
[Intro: Low Male Choir Drone & Fretless Oud] [Low intimate whisper] سَلَامٌ عَلَى المَاضِي الجَمِيلِ وَأَهْلِهِ سَلَامٌ عَلَى مَنْ كَانَ أُمْنِيَةَ العُمْرِ [Bridge: Slow 90 BPM, Weeping Nay enters] مَضَتْ أَيَّامُنَا سَرِيعَةً وَكَانَ طَوِيلٌ الطَّرِيقُ الَّذِي مَشَيْنَاهُ [Pre-Verse: Melancholic Piano chords] بَعْدَ هَذَا العُمْرِ وَالمِشْوَارِ [Verse: Breathy, natural vocal fatigue] أَمَاآ أَتْعَبْتُكَ مَعِي؟ وَغَدَا وُجُودِي حِمْلَاً ثَقِيلَاً؟ [Outro 1: Trembling fearful voice] تَعِبْتُ .. [Outro 2: Sub-bass contrabass drone] وَمَا عَادَ لَنَا مِنَ الفِرَاقِ مَهْرَبٌ [Pre-Chorus: Tempo building up, Qanun enters] وَدَّعْتُكَ يَا حَبِيبِي [Chorus: Full Orchestral Swell & Taiko Drums] وَمَا لَنَا فِي هَذَا اخْتِيَارُ فَكُلُّ شَيْءٍ مُسَيَّرٌ [Verse 2: Sad Arabic pop style] [ 100 BPM ] هَذِهِ الحَيَاةُ لِقَاءٌ ثُمَّ افْتِرَاقُ نَحْنُ عِشْنَا العُمْرَ صِغَاراً ثُمَّ شَبَاباً فَأَخْطَأْتُ يَوْماً مِنَ الأَيَّامِ وَمَنْ مِنَ النَّاسِ مَعْصُومٌ؟ [Post-Verse: Emotional emotional intensity] أَلَمْ أُحَاوِلْ؟ أَلَمْ أَصْبِرْ؟ أَلَمْ أَحْفَظْ ذِكْرَاكَ؟ أَلَمْ أَقْبَلْ بِمَا لَاآ يُقْبَلُ لِأَكُنْ مَعَكْ؟ [Outro & Hook: heartbreaking vocals join] فَكُنْ لِي فِي الحُكْمِ عَدْلَاً [Short Solo: Nay & Fretless Oud] [Bridge: Low Male Throat Overtone Choir] بَعْدَ فِرَاقِنَا كَثِيراً مِنَ الأَمْرِ تَجْهَلُهُ [Pre-Verse: Ethereal Harp and Piano] كَيفَ عِشْتُ وَمَاذَا أَصَابَنِي؟ [Verse 3: Deep wounded, gasping for air] إِنطَفَأْتُ.. وَمَاتَ فِي دَاخِلِي أَيُّ شَغَفٍ لِلحَيَاة [Pre-Hook:Fearful whisper] أَتَذَكَّرُ أَنِّي سَجَدْتُ يَوْمَاً فَقُلْتُ يَا رَبِّي خُذْنِي [Hook: Mawwal Solo in Maqam Kurd] مَا وَدَدْتُ يَوْمَاً رَحِيلَاً [Post-Hook: Natural vocal fatigue, weeping tone] [ 100 BPM ] وَلَكِنْ..كُلَّ مَابِي يَشْكِي كُلَّ مَابِي يَغْلِي فَكَيْفَ أُحْتَمِلُ.. وَحَبِيبِي أَمَامَ عَيْنِي يَخْتَارُ غَيْرِي [Outro: yalling Dark Ambient Pulse] مَا أَنَا إِلَّا مُحِبّْ لَمْ يَنَلْ مَحْبُوبَهْ خَسَرْتُكَ.. وَيَا لَيْتَنِي خَسِرْتُ الكُلَّ وَمَا خَسِرْتُكْ! [Pre-Verse: Fretless Oud and Soft Duduk] [ too much feared and hopeless in the voice ] قَبْلَ الرَّحِيلِ وَقَبْلَ انْقِطَاعِ الكَلَامِ [Verse 4: Dynamic tempo reaches 100 BPM] [Sad Arabic pop style] يَاآ خَيْرَ مُحِّبٍ اليَوْمَ أَشْكُرُ كُلَّ الَّذِي قَدْ أَعْطَيْتْ اليَوْمَ أَبْكِي عَلَى أَحْلَامِي وَذِكْرَانَا اليَوْمَ أَخَافُ عَلَيْكَ مِمَّا فِي دُنْيَانَا [Pre-Outro: Heavy grand piano notes] اليَوْمَ أَرْحَلُ وَأَسْتَوْدِعُ الرَّحْمَنَ فِيكْ [Final Outro: Choral Climax, Fade Out] هَذَا فِرَاقٌ بَيْنِي وَبَيْنَكْ..
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