"Rap"
Songs created with Voices AI

Songs made with Voices AI bring voice technology into music - from covers to original tracks. Hear how creators and our community are using AI voices to explore new sounds and ideas.

Un urlo nel vuoto

Un urlo nel vuoto

Trap rap dura decisa ritornello cantato testo rappato, piano

Un urlo nel vuoto

Un urlo nel vuoto

Trap rap dura decisa ritornello cantato testo rappato, classical, harmonica

WINGS

WINGS

Hip hop trap beat. Mid-tempo upbeat piano loop, synthesizer, bass guitar, cello and trombone for bass. Some light strings and horns for a steady rhythm in the background. Add snaps. Add a choir for harmony in the chorus. Powerful bridge. Soulful adlibs.

قاع القاع

قاع القاع

Egyptian trap with a bouncing dembow-tinged groove, snapped claps, rolling low end, and tense minor-key synth stabs; verse stays sparse and gritty, pre-chorus lifts with filtered risers and stacked chants, chorus lands with a short gang-vocal hook and a sudden half-time pocket. Close-mic male vocals, tight doubles on the hook, ad-lib echoes on the last word. Bright, punchy, street-level mix with crisp top end and heavy sub weight.

Même Son Autre Forme

Même Son Autre Forme

French rap with a hard boom-bap swing and modern trap accents; verse rides sparse drums and chopped vocal chops, pre-chorus tightens with snare rolls and filtered bass, chorus hits with doubled lead, gang shouts, and a clipped chant. Close-mic intimate verses, wide ad-libs on hooks, reverse swells into transitions, bright punchy mix with dry kick snap and thick low end.

قمة سي سي آر بي

قمة سي سي آر بي

Arabic rap with hard-hitting boom-bap bounce, punchy kick-snare swing, deep bass hits, and tight group chant energy; verse rides dense and commanding, pre-chorus lifts with stripped drums and rising tension, chorus lands on a memorable call-and-response chant; lead vocal is dry and close-mic with doubled ad-libs on key bars, crowd-style backing shouts in the hook, short risers and impact hits between sections, bright aggressive mix with crisp low end., rap

Un ca__o di Batman

Un ca__o di Batman

Country Trap pop indie, synthesizer

Che cosa ci resta

Che cosa ci resta

Rap trap pop cantato in modo duro decisivo e malinconico

Sindy halaaaa halllaaa 3

Sindy halaaaa halllaaa 3

Rap frauen und Männer stimme

Spark that fire

Spark that fire

Hip-hop, rap, pop, country, techno, rock, r&b, vocal

Reine de Glace, Cœur de Feu

Reine de Glace, Cœur de Feu

Style : rap, Tribal, percussions organiques, ambiance sensuelle et hypnotique Tempo : 90–110 BPM Rythme : Battements répétitifs avec tambours profonds, groove lent et envoûtant Percussions : Djembé, toms, frappes corporelles, claps espacés Basse : Basse chaude et ronde, pulsation régulière Ambiance : Mystérieuse, intime, nocturne Voix (optionnel) : Voix féminine douce ou chuchotée, non verbale ou avec vocalises Structure : Montée progressive, loop hypnotique, peu de variations brusques Inspiration : tribal house, afro beat lent, downtempo sensuel

Back Porch Boogie

Back Porch Boogie

Trap bounce with skittering hi-hats, rubbery bass, and a chopped guitar lick; verse rides sparse drums and a dry clap, pre-chorus adds rising synth pressure, chorus hits with a chanty low-hook and stacked gang vocals. Vocal is close-mic and gritty in verses, doubled on the hook, with ad-lib pings and short delay throws. Ear candy: reversed swells into the chorus, a snare drag before each drop, and a filtered bell tag on the turnaround. Mix is punchy, wide, and bass-heavy.

Reine de Glace, Cœur de Feu

Reine de Glace, Cœur de Feu

Instrumental rap pop trap/drill français, sombre, nerveux, 145 BPM, grosse basse 808, hi-hats dynamiques, mélodie sombre et minimaliste, ambiance urbaine, énergique et moderne, inspirée de l’atmosphère du rap pop français actuel

Glory

Glory

Hip hop trap beat. Upbeat piano loop, synthesizer, bass guitar, cello and trombone for bass. Some light strings and horns for a steady rhythm in the background.

Vampire Flow in a Cage

Vampire Flow in a Cage

Cloud rap, hip-hop, trap, phonk

Boots On Brass

Boots On Brass

Hip-hop march-pop at 96 BPM with halftime bounce, crisp trap hats, snaps, stomping snare rolls, brass hits, marching-band drums, trumpet punches, light electric guitar riffs, and fat sub weight; intro opens on lone snare cadence and trumpet call, verses stay lean and syncopated, pre-chorus lifts with stacked chants, chorus opens wide with melodic gang vocals, bridge cuts to marching-band solo and handclaps, final section swells into a bigger anthemic finish. Male vocals, close-mic and gritty in verses, doubled on hooks, bright punchy arena-sized mix with sharp ear candy and big crowd energy., male vocals, light, marching band, bright, electric, pop, bounce, strong, hip-hop

Flagline Fever

Flagline Fever

Hip-hop march-pop with a 96 BPM halftime bounce, crisp trap hats and snaps over stomping snare rolls, brass hits, marching-band drums, trumpets, light electric guitar riffs, and fat sub bass. Intro opens with a lone snare cadence and trumpet call; verses stay lean and syncopated; bridge cuts to a marching-band solo and handclaps; final section swells into a powerful, melodic finish. Bright, punchy, arena-sized mix., electric, marching band, strong, hip-hop, light

Excel - JohnnieB

Excel - JohnnieB

Dark Beast Mode Medium Paced Rap Young White Voice Just Rapping no singing

1st Amendment - JohnnieB

1st Amendment - JohnnieB

Dark Beast Mode Medium Paced Rap Young White Voice Just Rapping no singing

Ball A Fist - JohnnieB

Ball A Fist - JohnnieB

Dark Beast Mode Medium Paced Rap Young White Voice Just Rapping no singing

Beast Mode - JohnnieB

Beast Mode - JohnnieB

Dark Beast Mode Medium Paced Rap Young White Voice Just Rapping no singing

Fundillo de poder

Fundillo de poder

Spanish trap with a dark, snappy bounce, syncopated drums and tense minor-key synth stabs; verse stays sharp and confrontational, pre-chorus tightens with rising percussion and doubled lines, chorus punches with a chantable insult hook and gang-style ad-libs. Close-mic lead vocal, gritty doubles on the hook, quick delay throws on the last word of each chorus line, glossy yet raw mix with a hard low end.

 Controlled Chaos - JohnnieB

Controlled Chaos - JohnnieB

Dark Beast Mode Medium Paced Rap Young White Voice Just Rapping no singing

🪽

🪽

Latín pop rock rap melancholic

Borrow And Return - JohnnieB

Borrow And Return - JohnnieB

Dark Beast Mode Medium Paced Rap Young White Voice Just Rapping no singing

Needed In Las Flores - JohnnieB

Needed In Las Flores - JohnnieB

Dark Beast Mode Medium Paced Rap Young White Voice Just Rapping no singing

Super Citizen - JohnnieB

Super Citizen - JohnnieB

Dark Beast Mode Medium Paced Rap Young White Voice Just Rapping no singing

Judge JohnnieB - JohnnieB

Judge JohnnieB - JohnnieB

Dark Beast Mode Medium Paced Rap Young White Voice Just Rapping no singing

King Of Kings - JohnnieB

King Of Kings - JohnnieB

Dark Beast Mode Medium Paced Rap Young White Voice Just Rapping no singing

Beste Zeit

Beste Zeit

German pop-rap with a bouncy mid-tempo groove, swung clap pattern, punchy kick and rubbery bass; verse rides sparse synth stabs and tight half-spoken phrasing, pre-chorus opens with filtered chords and rising vocal stacks, chorus lands with handclaps, gang shouts, and a short earworm chant. Lead vocal stays close-mic and dry in verses, doubled on the hook with playful ad-libs, reverse swells into each chorus and a bright final lift.

Hot And Cold - JohnnieB

Hot And Cold - JohnnieB

Dark Beast Mode Medium Paced Rap Young White Voice Just Rapping no singing

Day And Night - JohnnieB

Day And Night - JohnnieB

Dark Beast Mode Medium Paced Rap Young White Voice Just Rapping no singing

Who’s JohnnieB - JohnnieB

Who’s JohnnieB - JohnnieB

Dark Beast Mode Medium Paced Rap Young White Voice Just Rapping no singing

Urban Suburban - JohnnieB

Urban Suburban - JohnnieB

Dark Beast Mode Medium Paced Rap Young White Voice Just Rapping no singing

Quatro em Foco

Quatro em Foco

K-pop dance-pop with four-member group energy, punchy four-on-the-floor kick and crisp handclaps; verse rides staccato synth plucks and tight rap-sung splits, pre-chorus opens with rising pads and stacked harmonies, chorus hits with a bright hooked lead and group chants. Layered member doubles, ping-pong ad-libs, short delay throws on the hook, glittery risers and a reverse swell before each drop. Bright, glossy, ultra-clean mix with a sharp low end.

Regular Guy - JohnnieB

Regular Guy - JohnnieB

Dark Beast Mode Medium Paced Rap Young White Voice Just Rapping no singing

Real Goat - JohnnieB

Real Goat - JohnnieB

Dark Beast Mode Medium Paced Rap Young White Voice Just Rapping no singing

Overrated Man - JohnnieB

Overrated Man - JohnnieB

Dark Beast Mode Medium Paced Rap Young White Voice Just Rapping no singing

OG Stan  - JohnnieB

OG Stan - JohnnieB

Dark Beast Mode Medium Paced Rap Young White Voice Just Rapping no singing

Mixbreed - JohnnieB

Mixbreed - JohnnieB

Dark Beast Mode Medium Paced Rap Young White Voice Just Rapping no singing

Middle Man - JohnnieB

Middle Man - JohnnieB

Dark Beast Mode Medium Paced Rap Young White Voice Just Rapping no singing

Middle Ground - JohnnieB

Middle Ground - JohnnieB

Dark Beast Mode Medium Paced Rap Young White Voice Just Rapping no singing

Raque Ensemble

Raque Ensemble

Rap Drill ivoire et le chanteur principal a la voix de l’artiste Himra

Middle Class - JohnnieB

Middle Class - JohnnieB

Dark Beast Mode Medium Paced Rap Young White Voice Just Rapping no singing

Menime - JohnnieB

Menime - JohnnieB

Dark Beast Mode Medium Paced Rap Young White Voice Just Rapping no singing

Mateo i meteor

Mateo i meteor

Mroczny storytellingowy hip-hop beat, 86 BPM, ciężki boom bap z nowoczesnym szlifem. Wolne, brudne bębny, głęboka stopa, suchy werbel z pogłosem, delikatny vinyl crackle w tle. Smutny sample z pianina albo akordeonu, lekko pijacki, osiedlowy klimat, jak historia opowiadana po nocy na klatce albo przy więziennej pryczy. Bas niski i ciepły, bez przesadnego trapu. Refren bardziej chwytliwy, z prostą melodią graną na pianinie lub trąbce, trochę jak czarny humor i nostalgia w jednym. Klimat: dwóch koleżków, ulica, cela, ironia losu, smutek podany z uśmiechem. 84-88bpm

Here’s Everything - JohnnieB

Here’s Everything - JohnnieB

Dark Beast Mode Medium Paced Rap Young White Voice Just Rapping no singing

Opening The Book - JohnnieB

Opening The Book - JohnnieB

Dark Beast Mode Medium Paced Rap Young White Voice Just Rapping no singing

Bush - JohnnieB

Bush - JohnnieB

Dark Beast Mode Medium Paced Rap Young White Voice Just Rapping no singing

A Generational Rap - JohnnieB

A Generational Rap - JohnnieB

Dark Beast Mode Medium Paced Rap Young White Voice Just Rapping no singing

Name Brand - JohnnieB

Name Brand - JohnnieB

Dark Beast Mode Medium Paced Rap Young White Voice Just Rapping no singing

Raposão Barulhento

Raposão Barulhento

Forró sertanejo com rap picotado, swingado e dançante; verso brinca com violão, sanfona e percussão seca, pré-refrão aperta com palmas e chamado em coro, refrão explode em xote acelerado com rima marcada e gang vocal. Voz masculina rasgada e bem humorada, dobrada no refrão, com respostas em grupo, gritos curtos e risadas. Chinelinhos, triângulo, palmas e efeitos de oficina entre frases; mix quente, brilhante e pra cantar de ombro., sertanejo

Aku dah penat

Aku dah penat

Genre: Emotional Hip Hop, Cinematic Ambient, Violin Tempo: 68 BPM Key: D Minor Heartbreaking emotional hip hop with a crying atmosphere, soft melancholy guitar, distant cello, emotional violin layers, warm ambient pads, subtle electric guitar, deep warm 808 bass, trap drums, gentle hi-hats, vinyl crackle texture, spacious reverb and cinematic ambience. Male vocal only, low raspy baritone voice with trembling emotional delivery, breathing between lines, as if holding back tears. Painful and heartfelt rap style with clear pronunciation. Chorus sung by a soft emotional male voice with slight vocal cracks, expressing loneliness, exhaustion and silent suffering. Mood of crying alone at night, feeling broken, betrayed and tired of life, but still holding on and refusing to give up. Intimate verses, emotional build-up, powerful chorus, ending with fading piano and strings. No female vocals, no EDM, no aggressive rap. Style: Malique × Kmy Kmo × Tuju × Sad Cinematic Hip Hop.

Me gusta alv 2

Me gusta alv 2

Mexican Gangsta Rap trap Latin hip hop alterado Make song at least 2 minutes long

Rewrite the story

Rewrite the story

Hip-hop, rap, pop, country, techno, rock, r&b, vocal

Bringing back your laughter

Bringing back your laughter

Hip-hop, rap, pop, country, techno, rock, r&b, vocal

Create the Ultimate

Create the Ultimate

Hip-hop, rap, pop, country, techno, rock, r&b, vocal

Cansu

Cansu

Turkish trap with snapped claps, rolling hi-hats, and a dark minor-key bassline; verse stays stripped with tight close-mic delivery and sparse synth plucks, pre-chorus opens with filtered pads and a rising snare rush, chorus hits harder with stacked doubles and a chantable topline, then a brief bridge drops to near-silence before the final hook. Bright top-end, punchy low end, tense and glossy.

Pinky Little Stern

Pinky Little Stern

R&B, Remix, Echo Effekt, spanisch, Rap, Geige, Violine

Block Corner Bounce

Block Corner Bounce

Hip-hop instrumental with hard-hitting boom-bap drums, snappy rimshots, and a gritty swung groove; verse sections run sparse with dusty piano stabs and filtered bass, then a pre-drop stripdown to kick and vinyl crackle, and the main drop hits with layered claps, sub weight, and a chopped vocal texture. Punchy, wide, and club-ready with a raw street-level mix., rap, beats

على البركة يا أبو أنس

على البركة يا أبو أنس

Arabian action-rap with tense minor-key percussion, mid-tempo swung drums, blunt handclaps, and dark synth pulses; verse rides sparse with clipped, close-mic male vocals and short ad-lib doubles, pre-chorus strips to bass and a rising filter, chorus hits with chanty gang vocals and sharp pause drops. Use siren-like risers, reversed hits into transitions, and a dusty wide mix with dry, punchy drums and a gritty cinematic edge.

Les promesses dans le vent… EF78

Les promesses dans le vent… EF78

Rap Trône Impérial 120 BPM. EN (US)/Fr, Voix homme souveraine, froide, timbre clair légèrement rugueux. Flow lent/maîtrisé, diction précise. Style rap impérial métal+air, ambiance salle du trône. Intention : vérité brute, verticalité, calme royal. Souffle contrôlé. Mixage : voix devant, EQ métal propre, reverb courte verticale. FX air subtil. Pas de foule. Archétypes : Souverain + Porteur de Vérité.

Hinter Raum und Zeit

Hinter Raum und Zeit

German rap-pop with cinematic trap pulse, rolling piano ostinato, low cello swells, and a huge four-on-the-floor chorus lift; verse rides sparse kick, sub, and dry piano stabs, pre-chorus opens with cello harmonies and stacked female ad-libs, chorus explodes with choir, wide handclaps, and octave doubles on the hook. Female lead vocals trade with rap lines, layered backing vocals, delay throws on key phrases, reverse swells into each lift, crisp bright mix with deep emotional low end., cello, female vocals, rap

Hinter Raum und Zeit

Hinter Raum und Zeit

German rap-pop with cello and piano over a tight halftime trap pulse; verse rides sparse piano and bowed cello, then pre-chorus opens with rising choir stacks and snare lifts; chorus hits huge with layered female lead, gang harmonies, and call-and-response. Vocal production is close-mic and intimate in verses, doubled and wide in hooks, with delay throws, whispered lifts, and full choir swells. Ear candy: reversed piano swells, timpani-like risers, and a final breathy cut before each drop. Mix is cinematic, bright, and massive., female vocals, cello, rap

Marmorsaal Code

Marmorsaal Code

Hip-hop with trap drums, tense half-time bounce, and female vocals; verse rides sparse piano stabs and clipped 808s, pre-chorus tightens with filtered synth lift, chorus hits huge with stacked women doubles, choir shouts, and gang responses. Ad-lib pings, reverse swells, and a cold glossy mix, wide and stadium-sized., female vocals, rap

Im Schattenklub

Im Schattenklub

German hip-hop with hard boom-bap drums and trap hi-hats, half-time verses, huge chant chorus, and multiple female vocals stacked in wides; verse rides tense sparse kicks and eerie minor-key keys; pre-chorus strips to bass pulse and whispered doubles; chorus hits with layered unison hook, gang shouts, and answered ad-libs. Filter sweeps, reversed chimes, and tape-stop transitions lead into drops. Bright-top, punchy low end, glossy but cold mix., female vocals, rap

Kein Frieden hier

Kein Frieden hier

EDM-pop hip hop with female vocals and stacked female harmonies, midtempo bounce and half-time hip hop drums; verse rides tight kick-snares, clipped synth plucks, and sparse sub, pre-chorus opens with rising filters and vocal chops, chorus hits huge with layered unison leads, octave doubles, and gang-like female stacks. Use breathy close-mic verses, punchy rap-sing delivery, big chant hooks, reverse swells into drops, and glossy wide mix with bright top end and heavy sidechain pump., female vocals, singer-songwriter, edm, hip hop

For The Freedom-At-Hand.

For The Freedom-At-Hand.

Drift phonic, cloud rap, hard rap, emo trap, synthwave, deep voice, strong, masculine

Lone Wolf

Lone Wolf

Pop-rap with a moody mid-tempo bounce, crisp snap drums and a rubbery bassline; verse stays lean with clipped phrases and space between hits, pre-chorus opens with rising synth and stacked oohs, chorus lands wide with gang vocals on the anchor line. Add reverse swells into each section, a few filtered ad-lib echoes on the hook, and a bright punchy mix with intimate close-mic verses.

Matrix Blues Inferno

Matrix Blues Inferno

Rap de anime agressivo com cinematic orchestral. Inspirado no filme Matrix. Brincar com flow, traga batida agressiva, dueto feminino e masculino. Adicione agressivo flow e Blues country.

For The Freedom-At-Hand.

For The Freedom-At-Hand.

Drift phonic, cloud rap, hard rap, emo trap, synthwave, deep voice, strong

Matrix Blues: Duality Rap

Matrix Blues: Duality Rap

Rap de anime agressivo com blues country. Inspirado no filme Matrix. Brincar com flow, traga batida agressiva, dueto feminino e masculino. Adicione agressivo flow. Blues country.

Cruz and Angie vs. El diablo

Cruz and Angie vs. El diablo

Memphis style Hardcore gangster rap, alot of bass, mixed with violin.

Grime Pulse

Grime Pulse

Grime, confident, trap, lyrical, hard

Great men

Great men

Rap Singing, Trap, catchy, Club banger, Base drum

Great men

Great men

Rap Singing, Trap, catchy, Club banger, Base drum, Miami

Брат Кирилл

Брат Кирилл

Pop-rap with a bouncy mid-tempo groove, tight kick-snare pocket, and syncopated bass; verse rides sparse keys and handclaps, pre-chorus opens with filtered pads and rising vocal stacks, chorus hits with big unison hooks and gang ad-libs. Vocal is close-mic and conversational in verses, doubled on the hook, with short delay throws on key words. Ear candy: reversed cymbal into each chorus, tiny bell fills between lines, and a lift on the final hook. Bright, punchy mix with a warm low-end punch.

Карты и клоны

Карты и клоны

Pop-rap in Russian with swung half-time drums, punchy bass and staccato synth plucks; verses stay tight and conversational, pre-chorus strips to claps and filtered pads, chorus opens with stacked gang vocals and a chantable anchor. Add riser swells into each hook, a reverse crash before the drop, and short delay throws on the last word of each chorus. Bright, crisp, and energetic mix with close-mic lead and wide backing doubles.

Late Night Receipt

Late Night Receipt

Trap-soul with male vocals, half-time bounce and soft swung drums; verse stays intimate with sparse keys, muted sub, and airy counter-melody, pre-chorus opens with stacked harmonies and filtered risers, chorus lands wide with silky doubles and a repeating vocal chant. Bridge pulls back to just Rhodes and snapped percussion before the final hook. Glossy but smoky mix, close-mic and emotional with delay throws on key lines.

Perfektes Kampfteam

Perfektes Kampfteam

German pop-rap with stomping mid-tempo groove, tight syncopated drums and heroic synth brass; verse stays punchy with sparse bass and handclap accents, pre-chorus pulls back to filtered percussion and rising choir pads, chorus hits with stacked gang vocals and a bold chantable hook. Use short ad-libs, doubled lines on the team name, reverse swells into the chorus, and a bright, wide mix with crisp low end and stadium-sized punch.

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