Songs made with Voices AI bring voice technology into music - from covers to original tracks. Hear how creators and our community are using AI voices to explore new sounds and ideas.
Have a Good Day, Lenny
Playful Latin pop with a buoyant cumbia-leaning groove, crisp hand percussion, rounded bass, bright nylon-string guitar strums, and a cheeky call-and-response hook. English lyrics with clear conversational phrasing, lively lead vocal, warm backing responses, and a polished lighthearted arrangement that builds into a catchy chorus.
Jazz de Fe en la Noche
Jazz country with upright bass, warm brass swells, and gentle acoustic guitar; wide stereo horn image, relaxed country-jazz sway, mixed vocal duet with close harmonies and a clear, encouraging delivery.
TALLIE TAI – “DET GAMLA DÖR”
[[den börjar tungt, aggressivt, nästan som att hela livet står och försöker pressa ner dig. Sen börjar korten öppna sig, beatet ljusnar, refrängen får dansband/pop-eufori, och sista delen blir själva spådomen: det gamla dör, något rättas, pengar börjar röra sig, människor visar vilka de är och du går inte tillbaka till samma gamla skit.] [Arena Rock / Hard Rock / 80s Synth Rock / Trap-infused Gangsta Rap, djup viking Cinematic emotional dark pop, atmospheric electro-pop, ethereal female vocals, intimate vulnerable verses, haunting piano, deep sub bass, ambient synths, electric atmosphere, orchestral strings, dramatic builds, powerful emotional chorus, dreamy fairytale elements, dark cinematic transitions, spoken-word moments, sudden silence, huge final build, raw emotional vocal, mysterious, spiritual, melancholic but hopeful, modern Nordic pop, epic soundtrack feeling]Cinematic emotional dark pop, atmospheric electro-pop, ethereal female vocals, intimate vulnerable verses, haunting ]
Yalan dünya
1980s Turkish arabesk, deep warm male baritone and high, sorrowful female vocals trading verses and joining in heavy traditional vibrato and Turkish ornaments; weeping violin orchestra, microtonal electro baglama solos; slow 65 BPM pulse; analog tape warmth.
Midnight Drip Hustle
Gorilla Zoe flow
Gopak
Altwenative Experimental, melodic, folkhop, folkbeatbox, unique unusual pronouncements, фольканутий на всю голову хіп-хоп для бандуроловерс, кайфуй зі мною жгі, покажи пісюн в форточку живи відривайся
Shadowsteel Oath
Deathcore, remo, ock, metal, ballad, instrumental, hard rock, aggressive,
Ясик хуясик
Russian hip-hop with bouncy mid-tempo bounce, swung drums and a rubbery bassline; verse rides tight and talky with sparse percussion, pre-chorus opens with handclaps and a rising synth stab, chorus hits with gang-vocal chants on the key phrase. Lead vocal is dry and close, with doubled hook lines, playful ad-libs, and short delay throws on the punchline. Vinyl crackle, reverse swell into the hook, crisp snare snaps, bright punchy mix.
Good Rep
Hip-hop with a head-nodding boom-bap bounce, swung drums, rubbery bass, and chopped vocal shouts; verse rides sparse kicks and dusty piano stabs, pre-chorus lifts with snare rolls and rising claps, chorus hits with stacked gang hooks and a grimy brass punch. Close-mic lead vocal with ad-lib doubles, delay throws on the last word of each hook, tape hiss, vinyl crackle transitions, and a bright, punchy mix with hard drums and thick low end.
Djahmun - Io-matua-kore
conscious soul reggae, bass and drums, piano, organ, flute, saxophone, acoustic guitar, electric guitar, church choir, native indian flute, harmonica, Nyabinghi drums, soft reverb, delay, native tribe chanting. end it with the instruments slowly fading until it’s almost just voices and wind sounds, like: Jah Rastafari… One love… Forever… Irie… —with distant harmonies echoing out at the end.
Anomaly
Electro-Pop / Dance-Pop with Dark Pop attitude, club energy NO ELECTRIC PULSE/GLITCHES
Dil Tu kiyo rota hai
Hindi sad
Electric Freedom Pulse
electro
5
سمفونية
Sonidos de Mariachi Maternal
Mariachi
Peanut Butter Jelly
K-pop dance-pop with a bouncy four-on-the-floor groove, syncopated bass pops, and sharp handclap snaps; verse rides tight staccato delivery with playful chant breaks, pre-chorus strips to rubbery sub and rising vocal stacks, chorus hits with glossy synth stabs and group shouts on the hook. Rumi leads with bright doubles, call-and-response ad-libs, short delay throws on the title phrase, and a final lift with reverse swells, candy chimes, and a wide punchy mix.
Leaf Village Run
Anime rock with driving mid-tempo drums, syncopated palm-muted guitars, and a punchy bassline; verse rides tight and tense, pre-chorus opens with rising toms and stacked chants, chorus hits wide with gang vocals and a soaring lead melody. Vocal production is gritty male vocals with doubles on the hook, quick ad-libs, and a brief filtered shout before the drop. Ear candy includes a shuriken-spark synth hit, wind risers, and a final chorus key lift. Bright, explosive, and cleanly compressed
Ek daddy
A cappella in the tone rhythm pace of my heart belongs to Daddy by Eartha Kitt
Violin Rumble Rebellion
R&B, electric guitar rap
Schaffst das noch
Electro-pop ballad with driving four-on-the-floor pulse, emotional piano arpeggios, soaring violin lines, and a steady synth bass; verse stays intimate with sparse keys and soft kick, pre-chorus opens with rising strings and filtered handclaps, chorus hits wide with layered harmonies and a lifted violin hook. Lead vocal is close-mic and vulnerable in verses, doubled and backed by airy group harmonies in the chorus. Ear candy includes reversed piano swells, shimmering risers before each lift, and a final violin countermelody. Bright, polished, and cinematic mix., electro
Krzysztof 50: Płynny Punk
pop punk
Ру Ран
Russian-language pop-rap with a driving mid-tempo bounce, syncopated kick-snare groove, rubbery sub-bass, and bright synth plucks; verse keeps it lean with tight drums and clipped phrasing, pre-chorus opens with filtered pads and rising hand percussion, chorus lands on stacked gang vocals and a simple chantable hook. Close-mic lead vocal with doubled hooks, short delay throws on key words, reverse swells into each chorus, crisp and glossy mix with punchy low end.
Tuba y Gallo en la Llama
Corrido con tuba y guitarras
Grace and Daisy
Upbeat acoustic pop with brisk strummed guitar, light hand percussion, and a bouncy 4/4 feel; verse rides intimate fingerpicked guitar and soft shaker, pre-chorus strips to voice and tambourine lift, chorus opens with stacked harmonies and bright clap accents. Close-mic lead vocal with double-tracked chorus lines, gentle ad-lib echoes, and a few humming backing phrases. Add a mandolin sparkle between lines, a short drum lift into the chorus, and a warm, polished mix that feels sunny and close, light, beats, world, acoustic
Por qué fiel tu siempre
Rap, piano, balada
Doll Protection (Wet Glitch)
Tight structure for TikTok/ club virality: short intro → explosive chorus → quick verse → massive post-chorus hook → final chorus/outro. Repetitive “Protect the dolls!” hook sticks instantly (perfect for chants and TikTok sounds). • Short, high-energy structure — hits hard and ends before it overstays. • Maximalist glitch + wet sounds: Think maximalist 2026 production: glitchy granular synths, wet squelchy 808s, pitched-up breathy layers, bratty Charli-style attitude, SOPHIE metallic percussion, and heavy AI-glitch vocal chops. Whispery, slutty, juicy ASMR vocals drenched in reverb and delay. Intro (breathy whisper over glitchy hi-hats + wet lip sounds) Chorus (main catchy hook – big supersaw drop, super repetitive & chantable) Verse (fast bratty rap, whisper-sung, rapid-fire) Chorus (even bigger — add layered moans + vocal chops) Post-Chorus / Breakdown (slowed + reverb, ultra slutty whispers + rising glitch build) Final Chorus + Outro (full energy, then fade with breathy echoe
أنا طائر أعشق السماء
Warm Arabic pop ballad with oud and qanun over gentle percussion; verses stay intimate and close-mic’d, chorus lifts with sweeping strings and stacked male vocals on the hook, subtle bass glues it together, final chorus adds soft choir pads for a soaring, cinematic finish
If No Be God (Where I For Dey?)
rap, Afro-gospel street bounce with hip hop drums, rubbery talking bass, and bright highlife guitars answering the vocal lines; male vocals, mid-tempo, with rowdy call-and-response crowd shouts and subtle Igbo percussion driving the groove. Hook explodes with stacked harmonies and handclaps; bridge strips back to bare drums, bass pulse, and chanty gang vocals before a huge, joyful final chorus with extra ad-libs and octave-doubled leads., bounce, gospel, bright, male vocals, vocal, joyful, highlife, hip hop
Fiamme d'Adolescenza
K-pop
ROBOXX No Comando
High-energy reggaeton club banger; male vocals trading lines with processed robot vox. Punchy dembow drums, glossy synth brass stabs, bright arps that echo the LED vibe. Verses tight and percussive; chorus explodes with call-and-response between human and robot, crowd chants, and big drops. Robotic vocoder layers on the hook, with risers and sub impacts driving each “ROBOXX” moment., reggaeton
A escola é minha felicidade.
Clássico.
lady of the dawn
male emo voice, cinematic, theatrical, dark, acoustic guitar, alternative, bbc orchestra, choir, big drums, melancholy, ambient, gotchic acoustic guitar. vocal harmonies, sad, tribute
نهر الجنون
اغنية مغربية
Luna en Ruinas
Has un indie Rock sobre una persona que esta triste y tiene una desesperación de una separación amorosa y esta en una súplica nocturna y quiere confronta la soledad tras la partida de su amada. Y que su coro sea lindo
La youtuber Nabily
Dark Latin pop with a sly reggaeton swing, mid–tempo groove. Sparse verse built on moody synth plucks and sub bass, then chorus blooms with stacked female vocals and sharp claps. Subtle FX and whispered ad‑libs around the hook, last chorus lifts with octave doubles and a bright countermelody.
Catarina de Aço
Uplifting pop-trap híbrido, claps marcando o pulso, piano luminoso e synths aveludados. Bumbo firme em mid-tempo guiando versos íntimos, pré-chorus com subida de pads e baixo mais cheio; refrão explode com backing vocals em coro, kicks largos e risers discretos. Bridge reduzida só com piano e voz, crescendo até o último refrão com camadas de vozes femininas em uníssono e ad-libs emotivos.
Late night text
Folk, (Baby don't cry vibe), moans juvenile remix, preteens-girls duo female young bubbling girls and soft china-english girls, partyfeeling, subwoofer in a car drop the base, late night summer vibe, two young juvenile sing along and chants in "m m m m m m m M", subwoof bas drop remix, giggling bedtime high-pitched "m"
Fuerza en la Sombra
Musica de empoderamiento de mujer que transmita
*Jingle – 30 segundos (ritmo animado, estilo forró/axé de campanha
Marchinha de carnaval
Ghana, Gateway to Africa
Danceable Ghanaian Afro-pop with Eurodance energy, bright highlife guitar patterns, buoyant hand percussion and crisp four-on-the-floor kick, rounded bass, celebratory call-and-response chorus, warm confident lead vocal with group responses, polished festival-ready production. Build from a percussive groove into a wide, catchy chorus; repeat the chorus twice, then return to the hook for an emphatic ending.
Ghana, Gateway to Africa
Danceable Afro-pop with a buoyant four-on-the-floor groove, syncopated hand percussion, bright palm-muted guitar, rounded bass, and crisp claps. Build from a brief percussion-and-guitar intro into an energetic verse, then open into a chant-led chorus with layered group responses; add a short instrumental turnaround between repeated choruses and lift the final refrain with fuller harmonies. Warm, confident lead vocal with Ghanaian inflection, communal backing vocals, clean punchy modern mix.
Novas Aventuras
Pop eletrônico
Di Balik Layar
Melancholic Indonesian pop ballad with intimate, conversational lead vocal, gentle piano and muted electric guitar in the verses, restrained brushed percussion entering gradually, warm bass, and a wider emotional chorus with soft strings. Let the arrangement rise subtly from close and sparse to heartfelt but controlled, then fall back to a quiet piano-led outro. Clear natural vocal, roomy but not washy production, bittersweet and tender.
Who Put the Magic in Holbergs Four?
Catchy, upbeat modern dance-pop with a funky disco-pop groove. Inspired by the infectious energy of modern radio pop and feel-good summer hits. Strong melodic hook, rhythmic bassline, crisp punchy drums, bright synths, funky guitar and handclaps. Female or male lead vocals with playful personality, supported by layered group harmonies in the chorus. Verses should be bouncy, witty and rhythmically tight. The chorus must have a very simple, instantly memorable melody with a repeated lyrical hook that sticks in your head. Build energy naturally into the chorus. Make it feel like a fun, slightly cheeky office party anthem. Cool, confident, joyful and full of personality. Avoid generic stadium chants, excessive "hey" vocals, gospel and worship sounds. Short intro, quick verses, big catchy chorus, approximately 2 minutes.
Grab That Coffee
Upbeat, high-energy pop anthem with a fun Eurovision-meets-festival vibe. Catchy, infectious melody, driving dance beat, punchy drums, energetic bass, bright synths and claps. Around 128 BPM. Playful, joyful and slightly cheeky atmosphere. Confident vocals with a group of mixed male and female voices. Verses should feel conversational, humorous and rhythmic, building into a HUGE explosive sing-along chorus with powerful group vocals shouting "HEY! HEY!". Make the chorus incredibly catchy, simple and memorable, like a football stadium anthem that everyone can sing along to after hearing it once. Add fun vocal ad-libs, crowd shouts, energetic transitions and a big final chorus. Feel like a celebration of friendship, teamwork and having fun together. Modern, polished production. Not too serious or worship-like – this should sound like a fun office party anthem with heart and personality. Target duration: approximately 2 minutes.
Toi le chef en cuisine
French chanson-pop, playful domestic humor, female lead vocal with warm expressive phrasing and crisp French diction, buoyant acoustic guitar and piano groove, light brushed drums and upright bass, catchy conversational chorus, polished intimate arrangement with a small lift into each refrain
Ce que tu veux
French chanson-pop, playful domestic comedy, buoyant mid-tempo swing-pop groove, acoustic piano and lightly strummed guitar, upright bass, brushed drums with crisp handclaps, expressive female lead vocal in conversational French with clear diction, catchy melodic refrain, warm polished studio mix, small backing-vocal answers in the chorus
那段夏天
Mandarin-language sentimental pop ballad, intimate female lead vocal with clear restrained phrasing, piano-led opening with delicate acoustic guitar and soft strings, gradual lift into broad orchestral chorus, steady understated percussion, wistful reflective mood, polished warm studio mix with spacious vocal reverb, dynamic build from close verses to full final refrain
Mão na mão, coração valente
Cinematic animated-family-film musical, exuberant orchestral pop with Broadway-scale storytelling, driving percussion, sweeping strings, bright brass, piano and rhythmic acoustic guitar. Build from intimate alternating male and female lead vocals into a powerful harmonized duet chorus, with dynamic call-and-response, rich ensemble backing vocals, soaring final chorus and polished studio production with wide orchestral mix.
Depois da Tempestade
Uplifting theatrical animated-film musical, sweeping orchestral pop with bold brass, soaring strings, piano, hand percussion, and a driving cinematic drum build. Romantic call-and-response duet with powerful male and female leads, expressive phrasing, rich harmonies, and a huge shared chorus. Begin intimate, build through increasingly triumphant verses, then open into a full-orchestra final chorus; polished studio production, wide dynamic range, clear vocal focus.
Come Through the Winter
Nordic dark folk hip-hop with a grounded, wintry, ancient northern atmosphere; slow heavy half-time hip-hop groove, deep restrained kick and hand-played frame drum, sparse low sub-bass, bowed tagelharpa and hardanger fiddle drones, mournful fiddle motifs, occasional war horn and rough wooden percussion. Emotional close-miked storytelling verses, with haunting women’s folk vocals in the chorus singing clear harmonies; build from spare verse into a broad, solemn chorus, then strip back to voice and bowed strings for the ending. Organic, raw, cinematic production, cold air and human warmth, no glossy pop sheen.
수고했어
Korean emotional pop-rock ballad, steady mid-tempo pulse, intimate piano and muted electric guitar in the verses, warm bass and restrained drums gradually building into wide ringing guitars and a communal anthemic chorus, expressive sincere Korean lead vocal, clear natural diction, close dry verses opening into spacious polished chorus, hopeful final lift and gentle resolved ending
Christmas Time With You
Warm contemporary Christmas pop, midtempo lilting groove with sleigh-bell accents, brushed kick and snare, rounded bass, bright piano, acoustic guitar, and tasteful string swells. Intimate lead vocal in the verses opens into a catchy, joyful layered chorus; add subtle harmony stacks on the final refrain. Polished, cozy mix with clear vocals and a gentle lift from verse to chorus.
NOVAS AVENTURAS
Pop Eletrônico.
يا سعود حبيبي
Warm Arabic Khaleeji pop ballad, gentle mid-tempo groove, oud phrases woven with soft piano, restrained hand percussion and rounded bass; affectionate mature male lead vocal in clear colloquial Arabic, intimate verses opening into a memorable singalong chorus, polished organic studio mix with subtle backing harmonies.
بشّروا الدنيا بقدوم غزل
Arabic pop, half-time sway, high-octave male vocals with intimate runs and sustained hook notes, lush strings and airy qanun lead over light percussion and oud, then full darbuka groove, claps and wide stacked gang vocals; bridge strips back for the vocal runs before a triumphant final chorus with a big key-change lift, polished layered production.
NOVAS AVENTURAS
Estilo animado, ritmo de pop. Como se fosse uma abertura... coloque um toque piano.
Nos Debíamos Esta
Cuban reparto fused with modern Puerto Rican reggaeton, Latin trap and Latin pop; 98 BPM, heavy dembow groove, deep sub bass, sharp Cuban percussion and syncopated hand drums, catchy bright synth motifs, tropical brass accents. Gritty male lead with sensual rhythmic phrasing and melodic hook; verses stay lean and streetwise, pre-chorus rises with layered percussion, then explosive wide party chorus and punchy drop. Nostalgic reunion anthem, polished contemporary low end, crisp vocal-forward mix, original production.
Nos Debíamos Esta
Cuban reparto fused with modern Puerto Rican reggaeton, Latin trap and Latin pop, 98 BPM heavy dembow groove, deep rounded sub-bass, crisp Cuban percussion and syncopated handclaps, catchy bright synth motifs, punchy tropical brass accents. Gritty expressive male lead with sensual rhythmic verses, melodic memorable hook, rising pre-chorus and explosive party drops; nostalgic reunion anthem with streetwise warmth. Polished modern low-end, upfront vocal, wide hook layers, dynamic transitions from sparse verses to a massive celebratory chorus. Original production.
Put On A Show
90-second aggressive Southern hardcore trap rap duet. Equal 50/50 male and female lead rappers trading verses, punchlines and call-and-response hooks. Male voice deep, gravelly, intimidating, raw Southern street rap with growling intensity and commanding delivery. Female voice raspy, fierce, bold Memphis-style street rap with sharp punchlines, aggressive rhythmic flow and unapologetic swagger. Both voices equally prominent, clearly distinct, no singing. Massive distorted 808 bass, nasty bass slides, hard Memphis trap drums, rattling hi-hats, sharp snares, dark piano, ominous brass stabs, dramatic beat cuts and explosive drops. 145 BPM, minor key. Gritty underground MMA fight anthem, high-energy club-shaking production. Immediate hard-hitting intro, catchy shouted hook, aggressive vocal exchanges. NO melodic vocals, NO pop, NO R&B, NO autotune. Approximately 90 seconds with abrupt ending.
First Bell Blue Lights
90-second aggressive Southern hardcore trap rap duet. Equal 50/50 male and female lead rappers trading verses, punchlines and call-and-response hooks. Male voice deep, gravelly, intimidating, raw Southern street rap with growling intensity and commanding delivery. Female voice raspy, fierce, bold Memphis-style street rap with sharp punchlines, aggressive rhythmic flow and unapologetic swagger. Both voices equally prominent, clearly distinct, no singing. Massive distorted 808 bass, nasty bass slides, hard Memphis trap drums, rattling hi-hats, sharp snares, dark piano, ominous brass stabs, dramatic beat cuts and explosive drops. 145 BPM, minor key. Gritty underground MMA fight anthem, high-energy club-shaking production. Immediate hard-hitting intro, catchy shouted hook, aggressive vocal exchanges. NO melodic vocals, NO pop, NO R&B, NO autotune. Approximately 90 seconds with abrupt ending.
Kankakee, Stand Up
90-second hardcore Southern female trap rap anthem. Aggressive Memphis street rap, dominant deep raspy female rapper with gritty Southern accent, fierce confident attitude, sharp punchlines, rapid rhythmic flow and commanding delivery. Female performs 85% of vocals. Deep gravelly male hype announcer for brief callouts and crowd chants. Massive distorted 808 bass, hard Memphis trap drums, rattling hi-hats, sharp snares, menacing dark piano, cinematic brass hits, explosive beat drops and dramatic pauses. 145 BPM, minor key. Raw, intimidating MMA fight-night energy, club-shaking bass, aggressive catchy chant hook. Immediate female rap opening, no long instrumental intro. NO melodic singing, NO R&B, NO pop, NO autotune. Short structured song, approximately 90 seconds, hard stop ending.
Amara
Upbeat, infectious modern African Afrobeats and Afropop song with a bittersweet romantic storyline\. Energetic West African percussion, deep groovy bass, vibrant talking drums, African shakers, rhythmic guitar, bright synth melodies and rich layered vocal harmonies\. Warm charismatic male lead singer with soulful melodic delivery, catchy repetitive hooks, African call\-and\-response backing vocals, and joyful danceable rhythms\. Around 108 BPM\. Radio\-quality production, feel\-good summer festival atmosphere\. The instrumental should make people dance while the lyrics carry deep heartbreak, longing, devotion and hope\. Emotional but uplifting, with a huge memorable chorus and a beautiful melodic outro\.
Move on
Country music, pop song, ad piano and violin
The Long Route
Bittersweet British electronic pop ballad, 98 BPM, 4/4. Nostalgic 1980s influence with modern, understated production. Warm analogue synth pads, intimate piano, rounded melodic bass, restrained electronic drums and delicate atmospheric textures. Gentle forward motion suggesting a long railway journey. Natural British male lead vocal, soft, expressive, slightly breathy, occasionally touching falsetto. Conversational phrasing, clear diction, understated emotion, no American accent. Verses intimate and reflective, choruses warm and memorable with subtle harmonies. Second verse gently nostalgic and affectionate. Bridge sparse and contemplative. Final chorus emotionally moving but never theatrical. Outro almost spoken, with pauses and a slowly fading instrumental pulse. Human, sincere, melodic, wistful, quietly hopeful.
Together then not really together
Dance fast, synthesizer, drum and bass, lo-fi, pop, keyboard, guitar, grime, rock, house
Together then not
Dance fast, synthesizer, drum and bass, lo-fi, pop, keyboard, guitar, grime, rock, house
Trans en Provence
French pop-rap with a bouncing mid-tempo groove, swung percussion and warm sub bass; verse stays tight with sparse drums and a repeating guitar riff, pre-chorus opens with claps and rising synth air, chorus lands bigger with stacked harmonies and a chantable hook. Lead vocal stays close-mic and conversational, with doubled lines on the hook, light delay throws on end-rhymes, and a few gang-style backing chants. Ear candy: filtered risers into the chorus, reversed piano swells between sections, tiny bell accents. Bright, polished, and sunlit in the mix.
Quartier de Trans
French urban pop with a laid-back mid-tempo bounce, syncopated kick and clap groove, verse sections kept close-mic and intimate, pre-chorus opening wider with stacked harmonies, chorus landing on a chantable group hook. Add short delay throws on key words, subtle reverse swells into the chorus, and a warm subline under the drums. Bright, polished mix with a sun-baked Mediterranean feel.
Teddy l’a
French urban pop with afrobeats bounce, syncopated percussion, warm sub bass, and a laid-back 94 BPM groove; verse stays sparse with clipped kick, hand percussion, and filtered synth plucks, pre-chorus lifts with stacked harmonies and a rising snare roll, chorus opens wide with gang-style doubles on the hook and short delay throws on key words. Vocal is close-mic, slightly raspy, with playful ad-libs and a glossy, radio-ready mix that stays punchy and bright, plus little reverse swells into the hook and bell accents between lines.
Tu te fous du monde
Upbeat North African and Middle Eastern dance-pop, lively 4/4 groove with darbuka and riq driving syncopated percussion, handclaps, nimble oud phrases, bright qanun flourishes, punchy bass and crisp modern pop drums. French lead vocal with playful, assertive delivery; catchy repeated chorus, lively call-and-response backing voices. Build from a percussion-led intro into a full dance arrangement, add a brief instrumental oud break, then finish with a buoyant chorus. Clear, warm, polished mix with prominent percussion and vocals.
I Say Okay? you hate me
Dance hip-hop, bass, pop rock a nice manly sound. A rememberable. Melody 128bpm, synthesizer, drum and bass, lo-fi, guitar
Nobelium, Element One-Oh-Two
Playful science-pop with a brisk, bouncy groove, punchy live-sounding drums, rubbery bass, bright piano stabs and clipped brass accents. Build from a curious, lightly sparse verse into a catchy chant-ready chorus; add handclaps and stacked harmonies on the hook, then finish with a compact instrumental tag. Clear, witty lead vocal, crisp modern mix, energetic but not frantic.
Back to single
lo-fi, pop
Make Way for Lawrencium
Baroque court minuet recast as playful chamber-pop, stately triple-time pulse, harpsichord and pizzicato strings under elegant oboe flourishes, warm male vocal with crisp theatrical diction, lightly comic royal poise; begin with a measured instrumental entrance, keep verses nimble and close, open the chorus into fuller strings and courtly backing harmonies, then finish with a short ceremonial cadence. Clean, detailed acoustic production.
Rutherfordium Rover
Playful family-friendly indie pop with a bouncy dog-park groove, brisk handclap-and-shaker percussion, springy bass, bright plucked guitar and toy-piano accents. Warm, clear lead vocal with a group-sung refrain; verses stay nimble and conversational, choruses open into an easy chant, bridge briefly drops to claps before the final full-band chorus. Clean, colorful production.
I hope one day you realize
Hope One Day You Realize Vibe: Rising indie-pop, building from a quiet verse to an emotional, belting chorus., synthesizer, drum and bass, house, pop, piano, guitar
Dubnium’s Brief Song
Whistling folk-pop with a woodland field-recording feel, lilting acoustic guitar and hand percussion, warm upright bass, birdsong-like flute answering a clear melodic whistle hook. Verses stay intimate and lightly grooving; choruses open into layered harmonies and a memorable whistled refrain, then taper to solo whistle and guitar. Organic, crisp production with gentle room ambience, curious and playful.
I know you hate me babe
You Hate Me Babe Vibe: Slow, emotional pop/country crossover, slightly dramatic., synthesizer, house, jazz, pop, guitar, keyboard
Prayers of Many Years
Create a 60–75-second contemporary Messianic Christian worship anthem blending modern Christian worship, Hebrew musical influences and cinematic orchestration. Tempo: 85 BPM, D Major, 4/4. Vocals: Powerful, soulful female lead with rich harmonies and a mixed congregational choir. Instruments: Piano, acoustic and electric guitars, oud, Hebrew-inspired strings, shofar, Middle Eastern percussion, bass and cinematic drums. Begin with an intimate "Yahweh, Yahweh" chant, gradually building emotional intensity through the verse into an explosive, memorable chorus. Emphasise "THE WAIT IS OVER! THE SEASON IS NOW!" with soaring vocals, powerful drums and triumphant choir harmonies. Make the bridge bold and declarative, incorporating Hebrew names of God. Finish with a majestic final chorus and gentle "Todah Yahweh" outro. Atmosphere: Victorious, prophetic, faith-filled, majestic and uplifting. Ensure clear Hebrew pronunciation, catchy melodies and strong emotional impact.
The Wait Is Over
Create a 60–75-second Messianic Hebrew Christian contemporary worship anthem. Blend modern cinematic worship with Middle Eastern musical influences. Tempo 85 BPM, D Major, 4/4. Use a powerful, soulful female lead vocalist with rich male and female harmonies and a triumphant congregational choir. Begin intimately with atmospheric piano, oud, Hebrew-inspired strings and soft chanting of "Yahweh, Yahweh". Gradually build with acoustic guitar, bass, shofar, Middle Eastern percussion and cinematic drums. Make the verse emotional and reflective, expressing years of waiting and unwavering faith. Build anticipation into an explosive, catchy chorus emphasising: "THE WAIT IS OVER! THE SEASON IS NOW!" Feature a powerful Hebrew-inspired bridge with soaring vocals and orchestral intensity. End with a majestic choir and gentle "Todah Yahweh" chant. Atmosphere: prophetic, victorious, faith-filled, majestic and uplifting. Ensure clear Hebrew pronunciation and preserve the supplied lyrics exactly.
Ambisi Kekuasaan
Acoustic, violin, acoustic guitar around 72 BPM in a minor key.
Ambisi Kekuasaan
Acoustic
زلزال
acoustic
While the Fire Holds One Coal
Nordic dark folk ballad with a slow, swaying 6/8 pulse; open with solitary bowed lyre and low frame drum, then bring in resonant tagelharpa, restrained cello, and distant wordless harmonies as the chorus widens. Intimate, weathered lead vocal with clear emotional phrasing; close dry verses against a broad, stone-room chorus, organic dynamics, earthy acoustic textures, and a quiet unresolved ending.
Mama, Don't Close Your Eyes
Nordic dark folk, Viking-inspired emotional ballad, slow measured 6/8 pulse, modal melody with a minor-key drone, bowed lyre and tagelharpa, low frame drum and restrained hand percussion, sparse acoustic strings, occasional distant wordless choir, intimate raw female lead vocal with rising grief and a forceful final refrain, ancient northern atmosphere, organic close recording, arrangement begins nearly bare and gradually widens into a solemn crescendo before a quiet lingering ending
Rock&"Miłości Czas"💕
Style: Melodic Rock, Soft Rock, Power Ballad, 75 BPM. Calm and powerful dynamics, emotional romantic crescendo, passionate love theme. Instrumentation: Dual acoustic guitars as primary leads, smooth emotional saxophone layers, subtle melodic electric guitar fills, slow driving steady rock drums. Chorus Instruments: Saxophone joins dual acoustic guitars, driving drum beat. Vocals: Solo Male Vocal, deep rich Rock Baritone shifting into a soaring dramatic tenor with heavy grit and gravelly emotional texture. Soothing low male whisper. Sensual intimate male-female vocals. Passionate male-female vocal harmonies. Soft and clean female unison - lyric Nana nananaj hmm, jejej mm...
Marcos Bimbo
Corrido tumbado, playful roast with a gritty but catchy swagger, male vocal in conversational Mexican Spanish, relaxed half-sung phrasing with punchy ad-libs, requinto guitar answering each vocal line, acoustic guitar strums, rounded tuba bass, restrained trap-style kick and crisp hats, verses kept sparse and chorus widened with stacked harmonies, warm intimate mix with a dry upfront vocal
Marcos Bimbo
Corrido tumbado, contemporary regional Mexican, laid-back loping guitar groove, requinto guitar answering the vocal, warm acoustic guitar strums, rounded bass, restrained kick and snare with light syncopated percussion, male vocal in conversational Mexican Spanish with playful nasal phrasing, dry intimate verses opening into a catchy gang-style chorus, polished earthy mix with crisp guitar transients
Ce Caut Eu Există?
Romanian modern hip-hop rap, confident masculine energy, deep mature slightly raspy male voice. Strong rhythmic rap flow, sharp articulation, natural Romanian pronunciation and catchy melodic rap chorus. Powerful punchy drums, deep 808 bass, dark piano riffs, subtle acoustic guitar and atmospheric synths. 94 BPM, groovy mid-tempo beat, modern urban sound with melodic trap and classic hip-hop influences. Bold, charismatic and emotional but never sad or desperate. Strong vocal presence, dynamic delivery, memorable hook, polished professional production. No female vocals, no ballad, no drill, no aggressive screaming, no excessive autotune.
Rock&"Miłości czas"💕
Style: Melodic Rock, Soft Rock, Power Ballad, 75 BPM. Calm and powerful dynamics, emotional romantic crescendo, passionate love theme. Instrumentation: Dual acoustic guitars as primary leads, smooth emotional saxophone layers, subtle melodic electric guitar fills, slow driving steady rock drums. Chorus Instruments: Saxophone joins dual acoustic guitars, driving drum beat. Vocals: Solo Male Vocal, deep rich Rock Baritone shifting into a soaring dramatic tenor with heavy grit and gravelly emotional texture. Soft and clean female unison - lyric Nana nananaj hmm, jejej mm...
Ia-mă de mână
Romanian romantic melodic hip-hop with R&B influences. Deep, mature male voice, warm and slightly raspy, emotional and intimate delivery. Rhythmic rap verses with clear Romanian pronunciation and a beautifully sung, powerful, catchy melodic chorus. Emotional piano, acoustic guitar, atmospheric synths, deep 808 bass and modern hip-hop drums. 88 BPM, melancholic minor key, cinematic late-night atmosphere. Gradual emotional build-up, vulnerable whispered bridge and intimate outro, sounding like a sincere love confession after a bottle of wine. Professional studio production, natural vocals, subtle harmonies, heartfelt storytelling. No female vocals, no aggressive trap, no drill, no EDM, no excessive autotune.
Diamant și suport
Romanian romantic melodic hip-hop, emotional love rap, male deep warm slightly raspy voice, intimate and expressive vocal delivery. Smooth rhythmic rap verses with natural Romanian flow, transitioning into a powerful, melodic and catchy sung chorus. Modern melodic trap and R&B influences, emotional piano chords, atmospheric acoustic guitar, deep 808 bass, soft hip-hop drums and cinematic background textures. 88 BPM, melancholic minor key, romantic nighttime atmosphere. The verses should sound like a sincere personal confession, with controlled emotion and clear storytelling. The chorus should be passionate, memorable and emotionally intense, with subtle vocal harmonies and layered backing vocals. Professional modern production, balanced vocals, deep bass, clean mix. No female vocals, no aggressive rap, no drill, no EDM, no excessive autotune.
Dubnium Drift
Woodland folk-pop with a playful, lilting walking pulse; clear acoustic guitar and soft hand percussion beneath birdlike recorder and human whistling motifs, with the whistle answering each vocal phrase. Warm male vocal, intimate and lightly buoyant. Begin with solo forest whistles, bring in guitar and voice for the verse, open into a memorable singable chorus with layered whistles, then finish with a gentle instrumental whistle-and-guitar reprise. Natural, close recording with roomy outdoor air and restrained arrangement.
Whistled Woodland
Whistled instrumental with a curious woodland character, gentle chamber-folk melody carried by clear human whistling, fingerpicked acoustic guitar and soft wooden flute answering in short phrases, light brushed hand percussion and warm low strings; begin with birdsong-like whistles over sparse guitar, gradually add a lilting pulse and layered countermelody, then resolve into a quiet open-air outro. Natural, intimate recording with spacious forest ambience and organic dynamics.
Back to single
Back to Single Vibe: Acoustic guitar, sad and reflective, moving toward hopeful., lo-fi, pop, guitar
Nur ein Lied
Nordic Acoustic Folk, intimate emotional German male solo vocal, warm deep gentle slightly raspy male voice, calm heartfelt storytelling, authentic natural vocal performance, traditional Nordic acoustic instruments, tagelharpa, nyckelharpa, soft acoustic guitar, subtle Nordic flute, atmospheric strings, gentle cinematic percussion, earthy organic sound, melancholic but hopeful mood, beautiful memorable melodic chorus, gradual emotional build-up, intimate stripped-down bridge, powerful yet restrained final chorus, emotional acoustic outro, authentic Scandinavian atmosphere, 76 BPM. ONE SINGLE MALE SINGER ONLY. No female vocals, no duet, no choir, no backing vocals, no vocal harmonies.
Sold to the Man in the Back
Mid-to-uptempo, around 140–155 BPM. Driving and relentless so the rapid-fire chant has something solid to ride on. A stomping, four-on-the-floor pulse with a slight swagger — not frantic, but energetic and propulsive like a freight train. Instrumentation Electric guitars front and center: crunchy rhythm guitars with a bit of grit and overdrive, plus a lead guitar that throws in short, sharp fills and occasional slide or chicken-pickin’ licks between chant lines. Acoustic guitar underneath for that country foundation and rhythmic chop. Bass thick and locked in with the kick drum, giving the track weight and momentum. Drums big and punchy — strong kick, snappy snare, and plenty of toms and cymbal crashes to accent the “sold!” moments and chorus hits. Light pedal steel or electric guitar with a touch of reverb for country color in the verses and bridges, but never soft enough to slow the energy. Optional organ or electric piano for extra grit and atmosphere in the bigger sections.
Princess DD
Playful children’s folk-pop singalong, bouncy mid-tempo stomp-clap groove, bright acoustic guitar and hand percussion with warm bass and light piano, jaunty melodic phrasing and clear friendly lead vocals, simple group responses in the chorus, arrangement builds from a light verse into a catchy communal refrain and a gentle storybook ending, clean warm production.
Old Lovers.
Country, nice, acoustic guitar
Mi Todo Eres Tú
Latin pop ballad with gentle dembow pulse and soft acoustic guitar, 92 BPM; verse stays intimate with nylon-string guitar, light percussion, and warm bass, pre-chorus lifts with string swells and subtle handclaps, chorus opens with layered harmonies and a singable hook, bridge drops to voice and guitar before a final chorus with fuller drums and airy backing vocals; lead vocal close-mic and tender, double-tracked on the hook, with short delay throws and soft ad-lib echoes; ear candy from reversed cymbal swells, shaker fills, and a heartbeat kick before the chorus; bright, romantic, polished mix with a warm low end, romantic, latin
Alles Selbst
Slow German comedy rap with rhythmic spoken-word vocals. Deep, confident female voice, slightly rough, cheeky and sarcastic. Slow, relaxed delivery with clear articulation, like telling a funny story in rhythm, not singing. Around 90 BPM. Instrumentation: deep, powerful tuba playing a catchy, repetitive bass groove, combined with punchy acoustic drums providing a steady, stomping beat. No guitars, no synths, no electronic instruments. Verses should sound like humorous spoken rap with expressive pauses and strong punchlines. The chorus becomes louder and more energetic, with shouted chants, "Hey, hey!" and "Alles selbst!". The bridge features theatrical spoken dialogue with minimal instrumentation before the beat returns powerfully. Funny, gritty German party atmosphere, catchy brass-band groove. Female vocals only. Keep the vocals predominantly spoken, never melodic singing.
Your Appointed Time Is Nigh
Create a powerful, prophetic Messianic Hebrew Christian contemporary worship anthem, approximately 3 minutes long. Musical style: Modern Messianic worship blended with cinematic Christian contemporary worship, Middle Eastern musical influences and a triumphant congregational worship atmosphere. Begin with intimate, atmospheric piano, gentle Hebrew-inspired chanting and Middle Eastern strings. Gradually build with acoustic guitar, oud, deep bass, cinematic drums, shofar accents and soaring electric guitars. Vocals: Emotionally powerful female lead vocal with a rich, expressive tone. Add layered male and female backing vocals and a large congregational choir during the final chorus. Tempo: 80 BPM, 4/4 time signature, D Major. Emotional progression: Longing and intimacy → perseverance and faith → divine timing and expectation → explosive victory and thanksgiving. The chorus must be extremely memorable, anthemic and easy to sing along to. Emphasise the declaration: "The wait is over!
This is the season
Create a powerful, prophetic Messianic Hebrew Christian contemporary worship anthem, approximately 3 minutes long. Musical style: Modern Messianic worship blended with cinematic Christian contemporary worship, Middle Eastern musical influences and a triumphant congregational worship atmosphere. Begin with intimate, atmospheric piano, gentle Hebrew-inspired chanting and Middle Eastern strings. Gradually build with acoustic guitar, oud, deep bass, cinematic drums, shofar accents and soaring electric guitars. Vocals: Emotionally powerful female lead vocal with a rich, expressive tone. Add layered male and female backing vocals and a large congregational choir during the final chorus. Tempo: 80 BPM, 4/4 time signature, D Major. Emotional progression: Longing and intimacy → perseverance and faith → divine timing and expectation → explosive victory and thanksgiving. The chorus must be extremely memorable, anthemic and easy to sing along to. Emphasise the declaration: "The wait is over!
See you after christmas
Create a beautiful, emotional and nostalgic Christmas pop ballad, approximately 2 minutes long. Musical inspiration: The romantic warmth of Justin Bieber's Mistletoe mixed with the emotional, nostalgic feeling of a modern Christmas movie soundtrack. **Sound:** Soft acoustic guitar, delicate piano, subtle sleigh bells, warm strings, gentle drums and atmospheric background harmonies. **Vocals:** Beautiful young female lead vocal, intimate and heartfelt. Add soft layered female harmonies in the chorus, building into a powerful emotional final chorus. **Mood:** Bittersweet, nostalgic, warm, sentimental, magical and hopeful. The feeling of spending Christmas with your closest friends, saying goodbye before going home for the holidays, and knowing you will all reunite after Christmas and New Year's Eve. **Story:** Christmas in Camilla Colletts vei in Oslo. Snow falling outside, warm lights inside, memories of the year, and five friends temporarily going their separate ways to celebrate
Jul i Camilla Colletts vei
Create a 2-minute catchy, romantic and playful Christmas pop hit. Modern acoustic pop with warm guitar, sleigh bells, sparkling Christmas chimes, piano and groovy pop drums. Inspired by the feel-good romantic energy of Justin Bieber's Mistletoe. Young female lead vocals with beautiful layered female harmonies. Sweet, playful and confident delivery. Make it sound like a genuine commercial Christmas hit, not a parody. Catchy melody, memorable chorus, festive atmosphere and a fun singalong ending. Medium-upbeat tempo around 105 BPM. Short intro, two short verses, pre-chorus feel, big catchy chorus, short bridge and final chorus. **IMPORTANT: Keep the entire song around 2 minutes. Do not add extra verses, long instrumental breaks or extended outros.**
そばにいて2
ジャズバラード, cello, acoustic guitar, woodwinds, trombone
More Than Enough Love
Heartland country ballad, deep resonant male baritone with intimate conversational phrasing, acoustic guitar and restrained piano in the verses, gentle brushed drums and warm bass entering at the first chorus, pedal steel answering the vocal, fuller band lift on the final chorus, close natural vocal mix with warm room ambience and clear storytelling.
A Way Home
Heartfelt contemporary country ballad with a deep, resonant male baritone, intimate close-miked verses and a broad, warm chorus. Steady slow 6/8 sway; fingerpicked acoustic guitar and soft piano open, brushed drums and rounded bass enter gradually, with restrained pedal steel answering vocal lines and fuller harmony vocals in the final chorus. Organic Nashville-style arrangement, natural vocal texture, clear storytelling, warm polished mix.
Take the Long Way Home
Country ballad with a relaxed 6/8 sway, warm fingerpicked acoustic guitar and soft piano in the verses, brushed drums and mellow bass entering gradually, pedal steel answering the vocal, and a broad but restrained final chorus. Smooth deep male baritone, intimate close-miked delivery with rounded low notes and clear storytelling. Natural, warm studio mix; build from spare and tender to quietly full, then resolve with a gentle instrumental outro.
لحن الجيتار المجنون
Rap, gangster rap with hard hip-hop drums, deep 808s, heavy sub-bass, beat drops, stops, and crowd build-ups; mid-tempo groove; deep male smooth street-flow rap, dark melodic hook, Thai female passage, deep voice crowd chants; dark violin holds, Mexican acoustic guitar riffs, dark piano, layered rap-crowd sections, cinematic mafia-film atmosphere
Sajak Sunyi
Pop-folk dengan sentuhan city pop, acoustic, solo male vocal, no choir
Sem Pedir Licença
Brazilian funk fused with dark drill, 140 BPM, heavy distorted 808 bass, aggressive syncopated tamborzão-inspired percussion, clipped kick and snare, tense minor-key brass stabs and sparse ominous synth textures. Rapid male rapper with a hard, commanding delivery, tightly articulated rhythmic flow. Build pressure through sparse verses, then hit powerful drops with sliding sub-bass and dense percussion; punchy, gritty modern mix with clear vocal-forward balance.
oh du fröhliche
Ein punkiger Rap Song mit ansteigendem Groove
3AM MIRROR
dark melodic rap, emo trap, reverb-drenched guitar, detuned keys, sparse drums, sliding 808s, auto-tuned male vocals, whispered ad-libs, layered harmonies, clear enunciation, crisp diction, 135 bpm half-time, Am, haunted, intimate
Stift und Papier
Hard German Street Drill with UK Drill influence, 144 BPM, dark aggressive atmosphere, heavy sliding 808 bass, punchy drill drums.VOCAL FLOW INSTRUCTIONS – FOLLOW EXACTLY:First 4 lines of the hook: Slow, deep, aggressive street rap flow. One line at a time, strong pauses, heavy vocal emphasis on BLOCKLIFE.Next 4 lines of the hook: Switch into fast DOUBLE-TIME flow. Rapid-fire aggressive delivery, tight rhythmic syllables, high energy, no pauses between bars.After the hook: Start Part 1 with a slower, aggressive German street drill flow. Strong pronunciation, deep gritty male voice, confident delivery.Keep the exact original lyrics and line order. Do not rewrite, remove, add or repeat any lyrics except where indicated. Follow the vocal flow changes exactly.Dark cinematic production, powerful bass drops, professional underground drill mix.
Sácate de mi cabeza
Ukelele rapido
Micio Tempio
Italian comedic boom-bap rap, mid-tempo head-nodding groove, punchy dry kick and snare, nimble bass line, sparse dusty piano stabs and subtle turntable scratches, conversational male rap with crisp Italian diction and playful emphasis, hook delivered as a catchy group chant, verses build with small arrangement lifts, bridge drops to bass and handclaps before a full final chorus, warm raw studio mix with clear upfront vocals
Kovie
Modern trap, bounce, rap, sing along, bass 808, Afro beats,
Run it
Modern rap, modern trap, Jay z money cash hoes type beat . Deep 808 bass and cinematic build and sound
Run it
Modern rap, Jay z money cash hoes type beat . Deep 808 bass and cinematic build and sound
Where You Are Is Home
Nordic dark folk hip-hop with a slow, loping half-time pulse; frame drums and restrained sub-bass beneath bowed hardanger fiddle, low tagelharpa drones, and spare nyckelharpa figures. Begin with exposed bowed strings and a close, intimate male lead; bring in measured, emotionally direct rap verses over a gradually thickening beat. Let a female singer answer and join him in a memorable, harmonized refrain, with both voices returning together in the final chorus. Keep the arrangement spacious and wintry, build from hushed verses to a broad, resolute ending, with earthy organic textures, crisp modern low end, and a dark cinematic mix.
Fire in the Doorway
Nordic dark folk hip-hop, minor-key frame-drum pulse with deep restrained kick and sub-bass, bowed strings and low tagelharpa-like drone, sparse hand percussion, occasional breathy wooden flute. Story-driven verses in a grounded rhythmic male rap, opening into a haunting female-led sung chorus with layered women’s harmonies. Build from a bare drone and voice to a weightier final chorus, then resolve with exposed strings and vocal harmony. Earthy, intimate vocal recording, wide but restrained atmosphere, cinematic dynamics, clear lyric-forward mix.
Two Cuts in the Pinewood Gate
Nordic dark folk hip-hop with a steady half-time boom-bap pulse, low frame drums and restrained sub-bass beneath bowed lyre, tagelharpa-like drones, and sparse horn calls. Begin with a cold, exposed bowed-string motif; bring in close, intimate male rap verses with vivid narrative detail; widen into a chant-like melodic chorus with layered male harmonies, then strip back for a reflective bridge before a heavier final chorus. Gritty organic textures, roomy percussion, dark minor-mode color, clear forward vocal, cinematic but grounded mix.
Impact Zone
Hybrid cinematic trap with 140 BPM half-time pulse, tight toms, snapped claps, and a rising brass-and-synth build; intro starts with a lone sub hit and ticking percussion, pre-drop adds reversed swells and metallic impacts, main lift brings stacked braams, punchy drums, and a wide synth anthem. Sparse vocal chop textures as ear candy, sidechain pump on transitions, bright aggressive mix with huge low-end weight.
Shalena
Hip-hop, r&b, rap, afrobeat, EDM dj ambient crazy shaman song, melodic, dance, folk, sarcastic, alternative, unique unusual pronouncements, bimba, мелодісімо зашибісімо, дупцетрясна танцюлька, sarcastic, positive, funny, жартівлива весела пісня, а я я кокоджамбо я я дасіш фантастіш давай краказяброчка, пісюнковий злодій на полюванні на бабозавра, mapet chorus backvocal etno гопцадрица гопцаца, забув) very experimental давай зажигай, скучно ти там живеш тобі б пивка для ривка
Nos Debíamos Esta
Cuban reparto anthem with old-school reggaeton and gritty Latin rap over modern melodic urban production, 98 BPM in D minor. Heavy dembow kick pattern, aggressive sub-bass, hand-played Cuban percussion, sharp brass stabs, and a chant-ready melodic hook. Streetwise male lead vocals with rough, energetic delivery; layered crowd responses on the chorus. Build from a lean percussion intro into explosive drops, then alternate tightly rhythmic rap verses with broad, singable hooks. Nostalgic, rowdy reunion energy, polished but gritty mix, strong low end and upfront vocals.
Mama, Don't Be Afraid
Nordic dark folk and Viking-inspired hip-hop folk-trap fusion, emotional cinematic ballad; slow half-time trap groove with deep restrained sub-bass, crisp sparse frame-drum and hand-percussion accents, low bowed strings, ancient-sounding tagelharpa-like drone, plucked lyre motifs, and wide atmospheric harmonies. Open with exposed plucked strings and intimate female lead; build into a strong, memorable sung refrain with layered women’s harmonies, then pull back for a close, vulnerable verse before a final fuller chorus. Earthy, haunting female vocal delivery, clear melodic phrasing, organic textures against a modern controlled low end, spacious but not glossy mix.
Nos Debíamos Esta
Spanish Latin urban anthem at 98 BPM, blending early-2000s reggaeton, classic dembow, Cuban reparto, Latin rap, and modern perreo. Deep rounded sub-bass, punchy syncopated kick and snare, crisp hand percussion, bold brass stabs, lively Caribbean vocal inflections. Build from a brief percussion-and-brass intro into rhythmic rap verses, lift with rising brass and vocal doubles into a huge, catchy group-sung chorus; add call-and-response ad-libs, a brief reparto-driven breakdown, then return to the chorus with full drums and bass. Polished club mix, upfront vocals, energetic and celebratory, nostalgic warmth. Theme: friends reuniting across Cuba, Spain, and Miami.
Marcos Bimbo
Corrido tumbado, regional Mexican sierreño guitars with nimble requinto lead, deep rounded bass and restrained trap-influenced percussion, midtempo loping groove, playful teasing storytelling, expressive male Spanish vocal with conversational phrasing, dry intimate lead vocal and polished modern regional mix, verses with sparse guitar and bass, chorus opens into fuller strummed guitars and doubled vocal accents, short requinto fills between lines
Marcos Bimbo
Corrido tumbado, contemporary regional Mexican, midtempo loping 6/8 groove, requinto guitar answering the vocal, warm bajo sexto strums, rounded tuba bass and restrained modern trap percussion, cheeky teasing delivery with conversational male vocals, verses kept lean and chorus opening into a catchy group response, polished but earthy mix
Pikas 2.0
Create a massive, hard-hitting German street trap track with a dark, aggressive and powerful atmosphere. BEAT: Heavy modern trap beat, deep 808 bass, huge sub-bass, hard punchy kicks, sharp rolling hi-hats, dark piano melodies, cinematic synths and powerful percussion. Massive bass drops and hard beat switches. The beat must sound expensive, energetic and professional. HOOK: Start immediately with the hook. First 4 lines with a confident, powerful rap delivery. Next 4 lines with double-time flow, doubled vocals and extra energy. Make the hook catchy and memorable. PART 1: Fast-paced German trap flow, rhythmic variations, clear pronunciation, confident street attitude and hard delivery. PART 2: Noticeably faster and much more aggressive than Part 1. Explosive double-time rap, intense delivery, rapid flows and maximum energy. VOCALS: Deep male rap voice, raw and powerful, slight vocal distortion, subtle autotune only if needed, strong vocal doubles and occasional ad-libs. STRUCTURE
Write Me Up, Fool
High-energy Southern hip-hop with clipped, commanding male sing-rap, nimble triplet accents, hard-knocking 808 bass, crisp snare and hi-hat rolls, brassy synth stabs, and a chant-ready hook. Verses deliver brisk, conversational workplace storytelling; hook opens into a forceful crowd-response refrain. Tight, punchy modern mix with a gritty regional swagger.
Write Me Up, Fool
High-energy Southern hip-hop, brisk syncopated bounce, punchy kick and snare, rolling hi-hats, thick elastic bass, clipped brass-like synth stabs, call-and-response ad-libs, confident conversational male rap with crisp Southern phrasing, hook built for crowd shouts, verses densely rhythmic and witty, polished hard-hitting mix with a little grit.
Write Me Up, Fool
High-energy Southern hip-hop with a commanding, conversational male rap vocal, punchy syncopated kick and snare, rolling low-end, crisp ticking hi-hats, clipped brass accents, and a call-and-response hook. Verses ride a tight, assertive pocket with vivid workplace details; the hook opens up into a rowdy chant, then drops back into a lean beat for the next verse. Polished, forceful mix with upfront vocals and a hard, bouncing groove.
Write Me Up, Fool
High-energy Southern hip-hop, hard-hitting trunk-rattling 808s, crisp marching snare and rapid hi-hat rolls, bold brass stabs, gritty piano accents, swaggering syncopated groove, commanding male rap vocal with a drawling Southern delivery, punchy call-and-response hook, tightly layered ad-libs, verses build into a bigger chant chorus, polished forceful mix with thick low end and upfront vocals
Write Me Up, Fool
High-energy Southern hip-hop with a crisp, swaggering bounce, punchy kick and snare, rolling hi-hats, thick sub-bass, and brassy keyboard stabs. Confident male rap vocal with a gritty, conversational drawl, tight internal rhymes, chantable hook, and ad-lib responses. Keep verses nimble and story-driven; strip the beat briefly before the hook, then hit hard with a crowd-ready refrain. Polished, forceful mix with clear vocal up front.
Write Me Up, Fool
High-energy Southern hip-hop, punchy crunk-influenced bounce with rolling 808 bass, hard snare, clipped brass stabs, gritty piano accents, assertive male rap vocals with a charismatic Southern drawl, sharp rhythmic phrasing and chant-ready hook. Start with a brief spoken hype pickup, drive through tightly packed verses, lift into a big call-and-response chorus, drop to a lean half-time bridge, then return to the hook with layered ad-libs. Polished, forceful low end and upfront vocal mix.
Nobelium
Industrial alternative rock with a sly, clandestine mood; tight half-time verse groove built from distorted bass, dry punchy drums, and scraped metallic guitar; choruses open into broad fuzz-guitar chords with a memorable melodic vocal; brief stop-start bridge, then a final chorus with stacked harmonies; gritty close-miked lead vocal, raw controlled dynamics, clear modern mix.
Mama, Don't Close Your Eyes
Viking hip hop fused with folk trap, heavy half-time 808 groove and crisp trap hats beneath stomping frame drums, low bowed strings and raw Nordic tagelharpa drone; open with a chant and sparse percussion, build into hard-hitting rap verses, then lift into a soaring female-sung folk chorus with layered harmonies and an earthy, commanding delivery; contrast intimate verses with a wide, punchy chorus, gritty low end and cinematic room ambience.
Coast Road
1990s West Coast hip-hop, laid-back G-funk groove, warm rolling bass, crisp boom-bap drums, syncopated funk guitar, smooth analog synth leads, relaxed confident male rap vocal with melodic backing ad-libs, sun-soaked Southern California cruising atmosphere, clean punchy mix with a dusty vintage edge, opening with a sparse synth-and-drum groove, verses built around conversational rhythmic flow, chorus widening with stacked melodic vocals, brief instrumental lead break before the final chorus
Snow
Piano, Rock Ballade, langsam aufbauren im Stile von Beth Heart
Faustigo
Piano, Rockbalade, groovy, ansteigend
Faustig
Rockbalade, groovy, ansteigend
The Other Side of Midnight
Driving British indie dance-rock with psychedelic funk, nu-rave energy and a darker nocturnal edge. Deep elastic bass grooves, sharp staccato guitars, gritty analog synth riffs, tight disco-influenced drums and offbeat percussion. Charismatic male indie vocals with witty rhythmic delivery, occasional falsetto and stacked harmonies. Tense, mysterious verses burst into bright, addictive choruses. Unexpected breaks, swirling synth textures, infectious hooks and a restless nighttime atmosphere. 128 BPM.
Out of Ordinary
High-energy British indie dance-rock with nu-rave synths, psychedelic funk and angular alt-rock guitars. Rubber-band bass grooves, clipped disco guitar, bright arpeggiated synths, punchy live drums and restless syncopation. Expressive, slightly raw male vocals shift from quick conversational verses to soaring falsetto harmonies. Playful, off-kilter hooks, sudden dropouts, explosive singalong choruses and an irresistible dance pulse. Colorful, bold, euphoric, human and imperfect. 132 BPM.
Glut im Regen
Blues-rock power ballad with slow 6/8 sway, heavy toms and gritty electric guitar swells; verse stays sparse and tense, pre-chorus opens with rising drums and stacked harmonies, chorus hits wide with big sustained chords and raw lead vocal doubles. Add instrumental-only pauses between lines with drum hit tails, filtered room noise, reverse cymbal lifts, and a dry intimate mix that blooms into a wide, punchy chorus.
Beth thank all
„Thankful“, Beth Hart soulige Blues‑Rock/Ballade. kraftvolle, rau‑emotionale Vocals, ein dominantes Piano/Orgel‑Arrangement, warme Blues‑Harmonien, zurückhaltende Rhythmus‑Begleitung und eine gospel‑/soul‑durchzogene Intensität im Vortrag — kraftvolle Singer‑Songwriter‑Performance mit starkem emotionalem Ausdruck.
Beth Du spürst...
„Thankful“, Beth Hart soulige Blues‑Rock/Ballade. kraftvolle, rau‑emotionale Vocals, ein dominantes Piano/Orgel‑Arrangement, warme Blues‑Harmonien, zurückhaltende Rhythmus‑Begleitung und eine gospel‑/soul‑durchzogene Intensität im Vortrag — kraftvolle Singer‑Songwriter‑Performance mit starkem emotionalem Ausdruck.
hyphoprelexe
trockener Downtempo hip hop Groove
都会のゲームセンター
Japanese alternative rock with a darkly stylish, waltz-like triple-meter groove; driving bass pulses in three, punchy live drums, gritty electric guitar chords, sharp piano accents, and a memorable rising chorus. Confident male lead vocal with crisp Japanese diction, restrained verses opening into a bold anthemic hook. Tight modern studio mix, dramatic dynamic lifts, dry upfront vocal, polished but slightly raw band energy.
ティッシュ五百円
Japanese alternative rock waltz in triple meter, 3/4 groove with a deliberate marching pulse; gritty electric guitar, melodic bass, tight live drums, and a restrained piano doubling the chord changes. Verses stay clipped and dry with a cool, sardonic male vocal; choruses open into a broad, anthemic melody with layered backing vocals. Build from a lean first verse to a heavier final chorus, then end on a firm band hit. Punchy, polished rock mix with clear vocal presence.
景品の値札
Up-tempo Japanese hard rock, driving straight-ahead eighth-note groove, muscular distorted electric guitar riffs, punchy live drums, melodic electric bass, bright piano accents, dramatic guitar fills between vocal phrases. Strong expressive male lead vocal with crisp Japanese diction, conversational verses building into a soaring anthemic chorus. Tight modern rock production, wide guitars, energetic dynamics, polished but gritty band sound.
犯罪組織?
Up-tempo Japanese hard rock, driving straight eighth-note groove, muscular distorted electric guitar riffs, virtuosic melodic guitar fills, punchy live drums, solid electric bass, bold male lead vocal with gritty edge and dramatic phrasing, big anthemic chorus, tight modern studio mix, dynamic verse-to-chorus lift, energetic arena-rock finish
THERE'S AN EMPTY CHAIR (Studio)
Texas Red Dirt Country Rock with a typicly band, driving Telecaster guitars, warm bass, punchy drums and expressive pedal steel. Texan Male lead vocalist: youthful, bright baritone voice with clear, smooth, powerful singing, natural Southern accent, emotional delivery and melodic choruses. Avoid deep softly baritone, gravelly vocals and growling, warm crowd harmonies, uplifting honky-tonk style. Emotional storytelling and harmonic chorus.
Ambisi Kekuasaan
Indonesian slow rock protest ballad, 73 BPM, minor key. Mature, husky male vocals expressing sorrow, disappointment and restrained anger. Haunting tenor saxophone intro over soft piano and clean electric guitar. Warm bass, subtle organ and steady drums support spacious verses. Soulful sax fills answer the vocals. Build toward powerful choruses with distorted guitars, strong drums and a memorable “Ambisi Kekuasaan” hook. Emotional saxophone and blues-rock guitar trade phrases in the instrumental solo. Quiet piano breakdown before an explosive final chorus. End with lonely saxophone and fading piano. Organic live-band sound, clear Indonesian pronunciation. Preserve original lyrics., saxophone
DespEp
Epic Japanese RPG final boss battle soundtrack, inspired by the dramatic intensity of Final Fantasy. Monumental orchestral symphonic metal with progressive rock influences. Powerful pipe organ, furious violins, aggressive electric guitars, thunderous percussion, explosive brass, fast piano arpeggios and majestic melodies. Tempo: 160–170 BPM. Dark harmonies, complex rhythms, dramatic transitions and overwhelming orchestral climaxes. Feel like the ultimate battle against a godlike enemy: desperation, determination, tragedy and heroic triumph. Unforgettable melodies, virtuosic guitar solos, intense symphonic arrangements and unexpected musical twists. Start immediately with explosive energy. No slow introduction. Strictly instrumental. NO vocals, choir, lyrics or spoken words. Avoid generic Hollywood trailer music, repetitive EDM and childish arcade sounds.
Ambisi Kekuasaan
Indonesian slow rock protest ballad, 72 BPM, minor key. Mature, husky male vocals expressing sorrow, disappointment and restrained anger. Haunting tenor saxophone intro over soft piano and clean electric guitar. Warm bass, subtle organ and steady drums support spacious verses. Soulful sax fills answer the vocals. Build toward powerful choruses with distorted guitars, strong drums and a memorable “Ambisi Kekuasaan” hook. Emotional saxophone and blues-rock guitar trade phrases in the instrumental solo. Quiet piano breakdown before an explosive final chorus. End with lonely saxophone and fading piano. Organic live-band sound, clear Indonesian pronunciation. Preserve original lyrics.
A Rua Canta Por Nós
Antifascist hard rock with a tight funk-rock groove, punchy syncopated bass, dry snare and kick, gritty overdriven guitar riffs, clipped rhythmic guitar stabs, forceful male lead vocal with a gang-choir chorus, dynamic verse-to-anthemic-chorus build, raw live-band energy and clear modern mix
Nossa Rua Não Tem Dono
Portuguese protest rock with a tight funk groove, gritty electric guitar riffs, syncopated bass, punchy live drums, sharp rhythmic accents, urgent expressive lead vocal, gang vocals on the chorus, dynamic verses building into a defiant sing-along refrain, raw modern band mix
Ricketti
guitar, synthwave, rock, cinematic, orchestral, keyboard, deep house
Pourquoi rester si tu nous refuses tout ?
Epic French symphonic rock anthem, powerful deep male baritone vocals in French, massive emotional choir, cinematic string orchestra, thunderous war drums, heavy distorted electric guitars, melodic guitar solos, dramatic piano intro, explosive anthemic chorus, heroic brass, 90 BPM, passionate vocal delivery, monumental orchestral finale, modern professional production.
Johan & Kevin – Back on Our Feet 🎸🔥
Driving 1980s hard rock with tight, palm-muted electric guitar riffs, punchy power chords, a steady muscular bassline and powerful live drums. Sharp snare hits, a strong backbeat and dramatic stop-and-start accents. Gritty, expressive lead vocals, soaring high notes and layered backing harmonies. Tense verses building into a huge, catchy arena-rock chorus. Determined, motivational energy with a triumphant underdog spirit. Riff-led instrumental intro, melodic guitar solo and an explosive final chorus. Punchy vintage studio production with original riffs and melodies.
I'm On My Way
A really cool rendition of Major Tom but slightly techno, atmospheric space-rock with a subtle techno pulse, dramatic male lead vocal, synth arpeggios and electric guitar; a tense, cinematic lift with crisp electronic percussion.
Tends la main
Epic modern symphonic rock anthem for world peace, emotional French male and female duet, intimate cinematic piano intro, warm cello and sweeping violins, dramatic orchestral crescendos, powerful electric guitars, deep bass, modern rock drums, subtle electronic textures, soaring melodic guitar solo, gospel choir and children's choir in the finale, uplifting heroic atmosphere, heartfelt expressive vocals, memorable stadium chorus, premium cinematic production, 92 BPM, 4/4, emotional and hopeful, grand finale fading into solo piano.
Zola
Epic modern French symphonic rock anthem, cinematic orchestral rock, emotional deep male vocals, powerful female vocals, spoken historical passages, massive mixed choir, soaring electric guitar solos, dramatic strings, grand piano, thunderous drums, electronic atmospheric textures, gradual crescendo, uplifting monumental chorus, crystal clear French pronunciation, 92 BPM, studio quality, powerful emotional finale.
Johan & Kevin – Chasing the Horizon 🎸🔥
Epic 1980s arena rock with soaring synthesizer brass, powerful electric guitar riffs, melodic guitar solos, punchy bass and thunderous live drums. Bright keyboard fanfares, dramatic builds and a driving, energetic rhythm. Expressive, powerful vocals with soaring high notes, layered harmonies and stadium backing vocals. Huge sing-along chorus, adventurous atmosphere and triumphant energy. Spacious reverb, polished vintage rock production, an extended instrumental intro and an explosive final chorus. Original melodies with a cinematic stadium-rock feel.
Thank you. I'm sorry
Thank You and Sorry Vibe: Soft piano ballad, intimate, like a final letter., synthesizer, rock, guitar
Seaborgium
Beach pop with a relaxed surf-rock sway, bright clean electric guitar skanks, handclaps, buoyant bass, light kit and shaker; warm playful lead vocal with easy group harmonies on the chorus. Start with guitar and percussion, open into a singalong refrain, add a short twangy guitar break, then finish with a loose group-vocal outro. Sunny, lightly humorous, polished but organic mix.
Wolf of holy determination
Southern Gothic, alternative rock, male, folklore, sadcore, emotionally heartfelt, folk rock, country, pop, slow beat
El nueve-uno-uno de Costa Rica
Pop, rock
서든을 망치지 마
Korean alternative rock anthem, driving mid-tempo live drums and distorted guitar power chords, tense palm-muted verses opening into a wide melodic chorus, forceful male lead vocal with a slightly rough edge, gang vocal accents on the hook, punchy bass, raw but polished band mix, clear Korean diction, dynamic bridge building into a final chorus
서든을 망치지 마
Korean alternative rock anthem with punchy mid-tempo drums, distorted electric guitar power chords, driving bass, and a gritty male lead vocal. Build from a tense, restrained verse into a shouted, memorable chorus; add a brief guitar break before the final chorus. Raw, direct band-room energy with clear vocal presence and a tight modern mix.
서든을 망치지 마
Korean rap-rock, punchy mid-tempo groove, gritty male rap vocal with forceful melodic hook, distorted guitar riffs, tight live drums and heavy bass, verses delivered with conversational bite, chorus opens into a chantable anthemic refrain, polished aggressive mix
비 속에서 너를 부른다
Korean heartbreak ballad, slow 6/8 pulse, intimate piano opening with close-miked expressive male vocal, gradually rising strings and restrained live drums, aching melodic phrases, dramatic full-band final chorus, raw emotional delivery with controlled cracks, spacious polished mix and a quiet piano outro
Para No Aburrirse
Upbeat tropical salsa, brisk clave-driven groove, punchy piano montuno and bright brass mambos, hand percussion with congas, bongos and timbales, warm melodic bass, playful conversational Spanish lead vocal with lively call-and-response coro, crisp danceable arrangement that builds into a joyous repeated chorus, polished organic ensemble mix
Gateway to Africa
African roots reggae with a measured one-drop groove, warm rounded bass, clipped offbeat guitar chops, hand percussion, and a subtle kora-like melodic response. Build from a sparse opening into a confident, communal chorus; use an expressive lead vocal with group responses, clear phrasing, and an organic, roomy live-band mix.
Keep One Candle
Nordic dark folk hip-hop with a deliberate half-time boom-bap pulse, deep restrained drums and sub-bass under bowed violin, hardanger-style fiddle ornaments, low drone, and sparse frame-drum accents. Open with exposed bowed strings, bring in the beat beneath intimate storytelling verses, widen the chorus with layered female harmonies and a memorable melodic lift, then strip back to violin for the outro. Haunting, wintry, emotionally grounded female lead, close and expressive vocal with subtle room texture; cinematic but earthy mix, clear lyric-forward balance.
أبو سدن
Khaleeji praise song, warm male vocal with confident melodic delivery and clear Gulf Arabic phrasing, traditional oud and rababa colors over handclaps and driving mirwas percussion, steady celebratory groove, verses build into a memorable communal refrain, polished yet earthy arrangement with tasteful vocal doubles on the hook
Brother, I'll Be By Your Side
Nordic dark folk hip-hop, 82 BPM half-time stomp, low frame-drum pulse and restrained boom-bap kick, bowed tagelharpa drones, sparse hardanger fiddle phrases, muted low strings and occasional horn-like breath tones. Intimate male baritone sings with close, weathered delivery in the verses; open into a memorable, plainspoken melodic hook with subtle doubled harmonies. Storytelling verses move from sparse drone and hand percussion to fuller drums and fiddle at the chorus, then strip back for a reflective bridge before a final broad chorus. Earthy, cinematic mix with deep controlled low end, dry forward vocal, rough natural string texture, and short dark room ambience.
El mezcal Te convierte en un detallista
Band-style regional Mexican music, male medium baritone vocals with a firm, melodic delivery; buoyant driving rhythm; tuba and requinto guitar trade bright, punchy lines over strummed guitar, brass upfront; clean, direct studio mix with the tuba clearly defined.
ياسعيد بن عبدالعزيز
Arabic folk anthem with steady dabke pulse and handclap-driven rhythm; verse rides warm oud and tight frame drum, pre-chorus lifts with stacked men’s chants and a rising ney line, chorus hits with full percussion, group responses, and proud melodic turns. Lead vocal is close and resonant with double-tracked hooks, call-and-response shouts, brief delay throws on the name phrase. Ear candy includes a drum fill into each chorus, subtle crowd stomp textures, and a final lifted chant. Mix is bright, earthy, and spacious
مرحوم قرم
Khaleeji Shaada folk lament, stately twentieth-beat rhythmic cycle, dignified and monumental, traditional Saudi northern Arabian melodic phrasing, deep male vocal with expressive ornamented delivery, oud and rababa answering the vocal, measured hand percussion and restrained frame drums, gradual lift into a broad communal refrain, warm spacious recording with clear vocal forefront
Valkury
Epic Nordic Folk, emotional cinematic Viking music, deep warm slightly raspy male German vocals, mystical Nordic female choir, powerful male Viking choir, ancient Nordic instruments, tagelharpa, nyckelharpa, Nordic flutes, deep tribal drums, atmospheric strings, emotional piano intro, intimate storytelling verses, huge soaring melodic chorus, majestic orchestral build-up, breathtaking emotional bridge, massive epic Nordic choir in final chorus, cinematic goosebumps, heartfelt friendship, gratitude, spiritual Nordic atmosphere, 78 BPM, professional studio production, emotional outro.
Ghana, Gateway to Africa
African reggae-dance, Ghanaian highlife inflections, relaxed one-drop groove fused with bright eurodance kick and buoyant synth stabs, syncopated guitar chops, rounded bass, hand percussion and call-and-response backing vocals; warm expressive lead vocal with Ghanaian phrasing, clear verses and a chantable chorus repeated twice, polished celebratory arrangement that builds into a danceable final refrain
theam bass beats
Dance mix theam song with high bass beats
Null Framed Hearts v2
Dance fast
La cosa no es cosa
Afro-Puerto Rican salsa vieja, son montuno, guaguancó, bomba and plena, raspy soulful male sonero baritone, improvised soneos and coro-pregón call-and-response, streetwise storytelling, punchy brass section, piano montuno, tres, tumbling bass, congas, bongos, timbales, claves and güiro, raw vintage swing, live-band room energy, explosive brass breaks, hand-played percussion, tight dance groove, warm tape saturation, lively ensemble mix
Dovoljna si mi
K-pop boy-group, polished romantic dance-pop with a buoyant midtempo groove, bright syncopated synth bass, crisp punchy drums, glossy layered synth hooks, clean electric-guitar accents, and stacked male group harmonies. Begin with a brief intimate vocal and sparse keys, build through rhythmic verses and a rising pre-chorus, then open into a wide melodic chorus with group ad-libs; add a contrasting half-time bridge before a final full-voiced chorus. Modern radio-ready mix, tight low end, clear vocal-forward production.
Hvala Bogu što postojiš
K-pop boy group, bright romantic dance-pop, crisp syncopated synth bass, punchy electronic drums, glossy layered synth chords, rhythmic guitar accents, melodic pre-chorus lift into a big harmonized chorus, alternating male lead lines and tight group responses, polished stacked vocals, clean contemporary pop mix
Avenida del Carnaval
Lively salsa, fast clave-driven groove with tumbao bass, crisp congas, bongos, cowbell and güiro; bright trumpet and trombone call-and-response montuno; piano montuno builds between sections; joyful lead vocals with a spirited mixed chorus answering the hook; vivid live-band energy, warm punchy percussion, clear brass, dance-floor mix. Start with a short percussion pickup, bring in the brass and vocal, lift into a repeated chorus, feature a brief brass break, then finish with a strong ensemble tag.
Olaf
Spanish-language theatrical pop-rock with a punchy, danceable stomp-clap groove and a strong male lead vocal. Open with a striking, brief cinematic intro: low orchestral hit, icy chime flourish, then an immediate rhythmic entrance. Keep that special intro effect only at the beginning. Build memorable rhythmic accents through the verses and chorus with handclaps, stomps, tight kick and snare, bright brass stabs, playful strings, and a bold bass line; make the chorus especially catchy and easy to clap along with. Add dynamic breaks and sharp ensemble hits between sections. End with a sudden shift to eerie minor-key strings, low choir, and a deep ominous final vocal phrase, fading into a chilling tail.
Navidad alrededor
Spanish-language festive theatrical pop with a punchy, danceable marching groove and crisp handclaps. Begin with a brief dramatic orchestral hit and icy bell flourish, then settle into stomping kick, snare, sleigh bells, bright brass, playful strings, and a bold singalong chorus. Add impactful rhythmic breaks and stop-start accents between sections; keep the opening impact exclusive to the intro. Energetic expressive lead vocal, clear Spanish diction, polished cinematic holiday production. End with a sudden ominous minor-key turn, low strings, and a chilling final hit.
Neither Do We
euphoric eurodance, 2000s club anthem, 128 bpm, supersaw synths, cheesy key change, crowd chants, playful vocals, party energy
Nieve, Navidad
Theatrical Christmas reggaeton with a dramatic DJ-style spoken intro, punchy dembow groove, crisp handclaps and deep rounded bass. Build from icy wind and suspenseful minor-key strings into bold brass hits and a catchy, danceable chorus; use clear rhythmic breaks and stop-start accents for crowd claps. Spanish lead vocal with playful stage presence, layered group responses, polished festive production, wintry cinematic tension balanced by joyful holiday energy.
Frozen Under the Snow
Dance-pop festive winter anthem with a DJ-style spoken count-in intro, punchy four-on-the-floor kick, crisp claps, bright synth bass, icy bell-like synths and sleigh-bell accents. Build from a dramatic blizzard-like opening with low rumbling textures into an explosive, highly rhythmic chorus with stop-start breaks and crowd-ready drops; contrast dark stormy interludes with joyful Christmas energy. Confident playful lead vocals in Spanish, layered chant responses, polished club mix, strong clear beat for dancing.
Nieve, Navidad
Spanish-language festive dance-pop with a dramatic DJ intro: filtered spoken hype tag, vinyl-style riser, then a punchy four-on-the-floor groove, handclaps and a marked stomp-clap rhythm. Bright sleigh bells, icy synth arpeggios, bold brass-like synth stabs, deep dance bass, and sparkling chimes. Build into an explosive, highly memorable sing-along chorus; use brief cinematic winter-storm breaks with swirling wind textures, thunderous impacts, and a tense minor-key drop, then return to cheerful Christmas energy. Expressive female lead vocal with playful theatrical phrasing and layered group responses. Polished, wide, energetic club mix with clear rhythmic accents and strong transitions.
EEVEELUTIONS
[VAPOREON - POP SUAVE/ACÚSTICO] [JOLTEON - ROCK/ELETRÔNICA] [FLAREON - POP ROCK/CINEMÁTICO] [ESPEON - POP/SYNTHWAVE] [UMBREON - DARK POP/ROCK ALTERNATIVO] [LEAFEON - INDIE FOLK/ACÚSTICO] [GLACEON - POP ORQUESTRAL/PIANO] [SYLVEON - POP/DANCE/J-POP] Refrão em Chorus. A música não pode passar dos 2min30sec. Não precisa dar as pausas com toque. Estilo rápido... não pode passar de 2min30sec.
EEVEELUTIONS
[VAPOREON - POP SUAVE/ACÚSTICO] [JOLTEON - ROCK/ELETRÔNICA] [FLAREON - POP ROCK/CINEMÁTICO] [ESPEON - POP/SYNTHWAVE] [UMBREON - DARK POP/ROCK ALTERNATIVO] [LEAFEON - INDIE FOLK/ACÚSTICO] [GLACEON - POP ORQUESTRAL/PIANO] [SYLVEON - POP/DANCE/J-POP] Refrão em Chorus. A música não pode passar dos 2min30sec. Não precisa dar as pausas com toque.
Hombre Frío
Dynamic Christmas reggaeton, captivating cinematic intro with sleigh bells and a brief wintry spoken-sung tease, then a punchy dembow groove, crisp hand percussion, deep rounded bass, bright festive synth accents and brass-like stabs. Spanish male lead vocal, playful and energetic, catchy group responses in the chorus. Build from a sparse intro into lively verses, lift with a short pre-chorus, explosive singalong chorus, playful bridge, and celebratory final chorus. Polished modern Latin production with clear vocals and a danceable pulse.
Baila
Upbeat Latin Christmas dance-pop, lively cumbia groove with bright brass punches, syncopated piano, bouncing bass and crisp festive percussion. Open with a captivating four-bar hook: playful sleigh bells, a bold brass pickup and an instantly memorable vocal phrase, then launch into a buoyant verse. Build each pre-chorus with rising percussion; make the chorus broad, catchy and easy to dance to, with joyful male lead vocals, festive backing harmonies, polished punchy production and a short celebratory instrumental break.
Navidad con sabor
Upbeat Latin Christmas dance-pop, lively cumbia groove with bright brass stabs, syncopated piano, buoyant bass, hand percussion and crisp dance drums; captivating short instrumental intro that builds with a rhythmic hook before the vocal enters, festive call-and-response chorus, energetic arrangement with a brief percussion break and a big final chorus; warm expressive male vocal, clear Spanish diction, polished punchy mix
Navidad con Sabor
Dynamic Latin Christmas dance-pop, upbeat reggaeton dembow groove fused with festive merengue percussion, punchy kick and crisp claps, bright brass stabs, sleigh bells, buoyant synth bass, playful DJ-style spoken hype intro with scratch accents and risers, energetic male Spanish vocals, catchy chantable chorus, lively call-and-response, polished party mix, strong builds and a celebratory finale
El Hombre Frozen en la Casa
Dynamic Latin Christmas dance party, upbeat cumbia-pop groove with festive reggaeton percussion, bright brass stabs, sleigh bells, punchy kick and handclaps, playful male lead vocal in Spanish with crowd-response shouts. Begin with a spoken DJ hype intro over filtered percussion, then build quickly into a full dance groove; catchy repeated chorus, lively breaks, crisp modern club mix, joyful holiday energy.
El Hombre Frozen
Spanish-language Christmas dance-pop with a playful DJ intro, festive Latin club groove, four-on-the-floor kick, sleigh bells, bright brass stabs, warm synth bass, crowd-style callouts, theatrical male lead vocal with rhythmic spoken pauses, clear stop-start breaks before punchlines, polished lively mix, big singalong chorus
Hombre Frozen
Spanish-language Christmas party song, upbeat Latin dance-pop with reggaeton and cumbia groove, bright sleigh bells, punchy electronic kick and claps, warm bass, playful brass stabs and festive synth hooks. Start with a spoken DJ-style hype intro, then a clear step-by-step call-and-response dance lesson; build into a catchy singalong chorus, with crowd shouts and a celebratory outro. Energetic male lead vocal, crisp modern club mix, family-friendly and humorous.
Navidad, ven a bailar
Spanish Christmas dance-pop with a playful DJ intro, upbeat four-on-the-floor groove, sleigh bells, bright piano, festive brass accents, bouncy bass, crisp claps, clear male Spanish lead vocal with lively spoken hype intro and rhythmic callouts, polished party mix, build from a short spoken DJ-style opening into a catchy singalong chorus
Hombre Frozen
Upbeat Latin Christmas dance-pop, festive reggaeton groove with bright brass stabs, sleigh bells, punchy kick and hand percussion. Begin with a playful DJ-style spoken hype intro, filtered beat teasing in before the full groove drops. Spanish male lead vocal, energetic and clear, chantable call-and-response hook, crisp modern mix, joyful party atmosphere.
Frozen, ¡mueve los pies!
Spanish-language festive Christmas dance-pop, bouncy four-on-the-floor groove, bright sleigh bells and handclaps, playful synth bass, cheerful brass accents, energetic DJ-style intro with a spoken hype call and riser, then a catchy singalong chorus; lively male lead vocal, crisp modern party mix, clear Spanish diction
Muñeco de Nieve
Festive Spanish-language Christmas dance-pop with a playful DJ spoken intro, bright sleigh bells, punchy four-on-the-floor drums, bouncy bass, handclaps, and cheerful synth-brass accents. Spoken intro delivered like a lively neighborhood DJ announcer, then a catchy sung chorus; polished party mix, lively groove, clear warm lead vocal, short instrumental break and celebratory ending.
Muñeco de Nieve Ven a Bailar
Upbeat Latin Christmas pop with a bouncy dance groove, sleigh bells, handclaps, warm bass, bright brass accents and playful keys. Begin with a brief spoken DJ-style introduction, then move into lively Spanish sung verses and a catchy festive chorus; add cheerful call-and-response backing vocals and a polished party mix.
Veil of Cardini
Cinematic ambient with a slow-floating pulse feel and suspended phrasing; verse-like sections drift on delicate piano, glassy string harmonics, and warm atmospheric synth clouds, pre-chorus adds subtle orchestral swells and reversed tails, final lift opens into wider string beds and shimmering textures. Breath-like room reverb, distant chime sparks, soft swell transitions, elegant sidechain haze. Wide, glossy, and dreamlike Hollywood sheen with intimate close-mic detail., beautiful, hypnotic, magical, orchestral, emotional, strong, soft, soundtrack, hollywood, ambient
Mirror of the Unknown
Cinematic ambient soundscape with slow-evolving drones and airy suspended textures, drifting piano harmonics, bowed tones, glassy chimes, and subtle reversed swells; the opening stays bare and shadowy, the middle thickens with layered low shimmer and distant pulse-like movement, then the final stretch widens into a grand, eerie hush. Close, polished, wide stereo mix, dark elegant and otherworldly., reading, hypnotic, soft, hollywood, soundtrack, deep, magical, ambient, sophisticated
Sternenwasser
Ambient cinematic background music with a slow, floating feel; delicate piano arpeggios lead the verse space while soft pads and distant chimes bloom in waves. The arrangement opens sparse, grows with reversed swells and a low sub pulse, then settles into a wider, dreamlike middle section. Breathy vocal-like textures and long reverb tails add motion. Intimate, glossy, and mystic mix with a wide nocturnal sheen.
Mondschatten
Cinematic mystery soundtrack with slow-building pulse, suspended piano figures, and mystical orchestral layers; verse-like sections can open with sparse felt piano, pre-chorus tension rises through trembling strings and reversed swells, chorus swells into wide harmonies and low brass, bridge strips back to solo piano and distant chimes before a final lift. Breath-like pads, glistening bell accents, and subtle risers mark transitions. Wide, dark, and magical mix with polished cinematic depth.
Sanfter Klavierfluss
Instrumental neoclassical piano at a normal tempo, steady 4/4 pulse with gentle arpeggios and warm sustained chords; verse-like sections introduce a simple motif, a softer middle adds higher register filigree, and the final passage broadens with fuller left-hand support. Delicate pedal washes, subtle room reverb, and occasional airy bell-like accents create movement. Intimate close-mic, clean and soothing mix.
Fensterlicht am Klavier
Ambient piano instrumental at a normal mid-tempo pulse, built on gentle repeating chord figures and a clear left-hand pattern; verse-like sections stay sparse with soft sustain, the middle adds warmer upper-register arpeggios and a light countermelody, then the ending opens into longer held chords. Delicate pedal wash, subtle room tone, and a few glassy high-note accents between phrases. Intimate close-mic mix, soft and polished, calm but present.
Bamboo Giggle Flow
Ambient downtempo wellness with a light playful pulse, 72 BPM, soft handpan tones, brushed shakers, warm marimba plucks, and a gentle sub drone; verse-like sections stay sparse with breathy pads, then swells add celesta sparkles and a tiny toy-piano motif before settling back into calm loops. Close, airy, sunny mix with rounded low end and soft tape glow.
비가 쏟아지면 네 이름을 불러
Korean orchestral heartbreak ballad, anguished male vocal with intimate breathy verses opening into a powerful cracked high-register chorus, slow 6/8 pulse, sparse felt piano and distant rain-like strings in the intro, cello and low strings building through the verses, full sweeping strings and restrained live drums entering at the chorus, a brief piano-and-voice bridge, final chorus with layered strings and vocal ad-libs, wide cinematic mix with close dry lead vocal and long orchestral tails
Family
Country style slow, with drum beats and guitar With a nice piano melody at the end
بطء الصباح
Warm Brazilian bossa nova, relaxed syncopated nylon-string guitar, brushed percussion, soft upright bass, delicate piano fills, intimate gentle Arabic female vocal, unhurried morning sway, close natural recording with warm room tone; sparse verses open into a lightly layered refrain, then settle into a quiet guitar-led outro.
على مهلٍ
Warm bossa nova, gentle swaying nylon-string guitar syncopation, soft brushed percussion and understated upright bass, intimate female vocal with relaxed phrasing, subtle seaside piano touches, unhurried morning arrangement that opens sparsely and blooms into a tender chorus, natural close-miked production with soft room ambience
Three More Before Morning
Heartbreaking cinematic gospel ballad with a traditional African\-American church choir atmosphere\. Slow 68 BPM, emotional grand piano, deep church organ, orchestral strings, subtle cello, and powerful live gospel choir\. Deep, raspy, emotionally broken male lead vocalist with occasional voice cracks and almost crying delivery\. A large mixed adult church choir responds frequently throughout the song with powerful gospel harmonies, call\-and\-response vocals, and heavenly sustained notes\. A soft innocent children’s choir appears repeatedly in the intro, between verses, behind choruses, during the bridge, and in the outro, singing gentle comforting phrases in angelic harmonies\. Gradually build from intimate piano and whispered vocals into an enormous emotional church congregation sound\. Themes of losing a mother to cancer, regret over a failed relationship, lifelong struggles, and feeling that every conquered challenge brings three more\. Dark, sorrowful, spiritual, vulnerable, deep
Hip Hop (The Lord's is my shepherd)
Hip hop, Rap
The Age of Two Tantrum
Fresh prince of bel air Hip hop Rap
Ich bleib bei dir
alternative hip hop crossover, German male rap vocal with a warm melodic male vocal hook, intimate conversational verses over dusty breakbeat drums, rounded sub bass, muted electric guitar and restrained analog keys; build into a wide, anthemic chorus with layered harmonies, then strip back for a reflective bridge; punchy but organic mix, vocal-forward and emotionally direct
Viene y va…
Hip hop español
Viene y va…
Hip hop español oscuro y emocional, estilo Hard GZ. Beat lento (72–76 BPM), piano melancólico, guitarras ambientales, subgraves profundos y batería seca con mucho peso. Voz masculina grave y rota, interpretación muy sentida, con actitud callejera y vulnerable a la vez. Versos con flow pausado, dejando respirar las frases importantes. Hook muy melódico y coreable, con dobles voces y coros abiertos. Ambiente nocturno, introspectivo, de derrota, arrepentimiento y superación. Producción moderna, cruda y cinematográfica, sin autotune exagerado, priorizando la emoción y la autenticidad.
Father Christos
Hip-hop rap with grim boom-bap drums, swung hi-hats, and a tense minor-key loop; verse rides sparse kick-snare pockets, pre-chorus tightens with filtered chops, chorus lands with stacked unison hooks and gang ad-libs. Close-mic male vocal, dry and direct in verses, doubled on the hook, with reverse swells into transitions, needle-drop scratches, and a low sub pulse under the final chorus. Bright, punchy, and raw, soft, hip hop, sad
War Path Rosary
Dark boom-bap trap with gritty swung drums, warped sub-bass, and dusty vinyl crackle; verse rides sparse kicks and chopped choir stabs, pre-chorus strips to rim clicks and a filtered bass pulse, chorus hits with stacked gang vocals and a hammered prayer bell. Close-mic lead vocal, double-tracked on key bars, with delay throws on the hook and tape-stop turns before each drop. Bright but grimy mix, heavy low end., hip hop, sad, soft
Trap
trance, minimal techno, trap, southern hip hop, dark ambient, hypnotic, melodic trap, minor key, 808 sub bass, deep bass, rolling hi-hats, trap flute, vintage woodwind sample, repetitive flute loop, crisp snare, male vocals, auto-tune, laid-back flow, raspy delivery, atmospheric, reverb, lo-fi texture, 130 bpm
Kleveta
old school hip hop, flow drama, threatening rap, electronic, acoustic guitar, bass
Kleveta
hip hop, rap, sarajevo accent bosnian rapper. trettening rap flow, mound harmonica c and g dur solo in the middle
Mahala
drill rap, hip hop, bass, aqustic guitar, hand clap against guitar, at the end g dur solo on mound harmonica
Mašina2
gangster rap, hip hop, bass, aqustic guitar, hand clap against guitar, at the begining and end g dur solo on mound harmonica
I love all Americans
ATL trap Ballard hip hop R&B
Rat King Legends
West Coast hip hop, G-funk, laid-back swung boom-bap groove, rubbery portamento synth bass, bright talkbox-style lead accents, crisp claps and ticking hi-hats, playful confident rap delivery, conversational ad-libs, warm analog saturation, punchy low end, verses ride a sparse pocket before a chantable doubled hook opens wide
Rat King Legends
West Coast hip hop, G-funk, laid-back rolling groove, rubbery melodic synth bass, bright portamento lead synth, crisp snare and swung hi-hats, subtle talkbox accents, confident playful male rap delivery, polished low-end-forward production, catchy chantable hook
Rat King Legends
Hip hop, West Coast hip hop, G-funk rap, laid-back swung groove, rubbery melodic bass, crisp boom-bap drums, bright talkbox-like synth phrases, warm electric piano chords, playful cinematic funk, confident rhythmic male rap with a catchy chant hook, polished low-end and roomy snare, verses stay sparse then widen into the chorus
Rat King Legends
West Coast hip hop, gangsta rap, laid-back swing with a heavy low-end groove, dry punchy drums, rubbery bass, clipped funk guitar, sparse talkbox accents, confident male rap with conversational cadence and a chantable hook; verses stay lean, chorus hits with stacked group responses, polished but gritty mix
Rat King Legends
Destiny 2 hip hop, Southern hip hop, trap, rap rock; rowdy, triumphant fireteam swagger with hard-hitting rap delivery and gritty rock-guitar accents, a chantable crew-energy hook.
Rat King Legends
Southern hip hop, trap, rap rock, hard-hitting 808 low end, clipped snare and rattling hi-hats, distorted guitar accents, gritty confident rap delivery, chant-ready hook, tight modern mix with a rowdy fireteam feel
Rat King Legends
Diabolical hip hop, ominous cinematic trap groove, heavy distorted 808 bass, clipped punchy drums, eerie minor-key plucked motif and sinister choir accents. Confident male rap with crisp consonants, sly humor, tightly packed internal rhymes, commanding call-and-response recruitment hook. Intro starts sparse with a whispered-feeling low rap presence, verses ride a tight half-time pocket, hook widens with stacked gang responses, brief stripped breakdown before a final heavier chorus. Polished, gritty, forward vocal mix.
Rat King Legends
Diabolical cinematic hip hop, hard halftime trap groove, ominous minor-key brass stabs and low distorted synth bass, tight punchy kick and snare, crisp ticking hi-hats, sparse eerie choir textures, confident male rap with a gravelly controlled delivery, layered gang shouts on the hook, verses stay lean then the chorus expands with heavier drums and brass, polished dark trailer mix with clear vocal presence
Rat King Legends
Heroic cinematic hip hop, driving midtempo boom-bap groove with punchy kick and snare, deep controlled sub-bass, tense brass stabs and wide orchestral strings. Verses ride a confident male rap flow with crisp diction and tactical cadence; lift into a chantable group hook with layered backing voices. Build from a sparse, ominous intro into a full, triumphant chorus, add brief brass-and-drum breaks between sections, then finish on a decisive anthem outro. Polished, weighty mix with clear vocal space and arena-scale impact.
Campaña electoral
Hip hop urbano español crudo duro y muy potente
Campaña electoral
Hip hop español oscuro, agresivo y cinematográfico. BPM 90-94. Bombos profundos y contundentes, cajas secas con mucho golpe, hi-hats rápidos con variaciones y rolls, bajo 808 muy potente y distorsionado que haga temblar la mezcla. Piano menor oscuro, cuerdas tensas, sintetizadores ambientales, pads inquietantes y efectos de impacto. Atmósfera de rabia, protesta y tensión social. Estructura dinámica con intros ambientales, subidas de intensidad, breaks donde la batería desaparece para dejar espacio a frases importantes y drops explosivos. Sonido moderno, limpio y profesional, inspirado en el hip hop español más duro, con influencias de trap oscuro y boom bap moderno. Energía extrema, sonido grande, contundente y amenazante, perfecto para una letra crítica contra la manipulación política, el poder y la corrupción.
Lock In
Morning soccer rap and lock in hip hop, focused and energized, first-person male rap with a call-and-response hook, lively conversational flow over a steady head-nod groove; crisp kick-and-snare with nimble hand percussion, and short brass-like synth stabs punctuating the chant.
Step by Step
Hip hop, punchy boom-bap groove with crisp kick and snare, syncopated hi-hats, deep rounded bass, sparse piano chops and subtle vinyl texture; confident conversational rap with tight rhythmic phrasing, verses over a restrained loop, a memorable repeated hook with fuller drums, clean upfront vocal and warm gritty mix.
Abra and Molly
hardcore Midwest hip hop with pop-rap crossover, ominous minor-key piano stabs, thick distorted bass, punchy half-time drums, clipped hi-hats, tense orchestral accents, forceful male rap verses with tightly articulated rapid-fire flow, bright female pop hook with a strong melodic lift, dramatic verse-to-chorus contrast, polished radio-ready mix with gritty low end
Built for the Climb
hardcore Midwest hip hop with pop-rap crossover, ominous minor-key piano stabs, thick distorted bass, punchy half-time drums, clipped hi-hats, tense orchestral accents, forceful male rap verses with tightly articulated rapid-fire flow, bright female pop hook with a strong melodic lift, dramatic verse-to-chorus contrast, polished radio-ready mix with gritty low end
My dues v14
Raw Punjabi tumbi always the prominent instrument. 90s East Coast inspired hip-hop anthem at 96 BPM. The signature sound is focused on the instrumental of the track bhabgra hip hop. piano melody that stays throughout the entire track. The piano should always be prominent and feel deep, emotional and powerful with a simple repeating motif that listeners remember after the song ends. Use heavy boom bap drums, deep bass, dark strings and stadium energy. Male vocal should double layered in hooks and the chorus and be a rough, husky, weathered tone with a deep gritty texture, emotional rasp and raw vulnerability. The voice should feel like someone who has lived through hardship, carries the weight of his past and is fighting to rebuild his life. Verses should have controlled anger, pain and powerful storytelling. The hook should explode with conviction, layered vocals and massive crowd chant energy. Overall feeling: redemption, resilience, second chances and proving doubters wrong.
Marry The night
Hip hop rock fast paced motivation style
Tuesday on the 4 Train
drums, hip hop, electro
Dusty Vegas Lock
Funky minimalist instrumental hip-hop in a 90 BPM swung feel, built from 1993-style boom-bap drums, bongos, and a locked D minor slap bass groove. Verse stays stripped to kick, snare, hand percussion, and that mean low bass line; sections shift by dropping bongos, then bringing them back in tight syncopation. Tight mono bass focus, dry close-mic drums, subtle room slap, dusty vinyl grit, punchy low-end, sharp transient snap., funky, swing, hip hop, breaks, steady, deep
Mašina
gangster rap, hip hop, bass, aqustic guitar, hand clap against guitar, at the end g dur solo on mound harmonica
Mašina
rap, hip hop, simple acord aqustic guitar, hand clap against guitar, at the end g dur solo on mound harmonica
Mirrors
emotional hip hop, melodic rap, acoustic guitar loop, warm piano, soft 808s, auto-tuned male vocals, sung hooks, layered harmonies, clear enunciation, crisp diction, 90 bpm, G major, hopeful, reflective
Mašina
hip hop drill beat, bosnian rap, refrain singing, moundharmonica main instrument
Liryc estopim
Hip hop : 🎵 Estrutura de Batida e Flow 🔹 BPM e Estilo BPM 92-96: clássico do hip hop de protesto, pesado e cadenciado. Estilo de beat: boom bap moderno misturado com trap industrial — caixa seca, hi-hats quebrados em triplets ocasionais. 🔹 Intro (0:00 – 0:20) Sons de sirenes e helicópteros ao fundo, criando atmosfera de guerra urbana. Voz falada, quase declamada. 🔹 Verso 1 (0:20 – 1:00) Flow cadenciado, rima direta, pausas entre frases. Beat minimalista: bumbo + caixa + baixo distorcido. Voz com leve eco, reforçando o tom mítico. 🔹 Refrão (1:00 – 1:20) Drop pesado: entra synth grave + hi-hats acelerados. Flow mais rápido, repetição alternada -Interpol -Marte brasileiro -nova casta erudição Refrão cantado/gritado em coro para dar força coletiva. 🔹 Verso 2 (1:20 – 2:00) Flow mais agressivo, aceleração no ritmo das rimas. Beat ganha camadas: samples de sussuros, sirenes, ruídos metálicos. Pausas dramáticas entre frases para dar impacto
Nebelkreis
Downtempo electronic instrumental with atmospheric pads, subtle sample textures, and a slow-blooming groove; intro opens with airy drones and delicate fragments, groove entry brings bass and restrained drums, main section leans on a looping bass-drum pattern with woven vocal chops and synthetic layers. Midtrack thickens with extra percussion and motion, then a break strips back to spacious ambience before the reprise returns the core groove in a varied form. Outro fades elements step by step. Intimate close-mic feel, warm low-end, soft top sparkle, seamless transitions with reverse swells and filtered risers., vocal
Marlene
TECHNO, EDM, electronic, bass, Loveparade, Berlin
Chanchala. AI
Reference song: https://youtu.be/7LcDxxhyXcE Recreate the song "Chanchala Drutha Patha Thalam" as a pure instrumental track. The most important requirement is to preserve the original song's exact melody, tune, musical notes, rhythm, tempo and Drutha Patha Thalam beat pattern. Create an instrumental version that follows the original composition as closely as possible. Completely remove the lead vocals, backing vocals, humming and all human voices. Replace the vocal melody with beautiful Indian classical instruments such as flute, violin and veena. Reproduce the original musical accompaniment, percussion, interludes, transitions and overall arrangement. Maintain the original pitch, timing, musical structure, traditional Indian character and emotional atmosphere. Do not create a new melody. Do not change the tune, raga, rhythm or tempo. Do not add modern electronic beats, unnecessary improvisations or additional musical sections. The final output must sound like professionally
Long route
Authentic 1985–1987 British synth-pop, 118 BPM, D minor, melodic and futuristic, mysterious yet optimistic. Cool expressive female alto, close-mic conversational verses, soaring melodic choruses with rich stacked female harmonies. Warm analogue polyphonic synthesizers, bright arpeggiated sequences, Oberheim-style brass chords, Roland-style synth bass, early digital sampling, FM bells, LinnDrum-style electronic percussion, gated snare, crisp programmed hi-hats. Dramatic instrumental hooks, memorable descending bass motifs, lush stereo synthesizer melodies, spacious electronic breakdown, triumphant final chorus. Polished mid-80s studio production, punchy and clean, strong melody and hypnotic repetition. Slightly melancholic space-age atmosphere with an uplifting sense of discovery. Strictly period-authentic 1980s electronic pop. No modern EDM, trap drums, contemporary vocal effects or festival-style drops.
就是好结局
modern Chinese pop, Mandarin female lead vocal, contemporary romantic ballad with a steady mid-tempo pulse, piano opening joined by crisp electronic drums and rounded bass, delicate plucked strings in the verse, widening synth and string layers into an emotional singable chorus, intimate close vocal with clear phrasing, polished spacious radio mix, narrative arc from chance meeting to choosing each other
I spilled my beer at the country fair
Rock, electronic guitar, soulful upbeat country, metal
בְּכָל לַיְלָה אֲנִי בּוֹכָה
An ancient Hebrew sacred lament, performed with historically inspired vocal phrasing and an entirely archaic melodic language. The singing must not sound modern in delivery, technique, ornamentation or emotional expression. The melody must also remain strictly ancient in character, avoiding all modern harmonic progressions, contemporary songwriting structures and familiar modern melodic patterns. A deeply sorrowful, intimate prayer to God, sung with genuine grief, trembling vulnerability and humble supplication. Accompaniment exclusively by an ancient eight-string lyre and the delicate, resonant sound of the çeng harp. Sparse, slow and solemn musical passages, expressive pauses and natural instrumental responses to the voice. Ancient Near Eastern sacred atmosphere, as if a prayer were being sung in antiquity by lamplight. No modern instruments, no piano, no strings section, no cinematic orchestration, no drums, no electronic sounds, no pop, no contemporary vocal style.
רִבּוֹנִי
A deeply emotional ancient Hebrew sacred lament, an intimate and tearful prayer to God. Solely accompanied by an eight-string lyre and the delicate, haunting sound of the çeng harp. No modern instruments whatsoever. Slow, solemn and profoundly moving melody, with expressive vocal delivery, trembling emotion, heartfelt pleading and moments of vulnerable silence. Ancient Near Eastern musical atmosphere, raw human sorrow, spiritual devotion and longing for divine protection. The instruments should sound organic, delicate and resonant, weaving around the voice without overpowering it. A timeless sacred hymn, as if sung in an ancient temple during a night of prayer. No pop elements, no electronic sounds, no modern orchestration, no percussion.
The candle's still burning
Rock, electronic guitar Gothic light country soul
Hassium, the Hundred-and-Eight
Futuristic industrial electronic, mid-tempo pulse with a precise, mechanical groove; deep synthesized bass, metallic percussion, glassy arpeggiators, and sharp modular synth accents. Begin with sparse laboratory-like ticks, expand into a wide, forceful chorus, then strip back to a brief, fading coda. Focused English lead vocal, cool and curious in the verses, soaring and emphatic in the chorus; polished, cinematic production with crisp detail and controlled low end.
Flerovium, Fleeting Flame
Spooky experimental electronic art-pop, 86 BPM, minor-key pulse with detuned glassy synth plucks, low bowed-metal drones, hollow hand percussion, and restrained sub-bass. Begin with sparse ticking and a close, breathy female lead; build each verse with uneasy chord shifts, then open the chorus into clipped layered harmonies and a heavier low-end throb. Bridge strips back to a wavering drone and whispered doubles before a final chorus; end abruptly on a brittle metallic tone. Intimate, dark, finely detailed production with spacious tails and crisp vocal presence.
The candle's still burning
Rock, electronic guitar Gothic
天涯海角2.0
Vietnamese TikTok Trending Remix 2026, high energy electronic dance remix, 136 BPM, catchy melodic female vocal chops, bouncy punchy kick, tight snare and claps, deep rolling bass, bright synth leads, playful electronic melodies, rhythmic vocal sampling, powerful EDM drop, energetic club atmosphere, fast transitions, addictive hook, modern Vietnamese Vinahouse influence, clean and punchy production, designed for TikTok viral dance videos.
GOD brings Motivation
Afro-Juju Street Cadence: Juju guitar, Kpan, talking drum, flute, bass, percussion, shaker, Amapiano bass log drum, ukulele, accordion, and woodwinds; militant lead vocal with Waffi staccato chanting, ancestral recursion, dub spoken-word breaks, and lead-and-all call-and-response; driving 114 BPM pulse; drums stripping to heartbeat, spacious dub delay, grounded declarative mix, and Highlife, reggae, tango, and country-pop phrasing, Deep Afro Soul, Black Rhythm & Xoulful Blues, percussion, future bass, woodwinds, soundtrack, electronic
Tuesday's Trad Wife Plus
Absurdist theatrical musical comedy, satirical cabaret-pop, 118 BPM, expressive witty male tenor-baritone, deadpan spoken-sung verses, exaggerated cheerful delivery, playful bouncy piano, quirky synth bass, crisp electronic drums, bright handclaps, layered comedic backing harmonies, sudden musical stops for punchlines, mock educational segments, fake commercial jingles, escalating absurdity, rapid-fire witty storytelling, catchy ironic singalong chorus, dramatic shifts between playful humour and serious reflection, intimate one-man stage performance, crystal-clear pronunciation, natural expressive vocals, uplifting heartfelt piano outro.
Nine Before She's Ruined
Theatrical musical comedy, absurdist satirical cabaret-pop, 116 BPM, witty expressive male tenor-baritone, deadpan spoken-sung verses, exaggerated cheerful delivery, playful piano accompaniment, bouncy synth bass, quirky electronic percussion, theatrical vocal harmonies, abrupt musical stops for sarcastic punchlines, awkward silences, sudden tempo shifts, escalating absurdity, catchy deceptively upbeat chorus, layered ironic backing vocals, clever wordplay, dramatic shifts between ridiculous humour and uncomfortable sincerity, intimate one-man comedy performance, minimalist verses building into elaborate musical arrangements, sharp intelligible lyrics, bittersweet sincere ending.
Donuts
Theatrical musical comedy, absurdist satirical cabaret-pop, 116 BPM, witty expressive male tenor-baritone, deadpan spoken-sung verses, exaggerated cheerful delivery, playful piano accompaniment, bouncy synth bass, quirky electronic percussion, theatrical vocal harmonies, abrupt musical stops for sarcastic punchlines, awkward silences, sudden tempo shifts, escalating absurdity, catchy deceptively upbeat chorus, layered ironic backing vocals, clever wordplay, dramatic shifts between ridiculous humour and uncomfortable sincerity, intimate one-man comedy performance, minimalist verses building into elaborate musical arrangements, sharp intelligible lyrics, bittersweet sincere ending.
NAMAMI SHAMISHAN (memorizing)
easy listening, vocal, alternative, progressive, piano, celtic, electronic, soundtrack, folk, lounge, trombone, country, trip hop, keyboard, industrial, brass, indie, electric guitar, beatbox, future bass
You Can't Decide My Name
Super-heavy darkwave gothic electro-metal, downtuned distorted bass synths locked to a crushing half-time groove, industrial electronic percussion, tense minor-key synth pulses, huge dual distorted guitar leads and harmonized melodic solos. Verses stay sparse and stalking, pre-choruses rise with widening synths and layered male/female vocals, choruses explode into emotional harmonized hooks; brief guttural vocal accents punctuate the breakdown. Male lead with female harmony and response lines, forceful and theatrical, polished wide mix with gritty low end and sharp guitar detail.
L'aveu dans le cadre
French electropop, mid-tempo pulse with tight electronic drums and rounded synth bass, glassy arpeggiated synths and muted electric piano, verses close and restrained, chorus opens into wide layered synth chords, warm expressive male lead vocal in French, crisp modern production with a polished but human feel
Niña FHR
English romantic electronic reggaeton fused with Future House, geg 126 BPM. Smooth expressive male vocals, sensual melodic delivery, catchy English lyrics, emotional vocal harmonies and addictive hooks. Powerful Latin dembow rhythm blended with a driving four-on-the-floor house beat, deep pumping sidechained bass, punchy electronic kick, crisp claps, bright high-pitched synth plucks, sparkling arpeggios, futuristic synth leads and euphoric Future House drops. Atmospheric romantic verses, rhythmic vocal flow, uplifting pre-chorus and explosive melodic chorus. Energetic electronic transitions, vocal chops, shimmering synth effects, powerful bass drops and emotional breakdowns. Modern international dance music production, romantic yet festival-ready, polished radio sound. Original melody and arrangement.
If Winter Comes With You
Dreamy, intimate winter Christmas ballad, 6/8 rhythm, 76 BPM. Warm expressive female vocals, soft and breathy with delicate emotional vibrato. Gentle piano, magical celesta, subtle Christmas bells, warm strings and soft acoustic textures. Nostalgic, tender, romantic and slightly playful. Start with intimate piano and whispered vocals, gradually build into a beautiful, memorable, soaring chorus. Add a deeply emotional melodic bridge with fragile, affectionate vocals, then a warm final chorus. Cozy London Christmas atmosphere, twinkling lights, snowy streets, hot chocolate, innocent anticipation and the magic of sharing winter with someone special. Original melody, cinematic and heartfelt, no heavy drums or electronic dance beats.
Niña
Emotional melodic future bass, romantic electronic dance pop, 110 BPM. Warm expressive male vocals, intimate and heartfelt delivery, dreamy atmospheric synth pads, delicate piano chords, bright pluck synthesizers, soft electronic percussion, deep smooth bass, shimmering high-pitched synth textures, catchy melodic hooks and euphoric emotional drops. Gentle verses that gradually build into a beautiful uplifting chorus. Wide layered synthesizers, lush vocal harmonies, rhythmic electronic beats, melodic bass drops and cinematic transitions. Dreamy, nostalgic, youthful and deeply romantic atmosphere. Powerful final chorus with an emotional instrumental climax. Modern polished electronic production, completely original melody and arrangement.
Padre nuestro
Epic spiritual electronic music, cinematic melodic techno, 122 BPM, mystical and sacred atmosphere. Deep powerful sub bass, hypnotic electronic percussion, ethereal ambient synthesizers, majestic orchestral strings, dramatic violin solo performances, angelic female soprano lead vocal, deep male choir harmonies, ancient Aramaic prayer recitation, solemn and emotional delivery, celestial soundscapes, massive cinematic build-ups, explosive melodic drops, cathedral reverb, spiritual transcendence, professional high-end production. Preserve the original Aramaic words and pronunciation. No Spanish translation, no additional lyrics. Original composition.
العالم كذاب
Emotional old-school Algerian Rai with rich 1990s North African instrumentation and timeless production. 94 BPM, 4/4. Deep expressive male lead vocal, slightly raspy and warm, with authentic emotional phrasing in Moroccan Darija. The singer must tell a personal life story, with sincerity, controlled pain, dignity and intensity. Fully melodic vocal delivery, natural vocal ornaments, expressive rises and falls, never monotonous or mechanically spoken. Vintage analog synthesizers, melodic electric guitar, warm electric bass, classic acoustic drum kit, traditional Rai rhythmic patterns, subtle electronic percussion and atmospheric keyboard melodies. Memorable emotional chorus with powerful vocal projection and restrained male backing harmonies. Intimate verses, dramatic musical build-up and an emotionally powerful final chorus. Beautiful nostalgic old-school Rai sound, carefully arranged, warm and organic, without sounding outdated. No trap, no drill, no EDM, no generic modern pop.
Luvias de ael
Dark medieval fantasy ballad, ancient royal lament, 65 BPM, 6/8 time signature, D minor. Deep male baritone solo voice, solemn, intimidating, melancholic and restrained. Slow descending vocal melody, long sustained notes, haunting minor harmonies, dramatic pauses between verses. Medieval harp, soft lute, deep cello, low strings, subtle male choir in the background. Minimal instrumentation, intimate castle hall acoustics, natural reverb. Tragic and majestic atmosphere, like an ancient song warning kings about the fall of a powerful kingdom. No modern instruments, no pop, no drums, no electronic music. Original medieval melody.
On Locked
East Coast hardcore trap with boom-bap swing, Afro-Caribbean percussion, flutes and electronic textures; verse-forward arrangement that keeps evolving, with sparse drum breaks, then bass-drop surges and cinematic swells. Deep male lead, high female replies, raspy smoky male and bluesy female harmonies, Auto-Tune edges, bilingual Spanish-English-Chinese call-and-response, echo throws on key lines, dark orchestral and worldbeat mix with bright low-end impact., doo-wop, opera, hardcore, orchestral, electronic, sensual, blues, deep
Mango en la Radio
Boom bap with African percussion, flute riffs, electronic textures, and rustic salsa-dembow pulse; verse one rides dusty drums and call-and-response doo-wop stacks, verse two opens with heavier Auto-Tune, double-time hand percussion, and shifting male/female lines. Bridge lifts with raspy male grit and operatic female swells. Wide, warm, and handmade with crisp low-end and vivid room detail., deep, electronic, hypnotic, african percussion, salsa, doo-wop, opera
Kleveta
rock, electronic, violin, flute
3
[Atmospheric alternative rock, experimental psychedelic grunge, hypnotic progressive rock, 100 BPM, 4/4. Dark, spacious, organic, emotionally immersive. MAIN MELODIC MOTIF: B2–C3–D3–A2, based on the repeating piano phrase. Three ascending notes followed by a lower sustained A. Preserve the recognizable melodic contour, deliberate spacing, and falling resolution. Let the motif cycle throughout the composition, gradually transforming through instrumentation, harmony, rhythmic intensity, and texture. Warm vintage piano, resonant melodic bass, earthy tom-driven percussion, shimmering guitar harmonics, gritty distorted guitars, subtle industrial electronics, and haunting atmospheric layers. Alternating intimate restraint with explosive, controlled chaos. Raw human character, hypnotic repetition, unconventional dynamics, and psychedelic depth.]
Croa-Hero Noct
Epic ancient Chinese war anthem, cinematic Three Kingdoms battlefield atmosphere. Powerful native Mandarin Chinese male vocalist with a deep, weathered voice and natural Chinese-accented English singing. Traditional Chinese operatic vocal techniques, dramatic vibrato, sliding notes and fierce warrior cries. Thunderous Chinese tanggu and dagu war drums, pounding ceremonial percussion, crashing gongs, dramatic erhu melodies, guzheng, pipa, guqin and piercing dizi bamboo flutes. Traditional Chinese pentatonic melodies. Massive ancient Chinese male warrior choir chanting in Mandarin during choruses. Slow, haunting storytelling verses building into explosive battle chants and relentless war drums. Heroic, mystical, tragic and grand, like an ancient Chinese army marching into its final battle. Powerful emotional climax with mournful erhu and desperate warrior vocals. Clear English lyrics with strong natural Mandarin accent. No modern pop, rap, electronic beats or Western vocals.
A Centímetros
Melodic Future House, Future Bounce, Dance Pop, 126 BPM. Inspired by Don Diablo's energetic electronic sound. Powerful punchy kick, deep rolling bass, bouncy synth bass, futuristic vocal chops, bright melodic plucks, atmospheric pads, emotional piano and massive euphoric synth drops. Deep expressive male Spanish vocals, intimate storytelling verses, tension-building pre-chorus and an explosive, unforgettable melodic chorus. Emotional heartbreak meets high-energy festival sound. Catchy vocal hooks, dramatic risers, crisp percussion, cinematic breakdown and powerful final drop. Modern international EDM production, radio-ready, addictive melody, emotional yet uplifting, massive festival anthem.
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