Le canzoni realizzate con Voices AI portano la tecnologia vocale nella musica - da cover a brani originali. Scopri come i creatori e la nostra community usano le voci AI per esplorare nuovi suoni e idee.
Kad Ti Oko Blista
Modern mediterran song, Publikum singt mit, rock style, 80”, 140 bpm, Dance, acordeon, Electro Guitar and mandolin Solos, hit song, no remixed, natural sound, bass
طيف الشاشات
Arabic pop with a buoyant mid-tempo pulse and dabke-tinged percussion; verse rides sparse hand drums and plucked oud phrases, pre-chorus opens with rising clap stacks and a filtered synth lift, chorus hits with big group vocal doubles and a chantable hook. Vocal is intimate and close-mic in verses, wider with stacked harmonies on the hook. Ear candy includes reversed string swells, stamped drum fills, and a bright bell accent into each chorus. Mix is warm, glossy, and punchy.
Amor verdadero
Bachata romantica, trumpet, solo guitar, violin, trombone, güira, tambora, tuba
Hold on
Style Prompt: 72 BPM heavy-stepping militant roots reggae. Booming sub-bassline groove, rock-solid physical acoustic one-drop drum pocket, stark sharp rhythm guitar skanks on the offbeats, sparse classic keyboard bubbles, uncluttered analog 1978s studio tracking with massive raw power.[Style: Peter Tosh: Known as the "Stepping Razor, " voice a deep, militant, and booming baritone. Clear, sharp enunciation with an aggressive, uncompromising delivery.Militant Conscious Roots Baritone] A deep, booming, and completely serious male lead voice with razor-sharp, crystalline enunciation. Delivers lines with immense calm confidence, a slow measured marching cadence, and long spacious pauses between phrases, backed by sweet, high-register trio harmonies on the chorus.
Thyciane
Sertanejo pop balada with gentle acoustic guitar, soft kick and hand percussion; verse rides intimate fingerpicked chords and close-mic lead, pre-chorus opens with rising harmony stacks, chorus blooms with wide doubled vocal lines and light backing ahs, bridge drops to solo voice then returns with fuller drums and a final lift. Warm, glossy, romantic mix with sweet reverb tails, subtle string swells, and a tender radio-ready sheen.
Shadowsteel Oath
Deathcore, remo, ock, metal, ballad, instrumental, hard rock, guitar solo, aggressive, acoustic
Les gens sont bon.
Lis en français, style slam posé. Voix adulte, timbre grave et chaleureux, débit lent et régulier. Marque une vraie respiration après chaque point, une demi-pause après chaque virgule. Garde une intensité contenue, presque parlée, sans effet théâtral. Accentue légèrement les répétitions "On n'a qu'à leur donner". Finis sur un ton apaisé et ouvert pour "les vacances toute l'année".
Suitcase From Sudan
Afrobeats-inspired pop ballad with a mid-tempo sway, hand drums and warm electric guitar in the verses; pre-chorus opens with a rising synth pad and stacked harmonies; chorus lands on a fuller percussion lift with a chantable anchor and airy backing vocals. Lead vocal stays intimate and close-mic, with doubled hooks, emotional delay throws, small reversed swells into each chorus, and a bright but tender, polished mix., sleep, warm
awerysopelea - gute Gene
Humorous upbeat Austropop / German pop song with playful storytelling and warm emotional chorus. Male vocals with charm and slight self-ironic attitude, catchy singalong hook, light acoustic guitar, piano, groovy bass, live drums, cheerful brass accents, subtle crowd claps. Verses spoken-sung with comedic timing, chorus big and emotional like a funny Mother’s Day anthem. Style somewhere between classic German radio pop and modern feel-good Schlager-pop. Warm nostalgic vibe, energetic but heartfelt, audience should laugh and still feel emotional at the chorus.
Marée de Verre
Cold wave / post-punk with brittle drum-machine pulse, angular bassline, and reverb-scraped guitar stabs; verse rides sparse low-end and dry spoken-sung phrasing, pre-chorus tightens with tremolo guitar and rising toms, chorus opens into a grim chant with doubled vocals. Add reversed noise swells, tape flutter between lines, and a clipped synth drone in the transitions. Cold, spacious, and starkly analog with an intimate, haunted mix., experimental, punk
Marée Haute
Deep House with a laid-back midtempo groove, four-on-the-floor kick, resonant sub-bass, sleek synth stabs, and smooth saxophone flourishes; verse keeps it sparse and hypnotic, pre-chorus opens with filtered pads and rising tension, chorus lands warmer with a singable chant and sax answer phrases. Dual male-female vocals with intimate close-mic leads, layered doubles on the hook, airy ad-libs, short delay throws, shimmering risers, and a wide polished mix built for beach club nights., deep house, saxophone, chanson
Anello in Corsa
hip-hop
Тихо Горит Звезда Из Стали
80-84 BPM Стиль: Соул-поп. Пианино, тёплый бас, лёгкие щётки на барабанах. На припеве вступает гитара.
Небесный свет в глушке
Инди-поп / Bedroom pop Мягкий бит, тёплая гитара, немного lo-fi вайба. Вайб: , . Звучит современно и очень искренне. Грусть светлая, не давящая.
Neon Breeze Reggae Vibes
reggae
A tu tiempo
Balada, rap, electro, acoustic
Ja ich will
Dark RnB Night-Vibe, minimalistisch, tief, intim. Männliche Stimme nah am Mikrofon, leicht rau, warm, kontrolliert. Verse halb gesprochen, halb gesungen, mit viel Luft und Raum zwischen den Zeilen. Kaum Vibrato, Fokus auf Ehrlichkeit und Präsenz. Pre-Chorus geflüstert oder sehr soft, fast ASMR-Feeling. Refrain smooth, hypnotisch, keine laute Explosion – eher tiefer Druck, getragen und konstant. Dezente Adlibs (leise, gehaucht) im Hintergrund. Tempo langsam (65–80 BPM), Beat minimal: tiefer Subbass, weiche Kick, sparse Snare, dunkle Pads, leichte Piano- oder Rhodes-Akkorde. Atmosphäre: Nacht, Regen, leere Straßen, Innenwelt. Performance: ruhig, selbstsicher, emotional kontrolliert – weniger Show, mehr Wirkung.
Alma em Teu Altar
O teu amor me basta Jesus, vem me transformar Vem me ensinar a seguir em teus caminhos Porque sozinho eu não consigo, me faz viver o teu amor, me faz morada em teu altar, tudo aquilo que for seu, quero adorar senhor
awerysopelea - dreh dich nicht um
Stil: Minimalistischer Horror, wie ein verstörendes Wiegenlied ohne Trost Tempo: 55–65 BPM Stimme: Zerbrechlich, weiblich oder kindlich, halb geflüstert, nah am Ohr, kaum Vibrato Vortragsart: Mehr gesprochen als gesungen, unruhig, mit Pausen und leicht versetztem Timing Atmosphäre: Leere, klaustrophobische Nachtstimmung. Gefühl, beobachtet zu werden. Intim und unangenehm nah.
البداسه بنص النص
Egyptian pop-rap with mid-tempo swung percussion and a bouncing bassline; verse rides sparse claps and muted synth pulses, pre-chorus strips to hand drums and a rising chant, chorus hits with stacked unison vocals and a sharp lead hook. Ad-lib doubles, short delay throws on punch lines, and a filtered sweep into each hook. Bright, tight, and intimate in the mix.
Five nights at Kirkys 2
electro
Žiarivé Káble Vzduchu
Industrial, elektrická guitar, synth-pop
Abrigo Que Se Va
Soul Blues vos masculina, ronca, fuerte y quebrantada, casi en llanto
at the wheel
male emo voice, southern emo, dark, spooky, cinematic, ambient melancholy, powerful and captivating, bbc orchestra
Dunka Dunka Party På Streamen
2026 sluty phonk, catchy k-pop moans follow all the way, exprimental with EPA subwoof deep bass, subwoofer bass energy surging in the hook. Duo deep male vocals and Female teen whip cream hot vocals, short call-and-response ad-libs, light pitch FX on hooks, and quick risers into every “DUNKA DUNKA” för maximal allsång., sin remix
Bitchy When I Love You
Low-slung moody pop with trap drums and hazy synth pads; intimate female vocals almost whispering in the verses, then sharper and more rhythmic in the hook. Dry, upfront lead with subtle doubled lines on key phrases; chorus thickens with airy harmonies and a detuned pad swell. Minimal bass in verses that blooms into a warm sub in the chorus, keeping the groove slow and addictive.
109 5
male emo voice, cowboy story song, ghost story, cinematic, acoustic guitar, alternative, choir, big drums, downbeat steady tempo, dark acoustic guitar picked, outlaw, spooky, female harmony
نهر الجنون
اغنية مغربية
Estrada Vazia Dentro do Coração
Warm sertanejo acústico, brushed snare and deep bass, close-mic male vocals. First verse stays intimate with nylon guitar and soft accordion pads; chorus swells with stacked thirds and a subtle backing choir. Second verse brings in a gentle slide guitar answering phrases; final chorus lifts with extra ad-libs and a half-step modulation for emotional punch.
Canción de Buenas Noches
Warm acoustic pop ballad with close-mic male vocals, soft nylon guitar, and a gentle shaker groove. Intimate verses sit almost whisper-quiet; chorus widens with subtle pads and stacked harmonies. Light bass swells under the hook, ending on a tender, ringing chord that fades slowly.
Late night text
Folk, childplay handclap beat, (Baby don't cry vibe), moans juvenile remix, preteens-girls duo female young bubbling girls and soft china-english girls, partyfeeling, subwoofer in a car drop the base, late night summer vibe, two young juvenile sing along and chants in "m m m m m m m M", subwoof bas drop remix, giggling bedtime high-pitched "m"
Iron Inferno in D Minor
Make it sound in D minor. It should have a riff and a strong groove. Rhythmic and very heavy. With a pronounced drum pattern. Inspired by bands like Pantera and Sepultura. It should be heavy metal.
Vibras de Renacer
Estilo de apoderamiento y moderno
Late night text
Folk, female young bubbling girl, partyfeeling, subwoofer in a car drop the base, late night summer vibe, young juveline sing along and chants in "m m m m m m m M", phonk remix
California Daydream
Warm indie-pop with jangly guitars, steady midtempo drums, and male vocals. Light organ pads under the verses; chorus brightens with doubled lead, subtle gang shouts, and a gliding bass line. Keep everything sun-drenched but slightly wistful, with a short guitar hook between sections.
Into the Fray
Male bass tenor, southern gothic, screamo, defiant, driving
Flautas de Neón
EDM, flute, indie
Inara e brava
Funk Mc Kevin
Watch Me
Drift Phonk, hip-hop, trap, edm, nightcore
Baterias de Festa Neon
electronic
Jy Bly My Dogter Final
Euro-disco synth-pop, glossy afrikaanse pop mix with lush vocal reverb; smooth high-register afrikaanse male falsetto lead with warm lower male baritone and airy female backing harmonies; driving four-on-the-floor at 90 to 115 BPM, restrained verses opening into a broad chorus and reduced-drum bridge; bright arpeggiated synth hook, warm analog pads, sparkling electric piano stabs, punchy octave bassline, gated snare, full final chorus and layered outro.
Mapa de Bolso
Indie pop moderna with mid-tempo syncopated groove, light four-on-the-floor pulse and hand percussion; verse stays intimate with dry guitar and subtle bass, pre-chorus opens with rising synths and layered oohs, chorus lands brighter with stacked doubles and a chantable hook. Vocal is close-mic and youthful, with airy harmonies, delayed ad-libs on key words, and small ear-candy glitches between lines. Clean, glossy mix with warm low end and sparkling top.
Jy Bly My Dogter
Euro-disco synth-pop, glossy afrikaanse pop mix with lush vocal reverb; smooth high-register afrikaanse male falsetto lead with warm lower male baritone and airy female backing harmonies; driving four-on-the-floor at 118 BPM, restrained verses opening into a broad chorus and reduced-drum bridge; bright arpeggiated synth hook, warm analog pads, sparkling electric piano stabs, punchy octave powerful baseline bassline, gated snare, full final chorus and layered outro.
Jy Bly My Dogter
Euro-disco synth-pop, glossy afrikaanse pop mix with lush vocal reverb; smooth high-register afrikaanse male falsetto lead with warm lower male baritone and airy female backing harmonies; driving four-on-the-floor at 118 BPM, restrained verses opening into a broad chorus and reduced-drum bridge; bright arpeggiated synth hook, warm analog pads, sparkling electric piano stabs, punchy octave bassline, gated snare, full final chorus and layered outro.
Jy Bly Ons Dogter
Euro-disco synth-pop, glossy vintage pop mix with lush vocal reverb; smooth high-register female falsetto lead with warm lower male baritone and airy female backing harmonies; driving four-on-the-floor at 118 BPM, restrained verses opening into a broad chorus and reduced-drum bridge; bright arpeggiated synth hook, warm analog pads, sparkling electric piano stabs, punchy octave bassline, gated snare, full final chorus and layered outro.
Kayen nass version raï coorige 2
Raï Pop moderne explosif 115 BPM. Accent DZ Wahranya natif et authentique algérien. Voix homme, puissante, Noble chaleureuse, grave claire, légèrement voilé énergique et fédératrice. Guitare raï moderne, basse puissante, darbuka, bendir, batterie club-raï contemporaine, violon Arabic oriental accrocheur. Refrain ultra participatif basé sur « Kayen nass... Ki yedekhlou Yzhar bihom el wa9t...». Chœurs de foule massifs sur « Kayen nass...», réponses féminines légères et festives, vocal chops courts et rythmiques. Énergie croissante du début à la fin. Ambiance mariage, fête populaire, stade, voiture. Mix large, clubs et scène. Hook mémorisable dès la première écoute. Voix principale toujours devant. Production moderne, puissante, festive et fédératrice.
Gelap Gelita sebuah bangsa.( 1st Choice)
Acoustic, Pop
Gelap Gurlita sebuah bangsa.
Acoustic, Pop
Le remède, c'est la confusion
French 1970s cinematic comedy theme, playful lounge-pop groove with brushed drums, nimble walking bass, cheeky muted trumpet and warm electric piano, occasional string flourishes, theatrical French female lead vocal with witty cabaret phrasing, polished vintage soundtrack mix, brisk opening fanfare leading into a catchy refrain and a jaunty instrumental button
La pipe est dans le pré
French cheeky cinematic comedy song, playful cabaret-pop groove with a bouncy upright bass, brushed drums, muted brass stabs, pizzicato strings and winking piano; teasing theatrical lead vocal, crisp French diction, lively verse-to-chorus lift, polished retro soundtrack mix, mischievous and flirtatious rather than explicit
PERJUMPAAN
Korean female vocal indie pop, warm romantic acoustic pop, catchy melodic chorus, soft acoustic guitar and piano, light drums, dreamy synth textures, intimate verses and uplifting chorus. A sincere love song about wanting someone who loves her, understands her, worries about her, enjoys simple things together, and comes running whenever she says she misses them. Sweet, youthful, warm and heart-fluttering, with a memorable melody and emotional female vocals. Not overly dramatic, not sad, natural and cinematic.
Coliziune de stele
Romanian cinematic pop love anthem, 6/8 pulse with a steady modern pop kick, warm piano and delicate strings opening into wide drums, bass and layered orchestral swells; intimate female lead in the verses, rising sustained notes and stacked harmonies in the chorus, a brief stripped-back bridge, then a full final chorus; polished, expansive production with clear vocal focus.
În inima mea
Romanian romantic pop anthem, cinematic and emotionally direct, driving four-on-the-floor drums with deep bass, bright piano chords and wide string lifts; intimate verse opens sparsely, pre-chorus builds with rising harmonies, chorus expands into big sustained melodic lines and layered female backing vocals, final chorus adds fuller percussion and orchestral sweep; polished radio mix, clear Romanian diction, powerful female lead vocal.
يا تاج راسي
Khaleeji romantic pop, warm celebratory wedding-anniversary mood, mid-tempo swaying Gulf rhythm with hand percussion and soft modern drums; oud answers the vocal between lines while lush strings and gentle synth pads lift the chorus, rounded bass anchors the groove. Expressive female lead in Arabic with intimate conversational verses and a clear, affectionate, soaring chorus; polished contemporary production with spacious vocals.
عبودي يا تاج راسي
Khaleeji pop, warm celebratory family tribute, male lead vocal in colloquial Arabic, steady hand percussion and claps, bright oud accents with polished synth strings, buoyant mid-tempo groove, memorable repeated chorus, intimate verses opening into a broad singalong refrain, clean modern production
عبودي يا غالي
Khaleeji pop, playful celebratory groove, bright oud riffs, handclaps and tight modern percussion, rounded bass, lively male lead vocal with warm conversational phrasing, catchy group responses in the chorus, polished contemporary mix
يا عبودي يا صاحب الطيب
Khaleeji Arabic pop, upbeat celebratory groove, bright oud riffs and hand percussion with modern bass and crisp pop drums, catchy melodic male lead vocal, warm backing harmonies in the chorus, polished contemporary production, lively call-and-response hook
09_ NO HANDS ON THE WHEEL
Dystopian industrial trap fused with cinematic techno-rap, 128 BPM, F minor. LY0N: extremely deep gravelly male baritone, tense close-mic verses, syncopated rapid-fire rhymes, commanding low-register hook and explosive double-time finale. LEO: distinct cold synthetic male AI voice, dry spoken status exchanges only, never singing. Open with a car indicator clicking in an empty cockpit, servo motors, distant rain and a sub-bass pulse. Build relentless four-on-floor undertow beneath broken trap kicks, metallic snares, distorted 808s, pulsing modular synths, dissonant cellos, low brass and low male choir. Hook “NO HANDS ON THE WHEEL” is ominous and stadium-sized, with sudden dead stops. Mid-song silence for a precise human/AI dialogue about authorization, intervention and emergency limits. Beat-switch into violent halftime industrial percussion and double-time rap. End with the operator holding the key, not declaring autonomy proven. No female vocals, glossy pop or excessive autotune.
Me Despertó la Realidad
Latin pop heartbreak ballad, intimate mid-tempo groove with restrained percussion and warm bass; piano carries the verse harmony, acoustic guitar adds gentle rhythmic detail, and wide strings lift the pre-chorus and final chorus. Expressive Spanish male lead vocal, close and conversational in the verses, opening into a wounded, melodic refrain. Polished contemporary production with a gradual dynamic build and a clear vocal-forward mix.
BRENTWOOD 2 grad
Create a joyful, energetic and emotional African children's graduation choir anthem for Brentwood School. Musical style: Afro-pop children's choir blended with uplifting gospel, African percussion and contemporary graduation music. Tempo: Upbeat, approximately 115–125 BPM. Vocals: Sweet, clear children's voices singing together, with boys and girls alternating in verses. Use a strong lead child vocalist, beautiful choir harmonies and enthusiastic group responses. Instrumentation: African drums, lively percussion, keyboard, piano, bass guitar, handclaps and celebratory rhythmic beats. Arrangement: Begin with an exciting spoken school introduction. Keep the first two verses gentle, playful and melodic. Make the chorus extremely catchy, powerful and easy for young children to remember. Make the teachers' and parents' verses warm, tender and emotional. Build excitement during the bridge with call-and-response singing. Make the final section big, energetic and celebratory, ending
Heart and Mother
ballade, city pop, adult contemporary, R&B, soul
ديون لازم تسدد
Khaleeji storytelling song, restrained Gulf pop groove with oud phrases, warm piano, subtle strings, and measured hand percussion. Begin sparse and intimate, build tension through the court-report verses, then open into a weightier refrain with low sustained strings and a firm rhythmic pulse. Male vocal in colloquial Gulf Arabic, expressive and conversational with clear diction, controlled anguish rather than melodrama. Polished studio mix, close lead vocal, spacious but natural backing.
Heart and Mother
Acoustic Pop, Lounge Pop, bossa nova, shibuya-kei・Lo-fi, ballade, city pop, adult contemporary, R&B, soul
Heart and Mother
Acoustic Pop, Lounge Pop, bossa nova, shibuya-kei, Lo-fi, Chiptune Pop, house, ballard, Healing Pop; soft plate reverb; intimate female vocal with gentle harmonies; unhurried swaying pulse; fingerpicked nylon-string guitar, subtle house kick, warm chiptune accents, and restrained piano layers, ballade, city pop, adult contemporary, R&B, soul
Desde Lejos
K-pop, hip-hop, contemporary R&B, glossy pop and EDM, bright confident female lead vocal with melodic phrasing and light rhythmic rap, tight syncopated drums, deep rounded bass, sparkling synth plucks, spacious layered harmonies, intimate verse building into a wide uplifting chorus, polished punchy modern production
The Sweater Song [Ugly Looks Good on You]
A minor, 136 BPM, 4/4. Sinister mid-2000s emo-pop theatricality collides with industrial electroclash, electronic alt-pop and vicious dubstep. Open with warped Christmas music box, crooked cabaret piano and sly spoken villain monologue; leave pauses exposed. On “WELL, THAT CHANGES EVERYTHING!” explode into pounding four-on-the-floor dance-rock: distorted synth-bass, sidechained supersaws, buzzing arpeggios, sharp drum machines, glitch percussion and crunchy guitars. Slinky rap-sung verses; chromatic climbs, pizzicato strings and brass stabs; colossal melodic choruses with stacked gang vocals, counter-melodies and electronic hooks. Filthy halftime bass drops, bitcrushed fills, chopped/stuttered vocals, vocoder, formant flips and Christmas-bell glitches. Male American pop-rock tenor G3–C5: flamboyant vaudeville villain, biting sarcasm, agile runs, falsetto flicks, precise deadpan. Hard cuts for jokes, explosive reentries. Polished studio spectacle, never live or Broadway.
صنعُ نفسي بنفسي
Arabic motivational cinematic pop anthem, driving mid-tempo percussion and deep toms, bold orchestral strings with modern synth bass, gradual build from intimate piano to wide powerful chorus, confident expressive male Arabic vocal, crisp contemporary production, uplifting and resolute
صنعت نفسي بنفسي
Arabic motivational pop anthem with a steady mid-tempo pulse, oud accents woven into modern piano and restrained cinematic strings; begin intimate and resolute, build through a rising pre-chorus into a broad, memorable chorus, then pull back for a reflective bridge before a final full-voiced refrain. Clear expressive male Arabic lead vocal, natural phrasing, polished contemporary mix with warm low end and crisp percussion.
Nasılsın, My Love?
Playful acoustic indie-pop with a bouncy mid-tempo groove, bright strummed guitar, handclaps, rounded bass, and quirky light percussion. Warm intimate lead vocal with conversational phrasing and a smiling delivery; lift into a catchy singalong chorus, add small gang-vocal responses on the bird joke, then a tender bridge before a buoyant final chorus. Clean, organic production with crisp vocals and a relaxed party-room feel.
Where the Bright Leaves Fall
1950s American swing-pop love song, buoyant two-beat shuffle with walking upright bass and crisp brushed snare, bright trumpet and trombone answering the vocal in punchy arranged stabs, clarinet flourishes and a compact brass feature between sections; warm piano and muted rhythm guitar; cheerful intimate male lead with close harmony replies in the chorus, clear vintage vocal phrasing, lively horn-led lift into the final chorus, warm tape color, balanced mono-inspired mix with audible brass detail
Vi tar över julen – Johan & Kevin 🎅🔔
Magical Christmas Alt-Pop And Dance-Pop At 122 Bpm. Driving Four-On-The-Floor Beat, Warm Synth Bass, Handclaps, Punchy Electronic Drums, Clean Rhythm Guitar And Bright Synth Leads. Blend Festive Energy With Cozy Piano, Celesta, Glockenspiel, Soft Strings And Acoustic Guitar. Expressive Male And Female Duet, Alternating Lines, Gentle Falsetto And Stacked Swedish Chorus Harmonies. Catchy, Heartwarming Chorus With Warm Backing Choir And Nostalgic Christmas Charm. Deep, Jolly Santa Saying “Ho Ho Ho Ho!” In Spoken Interludes. Jingling Sleigh Bells, Children Laughing And Cheering In The Snow, Snowy Footsteps And Gentle Winter Wind Between Sections. Clear Lead Vocals, Polished Pop Production, Intimate Verses And Uplifting Choruses. Magical Christmas Eve Atmosphere, Warm And Playful. Gentle Piano-And-Strings Outro With Santa’s Farewell And Sleigh Bells Fading Into The Distance.
Ilha Pura
Brazilian samba-pop, upbeat and welcoming, syncopated cavaquinho and nylon-string guitar over hand percussion, warm bass, bright piano accents; intimate lead vocal opens the verses, group responses lift the chorus, a brief melodic instrumental break before the final chorus; polished contemporary mix with an easy resort-club groove.
Pura Milênio
Pop lulu santos
Ilha Pura
Brazilian samba-pop with a polished, upbeat Rio de Janeiro feel; syncopated acoustic guitar and cavaquinho groove, hand percussion, rounded bass, bright piano accents, and tasteful brass punctuation. Warm, confident lead vocal in Brazilian Portuguese with friendly group responses on the chorus. Build from a breezy verse into a broad, memorable singalong refrain; add a short instrumental lift before the final chorus. Clean contemporary commercial production, lively but elegant, clear vocal mix.
Bezczelni
Dark, hard-hitting Polish street rap instrumental, 92 BPM, minor key. Powerful old-school boom bap drums blended with modern trap-inspired 808 bass. Deep punchy kick, sharp cracking snare, tight hi-hats, dark cinematic piano melody, haunting orchestral strings and subtle atmospheric textures. Aggressive, confident and raw underground hip-hop energy. Strong rhythmic groove, dramatic pauses, heavy bass drops and occasional beat switches. Verses should leave plenty of space for fast, articulate male rap vocals with complex rhyme patterns and punchlines. Big catchy chant-style chorus with an anthemic feel. Build intensity throughout the track, especially in the final verse and last chorus. Polish street rap atmosphere, gritty storytelling, unapologetic attitude, mature lyrical message, dark but energetic. Professional studio production, powerful low end, crisp drums, no pop elements, no EDM, no singing, instrumental only.
BASSLINE REIGN
Ultra-aggressive dark K-pop fused with trap and festival dubstep, 150 BPM. Powerful youthful female lead vocalist with commanding attitude, fierce Korean-English rap, haunting whispers, and huge layered melodic choruses. Extremely heavy sub-bass, earth-shaking 808 kicks, distorted growling Reese bass, wobble synths, metallic FM bass stabs, rapid hi-hat rolls, explosive snares, glitch transitions, and brutal triple bass drops. Futuristic neon Tokyo nightclub atmosphere. Start with ominous sub-rumble and whispered vocals, then unleash punchy trap verses, rising cinematic synth buildups, enormous dubstep choruses, a half-time breakdown, and a devastating final drop. Deep, clean, chest-rattling low frequencies, sharp percussion, wide stereo synths, polished K-pop vocal production, intense dynamics. Female solo vocalist only. Under 3 minutes.
LUKA
acoustic guitar
Folk song
acoustic guitar
Söhne Ragnars
Nordic Viking folk song, ancient and resolute, male and female vocals alternating in call-and-response then joining in a strong refrain, low male voice and clear female voice, frame drums, tagelharpa, bowed lyre, wooden flute, drones and hand percussion, modal melody, measured marching pulse, raw organic acoustic production, verses build into a broad communal chorus
У ели мы стояли
Russian folk-punk with rowdy village singalong energy, brisk stomping polka groove, strummed acoustic guitar, accordion answering the vocal, punchy bass and rough live drums; expressive male lead with playful, slightly slurred phrasing and gang-shouted chorus responses, raw room sound, lively dynamics, memorable repeated hook
No Dependas de Nadie
Corrido tumbado, regional Mexican singer-songwriter folk, intimate reflective mood, steady loping guitar rhythm with requinto answers, warm acoustic guitars, restrained low bass and subtle modern urbano pulse, close expressive male vocal in Spanish, conversational phrasing, dry natural lead vocal with polished spacious mix, verse-led arrangement rising into a memorable chorus
Por qué diablos te vuelvo a
Spanish-language ranchera heartbreak ballad, measured 6/8 sway, intimate male lead vocal with expressive phrasing and restrained vibrato, acoustic guitar and vihuela setting the pulse, warm guitarrón bass, subtle trumpet answers that open wider in the chorus, verse kept close and conversational, pre-chorus builds tension, chorus blooms into a full mariachi arrangement, bridge drops back to guitar before a final emphatic chorus, organic live-room feel, clear vocal-forward mix
Sin Cargar Mañana
Corrido tumbado, contemporary regional Mexican, intimate male vocal in Spanish, reflective storytelling with a restrained raspy tenor, syncopated requinto guitar figures and warm acoustic guitar strumming, rounded bass, subtle low urban percussion, steady loping groove, sparse verses that open into a memorable melodic chorus, earthy close-miked production with natural guitar detail and a polished modern low end
PERJUMPAAN
[((Style: Warm acoustic french variety ballad, intimate soft piano chords, gentle acoustic folk guitar fingerpicking, quiet wooden bass, minimal production, family studio vibe, deeply moving))] [((Voice: Soft close-up male voice, gentle acoustic tone, warm conversational delivery, calm emotional restraint, zero screaming, peaceful and sad))]
No Voy A Donde No Me
Corrido tumbado, contemporary regional Mexican, intimate male vocal in Spanish, grounded conversational phrasing with a firm melodic hook, requinto guitar opening with clipped descending runs, warm acoustic bajo sexto strums, rounded tololoche bass, restrained tumbado dembow pulse and crisp rim accents, verses kept sparse, chorus opens into fuller guitars and low harmonies, brief requinto fills between vocal lines, dry close vocal with natural grit, polished but earthy mix
Nu ringer julen på – Johan & Kevin 🎅🔔
Cozy, magical Christmas music with warm male and female duet vocals, alternating verses and gentle harmonies. Deep, jolly Santa saying “Ho ho ho ho!” in spoken interludes. Jingling sleigh bells, children laughing and cheering while playing in the snow, soft snowy footsteps and gentle winter wind. Warm piano, sparkling celesta, glockenspiel, soft strings and acoustic guitar. Slow to moderate tempo, gentle swaying rhythm, soft percussion and warm backing choir. Catchy, heartwarming chorus with nostalgic Christmas charm. Festive sound effects between verses, clear vocals throughout. Peaceful storybook atmosphere, like Christmas Eve inside a cozy home while snow falls outside. Gentle instrumental outro with Santa’s farewell and sleigh bells fading into the distance.
awerysopelea - If You Stay
Intimate acoustic folk ballad, sung quietly by one person alone with an acoustic guitar. Raw, warm male vocal, natural and slightly imperfect, never whiny. Short pauses between lines. No drums, no crowd, no backing vocals, no glossy production. Let the guitar and voice feel close and honest, like a private song shared with one person. Keep the final lines soft and hopeful.
Anfang von Zuhaus
Intimate acoustic pop ballad, restrained 6/8 pulse, close-miked warm piano and muted guitar in the German verses, gradually widening with soft strings and subtle percussion in the English section, then stripping back to piano and breath-close French vocals for the final hidden-message coda. Delicate dynamic build, clear melodic phrasing, vulnerable searching lead vocal, natural room tone, polished but understated mix, emotional lift without a large climax.
Painted Kingdoms
Classic animated-film orchestral song, jaunty waltz pulse that opens with celesta and pizzicato strings, then grows into sweeping woodwinds, warm brass, and lively percussion; expressive theatrical lead vocal with clear diction, playful character phrasing, and a broad, memorable ensemble chorus. Contrasting storybook verses, a rising pre-chorus, a bright full-orchestra refrain, a tender bridge, and a buoyant final chorus; detailed vintage-cinematic arrangement with natural dynamics and polished acoustic mix.
EVERYBODY'S LOSING IT
Gentle melodic English pop-schlager duet, 112 BPM, 4/4, G major, target 3:00. Warm expressive female alto and charming mature male baritone with a slightly smoky voice. Relaxed, playful vocal exchanges, clear English pronunciation, natural conversational phrasing, tender harmonies and catchy memorable chorus. Beautiful grand piano leads, soft acoustic guitars, warm melodic bass, light pop drums, subtle strings and gentle atmospheric keyboards. Elegant romantic European radio-pop sound, smooth danceable groove, intimate warm vocals, spacious stereo production. Two short verses, recurring duet chorus, 8-bar instrumental breaks, repeat spoken outro twice, followed by a 16-bar melodic instrumental finale with piano and guitar. Soft final piano chord, no fade-out. No hard rock, no heavy synths, no Christmas bells, no choir. Use only supplied lyrics.
EVERYBODY'S LOSING IT ***
Gentle melodic English pop-schlager duet, 112 BPM, 4/4, G major, target 3:00. Warm expressive female alto and charming mature male baritone with a slightly smoky voice. Relaxed, playful vocal exchanges, clear English pronunciation, natural conversational phrasing, tender harmonies and catchy memorable chorus. Beautiful grand piano leads, soft acoustic guitars, warm melodic bass, light pop drums, subtle strings and gentle atmospheric keyboards. Elegant romantic European radio-pop sound, smooth danceable groove, intimate warm vocals, spacious stereo production. Two short verses, recurring duet chorus, 8-bar instrumental breaks, repeat spoken outro twice, followed by a 16-bar melodic instrumental finale with piano and guitar. Soft final piano chord, no fade-out. No hard rock, no heavy synths, no Christmas bells, no choir. Use only supplied lyrics.
A Little Above the Clouds
Modern country-pop, soulful Nashville country, warm and slightly husky male vocals, intimate storytelling, acoustic guitar, subtle pedal steel guitar, gentle country drums, deep warm bass, bluesy undertones, playful and sensual atmosphere, uplifting anthemic chorus, heartfelt and authentic delivery, cinematic open-road feeling, catchy melody, polished contemporary country production. Not sad, not overly romantic, subtly flirtatious and full of admiration.
misunderstood / bad communication
vocal harmony, acoustic, techno
De Recife a São Paulo
sertanejo brasileiro de estrada, mid-tempo two-step country groove, acoustic steel-string guitar strumming with bright viola caipira fills, steady kick and snare, warm bass, subtle accordion accents, expressive male lead vocal in Portuguese, singalong chorus, polished contemporary production with earthy regional character, verses build into a broad melodic refrain
De Recife a São Paulo
Sertanejo road song, Brazilian country groove with steady mid-tempo acoustic guitar strumming, expressive steel-string guitar fills, subtle accordion, warm bass and restrained live drums. Male lead vocal in Portuguese, earthy and conversational in the verses, broader melodic chorus with light harmony doubles. Arrangement opens with guitar and voice, builds with bass and drums into a memorable singalong refrain, then closes with a short instrumental guitar tag. Clear, warm studio mix with natural dynamics.
De Maceió a São Paulo
Sertanejo road-song, Brazilian country groove with steady mid-tempo pulse, bright steel-string acoustic guitar strumming, expressive viola caipira fills, warm bass and restrained brushed drums. Male lead vocal in Portuguese, conversational verses opening into a broad melodic chorus with close harmony doubles. Arrangement starts intimate, adds percussion and harmony in the chorus, then eases into a reflective instrumental outro. Clean organic studio mix, grounded and heartfelt.
Teresina no Peito
Brazilian sertanejo road song, contemporary sertanejo with rootsy acoustic character, steady mid-tempo truck-driving groove, strummed steel-string acoustic guitars, bright viola caipira fills, warm electric bass, restrained country drums, occasional harmonica accents, expressive male lead vocal in Portuguese with conversational storytelling and a memorable melodic chorus, verses build into a broad singalong refrain, polished but earthy production
De Brejetuba até São Paulo
Sertanejo road song, contemporary Brazilian country with a grounded interior feel, steady mid-tempo truck-driving groove, bright steel-string acoustic guitar strums, expressive viola caipira fills, warm bass, restrained country drums, occasional accordion color, male lead vocal with a sincere Brazilian Portuguese delivery, conversational verses opening into a memorable melodic chorus, polished but earthy studio mix
Roda Firme
Sertanejo, Brazilian country road song, steady mid-tempo groove with acoustic steel-string guitar strumming, picked viola caipira responses, warm bass, restrained drums and subtle accordion fills. Male lead vocal in Portuguese, earthy and conversational with a strong melodic chorus. Build from an intimate guitar-led verse into a broad singalong refrain; polished contemporary rural production, clear vocal upfront, natural instrument tones.
Save a Chair for Casey
Playful country-rock with a steady midtempo two-step groove, bright acoustic guitar strumming, punchy live drums, warm bass, and small electric-guitar fills. Conversational male lead vocal with a wry, affectionate delivery; verses tell a specific character story, then open into a big, easy-to-sing chorus. Keep the production lively, earthy, and band-forward, with a brief instrumental turn before the final chorus.
Thors Hammer
Nordic Viking folk, driving hand-played frame drums and low war drums supporting a steady communal pulse, tagelharpa and bowed lyre carrying a stark modal melody, wooden flute answering between vocal lines, deep male lead paired with a clear female voice in call-and-response that joins in broad unison on the chorus, earthy group harmonies, raw acoustic textures, spacious natural room ambience, gradual build from a sparse opening to a forceful final refrain
Thors Hammer
Nordic Viking folk, male and female vocals trading lines and joining in a broad chorus, frame drums and hand percussion, bowed lyre, tagelharpa drones, deep communal harmonies, modal melody, raw earthy acoustic production, slow marching pulse, intimate verses opening into a forceful chant-like refrain
awerysopelea - If you're still here
Hip-hop duet crossover, restrained folk-pop. Warm fingerpicked acoustic guitar and piano as the main instruments. Same male lead throughout all verses, natural, vulnerable, emotionally controlled and conversational. Same female voice for both chorus lines and the French ending, very close to the microphone, tender and clear, with audible breath and intimate diction. Choruses mostly instrumental with long pauses and only one short female vocal line. Sparse arrangement, lots of space, subtle room ambience, no big drums; optional very soft brushed percussion late in the song. Gradual emotional build, organic dynamics, human imperfections, clear pronunciation, no glossy pop, no rock, no crowd, no bombastic climax. Final chorus fully instrumental with soft wordless male/female harmonies.
awerysopelea - If you're still here
Modern alternative hip-hop crossover with cinematic atmosphere and a strong melodic identity. Deep, restrained beat, warm sub bass, dark emotional piano or synth motif and subtle atmospheric electric guitar. Female A sings all verses: low, raspy, slightly androgynous, confident and controlled, never fragile or pleading; rhythmic phrasing, partly spoken, with a quicker natural flow. Female B sings the chorus and French ending: clearer, softer and more intimate, creating strong contrast. Verses should feel thoughtful but cool, searching rather than sad. Chorus opens into spacious instrumentation with long pauses. Gradual tension without a huge climax. No acoustic singer-songwriter feel, no glossy pop, no heavy rock, no crowd. Final chorus instrumental with both female voices in subtle wordless harmony.
Aus Runen geboren
Nordic folk, Viking-inspired acoustic ritual song, male and female duet vocals with strong contrasting timbres and close harmonies, frame drums and hand percussion, tagelharpa bowed lyre, low drones, plucked strings, modal melody, steady processional pulse, verses trade between singers and chorus joins in unison, raw earthy vocal delivery, spacious natural room ambience, organic cinematic production
Fluent with the Stream
Instrumental meditative world-ambient journey led by deep, warm, breathy shakuhachi and bansuri. Compose an original evolving melody with spacious call-and-response flute phrases, gentle pauses, and a distinct arc: begin with close, unhurried solo flute over a clear flowing stream; gradually introduce soft Himalayan frame-drum pulses, low resonant drone, and airy sustained tones; open into a wider waterfall-and-birdsong passage with layered flute harmonies; then release the rhythm and settle into a quiet, lingering flute-and-water coda. Subtle organic textures, intimate breath detail, natural acoustic space, restrained dynamics, beautifully mixed and deeply contemplative.
流雲の呼吸
Mystical meditative instrumental journey, deep warm breathy shakuhachi and bansuri bamboo flutes trading spacious original phrases over five minutes; begin with a close, solitary flute and soft stream ambience, gradually introduce a second flute in gentle call-and-response, low sustained drone, sparse hand-played frame drum and delicate plucked strings, then open into a broader waterfall-like wash with occasional subtle birdsong before returning to a quiet solo flute ending. Slow unhurried pulse with fluid rubato and gently shifting rhythmic cycles, ancient Himalayan and Zen sacred-world influence blended with ethereal ambient textures. Organic acoustic detail, soft edges, generous natural room, clear flute foreground, patient dynamics, deeply calming and contemplative.
Parlons du paradis.
rap, hip hop, épique
Ask My People
2020s Southern gangster rap, hard half-time trap groove with punchy 808 kick and clipped snare, sparse minor-key piano stabs and tense muted brass accents; deep raspy white male lead vocal with a rough Southern drawl, forceful conversational rap cadence and tight ad-libs; verses stay lean, hook opens wider with stacked doubles, polished modern low-end and dry upfront vocal mix
Baddest One on the Strip
2020s Southern gangster rap, slow heavy half-time trap groove with hard 808 sub, clipped kick and snare, tight ticking hi-hats, sparse ominous piano stabs and muted brass accents. Deep raspy white Southern male vocal, gravelly chest register, blunt confident rhythmic delivery with measured pauses and a chantable hook. Verses stay lean and close, hook widens with doubled vocal ad-libs and heavier low end, brief instrumental turnaround before the final hook. Polished modern mix, vocal forward, punchy drums, controlled distortion.
It’s just the vybz
Rap beat
Louna, c'était qui pour toi ?
Female melodic rap, soft emotional voice, warm piano beat, 90 BPM, tender, rhythmic rhymes, heartfelt chorus.
Zwei Menschen
Slow Rap, emotional, piano, soft male voice
Tara
Hiphop urbano Male Spanish vocalist, dark baritone with rich low mids and naturally rough vocal texture. Constant subtle rasp throughout the performance, authentic vocal fry on phrase attacks, controlled gritty distortion without screaming. Close microphone performance, intimate yet powerful. Strong chest resonance, warm and thick tone, almost no nasal resonance. Confident urban delivery with emotional realism, expressive dynamics and powerful consonants. Smooth transitions between spoken rap phrasing and melodic singing, slightly melodic phrase endings while remaining raw and believable. Dry studio sound, very little reverb, warm analog microphone character, natural compression, realistic breathing, human imperfections preserved. No synthetic vocal tone, almost no autotune, cinematic emotional intensity, mature masculine voice, energetic but controlled, honest, vulnerable, powerful and authentic.
Tara
Male vocal, deep baritone with a naturally raspy and gritty texture. Powerful emotional delivery, raw street attitude, aggressive but controlled. Strong chest voice with slight vocal distortion, cracked edges and expressive growls on intense phrases. Dynamic performance with energetic rap verses and melodic emotional hooks. Clear pronunciation, modern Spanish urban accent, authentic, passionate, rebellious, cinematic and intimate. Tight timing, confident flow, natural breathing, wide dynamics, no robotic tuning, realistic human imperfections, warm analog microphone tone, slight saturation, emotional intensity 10/10.
Parlons du paradis.
Rap 91 BPM, gros breaks écrasants, batterie énorme, basse lourde et distordue, montée épique, chœurs et synthés spatiaux. Voix masculine française, flow puissant, scandé, épique, qui monte en puissance, mi-chanté mi-rappé, style prophète conscient. Refrain "Parlons du paradis..." chanté en chœur, lumineux, qui reste en tête. Final "L'intérêt de chacun c'est l'intérêt commun" martelé, répété, comme un mantra, de plus en plus fort.
Parlons du paradis.
Big beat, 132 BPM, gros breaks écrasants, batterie énorme, basse lourde et distordue, montée épique, chœurs et synthés spatiaux. Voix masculine française, flow puissant, scandé, épique, qui monte en puissance, mi-chanté mi-rappé, style prophète conscient. Refrain "Parlons du paradis..." chanté en chœur, lumineux, qui reste en tête. Final "L'intérêt de chacun c'est l'intérêt commun" martelé, répété, comme un mantra, de plus en plus fort.
awerysopelea - If you're still here
Indie hip-hop rap-pop crossover, violin
Langvang Løjer
rap, Bouncy techno-country hybrid at 120 BPM with deep male vocals; four-on-the-floor kick, bright mandolin chops, twangy electric guitar riffs, and stomping claps. Playful flute and fiddle trade hooks over a droning didgeridoo bed in the low end. Verses stay spacious with talking-style rap, chorus explodes with shout-along gang vocals and stacked harmonies., violin, country, techno, didgeridoo, electric
Vem brincar comigo
Narrar o poema falado do começo ao fim sem cantar somente narraçao com voz forte encorpada como um locutor de rádio FM bem emocionante.Regra básica obrigatória não cantar só narrar do começo ao fim, com uma música de piano de fundo em volume baixo pra não atrapalhar a narraćão do locutor.
GHOST OF TOKYO
Epic dark K-pop fused with aggressive trap rock, cinematic industrial metal, and explosive electronic bass. Powerful, youthful female lead vocalist with seductive whispered intros, fierce attitude, sharp Korean-English rap delivery, soaring melodic choruses, and emotional undertones. 150 BPM. Massive 808 sub-bass, hard-hitting trap drums, distorted electric guitars, double-kick breakdowns, atmospheric synthesizers, orchestral impacts, and a blistering 12-second guitar solo. Neon Tokyo cyberpunk atmosphere, lunar dragon mythology, mysterious former assassin turned K-pop superstar. Dramatic tension builds, brutal bass drops, catchy anthemic hook shouting GHOST OF TOKYO! Layered Korean backing vocals, powerful final chorus, and haunting whispered outro. Professional studio production, crisp vocals, extremely heavy bass, under 3 minutes.
Junshine, My Little Ray of Sunshine
Ballade romantique cinématographique des années 90, dans l'esprit des grandes chansons d'amour de films hollywoodiens. Voix féminine solo, cristalline, douce, aérienne et profondément émouvante, évoluant vers des envolées vocales puissantes avec vibrato naturel. Introduction délicate au piano et à la flûte irlandaise, accompagnée de nappes de cordes. Tempo lent (72 BPM). Couplets intimes et fragiles, pré-refrains progressifs, refrains majestueux avec violons, orchestre symphonique et percussions profondes. Pont suspendu et bouleversant, suivi d'un dernier refrain explosif avec modulation ascendante. Mélodie romantique, nostalgique et pleine d'espoir. Production élégante, ample et intemporelle. Final doux au piano, comme un murmure d'amour.
Vem brincar comigo
Narrar o poema falado do começo ao fim sem cantar somente narraçao com voz forte encorpada como um locutor de rádio FM bem emocionante.Regra básica obrigatória não cantar só narrar do começo ao fim, com uma música de fundo em volume baixo pra não atrapalhar a narraćão do locutor.
The Dragon’s Heart
Epic romantic Viking trap rock love anthem, under 3 minutes, sung by Cecilia to her beloved wife Rune. Powerful, youthful feminine lead vocals with a rich, emotional, slightly husky tone. Begin with whispered words, haunting Nordic female harmonies, soft piano, and distant thunder. Build into thunderous Viking war drums, crushing 808 sub-bass, aggressive distorted electric guitars, cinematic orchestral strings, and hard-hitting trap percussion. Verses should feel intimate, vulnerable, and deeply romantic. Pre-chorus builds with rising drums and soaring harmonies. Explosive choruses feature passionate, powerful female vocals belting Rune's name with overwhelming love and devotion. Include a breathtaking melodic guitar solo, ethereal Nordic chanting, and a tender Japanese vocal bridge. Final chorus erupts with massive bass drops, layered female harmonies, and triumphant guitars. End with a whispered declaration of eternal love. Cinematic, emotional, powerful, beautiful. 105 BPM.
Until The Stars Fall
Epic romantic Viking trap rock anthem, 145 BPM, under 3 minutes. Beautiful, powerful female lead vocalist with emotional intimate whispers, rich lower-register verses, soaring passionate choruses, and occasional raspy rock belts. Thunderous Nordic war drums, massive sub-heavy 808 trap bass, punchy kick drums, distorted electric guitars, cinematic orchestral strings, deep Viking choir chants and atmospheric thunder. Begin with haunting whisper and distant tribal drums. Build into enormous bass-drop choruses with explosive guitars and layered female harmonies. Verse two has dark pulsing trap rhythms. Dramatic stripped-back piano bridge with delicate trembling vocals and a soft Japanese line. Finish with a colossal final chorus, double-kick drums, epic guitar riffs, huge choir harmonies and an intimate whispered marriage proposal. Romantic, devoted, powerful, emotional, cinematic. No screaming or harsh growls.
Hand in Hand — für jedes
Alternative hip-hop battle-rap crossover, urgent European street-rap energy with cinematic orchestral accents, hard boom-bap drums fused with modern sub bass, violin, cello, gritty distorted guitar stabs and tense minor-key strings, multilingual male and female rap verses with sharp diction and forceful rhythmic delivery, an anthemic crowd-response hook, dynamic shifts from sparse verses to a wide, defiant chorus, raw but polished punchy mix
Hand in Hand — für jedes
Alternative hip-hop battle-rap crossover, urgent European street-rap energy with cinematic orchestral accents, hard boom-bap drums fused with modern sub bass, gritty distorted guitar stabs and tense minor-key strings, multilingual male rap verses with sharp diction and forceful rhythmic delivery, an anthemic crowd-response hook, dynamic shifts from sparse verses to a wide, defiant chorus, raw but polished punchy mix
Hand in Hand — für jedes
Alternative hip hop rap crossover
Wer schreibt das Drehbuch?
Alternative hip hop battle rap, Austrian German delivery with sharp political satire, male vocal, forceful rhythmic rap with crisp consonants and dry theatrical emphasis, tense minor-key piano stabs, dusty breakbeat drums, thick restrained bass, brief brass accents, newsroom-like percussive cuts, verses build into a chantable hook, close upfront vocal, gritty but polished mix
awerysopelea - in HD stimmts eh
Österreichischer satirischer Boom-bap, 94 BPM, eine männliche Leadstimme als Sohn. Leichte oberösterreichische Färbung, klare Konsonanten, nah am Mikro. Trockene Kick, knackige Snare, warmer Bass. Drei kurze Töne auf dem E-Piano wie ein selbst erfundener Nachrichtenjingle. Die Strophen rhythmisch rappen, nach den Pointen Luft lassen. Den Refrain mit derselben Stimme melodisch rappen, „ZIB zwei“ wie „Zibb zwoa“ betonen, HD als „Ha-De“. Bei Lucona fallen Bass und Drums weg. Die Stimme wird ruhig. Nach „frei“ einen ganzen Takt Stille. Bei Emil setzt der Groove wieder ein. Die letzte Zeile trocken auf dem Beat landen lassen. Keine Dialoge, zweite Stimme, Nachrichtensamples oder gesprochenen Einwürfe.
ZIB2, Papa
Austrian alternative hip hop diss track, dry sarcastic male rap in Austrian German dialect, tight conversational flow with sharp punchlines, dusty boom-bap drums, clipped bass guitar, detuned piano stabs and restrained brass accents. Start sparse with spoken-feeling rap over a tense loop, build the chorus into a chantable call-and-response hook, then strip back for a punchline-heavy final verse. Gritty but clear mix, close upfront vocal, subtle room texture, no glossy pop polish.
awerysopelea - Miau
Österreichischer Battle-Rap, 96 BPM. Eine männliche Leadstimme rappt den ganzen Song als Sohn mit hörbarem Grinsen, leicht oberösterreichisch gefärbt. Direkt auf dem ersten Takt einsteigen. Trockene Kick und Snare, federnder Bass, kurzes Klavierriff zwischen den Zeilen. Stimme nah, klar und deutlich vor dem Beat im Mix. Gleichmäßiger Flow, jede Silbe aussprechen, nach jeder Pointe einen halben Takt Luft. Dieselbe Stimme rappt den Refrain auf einer einfachen, eingängigen Tonfolge. Beim Outro nur Bass und Fingerschnipsen. „Miau, miau, miau“ als drei deutlich gesungene Wörter der Leadstimme auf drei einzelne Noten. Keine Dialoge, gesprochenen Einwürfe, Tiergeräusche oder Doubletime.
awerysopelea - der was ois
Deutschsprachiger Alternative-Hip-Hop, 98 BPM, trockene Drums, tiefer federnder Bass, österreichische Aussprache. Zwei männliche Rapstimmen. Vers 1: älter, hellwach, charmant bestimmend, Silben knapp vor der Snare, kurze Staccato-Klavierakkorde. Vers 2: jünger, nah am Mikro, leicht hinter dem Beat, lockere Binnenreime und kurze Doubletime-Schübe, warmes Rhodes. Dieselbe Bassfigur verbindet beide. Hook rhythmisch und eingängig, „eh ois, eh ois“ gedoppelt, Vater und Sohn werfen einander die letzte Zeile zu. Intro und Outro wie ein echtes Telefonat. Im Outro ein einzelnes Holzkrachen, Stille, letzter Satz ganz trocken.
awerysopelea - miau
Österreichischer Battle-Rap, 100 BPM, trockener Boom-bap, synkopierter Bass, knackige Snare, kurze Bläserstöße. Männliche Leadstimme als Sohn, locker und frech mit oberösterreichischer Färbung. Die Parts auf den Drums rappen, deutliche Konsonanten, stellenweise doppelt so schneller Flow. Zweite, ältere Männerstimme als Rudi, souverän und trocken. Hook rhythmisch gedoppelt. Kurze Lücken vor „Des liegt am Licht“ und nach „Bei wem?“. Beim Universum-Dialog Beat stumm. Im Outro warm werden, ein kurzes Miau, Schluss auf der letzten Silbe. Kein Publikum.
awerysopelea - progamer
Deutschsprachiger Counter-Strike-Battle-Rap, 99 BPM, federnder Boom-bap-Groove, trockene Kick, knackige Snare, kurzer gezupfter Bass und ein schräges Zwei-Noten-Keyboard-Riff. Männlicher Rapper mit leicht österreichischer Färbung, glasklare Konsonanten, lockerer Pocket, freches Understatement. Zweite, trocken genervte Stimme für die Antworten im Voicechat, schmaler Funkfilter. Hook rhythmisch halb gesungen, Deagle wie „Diegl“, „ich regel, ich regel“ eng gedoppelt. Parts zackig, kleine Lücken für die Pointen. Beim Clutch Drums komplett weg, die drei letzten Zeilen einzeln ins Leere setzen. Nach „Noch einer“ ein trockener Rimshot, dann Bass und voller Beat. Outro nur die zwei Stimmen.
Bonheur universel.
soul rap, conscient
Lucid Chicanery
filthy electro-funk bassline, robotic vocoder, booming 808s, and a Parliament-Funkadelic-style groove 112 BPM cosmic disco, psychedelic electro-funk, old-school hip-hop, and futuristic space-funk. Filthy rubbery slap bass, booming 808 kick drums, funky syncopated guitar, analog synthesizers, shimmering arpeggios, wah-wah effects, brass stabs, and explosive disco percussion. Deep charismatic male rap vocals with playful swagger, rhythmic spoken-word delivery, robotic vocoder harmonies, and exaggerated sci-fi character voices. Infectious call-and-response chants with a massive mixed-gender party choir shouting U-N-I-T-Y! Groovy four-on-the-floor dance rhythm, funky breakbeats, dramatic bass drops, swirling spaceship effects, laser zaps, and cosmic transitions. Build toward a euphoric, stadium-sized disco-gospel finale with layered harmonies, handclaps, and triumphant brass. Playful, theatrical, rebellious, humorous, uplifting, irresistibly danceable. Crisp modern production with warm vi
Erstes Ligaspiel
Explosive cinematic K-pop demon-hunter girl-group anthem, fierce female lead vocals, powerful layered harmonies, aggressive German-English rap, commanding chants, massive stadium hooks. 150 BPM, F# minor. Dark futuristic K-pop meets hard-hitting EDM, trap, hyperpop and epic orchestral action music. Thunderous 808 bass, distorted synths, razor-sharp hi-hats, pounding drums, dramatic strings, brass stabs, metallic impacts and explosive dance drops. Fearless female voices, crystal-clear German pronunciation, catchy English hooks, rapid-fire rap, soaring high notes, fierce group shouts and supernatural warrior energy. Mysterious whispered tension, dramatic builds, enormous bass drops, addictive melodies, emotional power vocals and gigantic final climax. Basketball arena atmosphere, crowd chants, stomps, claps and electrifying adrenaline. Heroic, rebellious, empowering, intense, energetic, ultra-modern, cinematic blockbuster production. Absolutely massive sound!
# CASA È DOVE VIVE LA MIA ANIMA 2
Aggressive dark underground trap, slow heavy half-time groove, 75–85 BPM, gritty and commanding rap delivery, menacing dark atmosphere, huge distorted 808 bass, hard punchy drums, minimal eerie synth melody, cold street energy, powerful repetitive melodic hook, anthem-like chorus, cinematic tension, raw emotional intensity, strong low-end, spacious beat with heavy pauses. Deep rhythmic Italian rap vocals, deliberate flow, clear pronunciation, aggressive but controlled delivery. Dark, hard and memorable, with a chorus that gives you chills. Not fast, no double-time flow, no sad ballad, no soft pop vocals. Original production. Balkan instrumental, balkan dark underground trap, balkan piano, balkan guit, only female Voice
Teresa Maria Chiara
French celebratory hip-hop, warm boom-bap groove with crisp punchy drums, rounded bass, bright piano accents and subtle string flourishes; confident rhythmic male rap vocal with a melodic, memorable sung chorus; intimate birthday dedication that builds into a joyful group refrain, polished modern mix
La somme de tous les égoïsmes.
Big beat, 132 BPM, gros breaks écrasants, batterie énorme et lourde, basse distordue qui claque, loops funky, samples scratchés, énergie rave. Voix masculine française, flow puissant et rythmé, punchy, déterminé, mi-chanté mi-rappé, qui martèle le refrain, style Big Beat conscient. Ambiance : grosse soirée, sound system qui tremble, voix qui porte le message "bonheur pour tous" au-dessus des gros drums. Refrain "Vous croyez vous raccourcir : vous vous rallongez !!" scandé en chœur, puissant, qui reste en tête.
Rap Strikto
Drill, Agressive, Rap
Govardhan Girdhari
High-Energy Devotional Rock and Nashik Dhol Fusion, 140 BPM Explosive Rhythmic Beats, Distorted Heavy Electric Guitar Riffs, Traditional Mridang, Manjira, Deep Resonant Sub-Bass, Mesmerizing Flute Melody, Powerful Male Lead Vocals with Massive Collective Choir Chanting 'Hey Govardhan Girdhari', Adrenaline-Pumping Spiritual Anthem Climax, 8K Studio Mastering.
Cracked Controller
electronic rock, gaming soundtrack, battle music
Cracked Controller
epic gaming soundtrack, electronic rock, battle music, fast tempo, intense, instrumental only.[Instrumental] Epic aggressive battle electronic rock, high-energy gaming soundtrack, intense synth-bass, fast-paced driving electronic drums, cinematic orchestral strings, heart-pumping tempo, dramatic gaming clash buildup, clean audio mix, professional game score, zero vocals, no voice.
The Iron Vale
[Instrumental] Epic aggressive battle electronic rock, high-energy gaming soundtrack, intense synth-bass, fast-paced driving electronic drums, cinematic orchestral strings, heart-pumping tempo, dramatic gaming clash buildup, clean audio mix, professional game score, zero vocals, no voice.
County Road Nine
2020's patriotic Redneck Country Rock with a deep raspy white southern male vocal, we need to kick out all the 3rd world Muslims out of America before they destroy it like they did to ever other country they invaded
Somewhere In-Between
Energetic, nostalgic indie alternative rock at 124 BPM. Infectious interlocking electric guitar riffs, punchy live drums, groovy melodic bass, shimmering vintage synths. Expressive, slightly raspy male vocals with conversational storytelling and youthful urgency. Intimate verses, rising pre-choruses, explosive singalong hooks, layered harmonies, playful instrumental breaks, emotional stripped-down bridge, and triumphant final chorus. Bittersweet yet uplifting, organic, polished, radio-ready.
Sondrebellen
Deutschsprachiger radiotauglicher Alternative Rock, treibender gerader Rockgroove, knackige verzerrte Rhythmusgitarren und melodische Lead-Gitarren, kraftvolle Live-Drums mit großem Snare-Sound, markanter Bass, selbstbewusste raue männliche Stimme, klare Strophen mit dichtem Aufbau, weiter hymnischer Refrain mit mehrstimmigen Gang-Vocals, kurzer Gitarrenbreak vor dem Schlussrefrain, warm-direkter Radiomix mit dynamischem Bandgefühl
Sondrebellen
Deutschsprachiger Radio-Rock, treibender gerader Achtel-Groove, verzerrte Gitarrenriffs mit offenem Powerchord-Refrain, prägnanter E-Bass und kraftvolle Live-Drums. Eingängige männliche Leadstimme mit rauer, selbstbewusster Kante; kurze Gitarrenfigur im Intro, Strophen zurückgenommen, Pre-Chorus baut Spannung auf, Refrain breit und hymnisch mit dezenten Gang-Shouts auf dem Sendernamen, kurzes Gitarrensolo vor dem letzten Doppelrefrain. Klarer, druckvoller Radiomix mit warmer Präsenz und knackigem Schlagzeug.
Sondrebellen
Upbeat German radio pop-rock jingle, bright guitar-driven groove with punchy live drums, buoyant bass and concise keyboard accents; open with a short station-identifying vocal hook, build verses with tight rhythmic phrasing, lift into a broad chantable chorus with layered group harmonies, add a brief half-time bridge then return to a confident final chorus; polished broadcast-ready mix, clear forward vocals, energetic and welcoming.
Sondrebellen
Deutschsprachiger moderner Indie-Pop mit kantigem Alternative-Rock-Einschlag, mittleres Tempo, federnder Bass und trockenes Schlagzeug mit prägnanter Snare. Knackige, leicht angezerrte Gitarren spielen ein kurzes wiedererkennbares Riff; im Refrain öffnen sich breite Gitarren und dezente Synth-Flächen. Selbstbewusster, nahbarer männlicher Leadgesang mit klarer Artikulation, eingängige Mitsing-Hook und mehrstimmige Antworten im Schlussrefrain. Radiofreundliche, dynamische Produktion: schlanke Strophen, ansteigender Pre-Chorus, großer Refrain, kurzes instrumentales Zwischenspiel und ein entschlossener Schluss.
BEYOND THE FINAL
Epic cinematic symphonic farewell anthem, monumental orchestral rock requiem, 84 BPM, emotional deep male baritone vocals, powerful mixed choir of 200 voices, majestic French horns, soaring strings, intimate solo cello, grand piano, thunderous cinematic drums, massive brass section, subtle electric guitars, noble and heroic atmosphere, emotional storytelling, slow dramatic build, explosive anthemic choruses, deeply moving spoken-word bridge, breathtaking final chorus, immense cathedral-like reverb, beautiful orchestral resolution, original unforgettable melody, premium Hollywood film soundtrack production, goosebumps, triumphant yet heartbreaking, majestic tribute to a legendary starship captain.
BEYOND THE FINAL STAR
Epic cinematic symphonic farewell anthem, monumental orchestral rock requiem, 84 BPM, emotional deep male baritone vocals, powerful mixed choir of 200 voices, majestic French horns, soaring strings, intimate solo cello, grand piano, thunderous cinematic drums, massive brass section, subtle electric guitars, noble and heroic atmosphere, emotional storytelling, slow dramatic build, explosive anthemic choruses, deeply moving spoken-word bridge, breathtaking final chorus, immense cathedral-like reverb, beautiful orchestral resolution, original unforgettable melody, premium Hollywood film soundtrack production, goosebumps, triumphant yet heartbreaking, majestic tribute to a legendary starship captain.
Where’s the Empty Chair Tonight?
Emo/Intro: Lonely piano, soft sleigh bells, distant wind. Verses: Intimate male vocals, almost whispering, with a slight rasp. Chorus: Emotional, cracked vocals with atmospheric guitars and strings. Bridge: Strip everything back, then introduce an angelic children's church choir. Final chorus: Full orchestral emo-rock explosion, with soft screams underneath the choir. Outro: Everything fades except a child's choir singing Noel.
DOM
soft rock
Rivers Edge
Comedic British pub singalong, upbeat piano-led pop-rock with handclaps, stomping kick and snare, bright acoustic guitar strums, jaunty bass, warm group responses on the chorus. Conversational male lead with playful character and clear storytelling; short verses trade punchlines, chorus opens into an easy communal refrain, brief half-time setup before the final chorus. Lively, friendly room ambience, polished but pub-hearted mix.
Winter World War
Playful theatrical story-song with a brisk pop-rock groove, handclap-and-snare pulse, bouncy bass, bright piano and punchy guitar accents. Conversational character vocals trade lines, with clear comic timing and a lively group refrain; arrangement builds from a light wintery opening into a crowded, energetic singalong battle, then lands on a humorous indoor reaction. Crisp, family-friendly mix.
ROCK BOTTOM
126 BPM. Bulletproof Hart signature sound. Gritty, powerful, polished 80s-influenced melodic hard rock. Dark, driving guitar riff, punchy drums, deep bass, hard snare and a soaring melodic guitar solo. Strong gritty male lead vocal with powerful female responses throughout from verse one, building into big emotional harmonies in the choruses. Raw, intense verses that explode into a huge, unforgettable anthemic chorus. Immediate heavy guitar riff with male vocals entering straight away. No spoken, whispered or cinematic intro. All vocals fully sung. No crowd, audience, clapping or chanting. Professional radio-ready studio rock production. Attitude, emotion, power and unmistakable Bulletproof Hart identity.
ROCK BOTTOM
126 BPM. Bulletproof Hart signature sound: gritty, melodic, polished 80s-influenced hard rock with a dark, driving edge. Heavy crunchy guitar riffs, punchy live drums, deep bass, hard-hitting snare and a powerful melodic guitar solo. Confident, gritty male lead vocal with strong, emotionally charged female responses from the first verse and powerful harmonies throughout. Huge anthemic chorus with both voices pushing hard. Start immediately with a heavy guitar riff and male vocals — no cinematic build-up, no spoken or whispered intro. Entirely sung. No crowd, audience or chanting sounds. Professional radio-ready studio production. Raw emotion, attitude and unmistakable Bulletproof Hart identity.
I CAN'T SAVE YOU
126 BPM gritty, melodic, polished 80s-influenced hard rock. Unmistakable Bulletproof Hart identity. Crunchy electric guitar riffs, driving bass, punchy live drums, hard-hitting snare and a powerful emotional groove. Gritty, confident, slightly raspy male lead vocal with strong female vocals answering from verse 1, sharing harmonies and powerful call-and-response throughout. Huge anthemic chorus with emotional intensity and attitude. Immediate sung male vocal over a strong guitar riff, no instrumental build-up, no spoken or whispered vocals, no cinematic intro. Big melodic 80s guitar solo. Radio-ready studio production, raw emotion without becoming a slow ballad. Both voices fully sung. No crowd, audience or chanting sounds.
WHAT’S LEFT OF ME
STYLE: Bulletproof Hart signature sound – gritty, melodic, polished 80s-influenced hard rock with emotional intensity, attitude and powerful melodies. Male lead vocal, deep, slightly raspy and emotionally charged. Strong female vocals throughout, with emotional responses in the verses and powerful harmonies in the choruses. Big crunchy guitars, driving bass, punchy live drums, hard-hitting snare and a soaring melodic guitar solo. Raw, heartfelt and powerful, never soft or country. All vocals fully sung, no spoken or whispered parts, no crowd sounds. TEMPO: 126 BPM, steady driving rock groove, building intensity into a huge, unforgettable chorus. INTRO: Immediate emotional electric guitar riff with a dark melodic edge. Male vocal enters straight away, fully sung with conviction. No long instrumental opening, no talking, no whispering. Build naturally into a powerful full-band sound.
وينك يا شمواسيه؟
شحالك شمواسيه توحشتك, soft rock, celtic, progressive
I'm undefeatable
Anime Songs, Pop Rock
I'm undefeatable
Anime Songs, Pop Rock, up-tempo pop
awerysopelea - If you're still here
Hip-hop duet crossover, restrained folk-pop. Warm fingerpicked acoustic guitar and piano as the main instruments. Same female lead throughout all verses, natural, vulnerable, emotionally controlled and conversational. Another female voice for both chorus lines and the French ending, very close to the microphone, tender and clear, with audible breath and intimate diction. Choruses mostly instrumental with long pauses. Sparse arrangement, lots of space, subtle room ambience, no big drums; optional very soft brushed percussion late in the song. Gradual emotional build, organic dynamics, human imperfections, clear pronunciation, no glossy pop, no rock, no crowd, no bombastic climax. Final chorus fully instrumental with soft wordless female/female harmonies.
awerysopelea - If you're still here
Female Hip-hop duet crossover, restrained folk-pop. Warm fingerpicked acoustic guitar and piano as the main instruments. Raw female vocal lead throughout all verses, natural, vulnerable, emotionally controlled and conversational. Intimate female voice for both chorus lines and the French ending, very close to the microphone, tender and clear, with audible breath and intimate diction. Choruses mostly instrumental with long pauses and only one short female vocal line. Sparse arrangement, lots of space, subtle room ambience; optional very soft brushed percussion late in the song, organic dynamics, human imperfections, clear pronunciation, no glossy pop, no rock, no crowd, no bombastic climax. Final chorus fully instrumental female harmonies.
awerysopelea - If you're still here
Raw cinematic indie folk and restrained folk-pop, Warm fingerpicked acoustic guitar and soft felt piano as the main instruments. Same male lead throughout all verses, natural, vulnerable, emotionally controlled and conversational. Same female voice for both chorus lines and the French ending, very close to the microphone, tender and clear, with audible breath and intimate diction. Choruses mostly instrumental with long pauses and only one short female vocal line. Sparse arrangement, lots of space, subtle room ambience, no big drums; optional very soft brushed percussion late in the song. Gradual emotional build, organic dynamics, human imperfections, clear pronunciation, no glossy pop, no rock, no crowd, no bombastic climax. Final chorus fully instrumental with soft wordless male/female harmonies.
Naughty or Nice
Tempo: 68–74 BPM. Intro: Lonely piano with distant, slightly detuned Christmas bells. Verses: Deep, raspy, intimate male vocals. Chorus: Emotional melodic vocals with orchestral strings. Bridge: Almost whispered, as if reading a letter to Santa. Breakdown: Raw screamo with distorted guitars and crashing drums. Final chorus: Children's choir and church-like harmonies singing behind the lead vocal. Outro: Piano and bells slowly fading into silence., brass
Music Has No Age
Melodic house and techno, espressivo groove de quatro tempos com kick profundo e firme, baixo pulsante e redondo, arpejos de sintetizador contidos e pads aéreos. Começar esparso e íntimo, expandir gradualmente em camadas até um refrão instrumental amplo, depois recolher para uma saída suave. Voz feminina muito próxima do microfone, delicada, etérea e quase sussurrada, frases faladas com cadência musical e elegância, sem projeção de locutora. Produção moderna, espaço estéreo amplo, graves controlados, transientes suaves e acabamento refinado.
Music Has No Age
Melodic house and techno, 122 BPM, intimate elegant female vocal delivered close-miked and almost whispered, restrained breathy phrasing with clear diction. Begin with a sparse warm analog pulse and soft piano accents; bring in a rounded sidechained bass and crisp restrained four-on-the-floor kick, then gradually layer glassy synth arpeggios and wide atmospheric pads. Build gently into a spacious, emotive instrumental drop, return to the vocal hook with subtle harmonies, and close with a long airy synth tail. Polished deep stereo mix, controlled low end, refined club dynamics.
أحمد شايع يا بطن الفاو
Iraqi Arabic folk-pop anthem with a bold male lead vocal, driving handclaps and frame drums, punchy tabla and daf rhythms, bright oud accents, sturdy bass, call-and-response group shouts, celebratory rallying energy, clear melodic phrasing, polished live-ensemble mix with a strong singalong chorus
The Glass Bureau
Create an original, sophisticated instrumental soundtrack for a premium editorial documentary and business-and-culture analysis platform. The music should feature a memorable, elegant piano motif supported by subtle atmospheric synthesizers, warm sustained strings and a restrained, modern rhythmic pulse. The atmosphere should be thoughtful, intriguing, confident and slightly dramatic, with a sense of intellectual curiosity and quiet momentum. The composition should feel cinematic without becoming theatrical, emotional without sounding sentimental, and modern without becoming futuristic. Use a distinctive recurring melodic phrase that can become a recognisable musical signature across different videos. Build the arrangement gradually, with subtle variations in harmony and texture, while maintaining a consistent identity. Tempo: 85–95 BPM. Production: polished, spacious, balanced and professional, with a clean low end and controlled dynamics.
流々と
Mystical meditative instrumental, deep warm breathy shakuhachi and bansuri trading original spacious melodic phrases, contemplative ancient Himalayan and Zen-inspired sound world, gentle flowing-stream and waterfall textures with delicate distant birdsong, soft drone of low singing bowls and restrained hand percussion, slow freely breathing pulse, opening with water and a single flute, gradually layering interwoven flute responses and subtle percussion, then dissolving into sparse flute and stream ambience, intimate organic recording with rounded low end and generous natural space
流溪冥想
Mystical meditative instrumental, deep warm breathy shakuhachi and bansuri carrying original, spacious melodic phrases; an unhurried, irregular pulse from soft frame-drum heartbeat and delicate hand percussion, with low singing-bowl tones and airy drone. Open with a solitary flute over flowing-stream ambience and distant birdsong; gradually weave in a second flute answering in a Himalayan-inspired mode, then broaden into a gentle waterfall-like wash and sparse resonant bowls before thinning back to a quiet solo-flute ending. Organic, intimate acoustic textures blended with restrained ethereal ambient space, slow dynamic arcs, detailed natural soundscape, warm rounded low end and soft clear highs.
Your Little Hand in Mine Jazz Vocal
Warm Mandarin jazz ballad, mature male baritone, 70 BPM, gentle swing. Intimate jazz piano, upright bass, brushed drums and soulful saxophone, with delicate Chinese flute and guzheng accents. Tender, nostalgic and heartfelt—a grandfather’s joy in his granddaughter’s love. Memorable melodic hook, rich jazz harmonies, expressive instrumental solo and soft, peaceful ending.
Your Little Hand in Mine Jazz Imstruments
Warm Mandarin jazz ballad, mature male baritone, 70 BPM, gentle swing. Intimate jazz piano, upright bass, brushed drums and soulful saxophone, with delicate Chinese flute and guzheng accents. Tender, nostalgic and heartfelt—a grandfather’s joy in his granddaughter’s love. Memorable melodic hook, rich jazz harmonies, expressive instrumental solo and soft, peaceful ending.
You Don’t Know Me Like I Know You
Late 1980s British synth-pop, melancholic electronic dance-pop, 118 BPM, D minor. Distinctive high-pitched British male falsetto throughout, delicate, breathy, slightly nasal, intimate and emotionally restrained, with expressive sustained high notes and subtle vibrato. No female vocals, no American accent, no theatrical belting. Warm analogue polyphonic synthesizers, shimmering digital bell textures, melancholic minor-key chord progressions, melodic rubbery synth bass, pulsing sequencers, crisp LinnDrum-style percussion, gated snare, tight electronic kick, subtle chorus effects and spacious vintage reverb. Intimate conversational verses, rising melodic pre-chorus, soaring hypnotic chorus with layered male falsetto harmonies. Dark romantic tension, obsession, vulnerability and emotional imbalance. Memorable repeating vocal hook, instrumental synth passages, authentic polished 1986–1989 British studio production. Bittersweet, danceable, atmospheric, slightly unsettling.
Hsjc hj
Emotional Greek Laïko melodic deep house, chill EDM, melodic techno, 99 BPM, minor key. Deep romantic male baritone, sorrowful Greek-style melodic phrasing, expressive Mediterranean vocal ornaments. Powerful rounded sub-bass, thick warm electronic kick, pulsing synth bass, smooth house groove, atmospheric pads. Haunting Greek Laïko melodies, subtle bouzouki accents, emotional synth leads, hypnotic repeating chorus, soft breakdowns, rich clean bass production.
Boogie-woogie, Friends
Upbeat boogie-woogie for a welcoming adult day program movement session, lively rolling piano, walking upright bass, crisp brushed-to-snappy drums, handclaps, and bright brass accents. Keep a steady, comfortable dance pulse with clear space for the vocal cues; use a warm, friendly lead singer with playful group responses. Build gently from a simple piano intro into an easy sing-along chorus, add a short instrumental turnaround, then finish with an encouraging repeated hook and a clean stop.
Christmas
Dancehall
Christmas touch
Dancehall Christmas
Beautiful love
Dancehall slow beat
Two Spears of Grass
Dancehall slow beat
Jump gal
Dancehall
Las Marthukis
Christmas reggaeton, upbeat dembow groove, bright brass stabs, crisp hand percussion, warm bass, playful sleigh-bell accents, celebratory female group vocals with catchy call-and-response, polished Latin dance production, dynamic verses and a chantable chorus
Nieve, Navidad
Theatrical Christmas reggaeton with a dramatic DJ-style spoken intro, punchy dembow groove, crisp handclaps and deep rounded bass. Build from icy wind and suspenseful minor-key strings into bold brass hits and a catchy, danceable chorus; use clear rhythmic breaks and stop-start accents for crowd claps. Spanish lead vocal with playful stage presence, layered group responses, polished festive production, wintry cinematic tension balanced by joyful holiday energy. No cambies nada del ritmo
Nieve, Navidad
Theatrical Christmas reggaeton with a dramatic DJ-style spoken intro, punchy dembow groove, crisp handclaps and deep rounded bass. Build from icy wind and suspenseful minor-key strings into bold brass hits and a catchy, danceable chorus; use clear rhythmic breaks and stop-start accents for crowd claps. Spanish lead vocal with playful stage presence, layered group responses, polished festive production, wintry cinematic tension balanced by joyful holiday energy.
Hal9
ballad, dance
Decides Si Sí
Contemporary reggaeton, relaxed but danceable dembow groove with crisp syncopated kick and snare, rolling hand percussion, deep rounded sub-bass, clipped muted guitar accents, warm plucked synth motif, spacious verse arrangement opening into a wider chorus with layered harmonies, confident melodic Spanish-language lead vocal, polished punchy low end and clear intimate vocal mix.
Old Dreams Can Begin Again
South African Afro-soul storytelling with a buoyant township-pop groove, syncopated hand percussion and warm bass, bright guitar and subtle keys, conversational lead vocal with expressive South African phrasing, communal call-and-response chorus, verses build from intimate and reflective to joyful and danceable, polished organic mix with a memorable repeated hook
It's Not Too Late
South African storytelling pop with a gentle amapiano pulse, warm acoustic guitar, rounded log-drum bass, handclaps, subtle marimba accents, conversational male lead vocal with a South African English lilt and vivid storyteller phrasing; start intimate with guitar and voice, bring in a buoyant groove for the chorus, lift with layered group responses, then strip back for a heartfelt bridge before a memorable final chorus. Clean, welcoming, danceable production with clear vocals and an easy singalong refrain.
Sicily
House dance version that would get gay guys dancing in the clubs. Make it an anthem
Tri Kunata, Tri Motra
Albanian wedding folk dance, lively çifteli and clarinet-led arrangement, driving hand percussion and punchy bass, bright communal male vocal with call-and-response backing voices, celebratory courtyard atmosphere, brisk dance groove, clarinet fills between vocal lines, rising energy into a repeated singalong chorus, warm live-band mix
Tri Kunata
Albanian festive folk dance, lively çifteli and clarinet-led melody, brisk hand percussion and driving bass, bright communal wedding-party groove; clarinet answers the vocal phrases and carries short instrumental fills, warm accordion support, chorus opens into group responses and handclaps, celebratory female lead vocal with spirited ensemble backing, polished natural live-band mix.
Tre Vëllezër, Një Zemër
Albanian celebratory folk-pop, lively wedding-table groove, brisk 6/8 dance pulse, bright accordion answering the vocal, plucked acoustic strings, hand percussion and rounded bass, male lead vocal with warm communal backing harmonies, verses kept conversational and choruses opening into a singalong, crisp festive mix with organic room energy
Për Tre Vëllezër
Albanian celebratory folk-pop, lively 6/8 dance pulse, bright accordion and clarinet answering a strummed acoustic guitar, hand percussion and warm bass, communal male lead vocal with group responses, verses kept intimate then a broad singalong chorus, joyful table-gathering energy, clear natural vocal mix
Nerdesin damar arabesk
Modern Turkish Arabesque / Deep Emotional Arabic-Inspired R&B, 88 BPM, A Minor. A heartbreaking, soul-shattering female vocal performance with a rich, powerful, slightly raspy mezzo-soprano voice. Deep Turkish arabesk emotion, painful melodic violin solos, expressive bağlama, haunting oriental strings, darbuka, deep 808 bass and dramatic rhythmic percussion. Strong melodic hook from the very first second. Verses intimate, wounded and almost crying. Chorus explosive, passionate and unforgettable, with long emotional vocal runs and dramatic pauses. Raw heartbreak, betrayal, longing and desperate love. Powerful vocal delivery, authentic arabesk ornamentation, gospel-inspired backing harmonies in the final chorus. Dark, melancholic, cinematic atmosphere. No upbeat dance-pop, no cheerful melodies, no EDM.
Girls Girls Girls 135
ast modern American Country Western Square Dance, authentic Nashville sound, G major, moll c, d 4/4 time, 135BPM, target duration 2 minutes. Catchy honky-tonk piano, fast bluegrass banjo picking, rhythmic acoustic Western guitar, slap upright bassescountry drums, handclaps and boot stomps. Powerful, exciting Western dance groove. Humorous male cowboy and female cowgirl duet, natural American English with authentic Southern country accents. Playful call-and-response vocals, changing vocal registers, catchy harmonies. Soft deep male backing choir humming without words. Sing ONLY the three provided lyric lines, repeated four times. Extended instrumental breaks featuring exciting piano, banjo and guitar solos. No extra lyrics, no spoken words, no fiddle, no violins, no synthesizers. Crystal-clear professional Nashville studio sound, wide stereo, subtle reverb. Strong rhythmic ending.
Jadenye Mwen
Authentic HAITIAN KOMPA LOVE / slow GOUYAD, 90 BPM, unmistakably Haitian from the FIRST SECOND. Deep warm rolling melodic BASS, prominent and powerful throughout. Signature syncopated clean electric Kompa guitars, interlocking guitar riffs, steady hypnotic Haitian Kompa drums, percussion, warm electric piano and lush keys. Deep mature FEMALE CONTRALTO: low chest voice, smoky, husky, raspy, sensual and soulful. Start intimate but already richly rhythmic. Build intensity continuously: stronger bass, fuller drums, richer guitars, rising harmonies and FEMALE CHOIRS. Romantic, passionate, sensual close-dance atmosphere. LONG sensual GOUYAD break, bass-dominant, hypnotic and magnetic. Then rebuild dramatically into an EXPLOSIVE FINAL: huge rolling bass, energetic Kompa guitars, powerful drums, layered female call-and-response choirs repeating “Kon si sé té yè”, soaring emotion and maximum intensity. Authentic Haitian sound. NO Latin, bachata, salsa, reggaeton, kizomba or Afrobeat.
2.0
Gospelchor mit Kinder im Chor dance Trans
2.0
Gospelchor mit Kinder im Chor, dance
Ben's Pum Pum Mask
Hilarious adults-only reggae comedy advertisement featuring Ben, a cheeky, charismatic, shameless male beauty salesman promoting ridiculous Pum Pum Masks. Authentic old-school Jamaican roots reggae and playful dancehall, deep bouncing basslines, offbeat skank guitar, warm organ, melodica, tropical percussion, punchy brass and laid-back reggae drums. 94 BPM. Smooth, mischievous male lead vocal with expressive Jamaican reggae phrasing, comedic spoken sales pitches, rhythmic singing, cheeky laughter and exaggerated enthusiasm. Start with a slow seductive spoken introduction before dropping into an infectious reggae groove. Extremely catchy repetitive PUM PUM MASK chorus sung by playful female backing vocalists. Funny call-and-response, dub echoes, record scratches, dramatic pauses and outrageous adult humour. Build towards a chaotic reggae advert finale with booming bass, brass stabs and shouted slogans. Clear English lyrics, theatrical storytelling, professional sound. Not rap, rock, pop
Johan & Kevin – Vi stannar en stund till ✨🎶
Emotional Swedish dance-pop with melancholic verses and a euphoric, uplifting chorus. Steady four-on-the-floor beat, pulsing synth bass, shimmering electronic textures, atmospheric keyboards and bright synth hooks. Intimate, expressive female lead vocals growing into powerful, soaring choruses with layered harmonies. Bittersweet Scandinavian pop atmosphere, combining vulnerability with a feeling of freedom and togetherness. Restrained opening, gradual builds, energetic chorus drops and a spacious bridge before a powerful final chorus. Polished early-2010s electronic pop production, danceable yet heartfelt, with original melodies and lyrics.
Live do Casal Zaflor
Brazilian funk, upbeat dance groove, punchy tamborzão percussion, deep rounded sub-bass, bright synth accents and playful vocal chops, energetic male lead with chant-like chorus and group responses, lively livestream-party atmosphere, tight modern club mix, build from a sparse intro into a full chorus and finish with a crowd-style refrain
Arte y música para soñar
Colombian cumbia for children and teenagers, lively syncopated cumbia groove with alegre percussion, guacharaca, handclaps, warm bass, bright accordion and playful melodic touches from guitar, violin and piano. Cheerful group-friendly lead vocal with clear Spanish diction and light youthful backing harmonies. Begin with a short instrumental hook, build into an easy call-and-response chorus, add a contrasting verse with lighter percussion, then return to a bigger singalong chorus and a buoyant instrumental tag. Clean, colorful, family-friendly production with a danceable pulse and memorable melody.
Гори моя душа
Russian folk-pop dance song with a lively 2/4 pulse, bright accordion lead, balalaika accents, warm acoustic guitar strums, rounded bass and crisp hand percussion. Build from a nimble instrumental pickup into intimate verses, lift with a short rising pre-chorus, then open into a bold, memorable singalong chorus with light vocal doubles; add a brief accordion response between phrases and a celebratory final chorus. Expressive female lead vocal in Russian, clear diction, spirited and affectionate delivery, polished organic mix with a festive village-dance character.
Run It, Run It
1990s Eurodance fused with disco dance-pop, exactly 200 BPM, relentless four-on-the-floor kick, punchy rolling bassline, bright piano stabs, catchy octave synth hooks, euphoric female lead vocal with energetic male hype shouts, short rising build-ups into explosive drops, minimal breakdown time, uplifting club energy, polished powerful modern production, steady workout groove throughout
Somebody Call Security
Upbeat Afro-reggae, dancehall bounce, playful male lead vocal, catchy female backing vocals, deep warm bass, African percussion, tropical guitar, humorous call-and-response, 104 BPM. Clear vocals, joyful party atmosphere, short instrumental breaks, seamless repeatable ending. Approximately 3 minutes.
Your Website Can Talk!
Upbeat African reggae dancehall anthem, 100 BPM, infectious bouncing bassline, warm Caribbean rhythm guitar, African percussion, joyful male lead vocal with a charismatic African accent, catchy female backing vocals, playful call-and-response chanting, uplifting brass accents, memorable repetitive chorus, clean radio-ready production, energetic walking groove, fun and optimistic, designed to loop seamlessly during a TikTok LIVE. Spoken intro and outro. Original composition.
Zorica
bass, flute, soft rock, folk, dance, fusion, accordion
Pass It Around
Upbeat African reggae dancehall anthem at 100 BPM with an energetic walking groove and clean radio-ready mix. Use an infectious bouncing bassline, warm offbeat Caribbean rhythm guitar, lively African hand percussion, and short joyful brass accents. Charismatic male lead with an African accent, bright female backing harmonies, playful call-and-response chants, and a repetitive easy-to-sing chorus. Arrange a brief spoken intro into the groove, build with percussion and brass lifts between sections, then finish on a clean rhythmic turnaround that can loop naturally back to the opening. Fun, optimistic, communal celebration.
Boogie Woogie Together
Upbeat accessible boogie-woogie for a community adult day program, bouncy moderate shuffle groove with buoyant piano, light bass, crisp handclaps and gentle drums. Warm welcoming lead vocal with clear diction and an easy call-and-response chorus; keep the arrangement uncluttered so movement cues are easy to follow. Short instrumental piano intro, verse with simple guided motions, repeating singalong chorus, brief breath-and-stretch breakdown, final chorus and cheerful tidy ending.
Poem forget me
A hauntingly beautiful, deeply cinematic piano ballad with a powerful emotional impact that rivals the vocals. The composition must be in a slow 6/8 wals-time signature, heavily inspired by the melancholic tempo and heartbreak vibe of 'The Night We Met' (around 87 BPM) combined with the intimate piano style of 'Je te laisserai des mots'. Set in a rich D-major key. The piano chords must be heavy, echoing, and front-and-center in the mix, building in intensity to match the passion of the spoken word poetry. Add a sweeping, deeply emotional cello and slow ambient reverb that cuts through the silence. This is not background music; it is a lead instrument driving the narrative.
Forget me poem
A deep, warm, and mature female voice reading spoken word poetry. The delivery must be incredibly calm, slow, and rhythmic, matching the emotional flow of the text. Tone should be intimate, conversational, and raw, with a touch of cold confidence. Every word needs to breathe. Speak with a natural, close-mic proximity effect, as if whispering a powerful truth directly into the listener's ear. No rushing, no shouting—just pure, understated strength and cinematic emotionA cinematic, deeply emotional, and minimalist ambient soundtrack. Soft, echoing piano chords playing a slow, melancholic, and romantic melody, heavily inspired by 'Je te laisserai des mots' by Patrick Watson. Faint, warm ambient strings swelling gently in the background. The music must be low in the mix, leaving maximum space for the vocals, creating a haunting, beautiful, and unforgettable atmosphere.
JANGAN AJARI CINTA
soft cinematic romantic ballad, intimate piano and felt strings, delicate opening, gradual orchestral build, warm low percussion entering late, wide soaring final chorus, expressive lead vocal, clear emotional phrasing, polished film-score production, dynamic crescendo
TAKUT JATUH CINTA
MUSIC: Sublime minimalist Spanish romantic ballad, solemn and spiritual, slow tempo, lots of space and silence. Solo grand piano with soft sustained chords throughout, a single warm cello enters in the second verse, gentle string quartet only in the bridge and final chorus, piano and strings only, no drums, no guitars, no synths. Ethereal angelic choir with soft "ooh" and "aah" harmonies only at key moments: softly behind the second chorus, full and heavenly in the bridge and final chorus, fading away in the outro. Choir only in second chorus, bridge, final chorus and outro, never in the verses or first chorus. Reverent, intimate, like a farewell song for a funeral. Ends with solo piano, a last angelic choir breath and a long fading final note. VOCALS: Smooth clean male tenor, sweet bright polished tone, 90s Latin romantic balladeer, very wide range, soft breathy verses that build to full power. Very high soaring tenor notes at the peaks, climbs higher in each chorus, long sustained hi
Family Stories Part three
Dark satirical musical comedy, theatrical spoken-word storytelling, witty male comedian vocals, upbeat piano-driven cabaret, playful vaudeville instrumentation, bouncy bass, quirky percussion, sarcastic conversational delivery, exaggerated cheerful enthusiasm, sharp comedic timing, dramatic pauses before punchlines, sudden musical stops, ironic game-show jingles, occasional mock applause, escalating frustration beneath a cheerful exterior, expressive character voices, theatrical crescendos, bittersweet undertones, catchy recurring motifs, polished studio production, clear Canadian English pronunciation, fast-paced comedy monologue, dark humour about dysfunctional families, emotionally powerful closing.
Star of Bethlehem's First Light
Joyful Holiday Christmas, Modern Christian carol, Christmas, xmass, winter holyday, drummer, bas drum, tom drums, bells, triangles, trumpet and piano, canon
Nevada City Lane
1950s New Orleans rhythm-and-blues, upbeat shuffle with a slow deliberate handclap backbeat, punchy trumpet and trombone ensemble with brassy call-and-response fills, rolling piano, upright bass, restrained brushed drums, deep smoky male baritone vocal with relaxed phrasing, vintage mono-inspired warmth and roomy horn section, jaunty romantic arrangement that opens with brass, lifts into a singable chorus, and closes with a full-band brass tag
A Beautiful Day Made for Two
1950s New Orleans rhythm and blues, joyful romantic second-line swing at an easy strolling pace, deep smoky male baritone with relaxed phrasing and a hint of grit, bold warm brass section carrying playful answer-and-response hooks, upright bass and brushed kit holding a gentle slow-clap backbeat, rolling piano fills between vocal lines, arrangement opens with a short brass flourish, stays intimate through the verses, lifts into a bright singalong chorus, and closes with a celebratory brass tag; warm vintage mono-inspired tone with roomy live-band character
awerysopelea - ein Stück mit mir
Upbeat 80s-inspired synth-pop with bright analog synths, driving drums and warm bass. Catchy, energetic chorus with a bittersweet glow. Male lead vocal, clear and grounded, never whiny; conversational verses, open and soaring chorus. Brief piano and vocal drop in the bridge, then a full final chorus. Intimate emotion beneath the energy; no crowd vocals.
Level the Crates
Hip hop
awerysopelea - If you're still here
Alternative hip hop pop-crossover
Ten Mighty Players, One Crew
Hip hop
Ten Mighty Players
Hip hop, RAP
Magic Team Three
Hip hop, RAP
Stay Switched On! Be Ready to Play!
Hip hop, RAP
Gio Says You're Good
West Coast hip hop, G-funk, West Coast boogie, laid-back rolling funk groove with rubbery synth bass, bright talkbox accents, crisp snare, handclaps, syncopated keys, and clean electric guitar fills. Open with a short synth-and-guitar motif, settle into conversational rhythmic verses, then lift into a big melodic call-and-response chorus; add a brief instrumental pocket before the final chorus. Confident, warm male rap-singing with clear diction, sunny lowrider-era production, punchy drums and a smooth wide mix.
Who’s Bringing the Fire?
Rap, hip hop, pop
Swish
house, pop, hip hop
Turnover Chain
Hip hop, rap, anthem
Ten Fierce Dragons
Pop, hip hop, drums, bass
Georgie
Pop hip hop rap
Two Big Legends, One Name?
Rap, hip hop
Mon Frère, Ma Sœur
French pop fused with hip hop and Afrobeats, urgent civic-minded energy, powerful African djembe and hand-drum groove, driving modern bass and crisp programmed percussion. Begin with exposed female and male a cappella voices, then bring in the djembe-led beat and full arrangement; build into a chantable, emphatic chorus. Alternating female and male lead vocals, clear conversational French delivery, tight rhythmic phrasing, polished punchy mix with strong vocal presence and firm low end.
Alors réagissez
French pop blended with hip hop and Afrobeats, urgent communal rally energy, opening with a completely dry unaccompanied call-and-response duet between a woman and a man, then a forceful African djembe-led groove with layered hand percussion, punchy modern kick and bass, bright syncopated guitar and brass accents, alternating female and male lead vocals with a chantable crowd refrain, crisp direct vocal mix, tight low end, polished contemporary production
X Game
Shatta fused with reggaeton, dancehall, reggae, hip hop and pop; buoyant syncopated dembow groove with punchy kick, crisp hand percussion, deep rolling bass, clipped dancehall guitar chops and bright sparse synth accents. Playful late-night party energy, teasing intimate whispered ad-libs alternating with confident melodic female lead and rhythmic sing-rap, Creole-Caribbean vocal phrasing with English responses. Verses stay lean, pre-chorus builds with percussion, chorus opens into a bold chantable hook, brief stripped whisper break before the final chorus. Warm bass-forward club mix, clear upfront vocals, polished modern production.
X Game
Shatta fused with reggaeton, dancehall, reggae, hip hop and pop; syncopated dembow groove, punchy dancehall kick and snare, rolling hand percussion, deep rounded bass, clipped offbeat guitar and bright synth accents. Playful, flirtatious late-night party energy. Confident feminine lead vocal with rhythmic melodic phrasing, brief close-mic whispered ad-libs and a catchy group-response chorus. Verses stay sparse and percussive; pre-chorus builds with rising percussion; chorus opens into a bold, danceable hook; short breakdown brings whispers forward before the final chorus. Polished, bass-forward club mix with crisp vocal presence.
My safe place
Rap, hip hop
Fighting battles
Rap, hip hop
That ampm
A hip hop Breaking Benjamin style song
My dues v15 Nov 5th
Punjabi Tabla should be the prominent instrument. 90s East Coast inspired hip-hop anthem at 140 BPM. The signature sound is focused on the instrumental of the track in hip hop style. Strong piano melody that stays throughout the entire track. The piano should always be prominent and feel deep, emotional and powerful with a simple repeating motif that listeners remember after the song ends. Use heavy boom bap drums, deep bass, dark strings and stadium energy. Male vocal should aggressive in a DMX style energy but in a UK drill rap style tone. double layered in hooks with the chorus and be a rough, husky, weathered tone with a deep gritty texture, emotional rasp and raw vulnerability. The voice should feel like someone who has lived through hardship, carries the weight of his past and is fighting to rebuild his life. Verses should have controlled anger, pain and powerful storytelling. The hook should explode with conviction, layered vocals and massive crowd chant energy. Overall feeling
hyphoprelexe
trockener Downtempo hip hop Groove
Mama, Don't Close Your Eyes
Viking hip hop fused with folk trap, heavy half-time 808 groove and crisp trap hats beneath stomping frame drums, low bowed strings and raw Nordic tagelharpa drone; open with a chant and sparse percussion, build into hard-hitting rap verses, then lift into a soaring female-sung folk chorus with layered harmonies and an earthy, commanding delivery; contrast intimate verses with a wide, punchy chorus, gritty low end and cinematic room ambience.
Hip Hop (The Lord's is my shepherd)
Hip hop, Rap
The Age of Two Tantrum
Fresh prince of bel air Hip hop Rap
Ich bleib bei dir
alternative hip hop crossover, German male rap vocal with a warm melodic male vocal hook, intimate conversational verses over dusty breakbeat drums, rounded sub bass, muted electric guitar and restrained analog keys; build into a wide, anthemic chorus with layered harmonies, then strip back for a reflective bridge; punchy but organic mix, vocal-forward and emotionally direct
Viene y va…
Hip hop español
Viene y va…
Hip hop español oscuro y emocional, estilo Hard GZ. Beat lento (72–76 BPM), piano melancólico, guitarras ambientales, subgraves profundos y batería seca con mucho peso. Voz masculina grave y rota, interpretación muy sentida, con actitud callejera y vulnerable a la vez. Versos con flow pausado, dejando respirar las frases importantes. Hook muy melódico y coreable, con dobles voces y coros abiertos. Ambiente nocturno, introspectivo, de derrota, arrepentimiento y superación. Producción moderna, cruda y cinematográfica, sin autotune exagerado, priorizando la emoción y la autenticidad.
Father Christos
Hip-hop rap with grim boom-bap drums, swung hi-hats, and a tense minor-key loop; verse rides sparse kick-snare pockets, pre-chorus tightens with filtered chops, chorus lands with stacked unison hooks and gang ad-libs. Close-mic male vocal, dry and direct in verses, doubled on the hook, with reverse swells into transitions, needle-drop scratches, and a low sub pulse under the final chorus. Bright, punchy, and raw, soft, hip hop, sad
War Path Rosary
Dark boom-bap trap with gritty swung drums, warped sub-bass, and dusty vinyl crackle; verse rides sparse kicks and chopped choir stabs, pre-chorus strips to rim clicks and a filtered bass pulse, chorus hits with stacked gang vocals and a hammered prayer bell. Close-mic lead vocal, double-tracked on key bars, with delay throws on the hook and tape-stop turns before each drop. Bright but grimy mix, heavy low end., hip hop, sad, soft
Trap
trance, minimal techno, trap, southern hip hop, dark ambient, hypnotic, melodic trap, minor key, 808 sub bass, deep bass, rolling hi-hats, trap flute, vintage woodwind sample, repetitive flute loop, crisp snare, male vocals, auto-tune, laid-back flow, raspy delivery, atmospheric, reverb, lo-fi texture, 130 bpm
Kleveta
old school hip hop, flow drama, threatening rap, electronic, acoustic guitar, bass
Kleveta
hip hop, rap, sarajevo accent bosnian rapper. trettening rap flow, mound harmonica c and g dur solo in the middle
Mahala
drill rap, hip hop, bass, aqustic guitar, hand clap against guitar, at the end g dur solo on mound harmonica
Mašina2
gangster rap, hip hop, bass, aqustic guitar, hand clap against guitar, at the begining and end g dur solo on mound harmonica
Kōan
Create a unique 5-minute spiritual instrumental journey featuring deep, warm, breathy bamboo flutes (shakuhachi and bansuri). Every generation must explore a completely different original melody, musical arrangement, rhythm, atmosphere and creative direction while maintaining a beautiful, mystical, deeply meditative sound. Freely vary between ancient Eastern, shaman chants, Himalayan, Zen, shamanic, sacred world music and ethereal ambient influences. Blend flowing streams, waterfalls, gentle birdsong, delicate crystal bells, wind chimes and Tibetan singing bowls with subtle organic instruments. Vary the combinations of nature sounds and supporting instruments in every track. Soulful flute improvisations, rich low tones, spacious harmonies and profound spiritual depth. Warm, natural, hypnotic and emotionally moving. No vocals, no electronic beats, no harsh sounds. Each track must sound distinctly different, never repetitive, approximately 5 minutes long.
Bamboo Cup by the Stream
Create a unique 5-minute spiritual instrumental journey featuring deep, warm, breathy bamboo flutes (shakuhachi and bansuri). Every generation must explore a completely different original melody, musical arrangement, rhythm, atmosphere and creative direction while maintaining a beautiful, mystical, deeply meditative sound. Freely vary between ancient Eastern, Himalayan, Zen, shamanic, sacred world music and ethereal ambient influences. Blend flowing streams, waterfalls, gentle birdsong, delicate crystal bells, wind chimes and Tibetan singing bowls with subtle organic instruments. Vary the combinations of nature sounds and supporting instruments in every track. Soulful flute improvisations, rich low tones, spacious harmonies and profound spiritual depth. Warm, natural, hypnotic and emotionally moving. No vocals, no electronic beats, no harsh sounds. Each track must sound distinctly different, never repetitive, approximately 5 minutes long.
Seven Breaths at the Waterfall
Create a unique 5-minute spiritual instrumental journey featuring deep, warm, breathy bamboo flutes (shakuhachi and bansuri). Every generation must explore a completely different original melody, musical arrangement, rhythm, atmosphere and creative direction while maintaining a beautiful, mystical, deeply meditative sound. Freely vary between ancient Eastern, Himalayan, Zen, shamanic, sacred world music and ethereal ambient influences. Blend flowing streams, waterfalls, gentle birdsong, delicate crystal bells, wind chimes and Tibetan singing bowls with subtle organic instruments. Vary the combinations of nature sounds and supporting instruments in every track. Soulful flute improvisations, rich low tones, spacious harmonies and profound spiritual depth. Warm, natural, hypnotic and emotionally moving. No vocals, no electronic beats, no harsh sounds. Each track must sound distinctly different, never repetitive, approximately 5 minutes long.
Cracked Bamboo Cup
Create a unique 5-minute spiritual instrumental journey featuring deep, warm, breathy bamboo flutes (shakuhachi and bansuri). Every generation must explore a completely different original melody, musical arrangement, rhythm, atmosphere and creative direction while maintaining a beautiful, mystical, deeply meditative sound. Freely vary between ancient Eastern, Himalayan, Zen, shamanic, sacred world music and ethereal ambient influences. Blend flowing streams, waterfalls, gentle birdsong, delicate crystal bells, wind chimes and Tibetan singing bowls with subtle organic instruments. Vary the combinations of nature sounds and supporting instruments in every track. Soulful flute improvisations, rich low tones, spacious harmonies and profound spiritual depth. Warm, natural, hypnotic and emotionally moving. No vocals, no electronic beats, no harsh sounds. Each track must sound distinctly different, never repetitive, approximately 5 minutes long.
The Cracked Tea Cup
Create a unique 5-minute spiritual instrumental journey featuring deep, warm, breathy bamboo flutes (shakuhachi and bansuri). Every generation must explore a completely different original melody, musical arrangement, rhythm, atmosphere and creative direction while maintaining a beautiful, mystical, deeply meditative sound. Freely vary between ancient Eastern, Himalayan, Zen, shamanic, sacred world music and ethereal ambient influences. Blend flowing streams, waterfalls, gentle birdsong, delicate crystal bells, wind chimes and Tibetan singing bowls with subtle organic instruments. Vary the combinations of nature sounds and supporting instruments in every track. Soulful flute improvisations, rich low tones, spacious harmonies and profound spiritual depth. Warm, natural, hypnotic and emotionally moving. No vocals, no electronic beats, no harsh sounds. Each track must sound distinctly different, never repetitive, approximately 5 minutes long.
Fifty-Seven Winters Later
Instrumental only. Emotional cinematic memorial music, 2 minutes 20 seconds. Gentle solo piano, very soft warm strings, slow tempo around 65 BPM. A Korean veteran returns to his former military medical station after 57 years and remembers his comrades. Deep nostalgia, quiet sorrow, dignity, gratitude and peaceful farewell. Begin with a delicate piano melody, slowly develop a warm emotional theme, then return to a sparse, tender piano ending. Natural acoustic sound, restrained and sincere, never overly dramatic. No vocals, no singing, no humming, no choir, no speech, no drums, no electronic beats. Instrumental only.
The Last Goodbye
Original cinematic progressive-metal power ballad with haunting piano, whispered intimate male vocals, ambient electronic textures, deep sub-bass, orchestral strings, atmospheric distorted guitars, crushing halftime drums, soaring emotional choruses, and a massive choir-backed final crescendo. Lyrics about a dying person's final loving goodbye to family and friends. Begin fragile and restrained, gradually build into a devastating emotional climax, then end in absolute silence. Raw vocal vulnerability, subtle voice cracks, long reverb tails, dynamic contrast, 72 BPM, D minor.
Kal tekno
Melancholic Greek melodic deep house, chill house, 99 BPM, minor key. Deep emotional male baritone, smooth romantic vocals, subtle vibrato, hypnotic repeating hook. Powerful rounded sub-bass, thick warm electronic kick, soft clap, minimal hi-hats, pulsing analog synth bass, dreamy atmospheric pads, delicate synth plucks. Dark bittersweet mood, restrained four-on-the-floor groove, soft breakdowns, spacious vocal echoes, deep clean electronic production.
Kal biraz daha
Modern Greek-influenced Mediterranean melodic pop, 99 BPM, 4/4, bittersweet romantic mood, warm smooth male lead vocal, intimate emotional delivery, flowing short vocal phrases, instantly catchy repeating chorus. Gentle piano and bright plucked synth melody, soft atmospheric pads, rounded melodic bass, clean electronic kick, snare and crisp hi-hats. Sparse vocal opening, full rhythmic chorus, subtle echoed backing vocals, smooth verses, stripped-back breakdown and final full chorus.
El Nino de Caliche
Instrumental cinematic folk-horror score for a Puerto Rican mountain legend, underscore for spoken narration. Dark, haunting, melancholic, minor key, slow 68 BPM, about 2 minutes. Opens with a low cello drone, night wind and distant sparse plucked Puerto Rican cuatro notes with long reverb. Builds slowly with soft felt piano, warm low strings and a gentle heartbeat-like deep drum pulse. Middle section: sad, tender string swell like a mother's lullaby, then tension rises with tremolo strings and dark low brass. Climax is restrained and eerie, then everything drops to near silence and ends with a single fading cuatro note and wind. Sparse arrangement with lots of space for a narrator's voice, no busy melodies, no vocals, no choir, no electronic beats, no guitars strumming, no modern pop drums. Film trailer quality, deep, wide, intimate.
Campeão do Travesseiro
Brazilian funk, humorous teasing party track, punchy syncopated tamborzão groove, deep sub bass, clipped electronic percussion, sparse call-and-response synth stabs, energetic male vocal with conversational phrasing and playful ad-libs, tight dry vocal upfront, compact club mix, verses build into a chantable hook
Nego Oreia na Resenha
Brazilian funk carioca, playful teasing party groove, punchy syncopated electronic percussion and deep sub-bass, bright synth stabs answering the vocal hook, tight rhythmic male vocal with chant-like chorus and conversational verses, short instrumental break before the final chorus, clean loud club mix
awerysopelea - GEMACHTES VERGEHT II
Dark cinematic alternative hip-hop crossover with intimate, raw female lead vocals. Start immediately with a deep restrained beat, dark piano and low cello, then add atmospheric strings and subtle electronic textures. violin in the pre-chorus, bridge and toward the end
ささやかな幸せ
Japanese dance-pop, polished early-2000s vocal-group sound, dramatic soaring male lead vocals with tight layered harmonies, syncopated electronic drums, sleek synth bass, bright piano accents, glossy string-synth lifts, rhythmic guitar, intimate verse building into a big melodic pre-chorus and an expansive anthemic chorus, crisp radio-ready production
awerysopelea - GEMACHTES VERGEHT
Dark cinematic alternative hip-hop crossover with intimate, raw female lead vocals. Start immediately with a deep restrained beat, dark piano and low cello, then add atmospheric strings and subtle electronic textures. Verses close, reflective and slightly rhythmic, almost spoken but still melodic. Chorus wide, haunting, beautiful and memorable with layered vocals, deep bass and strings. Floating violin in the pre-chorus, bridge and toward the end, subtle over beat, piano and cello. After every chorus, cut the instrumentation sharply for “Du bist gemacht. Und was gemacht ist, vergeht.” Deliver it dry, intimate and nearly spoken; each repetition emptier and more final. Final chorus big and emotional, then collapse into near silence. No rock guitars, crowd sounds or dance feel. Cinematic, modern, melancholic, unsettling.
Sonntag mit Emma
Upbeat, sophisticated modern Las Vegas Big Band Swing, 155 BPM. Golden-age 1950s and 1960s American jazz crooner atmosphere with contemporary punchy production. Deep, warm, charismatic male baritone lead vocal, smooth velvet tone, playful phrasing, charming spoken introductions, confident swagger, expressive vibrato and crisp German pronunciation. Explosive brass section with bright trumpets, swinging trombones, energetic saxophone riffs, walking upright bass, lively jazz piano, brushed snare transitioning into powerful swinging drums, subtle jazz guitar. Catchy theatrical choruses, call-and-response backing vocals, scat singing, dynamic horn stabs, spectacular trumpet solo, dramatic breaks and a huge final orchestral crescendo. Playful father-daughter storytelling with a heartfelt emotional bridge. Elegant, joyful, cheeky, cinematic, irresistibly danceable. Authentic live big band energy, rich vintage warmth, pristine modern mix. No electronic beats, no rap.
Che ne sai tu di me
Italian hard rock, heavy and provocative, 96 BPM, 4/4, target 3:30. Mature male voice: deep, raspy, expressive, clear Italian diction. Sarcastic, almost-spoken verses with restrained anger. Strong contrast between verses and chorus. Brief dramatic pause, then an EXPLOSIVE CHORUS: massive distorted guitars, pounding drums, driving bass and layered male gang vocals. Lead-and-crowd call and response on “CHE NE SAI TU DI ME?”, with a memorable melody. Make “Cerchi un grammo d’amore” stand out clearly. Short guitar intro, two narrative verses, repeated chorus, brief aggressive solo. Final chorus even bigger, with doubled gang vocals and a sustained final hook. Low, bitter spoken outro and abrupt stop. Raw live-band sound, tight rhythm, emotional intensity. No growls, constant screaming, rap, electronic beats, operatic choir or glossy pop.
Aimez
Love indie pop, electronic, vocal
레즈클럽여왕2
K-pop girl group, 4 female vocals. Sound exactly like A2O Lite - NEON (2026). Heavy pounding bass, intense electronic dance-pop, strong 2010s SM sound (Yoo Young-jin + Dem Jointz style). Sharp neon synths, layered group vocals, high energy, addictive repetitive chorus, dance break. Futuristic neon cyber atmosphere mixed with classic powerful K-pop. Bright but cold neon lights, punchy electronic drums, hypnotic heavy bassline. Make the chorus sound very similar to "Neon and beyond" hook style of A2O Lite NEON. Song length 4:20 \~ 4:50. Include short aggressive rap.
레즈클럽여왕님
Korean girl group, 4 female members only. Sound extremely close to A2O Lite - NEON (2026): heavy pounding bass, intense electronic dance-pop, strong 2010s SM-style production (Yoo Young-jin + Dem Jointz flavor), sharp neon synths, layered group vocals, addictive repetitive chorus hooks, high-energy dance break, glossy futuristic cyber-idol energy mixed with classic powerful K-pop. Bright but cold neon lights atmosphere, punchy electronic drums, hypnotic and heavy bassline that hits hard. Song length 4 minutes 20 seconds to 4 minutes 50 seconds. Include a short aggressive rap section. Overall vibe must make the listener immediately think of A2O Lite "NEON".
قلب صادق
Emotional Islamic nasheed, Arabic Urdu English multilingual male vocals, deep soulful male lead, beautiful layered male harmonies, continuous soft wordless humming (hmmm), atmospheric humming intro and outro, emotional vocal transitions, traditional gentle duff percussion, cinematic spiritual ambience, powerful uplifting chorus, heartfelt Urdu delivery, beautiful Arabic chanting, expressive English verses, gradual emotional crescendo, peaceful fading vocals, no EDM, no pop, no electronic dance instruments.
Sacolos Chakos
Hardcore trap hip-hop with a slow grimy bounce, bomba plena breaks, rustic salsa accents, strong African percussion, Arabic scales, Chinese motifs, cuatro, violins, flutes, deep bass drops, heavy drums, cinematic boom swells, acid psychedelic delays, and dark synth atmospheres. Verse rides tense and sparse; pre-chorus strips to percussion and low chants; chorus slams with orchestral hits, stacked female lead, deep male lows, and high male adlibs. Wide, ominous, punchy mix., deep, electronic, hip-hop, strong, african percussion, bounce, sensual, hardcore, slow, salsa, orchestral
bahagia di masa senja claude1
Slow romantic Indonesian pop ballad, 72 BPM, 4/4 time, key of C major or D major. Husky, warm, raspy male vocals, mature and soulful, sung gently and close to the mic, full of emotion and nostalgia, building to powerful but heartfelt in the chorus. Emotional tenor saxophone as the main instrument: a soft melodic intro, short answers between vocal lines, and an expressive solo after the bridge. Soft grand piano as the foundation, warm string section swelling in the choruses, gentle bass, soft drums with no busy fills. Mood: tender, grateful, bittersweet, a grandfather's love for his granddaughter, golden-hour warmth. Style of classic Indonesian love ballads from the 80s and 90s, clean modern production, no jazz, no swing, no electronic sounds. Dynamics: quiet verses, fuller choruses, emotional peak at the bridge and final chorus, ending with solo saxophone and piano fading out.
bahagia di masa senja claude best
Slow romantic Indonesian pop ballad, 72 BPM, 4/4 time, key of C major or D major. Husky, warm, raspy male vocals, mature and soulful, sung gently and close to the mic, full of emotion and nostalgia, building to powerful but heartfelt in the chorus. Emotional tenor saxophone as the main instrument: a soft melodic intro, short answers between vocal lines, and an expressive solo after the bridge. Soft grand piano as the foundation, warm string section swelling in the choruses, gentle bass, soft drums with no busy fills. Mood: tender, grateful, bittersweet, a grandfather's love for his granddaughter, golden-hour warmth. Style of classic Indonesian love ballads from the 80s and 90s, clean modern production, no jazz, no swing, no electronic sounds. Dynamics: quiet verses, fuller choruses, emotional peak at the bridge and final chorus, ending with solo saxophone and piano fading out.
Gddh
Beautiful uplifting romantic acoustic pop ballad, 92 BPM, G major. Preserve the selected male vocal identity and natural vocal tone. Bright flowing acoustic guitar strumming and fingerpicking, warm melodic piano, rich uplifting strings, natural live bass and gentle rhythmic live drums. Beautiful memorable melodies, lively romantic energy, warm hopeful atmosphere, two lovers dreaming of reunion. Expressive melodic male singing, soaring powerful high octave chorus, smooth vocal transitions, long sustained notes, natural vibrato. No dark mood, no sad orchestration, no arabesque, no spoken words, no electronic drums.
Light Mystic Dance Pan 1
Light melodic instrumental Dance, 118 BPM, 4/4, D minor, approx. 3 minutes. Alternating C major, D major and G major chords with D minor resolutions. Main instruments clearly in foreground: expressive pan flute, sparkling harp and rhythmic grand piano. Pan flute leads with a beautiful catchy melody. Harp plays flowing arpeggios and gentle counter-melodies. Piano adds clear syncopated chords and melodic runs. Timpani provide only occasional soft accents. Light modern dance groove with warm bass, gentle electronic kick and subtle hi-hats. Very small, quiet orchestral background with soft sustained strings, never dominating. Spacious arrangement, clear instrument separation, natural dynamics and warm stereo sound. Bright, uplifting, elegant and danceable. No massive orchestra, no brass, no heavy drums, no choir, no vocals, no kitsch.
Light Mystic Dance Pan 2
Light melodic instrumental Dance, 118 BPM, 4/4, D minor, approx. 3 minutes. Alternating C major, D major and G major chords with D minor resolutions. Main instruments clearly in foreground: expressive pan flute, sparkling harp and rhythmic grand piano. Pan flute leads with a beautiful catchy melody. Harp plays flowing arpeggios and gentle counter-melodies. Piano adds clear syncopated chords and melodic runs. Timpani provide only occasional soft accents. Light modern dance groove with warm bass, gentle electronic kick and subtle hi-hats. Very small, quiet orchestral background with soft sustained strings, never dominating. Spacious arrangement, clear instrument separation, natural dynamics and warm stereo sound. Bright, uplifting, elegant and danceable. No massive orchestra, no brass, no heavy drums, no choir, no vocals, no kitsch.
Panflöte pur
Melodic Mystic Dance, 118 BPM, 4/4, D minor, approx. 3 minutes. Energetic instrumental dance music with four leading instruments: expressive pan flute, sparkling concert harp, rhythmic grand piano and powerful orchestral timpani. Alternating chords C major, D major and G major, with recurring D minor resolutions. Pan flute plays a bright, catchy, flowing lead melody with expressive variations. Harp adds fast cascading arpeggios and sparkling rhythmic patterns. Piano delivers precise syncopated chords and melodic runs. Timpani provide powerful rhythmic accents and dramatic rolls. Modern dance accompaniment with deep electronic bass, steady four-on-the-floor kick and crisp hi-hats. Start with harp and pan flute, build into an uplifting dance groove. Melodic instrumental break, dynamic harmonic changes and energetic final climax. Crystal-clear stereo, wide spatial sound, strong bass, elegant and never kitschy. No vocals, no choir.
Panflöte pur ****
Melodic Mystic Dance, 118 BPM, 4/4, D minor, approx. 3 minutes. Energetic instrumental dance music with four leading instruments: expressive pan flute, sparkling concert harp, rhythmic grand piano and powerful orchestral timpani. Alternating chords C major, D major and G major, with recurring D minor resolutions. Pan flute plays a bright, catchy, flowing lead melody with expressive variations. Harp adds fast cascading arpeggios and sparkling rhythmic patterns. Piano delivers precise syncopated chords and melodic runs. Timpani provide powerful rhythmic accents and dramatic rolls. Modern dance accompaniment with deep electronic bass, steady four-on-the-floor kick and crisp hi-hats. Start with harp and pan flute, build into an uplifting dance groove. Melodic instrumental break, dynamic harmonic changes and energetic final climax. Crystal-clear stereo, wide spatial sound, strong bass, elegant and never kitschy. No vocals, no choir.
Saturday Morning Dragons
Create a very short, iconic opening theme for a charming British-style 2D preschool cartoon about two playful little dragon sisters. A simple, instantly recognizable, bouncy melody with a cheeky, mischievous personality. Use playful clarinet, pizzicato strings, bassoon, and light acoustic percussion. A warm, quirky, traditional cartoon sound. The melody should sound like two little characters happily running toward each other, with a funny musical bounce when they meet. Simple, repetitive, catchy, and full of personality. Lighthearted and humorous, not overly sweet. Duration: 12 seconds. 0–9 seconds: Instrumental cartoon theme only. 9–12 seconds: The music briefly softens, and a cheerful, adorable young girl’s voice clearly and enthusiastically says: “Abby and Lulu!” The words must be spoken, NOT sung. Finish with a short, playful musical flourish immediately after the title. No other dialogue, no singing, no electronic sounds, no pop beat, no lullaby, no cinematic orchestra.
Cathedral Riot
Orchestral hybrid with a driving mid-tempo pulse, eccentric percussion patterns, gothic choral touches, and distinct electronic textures; verse-like sections keep strings, low piano, and mallet percussion tight, pre-chorus swells with woodwind runs and rising choir clusters, chorus hits with heavy blaring brass and layered taiko-style impacts. Processed male/female choir doubles, brass stabs with delay throws, reversed swells and metallic ticks between phrases, wide cinematic mix with a dark glossy edge., distinct, electronic, orchestral, choral, complex
Genera voiceover e canzoni con l'AI
Crea audio con più di 300 voci diverse nella nostra libreria.
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