Songs made with Voices AI bring voice technology into music - from covers to original tracks. Hear how creators and our community are using AI voices to explore new sounds and ideas.

Le temps au poignet
Opéra lyrique français croisé avec jazz de club, introduction théâtrale d’environ 10 secondes avec un homme qui lance « Sors-nous les violons », puis entrée de violons amples et dramatiques. Valse lente en 3/4, piano jazz feutré, contrebasse boisée, batterie aux balais, cuivres discrets et cordes qui montent vers un refrain majestueux. Voix masculine de baryton lyrique, diction française nette, élégante et légèrement malicieuse; alternance entre couplets intimistes presque parlés et envolées opératiques. Production chaleureuse, acoustique, large réverbération de salle, transitions dynamiques du murmure orchestral au final grandiose.

Le temps nous dira
Opéra lyrique croisé avec jazz de cabaret, ouverture théâtrale façon annonce d’artiste, voix masculine baryton expressive en français, rubato noble puis valse jazz swinguée. Intro parlée-chantée qui présente Ivan Max avec panache, entrée de violons en pizzicato puis grands legatos romantiques, piano jazz, contrebasse boisée, batterie aux balais, cuivres feutrés et ponctuations de big band. Arrangement: prélude libre, couplet intime, refrain ample et mélodique, interlude orchestral de violons, dernier refrain triomphal. Production chaleureuse, prise vocale proche, dynamique naturelle, réverbération de salle d’opéra et mix élégant.

Le temps nous dira
Opéra lyrique français croisé avec un jazz de cabaret sophistiqué, ouverture théâtrale en crescendo avec cordes larges et violons très présents, piano jazz feutré, contrebasse acoustique, balais de batterie puis montée orchestrale, harmonies chromatiques élégantes, tempo de valse modéré, voix masculine de baryton lyrique avec diction française claire, vibrato maîtrisé et envolées dramatiques, alternance entre couplets intimes et refrains amples, arrangement cinématographique mais chaleureux, mix ample avec les violons en avant et la voix centrée

Le temps au poignet
Operatic jazz, dramatic cinematic opera fused with smooth jazz piano and lush sweeping violin ensemble, expressive baritone operatic male vocals, grand orchestral strings, sophisticated bass and delicate brushes on drums, elegant sound, emotional swell

Who's Bad?
1980s funk rock synth pop driving synthesizer basslines punchy linndrum beat aggressive rhythm guitar stabs energetic male lead vocals with ad libs polished Jazz, Soul, Pop, R&B, Funk, Big Band, Film Score style production

Losematic
Classic early-1990s East Coast hip-hop with a gritty Queens, New York boom-bap sound. Punchy dusty drums, hard snare hits, warm sampled bass, chopped soulful and jazzy melodic textures, and a smooth atmospheric loop underneath. The beat should feel raw, streetwise, intelligent, and cinematic, with plenty of space for dense lyrical rapping. Mid-tempo groove, head-nod rhythm, vintage analog texture, no trap drums, no modern synth-heavy production. Overall mood: confident, lyrical, sophisticated, nostalgic, and unmistakably golden-era New York hip-hop.

Flogelic
“Chillhop instrumental with introspective, cinematic hip-hop energy. Warm soulful Rhodes piano, dusty jazz samples, mellow bass guitar, subtle atmospheric strings, and laid-back boom-bap drums with a slightly imperfect human swing. Thoughtful and emotionally reflective, but still confident and grounded. Add occasional haunting vocal textures with no actual lyrics, tasteful vinyl crackle, sparse melodic changes, and a deep late-night atmosphere. Verses should feel spacious enough for storytelling and lyrical rap, with a memorable soulful instrumental hook. Around 78–84 BPM. Minor-key warmth, organic instrumentation, head-nodding groove, polished but not overly commercial. No trap hi-hat rolls, no aggressive 808s, no EDM elements

Where the Groove Bends
Groovy jazz fusion built around a syncopated Rhodes electric piano vamp, warm fretless bass, crisp funk drums with ghost notes, muted electric guitar comping, and occasional brass stabs. Start with a tight instrumental groove, bring in confident soulful lead vocals, then open into a Rhodes-and-guitar call-and-response section, a short bass spotlight, and a final ensemble lift. Use tasteful seventh and ninth chords, live-room interplay, subtle tape saturation, punchy but organic drums, wide keys, and a warm analog mix. Keep the performance loose and human, like skilled players reacting in real time.

Where the River Bends
Sultry modern jazz ballad at a relaxed 72 BPM, brushed drums, upright bass with gentle walking movement, smoky Rhodes piano voicings, muted trumpet answering the vocal, occasional tenor sax fills, intimate close-miked female vocal with breathy phrasing and controlled vibrato. Begin sparse with piano and bass, add brushes in the first verse, widen into a lush but restrained chorus, strip back for a vulnerable bridge, then finish with muted trumpet and a soft unresolved piano cadence. Warm tape saturation, dark velvet room ambience, natural dynamics, centered vocal, rounded low end.

Moonlit Margins
Chillhop instrumental with introspective cinematic hip-hop energy; warm Rhodes chords ride a laid-back boom-bap swing, dusty jazz samples and mellow bass guitar anchor the groove. Verse sections stay spacious for storytelling, then subtle string swells and sparse melodic shifts deepen the mood. Haunting vocal textures, vinyl crackle, and a soft close-mic mix give it a deep late-night glow., warm, deep, swing, vocal, hip-hop, soulful, mellow, jazz

Moonlit Margins
Instrumental chillhop with introspective cinematic hip-hop energy, 82 BPM feel, warm soulful Rhodes chords, dusty chopped jazz-sample textures, mellow electric bass guitar, subtle sustained strings, and laid-back boom-bap drums with slightly late human swing. Arrange a spacious Rhodes-and-texture intro, roomy storytelling sections with sparse melodic changes, restrained drum entrances, a fuller reflective middle lift, and a confident grounded outro. Add occasional wordless haunting vocal pads as texture only, no intelligible lyrics, tasteful vinyl crackle, soft tape saturation, deep low-mid warmth, and a wide but intimate late-night mix. Keep the verses open and uncluttered.

Concrete Pulse
aggressive chill hop instrumental, heavy punchy boom bap drums, hard-hitting 808 sub bass, gritty vinyl crackle, dark jazzy piano chords, energetic lo-fi hip hop groove, crisp snare, atmospheric synth pads

Cozy Rain Groove
Warm lo-fi jazz hop at a relaxed head-nod tempo, dusty vinyl crackle and gently filtered sampled-jazz texture, mellow tenor saxophone improvisations answering a soft electric piano chord loop, brushed drums with loose swung hats and understated kick-snare pocket, rounded upright-style bass, subtle room tone and soft rain ambience tucked behind the groove. Arrange an intimate 8-bar intro, settle into the beat with sax phrases, briefly strip to piano and rain for a reflective middle passage, then return with fuller sax and drums before a faded, tape-worn outro. Close, cozy mix with softened transients, mild tape saturation, narrow vintage sample coloration, low-level hiss, and plenty of breathing room; no vocals.

Bourbon Street Parade
Dixieland jazz in a jaunty 1940s swing feel with clipped two-beat banjo, walking upright bass, bright cornet leads, clarinet obbligatos, and brushed snare pushing a bouncy stride pulse. Intro opens with a stop-time brass tag; middle brings trading fours and a honking ensemble riff; final pass lifts with tailgate trombone and a snap-ending button. Crisp vintage mix, warm horn-forward mono sheen., dixieland, jazz

Jitterbug Kettle
Jaunty 1940s dixieland jazz comedy, brisk two-beat swing around 155 BPM, walking upright bass, stride piano, banjo, clarinet countermelodies, muted trumpet answers, trombone smears, tuba accents, hand-played kit with crisp ride and snare, compact horn-band arrangement with stop-time punchlines and a lively instrumental break, theatrical conversational lead vocal, playful call-and-response backing vocals, warm mono shellac-era recording character with lightly saturated brass and room ambience.

Jitterbug Alley
Jaunty 1940s comedic swing jazz, brisk walking double bass, four-to-the-floor ride cymbal, tight brushed snare, bright brass riffs, clarinet and tenor sax call-and-response, stride piano fills, playful stop-time breaks, compact big-band arrangement, theatrical male crooner with cheeky spoken asides, clean vintage mono recording character, punchy brass and room ambience, lively dynamic ending

Broken Radio Rag
Swing jazz, jaunty medium tempo with clipped two-step bounce, brushed drums, upright bass walks, honky piano, muted brass stabs, and warped 1940s radio distortion. Verse rides sparse combo phrasing; middle section opens into a smoky trumpet call and response; final section tightens into a jittery ensemble tag. Lo-fi crackle, tuner warble, and brief static bursts between phrases. Grimy, vintage, and playful with a narrow AM-band mix., jazz, swing

الجاك شنو
bossa nova, country pop, synth-pop, synthesizer, jazz

Whispers
cello, trumpet, ukulele, deep house, 80s, new wave, chillout, harp, jazz, trip hop, a cappella, drums, blues, punk, violin, acoustic guitar, soundtrack

Kah
Genre & Vibe: Acoustic-jazz lounge sets a classy, high-end foundation that inherently means rest and relaxation.Tempo: 98 BPM hits the sweet spot—slow enough for comfort and rest, but fast enough (mid-tempo groove) to keep a youthful, fun energy alive.Instrumentation: Nylon guitar, Rhodes piano, and upright bass create an organic, analog, and timeless warmth.Mood Descriptors: Combining sophisticated and uplifting youthful vitality captures the elegant yet modern, lively spirit you want.

AH2
Violin, Flute, jazz, xylophone, veena, mrudangam indian style of melody, Rock, Alternative, Emo

Chacun son poignet
Upbeat French dance-jazz with a sleek late-night club groove: four-on-the-floor kick, syncopated electric piano, walking upright bass doubled by a polished synth bass, crisp brass stabs, muted trumpet fills, funky guitar scratches, and playful percussion. Verses should feel conversational and rhythmically nimble, while the chorus opens into a catchy singalong hook with stacked French vocals. Add a brief jazz-breakdown before the final chorus, then finish with a cheeky spoken ad-lib. Clean modern mix, punchy low end, bright brass, agile vocal phrasing, humorous and stylish rather than aggressive.

Hublot et Omega
French pop with jazzy disco swing at a mid-tempo pulse, bouncy syncopated bassline and clipped guitar stabs; verse rides dry drums and walking keys, pre-chorus thins to handclaps and a filtered piano run, chorus opens with stacked gang vocals and a catchy chant. Lead vocal stays close-mic and playful, with short delay throws on brand names, brushed snares, little horn flicks between lines, and a glossy, punchy mix with warm low-end sheen., jazz

Chacun son Tempo
French dance-jazz with a playful electro-swing groove, afrobeat-tinged syncopated drums, walking upright bass, bright piano comping, muted trumpet answers, saxophone riffs, and crisp hand percussion. Conversational French lead vocal with witty rhythmic phrasing, clear diction, occasional call-and-response backing vocals. Arrange with a short instrumental pickup, verse-like spoken-sung lines, a catchy repeated chorus, a brief brass break, then a buoyant final chorus. Polished modern mix, warm low end, punchy drums, lively room ambience, tasteful vocal doubles on the hook.

Chacun son poignet
French dance-jazz with a playful luxury-lounge feel: four-on-the-floor house kick, syncopated jazz piano chords, walking electric bass, crisp disco hi-hats, muted trumpet fills, bright brass accents, and polished club production. Lead vocal is charismatic French spoken-sung delivery, cheeky and rhythmic in the verses, opening into a catchy melodic chorus. Build from a sparse piano-and-bass intro into full drums and brass, add a short instrumental piano/trumpet break, then return to a bigger final chorus with tasteful vocal ad-libs. Clean modern mix, warm low end, punchy transients, elegant but humorous.

Les Goûts et les Couleurs
Upbeat French jazz-dance number with a playful cabaret swing groove, walking double bass, brushed drums switching to crisp ride cymbal, bright piano comping, muted trumpet answers, occasional saxophone fills, and a charming male French vocal delivered with conversational rhythmic phrasing. Build from a light piano-and-bass intro into a buoyant verse, punchy horn-backed chorus, brief instrumental jazz break, then a witty final refrain. Warm vintage live-room mix, clear vocal upfront, tasteful brass stabs, lively but polished tempo.

Tu portes quoi ?
French dance-jazz club track at 124 BPM, playful and stylish, four-on-the-floor kick with crisp disco percussion, funky electric bass, bright Rhodes piano, muted brass stabs, jazzy saxophone fills, and polished modern house production. Spoken-sung male vocal with conversational French phrasing, comic timing, clear diction, and a catchy melodic chorus. Build from a sparse verse into a wide piano-led chorus, add a short sax break, then return to the hook. Keep the mix clean, punchy, elegant, and slightly cheeky.

Место у окна
Soft intimate late-night jazz ballad, slow brushed swing around seventy BPM, warm upright piano voicings, gentle double bass, restrained brushed drums, muted trumpet answering the vocal, subtle guitar comping, small-room café ambience, close-miked smoky female vocal in Russian, delicate phrasing, tasteful pauses, understated arrangement that grows slightly in the final chorus, warm tape saturation and natural room reverb, bittersweet but comforting mix

Smooth Night, Gentle Heart
jazz, easy listening

Midnight Brass Reverie
Jazz, orchestra

Bitchin' With My Own Rules
I’m going to make this VERY simple for ur bird fucking brain to understand You do not just get to be a fucking bitch to me and think shit is gonna slide pls i am quite literally begging u to go find a bitch who will put up with the following -your attitude -insane ass double standards -and ur fucking rude ass mouth while also doing the following things for u willingly mind YOU ◦ Doing your hw for u ◦ Making u AND ur friends free. drinks ◦ Cooking for you AND your friends while still being, piano, minimalist, jazz

Ask Jesus who I am
Hard rock, violin, guitar, electric guitar, keyboard, bass, drums, piano, metal, piano, jazz, electro, future bass, R&B, trance

Bold and Black
Mid-century traditional pop and swing crooner arrangement: brushed jazz drums, walking upright bass, warm piano, muted brass figures, occasional string swells, relaxed medium tempo, theatrical lounge delivery, polished mono-inspired mix with tape warmth and a witty cabaret feel. Keep the humor playful and avoid targeting protected groups.

Issiayaka
soundtrack, soul, jazz

Mot Magique Hublot
Dance-pop with jazz-inflected syncopation and robotic vocal processing, bouncy four-on-the-floor groove, verse stays clipped and minimal with spoke-sung delivery; pre-chorus tightens with filtered synth stabs and handclaps; chorus opens wider with stacked robotic doubles, short gang responses, and a nagging hook on the phrase “mot magique.” Metallic blips, reverse sweeps, and a little horn riff thread the transitions, bright punchy mix with glossy low end and crisp snap.

Głos spod podłogi
Polish underground boom-bap rap, 90 BPM, dusty chopped jazz-soul sample, hard swung drums, deep muted bass, sparse piano stabs, raw cassette saturation, narrow verses opening into a heavier hook, gritty male rap vocal with precise internal rhymes, urgent conversational delivery, occasional doubled hook lines, dark street-level realism without glamorization, tight dry mix with punchy kick and snare

The Phantom's Waltz
Fast 1930s cartoon-jazz big-band instrumental, ragtime stride piano driving the groove, muted trumpet call-and-response, trombone punches, clarinet flourishes, walking upright bass, brushed-to-busy swing drums, banjo accents, vaudeville stop-time breaks, playful villainous chase mood, theatrical dynamic hits, vintage mono-inspired saturation with crisp modern low end, no vocals

Manuel, Manuel
Jazz-house music at 124 BPM with a tight four-on-the-floor kick, elastic electric bass groove, syncopated Rhodes piano chords, bright acoustic piano fills, brushed percussion layered with crisp claps, subtle upright-bass passing notes, playful late-night club energy, and a polished warm mix. Include a charismatic male Italian vocal with a humorous narrative delivery and a few Polish-sounding nonsensical phrases, without relying on literal translation. Build from sparse piano and bass into a full groove, add a short piano-led breakdown, then return with a stronger bass hook and final chorus.

Midnight in Krakow
Jazz-house groove at 124 BPM, playful late-night club energy with subtle Polish folk flavor, warm electric piano chord stabs and improvisational piano fills, walking-to-syncopated electric bass groove, tight four-on-the-floor kick, crisp shuffled hi-hats, brushed percussion, muted brass accents, tasteful vocal chops used as texture only, polished analog mix with rounded low end and spacious but controlled mids, arrangement builds from piano-and-bass intro into a danceable chorus, drops to a bass-led breakdown, then returns with fuller percussion and piano improvisation.

Ми уже не можемо бути щасливими
The song sounds as if it is being sung on stage, and the audience sings along, amplifying the sound of the singer. word the singer utters echoes throughout, jazz

Deal Me Straight
Aggressive dubstep fused with hardcore hip-hop and early swing-era jazz: 140 BPM half-time drops, distorted reese bass, sub-heavy wobble, punchy kick and snare, chopped breakbeats, brass stabs, muted trumpet fills, upright bass touches, stride-piano accents, and smoky club-band flourishes. Female lead vocal with sharp rhythmic rap verses, gritty sung hooks, confident call-and-response backing vocals, dramatic stop-time transitions, and a vintage horn intro that detonates into modern bass drops. Tight punchy mix, saturated low end, crisp vocal upfront, brief tape-colored jazz texture before each drop.

No More Games
Aggressive dubstep fused with hardcore hip-hop and 1920s–1930s Black jazz: swung minor-key horn riffs, muted trumpet and raspy trombone stabs, upright-bass walking figures transformed into sub-bass, chopped jazz piano, dusty room ambience, and a hard half-time drop with distorted growl bass, punchy kick, snare cracks, and syncopated percussion. Confident female rap-sung lead with sharp diction, sly jazz phrasing in the verses, stacked shouted responses in the hook, and a dramatic stop-time breakdown before the final drop. Keep the arrangement dynamic: short vintage-jazz intro, tense verse, brass-led pre-drop lift, massive bass drop, stripped bridge, then a larger final drop. Polished modern low end with controlled distortion and clear vocals.

Midnight Organ Groove
organ, jazz

繋がりたくて、、、
J-R&B / ContemporaryR&B, Neo-soul, Dance-pop, 2000's style, ・Create it with a slow and jazzy feel, ・Range:Low octave, easy for beginners to sing, ・chorus: Do not raise the octave. ・Vocal Style: Soft and gentle, no belting. ・Keep the chorus in the same octave as the verse; do not go an octave higher. ・No octave jumps in the chorus. ・Critical:All above conditions must be strictly followed. ・Avoid any high-pitched singing; keep the tone warm and deep. ・The vocals should stay low throughout the whole track; please do not include any high notes.

Roll
Louisiana blues and rhythm-and-soul with smoky jazz-club swagger, swinging late-1920s and 1930s speakeasy arrangement, walking upright bass, brushed drums that open into a tight shuffle, barrelhouse piano, muted trumpet replies, blues guitar fills, warm Hammond organ, handclaps and restrained gospel harmonies. Feature a charismatic male baritone with gravelly comic timing, conversational phrasing, playful patter, and big soulful held notes. Start sparse and intimate, build through call-and-response verses, lift into a stomping gospel chorus, add a piano-and-trumpet instrumental break, then finish with a raucous stop-time finale. Vintage ribbon-mic color, room ambience, tasteful tape saturation, clear vocal centered over an earthy ensemble.

Takoyaki
indie rock, salsa, grime, vocal harmony, funk, dubstep, orchestral, bossa nova, ballad, country, future bass, electronic, ukulele, industrial, chillout, mariachi, tango, jazz, brass, pop punk

Echoes of a Rabbit's Solace
grime, salsa, indie rock, funk, vocal harmony, chillout, dubstep, electronic, orchestral, bossa nova, country, ballad, future bass, ukulele, industrial, pop punk, jazz, mariachi, tango, brass

Midnight Prairie Echoes
folk rock, funk, baroque, jazz, ballad, country pop, synthwave, acoustic guitar, punk, pop

Midnight Resonance Echoes
house, new wave, ballad, industrial, R&B, tango, orchestral, strings, folk rock, experimental, EDM, cello, mariachi, keyboard, vocal harmony, vocal, afrobeat, classical, lounge, jazz

King of the Paddlewheel
Upbeat early-jazz ragtime with a jaunty two-beat piano stride, syncopated banjo, tuba-style walking bass, snare brushes and crisp brass stabs. Build through short piano fills between vocal lines, add a bright instrumental turnaround after each chorus, and finish with a fast, theatrical ensemble tag. Male lead vocal with a mischievous old-time vaudeville character, clear diction, lively phrasing, and occasional group responses. Warm vintage mono-inspired mix with punchy piano, dry intimate vocal, tight room ambience, and tasteful tape saturation.

مقهى أربعة وعشرون
Lounge jazz with a laid-back swung feel, brushed drums, upright bass walking softly, Rhodes chords, and muted trumpet answers; verse stays intimate and smoky, pre-chorus opens with suspended piano voicings and breathy vocal rise, chorus settles into a warm late-night chant. Close-mic lead with soft doubles, occasional scat ad-libs, tape hiss, glass clinks, and brushed snare swells. Warm, intimate, satin-smooth mix.

是你害的
EmoR&B/Jazz

The Quiet Life
Countryroad, jazz, acoustic guitar

MILLONES EN MI MENTE
Afro-Latin House, Miami nightlife, 124 BPM, D minor. Voz femenina latina sensual y segura con afirmaciones habladas, voz masculina profunda en español, intro Rhodes jazz con vinyl crackle, transición explosiva a Afro House moderno, sub-bass profundo, congas, percusión latina y tribal, vocal chops, tensión cinematográfica y drops enormes. Hook hipnótico: “Mi mente vale millones”. Beat-stop dramático: “Pero mi alma no tiene precio”. Final eufórico, sofisticado, espiritual, sexy, bailable, DJ-friendly, sonido premium de club internacional.

MILLION MI MINTH
Spiritual Afro-Latin House, Miami nightlife, 124 BPM, D minor, hypnotic female spoken affirmations, charismatic Spanish male whispers, warm jazz Rhodes intro with vinyl texture transforming into huge modern Afro House drums, deep sub bass, Latin percussion, congas, tribal groove, sensual bilingual vocals, cinematic risers, crowd-response hooks, sophisticated luxury-club atmosphere, emotional synths, memorable drop built around “My mind is worth millions, ” final beat-stop on “My soul has no price, ” then explosive euphoric Afro-Latin drop. Modern, sexy, spiritual, confident, original, DJ-friendly extended mix.

Swing from the Chandelier
Upbeat vintage swing-jazz dance number with a brisk four-on-the-floor groove, walking upright bass, brushed-to-driving drums, piano comping, bright brass stabs, clarinet fills, and playful call-and-response vocals. Start with a compact instrumental pickup, build through verse and chorus, add a short horn-led bridge, then return to a bigger final chorus. Warm mono-inspired room sound, crisp rhythmic articulation, joyful theatrical delivery.

Swing from the Chandelier
Playful vintage swing-jazz with a brisk walking-bass groove, clipped rhythm guitar, brushed drums, bright piano comping, muted brass accents, and a theatrical call-and-response arrangement. Warm mono-inspired mix with tape saturation, punchy vocal presence, and a cheeky cabaret feel.

是你害的
Emotional R&B + Jazz/Alternative R&B + acoustic + Soulful Pop

Barbara Ma Doudou
French jazz-pop ballad with warm guitar and supple bass, slow swaying groove; verse stays intimate and conversational, pre-chorus opens with longer held notes and harmonic lift, chorus lands on a short chantable refrain with soft gang doubles; bridge drops to sparse guitar and breathy ad-libs before the final chorus blooms. Deep warm male vocals, close-mic and intense, with gentle delay throws on key words, brushed cymbal swells, and a glossy intimate mix, jazz

Midnight Echoes in Jazz
D major, jazz auto, trip hop, ballad

是你害的
Emotional R&B + Jazz/Alternative R&B + Lo-fi+ Soulful Pop

Arrival Gate
Hip hop jazz with swung drums, brushed snare accents, upright bass pulses, and muted Rhodes chords; verse rides sparse bass, ride cymbal, and talk-sung phrasing, pre-chorus opens with walking bass and stacked close harmonies, chorus lands on a silky horn hit and repeated hook. Vocal is intimate and conversational with double-tracked key lines, soft ad-libs, and delay throws on the anchor phrase. Ear candy: airport PA blur, reversed cymbal swells into the chorus, a trumpet stab between hooks. Mix is warm, smoky, and close-mic with crisp top-end sparkle., jazz, hip hop

Murales de la Llama Oculta
style: iIndie, punks, rap, rock sobre graffitis que cuentan historias en las paredes de la ciudad female /vocal, Amy winehouse, singer with his eccentric jazzista voice

Firmes por la Plata
salsa, grunge, soundtrack, easy listening, jazz

Sombras de Amor Eterno
Style: punk, rock, jazz, in an alive concert, Female /voice, Trinterpretation very soft, one guitars y un piano, Voice singer Amly winehouse, con su voz grave, ronca. Bajo, sucia,

Nuit de l'Accord
Instrumental rap 2026 moderne, mélange jazz-rock. Intro au piano, puis beat hip-hop, trompette et violon. Refrain avec grosse guitare électrique et trompette. Ambiance nocturne, stylée et cinématographique. Fin uniquement au violon.

Bordeaux Midnight Groove
Warm summer-night atmosphere, classic West Coast hip-hop inspired by the late 1980s and early 1990s. 88 BPM, old-school boom-bap groove with a laid-back, rolling rhythm, deep bass, dusty drums, subtle funk and soulful jazz textures. The track must feel sun-soaked, hot, relaxed, urban and cinematic, like cruising through Bordeaux on a very warm summer night. Medium baritone male rap voice, confident, smooth, slightly raspy, intimate and natural. Strictly spoken/rapped delivery, NEVER sung, no melodic vocal lines, no female voices, no female backing vocals, no harmonies. Keep the flow lyrical, rhythmic and sophisticated, with complex rhymes and tight phrasing. Vintage analog character, warm saturation, understated production, plenty of groove and space. The overall feeling is sensual, poetic, nocturnal, cool and effortlessly nostalgic.

Estas en mi
Love song jazzy smooth Guitar saxophone

Odd-Time Afterglow
70s classic progressive jazz rock with jagged 7/8 and 5/4 grooves, Fender Rhodes riffing against twangy lead guitar; verse sections stay lean with bass and brushed kit, then long instrumental breaks bloom into modular solos, sudden stops, and unison band hits. Roomy live-tracking vibe, warm tape saturation, punchy mids, and swirling phaser accents with cymbal washes and Mellotron-style swells., rock, classic, jazz

Velvet Moons
jazz, classic

لقاء على السكة
Jazz ballad with swung brushed drums, upright bass walking softly, muted piano chords, and a slow clarinet line that answers the vocal; verse stays intimate with sparse trio texture, pre-chorus opens with rising piano turns and breathy harmony, chorus blooms with warm backing vowels and short horn swells; close-mic male vocals, intimate and velvety mix with tape warmth, reversed cymbal kisses into each lift, subtle room reverb

صدفة القطار
Jazz ballad with brushed drums, upright bass walking softly, smoky piano voicings, muted trumpet replies, and a gentle swung rhythm; verse stays intimate and close-mic, pre-chorus lifts with spare cymbal swells and bass climbs, chorus opens with warm harmony stacks and soft trumpet lines; a brief bridge strips to piano and voice, then final chorus returns with fuller brushes, double-tracked vocal turns, and a golden late-night mix that feels warm, roomy, and romantic.

Mut zur Meinung
Create an original conscious hip-hop and neo-soul masterpiece blending golden-age boom-bap, live jazz musicianship, soulful vocals, and global musical influences. Tempo around 86 BPM. Lead Vocals: A thoughtful, charismatic male rapper with intelligent storytelling and effortless flow. A warm, soulful female vocalist delivering an emotional, memorable chorus with subtle gospel and jazz influences. Create completely original vocal identities. Mood: Soulful Intelligent Hopeful Urban Warm Reflective International Timeless Theme: Music as a universal language that connects people across cultures, generations, and backgrounds. Celebrate diversity, respect, dialogue, creativity, and the power of art to unite rather than divide. The song should feel optimistic without becoming naïve. Instrumentation: * Boom-bap drums * Upright bass * Fender Rhodes * Jazz piano * Nylon-string guitar * Live percussion * Warm analog synthesizer pads * String quartet * Flugelhorn * Tenor saxophone * Soulful b

Gtd
Dark jazz, rip rop

Imprescindible
R&B jazzy love song

AH1
Flute, jazz, xylophone, veena, mrudangam indian style of melody

Seta e Vetro
Jazz-R&B midtempo with swung drums, brushed snare, walking bass, Rhodes chords and smoky sax accents; verse glides close-mic and intimate, pre-chorus opens with stacked harmonies and filtered pads, chorus lands with lush backing vocals and a syncopated bass hook, bridge drops to piano and breathy ad-libs before a final chorus with fuller brass swells, warm analog mix with intimate satin sheen, r&b, jazz

Danse Sous Les Néons
Swing manouche with fast brushed acoustic rhythm, walking upright bass, sharp gypsy-jazz guitar runs, and light accordion stabs; verse rides clipped storytelling with intimate male vocal doubles, pre-chorus strips to guitar and bass, chorus opens with claps, scatted backing hooks, and sparkling lead fills. Rising pick slides and reversed cymbal swells between sections; warm, lively, front-of-room mix, bright and woody., swing
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