"Rap"
Songs created with Voices AI

Songs made with Voices AI bring voice technology into music - from covers to original tracks. Hear how creators and our community are using AI voices to explore new sounds and ideas.

One For All Lightning

One For All Lightning

Anime rap-rock with driving half-time drums, distorted bass, and soaring electric guitars; verse one rides tense sparse chords, verse two flips to dark trap pulses, and the chorus hits with gang shouts and stacked doubles. Pre-chorus builds with snare rolls and reversed swells, then a final lift adds crowd chants, short delay throws, and a bright, punchy arena mix., world

Asphalt ohne Schlaf

Asphalt ohne Schlaf

Dark German trap with half-time 140 BPM bounce, sparse 808 slides, ticking hats, and cold minor-key piano; verse rides dry and close with tense triplet pockets, pre-chorus opens into filtered pads and rising vocal stacks, chorus hits wider with gang doubles and a blunt chant hook. Add reverse cymbal swells into drops, distant siren-like synth notes, and short delay throws on key lines. Mix is deep, glossy, and claustrophobic, with a hard sub and sharp top end.

L ultimo anno

L ultimo anno

Trap teso indi pop

Δευτέρα Θα Πάμε

Δευτέρα Θα Πάμε

Greek urban rap-pop with laid-back swung drums and a rubbery bass pulse; verse rides tight conversational flow, pre-chorus strips to claps and a filtered synth bed, chorus hits with gang doubles on the anchor phrase. Vocal is close-mic and talky with ad-lib echoes on key words, quick risers into the hook, a reverse swell before the last chorus, and a bright punchy mix with dry drums and glossy top-end

Pas de rail

Pas de rail

French rap with a mid-tempo head-nod swing, punchy kick-snare drums and dark minor-key keys; verse rides sparse with tight low-end and clipped cadence, pre-chorus opens with rising chords and stacked ad-libs, chorus hits with gang vocals and a chantable slogan. Lead vocal is dry, close-mic, slightly raspy with double-tracked lines on the hook, brief echo throws on the last word. Ear candy: reversed swells into the chorus, filtered vinyl crackle under the intro, sharp stop-time accents before the final hook. Mix is raw, wide, and hard-hitting with a glossy top edge., rap

Velvet Bite

Velvet Bite

Dark R&B with trap-soul percussion, slow swung half-time groove, rubbery sub bass, snapped rim clicks, and smoky synth chords; verse stays intimate and tense, pre-chorus strips to bass and finger snaps, chorus blooms with stacked harmonies and a dirty guitar lick; whispered doubles, seductive lead close-mic’d with airy ad-libs, reverse swells into the hook, vinyl hiss and sub drops between sections, glossy but shadowy mix

Corporate War

Corporate War

Modern hip hop with hard trap drums and gritty boom-bap swing, mid-tempo and aggressive; verse rides tense 808 slides and clipped hats, pre-chorus strips to a snare clap and bass rumble, chorus hits with stacked gang shouts and distorted chant doubles. Add cash-register hits, alarm risers, and vinyl crackle. Bright, punchy, close-mic mix with a bruised low end., rap, hip hop

Cut The Check

Cut The Check

Modern hip hop with tense trap drums, sliding sub-bass, clipped hi-hats, and a cold marching bounce; verse runs fast and conversational, pre-chorus tightens with snare rolls and filtered synth tension, chorus hits with gang shouts and a blunt stop-start cadence. Lead vocal stays close-mic and threatening, with doubled hook lines, ad-lib echoes, tape-stop transitions, and cash-register ear candy. Mix is hard, dry, and punchy, built for late-night pressure., hip hop, rap

Boardroom War

Boardroom War

Modern hip-hop with grimy trap drums, clipped hi-hats, rattling 808s, and a stomping half-time bounce; verse rides tense and conversational, pre-chorus tightens with rising synth pressure, chorus hits with shouted gang doubles and a blunt chant hook. Add tape-stop transitions, cash-register glitches, and a siren swell into the hook. Vocal is close-mic, gritty, and urgent, with ad-lib throws and stacked punches. Bright, hard-hitting mix with heavy low end and crisp top., rap, hip hop

Boardroom Brawl

Boardroom Brawl

Modern hip-hop with hard-hitting trap drums, tense syncopated hi-hats, sliding 808s, and a dark piano loop; verse rides sparse and mean, pre-chorus opens with rising synth pressure and doubled ad-libs, chorus hits with gang vocals on a sharp chant hook, bridge strips to kick and bass for a cold stare-down before the final lift. Tight close-mic lead, gritty layered doubles on the hook, delay throws on punch lines, sharp mix with a heavy low end and bright knock., rap, hip hop

Wildcats On The Field

Wildcats On The Field

Hip-hop trap with marching-band drums, stomping halftime groove, sharp snare rolls, and punchy brass stabs; verse stays tense and sparse with low bass and clipped ad-libs, pre-chorus strips to handclaps and rising chants, chorus opens wide with gang vocals and call-and-response shouts. Close-mic lead vocal with doubled hook lines, occasional echo throws on the last word, airhorn-like brass hits, and a gritty bright mix, noise, laughter to close out after last line.

Two Rivers#V2

Two Rivers#V2

​Genre: Alternative R&B / Modern Blues / Lo-Fi Hip-Hop Fusion. ​Tempo: 88 BPM (a slow, head-nodding "conscious" groove). ​Instrumentation: ​Foundation: A steady, grounded Native American powwow drum beat (kick/tom-heavy) layered under a crisp, dusty lo-fi breakbeat. ​Bass: A deep, sub-heavy synth bass that pulses like a heartbeat, with a melodic, slippery bassline that carries the rhythm. ​Texture: Atmospheric, reverb-heavy electric guitar licks reminiscent of Modern Blues; subtle ambient creek water sounds and wind chimes in the intro/outro. ​Vibe: Melancholic but smooth, deeply introspective, and soulful. Progression: The production continues with the same "thumping bass" and "Native drum" foundation, but as the song progresses, we introduce a hollow, melancholic saxophone swell in the background to emphasize the transition from grief to memories. ​Vocal Delivery: The verses shift between a melodic R&B croon and a gritty, old-school rhythmic rap flow. The choruses should feel layered

Weekend Vibes & Berta Beats

Weekend Vibes & Berta Beats

Hiphop, Rap Part at the end, rnb, party, fast, 2 PAC, Mariah Carey, 90’s rnb

GERICHTSSAAL

GERICHTSSAAL

Underground horrorcore rap - Live in the courtroom, courtroom acoustics, hammer striking wood, echo in the hall, 808 sub-bass throughout, gloomy, dark, psychotic, cinematic build-up, psychotic atmosphere -Voices: Apocalyptic horrorcore (defendant) & ice-cold judge's voice

Zero Power

Zero Power

Ein rap mit pashanim Stimme und ein hart rap Song über Drogen und geld

zerbrochenen Licht

zerbrochenen Licht

Ein rap mit pashanim Stimme und ein hart rap Song über Drogen und geld

Maik der Captain

Maik der Captain

German pop-rap with stomping mid-tempo drums, tight syncopated bass, handclap-driven verses, a chanty pre-chorus that opens into a big gang-vocal chorus; verses stay lean and punchy, chorus repeats the name hard with short call-and-response lines, bridge drops to a half-time heartbeat before the final lift. Close-mic lead vocal, doubled hook lines, short delay throws on key phrases, risers and crowd shouts into the chorus, bright and punchy mix.

Sandrokan – L’Anima di Calimera

Sandrokan – L’Anima di Calimera

scrivi una canzone rap su sandakan che pero si chiama “sandrokan” e mariangela fantozzi la coppi che scoppia di calimera (scoppia per lla troppa sostanza stupefacente che prendono)

Wildcats On The Field

Wildcats On The Field

Hip-hop trap with marching-band drums, stomping halftime groove, sharp snare rolls, and punchy brass stabs; verse stays tense and sparse with low bass and clipped ad-libs, pre-chorus strips to handclaps and rising chants, chorus opens wide with gang vocals and call-and-response shouts. Close-mic lead vocal with doubled hook lines, occasional echo throws on the last word, airhorn-like brass hits, and a gritty bright mix, noise

Upgrade Me

Upgrade Me

Male electro-rap club anthem, chopped synths, sidechain bass, punchy dance drums, seductive rap vocals

APPRENDRE À RESPIRER I mix

APPRENDRE À RESPIRER I mix

Voix homme souveraine, froide, timbre clair légèrement rugueux. Flow lent/maîtrisé, diction précise. Style rap impérial métal+air, ambiance salle du trône. Intention : vérité brute, verticalité, calme royal. Souffle contrôlé. Mixage : voix devant, EQ métal propre, reverb courte verticale. FX air subtil. Pas de foule. Archétypes : Souverain + Porteur de Vérité.

Upgrade Me

Upgrade Me

Male electro-rap club anthem, neon synths, sidechain bass, vocoder hook, seductive rap vocals, club drums

Sweet Dirty Girl

Sweet Dirty Girl

Female pop-rap club banger, glossy synth bounce, deep bass, tight claps, flirty rap, sexy vocals

Verliebt

Verliebt

R&B, Echo Effekt, Rap, 71BPM, hindidreampop

Verliebt

Verliebt

R&B, Echo Effekt, Rap, 71BPM, Remix, hindidreampop

Verliebt

Verliebt

R&B, Echo Effekt, Rap, Herzklopfeneffekt, 71BPM, Remix

Verliebt

Verliebt

R&B, Echo Effekt, Rap, Herzklopfeneffekt, love,

Emma’s Chessboard

Emma’s Chessboard

Dark rap with half-time drums, rattling percussion, and sharp electric guitar stabs; verse rides sparse and холод, pre-chorus tightens with rising tension, chorus lands on a short chant with doubled ad-libs and gang echoes. Vocal is close-mic and tense in verses, clipped doubles on the hook, with delay throws on key words. Ear candy comes from reversed swells into the chorus, brief guitar squeals between lines, and low sub drops under the final hook. Mix is gritty, wide, and punchy with a cold edge., electric, rap

Blue‑White Vibe on the Fairway

Blue‑White Vibe on the Fairway

Smooth, rap, 90’s gangster, like Warren G and the regulator

Blue‑White Vibe on the Fairway

Blue‑White Vibe on the Fairway

Smooth, rap, R&B, like Warren G and the regulator

Wir sind Feuer und Flügel

Wir sind Feuer und Flügel

R&B, Echo Effekt, 71BPM, Remix, rap

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