Nummers gemaakt met Voices AI brengen spraaktechnologie in muziek - van covers tot originele tracks. Luister hoe makers en onze community AI-stemmen gebruiken om nieuwe geluiden en ideeën te ontdekken.
GOD brings Motivation
Afro-Juju Street Cadence: Juju guitar, Kpan, talking drum, flute, bass, percussion, shaker, Amapiano bass log drum, ukulele, accordion, and woodwinds; militant lead vocal with Waffi staccato chanting, ancestral recursion, dub spoken-word breaks, and lead-and-all call-and-response; driving 114 BPM pulse; drums stripping to heartbeat, spacious dub delay, grounded declarative mix, and Highlife, reggae, tango, and country-pop phrasing, Deep Afro Soul, Black Rhythm & Xoulful Blues, percussion, future bass, woodwinds, soundtrack, electronic
Thanksgiving Anthem for GOD’s Love
Afro-Juju Street Cadence: Juju guitar, talking drum, flute, bass, percussion, shaker, Amapiano bass log drum, ukulele, accordion, Waffi staccato, ancestral recursion, dub spoken-word breaks, and lead-and-all call-and-response; driving 112 BPM pulse; drums stripping to heartbeat, spacious dub delay, Highlife, reggae, tango, country-pop phrasing, Deep Afro Soul, Black Rhythm & Xoulful Blues, percussion, Saxophone, Xoul
Juju Xound Thanksgiving Anthem
Afro-Juju Street Cadence: Juju guitar, Kpan, talking drum, flute, bass, percussion, shaker, Amapiano bass log drum, ukulele, accordion, and woodwinds; militant lead vocal with Waffi staccato chanting, ancestral recursion, dub spoken-word breaks, and lead-and-all call-and-response; driving 114 BPM pulse; drums stripping to heartbeat, spacious dub delay, grounded declarative mix, and Highlife, reggae, tango, and country-pop phrasing, Deep Afro Soul, Black Rhythm & Xoulful Blues, percussion, future bass, baroque, soundtrack
GOD gives Motivation
Afro-Juju Street Cadence: Juju guitar, talking drum, flute, bass, percussion, shaker, Amapiano bass log drum, ukulele, accordion, Waffi staccato, ancestral recursion, dub spoken-word breaks, and lead-and-all call-and-response; driving 112 BPM pulse; drums stripping to heartbeat, spacious dub delay, Highlife, reggae, tango, country-pop phrasing, Deep Afro Soul, Black Rhythm & Xoulful Blues, percussion, Saxophone, Xoulful Boogie, punk, funk
Krusselounge
High-energy Christian youth festival anthem. Extremely catchy pop EDM mixed with festival dance music and stadium pop. Powerful youthful male lead vocals, mixed crowd chants, huge explosive chorus, euphoric synth drops, punchy bass, massive drums, hand claps and uplifting melodies. Modern radio-quality production. Starts with a cinematic spoken introduction and builds into an unforgettable sing-along chorus. Joyful, inclusive, energetic, positive and full of togetherness. Make the chorus ridiculously catchy and easy for a crowd to sing along to.
STORY-STORY OF MY LIFE —
Afro-Juju Street Cadence: Juju guitar, Kpan, talking drum, flute, bass, percussion, shaker, Amapiano bass log drum, ukulele, accordion, and woodwinds; militant lead vocal with Waffi staccato chanting, ancestral recursion, dub spoken-word breaks, and lead-and-all call-and-response; driving 114 BPM pulse; drums stripping to heartbeat, spacious dub delay, grounded declarative mix, and Highlife, reggae, tango, and country-pop phrasing, Deep Afro Soul, Black Rhythm & Xoulful Blues, percussion, future bass
awerysopelea - nimm den langen Weg
German alternative hip-hop, 88 BPM, warm late-night atmosphere. Conversational male rap with clear diction, subtle Austrian inflection, internal rhymes and relaxed pockets; gradually more melodic. Powerful female lead sings the entire chorus: soulful chest voice, an open, aching melody, memorable repeated title phrase, controlled grit and wide harmonies. Start with 4 bars of dry upright piano and a tiny repeating violin motif. Deep rounded bass, dusty breakbeat, crisp snare, soft electric-guitar tremolo. Verses stay intimate and rhythmically detailed; chorus opens into a big, luminous soul-pop lift with full drums and soaring strings, never rock or EDM. Pull drums out before each chorus. Bridge is almost spoken over piano, with the woman's short reply. Final chorus is the emotional peak; brief silence, then a close whispered female outro. Natural studio vocals, audible breaths, restrained pitch correction, no crowd.
I hope it was worth it.
No nagging voice. Melancholic alternative hip-hop, 80 BPM, intimate female melodic rap with a low, warm, smoky, slightly raspy voice. Raw, imperfect and deeply human. Heartbroken, disappointed and quietly resentful, never aggressive or shouted. Conversational rhythmic verses with natural phrasing, subtle sarcasm and emotional restraint. Soulful, haunting half-sung chorus with a memorable repeating hook, gentle melodic lift and understated harmonies. Minimal production: soft dusty drums, warm deep bass (balanced), sparse minor-key piano, muted guitar textures and atmospheric space. Let the lyrics breathe with pauses and audible breaths. Build gradually without becoming explosive. Deliver 'grow a backbone' coldly, almost dismissively. One sharper flash of anger in the final chorus, then fade into a vulnerable spoken outro and whispered refrain. No glossy pop, autotune, trap aggression, belting or theatrical vocals. Bittersweet, mature, honest, intimate.
I hope it was worth it.
Less nagging voice. Melancholic alternative hip-hop, 80 BPM, intimate female melodic rap with a low, warm, smoky, slightly raspy voice. Raw, imperfect and deeply human. Heartbroken, disappointed and quietly resentful, never aggressive or shouted. Conversational rhythmic verses with natural phrasing, subtle sarcasm and emotional restraint. Soulful, haunting half-sung chorus with a memorable repeating hook, gentle melodic lift and understated harmonies. Minimal production: soft dusty drums, warm deep bass, sparse minor-key piano, muted guitar textures and atmospheric space. Let the lyrics breathe with pauses and audible breaths. Build gradually without becoming explosive. Deliver 'grow a backbone' coldly, almost dismissively. One sharper flash of anger in the final chorus, then fade into a vulnerable spoken outro and whispered refrain. No glossy pop, autotune, trap aggression, belting or theatrical vocals. Bittersweet, mature, honest, intimate.
The JB Thanksgiving Anthem Remix
Afro-Juju Street Cadence: Juju guitar, Kpan, talking drum, flute, bass, percussion, shaker, Amapiano bass log drum, ukulele, accordion, and woodwinds; militant lead vocal with Waffi staccato chanting, ancestral recursion, dub spoken-word breaks, and lead-and-all call-and-response; driving 114 BPM pulse; drums stripping to heartbeat, chant-led refrains, recursive vocal layers, spacious dub delay, grounded declarative mix, and Highlife, reggae, tango, and country-pop phrasing.
The Galactic JiNG and BiNG THANKSGIVING ANTHEM
Afro-Juju Street Cadence: Juju guitar, Kpan, talking drum, flute, bass, percussion, shaker, Amapiano bass log drum, ukulele, accordion, and woodwinds; militant lead vocal with Waffi staccato chanting, ancestral recursion, dub spoken-word breaks, and lead-and-all call-and-response; driving 114 BPM pulse; drums stripping to heartbeat, chant-led refrains, recursive vocal layers, spacious dub delay, grounded declarative mix, and Highlife, reggae, tango, and country-pop phrasing., Reggaeton
Long route
Authentic 1985–1987 British synth-pop, 118 BPM, D minor, melodic and futuristic, mysterious yet optimistic. Cool expressive female alto, close-mic conversational verses, soaring melodic choruses with rich stacked female harmonies. Warm analogue polyphonic synthesizers, bright arpeggiated sequences, Oberheim-style brass chords, Roland-style synth bass, early digital sampling, FM bells, LinnDrum-style electronic percussion, gated snare, crisp programmed hi-hats. Dramatic instrumental hooks, memorable descending bass motifs, lush stereo synthesizer melodies, spacious electronic breakdown, triumphant final chorus. Polished mid-80s studio production, punchy and clean, strong melody and hypnotic repetition. Slightly melancholic space-age atmosphere with an uplifting sense of discovery. Strictly period-authentic 1980s electronic pop. No modern EDM, trap drums, contemporary vocal effects or festival-style drops.
Out the way
Dark Louisiana Southern street trap, 148 BPM, minor key, gritty young male Southern rap vocals with a deep nasal drawl and raw emotional strain, aggressive conversational flow, short punchy rhythmic phrasing, subtle melodic inflections at the ends of bars, haunting detuned piano melody, ominous bells, deep distorted sliding 808 bass, hard punchy kicks, crisp snares, rapid trap hi-hat rolls, eerie atmospheric background, heavy vocal doubles, rough whispered ad-libs, emotionally intense melodic street hook, confident menacing delivery, underground mixtape energy, professional loud mix. No pop singing, no cheerful melody, no inspirational anthem.
Cempasúchil de Acero
Mexican folk-pop with slow marching pulse, short pauses, and deep low toms; intro begins sparse with voiced breaths, muted guitar, hand percussion, and distant choir haze, verse stays intimate and ceremonial, pre-chorus tightens with risers and stacked harmonies, chorus opens into chant-like lines with gang vocals and tolling bells, final outro swells into trailer-style hits, sub drops, reverse swells, and a booming last-note sting. Close-mic lead vocal with doubles on the hook, subtle delay throws on key words, cinematic and dark-bright mix
BIENVENIDOS A LAS ENCINAS
teatral, Broadway clásico, Gospel y soul, Pop dramático, Comedia musical, Pop-rock, Orquestal
You Can't Take My Light
Dark Turkish Arabesk Soul Ballad, 92 BPM, A Minor. Intense female mezzo-soprano vocal with a deep, smoky, wounded and emotional tone. Authentic old-school arabesk pain blended with modern R&B production. Heartbreaking oriental melodies, crying electric guitar, emotional bağlama phrases, dramatic violin solos, deep warm 808 bass, heavy darbuka rhythms and haunting percussion. Start immediately with a captivating melodic vocal hook. Verses should feel intimate, desperate and full of longing. Chorus must hit hard with unforgettable melodies, powerful sustained notes, raw vocal cracks and passionate arabesk ornaments. The singer should sound like a woman whose heart has been destroyed by the man she still loves. Dark, dramatic, sensual and deeply melancholic. No happy pop melodies, no dance beat, no rap, no EDM. Focus on authentic heartbreak and vocal emotion.
awerysopelea - Ich Weiß In Mir
German alternative hip-hop / cinematic soul-pop duet, 86 BPM. Close, conversational male rap verses over a recurring piano motif, firm half-time drums, warm sub-bass and expressive solo violin. A powerful female lead sings the short, repeating chorus with unwavering conviction, raw warmth and long, open notes; the melody feels like a deeply personal promise, never whispered or sugary. Restless, intimate verses open into wide, emotionally intense choruses. Begin with a brief piano-and-violin instrumental; leave one beat of silence before the first chorus. Build toward full drums, low strings and layered female harmonies in the final chorus, with the lead always clear and present. End on the sustained final word and a short piano tail. Clean studio recording, no crowd, no EDM.
Yatağımın Bir Yanı Boş
Modern Turkish Arabesque / Deep Emotional Arabic-Inspired R&B, 88 BPM, A Minor. A heartbreaking, soul-shattering female vocal performance with a rich, powerful, slightly raspy mezzo-soprano voice. Deep Turkish arabesk emotion, painful melodic violin solos, expressive bağlama, haunting oriental strings, darbuka, deep 808 bass and dramatic rhythmic percussion. Strong melodic hook from the very first second. Verses intimate, wounded and almost crying. Chorus explosive, passionate and unforgettable, with long emotional vocal runs and dramatic pauses. Raw heartbreak, betrayal, longing and desperate love. Powerful vocal delivery, authentic arabesk ornamentation, gospel-inspired backing harmonies in the final chorus. Dark, melancholic, cinematic atmosphere. No upbeat dance-pop, no cheerful melodies, no EDM.
Broken not Done
Cinematic Southern country rock anthem, 76 BPM, deep gravelly male baritone with a weathered American drawl. Intimate spoken intro, soulful storytelling verses, powerful melodic chorus, warm acoustic guitar, gritty electric guitars, slide guitar, deep bass, organic live drums and atmospheric piano. Vulnerable bridge with restrained vocals about lost love and distant children. Gradually building tension into an explosive final chorus with pounding drums, soaring guitars and a soulful gospel choir performing call-and-response. Raw human emotion, mature masculine energy, cinematic dynamics, authentic analog production. Dark, reflective and defiant. Huge emotional climax followed by a quiet spoken outro ending with “Still Rockdoc.” No glossy pop, no EDM, no artificial vocal perfection.
Final Call
Dark heartland rock, raw gospel rock, Southern soul, 72 BPM. Gritty weathered male baritone with an honest cracked vocal, intimate spoken intro, restrained confessional verses, explosive anthemic choruses. Organic heavy drums, deep bass, piano, gritty electric guitars and prominent soulful tenor saxophone with emotional fills and a soaring solo. Gospel choir builds from subtle backing vocals to powerful call-and-response in the final chorus. Desperate prayer, alcoholism, depression, redemption and the will to survive. Dynamic arrangement, human imperfections, cinematic intensity, spiritual hope earned through suffering. No autotune, no EDM, no trap beats, no glossy pop production.
Sen gittin ben kaldim
Dark Turkish Arabesk Soul Ballad, 92 BPM, A Minor. Intense female mezzo-soprano vocal with a deep, smoky, wounded and emotional tone. Authentic old-school arabesk pain blended with modern R&B production. Heartbreaking oriental melodies, crying electric guitar, emotional bağlama phrases, dramatic violin solos, deep warm 808 bass, heavy darbuka rhythms and haunting percussion. Start immediately with a captivating melodic vocal hook. Verses should feel intimate, desperate and full of longing. Chorus must hit hard with unforgettable melodies, powerful sustained notes, raw vocal cracks and passionate arabesk ornaments. The singer should sound like a woman whose heart has been destroyed by the man she still loves. Dark, dramatic, sensual and deeply melancholic. No happy pop melodies, no dance beat, no rap, no EDM. Focus on authentic heartbreak and vocal emotion.
Her Gece İsmini Anarım
Traditional Turkish Arabesque, Deep Emotional Male Vocal, 88 BPM, A Minor. Use Nazmi Mert's male vocal identity and natural vocal character. A powerful, mature, deep and slightly raspy male voice with a distinctive emotional arabesk delivery. Heartbreaking Turkish arabesk melodies with authentic oriental arrangements, expressive crying violin solos, bağlama, kanun, deep bass, darbuka and dramatic percussion. Strong, memorable melodic hook. Verses delivered with restrained pain and intimate emotion, building into a deeply passionate chorus with long sustained notes, rich arabesk vocal ornaments and emotional vocal cracks. The final chorus should be extremely powerful, as if a man is crying from the depths of his heart. Authentic Turkish arabesk atmosphere, raw heartbreak, longing, regret and unbearable separation. Traditional arabesk soul with polished modern production. No dance-pop, no EDM, no rap, no cheerful melodies. Preserve the emotional intensity throughout.
No Other Way
Tempo sits in an energetic range (reported around 158 BPM, with a half-time stomp feel that makes it feel powerful rather than frantic). Driven hard by electric guitars (crunchy rhythm and driving lead/slide parts). Acoustic guitar, banjo, and some 12-string texture underneath for country grounding. Solid drums with a stomping, chest-beating pulse, tight bass, and organ/Wurlitzer color. Production is big and polished but still raw enough to feel live and aggressive — not glossy pop-country, more “beat-your-chest” motivational country-rock. Vocals are gritty and impassioned (Zimmerman’s distinctive tone with Combs’ powerful presence on the choruses).
Still Standing
Genre: Modern country / country-pop Tempo: Mid-tempo (around 97 BPM) — steady and driving without being fast or dance-oriented Feel: Uplifting and resilient rather than heavy or mournful. It has a motivational, “get back up” energy that still feels grounded and real. Instrumentation: Acoustic guitar and banjo for the country foundation Pedal steel for classic country texture Electric guitars that sit in a polished, radio-ready place Solid, straightforward drums and bass that keep a strong but not aggressive pulse Piano and subtle synth/programming for modern polish and lift in the chorus Production: Clean, glossy, mainstream country radio sound. Everything is tight and radio-friendly — not raw or stripped-down, but not overproduced either. Background vocals thicken the choruses and give it that anthemic, sing-along quality. Vocal approach: Warm, conversational verses that open up into stronger, more declarative
One Night at a Time
Dark Turkish Arabesk Soul Ballad, 92 BPM, A Minor. Intense female mezzo-soprano vocal with a deep, smoky, wounded and emotional tone. Authentic old-school arabesk pain blended with modern R&B production. Heartbreaking oriental melodies, crying electric guitar, emotional bağlama phrases, dramatic violin solos, deep warm 808 bass, heavy darbuka rhythms and haunting percussion. Start immediately with a captivating melodic vocal hook. Verses should feel intimate, desperate and full of longing. Chorus must hit hard with unforgettable melodies, powerful sustained notes, raw vocal cracks and passionate arabesk ornaments. The singer should sound like a woman whose heart has been destroyed by the man she still loves. Dark, dramatic, sensual and deeply melancholic. No happy pop melodies, no dance beat, no rap, no EDM. Focus on authentic heartbreak and vocal emotion.
Why
Modern Turkish Arabesque / Deep Emotional Arabic-Inspired R&B, 88 BPM, A Minor. A heartbreaking, soul-shattering female vocal performance with a rich, powerful, slightly raspy mezzo-soprano voice. Deep Turkish arabesk emotion, painful melodic violin solos, expressive bağlama, haunting oriental strings, darbuka, deep 808 bass and dramatic rhythmic percussion. Strong melodic hook from the very first second. Verses intimate, wounded and almost crying. Chorus explosive, passionate and unforgettable, with long emotional vocal runs and dramatic pauses. Raw heartbreak, betrayal, longing and desperate love. Powerful vocal delivery, authentic arabesk ornamentation, gospel-inspired backing harmonies in the final chorus. Dark, melancholic, cinematic atmosphere. No upbeat dance-pop, no cheerful melodies, no EDM.
85 Batidas Por Minuto
Estilo musical: balada pop cinematográfica de superação feminina, moderna, emocionante e inspiradora. Voz feminina madura, expressiva, marcante e cheia de sentimento. Começar imediatamente com a voz cantando, acompanhada apenas por piano suave, sem introdução instrumental longa. Nos versos, interpretação íntima e emotiva, transmitindo reflexão e libertação amorosa. Construir gradualmente com violão delicado, cordas cinematográficas, bateria pop moderna e baixo envolvente. No refrão, a voz deve ganhar força, transmitindo autoestima, coragem, renascimento e liberdade. Melodia bonita, marcante e crescente, com um refrão forte que emocione e inspire. Final grandioso, esperançoso e arrebatador. Sonoridade de trilha sonora de filme contemporâneo, produção profissional, limpa e sofisticada. Não usar sertanejo, pagode, samba, funk ou batida de balada eletrônica. Andamento moderado, entre 85 e 95 BPM. Duração máxima de 2 minutos e 30 segundos. Cantar exatamente a letra fornecida, em português b
Al Madina, partez l’esprit
French West African promotional pop, upbeat mandingue-influenced groove with kora flourishes, balafon accents, warm bass and crisp hand percussion, confident friendly lead vocal with light group responses, clear French diction, polished radio-ready mix, welcoming and trustworthy tone, concise catchy chorus, arrangement builds from intimate verse to celebratory refrain
THE FINAL DECLARATION – My Soul, My Gam
[Aggressive Gangster Rap, Dark Hip-Hop, Heavy 808 Bass, Melodic Rap, Swedish Dansband Pop, EPA-Dunk, Cinematic Orchestral, Emotional Female Vocals, Powerful Rap Flow, Dark Piano, Explosive Drops, Multilingual Rap Anthem ]
Tuesday's Trad Wife Plus
Absurdist theatrical musical comedy, satirical cabaret-pop, 118 BPM, expressive witty male tenor-baritone, deadpan spoken-sung verses, exaggerated cheerful delivery, playful bouncy piano, quirky synth bass, crisp electronic drums, bright handclaps, layered comedic backing harmonies, sudden musical stops for punchlines, mock educational segments, fake commercial jingles, escalating absurdity, rapid-fire witty storytelling, catchy ironic singalong chorus, dramatic shifts between playful humour and serious reflection, intimate one-man stage performance, crystal-clear pronunciation, natural expressive vocals, uplifting heartfelt piano outro.
Sista draget är mitt
Dansbandspop och aggressiv gangsterrapp EPA-dunk
Sista draget är mitt
Dansbandspop och aggressiv gangsterrapp EPA-dunk och vikings
Nine Before She's Ruined
Theatrical musical comedy, absurdist satirical cabaret-pop, 116 BPM, witty expressive male tenor-baritone, deadpan spoken-sung verses, exaggerated cheerful delivery, playful piano accompaniment, bouncy synth bass, quirky electronic percussion, theatrical vocal harmonies, abrupt musical stops for sarcastic punchlines, awkward silences, sudden tempo shifts, escalating absurdity, catchy deceptively upbeat chorus, layered ironic backing vocals, clever wordplay, dramatic shifts between ridiculous humour and uncomfortable sincerity, intimate one-man comedy performance, minimalist verses building into elaborate musical arrangements, sharp intelligible lyrics, bittersweet sincere ending.
Donuts
Theatrical musical comedy, absurdist satirical cabaret-pop, 116 BPM, witty expressive male tenor-baritone, deadpan spoken-sung verses, exaggerated cheerful delivery, playful piano accompaniment, bouncy synth bass, quirky electronic percussion, theatrical vocal harmonies, abrupt musical stops for sarcastic punchlines, awkward silences, sudden tempo shifts, escalating absurdity, catchy deceptively upbeat chorus, layered ironic backing vocals, clever wordplay, dramatic shifts between ridiculous humour and uncomfortable sincerity, intimate one-man comedy performance, minimalist verses building into elaborate musical arrangements, sharp intelligible lyrics, bittersweet sincere ending.
Majestät i helvetets spel, kvinna
Dansbandspop och aggressiv gangsterrapp EPA-dunk med tung viking
Majestät i helvetets spel, kvinna
Dansbandspop och aggressiv gangsterrapp EPA-dunk och vikings
Be useful
Classic 1960s British family film musical, whimsical Edwardian London atmosphere, joyful theatrical orchestral comedy, 126 BPM, jaunty 2/4 rhythm. Original, irresistibly catchy singalong melody with playful call-and-response. Warm, articulate British female mezzo-soprano lead, charming British male baritone, lively children's chorus, authentic English accents. Bouncy pizzicato strings, clarinet, bassoon, piccolo, bright brass, upright piano, celesta, glockenspiel, acoustic bass and light percussion. Witty orchestral flourishes, comic pauses, tap-dance rhythms, spoken dialogue, colourful harmonies and exuberant instrumental breaks. Nostalgic 1964 film soundtrack production, magical, cheeky, charming and heartfelt. Builds to a triumphant ensemble finale with a playful orchestral ending. Timeless cross-generational appeal. Fully acoustic orchestra, no synths, no modern pop production, no American accents.
Majestät i helvetets spel, kvinna
Dansbandspop och gangsterrapp EPA-dunk
La fiesta de Flakolín
Infantil, cumbia, tropical latina, pop, banda.
Majestät i helvetets spel
Dansbandspop och gangsterrapp EPA-dunk
Make It Happen
Aggressive Southern crunk rap, hardcore hip-hop, high-energy MMA arena anthem, deep gritty raspy male rapper, forceful rhythmic rap delivery, commanding shouted vocals, raw powerful masculine voice, intense hype-man energy, explosive gang chants, massive crowd shouting NO ESCAPE, hard-hitting bouncing 808 bass, heavy kick drums, sharp snares, fast trap hi-hats, infectious head-nodding groove, punchy rhythmic flow, aggressive rapid-fire verses, explosive call-and-response hooks, stadium crowd roaring, powerful bass drops, gritty confident street rap attitude, loud ad-libs, energetic fight-night atmosphere, professional commercial hip-hop production. Strictly rap and shouted chants, no melodic singing, no soulful vocals, no R&B, no pop vocals, no autotune, no drawn-out sung notes.
Louise phone 1
Upbeat Reggae-Pop, Dancehall, Funky Rock, Catchy Male Vocals, Playful, Energetic, Caribbean Groove. Create an original, professionally produced 20-second personalised phone ringtone for Louise. A charismatic male singer with a playful Caribbean-influenced vocal delivery, bouncy reggae skank guitar, deep funky bass groove, lively dancehall drums, upbeat percussion, handclaps, bright brass accents and funky rock guitar. 112 BPM. Start immediately with the male lead singing 'She's got the power'. Make 'Louise, Louise' a memorable hook with subtle female backing vocal echoes. Clear, rhythmic English vocals, cheeky confident energy, crisp phone-speaker-friendly mix, no slow introduction, no long instrumental break, punchy ending. Entirely original melody and production.
Stil i rise
Modern R&B Pop blended with Southern Hip-Hop, melodic rap and subtle Dark Arabesk influences. 100 BPM, A Minor. Powerful female mezzo-soprano with bold attitude, rich chest voice, emotional rasp and passionate delivery. Strong vocal belting, soulful runs, expressive ad-libs and controlled vibrato. Catchy melodic verses, confident rhythmic female rap and a huge radio-ready pop chorus. Deep 808 bass, punchy hip-hop drums, crisp snare, finger snaps, groovy bassline, modern synths, subtle oud and Middle Eastern melodic accents. Rich layered Gospel backing vocals with call-and-response harmonies. Make the hook instantly memorable with powerful lifts on "Still here, still here" and "Love don't disappear." Strong rhythmic groove, infectious pop melody, emotional bridge and explosive final chorus. Modern, edgy, soulful, energetic and polished international R&B-pop production.
Skuggorna i mitt spel
Dansbandspop och gangsterrapp EPA-dunk
Still i rise oryantal
Modern R&B Gospel Pop anthem with cinematic emotion, infectious groove and subtle Middle Eastern influence. Powerful female mezzo-soprano diva with breathy verses, expressive chest voice, soaring belted chorus, layered harmonies, tasteful ad-libs, soulful vocal runs and controlled vibrato. Short unforgettable hook, clear verse-pre-chorus-chorus structure, catchy repeated chorus. Gospel choir, gospel organ, emotional piano, lush cinematic strings with subtle Hijaz-inspired melodies, warm analog synths, ambient guitar, deep driving 808 bass, groovy bassline, punchy hip-hop drums and rhythmic percussion. Delicate oud textures, soft ney accents and elegant Middle Eastern vocal ornaments blended naturally into a premium international sound. Dynamic, addictive, emotional yet danceable. Avoid slow ballads, generic pop melodies, cliché progressions, trap-heavy production and long choruses. 104 BPM, A Minor.
Still i rise
Modern R&B gospel pop anthem, dramatic mezzo-soprano diva vocal, soaring church choir, powerful vocal runs, gospel organ, emotional piano, cinematic strings, deep 808 bass, modern hip-hop drums, big chorus, glamorous confident female power vibe, 100 BPM, A minor.
I cant lie oryantal
Modern R&B Gospel Pop anthem with cinematic emotion, infectious groove and subtle Middle Eastern influence. Powerful female mezzo-soprano diva with breathy verses, expressive chest voice, soaring belted chorus, layered harmonies, tasteful ad-libs, soulful vocal runs and controlled vibrato. Short unforgettable hook, clear verse-pre-chorus-chorus structure, catchy repeated chorus. Gospel choir, gospel organ, emotional piano, lush cinematic strings with subtle Hijaz-inspired melodies, warm analog synths, ambient guitar, deep driving 808 bass, groovy bassline, punchy hip-hop drums and rhythmic percussion. Delicate oud textures, soft ney accents and elegant Middle Eastern vocal ornaments blended naturally into a premium international sound. Dynamic, addictive, emotional yet danceable. Avoid slow ballads, generic pop melodies, cliché progressions, trap-heavy production and long choruses. 104 BPM, A Minor.
I cant lie gospel
Modern R&B gospel pop anthem, dramatic mezzo-soprano diva vocal, soaring church choir, powerful vocal runs, gospel organ, emotional piano, cinematic strings, deep 808 bass, modern hip-hop drums, big chorus, glamorous confident female power vibe, 100 BPM, A minor.
Дом на пепле
Russian alternative pop ballad, intimate female lead vocal in Russian, restrained low-register verses opening into a wounded, resolute chorus; sparse felt piano and muted guitar establish the verse, cello and soft toms gather through the pre-chorus, fuller drums and broad string swells lift the chorus, then strip back to piano for the final lines; earthy close vocal, dynamic arrangement, warm organic mix with clear lyric articulation
Дом из пепла
Russian-language alternative pop ballad, intimate female mezzo vocal with restrained, weary phrasing that opens into a firm, emotionally exposed chorus; slow 6/8 pulse, sparse felt piano and low cello in the verses, muted kick and brushed percussion entering gradually, warm bass, restrained electric guitar swells in the chorus; clear verse-to-chorus lift, close dry lead vocal, spacious but controlled arrangement, natural dynamics, polished contemporary mix
Spiel's ab, Trazyn
Comedy sci-fi song with deliberately abrupt, surprising genre changes between sections: pompous orchestral march, bubblegum pop, polka, death-metal burst, lounge jazz, then grand choral finale. Each switch should be unmistakable in instrumentation, groove, vocal delivery, and mix; hard-cut transitions with playful theatrical timing. Characterful male lead vocal, crisp German diction, energetic and humorous, polished but knowingly overdramatic.
Trazyn spielt
German comedic space-opera song with sharply unexpected genre changes every few lines: begin as grand orchestral march, snap into jaunty cabaret, switch to thrash metal, then bubblegum synth-pop, polka, and an overblown choir finale. Make each transition conspicuous and playful, with distinct grooves, instrumentation, and vocal delivery per section; theatrical male lead, crisp humorous phrasing, energetic cinematic production.
LIE
Modern R&B gospel pop anthem, dramatic mezzo-soprano diva vocal, soaring church choir, powerful vocal runs, gospel organ, emotional piano, cinematic strings, deep 808 bass, modern hip-hop drums, big chorus, glamorous confident female power vibe, 100 BPM, A minor.
Lone wolf
Country pop, swing style, shuffle beat, cowboy, minor chords, melodic,
BELLA NOTTE (Nur wir zwei)
Bright, energetic German-Italian pop-schlager crossover, 130 BPM, major key, target 2:45–3:05. Catchy rhythmic acoustic guitar riff from the first second, tight punchy modern drums, bouncy melodic bass, crisp handclaps, shakers and subtle Latin percussion. Sunny Mediterranean party atmosphere, playful and highly danceable, polished contemporary radio-pop sound. Charismatic warm male lead with a slightly husky Italian vocal character, rhythmic almost spoken verses, quick natural switches between German and Italian, expressive melodic phrasing. Extremely catchy, uplifting singalong chorus with short punchy vocal lines, playful syllable repetitions, energetic backing chants and tight harmonies. Guitar-driven arrangement, bright clear stereo mix, strong bass groove, immediate hook, compact song structure. No EDM drops, no heavy synth leads, no orchestral arrangements, no long instrumental solos, no extended intro or outro.
BELLA NOTTE (Nur wir zwei)
Modern energetic Italian-German summer dance-pop, 124 BPM, A minor, target length 3:10–3:25. Charismatic warm male lead vocal with a slightly raspy Mediterranean tone, natural German pronunciation and fluent Italian phrases. Infectious upbeat Latin-pop groove, punchy four-on-the-floor kick, tight claps, crisp percussion, driving melodic bass, bright nylon-string guitars, rhythmic acoustic guitar strums, subtle Mediterranean plucks, modern synth accents and wide stereo production. Playful rhythmic verses, short rising pre-choruses and huge catchy singalong choruses. Strong repeated 'Bella notte' vocal hook, layered male harmonies and energetic call-and-response backing vocals. Feel-good summer-night atmosphere, romantic, cheeky, joyful and irresistible for dancing. Modern professional radio mix, warm vocals, powerful low end. Very short intro and outro, no rap, no extended instrumental solos, no long breaks.
I cant lie
Modern R&B gospel pop anthem, dramatic mezzo-soprano diva vocal, soaring church choir, powerful vocal runs, gospel organ, emotional piano, cinematic strings, deep 808 bass, modern hip-hop drums, big chorus, glamorous confident female power vibe, 100 BPM, A minor.
Canta Ca Ti Passa
Sicilian pop rock, upbeat and resilient, driving live drum kit with punchy snare, warm electric bass, bright strummed acoustic guitar layered with crunchy electric rhythm guitars, short melodic guitar fills between vocal lines, dynamic verse-to-anthemic chorus lift, expressive male lead vocal with clear Sicilian pronunciation, group harmonies on the hook, polished organic band mix
Canta, Canta
Sicilian pop rock, upbeat mid-tempo band groove, driving live drums and melodic electric bass, bright strummed acoustic guitar layered with crunchy electric guitar, expressive lead vocal in Sicilian with warm regional phrasing, backing voices joining the chorus, verses kept intimate then widening into a strong singalong refrain, clear organic studio mix with punchy drums and polished guitar edges
Queste Pareti Parlano
Italian poetic hip-hop with pop-rock drive, midtempo head-nodding groove, punchy live drums fused with tight programmed percussion, warm bass guitar, chiming electric guitar riffs and restrained piano accents. Verses use articulate rhythmic male rap with conversational phrasing; chorus opens into a memorable melodic sung hook with layered harmonies. Build from sparse verse textures to a wide, energetic chorus, then strip back for a reflective bridge before a final full-band lift. Clear vocal-forward mix, gritty guitar edges, polished contemporary production.
Questi muri raccontano
Poetic Italian hip-hop fused with melodic pop-rock, mid-tempo head-nod groove, punchy live drums and warm bass, bright distorted electric-guitar accents with a memorable melodic chorus, intimate rhythmic male rap verses opening into an earnest sung hook, dynamic build from sparse verses to full-band chorus, polished modern mix with clear forward vocals
Mr
Playful novelty pop fused with country-pop, synth-pop, and indie folk; bouncy two-step groove with crisp acoustic strums, twangy electric guitar fills, rounded bass, bright analog synth accents, handclaps, and tidy pop drums. Verses use conversational, characterful lead vocals over lighter guitar-and-synth textures; choruses open into a big singalong hook with stacked harmonies and a buoyant band lift. Add a brief fiddle-like melodic answer between lines, then strip back for a warm acoustic bridge before the final full chorus. Clean, colorful production with organic string detail and punchy pop balance.
Mr
Playful theatrical novelty pop blended with country-pop, synth-pop, and indie folk. Start with jaunty acoustic guitar and handclaps, bring in twangy electric guitar and a buoyant country shuffle, then lift into bright retro synth hooks and polished pop drums; add an intimate folk-like verse and a big communal final chorus. Cheerful, cheeky lead vocal with characterful phrasing, stacked gang harmonies on the hook, crisp modern production, clear dynamic section changes.
BALLON D’OR
Ma voix, R&B, Rap Américain, Piano, mâle vocal, Amapiano, trap, violon, dance, orchestral, Pop, drum and bass, Breaks
Schritt für Schritt
Emotional German pop-rock anthem, intimate piano-led verses opening into broad live drums, warm bass and soaring electric guitars in the chorus; earnest male lead vocal with a slightly fragile edge that grows into determined, powerful delivery, supportive backing harmonies in the final chorus, clear modern production with dynamic build and heartfelt phrasing.
Come On Down and Play Cornhole
Upbeat Latin pop with a light cumbia bounce, warm hand percussion, crisp claps, buoyant bass, bright nylon-string guitar and cheerful brass accents. Friendly mixed-group vocals with an easy singalong refrain and clear diction. Start with a spoken-sung welcome, build into a memorable chorus, add a brief call-and-response, then finish with a warm communal outro. Polished, lively, inclusive community-event production.
Isaac quiere y extraña a la
Spanish romantic Latin pop ballad, intimate male lead vocal with heartfelt delivery, gentle acoustic guitar arpeggios and warm piano, soft bass and restrained brushed percussion, wistful verses opening into a memorable soaring chorus, polished modern studio mix with clear vocals
Sajak Sunyi
pop-folk, light city pop, dengan sentuhan acoustic guitar, warm and romantic, solo male vocal, no choir
La Sofía quiere a Botoch
Latin pop urbano con groove de dembow ligero y percusión festiva; bajo redondo, palmas secas, guitarra rítmica brillante y sintetizadores juguetones. Voz principal femenina, expresiva y coqueta, con coros grupales que responden al gancho. Versos ágiles y conversacionales, pre-coro que abre espacio y coro amplio, repetible y pegadizo; producción limpia, cálida y bailable.
La Sofía quiere a Botoch
Playful Latin pop with a buoyant cumbia groove, bright nylon-string guitar, hand percussion, rounded bass, and occasional brass accents. Warm, teasing lead vocal with lively backing responses; clear verse-to-chorus lift, catchy refrain, polished and upbeat mix.
Franz quiere a la Andreita
Latin pop romántico con pulso de cumbia ligera, guitarra acústica brillante, bajo cálido y percusión suave; estrofas íntimas que crecen hacia un coro amplio y cantable, voz masculina cercana y expresiva, producción limpia y alegre.
Franz quiere a la Andreita
Playful Latin pop with a light cumbia bounce, bright nylon-string guitar, hand percussion, rounded bass, and cheerful call-and-response backing vocals. Keep the verses intimate and conversational, then open into a catchy, singalong chorus; crisp, warm modern production.
Hittar hem ändå
Swedish indie pop, mid-tempo straight groove, warm acoustic guitar and rounded electric bass, restrained live drums with brushed snare, subtle piano accents, intimate clear female lead vocal, verses kept close and conversational, chorus opens into layered harmonies and wider guitars, polished organic mix with a gentle lift into the final chorus
Sajak Sunyi
Indonesian soft pop-folk, light city pop, dominant acoustic guitar, gentle bass, warm and romantic, solo male vocal, no choir
Sunset Best Friends
Cheesy 1990s boyband power-ballad instrumental bed, tender piano repeating a simple four-chord progression, warm sustained synth pads, soft rounded bass, gentle restrained pop drum groove, ridiculously sentimental affectionate best-friends-at-sunset mood, steady even energy throughout, sparse unobtrusive arrangement with a consistent texture and clean loop-friendly ending, softly mixed to sit beneath spoken conversation
Look at Your Kids
punk, country, pop
Christophe, le roi des boules !
Électropop
Destine to be thru
Country, shuffle beat, melodic, cowboy, pop, minor chords
Mikołaju
Polish children's Christmas singalong, bouncy polka-pop groove, bright acoustic piano, sleigh bells, handclaps, ukulele and light bass, simple major-key melody with short repeated phrases, cheerful group of young children singing together, clear diction, call-and-response moments, playful dynamics, polished warm family-friendly production
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