Songs created with Voices AI

Songs made with Voices AI bring voice technology into music - from covers to original tracks. Hear how creators and our community are using AI voices to explore new sounds and ideas.

New Releases

לב שלא נכנע

לב שלא נכנע

Mizrahi pop ballad with darbuka-driven midtempo groove and warm oud phrases; verse stays intimate with sparse keys and hand percussion, pre-chorus opens with rising string lines and claps, chorus lands on a soaring melismatic hook with stacked male doubles and crowd-style ad-libs. Add oud fills between lines, reversed cymbal swells into each lift, and a final chorus with bigger percussion and emotional backing harmonies. Bright, polished, and heartfelt mix

צל של שקט

צל של שקט

מזרחי שקט

Echoes of Dusk Strings

Echoes of Dusk Strings

Echo d major, strings

أخبار عاجلة، قراءات صامتة

أخبار عاجلة، قراءات صامتة

قرائة بدون اغنية نفس خبر عاجل قناة العربية

Gopak

Gopak

Altwenative Experimental, melodic, folkhop, folkbeatbox, unique unusual pronouncements, на хвилі мелодії піниться бандур вокал серфінгує, instrumental orchestral dj wave, drumobandura and bass bandura, trako parfenyuk vocal style, трохи затягнуто енергійніше мелодійніше будьласка, знаєш чого не вистачає? Ти робиш якийсь фрагмент процентів 10 оригінальним гарним а решта просто ніби інша пісня з шаблонів, це як латки з цегли величі древніх будов, немає цілісності і монолітності пісні і оригінальності, це все ще як розбита ваза з шаблонів

חיים בשקר

חיים בשקר

חיים בשקר

Echoes of Self-Manifestation

Echoes of Self-Manifestation

GENRE Affirmation pop / minimalist Y2K pop / emotional electro-pop (clean, repetitive, hypnotic, slightly spiritual-pop tone) TEMPO 108 BPM (slow confidence, intentional movement, “walking into your future” energy) DRUMS * Kick: soft, steady pulse (not aggressive) * Snare/Clap: airy, distant clap with long reverb * Hats: minimal repetition (almost meditative loop) * Percussion: subtle ticks like heartbeat or clock rhythm VOCALS (KEY STYLE SHIFT) * Very clear, centered vocal (no heavy effects) * Slight breathiness, but controlled and confident * Chorus: stacked softly (not loud — more “internal belief” than power) * Delivery: calm, certain, almost spoken-sung affirmation tone * Repetition is intentional — like a mantra becoming belief FX / ATMOSPHERE * Soft reverb (shorter than dreamy pop — more “present”) * Subtle pulse automation (to mimic heartbeat) * Light reversed synths into chorus * Minimal ear candy (focus is message, not decoration)

Siyaha Dönüş

Siyaha Dönüş

Soul-pop with a smoky midtempo groove, swung drums and warm electric bass; verse stays intimate with sparse Rhodes and finger snaps, pre-chorus lifts with filtered strings and stacked whispers, chorus opens into big gospel-tinged harmonies and short delay throws on the hook. Add reversed piano swells between lines, a soft tape hiss bed, and a final chorus with handclaps and ad-lib shouts. Mix is dark, polished, and close-mic with a glossy low end.

Neon Pulse Highway

Neon Pulse Highway

synthesizer, soundtrack

Blue Porch Road

Blue Porch Road

Dream pop, slowed and reverb-laced with a half-time pulse, soft kick and brushed snare, drifting guitar chords, and a warm bass heartbeat; verse stays hushed and close-mic, pre-chorus opens with stacked ooohs and reversed swells, chorus blooms with wide harmony doubles and a delayed lead line; ear candy includes vinyl crackle, tape-warp transitions, and chime tails after the hook. Glossy yet intimate mix with a foggy halo.

Prince Pretty Fine

Prince Pretty Fine

Pop-R&B midtempo with a laid-back bounce and swung pocket; verse stays sparse with soft percussion, bass plucks, and a sticky muted guitar motif; pre-chorus lifts with stacked harmonies and a rising synth pulse; chorus opens with wide chords, doubled lead vocal, and playful ad-libs. Ear candy: reverse swells into the hook, tiny bell accents between lines, and a delayed vocal tail on the last word. Mix is glossy, intimate, and radio-bright.

Summer In Backseat

Summer In Backseat

Bubblegum pop with chipmunk-pitched female vocals, bright four-on-the-floor bounce, clappy percussion, rubbery synth bass, and glittering keyboard riffs; verse rides tight and playful, pre-chorus strips to handclaps and stacked “ooh”s, chorus snaps wide with group harmonies and shouted sister ad-libs. Tiny reverse swells into each hook, sparkly bell fills between lines, crisp punchy mix with shiny top end and candy-bright stereo width., girl group

Río de Tu Sonrisa

Río de Tu Sonrisa

Rock pop, j-rock, k-pop

Earthquake Motion

Earthquake Motion

EDM dance-pop with a driving four-on-the-floor kick, syncopated handclaps, and a rubbery bassline; verse stays tight and percussive, pre-chorus strips to filtered drums and rising vocal stacks, chorus opens wide with a giant chantable hook and octave synth lead. Breathy close-mic verses, doubled chorus vocals, gang repeats on the anchor phrase, with reverse swells, impact hits, and sparkling ear-candy fills. Bright, punchy, festival-ready mix.

Berry White Strings Serenade

Berry White Strings Serenade

Berry White sound, strings

مصري تركي  2026

مصري تركي 2026

لحن تركي مزيكا تركي ولاكن كلام مصري 2026

Ritmul Luminilor Sfinte

Ritmul Luminilor Sfinte

Canon version, Praise and worship, choir song, hymns song, piano, guitars, drums, energic song,

Lueur Mallorquine

Lueur Mallorquine

Chanson française année 60-70 style Old-Money voix chaude expressive masculine. Élégant fusion with mandolin, brushed drums, warm piano, and subtle accordion textures. Breathy vocals.

Настя Суслик

Настя Суслик

Russian trap with bouncy half-time drums and tumbling hi-hats; verse rides tight punchy phrasing, pre-chorus strips to sub and handclaps, chorus hits with gang-vocal chants on the anchor phrase. Add vocal doubles on the hook, short delay throws on the last word of each line, and small risers into every drop. Bright, hard-edged, glossy mix with a playful streetwise bounce.

Raíces de Saiko: El Viento del Norte

Raíces de Saiko: El Viento del Norte

Hola quiero crear una canción de saiko

Voices new instrument

Voices new instrument

Cinematic Indian orchestral, epic film score, Bollywood orchestral, emotional, dramatic, grand, orchestral build, powerful percussion, sweeping strings, sitar, tabla, bansuri flute, atmospheric, rising tension, massive climax, big cinematic ending, female indian angelic choir

Instruktørerne På Langvang

Instruktørerne På Langvang

rap, Bouncy techno-country hybrid with male vocals; four-on-the-floor kick drives a playful hillbilly groove, layered with bright mandolin chops, folky violin riffs, and cheeky flute fills. Police-style siren FX swell into the hook, then duck in the verses so the rap can cut through. Big shout-along chorus with stacked gang vocals on the title line; energy starts fun and light, then ramps into a wild final chorus with extra ad-libs and instrumental flourishes., violin, country, techno

Macho fragile

Macho fragile

rock, Crunchy pop/rock groove with bright overdriven guitars, tight live drums, male vocals in the foreground. Verses start dry and close, bass pulsing steadily; pre-chorus builds with rising toms and subtle synth pads. Chorus hits wide and anthemic with stacked gang shouts on key phrases, extra crash cymbals, and a gritty second guitar line answering the vocal. Bridge strips to voice, bass, and rim-clicks before a full-band lift into the final hook, ending on a held vocal note and feedback tail., chanson, pop

Λιμάνι 4

Λιμάνι 4

Έρωτας καψούρα αγάπη Ερωτικό αγάπη πάθος μπαλάντα

lady of the dawn

lady of the dawn

male emo voice, cinematic, theatrical, folk alternative indie, bbc orchestra, ambient, spooky, beautiful

ROBOXX, O Robô do Pancadão

ROBOXX, O Robô do Pancadão

High-energy Brazilian funk/pancadão automotivo with pounding sub-bass, bright synth leads, and call-and-response between male vocals and a heavily processed robotic voice. Verses ride a tight, percussive groove; chorus explodes with crowd chants and vocoder harmonies. Add pitch-bent sirens, metallic FX, and quick breaks for the crowd to scream the hook.

Люди, кому автограф?

Люди, кому автограф?

High-energy Slavic pop-rap banger; bouncy drums, bright synth stabs, crowd chants on the hook. Verses spit fast with playful attitude, then chorus explodes into a simple shout-along line. Male vocals, stacked gang vocals on the title phrase, subtle pitch FX on ad-libs for extra hype.

Loli y Carol Siempre

Loli y Carol Siempre

Warm acoustic pop ballad en español, female vocals; gentle nylon guitar and soft piano, intimate verses close to the mic, choruses lift with lush harmonies and light percussion; subtle pad swells in the bridge for an emotional peak then a stripped final hook with almost a cappella ending

Telaga Darah, Gelombang Sukma

Telaga Darah, Gelombang Sukma

Atmospheric indie ballad, male vocals: fingerpicked nylon guitar and subtle piano swells under intimate verses, then drums and warm bass slide in on the chorus. Reverb-kissed backing harmonies bloom on key lines, last chorus builds to a cathartic, tear-soaked peak before a soft guitar outro lets the emotion hang in the air.

Welcome to the No Permit Club

Welcome to the No Permit Club

dance, Upbeat country-rock shuffle with bright acoustic guitars, brushed snare, and a walking bass groove. Verses stay tongue‑in‑cheek and story-driven, chorus jumps with gang vocals on the hook and big sing‑along energy. Short organ swells and twangy electric fills between lines; keep the vocal playful but sincere, like a buddy cracking jokes after a rough day. Male vocals., light, inspirational

Portal de Luz 963

Portal de Luz 963

Ethereal ambient pop with shimmering pads tuned to 963 Hz, soft male vocals in an intimate whisper-to-falsetto arc; sparse piano motifs and distant choirs drifting in and out. The arrangement blooms slowly with subtle sub-bass swells and airy percussion textures, then dissolves back into a spacious, meditative outro where echoes and reverb carry the final hook.

Late night text

Late night text

Folk, childplay school beat, (Baby don't cry vibe), kiss soft moans juvenile remix, longing heart love warm, preteens-girls duo female young bubbling girls and harsh whip, partyfeeling, subwoofer in a car drop the base, late night summer vibe, two young juvenile sing along and humping pumping cry moans chants in "m m m m m m m M", subwoof bas drop remix, giggling bedtime high-pitched moan"me"

Detrás De Tus Lentes

Detrás De Tus Lentes

Warm midtempo Latin pop with male vocals, nylon-string guitar and soft percussion up front. Verses stay intimate and close-mic’d; pre-chorus adds subtle piano swells and rising pads. Chorus blooms with stacked harmonies, light shakers, and a steady bass pulse, then drops back to a cozy, acoustic feel for the bridge before a final lifted hook.

SambasadaSivaAksaramala

SambasadaSivaAksaramala

saxophone, jazz, mandolin, soul, guitar, drums, fusion, instrumental, xylophone

Cool Kids Don't Say That

Cool Kids Don't Say That

Brooding alt-pop with male vocals, elastic bass and shimmery synth pads. Verses stay minimal and half-whispered, chorus hits wider with stacked vocals and a sticky, slightly warped hook. Tight drums, filtered transitions, and a subtle pitch-bent lead for a quirky, off-center edge.

Dunka Dunka Party På Streamen

Dunka Dunka Party På Streamen

folk, Bouncy EPA-dunk gaming remix, male vocals and girl vocals style Lexie Liu voice vibes. Bright euro-pluck lead over chunky saw chords, wide sidechained pads and a thick festival-style kick-bass groove. Verses stay tight with chiptune arps and filtered tops; chorus explodes with stacked chants, crowd emo shouts and a distorted sub drop. Short call-and-response ad-libs, light pitch FX on hooks, and quick risers into every “DUNKA DUNKA” för maximal allsång., remix

Gamer 108

Gamer 108

High-energy Latin pop anthem inspired by World Cup celebrations, featuring powerful female vocals with a bright, expressive, tropical tone and energetic male rap vocals with charismatic party-host energy. 70s Latin pop influences blended with modern stadium production, massive percussion, crowd chants, hand claps, bright trumpet and brass stabs, syncopated guitars, driving bassline, and explosive drum fills. Verses build excitement with rhythmic Latin grooves and call-and-response chants. Pre-chorus rises with tension and layered harmonies. Chorus is huge, uplifting, and designed for thousands of fans to sing together in a stadium. Gang vocals, football chants, whistles, and festival energy throughout. Male and female lead vocals alternate and unite during the chorus. Strong R&B influences, infectious hooks, celebratory atmosphere, international football spirit, cinematic production, radio-ready sound

Unanchored

Unanchored

Melancholic alt-pop with a slow pulsing groove, sparse verse drums, breathy doubled lead, and a chorus that opens into wide stacked harmonies; pre-chorus lifts with filtered pads and rising snaps, chorus lands on a deep kick and soaring vocal layers, bridge drops to near-silence with an intimate close-mic confession, then final chorus blooms with reverse swells, soft claps, and shimmering tail delay., soul, light

ثمرتكم يا أمي

ثمرتكم يا أمي

Arabic pop ballad with a warm mid-tempo 6/8 sway, gentle acoustic guitar and soft piano in the verses; pre-chorus lifts with strings and hand percussion; chorus opens wide with layered harmonies and emotional group backing on the key phrase. Lead vocal stays intimate and close-mic, with tasteful echo throws on the last word of each hook. Add ear candy with a swell into the chorus, a brief string rise before the bridge, and a final held note that blooms in a bright, polished mix.

Gamer 108

Gamer 108

High-energy Latin 70s pop anthem with stadium percussion, crowd chants, and bright brass hits; verses ride on syncopated guitars and tight drums, then explode into a wide, shout-along chorus with gang vocals and big tom fills. Male vocals up front, call-and-response hooks and claps driving the energy, final chorus modulates up with extra horns and choir-style backing. R&B, trumpet

Convite de São Cristóvão

Convite de São Cristóvão

Portuguese acoustic folk-pop, calm spoken-sung invitation feel with relaxed 92 BPM groove, soft percussion and warm nylon guitar; verse speaks gently with sparse accompaniment, pre-chorus opens with light handclaps and a subtle lift, chorus blooms with group vocal support and airy responses. Use close-mic lead, soft doubles on key lines, and a few reverbed shouts on the chant. Add a brief accordion swell and church-bell sparkle into the chorus. Mix is warm, intimate, and bright.

Fuder

Fuder

pop rock, pop, rock classic

Dolores My Promise

Dolores My Promise

Pop ballad with a steady mid-tempo pulse and soft piano arpeggios, brushed drums in the verses, and warm string lifts into the chorus; verse stays intimate and close-mic, pre-chorus opens with layered harmony swells, chorus blooms with doubled lead and gentle gang-style backing on the name. Airy reverses, piano echoes, and a final key-change lift. Clean, glossy, emotional mix., emotional

Mars im Kofferraum

Mars im Kofferraum

German alt-pop with driving mid-tempo four-on-the-floor groove, clipped bass pulses and glossy synth stabs; verse stays tight and conversational, pre-chorus opens with rising handclaps and filtered pads, chorus hits with stacked gang vocals and a singable chant. Breathy lead vocal with doubled hook phrases, quick delay throws on the last word of each line, tiny reversed swells into transitions, crisp bright mix with polished low end.

Glitter Rodeo Amor Rojo

Glitter Rodeo Amor Rojo

Estilo: country pop gay, sexy cute, glitter rodeo, pink boots, denim, flirty cowboy crush vibes. Sonido: Shania Twain meets Troye Sivan, con beat pop, guitarra country, palmas, bajo juguetón y coro súper pegajoso. Mood: gay boy llega al rodeo, todos miran, él sabe que está cute, quiere bailar, coquetear y robarse el show.

Bowling

Bowling

1970s West Coast rock ballad. Warm, weathered male lead vocal with a natural, lived-in tone. Rich layered harmonies throughout the chorus. Slow-to-mid tempo. Vintage analog recording sound with gentle tape saturation. Acoustic guitar-driven arrangement supported by soft piano, melodic bass, restrained drums, and tasteful clean electric guitar fills. Emotional, reflective, and bittersweet rather than dramatic. The singer sounds older, wiser, and slightly regretful, delivering the lyrics with understated conviction. Influences include classic 1970s California country-rock and soft rock. Smooth vocal blend, spacious mix, organic instrumentation, and strong storytelling. No modern pop production, no heavy compression, no contemporary country twang, no electronic elements.

Countdown to Chloe’s Castle

Countdown to Chloe’s Castle

Warm father lead vocal, heartfelt storytelling, Disney-inspired family pop, cheerful children's choir on choruses only, bright ukulele, acoustic guitar, piano, hand claps, uplifting and hopeful, father-daughter theme, easy singalong chorus, emotional but joyful, modern animated movie soundtrack feel, family-friendly, countdown-to-birthday energy, memorable repetition of Chloe's name, children echoing key phrases, warm cinematic ⅘.

Crystal Light

Crystal Light

Pop ballad with mid-tempo pulse, warm acoustic guitar, soft piano figures, and gentle sidechain pads; verse stays intimate and close-mic, pre-chorus opens with stacked harmonies and rising drums, chorus lifts with handclaps and a singable family-name chant. Vocal doubles on the hook, tender ad-libs at phrase ends, a subtle string swell into the bridge, and a bright, polished mix with emotional depth.

Gamer 107 Buchona

Gamer 107 Buchona

High-energy Latin pop anthem with stadium percussion, crowd chants, and bright brass hits; verses ride on syncopated guitars and tight drums, then explode into a wide, shout-along chorus with gang vocals and big tom fills. Male vocals up front, call-and-response hooks and claps driving the energy, final chorus modulates up with extra horns and choir-style backing.

Smoke & Sunday Sunrise

Smoke & Sunday Sunrise

Country rock gospel twists punk pop

Gamer 107 Buchona

Gamer 107 Buchona

High-energy Cumbia Latin pop anthem with stadium percussion, crowd chants, and bright brass hits; verses ride on syncopated guitars and tight drums, then explode into a wide, shout-along chorus with gang vocals and big tom fills. Male vocals up front, call-and-response hooks and claps driving the energy, final chorus modulates up with extra horns and choir-style backing.

Mary mi flaca

Mary mi flaca

Latin pop ballad with a gentle dembow sway and warm guitar arpeggios; verse stays intimate and close-mic, pre-chorus opens with stacked harmonies and a rising snare swell, chorus lands on a singable chant with handclaps and a soft bass pulse. Breathy lead vocal, doubled on the hook, with tiny ad-lib echoes and a bright final lift. Polished, warm, and radio-ready.

Cherry Blossom Seal

Cherry Blossom Seal

Anime pop-rock with driving four-on-the-floor drums, bright palm-muted guitars, and a springy bassline; verse stays tight and percussive, pre-chorus opens with rising gang vocals and filtered synth swells, chorus hits wide with stacked harmonies and shouted hook replies. Female lead vocal, double-tracked on the hook, with reverse cymbal lifts, short delay throws, and crisp punchy mix.

Inside TikTok

Inside TikTok

Hip-hop pop with bouncy swung drums, clipped bass hits, and a tense half-time verse flow; verse stays lean and chatty, pre-chorus opens with stacked oohs and a filtered rise, chorus lands on a chanty hook with doubled vocals and short delay throws on the last word. Add a phone-scroll glitch intro, a beat mute before the hook, and sparkly ear-candy chops between lines. Bright, punchy mix with close-mic vocals and glossy top end.

Stone lakes elementary

Stone lakes elementary

Pop Anthem – emotiva, alegre y poderosa) coros de niños

زوزي وبزة

زوزي وبزة

Arabic pop ballad with a mid-tempo 6/8 sway, warm acoustic guitar and gentle darbuka under soft piano; verse stays intimate and close-mic with sparse hand percussion, pre-chorus lifts with stacked harmony lines and a rising string pad, chorus opens with fuller drums and a chantable lead vocal doubled in unison on the name phrases, bridge strips back to voice and guitar before a final chorus with airy ad-libs and a tender emotional lift. Bright, glossy mix with a close, romantic feel.

La Canción del Mundial Falla

La Canción del Mundial Falla

High-energy reggaeton, Corrido Latin pop anthem with stadium percussion, crowd chants, and bright brass hits; verses ride on syncopated guitars and tight drums, then explode into a wide, shout-along chorus with gang vocals and big tom fills. Male vocals up front, call-and-response hooks and claps driving the energy, final chorus modulates up with extra horns and choir-style backing.

Acoustic

TE AMO MARYY

TE AMO MARYY

future bass, acoustic, vocal

Virgil My Heart

Virgil My Heart

Pop ballad with slow 6/8 sway, tender acoustic guitar and piano arpeggios; verse stays intimate and close-mic, pre-chorus opens with layered harmonies and a rising snare brush, chorus lands with wide stacked vocals and a simple piano lift. Add a soft string swell into the hook, a reverse piano breath before each chorus, and a final held note with subtle delay throws. Warm, glossy mix with emotional front-and-center vocals.

Virgil on 61

Virgil on 61

Country ballad with warm acoustic guitar, brushed drums, and pedal steel sighs; verse rides a slow two-step with sparse bass and fingerpicked fills, pre-chorus opens with harmonies and a rising fiddle line, chorus lands with fuller drums and a steel-guitar hook. Close-mic female vocal with intimate doubles on the chorus, a few breathy ad-libs and gentle group echoes. Road-noise risers, a ghostly reverse-guitar swell, and a final chorus lift into wide, emotional mix., country

109 5

109 5

male emo voice, spooky folk song, western cowboy guitar, simple fiddle (violin), acoustic guitar, banjo, harmonica, dark bluegrass alternative disco

Toată Creația

Toată Creația

G major key tonality, f major key, Contemplative and funeral song, drama song, hollywood sountrack song, Drummer boy, snare drum, field drum, side drum, military drum, acoustic drums, tambourines Crescento in tonality, crescento in instrumental, Praise and worship. Australian and american style drums and orchestra, soundtrack

Besos en la Noche Acústica

Besos en la Noche Acústica

trumpet + vocal harmony + acoustic guitar + woodwinds, Vibe romántico-sucio, twink girly boy con daddy manly, besos apasionados y calor de hotel/gym.

Two Horses Home

Two Horses Home

Country ballad with a loping 6/8 sway, brushed drums, acoustic guitar, pedal steel sighs, and steady upright bass; verse rides sparse with close-mic male vocals and a soft dobro fill, pre-chorus opens with handclaps and harmony lift, chorus blooms with stacked thirds and a hooked group chant. Ear candy includes wind-chime accents, a tape-warm turn-around, and a steel swell into the final chorus. Warm, intimate, and cinematic in a dusty radio-friendly mix.

Toată Creația îți dai slavă

Toată Creația îți dai slavă

G major key tonality, f major key, Contemplative and funeral song, drama song, hollywood sountrack song, Drummer boy, snare drum, field drum, side drum, military drum, acoustic drums, tambourines Crescento in tonality, crescento in instrumental, Praise and worship. Australian and american style drums and orchestra, soundtrack

Fake Pictures 2

Fake Pictures 2

Minimalist rap, reggae, doo wop, experimental, cinematic, heavy 808 drums, acoustic guitar, deep male heavy vocoder, talk not sing, beat switches, interludes, 85-92 BPM. Start with 16-bar instrumental intro: melodic trumpet riff with soft wind instrument swells and light Caribbean steel tones, building tension. Then soft vocals enter acapella-style on ‘Pose for me…’. Bring in heavy 808s and squeaky snare on the second chorus. Make the bridge longer and more atmospheric with layered trumpet moans and wind instrument cries. End with fading trumpet and 808 heartbeat.

Game Four en Nueva York

Game Four en Nueva York

Regional Mexican corrido with brisk 100 BPM polka bounce, tololoche-style bass pulse, accented guitarrón strums, and bright trumpet answers; verse rides tight acoustic figures, pre-chorus climbs with handclaps and shouted pickup lines, chorus lands with gang vocals and a stomp-along hook. Lead vocal stays gritty and close, with doubled chorus shouts, quick ad-lib gritos, and a short brass turnaround before the final lift. Crisp, energetic mix with warm low end and festive edge.

Toată Creația Să Laude Pe Domnul

Toată Creația Să Laude Pe Domnul

Canon with kid and adults, more adults man and women, G major key tonality, f major key, Contemplative song, remix, drama song, hollywood sountrack song, Drummer boy, snare drum, field drum, side drum, military drum, acoustic drums, tambourines Crescento in tonality, crescento in instrumental, Praise and worship. Australian and american style drums and orchestra, soundtrack

Cooper House Rules

Cooper House Rules

Boom-bap rap with dusty drums, swung hats, and a rubbery bass loop; verse rides tight storytelling with clipped cadences, pre-hook drops to handclaps and a vocal chop, chorus punches in with gang doubles and a chantable refrain. George Cooper leads in a gruff male vocal, lightly overdriven on verses, stacked doubles on the hook, with record-scratch turns and a short horn stab between sections. Mix is warm, gritty, and front-loaded., rap

Cheban

Cheban

Style: Upbeat celebration rap, inspired by the energy and rhythm of classic Eminem-style flows, but family-friendly, joyful, and kid-focused. "Fast-paced happy birthday rap beat, energetic celebration atmosphere, bouncing drums, punchy kick and snare, playful piano melodies, bright synths, cheerful brass accents, children's party vibes, hand claps, crowd chants saying 'Hey!' and 'Let's Go!', uplifting major key, family celebration feeling, catchy hooks, modern hip-hop production, clean family-friendly sound, exciting birthday party energy, suitable for a 2-year-old birthday video, joyful and triumphant ending, 95-100 BPM."

Fake Pictures 8

Fake Pictures 8

Minimalist rap, trumpet samples, piccolo samples, cinematic, heavy 808 drums, heavy base line, slurred deep male voice, different voices throughout song, experimental, electric, beat breaks, beat switches male heavy vocoder, talk not sing on chorus, 50’s style lounge singing during verses, beat switches, interludes

Fake Pictures 7

Fake Pictures 7

Minimalist rap, trumpet samples, piccolo samples, cinematic, heavy 808 drums, heavy base line, slurred deep male voice, experimental, electric, beat breaks, beat switches male heavy vocoder, talk not sing on chorus, 50’s style lounge singing during verses, beat switches, interludes

Fake Pictures 6

Fake Pictures 6

Minimalist rap, trumpet samples, piccolo samples, cinematic, heavy 808 drums, heavy base line, slurred deep male voice, experimental, electric, beat breaks, beat switches male heavy vocoder, talk not sing, beat switches, interludes

Fake Pictures 5

Fake Pictures 5

Minimalist rap, lounge singing, trumpet, cinematic, heavy 808 drums, heavy base line, slurred deep male voice, experimental, electric, beat breaks, beat switches male heavy vocoder, talk not sing, beat switches, interludes

Midnight Dead

Midnight Dead

Alt-pop with half-time trap drums, tense pulse bass, and jagged guitar stabs; verse stays sparse and nervous, pre-chorus pulls back to whispered doubles and rising percussion, chorus hits with stacked gang vocals and a hooky octave lift. Filter sweeps, reversed cymbal swells, and a final drop of handclaps and sub hits. Bright, punchy mix with an eerie edge and close-mic lead.

Fake Pictures 4

Fake Pictures 4

Minimalist rap, trumpet, cinematic, heavy 808 drums, heavy base line, slurred deep male voice, grunge, industrial, experimental, electric, beat breaks, beat switches male heavy vocoder, talk not sing, beat switches, interludes

352 Roll Call

352 Roll Call

Boom-bap rap with a laid-back head-nod groove, dusty drums and a rubbery bass line; verse rides sparse pockets with punch-in ad-libs, pre-hook tightens with stacked chant doubles, chorus hits with a short group chant and callouts. Vocal is close-mic and conversational, with subtle delay throws on the numbers, vinyl crackle between phrases, and a warm gritty mix that feels hand-to-hand and local.

352 On Turlock

352 On Turlock

Trap hip-hop with a laid-back head-nod groove, crisp hi-hat rolls and rubbery sub-bass; verse rides sparse drums and a looping synth tint, pre-chorus strips to claps and bass pulses, chorus comes in with stacked doubles and gang ad-libs on the names. Ear candy uses quick risers, reversed vocal sweeps, and coin-like percussion ticks between lines. Mix is dry, punchy, and close-mic with wide hook layers.

Fake Pictures 3

Fake Pictures 3

Minimalist rap, trumpet, piccolo, reggae, funk, doo wop, experimental, cinematic, heavy 808 drums, rock drums, car engine revving, electric guitar, electro, deep male heavy vocoder, talk not sing, beat switches, interludes

Balón de Humo

Balón de Humo

Trap melancólico a medio tiempo con 808 profundo y hi-hats sincopados; verso minimal con piano en acordes abiertos y subgrave respirando, pre-coro levanta con pads armónicos y filtros crecientes, coro entra con melodía amplia y dobles en terceras. Voces principales íntimas con armonías de fondo, ad-libs paneados y colas de delay cortas; puentes con corte de batería, reversos y campanas lejanas. Mezcla oscura, pulida y emocional, con brillo en el hook

Todo va a cambiar

Todo va a cambiar

Reggaeton, Dreamy, Dark, trap, electronic

Neon Pulse Harmony

Neon Pulse Harmony

80s, jazz, rock, fusion, vocal harmony, ambient, choral

Red Dust Junction

Red Dust Junction

Blues rock with a slow-burning swung groove, gritty guitar riff, brushed snare on the verses, and a bigger half-time stomp in the chorus; verse stays lean with bass and vocal grit, pre-chorus opens with rising organ and handclaps, chorus hits with stacked harmonies and bent-note guitar answers. Rough lead vocal with doubled hook lines, smoky ad-libs, tape-delay throws on key phrases, reverse cymbal swells into each lift, warm analog mix with a raw, arena-sized edge., rock, blues, soulful

Snakes, Scams & Sweet Revenge

Snakes, Scams & Sweet Revenge

Fun, punk, pop, rock, slow

Melodic

Fake Pictures

Fake Pictures

Caribbean-infused R&B / tropical pop, smooth male vocals, minimal lyrics, emotional and seductive. Featured bright trumpet as lead melodic instrument with soft wind instrument (flute or pan flute) layered behind it. Heavy 808 drums with a distinct squeak sound on the snare. Medium-length instrumental intro (16 bars) of just trumpet, wind instrument, and subtle Caribbean percussion before any drums or vocals. Vocals enter clean with no drums initially. Warm, intimate, late-night vibe. Key of A minor, 85-92 BPM. Start with 16-bar instrumental intro: melodic trumpet riff with soft wind instrument swells and light Caribbean steel tones, building tension. Then soft vocals enter acapella-style on ‘Pose for me…’. Bring in heavy 808s and squeaky snare on the second chorus. Make the bridge longer and more atmospheric with layered trumpet moans and wind instrument cries. End with fading trumpet and 808 heartbeat.

Srećko

Srećko

Strict traditional Dinaric-Dalmatian-Livno folk ballad. Emotional homeland song about childhood, Livno, Drinova Međa and the river Sturba. Warm natural male vocal, strong but nostalgic, sincere and heartfelt.dalmatian klapa, vocal harmony The sound should feel like Livanjsko Polje, Dinaric mountains, Dalmatinska Zagora and old village memories. Acoustic traditional arrangement with šargija, diple, frula, very subtle gusle, soft mandolin, lijerica-style melodic lines, deep traditional hand drum and gentle low drone. Slow to medium tempo, serious emotional atmosphere, wide open field feeling, mountain wind feeling, natural acoustic sound. The chorus should be strong, memorable and emotional, like an old homeland song from Livno and Dalmatian hinterland. Avoid modern pop, avoid trap, avoid rap, avoid EDM, avoid synthesizers, avoid Slovenian Oberkrainer style, avoid polka, avoid happy wedding music, avoid accordion-dominant arrangement, avoid heavy autotune., guitar, alternative, lounge

I called you up

I called you up

British electronic classical fusion pop tune, 117BPM, minor key, changing, four-on-the-floor, uk opera female vocal, cool repetitive cadence, piano stabs, strings sticcato, moving synth, warm sub-bass house, dance, ethereal, dreamlike, curious, reflective, cool, 2026

I called you up

I called you up

British electronic pop tune, 137bpm, minor key, changing, four-on-the-floor, uk operatic style female vocal, cool repetitive cadence, piano stabs, strings staccato, moving synth, warm sub-bass house, dance, ethereal, dreamlike, curious, reflective, cool, 2026

I called you up

I called you up

British electronic pop tune, 128bpm, minor key, changing, four-on-the-floor, uk urban female vocal, cool repetitive cadence, piano stabs, strings sticcato, moving synth, warm sub-bass house, dance, ethereal, dreamlike, curious, reflective, cool, 2026

I called you up

I called you up

British electronic pop tune, ethereal, dreamlike, reflective, four-on-the-floor, uk urban male vocal, cool repetitive cadence, moving synth, warm sub-bass house, dance, cool, 2026

Velvet Window

Velvet Window

Funk with glossy neo-soul bass, clipped guitar pops, laid-back pocket drums, and a danceable mid-tempo sway; verse glides close-mic and intimate, pre-chorus opens with stacked harmonies and handclaps, chorus lands on a sticky chant with falsetto doubles. Add rim-shot pickups, wah-guitar flicks, and short delay throws on the hook words. Bright, polished, and sweaty-close in the mix., funk

City Boy

City Boy

Pop funk with a syncopated disco pulse, rubbery bass, tight guitar chanks, handclaps, and dancefloor swing; verse keeps it lean and percussive, pre-chorus lifts with filtered strings and rising ad-libs, chorus opens wide with stacked gang vocals and a sharp call-and-response hook. Main male vocals are glossy, playful, and charismatic, with doubled hook lines, falsetto flips, delay throws, and little ad-lib pops. Ear candy includes vinyl crackle on the intro, reverse cymbal swells into the chorus, and chime hits between phrases. Bright, punchy, and slickly polished., pop

Wer trinkt Bier?! HEY! HEY!

Wer trinkt Bier?! HEY! HEY!

Ballermann Party-Schlager 2026, extrem eingängiger Ohrwurm, männliche Party-Stimme, energiegeladen und feierwütig, fette Kickdrum, treibender Dance-Beat, Mitsing-Refrain, Stadion-Chöre, Party-Atmosphäre, Mallorca Megapark Vibes, moderne Schlager-Produktion, gute Laune, Alkohol- und Feierstimmung, einfache Hookline mit vielen Wiederholungen, 145 BPM, Sommerhit-Potenzial, Publikum singt laut mit, Eskalation im Refrain.

7 miliardi

7 miliardi

female vocals, autotune, high pitched notes, hard rock, dance, happy, summer hit song, live stadium, sweet, romantic, sexy, bitch, sensual

Lid down

Lid down

(Tempo: Fast, upbeat, and bouncy—think 80s synth-pop or a high-energy dance track)

Mandolina nad Morem

Mandolina nad Morem

Dalmatinska klapa, Electric Guitar, mandolin, Rock, Choral mandolin, rock, guitar, acoustic guitar, 80s, keyboard, drum and bass, accordion, vocal harmony, modern Dance hit

Silver Dress

Silver Dress

Pop dance with punchy four-on-the-floor kick, rubbery bass, and bright synth stabs; verse stays tight and suspenseful with close-mic lead and clipped doubles, pre-chorus lifts with filtered claps and rising vocal stacks, chorus lands wide with gang-vocal repeats and short delay throws on the hook phrase. Ear candy: reversed shimmer into each chorus, snare fills that crack open the drop, and sparkling percussion filigree. Mix is glossy, crisp, and radio-bright.

Neon Claims

Neon Claims

Pop dance-pop with a syncopated bass pulse, crisp handclaps, and glossy synth stabs; verse rides lean on tight kicks and vocal snaps, pre-chorus strips to bass and filtered chords, chorus opens with stacked harmonies and a chantable answer-back. Lead vocal stays close-mic and rhythmic, with doubled hooks, short delay throws, and ad-lib sighs. Sparkling risers, reverse cymbals, and a quick drum pickup into each chorus. Bright, polished, club-ready mix.

ABC Aong Remix

ABC Aong Remix

Dance-pop with a bouncy mid-tempo four-on-the-floor groove, rubbery bass, handclap snaps, and sparkling synth hooks; verse stays tight and playful with rhythmic spoken phrasing, pre-chorus lifts with filtered drum build and stacked "ah-ah" chants, chorus lands bigger with gang vocals on the chant phrase and a looping earworm melody. Lead vocal is bright and close-mic with doubled hook lines, ad-lib throws on the last word of each chorus, reversed swells into transitions, crisp punchy mix with glossy top end., remix

Get with the times

Get with the times

Yup beat club dance song

Neon Eclipse

Neon Eclipse

K-pop dance-pop with punchy kick-snare, bright synth plucks, and glossy sidechained pads over a propulsive four-on-the-floor groove; verse stays tight with clipped phrasing and stacked pre-chorus lifts, chorus opens wider with octave doubles and chanty group replies. Filter sweeps, reverse swells, and sparkly ear-candy fills drive transitions. Crisp, bright, high-gloss mix with intimate lead and huge hook layers., k-pop, rhythmic

Move All Night

Move All Night

Genre: Dance-Pop / EDM Tempo: 128 BPM Mood: Energetic, Euphoric, Uplifting, Feel-Good Vocals: Strong lead vocals with crowd chants and layered harmonies Instruments: Punchy kick drums, deep bass, bright synth leads, piano stabs, claps, risers, vocal chops, and festival-style drops Influence: Modern festival EDM, radio-friendly dance-pop, and arena-sized party anthems

Première fois

Première fois

“Afro-Pop × Club Pop × R&B Love Anthem, under 3:30, 112-118 BPM, warm and emotional atmosphere, true love theme, deep connection, loyalty, devotion and finding happiness through another person. Smooth humanized male vocals, clear articulation, natural and heartfelt delivery. Intro with soft piano, warm pads, atmospheric textures and subtle afro percussion. Catchy afro-pop groove, romantic melodies, uplifting energy, memorable repetitive hook designed to stay in the listener’s head. Modern afro-fusion drums, rhythmic bassline, emotional chord progression, danceable but sincere. Clean production, wide stereo, bright summer-night feeling, romantic club atmosphere, hopeful and positive emotion, intimate verses, powerful chorus, radio-ready sound, modern love song with genuine feelings and strong emotional impact.”

خريج ٢٠٢٦

خريج ٢٠٢٦

Arabic pop with upbeat dance rhythm, bright handclaps and bouncing synth plucks; verse starts light and playful with small drum fills, pre-chorus lifts with stacked harmonies and a rising snare roll, chorus opens into a big singalong with group vocals and celebratory chants. Lead vocal stays close and joyful with doubled hook lines, ad-lib runs on line ends, confetti risers and bell sparkles between phrases, crisp glossy mix with a festive punch.

Beat It Up

Beat It Up

Dance-pop with a propulsive four-on-the-floor kick, rubbery bass, clipped guitar skanks, and glittery synth stabs; verse rides sparse drums and punchy talk-sung lines, pre-chorus lifts with filtered risers and stacked oohs, chorus hits with big gang-vocal doubles on the hook and short delay throws, bridge strips to handclaps and bass before the final drop. Bright, glossy mix with crisp low end and wide hook vocals.

Ой Алина

Ой Алина

Dance-pop with a bouncy mid-tempo groove, crisp four-on-the-floor kick, snapping claps, and playful synth stabs; verse stays tight with minimalist bass and percussive vocal phrasing, pre-chorus lifts with rising filter sweeps and stacked harmonies, chorus opens wider with gang vocals on the hook. Lead vocal is cheeky and close-mic, with doubled lines on the refrain, quick delay throws on the last word, and bright punchy mix with glossy ear-candy fills between phrases.

Der Müller holts

Der Müller holts

Ancient medieval folk warning song about a supernatural being known only as The Miller. Slow, relentless rhythm like a mill wheel grinding in darkness. Sung by common villagers, not professional singers. Low male voices, occasional female harmonies, children’s voices joining the refrain. Sparse instrumentation: drum, hurdy-gurdy drone, wooden clappers, distant bell. The song should sound centuries old. The Miller is never described directly. He is felt rather than seen. The music should create the sense that everyone knows the story, but nobody knows whether it is only a story. Atmosphere: folklore, fear, superstition, harvest fields, abandoned mills, cold wind, candlelight, old religion and older things beneath it. The refrain should feel ritualistic and unforgettable. No orchestral score. No cinematic trailer music. No battle music. No dance rhythm. No modern vocals.

Ayo Menari Koplo

Ayo Menari Koplo

Dangdut koplo at 136 BPM with upbeat kendang, buzzing bass, bright organ licks, and playful percussion fills; verse keeps the groove light and bouncy, pre-chorus lifts with handclaps and rising synth stabs, chorus opens wide with shouts and gang vocals on the hook. Lead vocal is cheerful and front-and-center with stacked doubles on the refrain, plus ad-lib echoes and short call-response accents. Ear candy includes drum breaks, whistle hits, and quick fill-ins before each chorus. Mix is bright, punchy, and dance-floor forward.

Virgil On My Mind

Virgil On My Mind

Motivational hip-hop with a head-nod swing, crisp punchy drums, warm bass, and chopped vocal chants; verse rides sparse piano stabs and tight percussion, pre-chorus lifts with rising claps and filtered harmonies, chorus hits with stacked gang vocals on the anchor line, bridge strips to voice and bass before the final hook; close-mic lead vocal with doubled ad-libs, delay throws on key words, subtle tape hiss and reverse swells into each drop, bright and energetic mix, hip-hop, motivational

Virgil Keep Running

Virgil Keep Running

Motivational hip-hop, mid-tempo swung boom-bap with crisp kick-snare, punchy 808 support, and chopped soul stabs; verse rides sparse drums and bass with tight doubled lead, pre-chorus opens with rising chants and filtered piano, chorus hits with stacked gang vocals on the anchor line. Ad-lib panned responses, short delay throws on key words, reverse cymbal lifts into each hook. Bright, punchy mix with a warm center and wide backing layers., motivational, hip-hop

Keep Running

Keep Running

Hip-hop with a punchy mid-tempo boom-bap bounce, crisp snare snaps, warm bass hits, and chopped vocal stabs; verse rides sparse drums and a looping piano riff, pre-chorus opens with rising claps and filtered pads, chorus lands with stacked doubles and a chantable group reply. Use short delay throws on key words, subtle ad-lib panning, tape-stop transitions, and a bright, forward mix with gritty edge., motivational, hip-hop

Virgil My Heart

Virgil My Heart

Pop ballad with slow pulsing drums, warm keys, and swelling strings; verse stays intimate and close-mic, pre-chorus opens with stacked harmonies and rising chords, chorus lands wide with doubled lead and soft gang vocals on the hook, bridge strips to piano and breathy ad-libs before a bigger final chorus. Bright, emotional mix with glossy top end and deep low-end bloom.

Virgil My Heart

Virgil My Heart

Pop ballad with intimate close-mic male vocals, soft piano and muted kick in the verse; pre-chorus lifts with string swells and stacked harmonies; chorus opens wide with a repeated anchor and aching ad-libs, then the bridge drops to bare keys before a final chorus with bigger drums and vocal doubles. Delicate room reverb, delay throws on the title phrase, warm polished mix with a cracked emotional edge.

Khatera Alefi

Khatera Alefi

Soulful pop-R&B ballad with a mid-tempo swing, gentle piano pulses, warm bass, and soft brushed drums; verse stays intimate and close-mic, pre-chorus opens with stacked harmonies and a rising pad, chorus blooms with wide doubles and a sing-back hook. Add tiny reverse swells into the pre-chorus, a bell tone after key lines, and a final lift with ad-lib gospel runs. Mix is warm, glossy, and emotional, with a polished but human feel., strong

Love it stays

Love it stays

British classical ballad, 78 BPM, A major with E minor colour, intimate and grief-led. sparse piano, warm cello, light viola/violin swells, subtle harmonium/organ pad, . Close, emotional British operatic style lead vocal, restrained and human, not polished. Small choir / voices for backing vocals and call-and-response.. . Final chorus fuller but still restrained, then strip back for outro. Warm, raw, cinematic, profound loss, love remaining after goodbye. No big drums, no glossy production, no power-ballad vocals.

Wheel on the Mississippi

Wheel on the Mississippi

Ragtime with a jaunty piano stride, clipped banjo accents, slap bass bounce, and brushed drums pushing a syncopated two-step feel; verse runs nimble and story-driven, pre-chorus tightens with handclaps and rising chromatic piano turns, chorus opens with gang vocals and a stomping hook. Add saloon-style brass stabs, a stop-time tag before each chorus, and a bright, punchy mix with close-mic lead vocal and playful ad-lib doubles., ragtime

Hip Hop

Apocalypse 5:1-14

Apocalypse 5:1-14

Afro r&b beat hip hop

Apocalypse 4:1-11

Apocalypse 4:1-11

Afro r&b beat hip hop

Apocalypse 3:1-22

Apocalypse 3:1-22

Afro r&b beat hip hop

Apocalypse 2 :1-29

Apocalypse 2 :1-29

Afro r&b beat hip hop

Apocalypse 8:1-13

Apocalypse 8:1-13

Afro r&b beat hip hop

Apocalypse 1 :1-20

Apocalypse 1 :1-20

Afro R&B Beat Hip hop

Trippy tree of life

Trippy tree of life

R&B hip hop, lo-fi, bubblegum punk pop, acid bass, heavy alt bass, dark bass vibe, grunge (Tempo: Slow, laid-back lo-fi groove, around 78 BPM) ​(Intro) (A deep, distorted acid bassline punches through a warm, crackling lo-fi vinyl hiss. A dusty hip-hop drum loop kicks in, overlaid with a bright, sticky bubblegum-punk synth melody that sounds like a corrupted video game.), bass

Mayhem Walkout

Mayhem Walkout

Aggressive hip hop fight anthem with male vocals, dark arena-ready bounce, heavy bass and hard drums driving a marching halftime groove; verse rides sparse kicks, sub drops, and cold brass stabs; pre-chorus opens with crowd chants and rising orchestral swells; chorus slams with group shouts, taiko-style hits, and sharp ad-lib doubles on the hook. Tactical ear candy: gate-open risers, impact booms before each drop, and distant arena chants feeding the final chorus. Mix is wide, gritty, and punishingly loud., hip hop, dramatic, orchestral, male vocals

Prepare for the Mayhem.

Prepare for the Mayhem.

Dark aggressive hip hop, hardcore rap, DMX energy, 2Pac intensity, Jay-Z swagger, heavy 808 bass, gritty drums, aggressive male vocals, fight anthem, arena crowd chants, combat sports, championship energy, intimidating, cinematic, powerful, street anthem, fight night music

Cali Corner

Cali Corner

West Coast hip-hop with laid-back boom-bap swing, thick round bass, dusty drums, and funk-guitar stabs; verse rides a pocketed head-nod groove, pre-chorus strips to claps and bass, chorus opens with stacked chants and a talkbox-style hook. Tight doubles on key lines, ad-lib echoes on the ends, quick tape-stop blips and vinyl crackle between sections, bright punchy mix with warm low end and sunbaked grit., hip hop

Midnight Echoes of Solitude

Midnight Echoes of Solitude

Create a sad lofi hip hop rap song

Echoes of the Unshackled Soul

Echoes of the Unshackled Soul

⁠solo male vocalist, raw emotional performance, dynamic changes, weak vulnerable verses shifting to powerful aggressive rap, cinematic dark hip hop beat, storytelling, direct confession⁠

Verbe

Verbe

piano hip hop

Hetric cyber

Hetric cyber

Bit box, rap, drums, hip hop

Jonkel Time

Jonkel Time

R&B hip-hop with a swung pocket and groovy drum-programmed bounce; verse rides sparse keys, rubbery bass, and clipped hats; pre-chorus strips to handclaps and a filtered pad; chorus hits with stacked hooks, sub drops, and sung rap doubles. Vocal is close-mic and sultry in verses, with airy ad-libs, tight doubles, and short delay throws on the anchor phrase. Add tape-stop swells, reverse cymbal lifts, and a little vocal chop sparkle between lines. Mix is warm, glossy, and pocket-heavy., r&b, hip hop, groovy

Bad Girl

Bad Girl

deutschrap, hip Hop, Remix, r&p, echo Effekt

Bad Girl

Bad Girl

deutschrap, hip Hop, Remix, r&p

Midnight Hustle Chronicles

Midnight Hustle Chronicles

Rap hip hop 90’s slim shady slow story telling

Nerf Rodeo Rumble

Nerf Rodeo Rumble

Morgan wallen, upbeat hip hop country

Il ne faut pas se désolidariser.

Il ne faut pas se désolidariser.

Lis en français. Slame puissant et profond dans l'esprit hip hop, voix masculine et féminine de type caucasienne, de type caucasienne c'est très important et des voix calme. Beat lourd et rebondissant. Basse électronique organique. Synthétiseur moderne. Dark ambiance hardcore

Electronic

Todo va a cambiar

Todo va a cambiar

Reggaeton, Dreamy, Dark, trap, electronic, Voice Colombie Girl

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