Lagu yang dibuat dengan Voices AI menghadirkan teknologi suara ke dalam musik - mulai dari cover hingga trek asli. Saksikan bagaimana kreator dan komunitas kami menggunakan suara AI untuk menjelajahi suara dan ide baru.
Where My Dragon Heart Belongs
Epic romantic Viking trap rock love anthem, under 3 minutes, sung by Cecilia to her beloved wife Rune. Powerful, youthful feminine lead vocals with a rich, emotional, slightly husky tone. Begin with whispered words, haunting Nordic female harmonies, soft piano, and distant thunder. Build into thunderous Viking war drums, crushing 808 sub-bass, aggressive distorted electric guitars, cinematic orchestral strings, and hard-hitting trap percussion. Verses should feel intimate, vulnerable, and deeply romantic. Pre-chorus builds with rising drums and soaring harmonies. Explosive choruses feature passionate, powerful female vocals belting Rune's name with overwhelming love and devotion. Include a breathtaking melodic guitar solo, ethereal Nordic chanting, and a tender Japanese vocal bridge. Final chorus erupts with massive bass drops, layered female harmonies, and triumphant guitars. End with a whispered declaration of eternal love. Cinematic, emotional, powerful, beautiful. 105 BPM.
D.w.g. music
Rock. Grunge
Take on me
años 80, soft rock, synth-pop, choral, vocal, dance-pop
Уходи
rock, country pop, bass
The Breath Inside the Stone
Cinematic orchestral rock with classical symphonic foundations and new-wave electronic textures. Begin with ominous low strings and an irregular, eccentric percussion pulse; build into heavy brass and agile woodwind counterlines, distorted electric guitar accents, and a stark analog synth motif. Gothic mixed choir appears in broad wordless swells around the chorus. Use dramatic dynamics, sharply contrasting sections, precise ensemble playing, and a wide, polished film-score mix with weighty low brass and crisp percussion.
The Last Train To You
British Early 1980s Guitar-Driven Pop Rock, Energetic and Infectiously Catchy, 138 BPM, Bright Crunchy Electric Rhythm Guitars, Punchy Overdriven Lead Guitar Riffs, Melodic organ Hooks, Warm Electric Bass with a Driving Bouncy Groove and ethereal strings, Tight Acoustic Drum Kit, Snappy Snare, Crisp Hi-Hats, Lively Cymbal Fills, Subtle Hammond Organ and Vintage Electric Piano. Youthful British Male Lead Vocal, Slightly Raspy, Warm, Confident and Playfully Urgent, Natural Phrasing, Expressive but Not Theatrical. Catchy Repetitive Chorus with Tight Male Backing Harmonies and Call-and-Response Phrases. Short Instrumental Breaks, Guitar Fills Between Vocal Lines, Strong Rhythmic Momentum. Warm Analogue Studio Production, Punchy and Slightly Raw, Authentic 1980–1982 Rock Sound, Melodic, Optimistic, Restless and Danceable. No Modern Pop Processing, No Heavy Metal Guitars, No Excessive Reverb.
The Last Train To You
Early 1980s Guitar-Driven Pop Rock, Energetic and Infectiously Catchy, 138 BPM, Bright Crunchy Electric Rhythm Guitars, Punchy Overdriven Lead Guitar Riffs, Melodic Guitar Hooks, Warm Electric Bass with a Driving Bouncy Groove, Tight Acoustic Drum Kit, Snappy Snare, Crisp Hi-Hats, Lively Cymbal Fills, Subtle Hammond Organ and Vintage Electric Piano. Youthful British Male Lead Vocal, Slightly Raspy, Warm, Confident and Playfully Urgent, Natural Phrasing, Expressive but Not Theatrical. Catchy Repetitive Chorus with Tight Male Backing Harmonies and Call-and-Response Phrases. Short Instrumental Breaks, Guitar Fills Between Vocal Lines, Strong Rhythmic Momentum. Warm Analogue Studio Production, Punchy and Slightly Raw, Authentic 1980–1982 Rock Sound, Melodic, Optimistic, Restless and Danceable. No Modern Pop Processing, No Heavy Metal Guitars, No Excessive Reverb.
Sechs Etagen
German alternative political hip-hop / dark trip-hop / cinematic soul crossover, 100 BPM, minor key. Raw raspy male rap, natural subtle Austrian accent, precise consonants, tight internal rhythm, short double-time bursts. Deliver acronyms and institution names as sharp rhythmic punches. Powerful female alto chorus with an instantly repeatable melody; defiant, aching, chest voice growing into a fierce belt. Start with intimate spoken words, two sung hook lines, then slam into heavy broken drums and deep sub-bass. Bowed double bass, low bass clarinet, tense cello pulses, sparse felt piano, distorted dulcimer accents and granular synth swells. Wide female harmonies in choruses; male responses only in the finale. Escalate each verse; hard cuts and sudden intimate silence. Piano-only vulnerable bridge, then explosive final chorus. End with dry unaccompanied speech. No rock guitars, dance drop, crowd, applause or real speech samples. About 4:30.
Call Me in Synthwave
Trance with hip-hop verse rhythm and gated-reverb snare; piano-and-violin intro, tight spoken low-register female verses over piano and bass, violin rising into hard-rock chorus guitars, synth and trance drums driving the finale.
awerysopelea - bist eh still
Austrian alternative political hip-hop / dark trip-hop crossover, 98 BPM. Original crooked Viennese waltz intro on detuned piano and bowed strings, abruptly cut into heavy 4/4 breakbeats. Raw raspy male rap with natural Austrian accent, dry sarcasm, precise diction, intricate internal rhymes, occasional double-time. Powerful female alto hook with a memorable repeated melody; male whispered responses. Menacing, nocturnal political-thriller atmosphere. Chopped zither motif, low bass clarinet, gritty sub-bass, tense cello pulses, metallic percussion, tape warble. Early chorus, hard drums, sudden empty spaces; no long slow build. Escalate urgency across three verses. Drop to breath and one piano note for the bridge, then a huge final hook with layered female vocals and full bass. Finish with dry male speech and a door latch. No rock guitars, dance drop, applause, crowd, or real speech samples. Keep every name intelligible. About four minutes.
Written by D.W.G dirty white girl
rock, soft rock, grunge
awerysopelea - ist es das?
German alternative hip-hop, 94 BPM, minor key. Raw, slightly raspy male rap, clear diction, subtle Austrian inflection, conversational verses with tight internal rhymes and brief double-time bursts. Powerful female sung chorus: aching, defiant, memorable, no dialect. Open with dry male spoken words over felt piano, then a brief female hook. Full drums and bass arrive in verse one; first full chorus hits early. Dusty punchy drums, deep sub-bass, recurring three-note piano motif, tense cello ostinato, metallic percussion and restrained granular synth swells. Wide, explosive choruses with layered female harmonies; keep the hook simple and repeat its melody. Verse two grows angrier. Abrupt silence before a vulnerable spoken bridge, then the biggest final chorus. Intimate piano and unaccompanied male outro. Human breath, audible strain, no polished cheerfulness. No rock guitars, EDM drop, crowd or applause. Clear vocal separation, about 4 minutes.
INMATE BUTLER'S BABY BLUES
Explicit Southern Rock / Comedy Country Style: Loud, sarcastic, foul-mouthed, with a deep male Southern voice
city plan2
Japanese political protest punk rock anthem with alternative rock influences. Powerful male and female twin lead vocals, alternating verses and explosive harmonized choruses. Raw distorted electric guitars, driving bass, energetic live punk drums, dynamic guitar riffs and a massive sing-along chorus. The atmosphere is rebellious, passionate, defiant yet hopeful. Express resistance against authoritarian power, corruption, oppression and social injustice. Celebrate freedom, democracy, peace, human dignity and solidarity among ordinary people. Start with a tense, edgy guitar riff, gradually build intensity through the verses, then explode into a powerful anthemic chorus where male and female vocals sing together like a united crowd. Add gang vocals and chant-like backing vocals in the final chorus. Energetic tempo around 155 BPM, raw live-band sound, emotional intensity, memorable melody, strong rhythmic drive, rebellious spirit and uplifting ending. The song should feel like a street
Until The Stars Fall
Epic romantic Viking trap rock anthem, 145 BPM, under 3 minutes. Beautiful, powerful female lead vocalist with emotional intimate whispers, rich lower-register verses, soaring passionate choruses, and occasional raspy rock belts. Thunderous Nordic war drums, massive sub-heavy 808 trap bass, punchy kick drums, distorted electric guitars, cinematic orchestral strings, deep Viking choir chants and atmospheric thunder. Begin with haunting whisper and distant tribal drums. Build into enormous bass-drop choruses with explosive guitars and layered female harmonies. Verse two has dark pulsing trap rhythms. Dramatic stripped-back piano bridge with delicate trembling vocals and a soft Japanese line. Finish with a colossal final chorus, double-kick drums, epic guitar riffs, huge choir harmonies and an intimate whispered marriage proposal. Romantic, devoted, powerful, emotional, cinematic. No screaming or harsh growls.
Puppets - Open your eyes - Voices - V1
Heavy rock grunge metal, Nu Metal, gothic synthesizer
시대유감 II (기울어진 저울)
industrial metal, nu-metal, heavy distorted guitar riffs, aggressive rap rock, screaming vocal, mechanical drum beat, raw, dark, 90s crossover
시대유감 II (기울어진 저울)
90s alternative rock, rap rock, grunge, heavy guitar riff, aggressive bass, cynical male vocal, fast tempo, rebellious mood
Jeti-Oguz
Peaceful cinematic instrumental music for a 2-minute 30-second Kyrgyzstan travel documentary. 78 BPM, warm, beautiful, relaxing and emotional. Soft piano, acoustic guitar, gentle flute, warm orchestral strings and subtle Central Asian traditional instruments. Begin with a bright, friendly melody for Bishkek city, parks and joyful encounters with local students. Gradually introduce majestic but gentle orchestral sounds for Ala-Archa mountains. Create a dreamy, peaceful atmosphere for the blue Issyk-Kul Lake. Build a warm, breathtaking cinematic feeling for the red rocks of Jeti-Oguz and mountains covered in clouds. End with tender piano and strings, expressing an elderly traveler's gratitude, wonder and quiet reflection. Smooth transitions, natural acoustic sound, spacious arrangement, suitable for voice narration. Instrumental only. No singing, lyrics, humming, choir, spoken words, EDM or heavy drums. Gentle fade out.
L’Île de Lumière
Zouk, dansing zouk, swinging rhythm, swaying hips, authentic Caribbean Kassav style, deep raspy rock-infused male lead vocals, Barry White baritone soul, roots reggae vocal grit, rich tropical groove, warm analog warmth
awerysopelea - Noch nicht zurück
German alternative hip-hop meets indie-pop and nocturnal electronica, 96 BPM. Begin immediately with the first four lines of the female hook, then punch into close male rap. Slight Austrian inflection, witty conversational delivery, precise diction and internal rhymes; attitude without comedy vocals. Tight syncopated breakbeats, weighty kick, warm sub-bass, Rhodes chords and a bright repeating hammered-dulcimer motif. Airy guitar textures and wide analogue synths add wonder, never rock. Female choruses are big, melodic, raw and instantly memorable: repeat the same simple melody on "Noch nicht, noch nicht"; rise into "zurück" with open sustained notes. The mood is exhilarated, wistful and playfully defiant, not bleak. Verses keep moving; briefly strip the bridge to Rhodes and voice. Final chorus returns with full drums and close harmonies. Dry spoken male punchline after a hard stop. Clean studio mix. No EDM drop, chiptune, game sound effects or crowd.
awerysopelea - Das gehört euch nicht
Dark Austrian political alternative hip-hop / cinematic electronic soul, 96 BPM, minor key. Low-mid male rap with chesty rasp, gravelly grit, cracked emotional peaks, clear consonants and a slight Austrian accent. Dry, biting verses; rhythmically tight, accelerating into double-time in verse two. Powerful female melodic chorus, urgent and raw, with a simple recurring hook; male doubles the title. Two bars of felt piano and bowed cello, then an early full-impact hook. Heavy syncopated breakbeat, dry snare, deep distorted sub-bass, staccato cello and cold analog synth pulses. Choruses open wide with bigger drums and layered female harmonies. Abrupt stop before the bridge: intimate male voice over sparse piano, tension rising into an explosive final chorus. End on one dry spoken male line. Serious, defiant studio performance, no comic delivery, folk brass, rock guitars, festival drops or crowd noise.
One Eye on the Room
Disturbed-style modern hard rock and alternative metal, mid-tempo chugging guitar riff, tight punchy live drums, dark minor-key tension, gritty male baritone with controlled verses and forceful melodic chorus, dynamic shifts from clipped restrained verses into broad heavy choruses, polished muscular production with clear vocal presence and compact low end.
Set the Burden Down
Disturbed-inspired country rock, tense minor-key verses with a steady, restrained pulse, gritty male vocal, acoustic guitar and low electric guitar, firm live drums, choruses opening into broad distorted guitars and a blunt memorable hook, dynamic but grounded arrangement, dry intimate verses and a punchy modern mix
Caution Still Walks You Home
Dark country, brooding roots-rock with a restrained 6/8 pulse, dry acoustic guitar and low bowed bass under clipped electric-guitar tremolo; verses stay sparse and close, choruses widen with snare, baritone guitar and a low harmony, then strip back for a weary final line. Gritty, intimate male baritone, conversational phrasing with a controlled edge; earthy, slightly rough mix, narrow verses and a broad but grounded chorus.
Set the Bur Down
Disturbed-influenced country rock, tense minor-key verses with clipped acoustic guitar and low, gritty male vocals; widen into heavy palm-muted electric guitars, pounding live drums, and a forceful melodic chorus. Keep the groove deliberate and weighty, with restrained verses, a rising pre-chorus, and a big cathartic final chorus; rugged, tightly controlled modern production with country twang in the guitars.
Set the Watch Down
Punk rock, alternative rock, pop punk; brisk driving eighth-note guitars, tight live drums with punchy snare and busy fills, melodic bass pushing the verses. Start with a short guitar pickup, keep the verses clipped and urgent, open into a big melodic shout-along chorus, then hit a half-time bridge before a final double chorus. Gritty but tuneful male lead vocal, gang backing vocals on the hook, raw-edged guitars with a clear modern mix.
Set the Burden Down
Punk rock, alternative rock, pop punk; fast straight-ahead eighth-note drive, crunchy power-chord guitars and punchy live drums. Start with a clipped guitar riff, build tight verses with gritty, direct male vocals, then open into a melodic shout-along chorus with thicker guitars and backing harmonies. Add a brief half-time bridge that feels worn down before a full-band final chorus. Raw-edged but clear modern band mix, energetic and human.
Chapters
1971 Experimental psychedelic rock
No te puedo olvidar Erika 4
Pop, R&B, Orchestral, Rock, Acoustic, Jazz
No te puedo olvidar Erika 3
violin, pop, piano, saxophone, romantic, medium speed, sad, hard rock
Look within
indie rock, synth-pop, keyboard, jung kook, suga
awerysopelea - GANZE STÄDTE II
Melodic alternative rock hiphop with a post-hardcore edge, around 160 BPM. Live drums with a hard snare and urgent toms, picked electric bass, tight distorted guitar riffs opening into huge ringing chorus chords. Two dry spoken opening lines, then the full band hits. Male lead with youthful energy, a slightly raspy tone, clear German diction and emotionally exposed melodic singing. Rhythmic half-time verse phrasing gives the story room. First verses feel proud and playful. Give "Ganze Städte waren wach" a bold, memorable rising melody; "Bleib noch, eine geht noch" gets close vocal doubles like friends singing together. Drop almost to silence at "Nick, ich vermiss dich". Rebuild through the present-day verse; explosive final chorus with layered harmonies. Final "Ich wär da" alone and close. Hooks forward, strong riffs, abrupt dynamic changes. No growls, crowd noise, dreamy pads or EDM drops.
Le Cœur Comme Armure
Version française originale — Duo homme / femme — Pop-rock symphonique et fanfare militaire Une composition pensée comme un grand hommage à la fraternité, au courage et à la mémoire, dans une atmosphère proche des grandes cérémonies musicales des Royal Marines : trompette solennelle, orchestre symphonique, guitare électrique expressive, batterie pop-rock et deux voix qui se rejoignent dans un final majestueux.
Stone Bridge Hand
Rock, metal
A wolf in heaven
Southern Gothic, alternative rock, male, folklore, sadcore, emotionally heartfelt, folk rock, country, pop, slow beat, EDM, dreamy synth-pop, future bass, alt/folk rock, male, folklore, sadcore, heartfelt, country pop, slow EDM, dreamy synth-pop, future bass
NOVAS AVENTURAS
ESTILO Pop-Rock... NÃO É PARA CORTAR NENHUMA PARTE DA LETRA.
Wolf of holy determination
Southern Gothic, alternative rock, male, folklore, sadcore, emotionally heartfelt, folk rock, country, pop, slow beat, EDM, dreamy synth-pop, future bass
Stranger's Crown
Dark cinematic Greek mythology fantasy song, brooding orchestral alt-rock with low cello ostinato, hammered dulcimer accents, distant frame drums, and restrained distorted guitars. Begin intimate with a close, vulnerable male vocal over sparse strings; build through tense verses into a wide, forceful chorus with layered backing voices, then strip back for a haunted bridge before a heavy final chorus and unresolved ending. Modern film-score production, dramatic dynamics, clear lyric-forward mix.
Turn It Up 2
Pop rock, arena rock, electropop, alternative rock, power pop, anthem rock, bass, trap,
Turn It Up
Pop rock, arena rock, electropop, alternative rock, power pop, anthem rock
Watch Me
Anthemic rock, electronic rock, industrial rock, alternative rock, arena rock, aggressive vocals, powerful chorus, cinematic, high-energy, anthemic, dramatic build-up, electronic percussion, distorted synths, punchy drums, layered vocals
Komm nicht mit Film
Rauer Berliner Straßenrap, düsterer Trap-Groove mit schweren 808-Kicks, trockener Snare, knappen Hi-Hat-Rolls und minimalem, bedrohlichem Synth-Bass. Selbstbewusster männlicher Rap mit deutlicher deutscher Aussprache, kantigem Flow und kurzen Ad-libs. Aufbau: sofortiger Hook-Einstieg, kompakte Verse, Hook mit wiederholbarer Catchphrase, kurzer Beat-Aussetzer vor dem letzten Hook. Naher, druckvoller Vocal-Mix, tiefer Bass, klare Transienten, für kurze Social-Video-Clips hookzentriert arrangiert.
Trinkst du schon Tee?
german reggae pop song relaxed offbeat guitar Reggae, Ska, Rock, Pop Rock warm rounded bass light live drums and hand percussion sunny playful groove catchy melodic chorus conversational male lead singing with clear german diction intimate verses opening into a friendly singalong refrain polished but easygoing band production
Trinkst du schon Tee?
German stoner comedy song, laid-back psychedelic pop-rock, warm fuzzy electric guitar chords, rounded bass, relaxed live drums with a gently swinging groove, playful melodic male singing, catchy group-backed chorus, clear conversational German phrasing, intimate verses opening into a rowdy singalong refrain, warm slightly hazy vintage production
Unsre Runde
german melodic reggae pop song relaxed offbeat guitar Reggae, Ska, Rock, Pop Rock warm round bass light live drum groove with rim clicks and shakers subtle organ bubbles sunny playful laid back mood fully sung melodic vocals with an easy communal chorus clear german diction organic band feel polished but unforced mix verses stay light and conversational chorus opens into a catchy singalong brief instrumental turnaround warm resolved ending
NOVAS AVENTURAS
ESTILO POP-ROCK
Niemand
soft rock Kinder Chor singt den Refrain, Bridge singt ein einzelnes Kind oturo singt der Kinder Chor
Niemand
soft rock mit Kinder Chor
Niemand
soft rock
J'ai le seum
French pop-rock, male lead vocal, punchy live drums with a tight kick and snare, driving electric bass, bright distorted rhythm guitars, melodic electric guitar fills, tense verses opening into a wide anthemic chorus, energetic phrasing with a slightly raspy edge, polished modern band mix
Semper Fi
A song about the united States. marine corps., soft rock, soundtrack electric guitar
If I Were President
Upbeat theatrical pop-rock with a brisk, marching backbeat, bright piano chords, punchy live drums, handclaps, and brass accents that answer the vocal. Open with piano and a close, conversational lead; bring in the full band for the chorus, pull back for a wry second verse, then build to a broad final chorus with group harmonies. Clear, charismatic lead vocal, crisp modern mix, playful and optimistic.
己が身を信じろ
Modern Japanese action-anime opening, high-energy melodic power rock with sleek electronic production, driving double-time drums, punchy distorted guitars, bright synth arpeggios, orchestral brass and string accents that widen the chorus. Urgent male lead vocal with crisp Japanese phrasing, rising melodic hooks, chant-like repeated refrain, tight verse-to-pre-chorus lift, explosive grand chorus, brief instrumental break, final chorus with stacked backing vocals. Polished contemporary AMV mix, bold, kinetic, triumphant.
Compre Day
Satirical office funk-rock with clipped syncopated guitar, rubbery bass and dry live drums; conversational lead vocal delivers workplace-policy absurdity with crisp diction, while group responses punctuate the hook. Verses stay lean and deadpan, choruses widen with brass stabs and gang vocals, then a brief stop-start breakdown leads into a final doubled chorus. Tight, punchy mix with room for every lyric.
Fermium, One Hundred
Cinematic science-rock with a tense, measured pulse; low bowed strings and muted toms establish a deep-sea sense of scale, then gritty electric guitar and brass-like synth accents build into a forceful chorus. Close, dramatic male lead vocal with clear diction; verses stay restrained, chorus opens wide, ending with a sudden controlled cutoff. Polished soundtrack mix, weighty low end, crisp percussion.
Fermium, One Hundred
theatrical hard rock with a sly, suspenseful shark-movie pulse: clipped low-string ostinato, prowling bass, tight toms and snare, sudden brass-like guitar stabs, rising strings, dramatic stop-start hits; warm male vocal, close and conversational in the verses, then forceful and anthemic in the chorus; punchy live-band mix, tense dynamics, short instrumental suspense break before the final chorus
Snow
Piano, Rock Ballade, langsam aufbauren im Stile von Beth Heart
The Other Side of Midnight
Driving British indie dance-rock with psychedelic funk, nu-rave energy and a darker nocturnal edge. Deep elastic bass grooves, sharp staccato guitars, gritty analog synth riffs, tight disco-influenced drums and offbeat percussion. Charismatic male indie vocals with witty rhythmic delivery, occasional falsetto and stacked harmonies. Tense, mysterious verses burst into bright, addictive choruses. Unexpected breaks, swirling synth textures, infectious hooks and a restless nighttime atmosphere. 128 BPM.
Out of Ordinary
High-energy British indie dance-rock with nu-rave synths, psychedelic funk and angular alt-rock guitars. Rubber-band bass grooves, clipped disco guitar, bright arpeggiated synths, punchy live drums and restless syncopation. Expressive, slightly raw male vocals shift from quick conversational verses to soaring falsetto harmonies. Playful, off-kilter hooks, sudden dropouts, explosive singalong choruses and an irresistible dance pulse. Colorful, bold, euphoric, human and imperfect. 132 BPM.
Glut im Regen
Blues-rock power ballad with slow 6/8 sway, heavy toms and gritty electric guitar swells; verse stays sparse and tense, pre-chorus opens with rising drums and stacked harmonies, chorus hits wide with big sustained chords and raw lead vocal doubles. Add instrumental-only pauses between lines with drum hit tails, filtered room noise, reverse cymbal lifts, and a dry intimate mix that blooms into a wide, punchy chorus.
Beth thank all
„Thankful“, Beth Hart soulige Blues‑Rock/Ballade. kraftvolle, rau‑emotionale Vocals, ein dominantes Piano/Orgel‑Arrangement, warme Blues‑Harmonien, zurückhaltende Rhythmus‑Begleitung und eine gospel‑/soul‑durchzogene Intensität im Vortrag — kraftvolle Singer‑Songwriter‑Performance mit starkem emotionalem Ausdruck.
Beth Du spürst...
„Thankful“, Beth Hart soulige Blues‑Rock/Ballade. kraftvolle, rau‑emotionale Vocals, ein dominantes Piano/Orgel‑Arrangement, warme Blues‑Harmonien, zurückhaltende Rhythmus‑Begleitung und eine gospel‑/soul‑durchzogene Intensität im Vortrag — kraftvolle Singer‑Songwriter‑Performance mit starkem emotionalem Ausdruck.
hyphoprelexe
trockener Downtempo hip hop Groove
都会のゲームセンター
Japanese alternative rock with a darkly stylish, waltz-like triple-meter groove; driving bass pulses in three, punchy live drums, gritty electric guitar chords, sharp piano accents, and a memorable rising chorus. Confident male lead vocal with crisp Japanese diction, restrained verses opening into a bold anthemic hook. Tight modern studio mix, dramatic dynamic lifts, dry upfront vocal, polished but slightly raw band energy.
ティッシュ五百円
Japanese alternative rock waltz in triple meter, 3/4 groove with a deliberate marching pulse; gritty electric guitar, melodic bass, tight live drums, and a restrained piano doubling the chord changes. Verses stay clipped and dry with a cool, sardonic male vocal; choruses open into a broad, anthemic melody with layered backing vocals. Build from a lean first verse to a heavier final chorus, then end on a firm band hit. Punchy, polished rock mix with clear vocal presence.
景品の値札
Up-tempo Japanese hard rock, driving straight-ahead eighth-note groove, muscular distorted electric guitar riffs, punchy live drums, melodic electric bass, bright piano accents, dramatic guitar fills between vocal phrases. Strong expressive male lead vocal with crisp Japanese diction, conversational verses building into a soaring anthemic chorus. Tight modern rock production, wide guitars, energetic dynamics, polished but gritty band sound.
犯罪組織?
Up-tempo Japanese hard rock, driving straight eighth-note groove, muscular distorted electric guitar riffs, virtuosic melodic guitar fills, punchy live drums, solid electric bass, bold male lead vocal with gritty edge and dramatic phrasing, big anthemic chorus, tight modern studio mix, dynamic verse-to-chorus lift, energetic arena-rock finish
THERE'S AN EMPTY CHAIR (Studio)
Texas Red Dirt Country Rock with a typicly band, driving Telecaster guitars, warm bass, punchy drums and expressive pedal steel. Texan Male lead vocalist: youthful, bright baritone voice with clear, smooth, powerful singing, natural Southern accent, emotional delivery and melodic choruses. Avoid deep softly baritone, gravelly vocals and growling, warm crowd harmonies, uplifting honky-tonk style. Emotional storytelling and harmonic chorus.
Ambisi Kekuasaan
Indonesian slow rock protest ballad, 73 BPM, minor key. Mature, husky male vocals expressing sorrow, disappointment and restrained anger. Haunting tenor saxophone intro over soft piano and clean electric guitar. Warm bass, subtle organ and steady drums support spacious verses. Soulful sax fills answer the vocals. Build toward powerful choruses with distorted guitars, strong drums and a memorable “Ambisi Kekuasaan” hook. Emotional saxophone and blues-rock guitar trade phrases in the instrumental solo. Quiet piano breakdown before an explosive final chorus. End with lonely saxophone and fading piano. Organic live-band sound, clear Indonesian pronunciation. Preserve original lyrics., saxophone
DespEp
Epic Japanese RPG final boss battle soundtrack, inspired by the dramatic intensity of Final Fantasy. Monumental orchestral symphonic metal with progressive rock influences. Powerful pipe organ, furious violins, aggressive electric guitars, thunderous percussion, explosive brass, fast piano arpeggios and majestic melodies. Tempo: 160–170 BPM. Dark harmonies, complex rhythms, dramatic transitions and overwhelming orchestral climaxes. Feel like the ultimate battle against a godlike enemy: desperation, determination, tragedy and heroic triumph. Unforgettable melodies, virtuosic guitar solos, intense symphonic arrangements and unexpected musical twists. Start immediately with explosive energy. No slow introduction. Strictly instrumental. NO vocals, choir, lyrics or spoken words. Avoid generic Hollywood trailer music, repetitive EDM and childish arcade sounds.
Ambisi Kekuasaan
Indonesian slow rock protest ballad, 72 BPM, minor key. Mature, husky male vocals expressing sorrow, disappointment and restrained anger. Haunting tenor saxophone intro over soft piano and clean electric guitar. Warm bass, subtle organ and steady drums support spacious verses. Soulful sax fills answer the vocals. Build toward powerful choruses with distorted guitars, strong drums and a memorable “Ambisi Kekuasaan” hook. Emotional saxophone and blues-rock guitar trade phrases in the instrumental solo. Quiet piano breakdown before an explosive final chorus. End with lonely saxophone and fading piano. Organic live-band sound, clear Indonesian pronunciation. Preserve original lyrics.
수고했어
Korean emotional pop-rock ballad, steady mid-tempo pulse, intimate piano and muted electric guitar in the verses, warm bass and restrained drums gradually building into wide ringing guitars and a communal anthemic chorus, expressive sincere Korean lead vocal, clear natural diction, close dry verses opening into spacious polished chorus, hopeful final lift and gentle resolved ending
A Rua Canta Por Nós
Antifascist hard rock with a tight funk-rock groove, punchy syncopated bass, dry snare and kick, gritty overdriven guitar riffs, clipped rhythmic guitar stabs, forceful male lead vocal with a gang-choir chorus, dynamic verse-to-anthemic-chorus build, raw live-band energy and clear modern mix
Nossa Rua Não Tem Dono
Portuguese protest rock with a tight funk groove, gritty electric guitar riffs, syncopated bass, punchy live drums, sharp rhythmic accents, urgent expressive lead vocal, gang vocals on the chorus, dynamic verses building into a defiant sing-along refrain, raw modern band mix
Rock&"Miłości Czas"💕
Style: Melodic Rock, Soft Rock, Power Ballad, 75 BPM. Calm and powerful dynamics, emotional romantic crescendo, passionate love theme. Instrumentation: Dual acoustic guitars as primary leads, smooth emotional saxophone layers, subtle melodic electric guitar fills, slow driving steady rock drums. Chorus Instruments: Saxophone joins dual acoustic guitars, driving drum beat. Vocals: Solo Male Vocal, deep rich Rock Baritone shifting into a soaring dramatic tenor with heavy grit and gravelly emotional texture. Soothing low male whisper. Sensual intimate male-female vocals. Passionate male-female vocal harmonies. Soft and clean female unison - lyric Nana nananaj hmm, jejej mm...
Ricketti
guitar, synthwave, rock, cinematic, orchestral, keyboard, deep house
Rock&"Miłości czas"💕
Style: Melodic Rock, Soft Rock, Power Ballad, 75 BPM. Calm and powerful dynamics, emotional romantic crescendo, passionate love theme. Instrumentation: Dual acoustic guitars as primary leads, smooth emotional saxophone layers, subtle melodic electric guitar fills, slow driving steady rock drums. Chorus Instruments: Saxophone joins dual acoustic guitars, driving drum beat. Vocals: Solo Male Vocal, deep rich Rock Baritone shifting into a soaring dramatic tenor with heavy grit and gravelly emotional texture. Soft and clean female unison - lyric Nana nananaj hmm, jejej mm...
Pourquoi rester si tu nous refuses tout ?
Epic French symphonic rock anthem, powerful deep male baritone vocals in French, massive emotional choir, cinematic string orchestra, thunderous war drums, heavy distorted electric guitars, melodic guitar solos, dramatic piano intro, explosive anthemic chorus, heroic brass, 90 BPM, passionate vocal delivery, monumental orchestral finale, modern professional production.
Together then not really together
Dance fast, synthesizer, drum and bass, lo-fi, pop, keyboard, guitar, grime, rock, house
Buat Voiceover & lagu dengan AI
Buat audio dengan lebih dari 300 suara berbeda di perpustakaan kami.
Selamat datang di generasi berikutnya penciptaan musik dengan Perpustakaan Lagu AI kami, tempat kecerdasan buatan inovatif bertemu ekspresi kreatif. Jelajahi koleksi luas lagu AI buatan pengguna dari berbagai genre, suasana, dan bahasa. Dari lanskap suara ambient dan sinematik hingga pop yang ceria dan trek yang dalam serta resonan, teknologi berbasis AI kami menghadirkan musik unik berkualitas tinggi, sempurna untuk proyek apa pun atau hiburan pribadi.
Apakah kamu pembuat konten, pengembang game, podcaster, atau sekadar pecinta musik, perpustakaan lagu berbasis AI kami menawarkan sesuatu untuk semua orang. Setiap trek dibuat dengan teknologi AI canggih, menjamin kualitas suara yang realistis dan nuansa alami, serta opsi yang dapat disesuaikan untuk memenuhi kebutuhan unikmu. Dari musik latar hingga soundtrack inspiratif, temukan keanekaragaman dan kedalaman musik AI di platform kami.
Jelajahi Perpustakaan Lagu AI kami sekarang untuk menemukan musik buatan pengguna, dibuat dengan teknologi AI mutakhir. Temukan soundtrack sempurna untuk kontenmu, tingkatkan proyekmu dengan soundscape inovatif, dan rasakan masa depan penciptaan musik hari ini.