"Jazz"
Songs created with Voices AI

Songs made with Voices AI bring voice technology into music - from covers to original tracks. Hear how creators and our community are using AI voices to explore new sounds and ideas.

오니의 왕이 된 손오공

오니의 왕이 된 손오공

funk, male vocal with tearful spoken delivery, seductive darkness, manic realization, and a low sinister laugh; fast explosive groove; Broadway Electro-Swing production with fast snappy jazz, glitch effects, and theatrical brass hits; piano, melancholic violin, electro bass, mystical synth, snappy and full brass, electro-trap beats, jazz piano

오니의 왕이 된 손오공

오니의 왕이 된 손오공

funk, fast explosive swing with electro-trap snap, piano, melancholic violin, electro bass, mystical synth, snappy and full brass, jazz piano, spoken Korean male vocal with tearful seductive menace, manic epiphany and low sinister laugh, Broadway theatricality, big-band brass hits, glitch effects and sharp electro-swing transitions

Beyond what we know

Beyond what we know

Melodic hard rock with clean electric jazz chords, blues guitar fills, warm melodic bass, soft piano and brushed drums; cinematic supernatural atmosphere, male vocal rising emotionally with backing harmonies, restrained 112 BPM jazz groove building into powerful energetic hard rock, soaring guitar solo and unresolved final chord

Beyond what we know

Beyond what we know

Melodic hard rock with soft jazz and blues-rock: clean jazz electric guitar, lightly overdriven guitars, warm melodic bass, brushed drums transitioning into big acoustic drums, subtle piano, backing vocal harmonies, and a blues lead soaring into a hard-rock solo; male vocal rising emotionally; cinematic supernatural atmosphere, 112 BPM, investigative nocturnal groove building into powerful uplift, unresolved final chord

Magic Hanja War

Magic Hanja War

fast stylish electro swing, Broadway villain duet, punchy media-jazz beats, brisk walking bass, clipped brass stabs, cabaret piano, theatrical call-and-response, dramatic minor-key confrontation, sly male lead against commanding male antagonist, sharp stop-time breaks, escalating orchestration, explosive final chorus, polished cinematic mix

AparajitaStotram1M

AparajitaStotram1M

Jazz fusion, male alto with clear phrasing and gentle vibrato, lightly layered refrain; flute, accordion, xylophone, veena, mandolin, guitar, and drums; warm tape saturation; unhurried midtempo soul-and-folk-rock sway

AparajitaStotram1M

AparajitaStotram1M

Jazz fusion with flute, accordion, xylophone, veena, mandolin, guitar, and drums; warm tape saturation; male alto with clear phrasing, gentle vibrato, and a lightly layered refrain; unhurried midtempo soul-and-folk-rock sway.

AparajitaStotram1F

AparajitaStotram1F

Jazz fusion: flute, accordion, xylophone, veena, mandolin, guitar, and drums over an unhurried midtempo soul-and-folk-rock sway; female alto with clear phrasing and gentle vibrato, lightly layered refrain; warm tape saturation.

AparajitaStotram2F

AparajitaStotram2F

Jazz fusion, unhurried midtempo groove with soul and folk-rock sway, flute, accordion, xylophone, veena, mandolin, guitar, and drums, warm tape saturation, female alto with clear phrasing, gentle vibrato, and a lightly layered refrain

AbhiramiStotramM

AbhiramiStotramM

Jazz fusion with warm tape saturation, an unhurried midtempo groove, flute, accordion, xylophone, veena, mandolin, guitar, and drums, male alto vocal with clear phrasing, gentle vibrato, and a lightly layered refrain

AbhiramiStotramM

AbhiramiStotramM

Jazz fusion, unhurried midtempo groove, male alto vocal with clear phrasing and gentle vibrato, lightly layered refrain, warm tape saturation, flute, accordion, xylophone, veena, mandolin, guitar, and drums with soul and folk-rock sway

AbhiramiStotramF

AbhiramiStotramF

Jazz fusion with plate reverb on melody, midtempo soulful rock sway, female devotional lead with clear Sanskrit phrasing, flute, accordion, xylophone, veena, mandolin, acoustic guitar, and drums interlocking folk-jazz rhythms

AbhiramiStotramF

AbhiramiStotramF

Jazz fusion with soul and folk-rock sway: flute, accordion, xylophone, veena, mandolin, guitar, and drums; unhurried midtempo groove; warm tape saturation; female devotional vocal with clear alto phrasing, gentle vibrato, and lightly layered refrain.

SriVamanaStotram1M

SriVamanaStotram1M

Jazz fusion, unhurried devotional sway, flute and mandolin over veena, xylophone, guitar, and drums, roomy drum bleed, male Sanskrit vocal with clear chant-like phrasing and restrained studio reverb

SriVamanaStotram1M

SriVamanaStotram1M

Jazz fusion with flute, xylophone, veena, mandolin, guitar, and drums; male devotional vocals in Sanskrit; dry close-miked strings; steady bluegrass-influenced swing with soulful phrasing and rhythmic jazz comping

Wayne’s world

Wayne’s world

Trip hop with a male vocal, dry conversational delivery and lightly doubled refrain, vinyl crackle and hiss, unhurried downtempo groove, muted jazz trumpet over dusty samplers, bass drum, brushed percussion, and warm low-end chords

Despertar lounge para leer

Despertar lounge para leer

Lounge nu-jazz instrumental con Rhodes cálido, piano luminoso, bajo profundo y redondo, batería lounge suave definida, percusión orgánica sutil, guitarra limpia ambiental y pads atmosféricos; abertura envolvente de 20 segundos, variaciones discretas, reducción gradual en los últimos 30 segundos y final limpio en 11:00, groove constante a 100 BPM.

Pelukan Terakhir yang Tak

Pelukan Terakhir yang Tak

pop country lembut berbahasa indonesia 72 bpm g mayor gitar akustik fingerpicked dan strumming halus piano tipis pedal steel yang hangat bass lembut sapuan brush drum ringan verse intim lalu chorus melebar emosional vokal utama dekat dan Indonesian Pop, Jazz, Soul dengan harmoni tipis di reff produksi hangat lapang dan tidak berlebihan

Le jazz dans la peau

Le jazz dans la peau

électro-jazz harmonieux et mélancolique, groove lent midtempo, basse ronde et syncopée, batterie feutrée aux balais mêlée à des textures électroniques, piano jazz en accords colorés, saxophone ténor discret entre les phrases, nappes analogiques sobres, couplets intimistes et refrains plus amples, voix masculine grave rocailleuse, diction française naturelle, mix chaleureux et légèrement granuleux, ambiance de club élégant sans emphase

Le moral en bas

Le moral en bas

smooth electro jazz, harmonious lush chords, deep gravelly male vocals, dark moody atmosphere, slow tempo 85 bpm, warm Fender Rhodes, subtle 808 sub bass, crisp brushed snare drum loop, vintage saxophone accents, polished intimate mix

Le moral en bas

Le moral en bas

electro-jazz français nocturne, groove lent et souple, batterie aux balais mêlée à une boîte à rythmes feutrée, contrebasse ronde, piano jazz en accords dissonants, synthés analogiques discrets, touches de saxophone baryton, voix masculine grave rocailleuse et intime, couplets parlés-chantés, refrain plus ample, mix chaud et légèrement granuleux, arrangement harmonieux avec montée douce vers un dernier refrain

Le moral en bas

Le moral en bas

electro jazz français nocturne, groove lent et souple, contrebasse ronde, batterie jazz feutrée avec rimshots, piano électrique aux accords riches, synthés analogiques discrets, saxophone ténor chaleureux en réponses, arrangement harmonieux et cinématographique, voix masculine grave rocailleuse, interprétation intime et désabusée, mix moderne profond avec basse présente et espace soyeux

Le moral en bas moral

Le moral en bas moral

electro-jazz français nocturne, groove lent et syncopé, contrebasse électrique profonde, batterie jazz sèche avec charleston précis, piano électrique sombre, synthétiseurs analogiques discrets, touches de saxophone baryton, voix masculine grave rocailleuse et parlée-chantée, couplets intimes, refrain plus ample, production chaude et cinématique, basse ronde, espace de club enfumé

L'état d'esprit

L'état d'esprit

électro-jazz nocturne, groove syncopé mid-tempo, batterie sèche et précise, contrebasse électrique profonde, piano jazz dissonant, nappes analogiques sombres, saxophone ténor en réponses courtes, voix homme grave rocailleuse et proche du micro, couplets parlés-chantés, refrain plus ample, arrangements urbains élégants, mix chaud avec basses rondes et légère saturation

Le jazz dans la peau

Le jazz dans la peau

électro-jazz sombre et urbain, groove syncopé mid-tempo, batterie sèche aux balais mêlée à des kicks électroniques feutrés, contrebasse électrique ronde, piano jazz en accords dissonants, saxophone ténor rauque en réponses, nappes analogiques discrètes, voix masculine grave et rocailleuse en français, phrasé parlé-chanté expressif, couplets dépouillés puis refrains plus larges, mix chaud légèrement saturé avec espace nocturne

Le jazz dans la peau

Le jazz dans la peau

électro-jazz français nocturne, groove downtempo souple, batterie électronique feutrée avec rimshots, contrebasse synthétique ronde, piano jazz dissonant, saxophone ténor expressif, nappes analogiques discrètes, couplets parlés-chantés intimes, refrain plus mélodique et accrocheur, arrangement qui s’ouvre progressivement puis retombe dans une fin brumeuse, mix chaud et légèrement granuleux, voix française proche et désabusée

Le jazz dans la peau

Le jazz dans la peau

électro-jazz français nocturne, groove mid-tempo chaloupé, batterie électronique feutrée avec rimshots secs, contrebasse électrique ronde, piano jazz en accords dissonants, saxophone ténor improvisé, nappes analogiques discrètes, voix masculine parlée-chantée et nonchalante, couplets intimistes puis refrain plus ample, production chaude et légèrement granuleuse, espace stéréo profond

Le jazz dans la peau

Le jazz dans la peau

électro-jazz français nocturne, groove downtempo syncopé, basse électrique ronde, batterie jazz feutrée avec charleston précis, piano électrique dissonant, saxophone ténor sensuel en réponses, nappes analogiques discrètes, couplets intimistes puis refrain plus ample, voix masculine parlée-chantée légèrement rauque, production chaude et stéréo, contrastes entre passages dépouillés et montées dansantes

Le jazz dans la peau

Le jazz dans la peau

électro-jazz français nocturne, groove downtempo souple, batterie électronique feutrée avec swing, contrebasse synthétique ronde, piano jazz dissonant, saxophone ténor sensuel en réponses, nappes analogiques discrètes, couplets parlés-chantés intimes, refrain plus mélodique, arrangement qui s’épaissit progressivement, mix chaleureux et légèrement granuleux, basse centrée, espace stéréo élégant

On me dit, on m'invite

On me dit, on m'invite

électro-jazz francophone provocateur, groove syncopé mid-tempo, batterie électronique sèche et précise, basse électrique ronde et dansante, piano jazz chromatique, saxophone ténor nerveux en réponses, synthés analogiques discrets, couplets parlés-chantés avec attitude punk, refrain scandé très accrocheur, breaks instrumentaux imprévisibles, production moderne légèrement saturée, mix stéréo énergique

Velvet Door Swing

Velvet Door Swing

fast upbeat swing, 1930s big band jazz, energetic walking upright bass, lively brass horn section solos, swinging drum shuffle with ride cymbal, stride piano comping, charismatic male lead vocal, brass stabs, warm vintage tape analog mix

The World Looks Like You

The World Looks Like You

modern jazz-pop with a sultry late-night groove, brushed drums, upright bass, Rhodes piano, muted trumpet fills, clean electric guitar accents, syncopated pocket, playful Latin percussion, intimate smoky female lead vocal, verse-to-chorus lift with rich backing harmonies, polished warm mix

KhadgaMalalaM1

KhadgaMalalaM1

Jazz fusion, warm analog tape saturation, veena and jala tarangini carrying melodic phrases with xylophone, flute, mandolin, guitar, and drums interlocking in spacious polyrhythmic passages, clear male devotional vocal with lightly close-miked presence, relaxed syncopated groove

KhadgaMalalaM2

KhadgaMalalaM2

Jazz fusion; veena and jala tarangini carry melodic phrases, with xylophone, flute, mandolin, guitar, and drums interlocking in spacious polyrhythmic passages; male vocal with clear devotional delivery and lightly close-miked presence; warm analog tape saturation; relaxed syncopated groove

KhadgaMalalaF1

KhadgaMalalaF1

Jazz fusion, relaxed syncopated groove, female vocal with clear devotional delivery and lightly close-miked presence, warm analog tape saturation, veena and jala tarangini carrying melodic phrases, xylophone, flute, mandolin, guitar, and drums interlocking in spacious polyrhythmic passages

KhadgaMalalaF2

KhadgaMalalaF2

Jazz fusion with warm analog tape saturation, veena and jala tarangini carrying melodic phrases, xylophone, flute, mandolin, guitar, and drums in a relaxed syncopated groove, female vocal with clear devotional delivery and lightly close-miked presence.

KhadgaMalalaF3

KhadgaMalalaF3

Jazz fusion with warm analog tape saturation, veena and jala tarangini carrying melodic phrases, xylophone, flute, mandolin, guitar, and drums in a relaxed syncopated groove, female vocal with a clear devotional delivery and lightly close-miked presence.

KhadgaMalaM4

KhadgaMalaM4

jazz deep house fusion, veena, cello, xylophone, mandolin, guitar, and drums; steady four-on-the-floor groove with syncopated jazz phrasing; male restrained chant-like vocal with subtle layering; tape echo on percussion, warm low-end, and spacious ritual vocal treatment

KhadgaMalaM3

KhadgaMalaM3

Jazz deep house fusion, tape echo on percussion, veena and cello over mandolin, xylophone, guitar, and drums, steady four-on-the-floor groove with syncopated jazz phrasing, male restrained chant-like vocal with subtle layering

KhadgaMalaM6

KhadgaMalaM6

Jazz deep house fusion with veena, cello, xylophone, mandolin, guitar, and drums; steady four-on-the-floor groove with syncopated jazz phrasing, tape echo on percussion, male Sanskrit vocal with restrained chant-like delivery and subtle layering

KhadgaMalaM5

KhadgaMalaM5

Jazz deep house with analog mixing-console saturation, male Sanskrit vocal in a restrained dev chant delivery, veena and cello over xylophone, mandolin, guitar, and drums, fusion groove with a steady four-on-the-floor pulse

Always lies

Always lies

Electro Swing indie pop, male vocal with a crisp midrange and slightly sardonic delivery, gypsy jazz rhythm guitar alongside bright brass stabs and swinging upright bass, sidechain pumping compression, fast tempo with danceable four-on-the-floor energy

Always lies

Always lies

Pop Electro swing, fast swinging groove with upright bass and brushed swing drums, clear male mid-range vocal with restrained verses and polished layered chorus harmonies, layered orchestral jazz and sharp brass stabs, violin solo before the bridge, tape-saturated production

Always lies

Always lies

Pop Electro swing, tape-saturated production, fast swinging groove, clear male mid-range vocal with restrained verses and polished layered chorus harmonies, upright bass, brushed swing drums, layered orchestral jazz, sharp brass stabs, violin solo before the bridge

Always lies

Always lies

Pop electro swing, fast swinging groove, clear male mid-range vocal with restrained verses and polished layered chorus harmonies, tape-saturated production, upright bass, brushed swing drums, layered orchestral jazz, sharp brass stabs, violin solo before the bridge

Always lies

Always lies

Pop Electro swing, fast swinging groove with upright bass and brushed swing drums, layered orchestral jazz and sharp brass stabs, tape-saturated production, clear male mid-range vocal with restrained verses and polished layered chorus harmonies, violin solo before the bridge

Always lies

Always lies

Pop Electro swing, upright bass and brushed swing drums with layered orchestral jazz and sharp brass stabs, clear male mid-range vocal with restrained verses and polished layered chorus harmonies, fast swinging groove, tape-saturated production, violin solo before the bridge

Always lies

Always lies

Pop electro swing, clear male mid-range vocal with restrained verse intensity and polished layered chorus harmonies, tape-saturated production, fast swinging groove, upright bass, brushed swing drums, layered orchestral jazz, sharp brass stabs, violin solo before the bridge

Always lies

Always lies

Pop Electro swing with tape saturation, fast tempo, clear male mid-range vocal with restrained verse intensity and polished layered chorus harmonies, layered orchestral jazz, sharp brass stabs, upright bass, brushed swing drums, violin solo before the bridge

Always lies

Always lies

Pop Electro swing, clear male mid-range vocal with restrained verse intensity and polished layered chorus harmonies, fast swinging groove, upright bass, brushed swing drums, layered orchestral jazz, sharp brass stabs, violin solo before the bridge, tape-saturated production

Always lies

Always lies

Pop electro swing, clear male mid-range vocal with restrained verse intensity and polished layered chorus harmonies, tape-saturated production, fast tempo with a driving swing pulse, layered orchestral jazz, sharp brass stabs, upright bass, brushed swing drums, violin solo before the bridge

Always lies

Always lies

Pop Electro swing, clear male mid-range vocal with restrained verse intensity and polished layered chorus harmonies, fast tempo, layered orchestral jazz, sharp brass stabs, upright bass, brushed swing drums, violin solo before the bridge, tape saturation

Always lies

Always lies

Pop electro swing, fast tempo with tape saturation, layered orchestral jazz, sharp brass stabs, upright bass, brushed swing drums, clear male mid-range vocal with restrained verses and polished layered chorus harmonies, violin solo before the bridge

Always lies

Always lies

Pop Electro swing with tape saturation, fast tempo, layered orchestral Jazz, brass stabs, upright bass, brushed swing drums, and a violin solo before the bridge; clear male mid-range vocal with restrained verse intensity and polished layered chorus harmonies

Always lies

Always lies

Electro swing Pop, clear male mid-range vocal with restrained verse intensity and layered orchestral Jazz, violin solo before the bridge, tight sidechain pumping, fast tempo

Always lies

Always lies

Electro Swing indie pop with tape saturation and clipped drum transients, gypsy jazz guitar playing bright syncopated riffs, male mid-range vocal with crisp talk-sung verses and layered chorus doubles, fast swinging dance pulse

Always lies

Always lies

Electro Swing indie pop, gypsy jazz guitar with bright syncopated riffs, fast swinging dance pulse, tape saturation and clipped drum transients, male mid-range vocal with crisp talk-sung verses and layered chorus doubles

Always lies

Always lies

Electro Swing indie pop, gypsy jazz guitar with bright syncopated riffs, male mid-range vocal with crisp talk-sung verses and layered chorus doubles, fast swinging dance pulse, tape saturation and clipped drum transients

Saying lies

Saying lies

Electro Swing indie pop with a male vocal, crisp mid-range delivery and lightly doubled choruses; muted jazz trumpet, piano, upright bass, clipped electric guitar and swing-era drums; tape saturation, warm vintage compression and tight mono-to-wide stereo transitions; fast tempo with driving four-on-the-floor momentum and syncopated brass hits

Always lies

Always lies

Dark indie pop swing jazz accoustic fast tempo

Always lies

Always lies

Indie swing pop jazzy us8ng piano, guitar trombone catchy, accoustic, very active, lies, accusing dark swing, jazzy male voice fast tempo melancolic EVIL

Always lies

Always lies

Indie swing pop jazzy us8ng piano, guitar trombone catchy, accoustic, very active, lies, accusing dark swing, jazzy male voice fast tempo

Always lies

Always lies

Indie pop jazzy us8ng trumpets piano, guitar trombone ect catchy, accoustic, very active, lies, accusing dark swing RnB rap version, jazzy male voice

Always lies

Always lies

Indie pop jazzy us8ng trumpets trombone ect catchy, accoustic, very active, lies, accusing dark swing RnB rap version, jazzy male voice

Always lies

Always lies

Indie pop jazzy us8ng trumpets trombone ect catchy, accoustic, very active, lies, accusing dark swing

Always lies

Always lies

Indie pop jazzy us8ng trumpets trombone ect catchy, accoustic, very active, lies, accusing

Always lies

Always lies

Indie pop jazzy us8ng trumpets trombone ect

NATIVE STAR

NATIVE STAR

72 BPM future roots reggae, fat freddy's drop style, warm organic rolling bassline, jazz horn section, smooth analog tape echoes, militant baritone male vocals, peter tosh vocal style, cinematic jazz-infused dub outro, High-pitched, velvety, and romantic. A high-tenor falsetto style, with an exceptionally light vocal weight with effortless breath control, keeping his tone soft, smooth, and conversational.

Chased for singing the blues

Chased for singing the blues

In the style of the blues brothers make duo Blue eyed soul, high energy signature sound comes from pairing a heavy, driving Memphis rhythm section with a slick New York horn section. They combine Chicago electrified urban blues with the energetic Memphis soul. jump blues, jazz, rock and roll,

NATIVE STAR

NATIVE STAR

72 BPM future soul roots reggae, fat freddy's drop style, warm organic rolling bassline, live jazz horn section, smooth analog tape echoes, militant baritone male vocals, peter tosh vocal style, cinematic jazz-infused dub outro

One of these days

One of these days

Low tone, deep bass, Sad, emotional, modern country, soulful jazz, powerhouse, ballad, vocal, Haunting deep sad low tones, emotional, raspy, raw, heartbreak, soft piano echos, feel the beat in my soul, standing up for herself, make herself heard loud, crying,

One of these days

One of these days

Low tone, deep bass, Sad, emotional, modern country jazz, powerhouse, ballad, vocal, Haunting deep sad low tones, emotional, raspy, raw, heartbreak, soft piano echos, feel the beat in my soul, standing up for herself, make herself heard loud, crying,

One of these days

One of these days

Low tone, deep bass, Sad, emotional, jazz, powerhouse, ballad, vocal, Haunting deep sad low tones, emotional, raspy, raw, heartbreak, soft piano echos, feel the beat in my soul, standing up for herself, make herself heard loud, crying,

One of these days

One of these days

Sad, emotional, Trip-hop, afrobeat, jazz, powerhouse, ballad, vocal, Haunting deep sad low tones, emotional, raspy, raw, heartbreak, soft piano echos, feel the beat in my soul, standing up for herself, make herself heard loud, crying,

ONE PEACE ONE PEOPLE

ONE PEACE ONE PEOPLE

76 BPM heavy Aotearoa electronic dub, Salmonella Dub style production, deep rolling sub-bass weight, spacey analog echo loops, building electronic claps, smoky lazy jazz-soul male vocals, powerful indigenous roots chant, cinematic soundscape, theatrical industrial train sounds outro

ONE PEACE ONE PEOPLE

ONE PEACE ONE PEOPLE

82 BPM heavy Aotearoa electronic dub, Salmonella Dub style production, deep rolling sub-bass weight, spacey analog echo loops, building electronic claps, smoky lazy jazz-soul male vocals, powerful indigenous roots chant, cinematic soundscape, theatrical industrial train sounds outro

One of these days

One of these days

Trip-hop, afrobeat, jazz, trap, drum and bass, powerhouse, ballad, vocal, Haunting deep sad low tones, emotional, raspy, raw, heartbreak, soft piano echos, feel the beat in my soul, standing up for herself, make herself heard loud, crying,

Echoes of a Silent Storm

Echoes of a Silent Storm

Trip-hop, afrobeat, jazz, trap, drum and bass, powerhouse, ballad, vocal, Haunting deep sad low tones, emotional, raspy, raw, heartbreak, soft piano echos, feel the beat in my soul, standing up for herself, make herself heard loud, crying,

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