Soft veena used only as a modern texture. - Light synth pads for warmth. - Glocken

Auenland 3

Auenland 3

Cinematic emotional folk ballad inspired by Lord of the Rings Shire theme, warm nostalgic peaceful atmosphere, gentle hobbit village morning, golden sunlight on rolling emerald hills. Slow tempo 68 BPM, key of G major, soft swaying 4/4 rhythm. Instrumentation: delicate acoustic guitar arpeggios, prominent tin whistle and low whistle melodies, warm strings, soft hand percussion, subtle distant choir. Solo female contralto Voice vocals with a strong, beautiful warm Irish accent, rich Celtic singing style – mature, expressive, slightly smoky and intimate tone. Natural Irish lilt with characteristic vocal rolls, subtle ornaments, and melodic embellishments on long notes, heartfelt storytelling delivery. Gentle dynamic build in the bridge with subtle tension, then soft, fading final refrain like a lullaby. Highly detailed, immersive, magical peaceful soundscape, high audio quality, emotional depth, pure acoustic Celtic folk fantasy style. Warm and comforting with a hint of hidden darkness.

Auenland 3

Auenland 3

Cinematic emotional folk ballad inspired by Lord of the Rings Shire theme, warm nostalgic peaceful atmosphere, gentle hobbit village morning, golden sunlight on rolling emerald hills. Slow tempo 68 BPM, key of G major, soft swaying 4/4 rhythm. Instrumentation: delicate acoustic guitar arpeggios, prominent tin whistle and low whistle melodies, warm strings, soft hand percussion, subtle distant choir. Solo female vocals with a strong, beautiful warm Irish accent, rich Celtic singing style – mature, expressive, slightly smoky and intimate tone. Natural Irish lilt with characteristic vocal rolls, subtle ornaments, and melodic embellishments on long notes, heartfelt storytelling delivery. Gentle dynamic build in the bridge with subtle tension, then soft, fading final refrain like a lullaby. Highly detailed, immersive, magical peaceful soundscape, high audio quality, emotional depth, pure acoustic Celtic folk fantasy style. Warm and comforting with a hint of hidden darkness.

Auenland

Auenland

Cinematic emotional folk ballad inspired by Lord of the Rings Shire theme, warm nostalgic peaceful atmosphere, gentle hobbit village morning, golden sunlight on rolling emerald hills. Slow tempo 68 BPM, key of G major, soft swaying 4/4 rhythm. Instrumentation: delicate acoustic guitar arpeggios, prominent tin whistle and low whistle melodies, warm strings, soft hand percussion, subtle distant choir. Solo female vocals with a strong, beautiful warm Irish accent, lilting and melodic Celtic singing style – mature, expressive, slightly smoky and intimate tone. Heartfelt storytelling delivery with natural Irish lilt in every phrase, emotional and clear. Gentle dynamic build in the bridge with subtle tension, then soft, fading final refrain like a lullaby. Highly detailed, immersive, magical peaceful soundscape, high audio quality, emotional depth, pure acoustic Celtic folk fantasy style. Warm and comforting with a hint of hidden darkness.

Rois du terrain

Rois du terrain

French hip-hop anthem with a mid-tempo bounce and stadium chant energy; verse rides tight drum programming and prowling bass, pre-chorus strips to handclaps and snare rolls, chorus hits with crowd-style gang vocals and a lifted melodic chant. Lead vocal stays close-mic and gritty in verses, doubled on hook words with ad-lib shouts. Ear candy includes whistle pickups, reversed swells into the chorus, and a final halftime lift. Mix is bright, punchy, and arena-ready.

Sveti Uspomene

Sveti Uspomene

Emotional Bosnian folk ballad blended with modern sevdah and nostalgic Balkan storytelling. Warm, soulful male vocals, deep emotion, nostalgia, homeland memories and timeless wisdom. Rich accordion, acoustic guitar, soft strings, piano and traditional Balkan instrumentation. Gentle but powerful atmosphere that feels authentic, heartfelt and deeply connected to ordinary people. No instrumental intro. Vocals start immediately in the first second with a powerful emotional hook that captures the listener instantly. Authentic native Bosnian pronunciation, natural Bosnia and Herzegovina accent, crystal-clear articulation, correct pronunciation of all Bosnian words and names, especially Halid Bešlić. No foreign accent. Natural Bosnian emotional expression. Fully sung performance from beginning to end. No spoken narration, no talking, no documentary voice. Every line must be sung melodically and emotionally. Themes of Halid Bešlić, ordinary people, love, memories, kafanas, homeland, diaspo

La Última Noche

La Última Noche

Mexican corrido tumbado with laid-back but tense half-time bounce, requinto loops, tololoche-style low end, snapped drums, and chopped guitar fills; verse rides sparse and confessional, pre-chorus tightens with rising bass and picked accents, chorus opens with gang-style unison response and short melodic repeats. Female lead vocal, close-mic and raw, with doubled hook lines, smoky ad-libs, and a brief spoken-feeling turn in the bridge. Ear candy: reversed guitar swells into the pre-chorus, a trumpet stab on the title, and a final drop with handclaps. Mix is dry, punchy, and warm with dusty edge.

Камилла Вечная

Камилла Вечная

Melodic death metal with fast tremolo-picked guitars, double-kick drive, and mournful lead melodies; verse rides tight gallops and harsh phrasing, pre-chorus opens into held notes and layered harmonies, chorus hits with a soaring chantable lead and gang shouts, bridge drops to a clean guitar interlude before a long expressive guitar solo, then final chorus returns bigger with stacked harmonies. Harsh growl verses, higher melodic clean doubles on the hook, cavernous snare, wide cinematic mix with icy delay trails and a blazing twin-guitar lead tone.

Камилла Вечная

Камилла Вечная

Melodic death metal with mid-tempo double-kick drive, tremolo-picked guitars, and a soaring harmonized lead melody; verse is tight and shadowed with harsh male vocals, pre-chorus opens into chanting clean-rough layers, chorus widens with stacked gang shouts and a memorable regal refrain. Include a long, intricate guitar solo after the second chorus with melodic bends, neoclassical runs, and a brief half-time lift before the final return. Vocal mix is gritty and commanding, with spacious lead harmonies, bright cymbal sheen, and a wide, polished, darkly cinematic finish.

Lady Knight

Lady Knight

Create an original dark melodic Hip-Hop/R&B instrumental at 95–100 BPM with deep 808s, hard-hitting trap drums, crisp hi-hats, eerie synth pads, atmospheric bells, ambient textures, and a hypnotic lead melody. The beat should feel spacious, futuristic, moody, and cinematic with dramatic drops and a memorable groove. Leave plenty of space for expressive R&B vocals, layered harmonies, and powerful belting. Luxurious, mysterious, and confident with a late-night atmosphere.

Lady Knight

Lady Knight

Create a dark, luxurious Hip-Hop/R&B instrumental at 95–100 BPM with hard-hitting 808s, punchy trap drums, crisp hi-hats, deep bass, eerie synths, haunting bell melodies, atmospheric pads, and electric guitar textures. Build an unforgettable melodic hook with dramatic drops and space for soulful R&B belting, layered harmonies, and emotional vocals. Inspired by the moody, confident production of Rihanna and Ariana Grande, with a mysterious, feminine, warrior aesthetic. Original and cinematic.

Behind the mind

Behind the mind

Reggae dance chopped and screwed

Наташа пятьдесят пять

Наташа пятьдесят пять

Russian pop dance with a bright mid-tempo bounce, steady four-on-the-floor groove and handclap-driven chorus; verse rides light keys and tight percussion, pre-chorus lifts with snare rolls and rising choir pads, chorus opens wide with group vocals and a chantable birthday hook. Lead vocal stays warm and close-mic in verses, doubled and stacked on the hook, with small delay throws on the name and party shouts. Sparkly risers, tambourine hits, and a short celebratory break before the final chorus. Crisp, colorful, festive mix with glossy top end.

Татьяна с днем рождения

Татьяна с днем рождения

Russian pop-folk dance anthem with brisk 124 BPM groove, accordion and handclaps in the verses, pre-chorus rising with tambourine rolls and stacked harmonies, chorus opening wide with gang vocals and a folk-dance stomp; warm lead vocal doubled on the hook, short echo throws on the name, bright festive mix with sparkling chimes and a celebratory brass lift

wenn in der Nacht 6

wenn in der Nacht 6

Romantischer deutschsprachiger Pop-Schlager-Walzer im klassischen 3/4-Takt, 95 BPM, warm und gefühlvoll, leicht singbare Melodie, Klavier-Intro, weiche Streicher, akustische Gitarre, elegantes Walzer-Schlagzeug und melodischer Bass. Männliche warme Baritonstimme, deutlich verständliche Aussprache, gefühlvolle Strophen, ansteigender Pre-Chorus und großer, eingängiger Refrain zum Mitsingen. Verträumte nächtliche Atmosphäre mit Sternenhimmel, Mondlicht, Sehnsucht, Liebe und einem tanzenden Paar. Im letzten Refrain breitere Streicher, dezente Chorstimmen und ein emotionales, sanft ausklingendes Finale. Keine hektischen Rhythmen, kein moderner Dance-Beat, klarer Walzerpuls: EINS-zwei-drei, EINS-zwei-drei.

wenn in der Nacht 3

wenn in der Nacht 3

Romantischer deutschsprachiger Pop-Schlager-Walzer im klassischen 3/4-Takt, 95 BPM, warm und gefühlvoll, leicht singbare Melodie, sanftes Klavier-Intro, weiche Streicher, akustische Gitarre, dezentes Akkordeon, elegantes Walzer-Schlagzeug und melodischer Bass. Männliche warme Baritonstimme, deutlich verständliche Aussprache, gefühlvolle Strophen, ansteigender Pre-Chorus und großer, eingängiger Refrain zum Mitsingen. Verträumte nächtliche Atmosphäre mit Sternenhimmel, Mondlicht, Sehnsucht, Liebe und einem tanzenden Paar. Im letzten Refrain breitere Streicher, dezente Chorstimmen und ein emotionales, sanft ausklingendes Finale. Keine hektischen Rhythmen, kein moderner Dance-Beat, klarer Walzerpuls: EINS-zwei-drei, EINS-zwei-drei.

wenn in der Nacht 4

wenn in der Nacht 4

Romantischer deutschsprachiger Pop-Schlager-Walzer im klassischen 3/4-Takt, 95 BPM, warm und gefühlvoll, leicht singbare Melodie, sanftes Klavier-Intro, weiche Streicher, akustische Gitarre, dezentes Akkordeon, elegantes Walzer-Schlagzeug und melodischer Bass. Männliche warme Baritonstimme, deutlich verständliche Aussprache, gefühlvolle Strophen, ansteigender Pre-Chorus und großer, eingängiger Refrain zum Mitsingen. Verträumte nächtliche Atmosphäre mit Sternenhimmel, Mondlicht, Sehnsucht, Liebe und einem tanzenden Paar. Im letzten Refrain breitere Streicher, dezente Chorstimmen und ein emotionales, sanft ausklingendes Finale. Keine hektischen Rhythmen, kein moderner Dance-Beat, klarer Walzerpuls: EINS-zwei-drei, EINS-zwei-drei.

Musim Skibidi

Musim Skibidi

Electro-pop dance with a bouncy four-on-the-floor groove, rubbery bass, clappy percussion, and glitchy synth stabs; verse stays playful and sparse, pre-chorus lifts with rising vocal stacks, chorus bursts open with chanty group doubles and a tiny call-and-response hook. Add reversed sweeps, bathroom-echo FX, and quick risers into each drop. Bright, punchy, meme-ready mix with crisp vocals upfront.

Все еще впереди.

Все еще впереди.

Фортепиано. Виолончели. Пианино., guitar., dance

Xylophone Rhythm Waltz

Xylophone Rhythm Waltz

xylophone, dance

Geburtstag

Geburtstag

Genre: Emotional Dance-Pop / Trance BPM: 136 Instrumente: Piano, Pads, orchestrale Streicher, später treibender Trance-Beat, breite Synth-Flächen Stimmen: Tiefe, rauchige Frauenstimme + warme, tiefe Männerstimme im Wechsel; im Refrain großer Chor aus Frauen- und Männerstimmen mit Gänsehaut-Charakter.

Joanna Geburtstag

Joanna Geburtstag

Genre: Emotional Dance-Pop / Trance BPM: 136 Instrumente: Piano, Pads, orchestrale Streicher, später treibender Trance-Beat, breite Synth-Flächen Stimmen: Tiefe, rauchige Frauenstimme + warme, tiefe Männerstimme im Wechsel; im Refrain großer Chor aus Frauen- und Männerstimmen mit Gänsehaut-Charakter.

wenn in der Nacht 1

wenn in der Nacht 1

Romantischer deutschsprachiger Pop-Schlager-Walzer im klassischen 3/4-Takt, 95 BPM, warm und gefühlvoll, leicht singbare Melodie, sanftes Klavier-Intro, weiche Streicher, akustische Gitarre, dezentes Akkordeon, elegantes Walzer-Schlagzeug und melodischer Bass. Männliche warme Baritonstimme, deutlich verständliche Aussprache, gefühlvolle Strophen, ansteigender Pre-Chorus und großer, eingängiger Refrain zum Mitsingen. Verträumte nächtliche Atmosphäre mit Sternenhimmel, Mondlicht, Sehnsucht, Liebe und einem tanzenden Paar. Im letzten Refrain breitere Streicher, dezente Chorstimmen und ein emotionales, sanft ausklingendes Finale. Keine hektischen Rhythmen, kein moderner Dance-Beat, klarer Walzerpuls: EINS-zwei-drei, EINS-zwei-drei.

wenn in der Nacht 2

wenn in der Nacht 2

Romantischer deutschsprachiger Pop-Schlager-Walzer im klassischen 3/4-Takt, 95 BPM, warm und gefühlvoll, leicht singbare Melodie, sanftes Klavier-Intro, weiche Streicher, akustische Gitarre, dezentes Akkordeon, elegantes Walzer-Schlagzeug und melodischer Bass. Männliche warme Baritonstimme, deutlich verständliche Aussprache, gefühlvolle Strophen, ansteigender Pre-Chorus und großer, eingängiger Refrain zum Mitsingen. Verträumte nächtliche Atmosphäre mit Sternenhimmel, Mondlicht, Sehnsucht, Liebe und einem tanzenden Paar. Im letzten Refrain breitere Streicher, dezente Chorstimmen und ein emotionales, sanft ausklingendes Finale. Keine hektischen Rhythmen, kein moderner Dance-Beat, klarer Walzerpuls: EINS-zwei-drei, EINS-zwei-drei.

Neon Pulse Eclipse

Neon Pulse Eclipse

Techno, Dance

Nachtlicht-Bühnen-Glitch

Nachtlicht-Bühnen-Glitch

Techno, Elektronik, Dance

Amor de Corazón, Verso Celestial

Amor de Corazón, Verso Celestial

Hazme una cancion usando citas del cantar de los cantares (de la biblia), de estilo reggaeton moderno, estilo "quedate" de quevedo. Combina bases electrónicas y de dance pop con un estilo de canto melódico y rítmico

Moving the floor.

Moving the floor.

Deep bass, using turntables, and sample hit boards, and in the style of Usher. Using an Usher styled voice. With a strip club beat that a girl can pole dance too.

반짝 또 뛰어

반짝 또 뛰어

K-pop dance-pop with punchy four-on-the-floor drums, bright synth plucks, syncopated bass, and glossy layered harmonies; verse stays tight and percussive, pre-chorus strips to filtered pads and rising claps, chorus opens wide with a chantable hook and group vocals, bridge drops to half-time with a breathy lead before the final lift. Sparkly ad-libs, short delay throws on hook words, quick risers into every drop, crisp bright mix.

Elle contrôle la zone

Elle contrôle la zone

Shatta moderne francophone, énergique et sensuel, ambiance club tropical nocturne, grosse basse profonde, rythme dancehall minimaliste et percutant, percussions sèches, kicks puissants, synthés sombres et simples, refrain très accrocheur et répétitif, couplets rythmés, pauses avant les refrains, montée progressive de l’énergie, production propre et commerciale, environ 100 à 105 BPM.

Blayze My Girl

Blayze My Girl

Funky pop with a laid-back dance groove, syncopated bassline, clipped guitar chops, and bright handclaps; verse stays lean with playful percussion and close-mic female vocals, pre-chorus lifts with stacked harmonies and a filtered riser, chorus opens wide with gang ad-libs and a hooky brass stab. Add delay throws on the name Blayze, a reverse swell into each chorus, and a glossy punchy mix with crisp top end., funky, pop

Blayze in My Corner

Blayze in My Corner

Funky pop with syncopated bass guitar, crisp four-on-the-floor kick, clipped guitar upstrokes, and bright synth stabs; verse stays nimble with tight drums and playful vocal phrasing, pre-chorus strips to bass and handclaps, chorus opens wide with stacked harmonies and gang shouts on the name. Lead vocal is close-mic and warm, with ad-lib doubles, delay throws on key words, and a few call-and-response tags. Ear candy includes reverse cymbals into the chorus, filter sweeps under the pre-chorus, and tiny percussion fills between lines. Mix is glossy, punchy, and dance-floor bright., funky, pop

Blayze On The Floor

Blayze On The Floor

Funk with syncopated slap bass, crisp guitar chops, and pocketed drums at an easy dance tempo; verse rides tight bass and muted keys, pre-chorus opens with handclaps and a rising wah guitar, chorus hits with stacked gang vocals and bright horn stabs. Lead vocal stays playful and close-mic in verses, doubled on the hook with ad-lib shouts and call-and-response. Tape stop into the bridge, then a final chorus with extra percussion and brass. Bright, punchy, and sweaty in the mix., funky

Desert Time Jump

Desert Time Jump

Electronic Egyptian dance-pop with driving four-on-the-floor kick, syncopated hand percussion, oud-synth plucks, and bent-scale lead lines; verse rides tight drum loops and quick name-checks, pre-chorus lifts with filtered claps and rising vocal stacks, chorus hits big with gang hooks and a chantable melody. Lead vocal is bright and close-mic with doubled hook lines, ad-lib echoes, and short delay throws. Ear candy includes reverse darbuka swells, sand-drift risers, and a sudden break before the final drop. Mix is glossy, punchy, and wide, electronic

Chaos and Calypso

Chaos and Calypso

Electronic Egyptian dance-pop with dembow-locked percussion, swung handclaps, and a driving four-on-the-floor pulse; verse rides crisp synth stabs and frame drums, pre-chorus strips to chant, claps, and rising darbuka rolls, chorus hits with bright lead synth, brass hits, and crowd shouts on the names. Layered male and female vocal doubles, ad-lib panning, short delay throws on key words, sand-swept risers, reversed cymbal swells, and a glossy wide mix with hard sub focus and sparkling top end., calypso, electronic

Chaos and Calypso

Chaos and Calypso

Electronic dance pop with four-on-the-floor kick, syncopated bass stabs, bright synth arpeggios, and a lifted festival feel; verse rides clipped pulse and playful low-end, pre-chorus strips to filter-swept pads and rising handclaps, chorus hits with huge sidechained supersaws and gang vocal chants. Lead vocal stays close-mic in verses with doubled hook lines, pitched ad-libs and short delay throws on the names; risers, reverse swells, and sparkling chime fills bridge the drops. Crisp, glossy, punchy mix, electronic, calypso

Spin Me Through Time

Spin Me Through Time

EDM dance-pop with driving four-on-the-floor kick, syncopated claps, and a bright sidechained synth bass; verse rides tight chopped vocal rhythm and rubbery arps, pre-chorus strips to snare ticks and rising filters, chorus hits with huge saw stabs and chant hooks. Lead vocal stays close-mic in verses, layered doubles on hooks, ad-lib throws in the gaps. Ear candy: reversed sweeps into the drop, glitch fills between lines, shimmering octave bells at the turn. Bright, glossy, club-loud mix., electronic

Swinging Velvet Moon

Swinging Velvet Moon

Authentic Golden Age swing jazz with a delightful female jazz singer. Bright, playful vocals inspired by the classic American swing era, backed by a full big band featuring trumpets, trombones, saxophones, upright bass, brushed jazz drums, acoustic piano, and rhythm guitar. Strong danceable swing rhythm, elegant brass riffs, tasteful instrumental solos, joyful and sophisticated mood, vintage ballroom elegance, timeless jazz club atmosphere, warm analog recording, 120 BPM, English lyrics, classic jazz phrasing, no electronic instruments or modern pop elements.

L'Artefact Minuit

L'Artefact Minuit

Jazz swing with walking piano bass feel, brushed drums and syncopated piano comping; verse rides conversational and playful, pre-chorus tightens with stop-time accents, chorus opens into a catchy shuffle chant. Male vocals with close-mic warmth, light scat ad-libs, doubled hook lines, and short delay throws on the name. Ear candy: piano glissando into the chorus, brushed snare fill before each lift, tiny bell-like keys between phrases. Bright, classy, intimate mix with vintage sheen., swing, jazz

Neuer Flug

Neuer Flug

Cinematic pop ballad with sweeping strings, gentle pulse, and emotional lift; verse starts sparse with piano and low cellos, pre-chorus opens into rising violins and suspended chords, chorus blooms with full string sections and stacked vocal doubles. Bridge pulls back to solo strings and close-mic vocal, then final chorus swells with wide harmonies, soft percussion, and a glowing orchestral finish. Wide, glossy, and filmic mix.

Yvan Max Libre

Yvan Max Libre

French variété romantique ballad driven by solo piano, gentle rubato, intimate close-mic male vocals, sparse verse phrasing with open pre-chorus lift, chorus blooms in warm stacked harmonies, soft pedal swells and a few lingering piano fills between lines, polished and tender mix

Последний Трамвай

Последний Трамвай

Melancholic dark pop with a slow triplet sway and muted kick-snare pulse; verse rides sparse piano and low sub bass, pre-chorus opens with rising strings and breathy doubles, chorus lands on a wide minor synth bed with stacked harmony. Whispered close-mic lead, soft octave doubles, delay throws on the final word, vinyl crackle and reversed swell into each hook. Intimate, dim, and glossy

I miss myself

I miss myself

Violin, piano, painful

I miss myself

I miss myself

Violin, piano, painful, emotional

Última Edição

Última Edição

Sad pop ballad with slow 72 BPM pulse, restrained piano and brushed percussion; verse stays close and report-like, pre-chorus opens with rising strings and suspended chords, chorus lands on a short repeated hook with stacked harmonies, bridge pulls back to sparse piano and breathy doubles before a final chorus with fuller drums. Intimate close-mic vocal, light delay throws on key phrases, soft vinyl crackle, rain-like synth swells, warm and glossy mix

I miss myself

I miss myself

Violin, piano, painful powerful, emotional

I miss myself

I miss myself

Violin, piano, painful powerful

Safe Travels Shantel

Safe Travels Shantel

Gospel-pop ballad with a gentle mid-tempo sway, brushed percussion and warm piano; verse stays intimate and conversational, pre-chorus lifts with stacked harmonies, chorus opens into a singable refrain with handclap accents. Lead vocal is close-mic and heartfelt, with soft doubles on key lines and a few echoed hook repeats. Light rise into the chorus, sustained pad under the final lift, bright and clean mix with a warm church-room feel.

Sophia Can Come

Sophia Can Come

Pop ballad with a soft mid-tempo swing, fingerpicked guitar and light kick on the verse; pre-chorus opens with rising piano and suspended harmonies; chorus lands on warm stacked vocals and a simple clap pulse. Lead vocal stays close-mic and conversational, with gentle doubles and tiny reply echoes on key lines. Ear candy includes a page-turn swell, a soft bell pick-up, and a filtered lift into the final chorus. Mix is intimate, bright, and clean

Rosa Rítmica en Lurín

Rosa Rítmica en Lurín

Latin urbano contemporáneo con fusión de reggaetón, dembow y house latino. Ritmo muy bailable (100–105 BPM), percusión marcada, bajos 808 profundos, sintetizadores brillantes, piano latino, metales sutiles y efectos ambientales. Versos con rapeo relajado y melódico, alternados con coros pegajosos y cantables. Voz masculina grave, cálida y expresiva, con interpretación natural, segura, carismática y desenfadada. Ad-libs latinos (“ey”, “uh”, “shh”, “vamos”), cambios de intensidad, pausas dinámicas y ambiente de fiesta callejera. Producción moderna, limpia y envolvente, pensada para sonar viral, con influencia del urbano latino actual, transmitiendo celebración, orgullo por el barrio, unión y energía positiva. Como BAB BUNNY EN NUEVAYOL

Toi Maman

Toi Maman

French pop ballad with gentle 4/4 sway and a soft piano-led groove; verse stays intimate with sparse keys and warm bass, pre-chorus opens with rising strings and brushed percussion, chorus blooms with layered harmonies and a simple clap pulse. Lead vocal is close-mic and tender, with doubled lines on the hook and a few airy ad-libs. Add a reversed swell into each chorus, a delicate piano sparkle after key phrases, and a final lift with full string padding. Mix is warm, glossy, and emotionally close

Ressonância de Liberdade

Ressonância de Liberdade

Estilo: Rap melódico feminino com sertanejo universitário romântico. Começo apenas com piano e violão, voz bem íntima. No refrão entram bateria, baixo, guitarra, violinos e um coral suave, criando uma sensação de libertação e superação. Voz: Feminina, madura (aproximadamente 35 a 45 anos), rouca e emotiva, cantando com muita interpretação, como se estivesse contando sua própria história. A emoção deve crescer durante a música: começar triste, passar pela dor e terminar forte, mostrando uma mulher que decidiu seguir em frente. Clima: Triste, intenso e verdadeiro no início. Aos poucos, a música se transforma em esperança, autoestima e recomeço. Não é uma música de vingança. É uma música de libertação, amor-próprio e cura

Lucila Voorbij

Lucila Voorbij

Dutch pop ballad with a mid-tempo pulse and gentle syncopated percussion; verse rides sparse piano, muted bass, and a finger-snapped groove, pre-chorus opens with rising pads and stacked harmonies, chorus lands on wide drums and a singable lead with doubled hook lines. Add delay throws on key words, soft gang vocals in the final chorus, and a glossy yet intimate mix with warm low end and bright top.

Alma em Ascensão

Alma em Ascensão

Gospel contemporâneo, worship com influência de pop gospel. Voz: Feminina, madura, emocionante e suave, com muita interpretação e sentimento. Começar apenas com piano e voz. No refrão, entrar bateria leve, violão, cordas e coral gospel. Crescer aos poucos até um final emocionante e cheio de esperança. Clima: A música começa triste e íntima, transmitindo dor, solidão e cansaço. Aos poucos, a esperança cresce, mostrando cura, força e confiança em Deus. A mensagem principal é que não devemos implorar amor ou atenção de quem não quer ficar. Deus permanece ao nosso lado e nos fortalece para recomeçar.

Hip Hop

Tiki‑Ritmo de Luz

Tiki‑Ritmo de Luz

Techno, disco bailable, hip hop

Velvet Spoon Loop

Velvet Spoon Loop

Lo-fi hip hop instrumental at 90 BPM with a laid-back swung pocket, soft snaps, warm rounded bass, dreamy key chords, and subtle vinyl texture; intro opens with filtered keys and room noise, main groove settles into a seamless loop with tiny percussion fills, then a gentle lift with bell tines and a reversed swell before returning clean. Cozy, indulgent, hypnotic, intimate close-mic mix, smooth and soft-glowing., lo-fi, hypnotic, hip hop, indulgent, smooth, soft, warm, mellow

Ashes In D

Ashes In D

Cinematic hip hop at 148 BPM in D minor, explosive modern trap foundation with fast hi-hats, hard kick, sharp snare, and deep sub-bass; intro slams in dense and relentless, then the arrangement opens to a lone emotional violin carrying crying melodies, wide vibrato, and dramatic swells. Midsection builds with layered strings, reversed risers, impact hits, and tense bass pulses, then the climax surges full and overwhelming before dropping to one sustained violin note over fading low end. Close, glossy, premium mix with huge low end, bright transients, and expansive cinematic depth., rap, violin, hip hop, deep, dynamics, dramatic, emotional

Alleywally

Alleywally

Rap hip hop

Allywally

Allywally

Rap hip hop

Heatwave Hustle

Heatwave Hustle

Hip hop trap rap

Midwest Metal Fury

Midwest Metal Fury

Hip-hop drill hybrid with half-time trap drums and dubstep drops; verses ride tense syncopated 808 slides, pre-chorus tightens with snare rolls and chopped vocal stabs, chorus hits with a heavy sub wobble and call-and-response chants. Gritty old-school vocal tone, doubled hook lines, ad-lib punches, reverse swells into each drop, wide and punishing low-end mix., dubstep, hip hop, drill Midwest Metal Fury Hostile Midwest chopper flow. Punchlines need feel heavy.

Backseat Sermon

Backseat Sermon

Hip-hop drill hybrid with half-time trap drums and dubstep drops; verses ride tense syncopated 808 slides, pre-chorus tightens with snare rolls and chopped vocal stabs, chorus hits with a heavy sub wobble and call-and-response chants. Gritty old-school vocal tone, doubled hook lines, ad-lib punches, reverse swells into each drop, wide and punishing low-end mix., dubstep, hip hop, drill

Terimalah Amalanku

Terimalah Amalanku

Elektro Bağlama: Ramazan Uzunlar 🎶 Gitar: Ramazan Uzunlar Muzik Slow Gambustradisional Brunei, Nusantara Malay Nasheed Chill, Trap Hip Hop, Malique Inspired Poetic Rap, 72 Bpm, Drum, Emotional Piano, Soft Seruling, Deep 808 Bass, Slow Piano Beat, Male Calm Voice, Spiritual Introspective Malay Lyrics, Acoustic Guitar, Cinematic Ambient String, Lo-Fi Texture, Viral Tiktok Vibe, Smooth And Hypnotic. “Raw Emotional Storytelling” • “Minimalist But Impactful Beat” • “Soulful And Haunting Melody” • “Deep Conscious Rap Energy”

Shamcfly callout

Shamcfly callout

Opera, hip hop, violin, a cappella

Operatic Hip-Hop Violin Cipher

Operatic Hip-Hop Violin Cipher

Opera, hip hop, violin, a cappella

Ashes To Crown

Ashes To Crown

Epic cinematic violin hip hop at 90 BPM in D minor, built on a powerful rap beat with fast hi-hats, punchy snare, hard kick, deep 808s, and cinematic percussion. Verse rides tense and sparse with solo violin; the middle opens with felt piano, dark pads, and second-violin accents; climax surges with full strings and braams. Premium film-score mix: wide, glossy, and dramatic., deep, rap, emotional, violin, orchestral, hip hop

Tiada Lagi

Tiada Lagi

Genre: Emotional Hip Hop, Sad Rap, Cinematic Ambient Tempo: 70 Bpm | Key: D Minor Heartbreaking Emotional Hip Hop With A Dark Cinematic Atmosphere. Soft Felt Piano, Distant Cello, Emotional Violins, Ambient Pads, Subtle Electric Guitar, Deep Warm 808 Bass, Slow Trap Drums, Gentle Hi-Hats, Vinyl Crackle, Spacious Reverb And Immersive Ambience. Male Vocal Only. Deep Husky Wet Baritone Voice, Naturally Raspy, Smooth Auto-Tune, Warm Compression, Lush Hall Reverb, Soft Stereo Delay, Breathing Between Lines, Emotional Vocal Cracks, Intimate And Vulnerable Delivery. Painful Melodic Rap With Clear Pronunciation And A Heartfelt Singing Chorus. Style: Malique × Kmy Kmo × Tuju × Cinematic Emotional Hip Hop. No Female Vocals, No Edm, No Aggressive Rap.

Tiada Lagi

Tiada Lagi

Emotional Hip Hop, Conscious Rap, Cinematic Tempo: 72 Bpm Key: D Minor Deep Emotional Hip Hop With Cinematic Atmosphere, Soft Melancholic Piano, Ambient Strings, Subtle Pad Textures, Warm Deep 808 Bass, Slow Trap Drums, Crisp Snare, Light Hi-Hats With Occasional Rolls, Gentle Electric Guitar Harmonics, Vinyl Crackle Texture, Wide Stereo Reverb, Introspective And Soulful Mood. Male Vocal Only, Low Baritone Voice With Emotional Delivery, Clear Pronunciation, Calm And Heartfelt Rap Style Inspired By Poetic Malaysian Hip Hop. Smooth Melodic Chorus With Soft Raspy Male Singing, No Female Vocals, No Aggressive Rap, No Edm Elements. Atmosphere Of Loneliness, Exhaustion, Resilience And Hope. Emotional Build-Up From Intimate Verses To Powerful Chorus, Cinematic Ending With Piano And Ambient Strings Fading Slowly. Style Reference: Malique, Kmy Kmo, Tuju, Mr General, Emotional Conscious Hip Hop.

Reina de Chilaquiles

Reina de Chilaquiles

Mexican Hip Hop

Ferris Wheel Glide

Ferris Wheel Glide

Hip-hop and warm R&B interlude with a laid-back swung head-nod groove, mellow tempo, and buttery chord changes; verse space implied by sparse drum pocket and rounded sub, then a mini lift with stacked keys and soft harmony swells. Breathy vocal chops, tucked ad-lib echoes, and a brief tape-stop transition into the last bars. Smooth, intimate, and plush in the mix, with a glossy low-end and velvet mids., hip hop, warm, r&b

Lazer Beat Vibes

Lazer Beat Vibes

reggae hip hop trap crazy voice chopped

Ashes Over Dune

Ashes Over Dune

Cinematic hip hop at 86 BPM in D minor with swung trap drums, deep 808s, felt piano, dark strings, and atmospheric pads; verse-like opening stays sparse with crying solo violin and sub pulses, then layers in subtle second violin and cinematic percussion, one silent bar before the climax, and a final surge with a long sustained violin note over fading strings. Premium, wide, emotional mix with intimate close-mic violin and glossy low-end impact., hip hop, deep, violin, emotional

Ashes To Dawn

Ashes To Dawn

Cinematic hip-hop with a swung 82 BPM trap pulse in D minor; verse-like opening starts with fragile solo violin, felt piano, and distant pads, then layers orchestral strings, deep 808 bass, and tight percussion for a heavier lift. A second violin joins on key turns, one silent bar before the final climax, then a long sustained violin tone rides soaring strings in a bright, premium film-score mix., orchestral, deep, violin, hip hop, emotional, soaring, warm

Echoes of the Valley

Echoes of the Valley

epic cinematic hip hop, emotional solo violin, warm felt piano, orchestral strings, deep 808 bass, trap drums, atmospheric pads, cinematic percussion, 82 BPM, D minor, premium film-score quality

Get Some Get Back

Get Some Get Back

Country rap with marching band swagger, crisp boom-bap hip hop drums and groovy bassline, warm analog organ, brass stabs and handclaps; verse rides tight rhymes over stomping snares, pre-chorus strips to organ and low bass, chorus hits with the hook sung in gang voices and trumpet punches. Verse vocals are close-mic with sly ad-libs, hook gets shouted doubles and delay throws. Ear candy: drumline rolls before drops, reversed horn swells, crowd-clap fills. Bright, punchy, festival-loud mix with Southern grit., soulful, marching band, country, light, groovy, hip hop, warm, bassline, rhythmic, rap

When We Get Get Back

When We Get Get Back

Soul-rock with marching-band drive and crisp boom-bap hip hop drums, groovy bass, warm analog organ, handclaps, and brass hits; verse rides a strutting drumline and tight bass, pre-chorus pulls back to organ and stacked vocals, chorus opens with shout-along horns and call-response chants. Lead vocal is gravelly and soulful with group shouts on hooks, risers into each lift, tape-slap delay on key lines, bright punchy mix with a live-room gleam., soul, bassline, rock, groovy, light, marching band, soulful, rhythmic, warm, hip hop

Church Bell Getback

Church Bell Getback

Soul-rock with marching-band swagger and jazz-singer phrasing over crisp boom-bap drums, groovy bass, warm analog organ, and punchy brass hits; verse rides a busy snare pocket with call-and-response horns, pre-chorus strips to voice, bass, and handclaps, chorus opens with jubilant band stabs and stacked choir replies. Lead vocal is gritty and soulful with ad-lib doubles on hooks, short delay throws on key lines, and gang shouts on the title. Ear candy: snare rolls into brass lifts, reverse cymbal swells, and a final horn tag. Bright, live, and sweaty in the mix., marching band, rhythmic, jazz, soulful, soul, bassline, rock, groovy, warm, light, hip hop

El Gualda espaldas de la mente , el ego .

El Gualda espaldas de la mente , el ego .

mid-tempo hip hop acoustic, melodic rap, deep male or female vocals, spanish guitar, chill urban beat, thought-provoking, conversational alternative pop

Midnight Bow

Midnight Bow

Cinematic hip-hop in D minor at 78 BPM with swung, head-nodding drums and a subtle 808 pulse under expressive solo violin, warm felt piano, deep cello, soft string beds, and atmospheric pads. Verse-like opening stays intimate; layers bloom in the middle; final section swells to a powerful lift, then dissolves peaceful. Intimate, elegant, bright-warm mix with crisp transients and wide cinematic depth., inspiring, soft, hip-hop, light, rap, orchestral, inspirational, hip hop, soundtrack, emotional, deep cello, violin, warm

BUENA VIDA.

BUENA VIDA.

Style: punk, hip hop, free style, hits hats, drum, progressive, xylophone, jazz, industrial, classical electronic dance music. female male Duet / vocal Multiple voices global sound scene alive this lyrics is the best song ever written and singer any friends of the building, at the same time por su ventana, terrace la cantan para la BUENA VIDA the lyrics is a modern piece music

BUENA VIDA.

BUENA VIDA.

Style: DANCE, punk, hip hop, free style, hits hats, drum, progressive, xylophone, jazz, industrial, classical electronic dance music. female male Duet / vocal Lady Gaga and Benson Boone and Multiple voices global sound scene alive this lyrics is the best song ever written and singer any friends of the building, at the same time por su ventana, terrace la cantan para la BUENA VIDA the lyrics is a modern piece music La intro y Los Coros son different torn rappers, tone is power, la interpreter muy and the song are rapidly, vibrating, eccentricity + happiest Hits Hats

BUENA VIDA.

BUENA VIDA.

Style: punk, hip hop, free style, hits hats, drum, progressive, xylophone, jazz, industrial, classical electronic dance music. female / vocal this lyrics is the best song ever written and singer any friends of the building, at the same time por su ventana, terrace la cantan para la BUENA VIDA the lyrics is a modern piece music

Late Fee Fade

Late Fee Fade

Hip hop trap with sliding 808s, sharp hi-hat rolls, and a muted bell motif; verse rides spare drums and bass with tight triplet pockets, pre-chorus strips to kick and a detuned pad, chorus lands with stacked hooks and a gritty synth stab. Lead vocal is close-mic and dry in verses, doubled and shouted on hooks, with ad-lib throws and a brief filtered break before the final chorus. Bright, punchy, low-end heavy mix with crisp top-end sparkle., hip hop

WINGS

WINGS

Hip hop trap beat. Slow-tempo upbeat piano loop, synthesizer, bass guitar, cello and trombone for bass. Some light strings and horns for a steady rhythm in the background. Add snaps. Add a choir for harmony in the chorus. Powerful bridge. Soulful adlibs.

Elektronik Bağlama Beat

Elektronik Bağlama Beat

Elektronik bağlama saz arabesk tarzı hip hop

Elektronik Bağlama Hip Hop Şöleni

Elektronik Bağlama Hip Hop Şöleni

Elektronik bağlama hip hop

Ivory On Fire

Ivory On Fire

Hip hop with piano-driven rock and roll swagger at a mid-tempo bounce; verses ride gritty drum loops and hammering left-hand piano riffs, pre-chorus pulls back to lone keys and handclaps, chorus hits with stacked vocal doubles and gang shouts. Add reverse-piano swells, a short tape-stop into the hook, and bright crash accents. Wide, punchy, cinematic mix with a raw live-room edge., hip hop

Iron On My Name

Iron On My Name

Hip hop rock’n’roll with a driving mid-tempo backbeat, swinging drums, crunchy guitars and dramatic piano stabs; verse rides tight rap phrasing over bass and keys, pre-chorus strips to piano and gang echoes, chorus hits with huge choir harmonies and stomp-clap guitars. Vocal production is close-mic lead with stacked doubles, shouted ad-libs, and a cathedral-size group hook. Ear candy: reverse piano swells, risers into the lift, and a last-hit choir stop. Mix is wide, punchy, and cinematic., hip hop, rock

Wisa

Wisa

Happy birthday party a Hip Hop

Tommy On G.T.A.

Tommy On G.T.A.

Hip hop with laid-back head-nod swing, dusty kick-and-snare pocket, rolling sub bass, and chopped vocal stabs; verse rides loose and conversational, pre-chorus strips to claps and bass hum, chorus lands with a chanty hook and doubled ad-libs. Filter sweeps, game-console blips, and tape-stop fills color the transitions. Close-mic vocal, dry in verses and wider with crowd doubles on the hook; punchy, smoky, street-level mix., hip hop

Catch a good buzz

Catch a good buzz

Hip hop with a mellow boom-bap swing and warm sub-bass, verse rides dusty Rhodes and clipped drums, pre-chorus strips to snaps and a low piano phrase, chorus opens with layered doubles and a chantable hook, bridge drops to half-time with tape hiss and a distant vocal echo, final chorus adds crowd-style ad-libs and a soft horn stab. Close-mic male vocals, intimate and reflective, bright punchy mix with vinyl crackle and subtle delay throws on key words., soul, hip hop

Good Soul Tonight

Good Soul Tonight

Hip hop with a mellow boom-bap swing and warm sub-bass, verse rides dusty Rhodes and clipped drums, pre-chorus strips to snaps and a low piano phrase, chorus opens with layered doubles and a chantable hook, bridge drops to half-time with tape hiss and a distant vocal echo, final chorus adds crowd-style ad-libs and a soft horn stab. Close-mic male vocals, intimate and reflective, bright punchy mix with vinyl crackle and subtle delay throws on key words., soul, hip hop

Electronic

NEW SHIVA SONG 16.7

NEW SHIVA SONG 16.7

A colossal, raw, and ecstatic South Indian classical temple ritual performance. 100% purely acoustic, zero electronic instruments, no synths. The rhythm is driven by an earth-shattering Kerala Chenda Melam ensemble: thunderous bass-heavy Veekku Chenda drums paired with the lightning-fast, piercing clatter of Uruttu Chenda played with wooden sticks at a manic, escalating tempo. Interspersed with heavy, complex Carnatic Mridangam and Tavil rhythmic battles. Blaring, primal fanfares of ancient Kombu (S-shaped brass horns) and the soaring, crying, high-pitch wail of a dual Nagaswaram. Haunting, fast-paced vocal Konnakol (rhythmic mouth percussion syllables) chanted in a fierce, breathless, trance-like state. A deep, resonant acoustic Veena executes aggressive, sliding gamakas. Clashing brass Elathalam cymbals driving the chaotic, ecstatic climax. Massive natural acoustics of an ancient stone temple courtyard with heavy, dark echo. Visceral, spiritual fury, majestic, absolute goosebumps, 8K

Tomorrow start pann

Tomorrow start pann

Create a light-hearted Tamil song with a playful heartbreak mood. The music should be simple, raw, and slightly quirky. Use a slow-to-mid tempo (85–100 BPM). Start with a soft acoustic guitar or ukulele intro, followed by a subtle lo-fi beat with finger snaps and light percussion. Add a mild kuthu groove in the background during the chorus to give a fun South Indian street feel. The singer should sound casual, slightly imperfect, and conversational — like storytelling, not heavy singing. Male voice preferred, slightly husky, natural, with small laughs or sighs in between lines. Use minimal instruments: acoustic guitar, light bass, finger snaps, soft electronic pads, and playful whistle or humming in between sections. Chorus should be catchy, repetitive, and easy to remember. Background should include subtle crowd ambience or room reverb to give a “local, raw recording” feel. Avoid heavy orchestration. Keep it simple, fun, and emotionally relatable. Overall mood: Sad but smiling, broken

Der Applaus

Der Applaus

1930s–1940s UFA film revue, grand german theatre chanson, very deep haunting female contralto with a rich dark chest voice, almost spoken theatrical delivery, slow deliberate phrasing, emotionally restrained, aristocratic dignity, subtle controlled vibrato, deep chest resonance, rarely leaves the lower chest register. The voice remains grounded, dark and resonant throughout the song. Avoiding bright head voice or modern belting. dramatic but never modern pop, never Broadway, never musical theatre, lush strings, piano, clarinet, accordion, muted brass, nostalgic german cabaret atmosphere. Recorded live on the stage of a grand 1930s German Berlin theatre. Captured with vintage ribbon microphones onto a pre-war shellac master using warm tube electronics, natural room acoustics and limited high-frequency response. The singer performs several feet away from the microphone, never close-miked.

MelodyCraft Drop

MelodyCraft Drop

Pop electronic with mid-tempo bounce, syncopated kick-snare groove, airy synth arps in the verses, pre-chorus narrowing to filtered percussion and vocal chops, chorus opening with stacked doubles and a chanty hook; add reverse swells into each lift, tiny glitch sparkles between lines, and a sidechained sub that breathes under the drop. Bright, glossy, and tight in the mix.

La Última Noche

La Última Noche

Spanish pop rock with electronic guitar riffs, driving mid-tempo groove, Mexican female vocals and soprano second-voice harmonies; verse stays tense and confessional with palm-muted guitars and tight drums, pre-chorus opens with rising octaves and filtered synth wash, chorus hits with wide stacked vocals and a sharp guitar hook; bridge drops to intimate close-mic voice and a detective-callout detail before final chorus; bright, punchy mix with glossy edges, delay throws on the title line, and a few glassy ear-candy swells between phrases., pop, rock

Lady Knight

Lady Knight

Create a powerful alternative Pop/R&B instrumental with futuristic, cinematic production. Use punchy electronic drums, deep sub bass, shimmering synths, haunting bell melodies, dreamy reverb electric guitar, airy female vocal chops (“ah-ah-ah”), metallic percussion, and subtle string textures. Build a huge, unforgettable chorus with dramatic transitions and a hypnotic groove. Inspired by the sleek, sensual atmosphere of Rihanna’s Kiss It Better and the ethereal production of Ariana Grande’s Supernatural. Leave space for soulful R&B belting, layered harmonies, and emotional vocals. Luxurious, mysterious, feminine, and completely original. Make it catchy Alt

Lady Knight

Lady Knight

Create a contemporary alternative Pop/R&B instrumental around 90–100 BPM in a minor key, blending dark futuristic production with cinematic medieval elements and contemporary R&B, hip-hop, neo-soul, and Afro-pop influences. Use crisp electronic drums, deep sub bass, syncopated grooves, shimmering synths, dreamy reverb electric guitar, haunting bell plucks, subtle strings, layered female harmonies, whispery “ah-ah-ah” vocal chops, and metallic textures inspired by medieval armor. Build a huge, instantly memorable chorus with a signature synth hook. Make it slow-burning, sensual, confident, mysterious, and empowering with a luxurious, regal nighttime atmosphere, inspired by Rihanna’s Kiss It Better, Ariana Grande’s Supernatural, and Justin Timberlake’s My Love, while remaining completely original.

Lady Knight

Lady Knight

Contemporary Alternative R&B with a sleek, hypnotic groove. Slow-burning and sensual with crisp electronic drums, deep sub bass, shimmering synths, dreamy reverb electric guitar, spacious production, layered female harmonies, whispery ad-libs, and subtle metallic textures inspired by medieval armor. Confident, mysterious, and empowering with a regal nighttime atmosphere. Around 98 BPM in a minor key. Original composition with a polished, modern feel.

Dama Kulebrilla (Dance De Meniere)

Dama Kulebrilla (Dance De Meniere)

electronic dance, underground, minimal techno, hard tribal, club, synthesizer, dark techno, metal, techno brasileiro,

Lady Knight

Lady Knight

Contemporary Alternative R&B with a sleek, hypnotic groove. Slow-burning and sensual with crisp electronic drums, deep sub bass, shimmering synths, dreamy reverb electric guitar, spacious production, layered female harmonies, whispery ad-libs, and subtle metallic textures inspired by medieval armor. Confident, mysterious, and empowering with a regal nighttime atmosphere. Around 90 BPM in a minor key. Original composition with a polished, modern feel.

Haul Away for the Circuit

Haul Away for the Circuit

upbeat glitch hop, driving accordion melodies, bright acoustic guitar folk picking, stuttering vocal chops, heavy electronic percussion, sea shanty tempo and energy, rhythmic electronic artifacts

Waterproof

Waterproof

Commercial synth-pop funk with bouncy groove, bright guitar chops, round synth bass, and female vocals up front; verses stay close-mic and dry, pre-chorus lifts on pads, chorus blooms with stacked mids, slick claps, airy harmonies, and short delay throws on the last word. Bright polished radio-ready mix with glossy top end and warm low-end bounce., funk, bounce, rhythmic, electronic, dance pop, soul, pop, low, electric, bright, warm, female vocals, clean

Neon Shadows Fade

Neon Shadows Fade

electronic, emo

Samba no Beat

Samba no Beat

reggaeton Brazilian funk pop electronic 2 minutes song

Midnight Vector

Midnight Vector

Electronic dance-pop with four-on-the-floor kick, syncopated synth stabs, and a driving sidechain pulse; verse rides a tight bass-pluck and clipped vocal phrases, pre-chorus opens with rising filter sweeps and snapped handclaps, chorus hits with a massive saw-hook and gang vocal chant. Vocal stays close-mic and energetic with doubled lines, delay throws on the key phrase, and whispered ad-libs in the gaps. Ear candy includes reversed cymbal swells, laser zaps, and a tape-rewind burst before each drop. Bright, punchy, club-ready mix with glossy top end and huge low-end impact., electronic

Midnight Cello‑Trap Serenade

Midnight Cello‑Trap Serenade

jazz, cello, trap, country, classical, electronic

One Second Later

One Second Later

Pop-electronic with a crisp mid-tempo four-on-the-floor pulse, syncopated handclaps, tight sub-bass, and gliding synth arps; verse stays minimal with dry close-mic vocal and chopped syllables, pre-chorus opens with rising filter sweeps and stacked harmonies, chorus lands wide with a chanty hook and doubled lead. Use short delay throws on key words, a few pitched vocal chops between lines, and a glossy punchy mix with bright top end.

Swingin’ Bada‑Boom Blues

Swingin’ Bada‑Boom Blues

Upbeat vintage swing jazz with a playful female vocalist, around 120 BPM. Catchy, repetitive rhythmic phrasing and infectious swing groove. Frequent energetic scat singing using playful jazz syllables such as "ba-da, doo-bee, shoo-bop, da-ba-doo" woven naturally throughout the performance. Bright brass accents, lively saxophone, walking upright bass, brushed drums, acoustic piano, and rhythmic guitar comping. The vocal should be expressive, cheerful, flirtatious, and effortlessly swinging, with short memorable melodic hooks and call-and-response between the singer and the band. Authentic 1940s–1950s jazz club atmosphere, warm analog recording, polished live big band performance, irresistible danceable rhythm, instrumental solos between vocal sections, joyful, classy, timeless, no electronic instruments, no rock elements.

Swingin' Scat & Bop

Swingin' Scat & Bop

Upbeat vintage swing jazz with a playful female vocalist, around 120 BPM. Catchy, repetitive rhythmic phrasing and infectious swing groove. Frequent energetic scat singing using playful jazz syllables such as "ba-da, doo-bee, shoo-bop, da-ba-doo" woven naturally throughout the performance. Bright brass accents, lively saxophone, walking upright bass, brushed drums, acoustic piano, and rhythmic guitar comping. The vocal should be expressive, cheerful, flirtatious, and effortlessly swinging, with short memorable melodic hooks and call-and-response between the singer and the band. Authentic 1940s–1950s jazz club atmosphere, warm analog recording, polished live big band performance, irresistible danceable rhythm, instrumental solos between vocal sections, joyful, classy, timeless, no electronic instruments, no rock elements. Emphasize extended scat improvisations, playful vocal riffs, syncopated jazz phrasing, repetitive rhythmic motifs, memorable swing hooks, and lively vocal-band interac

Midnight Toasts & Swing

Midnight Toasts & Swing

Elegant instrumental swing jazz for a sophisticated dinner party at 120 BPM. Warm and classy atmosphere with a lively yet relaxed swing groove. Walking upright bass, brushed jazz drums, acoustic grand piano, mellow tenor saxophone, muted trumpet, subtle guitar comping, and occasional vibraphone accents. Rich jazz harmonies, tasteful improvisation, smooth call-and-response, natural human swing feel, polished live jazz ensemble, intimate upscale restaurant ambiance, vintage New York jazz club vibe, crystal-clear acoustic recording, warm analog tone, dynamic but never overpowering. Perfect background music for fine dining, wine, conversation, and celebration. No vocals, no electronic instruments, no EDM elements, no rock influence, no orchestral strings.

Baila Andrés

Baila Andrés

Energetic Latin Pop • Salsa Electrónica • Tropical House • Dance • Modern Salsa • Powerful brass section • Salsa piano • Congas • Timbales • Electronic bass • Catchy male vocal • Children's celebration anthem • Joyful • Uplifting • 118 BPM • Family celebration • Inspirational • Dancefloor energy

BUENA VIDA.

BUENA VIDA.

Style: punk, electronic rock heavy electronic, hits hats electronic drum, electronic dance rock, music. male / vocal la lyric la voice grave y bajo, Male Benson Boone . Alive, Multiplex voices this lyrics is the best song ever written and singer any friends of the building,

Neon Dreamscape Pulse

Neon Dreamscape Pulse

Synth-pop, electronic, upbeat, vibrant synths, dream

Heart Of Africa

Heart Of Africa

African chants, African Drum beats, adapt this into a specific electronic style such as Afro-house, Amapiano, EDM festival, tribal house, or melodic techno, with matching structure and vocal cues for production., trance

Circo

Circo

Para bailar infantil con mucho ritmo electronica pop, alegre rápida.

Dama Kulebrilla (Dance De Meniere)

Dama Kulebrilla (Dance De Meniere)

electronic dance, underground, minimal techno, hard tribal, club, dark techno

Speedbreaker F-777

Speedbreaker F-777

Electronic dance-pop with driving four-on-the-floor kick, syncopated bass stabs, and a sharp synth lead; verse rides tight and minimal with clipped vocal phrases, pre-chorus opens into rising filter sweeps and handclaps, chorus slams with stacked doubles and shouted gang accents. Use reverse swells, glitch ticks, and a short octave-drop before each hook. Bright, punchy, high-gloss mix with wide stereo shine and hard low-end impact.

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