Voices AIで作られた楽曲

Voices AIで作られた楽曲は、カバー曲からオリジナルまで、音声技術を音楽に取り入れます。クリエイターやコミュニティがAI音声を使って新しいサウンドやアイデアを探求している様子をご覧ください。

New Releases

Zlejrkrk Chant

Zlejrkrk Chant

Experimental trap with jittery half-time drums, clipped percussion, and a warped synth bass pulsing under sparse verses; pre-chorus rises with pitched-up vocal shards and a quick snare roll, then chorus lands on a hard chant with doubled gang vocals and short delay throws on the last word. Add glitch pops, reversed swells, and a tape-stop accent before the final hook. Dark, glossy, and punchy with a close-mic lead vocal.

ندا بتحبك

ندا بتحبك

Arabic pop ballad with a slow swaying groove and gentle darbuka taps; verse stays intimate with nylon guitar and soft bass, pre-chorus lifts on rising strings, chorus opens with layered handclaps and warm synth pads. Lead vocal is close-mic and emotional with doubled hook lines, airy backing harmonies on the last word, and a few delay throws on the phrase "من زمان." Bright but tender mix, glossy and radio-ready.

Éclats d'écume

Éclats d'écume

Lis en français. Rap moderne, hip hop new school, trap beat hip hop lourd. Refrain chanté accrocheur et mélodieux. Voix jeune et distincte. Style Jul 2026. Couplet langoureux/suave

Neon Pulse Mirage

Neon Pulse Mirage

EDM, soundtrack

Sy Is My Mammie

Sy Is My Mammie

Afrikaans gospel-pop ballad with a gentle 74 BPM pulse, soft piano and brushed percussion; verse stays intimate and spacious, pre-chorus lifts with rising harmony stacks, chorus blooms with warm choir pads and handclap accents. Lead vocal is close-mic and tender with doubled hook lines, light delay throws on key phrases, and a final chorus adds layered ad-libs. Mix is warm, clean, and emotionally wide.

Thyciane

Thyciane

Sertanejo pop balada with gentle acoustic guitar, soft kick and hand percussion; verse rides intimate fingerpicked chords and close-mic lead, pre-chorus opens with rising harmony stacks, chorus blooms with wide doubled vocal lines and light backing ahs, bridge drops to solo voice then returns with fuller drums and a final lift. Warm, glossy, romantic mix with sweet reverb tails, subtle string swells, and a tender radio-ready sheen.

Restauração em Mim

Restauração em Mim

Pagode alegre with swinging percussion, cavaquinho bounce, tamborim sparkle, and a brass intro that blooms into a warm samba-pop groove; verse rides light with alternating male and female lead, pre-chorus strips to palm percussion and backing harmonies, chorus opens with full band, gang vocals, and tight metal hits; call-and-response ad-libs, short delay throws on the hook, festive crowd energy, bright and punchy mix, pagode

No Teu Favor

No Teu Favor

Pagode gospel romântico with a swung mid-tempo samba groove, cavaquinho syncopation, hand percussion, soft bass, and an opening sax solo that answers the melody before the vocal enters; verse rides intimate and warm, pre-chorus lifts with stacked harmonies and a light tamborim push, chorus blooms with group vocals and short call-and-response, bridge strips to voice, piano, and sax fills, then final chorus returns fuller with ad-libs and a joyful lift. Close-mic lead vocal, tender doubles on the hook, airy delay throws on key phrases, bright and polished mix with a warm live roda feel., pagode, gospel

Les gens sont bon.

Les gens sont bon.

Lis en français, style slam posé. Voix adulte non texturée, timbre grave et chaleureux, débit lent et régulier. Marque une vraie respiration après chaque point, une demi-pause après chaque virgule. Garde une intensité contenue, presque parlée, sans effet théâtral. Finis sur un ton apaisé et ouvert pour "les vacances toute l'année".

Watch her go

Watch her go

Swedish Melodifestivalen pop, Eurovision anthem, euphoric synth-pop, cinematic, driving beat, polished production, crystal clear vocals, soaring, key change epic in hook, Building up bridge, Layered vocal harmonies. Fast tempo, full energy final in outro, catchy dark-phonk-rave bouncing follow all the way. Santa is comming remix

Gopak

Gopak

Altwenative Experimental, melodic, folkhop, folkbeatbox, unique unusual pronouncements, на хвилі мелодії піниться бандур вокал серфінгує, instrumental orchestral dj wave, drumobandura and bass bandura, trako parfenyuk vocal style

Recuerdos muertos

Recuerdos muertos

Balada, norteño banda, romántica, compás 4/4, cancion de adiós

Tree song (not so tree)

Tree song (not so tree)

K-pop, stray kids

Midnight Liberation Echo

Midnight Liberation Echo

Dreamy hypnotic reggae trap with emotional male vocals, peaceful late-night driving energy, deep bass, soft pads, cinematic atmosphere, addictive hook, freedom anthem, spiritual but modern, relaxing walking rhythm, emotional storytelling, subtle AI future vibes, catchy repetition, viral TikTok chorus, sounds like a movement awakening tired people into digital freedom

Shadow Bass & Cosmic Lies

Shadow Bass & Cosmic Lies

Rap, hard hitting deep bass, dark, male and female vocals

Leaf Village Run

Leaf Village Run

Anime rock with driving mid-tempo drums, syncopated palm-muted guitars, and a punchy bassline; verse rides tight and tense, pre-chorus opens with rising toms and stacked chants, chorus hits wide with gang vocals and a soaring lead melody. Vocal production is gritty male vocals with doubles on the hook, quick ad-libs, and a brief filtered shout before the drop. Ear candy includes a shuriken-spark synth hit, wind risers, and a final chorus key lift. Bright, explosive, and cleanly compressed

Ecos en mi agenda

Ecos en mi agenda

lounge, acoustic guitar, piano, balada, romántica, nostalgia, armónica.

Золотая страна

Золотая страна

Worship pop with gentle piano arpeggios, swelling strings, steady kick on the lift, and a restrained half-time chorus; verse stays intimate and reflective, pre-chorus opens into stacked harmonies, chorus rises with congregational doubles and held notes. Add soft reverse swells before each lift, a chime accent on the hook, and a wide, luminous mix with close-mic lead vocals and warm reverbs.

Bhairvi Ki Goriya

Bhairvi Ki Goriya

Bhojpuri style bhairvi

Tuba y Gallo en la Llama

Tuba y Gallo en la Llama

Corrido con tuba y guitarras

Celestial Echoes of Earth

Celestial Echoes of Earth

Create a cinematic, ethereal art-pop song with a cosmic emotional arc. The song should feel fragile, strange, human, and massive at the same time. Vocal style: unique eccentric female vocal, airy and haunting, with a childlike purity but deep emotional weight. The performance should feel intimate in the verses, almost like a whispered confession to the universe, then rise into a powerful, triumphant, heart-wrenching chorus. Use expressive vocal cracks, breath, layered harmonies, and wordless angelic chants. Do not make it sound polished in a generic pop way; it should feel raw, mystical, and slightly otherworldly. Production style: atmospheric electronic folk-pop with cinematic synths, organic percussion, wide reverb, pulsing bass, and shimmering textures. Blend emotional Nordic-folk energy with an ODESZA-inspired electronic build: glowing pads, chopped vocal textures, big drums, rising synth swells, and a euphoric drop that still feels sad underneath.

Like Me 2

Like Me 2

Minimalist rap, reggae, funk, doo wop, experimental, cinematic, heavy 808 drums, rock drums, car engine revving, electric guitar, electro, deep male heavy vocoder, talk not sing, beat switches, interludes

البداسه بنص النص

البداسه بنص النص

Egyptian pop-rap with mid-tempo swung percussion and a bouncing bassline; verse rides sparse claps and muted synth pulses, pre-chorus strips to hand drums and a rising chant, chorus hits with stacked unison vocals and a sharp lead hook. Ad-lib doubles, short delay throws on punch lines, and a filtered sweep into each hook. Bright, tight, and intimate in the mix.

حمود الأخضر

حمود الأخضر

Arabic pop with dabke-tinged four-on-the-floor groove, bouncy percussion and handclaps; verse stays tight with dry oud-pluck and bass pulse, pre-chorus lifts with rising strings and filtered chant, chorus opens wide with stacked gang vocals on the name hook. Add short delay throws on key words, a cymbal swell into each drop, and claps that snap in the center. Bright, punchy mix with a glossy radio finish.

Imã do Pantanal

Imã do Pantanal

Baile funk carioca com beat arrastado e grave estalando, claps secos e hi-hats acelerados. Versos marcados pra dançar em roda, voz masculina malandra na estrofe, refrão com resposta de coro feminino. Sintetizador simples marcando o tema, breaks curtos de percussão entre frases e reprise final explosiva do refrão para virar hit de baile.

Langvang Lanterner3

Langvang Lanterner3

rap, Upbeat techno-rap meets hillbilly-country, Danish male vocals; four-on-the-floor kick and bright synth plucks under stomping boots, claps, and a playful bounce. Flute rides the topline in the hooks, mandolin chops tight offbeats, and violin saws and slides for fiddle-style fills. Verses are half-spoken, half-rapped with humorous storytelling; chorus explodes into sing-along gang vocals and harmonies, with a brief fiddle-and-flute breakdown before the final hook., techno, violin, country

Rnb remix

Rnb remix

Rnb banger hit remix

우리사이는

우리사이는

Kpop / exciting / dance song / career male walking proudly on the city / excitedly

at the wheel

at the wheel

male emo voice, southern emo, dark, spooky, cinematic, ambient melancholy, powerful and captivating, bbc orchestra

at the wheel

at the wheel

male emo voice, southern rock emo, dark, spooky, cinematic, ambient melancholy, powerful and captivating

ওহে মায়াবতী

ওহে মায়াবতী

Moody Bangla pop ballad with male vocals; mid‑tempo groove built on warm Rhodes, soft bass swells, and brushed drums. Verses stay intimate and close-mic’d, chorus widens with airy pads, subtle acoustic guitar, and stacked harmonies. Gentle build toward the final hook, ending on a lingering vocal ad-lib over a fading chord.

Gravel in My Throat

Gravel in My Throat

rock, Raw alt-rock band energy, crunchy overdriven guitars and thick bass locked to a driving mid-tempo groove. Male vocals, raspy and urgent, sit right on top of the mix with tight harmonies in the chorus. Drums hit with roomy snares and open hi-hats; bridge drops to half-time with a single guitar drone before slamming back into a final, shouted hook.

Estrada Vazia Dentro do Coração

Estrada Vazia Dentro do Coração

Warm sertanejo acústico, brushed snare and deep bass, close-mic male vocals. First verse stays intimate with nylon guitar and soft accordion pads; chorus swells with stacked thirds and a subtle backing choir. Second verse brings in a gentle slide guitar answering phrases; final chorus lifts with extra ad-libs and a half-step modulation for emotional punch.

بَشِّروا الدُّنيا

بَشِّروا الدُّنيا

Majestic Arabic pop-anasheed crossover; bright strings and airy qanun over mid-tempo percussion. Male vocals, warm and uplifting, with layered group responses in the hook. Verses stay light with gentle oud and soft pads; chorus blooms with wider harmonies and a children’s choir feel. Subtle crescendos into each refrain, ending on a long, triumphant final note and a unison clap hit.

Tokat’ın Yıldızı

Tokat’ın Yıldızı

Emotional Turkish folk pop, 75 BPM, G minor, acoustic guitar + bağlama intro, warm strings, light percussion (darbuka + clap), nostalgic but uplifting, strong chorus, heartfelt male vocal, Anatolian style, cinematic ending

Makanch Lqehba

Makanch Lqehba

Dark atmospheric drill beat, Arabic scales on a haunting synth lead, deep 808s and sharp hi-hats; male vocals whispered-then-snapped, with ad-libs tucked wide in the stereo field. Hook hits with doubled vocals and a pitched-down shadow voice under the main line, energy staying menacing but controlled.

Bass Pulse Skies

Bass Pulse Skies

Amapiano uk style music, hype jumpy style beat with voice effects, 5 minutes long, 116 tempo

سماء الغروب

سماء الغروب

Arabic pop ballad with a slow 6/8 sway and warm acoustic guitar, plush strings, and soft frame drum pulses; verse stays intimate and close-mic, pre-chorus lifts with layered harmonies and a filtered swell, chorus opens wider with sustained strings and gentle gang vocal echoes on the anchor line. Add reversed chime swells into each section change, a breathy vocal delay throw on key phrases, and a glossy yet tender mix that feels wide and emotional.

سماء وشمس

سماء وشمس

Arabic poetic pop ballad with a slow swaying 6/8 feel, delicate oud phrases over warm piano and soft brush percussion; verse stays intimate and close-mic, pre-chorus lifts with layered harmonies and rising strings, chorus opens wider with held notes and gentle call-and-response backing vocals. Use airy reverbs, subtle reverse swells into transitions, and a glossy emotional mix with a tender front-and-center vocal.

سماءك

سماءك

Arabic pop ballad with a slow swaying 6/8 feel, tender acoustic guitar and warm strings; verse stays intimate and close-mic, pre-chorus rises with suspended harmony swells, chorus opens into layered doubled vocals and a singable refrain. Add subtle oud plucks, reverse piano swells into each lift, and a final chorus with airy ad-libs and a glowing wide mix, polished but emotional.

سماء العشق

سماء العشق

Arabic pop ballad with swaying 6/8 pulse, warm qanun and piano bed, verse stays intimate and close-mic; pre-chorus opens with rising strings and hand percussion; chorus lands wider with stacked harmonies and emotional lift. Soft vocal doubles, delay tails on key phrases, subtle oud fills between lines, glossy yet intimate mix.

Welcome to My New Vlog

Welcome to My New Vlog

Hindi pop with bright dance-pop groove, bouncy four-on-the-floor kick and handclaps; verse stays light with plucked synths and playful percussion, pre-chorus lifts with filtered risers and stacked vocal rises, chorus opens wide with gang vocals on the hook and a short earworm chant. Close-mic lead vocal with doubles in the chorus, ad-lib echoes, and a glossy punchy mix with sparkly transitions and claps hitting the turnarounds.

حرامات

حرامات

Arabic pop with a swaying midtempo groove and soft syncopated drums; verse rides sparse keys and a tight pulse, pre-chorus opens with rising pads and handclaps, chorus lands with stacked vocal doubles and a chantable hook. Add short delay throws on the last word of each chorus line, a reversed swell into the first chorus, and a bright glossy mix with intimate close-mic lead vocals and airy group harmonies.

Nou se soley

Nou se soley

Afrobeat + Haitian pop + cinematic anthem

See My Husband

See My Husband

Pop gospel with mid-tempo bounce, handclaps on the backbeat, warm electric piano, soft percussion swells, and a lifted chorus that opens into stacked harmonies; verse stays intimate and close-mic, pre-chorus thins to piano and snaps, chorus blooms with group vocals, delay throws on key words, and a bright punchy mix with little cymbal lifts into each hook, happy

Caroline

Caroline

Pop-R&B with a midtempo sway, soft syncopated drums and warm bass; verse stays close and sparse with finger snaps and muted keys, pre-chorus lifts with stacked harmonies and a filtered rise, chorus opens into wide claps and a singable chant. Lead vocal is intimate in verses, doubled on hooks, with echo throws on the name, plus subtle ad-libs and handclap gang vocals. Clean glossy mix, bright and buoyant with a late-night glow.

Neela Sa Gola

Neela Sa Gola

Indie-pop ballad with mid-tempo sway, gentle acoustic guitar and soft pulse kick; verse stays intimate and sparse, pre-chorus opens with rising pads and breathy doubles, chorus lands on a wide melodic lift with stacked harmonies. Add reversed swells into section changes, tiny chime flourishes after key lines, and a final chorus with handclap-like percussion. Close-mic male vocal, tender and reflective, with delay throws on the hook words and a warm, polished mix.

Dich zu lieben  7

Dich zu lieben 7

Clean restrained rhythm guitar with short chord patterns and plenty of space between vocal phrases. Modern emotional pop ballad, 76 BPM, grand piano, expressive cello, soft acoustic guitar, lush strings, restrained drums and intimate lead vocal with a large final chorus. Build the arrangement progressively from a restrained intro and intimate first verse into a larger pre-chorus and memorable full chorus. Keep the second verse slightly richer than the first, add a concise instrumental break, reduce the bridge for contrast and rebuild gradually toward the final chorus. Reserve the widest instrumentation, richest backing vocals and strongest dynamics for the finale. Give every instrument a clearly defined role and maintain space around the lead vocal and main hook. Use only subtle sustained string pads behind selected vocal phrases, avoiding continuous full string arrangements.

Dich zu lieben  8

Dich zu lieben 8

Clean restrained rhythm guitar with short chord patterns and plenty of space between vocal phrases. Modern emotional pop ballad, 76 BPM, grand piano, expressive cello, soft acoustic guitar, lush strings, restrained drums and intimate lead vocal with a large final chorus. Build the arrangement progressively from a restrained intro and intimate first verse into a larger pre-chorus and memorable full chorus. Keep the second verse slightly richer than the first, add a concise instrumental break, reduce the bridge for contrast and rebuild gradually toward the final chorus. Reserve the widest instrumentation, richest backing vocals and strongest dynamics for the finale. Give every instrument a clearly defined role and maintain space around the lead vocal and main hook. Use only subtle sustained string pads behind selected vocal phrases, avoiding continuous full string arrangements.

Machiavellian

Machiavellian

Dark emotional Korean electro R&B dance-pop / early-2010s K-pop male solo atmosphere / 118 BPM / minor key / dramatic nocturnal mood / sensual yet melancholic / powerful soulful male vocal / deep masculine tone / breathy intimate verses / emotional restrained delivery / smooth R&B vocal runs / haunting melodic hook / tense rising pre-chorus / explosive emotional chorus / layered male backing harmonies / pulsing electronic synth bass / deep sub bass / dark atmospheric synth pads / shimmering cold synth textures / repetitive electronic arpeggio / punchy dance kick / crisp snare / syncopated R&B percussion / spacious dramatic verse / cinematic transitions / subtle piano accents / lonely nighttime atmosphere / rhythmic dance break / stripped emotional bridge / vulnerable vocal moment / rising synth build / huge final chorus / passionate high notes / soulful ad-libs / polished glossy production / dark city at night / rain / neon lights / longing / devotion / obsession / loneliness / mature

Zama Toll

Zama Toll

Afrobeats pop with mid-tempo bounce and syncopated handclaps; verse rides tight kick-bass and clipped guitar skanks, pre-chorus opens with filtered chants and rising toms, chorus hits with stacked group vocals and a simple singback hook. Lead vocal stays close-mic with playful doubles, quick delay throws on names, and airy ad-libs. Ear candy: reversed swell into each chorus, snap fill before the hook, bright shakers in the final lift. Crisp, glossy, wide mix.

Hil On My Mind

Hil On My Mind

Indie-pop with a steady midtempo pulse, syncopated acoustic guitar, warm bass, and tucked-in handclaps; verses stay close and sparse, pre-chorus opens with stacked harmonies and a rising snare roll, chorus lands with wide doubles and a singback chant. Filtered sweeps, finger snaps, and a glockenspiel turn add sparkle. Bright, intimate, polished mix.

Machiavellian

Machiavellian

Late-2000s dark Korean male idol electro dance-pop / seductive electro R&B / 120 BPM / minor key / sleek mysterious and provocative mood / mature masculine vocals / deep breathy verses / restrained confident delivery / tense sensual atmosphere / funky syncopated bass groove / thick elastic synth bass / punchy kick / dry tight snare / crisp electronic percussion / dark repetitive synth riff / sparse verses with strong rhythmic tension / subtle metallic synth accents / dramatic chord progression / gradual pre-chorus build / extremely catchy repetitive chorus hook / commanding group vocals / rich stacked male harmonies / lead vocal and backing vocal call-and-response / short hypnotic post-chorus / rhythmic second verse / low-register rap-singing / whispered vocal layers / dramatic breakdown / sensual minimal bridge / dance break with bass and percussion / explosive final chorus / powerful ad-libs / polished glossy production / urban midnight atmosphere / controlled desire / dangerous attr

Machiavellian

Machiavellian

Dark sophisticated K-pop male idol dance track / cold urban seductive atmosphere / late-2000s electro R&B and dance-pop influence with modern production / 122 BPM / minor key / deep charismatic male vocals / controlled masculine sensuality / breathy low-register verses / powerful layered chorus vocals / tight syncopated electronic drums / punchy kick / dry snare / deep elastic synth bass / dark pulsing synths / metallic textures / subtle industrial percussion / mysterious atmospheric pads / restrained seductive verse / rising tense pre-chorus / explosive catchy chorus / hypnotic repeated hook / choreography-friendly rhythm / low rap-sung second verse / intimate stripped-down bridge / dramatic cinematic build / huge final chorus with harmonies and ad-libs / midnight city / black glass / chrome / expensive suit / neon reflections / temptation / danger / confident mature sensuality / sleek polished production / avoid cute, bright, tropical, pop-rock, festival EDM and aggressive trap

Nobody Knew

Nobody Knew

Pop ballad with piano-led pulse and steady mid-tempo groove; verse stays sparse with intimate close-mic vocals and soft fingerpicked guitar, pre-chorus opens with rising strings and low toms, chorus lands wide with stacked harmonies and handclaps. Add reverse piano swells into the pre, a tape-stop breath before the final chorus, and a bell motif between lines. Bright, emotional, cinematic mix with a clean modern sheen.

ગામની ગોરી

ગામની ગોરી

Gujarati folk-pop garba with a lively dandiya bounce and mid-tempo swing; verse paints village details, pre-chorus tightens into anticipation, chorus opens with clapping chants and repeated folk refrain. Lead vocal stays warm and close, with group responses on hook lines, short melodic runs, and hand percussion fills between phrases. Add shehnai flourishes, reverse cymbal lifts, and festive room ambience. Bright, percussive, and joyful mix with earthy low end.

AI DM Hustle

AI DM Hustle

Afro-pop amapiano with log-drum bounce, skittering shakers, and swung handclaps; verse rides sparse marimba and rubbery bass, pre-chorus lifts with rising chants and filtered pads, chorus opens with a sticky call-and-response hook and stacked gang vocals. Lead vocal stays close-mic and conversational, with doubled hook phrases, ad-lib responses, and short delay throws. Ear candy includes whistle pops, reverse swell transitions, and a log-drum pickup into each hook. Bright, punchy, radio-clean mix

चक्की-चक्की ज़हर

चक्की-चक्की ज़हर

Hindi folk-pop with medium tempo, swung dholak groove and handclap pulse; verse stays sparse with tanpura-like drone and acoustic strums, pre-chorus lifts with tom fills and rising harmony, chorus opens into stacked unison vocals and a chantable refrain. Lead vocal is close-mic and भावपूर्ण, with doubled hook lines and short echo throws. Ear candy: wind chimes into the chorus, reversed folk swell before the bridge, light percussion break after the second hook. Mix is warm, earthy, and bright at the top.

DM Machine

DM Machine

Pop-rap with a tight mid-tempo bounce, syncopated drums, rubbery bass, and crisp handclaps; verse keeps it lean and talky, pre-chorus strips to bass and snapped perc, chorus hits with stacked hooks and cheeky ad-libs. Lead vocal stays close-mic and conversational, with doubled hook lines, short delay throws on key phrases, and a few gang vocal repeats. Ear candy: filtered riser into the chorus, reverse-chime swells between lines, and a final drop with bright synth stabs. Mix is clean, punchy, and glossy.

Mă B

Mă B

Romanian pop-R&B with a smooth mid-tempo sway and crisp syncopated percussion; verse rides close-mic and conversational, pre-chorus opens into airy stacked harmonies, chorus hits with a short chantable hook and handclap pulse. Add reversed swells into the pre-chorus, a sparkling synth lift before the chorus, and delay throws on the title phrase. Bright, polished, intimate mix.

Ihowa Tōku Āwhina

Ihowa Tōku Āwhina

Worship pop ballad with gentle piano arpeggios, soft pads, and a slow lifting pulse; verse stays intimate and sparse, pre-chorus opens with layered harmony and a rising snare swell, chorus blooms with full group vocal doubles and long reverb tails. Add chime accents between lines, reversed swell transitions into the chorus, and a warm cinematic mix that stays close-mic in verses and wide in the lift., soft, vocal

Duo kocham

Duo kocham

Polish modern duet, alternating female singing and male rapping, dramatic polarity, high-pitched female vocals, clean female vocals, low-pitched male rapper voice, gritty male flow, dynamic voice switching, distinct vocal separation, melodic pop female, hardcore rap male, Polish lyrics, hybrid beat, modern production

Bass Yr Na Guzare

Bass Yr Na Guzare

Punjabi pop with a mid-tempo bounce, syncopated dhol-style percussion and warm sub-bass; verse stays lean with finger snaps and a pulsing synth bed, pre-chorus lifts with stacked harmonies and a rising whistle tone, chorus lands on a bigger drum pocket with gang vocal repeats on the hook. Close-mic male vocal, slight grit in verses, doubled hook lines, short delay throws on the last word, bright and punchy mix with small reverse swells into each section.

Empty Hands

Empty Hands

Pop-rock anthem with driving four-on-the-floor drums, punchy bass, and chiming electric guitars; verse stays tight and tense, pre-chorus opens with rising toms and stacked harmonies, chorus hits wide with gang-vocal repeats and a soaring lead line. Vocals are close-mic and gritty in verses, doubled and belted on hooks, with delay throws on key words and a bright, stadium-sized mix.

Pietro e Alessio

Pietro e Alessio

Italo disco dance-pop with a fast four-on-the-floor pulse, rubbery bassline, sparkling synth stabs and handclap-driven groove; verse rides lean and playful with spoken-sung phrasing, pre-chorus tightens with rising filter sweeps, chorus opens wide with stacked kid-chant doubles and gang shouts on the names. Add bounce effects, whistle fills, and a splashy transition into the final chorus. Bright, glossy, high-energy mix with punchy low end and shiny top

አንችን አንችን

አንችን አንችን

Amharic pop ballad with a gentle 6/8 sway and tender acoustic guitar, soft kalimba accents, and a restrained hand percussion pulse; verse stays close and sparse, pre-chorus opens with held harmonies and rising strings, chorus blooms with layered doubles and a singable refrain. Vocal is intimate and cracked at the edges, with echo throws on key words, a breathy lift into the hook, and a warm, polished mix that feels close and emotional.

Tanz auf dem Hof

Tanz auf dem Hof

Modern Klezmer-pop with brisk bouncy groove, clarinet lead over tambourine, accordion stabs, handclaps, and a跳-leaning drum kit; verse stays tight with playful bass and plucked strings, pre-chorus opens into rising choir oohs, chorus hits with gang vocals and a singback horn riff. Add accordion glissandos, clarinet fills, and a short percussion break before the last chorus. Bright, festive, widescreen mix with a warm live-room feel and crisp punch., klezmer, pop

夜に祈る音

夜に祈る音

dramatic solo piano, minor key, cinematic Japanese pop ballad style, expressive phrasing, poignant and melancholic, dynamic range from delicate whispers to intense fortissimo chords, high emotional weight, reverb-rich production

Hello Oliver

Hello Oliver

Indie-pop with a buoyant mid-tempo groove, clipped acoustic guitar, pulsing soft synth bass, and skittering hi-hat accents; verse stays close-mic and sparse, pre-chorus opens with stacked harmonies and a rising pad, chorus lands with bright gang vocals on the name phrase. Add reversed swells into each lift, a tiny bell riff between lines, and a clean glossy mix with intimate front-and-center vocals.

Ghosts at Dawn

Ghosts at Dawn

1982 sad pop and soft rock with a soft-metal edge, mid-tempo and steady on a marching backbeat; verse rides clean electric guitar, muted keys, and tom-heavy drums, pre-chorus strips to bass and snare, chorus opens with stacked guitars and wider harmonies. Raspy Southern male vocal close-mic in verses, double-tracked on the hook, with mournful ad-libs and a few harmony lifts. Wind-up risers, reversed cymbal swells, and a faint tape hiss bridge the sections. Warm, punchy, slightly worn mix, vocal, soft, sad, metal, pop, soft rock

Half My Company Is Dead

Half My Company Is Dead

1982 sad pop and soft rock with restrained soft-metal weight, mid-tempo 4/4 power-ballad groove, clean electric guitar arpeggios, wide chorus guitars, melodic bass, gated snare, tom fills, analog synthesizer pads, occasional lead-guitar bends, and a dramatic half-time bridge. Raspy Southern American male vocal, weathered and intimate in verses, broad anthemic chorus, stacked harmony on key phrases, dry close vocal with plate reverb and subtle slapback. Arrangement starts sparse, adds drums and bass in verse two, opens into large choruses, drops to acoustic guitar and distant synth for the haunted bridge, then returns with sustained guitar and a restrained final refrain. Polished 1982 analog mix, warm tape saturation, punchy drums, controlled low end, bittersweet minor-key harmony.

مشبعتش من لس

مشبعتش من لس

Arabic pop-R&B with a laid-back mid-tempo swing, rounded drums and warm bass; verse stays close and conversational, pre-chorus lifts with stacked harmonies and a filtered pad swell, chorus lands with a sticky repeated hook and handclap accents. Lead vocal is intimate and breathy with doubled hook lines, soft ad-libs in parentheses, reverse swells into each chorus, and a glossy, polished mix that feels warm and immediate.

Dust on My Boots

Dust on My Boots

1982 Halloween rock-metal with synth-goth pop edges, midtempo march groove and driving four-on-the-floor kick; verses ride gritty palm-muted guitars and tom toms, pre-chorus strips to bass, claps, and a cold synth pulse, chorus slams with stacked riffs and a chant hook. Deep raspy male vocals, double-tracked in choruses with ghostly low-octave shadows and short delay throws. Wind risers, reversed cymbal swells, and distant bell chimes bridge sections. Brightly harsh, punchy, and haunted, halloween, pop, deep, rock, metal, vocal

Sandbone Ghosts

Sandbone Ghosts

1982 synth-pop and post-disco with Halloween rock and funk edges, midtempo pulse and gated snare groove; verses ride rubbery bass, clipped rhythm guitar, and cold synth pads, pre-chorus strips to handclaps and toms, chorus opens with a dark neon synth hook and gang echoes. Deep raspy male vocal, doubled in choruses with haunted whispers and short delay throws. Ear candy: reversed cymbal swells, eerie octave keys, wind FX, and a final tape-stop. Bright, punchy, cinematic mix with a dusty night feel., vocal, r&b, halloween, contemporary, pop, rock, post-disco, funk, deep

Ghost Army March

Ghost Army March

1982-era synth-pop, post-disco, and funk blend, driving syncopated bassline, sharp gated-reverb drums, dark analog synthesizer textures, minor key, cinematic and melancholic, deep raspy male vocals, gritty rock vocal performance

トウヨコ・ファッショナブルトリップ⭐︎

トウヨコ・ファッショナブルトリップ⭐︎

Y2K / 平成レトロポップ、テクノポップ、K-POP、Jazz、渋谷系

Bow the Night

Bow the Night

1982 Halloween pop-funk and post-disco with synth-pop gloss, rock guitar accents, and a danceable mid-tempo groove; verse rides clipped bass, gated snare, and spooky analog keys, pre-chorus strips to toms and filtered pads, chorus hits with stacked handclaps, octave synth hook, and sharp guitar stabs. Deep raspy white male vocal, close-mic verses, doubled choruses, snarled ad-libs, delay throws on key lines. Ear candy: reversed organ swells, synth wind-up before each chorus, and a brief haunted breakdown. Bright, punchy mix with a dark sheen., pop, contemporary, post-disco, r&b, funk, deep, vocal, rock, halloween

Tōku Āwhina

Tōku Āwhina

Contemporary worship with gentle acoustic piano, warm pads, and a slow 74 BPM lift; intro floats on wordless female oohs, verse stays intimate and sparse, pre-chorus opens with rising harmony stacks, chorus blooms with clapping, sustained choir doubles, and a soft tom pulse. Delicate delay throws on key phrases, a shimmer swell into the chorus, and a wide, radiant mix with close-mic lead vocals and airy backing vocals., soft, vocal

awerysopelea - Startlinie

awerysopelea - Startlinie

Intimate German male/female duet, cinematic singer-songwriter with rhythmic spoken-word phrasing, emotional but unsentimental. Two contrasting musical worlds slowly merge. Male verses: warm felt piano, soft acoustic guitar, subtle nostalgic electronic textures and gentle bass. Female verses: exposed close-miked vocal, sparse low percussion, raw cello and occasional fragile high piano notes. Instruments gradually cross between both singers as their stories connect. Clear diction, natural storytelling, restrained verses with sudden brief instrumental swells. Before each chorus, instruments build rapidly and then hard-cut into near silence. Chorus enters huge through vocal power rather than rock guitars: male and female alternate short lines, then collide in raw harmonies, soaring cello, wide piano, organic drums and bright melodic accents. Final chorus combines every earlier instrumental motif into one coherent arrangement. Human, imperfect, intimate, powerful.

awerysopelea - Startlinie

awerysopelea - Startlinie

Intimate German male/female duet, cinematic singer-songwriter with rhythmic spoken-word phrasing, emotional but unsentimental. Two contrasting musical worlds slowly merge. Male verses: warm felt piano, soft acoustic guitar, subtle nostalgic electronic textures and gentle bass. Female verses: exposed close-miked vocal, sparse low percussion, raw cello and occasional fragile high piano notes. Instruments gradually cross between both singers as their stories connect.

awerysopelea - Sprache des Herzens

awerysopelea - Sprache des Herzens

Raw intimate German male/female duet, singer-songwriter fused with rhythmic spoken-word/rap phrasing. Extremely clear diction, close-miked vocals. The arrangement behaves like a conversation: male sections grounded by felt piano, low acoustic guitar and warm bass tones; female sections answered by bright hammered dulcimer, delicate high piano and airy textures. Instruments enter suddenly mid-verse as emotional events. Cello repeatedly appears from silence, then climbs rapidly together with the vocal melody; hammered dulcimer joins and races upward in counter-motion until both merge. Several brief hard cuts and exposed vocal moments. Organic cinematic production, no dense wall of sound. Chorus explodes through vocal intensity rather than heavy instrumentation: huge raw duet, wide piano, soaring cello, hammered dulcimer, deep organic percussion and layered harmonies. Final chorus feels almost physically uplifting.

awerysopelea - woher weiß ich das

awerysopelea - woher weiß ich das

German female/male rap duet, with female vocals, singer-songwriter fused with rhythmic spoken-word/rap phrasing. Extremely clear diction, close-miked vocals. The arrangement behaves like a conversation: male sections grounded by felt piano, low acoustic guitar and warm bass tones; female sections answered by bright hammered dulcimer, delicate high piano and airy textures. Instruments enter suddenly mid-verse as emotional events. Cello repeatedly appears from silence, then climbs rapidly together with the vocal melody; hammered dulcimer joins and races upward in counter-motion until both merge. Several brief hard cuts and exposed vocal moments. Organic cinematic production, no dense wall of sound. Chorus explodes through vocal intensity rather than heavy instrumentation: huge raw duet, wide piano, soaring cello, hammered dulcimer, deep organic percussion and layered harmonies. Final chorus feels almost physically uplifting.

Echoes of the Search

Echoes of the Search

Create a 2-minute contemporary Christian worship song titled “He Was Searching for Me.” Use a warm, heartfelt female lead vocal with an intimate, authentic delivery that gradually grows into a powerful worship expression. Begin with gentle piano and soft atmospheric pads, creating a vulnerable, reflective mood. Build gradually with acoustic guitar, subtle percussion, warm strings, and uplifting worship harmonies. The song should express a journey from fear and desperation to hope, surrender, salvation, joy, and peace. Make the chorus highly memorable and emotionally moving, centered on the message: “I thought I was searching for Jesus, but Jesus was searching for me.” Contemporary, cinematic, reverent, hopeful, and suitable for YouTube Shorts and TikTok.

Libre : le bonheur parfait

Libre : le bonheur parfait

Contemplative French chanson, very introspective and poetic, male voice 35yo, close intimate vocal, slight rasp. 82 BPM, A minor, slow and thoughtful. Emotionnal Instrumentation: solo felt piano intro for 8 seconds, then fingerpicked acoustic guitar, soft upright bass, brushed drums enter very late at Couplet 2, warm cello and subtle string quartet in background, no loud drums, no trap. Mood: melancholic but hopeful, utopian, late night reflection, warm analog tape, slight vinyl crackle, large room reverb, human and fragile. Vocal delivery: half-sung half-spoken in verses, more sung and open in refrain, long pauses, let the words breathe. Structure: [Couplet 1] piano + guitar only, [Couplet 2] add bass + brushes, [Refrain] add cello + soft choir oooh, [Couplet 3] strip back to piano, [Pont] whisper + silence, [Outro] all instruments fade, hopeful. Negative: no autotune, no shouting, no fast rap, no electro beat, no hi-hats.

Seeking in the Light

Seeking in the Light

Create a 2-minute contemporary Christian worship song titled “He Was Searching for Me.” Use a warm, heartfelt female lead vocal with an intimate, authentic delivery that gradually grows into a powerful worship expression. Begin with gentle piano and soft atmospheric pads, creating a vulnerable, reflective mood. Build gradually with acoustic guitar, subtle percussion, warm strings, and uplifting worship harmonies. The song should express a journey from fear and desperation to hope, surrender, salvation, joy, and peace. Make the chorus highly memorable and emotionally moving, centered on the message: “I thought I was searching for Jesus, but Jesus was searching for me.” Contemporary, cinematic, reverent, hopeful, and suitable for YouTube Shorts and TikTok.

Cheap Hotel Room

Cheap Hotel Room

Country-folk with a driving mid-tempo shuffle, picked acoustic guitar, upright bass, brushed snare, and a steel guitar answering the vocal; verses tell the road story in tight detail, pre-chorus opens the horizon with stacked harmonies, chorus lands on a chantable hook with gang-style doubles. Lead vocal stays close-mic and worn, with short delay throws on the last line of each chorus, a harmonica lick between sections, and a warm dusty mix with porch-room intimacy.

Motel in Vegas

Motel in Vegas

Country-rap with half-time boom and live acoustic guitar, dusty kick-snare bounce, and a sly bass pulse; verse rides on tight storytelling with a conversational drawl, pre-chorus strips to fingerpicked guitar and snapped backbeats, chorus hits with stacked cousin-and-girlfriend harmonies on the hook. Add slot-machine chimes, a reversed cymbal into each chorus, and delay throws on the last word. Bright but gritty mix, roadside and intimate.

Cheap Hotel Room

Cheap Hotel Room

Country ballad with a steady two-step groove and a dusty acoustic-guitar pulse; verse rides sparse bass, brush drums, and porch-pick guitar, pre-chorus adds weeping steel and harmony lift, chorus lands with stacked male-female doubles and a chantable tag. Bridge strips to fingerpicked guitar and a lone harmonica swell, then final chorus returns fuller with tambourine and gang-style backing vocals. Warm, intimate mix with a weathered, roadside feel.

Oklahoma to Vegas

Oklahoma to Vegas

Country storytelling ballad with a steady two-step sway and brushed drums; verse rides acoustic guitar, upright bass, and small piano turns, pre-chorus opens with stacked harmonies and a rising fiddle line, chorus hits with gang vocals and a clipped handclap groove. Lead vocal stays close-mic and worn-in, with harmony thirds on the hook and a few delay throws on key lines. Tape hiss, a short harmonica lick, and a reversed swell into the chorus add grit. Warm, dusty, front-porch mix

Sunday in Vegas

Sunday in Vegas

Country to reggaeton crossover with a dusty two-step groove that flips into a dembow-locked club bounce; verse rides twangy acoustic, pedal steel, and handclaps, then the pre-chorus strips to a stomping kick and road-trip gang vocals. Chorus hits with congas, sub bass, and sharp horn stabs. Lead vocal is dry and close in verses, then doubled and ad-libbed in Spanish on the hook, with risers, reverse cymbal swells, and a bright punchy mix., reggaeton, country

تیرا پیار ہی دنیا

تیرا پیار ہی دنیا

Pop ballad with gentle mid-tempo pulse, soft acoustic guitar and warm piano carrying verse-to-chorus lift; verse stays intimate and close-mic, pre-chorus opens with rising strings and light percussion, chorus blooms with stacked harmonies and a singable hook. Subtle reverse swell into each chorus, airy delay throws on key words, polished and emotional mix with bright top end and warm low mids.

Boots To Formagio

Boots To Formagio

Country-to-reggaeton hybrid with twangy acoustic guitar and handclap shuffle in verse one, then dembow drums and sub-bass take over by the pre-chorus; verse rides boots-on-the-ground storytelling, pre-chorus narrows to a chant, chorus hits with Spanish hooks and gang vocals. Lead vocal is dry and close in verse, doubled and slightly pitched in the hook, with ad-lib echoes and delay throws on key phrases. Slide-guitar swells, reversed risers, and a snare pickup mark the switch. Bright, punchy, arena-ready mix with a dusty-to-glossy transition., country, reggaeton

Oklahoma In Vegas

Oklahoma In Vegas

Country to reggaeton crossover with a two-step swing in the verses, then a dembow-locked drop in the chorus; verse rides acoustic guitar, fiddle, and handclaps, pre-chorus strips to stomps and a bass pulse, chorus hits with syncopated congas, brass stabs, and crowd chants. Lead vocal is close-mic and story-driven, with doubled hook lines, call-and-response ad-libs, riser swells into the switch, and a glossy bright mix that opens wide on the Spanish sections., reggaeton, country

Libre : le bonheur parfait

Libre : le bonheur parfait

Contemplative French chanson, very introspective and poetic, male voice 35yo, close intimate vocal, slight rasp. 82 BPM, A minor, slow and thoughtful. Instrumentation: solo felt piano intro for 8 seconds, then fingerpicked acoustic guitar, soft upright bass, brushed drums enter very late at Couplet 2, warm cello and subtle string quartet in background, no loud drums, no trap. Mood: melancholic but hopeful, utopian, late night reflection, warm analog tape, slight vinyl crackle, large room reverb, human and fragile. Vocal delivery: half-sung half-spoken in verses, more sung and open in refrain, long pauses, let the words breathe. Structure: [Couplet 1] piano + guitar only, [Couplet 2] add bass + brushes, [Refrain] add cello + soft choir oooh, [Couplet 3] strip back to piano, [Pont] whisper + silence, [Outro] all instruments fade, hopeful. Negative: no autotune, no shouting, no fast rap, no electro beat, no hi-hats.

Junior with Rings

Junior with Rings

Pop-country with a bouncy midtempo groove, tight acoustic guitar chops, palm-muted electric fills, and a steady kick-snare pocket; verse rides a casual drive-thru cadence, pre-chorus tightens with handclaps and rising harmonies, chorus opens with stacked gang vocals and a playful chant. Lead vocal stays close-mic and conversational with doubled hook words, little ad-lib pops, fry hits, and a final chorus lift. Bright, punchy mix with a glossy top end and crunchy low mids.

La Última Canción

La Última Canción

Pop ballad with Latin acoustic pulse and a slow swaying groove; verse rides close-mic nylon guitar and soft piano, pre-chorus opens with rising strings and filtered hand percussion, chorus lands wider with stacked harmonies and a singable lead phrase. Vocal is intimate and breathy in verses, doubled on the hook, with small delay throws on the last words. Ear candy includes reversed cymbal swells, a muted tambourine lift, and a final string rise into the last chorus. Mix is warm, polished, and emotional with a glossy center.

Chat GPT start over on 1st

Chat GPT start over on 1st

High-energy live-band mashup with nonstop forward momentum and euphoric DJ-mix pacing, but organic instrumentation. Piano is the rhythmic engine: bold, playful, melodic and constantly moving, joined by bright acoustic guitar, melodic bass, punchy live drums and selective electric/synth accents. Transitions should feel surprising and addictive—new grooves, rhythmic shifts, breakdowns, teases, builds & explosive releases without becoming separate songs. Distinctive youthful male co-lead moves from conversational warmth to breathy highs, rasp, grit and emotional pushes. Equally distinctive female co-lead with real power and personality. Treat duet like two performers having fun live: trade, chase, interrupt, harmonize, riff and overlap; let one keep running while the other starts the next line. Occasionally let vocals, piano and band pull in different melodic directions before snapping back together. Nostalgic, playful, emotional, slightly chaotic and euphoric. Big crowd-energy moments

Chat GPT 2nd EDM v3

Chat GPT 2nd EDM v3

Rhythmically propulsive piano-driven alt-pop-rock with early-2000s warmth, singer-songwriter character and subtle country-pop lift. Memorable rhythmic piano motif, bright acoustic guitar, organic drums, moving melodic bass and restrained electric/synth; clear interlocking parts, never a wall of sound. Distinctive youthful male vocal with flexible tone: start warm, simple and conversational, then move through breathy intimacy, darker phrases, bright upper tones, smoky rasp and grit as emotion rises. Let him climb, push, stretch and occasionally crack rather than just get louder. Distinctive expressive female co-lead with equal presence. Give BOTH big moments, runs, harmonies and independent melodies. Trade, interrupt and overlap; let one sustain or riff while the other starts the next line. Let vocals, piano and band occasionally move in contrasting directions before resolving together. Build, drop and rebuild toward huge earned releases. Euphoric, nostalgic, playful, aching 118-124 bpm

Lullaby

Lullaby

10-minute peaceful instrumental Christian lullaby, very slow and deeply calming, 55–60 BPM, gentle 6/8 time. Warm felt piano as the main instrument, playing simple spacious chords and a soft memorable melody. Deep mellow cello enters occasionally with long sustained notes, never dramatic or mournful. Very soft string ensemble gradually adds warmth in the background, with occasional delicate acoustic guitar harmonics. No drums, no percussion, no sharp attacks, no sudden dynamic changes. Lots of breathing room and silence between phrases. Begin extremely sparse with piano alone, like sitting quietly after a difficult day. Around 2 minutes, introduce cello beneath the melody. Around 4 minutes, add very soft sustained strings and allow the melody to become slightly warmer and more hopeful. Around 6–7 minutes, reach a gentle emotional high point, but remain quiet and restrained—comfort rather than triumph. Then gradually remove instruments until the final two minutes are mostly felt piano

Chat GPT 2nd EDM v2

Chat GPT 2nd EDM v2

Rhythmically propulsive piano/acoustic-driven alt-pop-rock with early-2000s warmth, singer-songwriter character and subtle country-pop lift. Memorable rhythmic piano motif, bright acoustic guitar, organic drums, moving melodic bass and restrained electric/synth; clear interlocking parts, never a wall of sound. Distinctive youthful male vocal with flexible tone: start warm, simple and conversational, then move through breathy intimacy, darker phrases, bright upper tones, smoky rasp and grit as emotion rises. Let him climb, push, stretch and occasionally crack rather than just get louder. Distinctive expressive female co-lead with equal presence. Give BOTH big moments, runs, harmonies and independent melodies. Trade, interrupt and overlap; let one sustain or riff while the other starts the next line. Let vocals, piano and band occasionally move in contrasting directions before resolving together. Build, drop and rebuild toward huge earned releases. Euphoric, nostalgic, playful, aching an

I love you for you are my child

I love you for you are my child

Slow, beautiful Christian ballad, intimate and deeply comforting. Warm piano carries the song with soft sustained chords, joined by gentle cello and subtle strings. Slow 6/8 feel around 58–64 BPM. Tender male lead vocal, close and vulnerable, beginning almost like a quiet prayer. Minimal percussion—possibly none in the verses, with only very soft brushed drums entering later. Gradually add warm vocal harmonies in the chorus, creating the feeling of being surrounded and held. Let the chorus swell emotionally without becoming powerful or cinematic. Organic acoustic sound, spacious reverb, expressive pauses, warm low register, delicate dynamics. The final chorus should become fuller with three- or four-part harmony, then fall back to piano and cello for the final line. Peaceful, aching, reassuring, reverent.

जंगल का निशान

जंगल का निशान

Hindi cinematic folk-pop with tense hand percussion and earthy acoustic guitar; verse one creeps through sparse droning bass and twig-click percussion, pre-chorus tightens with rising strings and breathy doubles, chorus opens wide with stomp-clap gang vocals and a chantable hook. Add reversed swells, distant animal calls, and a final lift with layered harmonies. Mix is wide, dark, and vivid

Basss

Basss

Modern Greek–Turkish arabesk pop, A minor, 124 BPM. Deep powerful male baritone, single lead vocal only. Strong chest voice, passionate and confident delivery, controlled vibrato, clear Turkish pronunciation. No choir, no crowd, no backing vocals. Bass-heavy production with deep sub-bass, powerful bass guitar and punchy low-end groove. Bouzouki, oud, piano, rhythmic acoustic guitar, darbuka, bendir, rich violins and large cinematic strings. Keep verses short and spacious, leaving room for instrumental fills. Pre-chorus builds tension, chorus hits hard and instantly catchy. Emphasize “Ben gidersem yangın” and “Ardım sıra duman”. Strong bass drops before chorus, short bouzouki and violin answers, modern clean studio mix, dramatic orchestral climax, original melody.

Chat GPT EDM 3

Chat GPT EDM 3

Rhythmically propulsive acoustic/piano-driven alt-pop-rock with early-2000s warmth and modern country-pop energy. Keep strong forward motion and a repeating acoustic/piano motif, but feature piano slightly more with rhythmic fills, melodic responses and occasional runs. Organic drums, moving bass, bright acoustic and restrained clean electric/synth; clear interlocking parts, never a wall of sound. Distinctive warm male lead with more tonal complexity: conversational, textured, slightly imperfect, moving naturally from breathy warmth to grit and soaring intensity. Equally distinctive expressive female vocal. Give BOTH singers several big moments. Trade, interrupt and overlap lines; let one sustain, riff or run while the other begins the next lyric. Occasionally let vocal runs and piano/instrumental phrases move in contrasting directions before resolving together. Use these moments selectively. Huge earned emotional releases, playful chemistry, nostalgia and human live energy.

Nutte

Nutte

Norwegian pop with a driving mid-tempo pulse and syncopated handclaps; verse rides close-mic acoustic guitar and light percussion, pre-chorus opens with stacked harmonies and a rising bass line, chorus hits with bright synth plucks and gang vocal repeats. Breathy lead vocal with doubled hooks, quick delay throws on the name, reverse swells into each chorus, crisp and shiny mix with a warm low end.

Gdhdfjk

Gdhdfjk

Modern Greek–Turkish arabesk pop, A minor, 124 BPM. Powerful deep male baritone, single lead vocal only. Passionate, strong and emotional delivery with chest voice, controlled vibrato and clear Turkish pronunciation. No choir, no crowd, no backing vocals. Energetic Aegean/Mediterranean groove with bouzouki, oud, piano, acoustic guitar, darbuka, bendir, deep bass, rich violins and large cinematic strings. Verses flowing and intimate, pre-chorus gradually rising, chorus explosive, catchy and wide. Strong rhythmic emphasis on repeated words such as “vur”, “yak” and “dön”. Short violin and bouzouki answers between vocal lines. Modern clean studio mix, full orchestra, emotional but danceable, dramatic climax, powerful final chorus, original melody.

Vur kalbime

Vur kalbime

Modern Greek–Turkish arabesk pop, A minor, 124 BPM. Energetic Aegean/Mediterranean rhythm with strong emotional arabesk character. Deep powerful male baritone, single lead vocal only, passionate and commanding delivery, strong chest voice, controlled vibrato, clear Turkish pronunciation. No choir, no crowd, no backing vocals. Piano, bouzouki, oud, rhythmic acoustic guitar, darbuka, bendir, deep bass, rich violins and large cinematic string orchestra. Verses intimate and flowing; pre-chorus builds tension; chorus becomes wide, dramatic and highly catchy with strong repeated hooks. Short instrumental answers between vocal lines, expressive violin and bouzouki fills. Modern clean studio mix, full sound, emotional but danceable, strong orchestral climax, original melody and composition.

Paz na Dor do Coração

Paz na Dor do Coração

Quero uma música de sertanejo sofrido e emocionante, misturada com rap falado. A música deve contar uma história de cansaço emocional, ingratidão e decepção com pessoas que só procuram a personagem quando precisam de alguma coisa. IMPORTANTE: Não quero a música inteira falada. O rap falado deve aparecer somente nas partes indicadas como RAP FALADO. Os versos, pré-refrão, refrão e ponte devem ser cantados, com melodia sertaneja. Quero uma interpretação feminina, madura, cansada e emocional, mas sem exagerar. A música começa mais calma e vai crescendo até o refrão. No refrão, quero bastante emoção e força, como alguém que finalmente decidiu colocar limites e cuidar de si.

Nineteen and Honest

Nineteen and Honest

Emo rap with half-time trap drums, dark piano pulses, and a sparse bassline; verse rides close-mic and confessional, pre-chorus tightens with rising synth tension, chorus opens into stacked doubles and a chantable hook. Filtered risers, reversed piano swells, and a short vocal delay throw on the last word of each hook. Bright-but-gritty mix, intimate and punchy., sad, rich

Perfect By Morning

Perfect By Morning

Intimate sleep time hypnotherapy track, No dynamic arc. No climax. Flat, soothing dynamics from start to finish, lower-register female voice with an alto tone.

awerysopelea - woher weiß es das

awerysopelea - woher weiß es das

Raw intimate emotional German male/female duet, singer-songwriter fused with rhythmic hip-hop, rap-rock, huge raw duet, wide piano, soaring cello, hammered dulcimer, deep organic percussion and layered harmonies.

Burgy Jede Párty

Burgy Jede Párty

Czech club rap with a stomping dembow-leaning bounce, rude low-end punches, and chopped crowd chants; verse rides on tight kick-snare pockets with playful triplet cadences, pre-chorus strips to handclaps and bass, chorus hits with gang vocals and a shouted chant. Close-mic lead vocal with gritty doubles, quick ad-lib pings, reverse swells into the hook, and a glossy, heavy, rowdy mix

Джони и Оля

Джони и Оля

Aggressive trap with a bouncy dembow-leaning pulse, hard-hitting drums, dark sub bass, and clipped percussive synth stabs; verse rides sparse and menacing, pre-chorus tightens with snare rolls and filtered tension, chorus hits with stacked doubles and shouted gang responses. Vocal is close-mic, gritty, and taunting with ad-lib panning, delay throws on the hook, and a sharp riser into each drop. Bright, punchy, glossy mix with a raw edge.

TAKE ME BACK TO THE FIELD

TAKE ME BACK TO THE FIELD

Southern country rap with a male's voice

Ove avslutning NY

Ove avslutning NY

Country, rock, rap

Like Jennie

Like Jennie

K-pop dance-pop with sleek trap drums, rubbery synth bass, snapped claps, and a punchy four-on-the-floor chorus lift; verse stays tight and minimal with staccato delivery, pre-chorus rises on filtered pads and breathy doubles, chorus opens wide with stacked hooks and chant ad-libs. Add risers into each drop, a quick reverse swell before the hook, and glittering vocal chops between lines. Bright, glossy, high-impact mix with close-mic lead and crisp top end.

Hamood Blood Rush

Hamood Blood Rush

Trap with rattling hi-hats, weighty 808 slides, and a tense half-time bounce; verse rides sparse drums and a dark synth pulse, pre-chorus strips to filtered keys and vocal chops, chorus hits with stacked gang chants and a distorted sub hit on the anchor phrase. Breathy lead vocal with doubled hook lines, ad-lib pings, and tape-stop fills. Bright-top, heavy-bottom mix with sharp punch.

Antes roto

Antes roto

Hiphop urbano con trap sucio y una voz ultra grave y con matices flamencos, ritmos envolventes

Trap out

Trap out

Chopped and screws trap, hip-hop

Sunday in Vegas

Sunday in Vegas

Country-rap with Latin percussion and swaggering halftime bounce; verse rides twangy guitar, handclaps, and tight kick-snare; pre-chorus strips to bass and palmas; chorus hits with group chants, accordion stabs, and short delay throws on the hook. Male vocals, playful doubles, ad-lib yips, slot-machine risers, and a bright dusty mix.

YOLUM BENİM

YOLUM BENİM

Modern Turkish Arabesk × Slow Duygusal × Emotional Pop, 82 BPM. Confident, warm male vocal with emotional but uplifting delivery. Begin with a distinctive bağlama melody and deep cinematic piano, followed by expressive violin phrases, subtle ney, warm bass, soft darbuka and modern slow drums. Verses reflective and mature, never desperate. Build naturally into a melodic pre-chorus. Chorus is the main hook: slow, powerful, uplifting and highly memorable, with long emotional vocal notes around “Yolum benim, kader benim”. Add layered backing vocals and violin responses. Rap section slow, confident and rhythmic, perfectly locked to the groove, with melodic endings and no fast flow. Final chorus bigger with full strings, stronger drums, bağlama and layered vocals, ending on a powerful sustained note. Overall mood: özgüven, yeniden başlamak, özgürlük, umut, güç and a new chapter. Premium cinematic NLM Music sound.

IMVU Boum et Rires

IMVU Boum et Rires

Chanson pop-rap électro humoristique, très dynamique et entraînante, ambiance fun et déjantée. Voix féminine expressive, pétillante et légèrement insolente, avec beaucoup de changements d’intonation pour accentuer les punchlines et les personnages. Couplets rapides et rythmés, paroles très compréhensibles, refrain ultra accrocheur et facile à chanter. Instrumentale moderne avec basse rebondissante, batterie punchy, petits effets sonores comiques, breaks soudains et relances énergiques. Ajouter des ad-libs amusants comme « oh là là ! », « hein ?! », « pfff », « hahaha », « allez ! », « mais non ! ». Ambiance soirée IMVU, second degré, caricaturale et festive. Tempo environ 125-135 BPM. Le morceau doit donner envie de rire, danser et attendre le prochain personnage.

Lori Lori Party

Lori Lori Party

Pop-rap with bouncey half-time drums and a rubbery bass groove; verse stays sparse with clipped drum hits, handclaps, and playful rap-sung delivery; pre-chorus lifts with rising synth stabs and stacked harmonies; chorus opens wide with gang vocals, call-and-response repeats, and short delay throws on the anchor phrase. Add rim-shot fills, reverse swells into the hook, and a crisp bright mix with punchy low end and glossy top.

Love wounds

Love wounds

Trap violin

Échos de la Nuit d'Acier

Échos de la Nuit d'Acier

French old school boom bap, 92 BPM, gritty street rap, deep bass, hard drums, soulful sample, dark cinematic atmosphere, female vocals, aggressive flow, no autotune, 90s French hip-hop.

Rock Bryce

Rock Bryce

Trapt headstrong style

Mala Persona

Mala Persona

Latin trap with reggaeton bounce, mid-tempo dembow groove and sparse 808 hits; verse rides tense half-time percussion and a dry synth pulse, pre-chorus opens with filtered guitar and rising claps, chorus drops with stacked gang vocals and a blunt chant hook. Lead vocal stays close-mic and gritty, with doubled lines on the hook, short delay throws on the last word, and small reversed swells into each drop. Bright, punchy, club-ready mix with a dark edge.

Bajo El Orinoco

Bajo El Orinoco

Spanish rap de desahogo at 92 BPM with swung kick-snare pockets and dusty minor-key piano chops; verse rides tense with sparse drums and bass, pre-chorus tightens into half-time claps, chorus hits with gang-style unison chants and short delay throws on the anchor phrase. Add reversed tape swells into each hook, air-noise risers before drops, and a brief break with filtered pads under the bridge. Mix is gritty, close-mic, and punchy with a street-level low end., rap

El baile del albañil

El baile del albañil

Rap, pop. Quena, zampoña, guitarra acustica, arpa, violin, saxofon, órgano. Perú.

Baile del albañil

Baile del albañil

Rap, huayno peruano. Arpa, violin y quena, guitarra electrica y batería. Organo, electro.

Cruz

Cruz

Hardcore gangster rap, alot of bass, tech nine style with his voice

Silva na Alavanca

Silva na Alavanca

Gangster trap with slow swagger and hard half-time bounce, gritty sub-bass and tight hats; whispery intro rides sparse pad and snapped percussion, pre-chorus tightens with rising tension, chorus hits heavy with stacked ad-libs and shouted doubles. Male vocals, low and hushed in verses, bigger and aggressive on the hook, with tape-stop transitions, dark risers, and a bright punchy mix

TH Silva Trader

TH Silva Trader

Gangster trap with a dark half-time bounce, rattling 808 slides, sparse hat triplets, and a whispered intro that opens into a heavy chant hook; verse rides with cold minimal drums and low sub, pre-chorus tightens with filtered synth tension, chorus hits wider with stacked gang doubles and short delay throws on the name. Close-mic grave male vocal, ad-libs panned wide, tape hiss and risers into the drop, crisp and punchy mix with a sleek, menacing edge.

TH Silva Trader

TH Silva Trader

Brazilian trap anthem with hard-hitting 808 bounce, syncopated hi-hats, and a dark triumphant pulse; intro opens with low spoken hype and filtered synth haze, verse rides sparse drums and a tense bass line, pre-chorus lifts with rising chants and snare rolls, chorus hits with stacked gang vocals, clipped ad-libs, and a bold lead hook. Bright, punchy, radio-forward mix with close-mic male vocals and delay throws on the name tag.

One DM At A Time

One DM At A Time

Pop-rap with bouncey trap drums and clappy offbeat snaps, midtempo groove; verse rides sparse plucks and tight 808 pulses, pre-chorus strips to kick and handclaps, chorus opens with stacked doubles and a chanty topline. Add DM notification blips, reverse risers into each hook, and little vocal echoes on the phrase. Bright, punchy, polished mix with an intimate close-mic lead and gang vocals on the CTA.

Kartoffelmodus

Kartoffelmodus

German pop-rap with bouncy mid-tempo swing and skippy handclaps; verse rides sparse kick, bass, and plucked synth stabs; pre-chorus opens with filtered chords and rising backing chants; chorus hits with stacked doubles, short gang replies, and a catchy call-and-response. Add reverse swells into the hook, tiny bell accents between lines, and a bright punchy mix with close-mic lead vocals.

Siste 2.0

Siste 2.0

Country, party, rock

Bow Before Me

Bow Before Me

1982 dark synth-pop and Halloween funk with post-disco groove, mid-tempo four-on-the-floor pulse, rubbery bass, razor synth stabs, and spooky percussive fills; verses ride tense minimal drums and dry keys, pre-choruses build with filtered claps and rising pads, choruses hit with stacked octave hooks and gang shouts. Deep raspy white male lead, doubled in the chorus, with delay throws on key words, whispered ad-libs, and eerie chime accents. Bright-edged, glossy, haunted mix., contemporary, halloween, post-disco, vocal, rock, pop, deep, r&b, funk

Bow Before Me

Bow Before Me

Four-minute early-1980s dark pop fused with contemporary R&B, Halloween rock, funk, post-disco, and synth-pop. Midtempo four-on-the-floor groove around 112 BPM, gated Linn-style drums, tight claps, syncopated funk bass, distorted electric-guitar stabs, minor-key analog polysynths, icy monophonic arpeggio, dramatic string-synth swells, and occasional horror organ accents. Start with an ominous bass-and-synth intro, build through tense verses, open into a huge chantable chorus with brass-like synth hits, strip to toms and guitar feedback for the bridge, then return with a harder final chorus and a short instrumental outro. Deep raspy white male lead vocal, close-miked and chesty, controlled verses, snarling emphasis on the chorus hook, layered octave doubles, restrained slapback delay, gated plate reverb, and gritty tape saturation. Punchy period-style mix with gated ambience, strong low-mid vocal presence, crisp bright percussion, and theatrical but danceable energy.

Bow Before Me

Bow Before Me

1982 pop-funk synth-pop with post-disco bounce, midtempo four-on-the-floor pulse, rubbery bass, clipped rhythm guitar, glossy keys, and tight snare snaps; verse rides sparse drums and a pulsing bassline, pre-chorus lifts with stacked harmonies and rising synths, chorus opens wide with chanty gang doubles and a sharp lead hook, bridge drops to half-time with tom fills and filtered pads before the final lift. Medium-tone male vocal, close-mic verses, brighter doubled choruses, short delay throws on key lines, electric piano sparkles and reverse swells into transitions, crisp and punchy mix with a polished 1982 sheen., tone, vocal, rock, contemporary, r&b, post-disco, pop, funk

Lampe im Treppenhaus

Lampe im Treppenhaus

1980s german ostrock, tamara Danz style, poetic art melancholic rock, dark alto voice, intimate, emotional rasp, subtle warm bass, vintage synth pads, nostalgic electric guitar, 102 bpm⁠

Frei!

Frei!

1980s german ostrock, silly style, poetic melancholic art-rock, dark alto voice, intim, emotional rasp, subtle warm bass, vintage synth pads, nostalgic electric guitar, 92 bpm⁠

Fishtown for ever

Fishtown for ever

Live Vision Punk Rock, Rocken Roll, mit viel E Gitarre Solo, Paul Stanley Ibanez Gitarre und Udo Rauhut Stimme. E Punk Gitarren solo Live vision harte Gitarre Solos. Ein lautes Publikum mit viel Geschrei und klatschen wildes Publikum

YOU COULDN’T TAKE US DOWN

YOU COULDN’T TAKE US DOWN

Raw, gritty 80s-inspired hard rock with the punchy emotional feel of “Loaded Truth” and “Pushed To Far.” Around 124 BPM. Start with a memorable crunchy electric guitar riff, tight punchy drums and driving bass. Gritty, powerful guitars without blues, country, southern rock, glam metal or heavy metal. Strong male lead vocal with a raw, emotional, slightly angry delivery. Female vocals used selectively in the pre-chorus, chorus and bridge for harmony and impact. No spoken vocals, no talking intro, no arena crowd sounds or stadium chants. Keep verses personal and story-driven, with a catchy, powerful chorus. Add short guitar fills, subtle piano accents and one brief gritty guitar break before the final chorus. Raw, emotional, rebellious and radio-ready, like a real rock band. Keep it around 3:30–3:50.

Que Yo Sea Mala Persona

Que Yo Sea Mala Persona

Spanish alternative pop-rock ballad, midtempo 4/4 around 88 BPM. Begin with intimate piano and muted electric guitar, then add restrained live drums and warm bass in the first chorus. Build the second verse with low strings and wider guitars; let the bridge drop to piano and close vocal before a full final chorus with layered harmonies. Emotional male lead vocal, conversational verses, strained but controlled chorus, clear Spanish diction. Organic modern mix, close dry vocal with short plate reverb, gentle tape saturation, dynamic arrangement, no excessive vocal effects.

SMOKE HAS CLEARED

SMOKE HAS CLEARED

Raw, gritty 80s-inspired rock with a dark, rebellious attitude. Male lead vocals are dominant throughout, with a rough, powerful and emotional delivery. Female vocals used mainly for harmonies, backing vocals and selected lines. Sung vocals only — no spoken words, no talking intro and no narration. Start immediately with a tight distorted guitar riff and punchy drums. Driving bass, crunchy rhythm guitar and a short gritty guitar solo. Keep the production raw, tight and slightly dirty, with a strong rock groove and plenty of attitude. Catchy chorus without becoming a huge anthem. No arena rock, no stadium sound, no blues rock, no country, no classic melodic 80s rock, no theatrical vocals, no huge reverb and no exaggerated vocal runs. Keep it gritty, edgy, emotional and radio-friendly, with the male vocal carrying the song and the female vocal adding attitude and depth.

Toast to the Damage

Toast to the Damage

1988 AOR, polished arena rock production, anthemic synthesizer textures, punchy gated reverb drums, crisp clean-to-overdriven electric guitars, soaring melodic male vocals, virtuoso guitar solo with technical tapping sequences

La magia  esta en ti  ,

La magia esta en ti ,

Stylle Balada Romántica, rock heavy, Female/ vocal, young singer, song, the Eccentric, Performance in the world. las protectoras del planeta las magas mujeres que traen la fuerza de los 4 elementos y el 5 solo ellas lo conocen, vocal female chilena, THE LATÍN QUEEN baladista. Myriam. Hernández, dramatic performance, soprano alto,

دیهه‌های دور

دیهه‌های دور

Persian protest folk-rock with slow driving 6/8 pulse, handclaps and frame drums under a minor-key acoustic guitar; verse begins spare and close, pre-chorus tightens with rising backing chants, chorus opens with stacked gang vocals and a stark melodic leap. Add wind-like synth swells, foot-stomp accents, and a final lift with doubled lead vocal. Mix is raw, wide, and earthy, like dust in a clenched fist.

Best OG EDM Duet - Jacks

Best OG EDM Duet - Jacks

Duet Create urgent, emotional, piano-driven alternative pop-rock in the style of early-2000s anthems like “Somebody Save Me.” Piano MUST remain the core instrument throughout: bright, percussive, driving eighth notes, emotional melodic runs, and pounding octaves that lead every section, especially the chorus. Start with intimate, desperate energy and build restless, conversational verses into massive, explosive, cathartic choruses that feel like a cry for help breaking into release. Use raw, earnest male vocals that begin vulnerable and, grow intense. Anchor everything with organic, explosive live drums and melodic bass that supports the piano rather than competing with it. Electric guitars should add urgency, punch, and lift, but never become a wall of distortion or overpower the piano. space in the mix so the piano always cuts through. Blend punk-rock urgency with nostalgic piano-pop emotion, using major/minor tension, suspended chords, duet. Singers strain but don’t lose control

Schaduw Vrije Vlam

Schaduw Vrije Vlam

Gevoelig, rockbalade

Elevator Quake

Elevator Quake

2010s romantic country rap fused with dance-rock, mid-tempo swagger and stomping four-on-the-floor; verses ride acoustic strum, clipped snares, and talk-sung flow, pre-chorus strips to handclaps and bass pulse, chorus hits with electric guitar punches and a chanty lift. Deep raspy male vocals with doubled hook lines, ad-lib shouts and delay throws on key words. Elevator door whoosh, reverse swell into each chorus, low sub-drop on “quake, ” mix is bright, punchy, and sweaty, world, rock, rap, deep, country, vocal, romantic

Elevator Kiss

Elevator Kiss

Country rap with dance-rock drive, midtempo stomp and swung hi-hat snaps over gritty electric guitar riffs, handclaps, and a pumping bass line; verse rides talk-sung rhymes and vivid nightclub detail, pre-chorus strips to bass, kick, and a rising chant, chorus opens with big drums, gang vocal answers, and a sticky lift. Deep raspy male vocals, doubled hook lines, delay throws on key phrases, reversed swells into each chorus, bright punchy mix with a raw arena sheen., deep, romantic, vocal, rap, rock, country

Elevator Freeze

Elevator Freeze

Country rap with dance-rock pulse, mid-tempo swagger and stomping backbeat; verses ride twangy acoustic stabs, muted electric riffs, and tight kick-snare, pre-chorus strips to handclaps and bass rumble, chorus hits with big gang shouts, bent guitar hooks, and four-on-the-floor lift. Deep raspy male vocal, double-tracked on hooks, gritty ad-libs, delay throws on the last word of each chorus, tape-stop transitions and air-rise sweeps between sections. Bright, punchy, arena-sized mix with smoky verses and glossy hook impact., rap, romantic, country, deep, vocal, rock

Taken By Dawn

Taken By Dawn

Pop-punk and broken-hearted punk rock at a driving midtempo with punchy palm-muted guitars, snappy live drums, and melodic bass runs; verse rides tight and raw, pre-chorus lifts with gang shouts and drum fills, chorus opens wide with gritty singalong hooks, bridge drops to half-time with exposed vocal and toms before a final stacked chorus. Deep raspy male vocal, double-tracked in choruses, cracked ad-libs, shouted backing lines, tape-stop and cymbal swell transitions, bright yet bruised mix., pop, vocal, sad, punk, rock, deep

Photo Box Ghost

Photo Box Ghost

Pop-punk / early-2000s punk rock, mid-fast driving tempo with palm-muted guitars and punchy toms; verse rides tight downstrokes and bass, pre-chorus opens with rising gang shouts, chorus hits full wide power chords and octave melody. Deep raspy male vocal with doubled choruses, cracked ad-libs, and occasional spoken lines; tape-stop into bridge, reversed cymbal swells before final lift, bright and raw mix with a gritty basement edge., punk, deep, vocal, sad, pop, rock

"Tak Cie Kocham" v

"Tak Cie Kocham" v

Deep baritone male solo vocal, heavy grit, gravelly voice, dry vocal mix, acoustic rock ballad, romantic post-grunge, emotional melodic rock, prominent acoustic guitar driving the track, slow building drums, passionate, nostalgic, raw emotion, 85 BPM. A romantic acoustic rock ballad featuring a dark, deep baritone male singer with a gritty, gravelly voice and no vocal effects (dry vocals). The song is driven by intense acoustic guitar strumming and emotional plucking. Melodic, passionate, reminiscent of late 90s alternative rock love songs. Warm atmosphere, build-up arrangement.

Arriesgalo

Arriesgalo

Pop, rap, piano y flauta de entrada. Rock melódico electrónico.

Back Seat Empty

Back Seat Empty

Pop-punk / early-2000s punk rock at a driving mid-tempo sprint, half-time punches in the chorus, crunchy downstrokes, ringing open chords, and a bassline that pushes the verse forward. Verse 1 stays tight and tense; pre-chorus strips to kick, bass, and gang shouts; chorus opens wide with stacked raspy doubles and shouted hook repeats. Bridge drops to a bare clean guitar and cracked lead vocal, then final chorus comes back bigger with gang vocals, crash cymbals, and a last-key-change lift. Deep raspy male vocal, close-mic and bruised in verses, ragged shouted doubles on the hook, bright and punchy mix with tape-slap throws and snare crack., sad, punk, rock, vocal, pop, deep

Red Glass Kiss

Red Glass Kiss

Gothic rock with a slow driving pulse, tom-heavy drums, minor-key guitar arpeggios, and a cold organ bed; verse stays hushed and tense, pre-chorus opens with rising harmony stacks, chorus hits with a wide melody and gang vocal echoes on the hook. Breathy lead vocal, doubled in the low end, with delay throws on key words and a few whispered ad-libs. Reversed cymbal swells, cathedral reverb tails, and a final lift with crashing drums and choral pads. Dark, spacious, and cinematic.

Hell's Great Dad

Hell's Great Dad

Garage rock with a stomping backbeat and gritty baritone swagger; verse rides clipped guitar chugs and handclaps, pre-chorus strips to bass and snare snap, chorus hits with gang shouts and a ragged lead double. Ad-libs pop at line ends, short delay throws on the hook, tape hiss and a cymbal swell bridge each lift. Bright, dirty, and punchy.

Pol Khol Di

Pol Khol Di

Hindi Bollywood comedy-drama with playful mid-tempo swing, dholak taps and airy synth strings; verse stays conversational and story-driven, pre-chorus tightens with rising handclaps, chorus bursts with chantable gang vocals and a cheeky melodic hook. Lead vocal is expressive and close-mic with doubles on punchlines, ad-lib laughs on repeats, a tiny tabla fill into each chorus, and a glossy, bright mix with crisp percussion and warm bass.

Mostarova Lika, Svirka Mosta

Mostarova Lika, Svirka Mosta

Powerful Emotional Bosnian Folk, Modern Sevdah, Bosnian Narodna, majestic cinematic Krajina atmosphere, deep nostalgic emotion, proud medium tempo, expressive accordion, emotional violin, warm saz, subtle šargija, traditional Balkan percussion, warm bass, rich cinematic strings, sweeping orchestral swells, authentic Bosnian melodic phrasing, deep warm mature male lead vocal, rich natural masculine timbre, smooth powerful chest voice, distinctive resonant tone, subtle smoky warmth, emotionally commanding delivery, heartfelt Balkan ornamentation, clear melodic singing, natural expressive vibrato, crisp Bosnian articulation, flowing powerful phrasing, proud homeland emotion, nostalgic warmth, powerful from the first note, continuous emotional intensity, majestic cinematic goosebump atmosphere

Most i Sjećanje

Most i Sjećanje

No Intro, Instant Deep Emotional Vocal Opening, “STARI MOST!” First Line, 100% Fully Sung, Continuous Melodic Singing, Strong Powerful Male Lead Voice, Deep Warm Commanding Masculine Vocals, Distinctive Boss-Like Vocal Character, Immediately Recognizable Voice, Same Consistent Vocal Identity Throughout, NO PAUSES BETWEEN VERSES, EACH VERSE STARTS IMMEDIATELY AFTER THE PREVIOUS VERSE, UNINTERRUPTED VOCAL FLOW FROM BEGINNING TO END, NO INSTRUMENTAL BREAKS, EXTREMELY QUIET BACKGROUND MUSIC, BARELY AUDIBLE INSTRUMENTATION, VOCALS EXTREMELY PROMINENT, CLEAR AND FAR IN FRONT OF THE MIX, Deep Emotional Bosnian Folk, Epic Sevdah, Historical Cinematic Atmosphere, Subtle Saz, Accordion, Warm Piano, Gentle Strings, Deep Choir, Mostar, Neretva, Centuries of History, Destruction, Loss, Memory, Reconstruction, Rebirth, Unity, Heritage, Hope, Emotional Rise from Sorrow to Renewal, Monumental Emotional Climax, Timeless Powerful Finale

AI DM Automation

AI DM Automation

South African amapiano and Afro-house fusion at afrobeats-friendly club tempo, log-drum bass, crisp shakers, syncopated percussion, warm electric piano chords, bright marimba accents, and a restrained saxophone response. Begin with a dry, confident spoken business hook over sparse percussion, then bring in the groove gradually. Verses use conversational melodic male vocals; the chorus is catchy, call-and-response, and supported by layered group vocals. Add a short breakdown before the final chorus, then finish with a clean spoken CTA. Polished modern mix, punchy low end, roomy percussion, uncluttered vocal center, celebratory but practical energy.

Bihać Grad Na Obalama Une

Bihać Grad Na Obalama Une

Powerful Emotional Bosnian Folk, Modern Sevdah, Bosnian Narodna, majestic cinematic Krajina atmosphere, deep nostalgic emotion, proud medium tempo, expressive accordion, emotional violin, warm saz, subtle šargija, traditional Balkan percussion, warm bass, rich cinematic strings, sweeping orchestral swells, authentic Bosnian melodic phrasing, deep warm mature male lead vocal, rich natural masculine timbre, smooth powerful chest voice, distinctive resonant tone, subtle smoky warmth, emotionally commanding delivery, heartfelt Balkan ornamentation, clear melodic singing, natural expressive vibrato, crisp Bosnian articulation, flowing powerful phrasing, proud homeland emotion, nostalgic warmth, powerful from the first note, continuous emotional intensity, majestic cinematic goosebump atmosphere

Una‑Krajina Serenada

Una‑Krajina Serenada

Powerful Emotional Bosnian Folk, Modern Sevdah, Bosnian Narodna, majestic cinematic Krajina atmosphere, deep nostalgic emotion, proud medium tempo, expressive accordion, emotional violin, warm saz, subtle šargija, traditional Balkan percussion, warm bass, rich cinematic strings, sweeping orchestral swells, authentic Bosnian melodic phrasing, deep warm mature male lead vocal, rich natural masculine timbre, smooth powerful chest voice, distinctive resonant tone, subtle smoky warmth, emotionally commanding delivery, heartfelt Balkan ornamentation, clear melodic singing, natural expressive vibrato, crisp Bosnian articulation, flowing powerful phrasing, proud homeland emotion, nostalgic warmth, powerful from the first note, continuous emotional intensity, majestic cinematic goosebump atmosphere

Una‑Svirka Krajine

Una‑Svirka Krajine

Powerful Emotional Bosnian Folk, Modern Sevdah, Bosnian Narodna, majestic cinematic Krajina atmosphere, deep nostalgic emotion, proud medium tempo, expressive accordion, emotional violin, warm saz, subtle šargija, traditional Balkan percussion, warm bass, rich cinematic strings, sweeping orchestral swells, authentic Bosnian melodic phrasing, deep warm mature male lead vocal, rich natural masculine timbre, smooth powerful chest voice, distinctive resonant tone, subtle smoky warmth, emotionally commanding delivery, heartfelt Balkan ornamentation, clear melodic singing, natural expressive vibrato, crisp Bosnian articulation, flowing powerful phrasing, proud homeland emotion, nostalgic warmth, powerful from the first note, continuous emotional intensity, majestic cinematic goosebump atmosphere

Sous la pluie de Paris

Sous la pluie de Paris

Chanson française élégante, slow 72 BPM in 4/4 with a gentle swaying pulse; verse rides piano, brushed drums, upright bass and soft accordion, pre-chorus opens with violin sighs, chorus blooms with theatrical string swells and a rounded melodic hook. Female vocals, soft slightly husky and expressive, with close-mic intimacy, breathy doubles on key lines, delay throws on the hook, and a few whispered echoes. Ear candy: rain-stick shimmer, reversed piano swell into the chorus, bowed violin lifts between phrases. Warm cinematic mix, intimate and wide., chanson, vocal

Omnicidal Hurricane

Omnicidal Hurricane

Deathcore, melodic death metal duet, aggressive male guttural growls, piercing female high screams, heavy down-tuned guitars, fast blast beats, aggressive and high energy

Fsfgc

Fsfgc

Energetic deep house arabesk, A minor, 122 BPM. Deep male baritone, single lead vocal, emotional and powerful Turkish delivery. Tight four-on-the-floor kick, warm deep bassline, clean sub-bass, modern synth textures, subtle bouzouki and expressive violin accents. Spacious verses, rising pre-chorus, big catchy chorus and melodic club drop. Polished studio production, wide stereo image, clear vocal upfront, strong low-end control, dynamic build and release. Emotional, elegant and danceable. No choir, no backing vocals.

ОН И ОНА

ОН И ОНА

Cinematic musical dialogue for male and female voices. NOT a pop song, no verse-chorus structure. MALE: warm, human, emotional, melodic; piano, cello, subtle strings. FEMALE: beautiful, cold and precise at first, never robotic. Strange, spacious, slightly unsettling harmonies, unusual intervals, delicate electronic textures. They begin in two completely different musical worlds. Their music gradually approaches as their relationship changes. Childhood and memory bring warmth into her music. Touch creates their first shared notes. Distance, waiting and time make her melody increasingly emotional. After she wants their next meeting to come sooner, use an instrumental transition. Time passes. They meet again already in love. Her alien musical identity remains, now blending with his human harmony. Final: he will age and die; she remains unchanged. At “Тогда я не хочу времени” — silence. Then unite their human and alien themes. End with beauty and quiet tragedy.

Here’s To You

Here’s To You

1980s AOR, mid-tempo four-on-the-floor with big snare, chiming rhythm guitars, melodic bass, and soaring lead lines; verse stays tight and wounded, pre-chorus opens with rising harmonies, chorus hits wide with stacked gang vocals on the title, bridge drops to half-time with cleaner guitars, then a tapped guitar solo climbs over tom fills before the final chorus. Lead vocal is close-mic in verses, doubled on hooks, with delay throws and lifted harmony stacks; bright, polished, punchy mix

Deep

Deep

Energetic deep house arabesk, A minor, 122 BPM. Deep male baritone, single vocal. Emotional Turkish delivery with a broken, soulful feel. Strong deep bass, punchy house kick, warm synths, subtle bouzouki and cinematic violin touches. Short lyrics, spacious verses, catchy chorus and strong melodic drop. Modern clean club mix, emotional but danceable. No choir.

What’s A Man Gotta Do

What’s A Man Gotta Do

1980s AOR with punchy mid-tempo drums, bright rhythm guitars, melodic bass, and glossy synth accents; verse rides tight and sly with close-mic male vocals, pre-chorus lifts with stacked harmonies and a tom build, chorus hits big with gang shouts on the hook, bridge strips to half-time and a smoky lead vocal, then a searing guitar solo over rising cymbals and delay throws. Crisp, radio-bright, and arena-sized with a playful wink.

Velvet Stage Drift

Velvet Stage Drift

80s slow-burn ballet pop at a tender half-time sway, with graceful keyboard ostinatos, glowing synth pads, airy sax phrases, and sparkling xylophone accents. Verse sections stay spare and floating; the middle opens wider with soft drum machine pulse and a melodic sax lift; final section blooms with layered keys and bell tones. Close, silky mix, warm and polished with gentle stereo shimmer., soothing, gentle, slow

Bulamam

Bulamam

Modern Turkish arabesk, A minor, 74 BPM. Deep warm male baritone, solo vocal, rich chest voice, slightly raspy emotional tone, controlled vibrato. Piano-led arrangement with a memorable emotional piano motif. Start with 18–20 sec piano intro, then soft cello and warm orchestral strings enter. Oud gives short tasteful answers between vocal lines, never dominant. No solo violin; violin stays inside the orchestra. Verses intimate and restrained. Build strongly into the chorus. “Bulamam, bulamam” must be the main catchy melodic hook, powerful and sustained. After first chorus, 12–15 sec instrumental break featuring piano and oud dialogue with cello underneath. Full strings, bass and tasteful arabesk drums in choruses. Final chorus bigger and emotional. End with 12–15 sec piano outro repeating the opening motif. No choir, clean professional studio sound.

Djedovo makes money 5

Djedovo makes money 5

Extremely rustic seljačko Bosnian/Balkan folk, humorous village kafana song, accordion and šargija-style folk energy, old-school ex-Yugoslav countryside party sound. Warm traditional male folk singer with a relaxed, melodic vocal delivery. No yelling, no screaming, no aggressive vocals, no shouted ad-libs. Playful and humorous but naturally sung throughout. Catchy repetitive chorus, simple rustic melody, lively accordion and šargija, authentic rural Bosnian kafana atmosphere, old-fashioned village folk sound.

RIGHT THERE ALL ALONG

RIGHT THERE ALL ALONG

Create a powerful Southern Trap Blues / modern soul ballad titled “Right There All Along, ” around 72 BPM. The sound should be dark, intimate, masculine, weathered, vulnerable, and ultimately hopeful. The story is a man realizing a good woman had genuinely cared about him for years while he was distracted by bad choices and the wrong people. Now he understands what she was offering and wants to take things slowly, honestly, and see where life leads them. VOCAL: Deep Southern male baritone with a rough, soulful rasp and natural imperfections. Start restrained and conversational, then gradually become more melodic and emotionally powerful. Let breaths, cracks, pauses, and slight vocal strain remain. No fast rap or excessive vocal runs. PRODUCTION: Begin sparse with dark acoustic guitar, warm piano/Rhodes, distant blues electric guitar, atmospheric pads, and subtle room texture. Gradually introduce deep rounded 808 bass, slow trap kick, rim/snare, restrained hi-hats, blues guitar bends,

Jenerasyon Z

Jenerasyon Z

Afrobeat + melodic rap + trap-soul, ak 808, bass, Juno-60 ak strings.

Tak Cię Kocham"

Tak Cię Kocham"

Deep baritone male solo vocal, heavy grit, gravelly voice, dry vocal mix, acoustic rock ballad, romantic post-grunge, emotional melodic rock, prominent acoustic guitar driving the track, slow building drums, passionate, nostalgic, raw emotion, 85 BPM. A romantic acoustic rock ballad featuring a dark, deep baritone male singer with a gritty, gravelly voice and no vocal effects (dry vocals). The song is driven by intense acoustic guitar strumming and emotional plucking. Melodic, passionate, reminiscent of late 90s alternative rock love songs. Warm atmosphere, build-up arrangement.

Loin

Loin

Brazilian Funk, Baile Funk, Funk Carioca, Brazilian Phonk, Automotivo, Montagem, Dark Brazilian Funk, Melancholic Phonk, Aggressive, Hypnotic, Cold Atmosphere, Heartbreak, Dark Club, Energetic, Male Vocals, Deep Male Vocals, Melodic Male Vocals, Repetitive Vocal Chants, Chopped Vocals, Heavy Distorted 808 Bass, Deep Sub Bass, Punchy Kick, Tamborzão Drums, Syncopated Percussion, Electronic Drums, Dry Claps, Metallic Percussion, Cowbell, Distorted Synth Bass, Dark Synths, Icy Synth Pads, Atmospheric Synths, Vocal Chops, Reverb, Delay, Electronic FX, Bass Drop

"Taka dla mnie jesteś"

"Taka dla mnie jesteś"

Baritone rock vocal, heavy grit, gravelly voice, dry vocal, melodic hard rock, emotional rock ballad, powerful electric guitars, slow heavy drum groove, passionate, romantic, cinematic production 90s grunge rock ballad, deep baritone male vocals, gritty vocal texture, no reverb on voice, distorted guitar chords, intense emotional delivery, melodic rock opera

Letting You

Letting You

Dark melodic trap-soul at 140 BPM with swung hats, half-time drums, lonely piano chords, and a haunting vocal texture; intro breathes with raw exposed vocals, verse rides sparse piano and sub pulses, pre-chorus tightens with pauses and rising pads, chorus opens with warm strings and soft stacks while keeping the melody simple and repetitive. Lead vocal stays intimate and close-mic with airy doubles, pitched echoes, and delay throws on the hook word; ear candy comes from reversed swells, filtered piano tails, and bass drops into silence. Mix is moody, wide, and polished with a deep low end., warm, simple, deep, soft, soul, raw, vocal

نغمات الهاتف والفتحة

نغمات الهاتف والفتحة

​Yemeni electronic Tarab, fast upbeat rhythm, phone ringing sound effects, traditional Gulf beat, energetic dance music, percussion

Pietro e Alessio al Lido

Pietro e Alessio al Lido

2000s eurodance, energetic italodance, pumping synth bassline, fast BPM, male vocal lead, explosive stadium breakdown, high-energy party atmosphere

OBVIOUS

OBVIOUS

EDM, techno, electric, dance music,

هلا بمحمد الشيحاوي

هلا بمحمد الشيحاوي

upbeat Iraqi folk dance music, traditional heavy darbuka and rhythmic keyboard playing, energetic live performance atmosphere, communal celebration, traditional hand-clapping percussion, celebratory male vocals with call-and-response structure

هلا بالجوبي

هلا بالجوبي

Iraqi jubi dance-pop with fast swung percussion, punchy org and hand drums, and a celebratory marching groove; intro starts with solo organ and claps, verse opens wider with bass drum and callouts, chorus hits with stacked gang vocals and bright brass stabs, second verse adds extra percussion and rhythmic shouts, final chorus lifts with rising fills and crowd-style ad-libs. Lead vocal stays proud and open, with doubled hook lines and echo throws on key names. Crisp, loud, festive mix with sparkling top end and a strong dance-floor bounce.

ढोल वाला चक्कर

ढोल वाला चक्कर

Bollywood comedy dance-pop with fast swung rhythm and cheeky Hindi call-and-response; verse rides playful storytelling with tight drum punches, pre-chorus flips into teasing pauses and rhythm changes, chorus hits with crowd-style gang vocals and absurd slogan lines. Male and female lead vocals trade quips, with comic ad-libs, sudden stop-start breaks, shenai flourishes, and mischievous ear-candy fills. Bright, glossy, over-the-top film mix with punchy low end and carnival energy.

사르르 타는 밤

사르르 타는 밤

Bollywood dance-pop with fast dhol-driven four-on-the-floor, syncopated handclaps, bright sitar riffs, and bustling percussion; verse stays tight with playful rhythmic vocals, pre-chorus lifts with snare rolls and rising chants, chorus bursts open with gang hooks and cymbal crashes. Lead vocal is glossy and theatrical with stacked doubles, call-and-response ad-libs, and short delay throws on the hook. Sparkly bell fills, reverse swells into the drop, and a brief harmonium break before the final chorus. Bright, wide, and high-energy mix with a festive cinematic shine.

Candle On Your Cake

Candle On Your Cake

Pop dance-pop with a bright four-on-the-floor groove, bouncing handclaps, and a playful bass pulse; verse stays light with finger snaps and a simple piano riff, pre-chorus lifts with rising synth swells and stacked oh-ohs, chorus opens wide with group vocals on the hook and a short brass stab on the downbeat. Add cake-bell chimes, a reverse swell into each chorus, and a tiny break before the final hook. Crisp, glossy mix with close-mic lead and wide, celebratory harmonies., happy

Moonwalk Fever

Moonwalk Fever

1980s dance-pop with funk guitar, elastic bass, crisp four-on-the-floor kick, syncopated synth stabs, and a glittery hook; verse stays tight and percussive, pre-chorus lifts with stacked harmonies and rising claps, chorus opens into a chanty falsetto lead with group replies; vocal production uses breathy close-mic verses, doubled hooks, short delay throws, and ad-lib shouts; ear candy includes reverse cymbal swells, finger snaps, and bright bell accents; mix is glossy, punchy, and wide

JIMJU Sakay Ta

JIMJU Sakay Ta

Cebuano party pop with fast tropical groove, bouncy percussion and dance-clap swing; verse rides light guitar and hand drums, pre-chorus strips to bass and chant build, chorus hits with bright synth brass and crowd shouts. Lead vocal is playful and close-mic with doubled hook lines, ad-lib stacks on ends. Airy risers, whistle pops, and a final key lift. Bright, punchy, festive mix.

Nouveau titre 3

Nouveau titre 3

Deep-house-dance, Pop-funk, Clubs moderne, 120bpm, En(US) et Ar Accent DZ Oran pur intégré naturellement dans le rythme, Mix larges, HQ, sans saturation, .. Just Noble King.

Diamond

Diamond

Afropop, Guitar, carribean, pop, dancehall, uptempo, bass, ballad, afrobeat

Bésame Lento

Bésame Lento

Cumbia love song with a bouncing dembow-locked groove, warm güiro chatter, bright accordion riffs, and a steady bassline that sways instead of slams; verse stays light with hand percussion and close vocal phrasing, pre-chorus opens with rising harmonies and a tambora pickup, chorus blooms with gang hooks, short delay throws on the title, and little flute flicks between lines. Mix is sunlit, punchy, and dancefloor-warm, with intimate lead vocals and airy doubles on the hook., cumbia

MARTINÈZE

MARTINÈZE

K-Pop, Dance-Pop, Electropop, EDM, Trap-Pop, Hip-Hop, Girl Group, Powerful Female Vocals, Female Rap, Catchy Chorus, Energetic, Badass, Playful, Glamorous, Club, Festival, Korean Pop, 808 Bass, Deep Sub Bass, Trap Hi-Hats, Punchy Electronic Drums, Heavy Kick, Claps, EDM Synths, Bright Synthesizers, Synth Bass, Brass Stabs, Electronic Percussion, Vocal Chops, Risers, Impacts, Plucked Strings, Cinematic Drums, Latin Percussion, Spanish Guitar

Cajón de Fuego

Cajón de Fuego

Flamenco cabaret instrumental, intense, sensual, dramatic and emotionally charged, built around a virtuosic cajón flamenco solo. Begin literally with cajón alone: dry close-miked golpes, bass tones, rim slaps, rapid redobles, deliberate silences, and escalating rhythmic tension; absolutely no guitar, vocals, palmas, bass, atmospheres, or other instruments during the opening solo. Gradually introduce sparse palmas and hand percussion after the cajón establishes the pulse, then add a restrained low electric bass and dark theatrical atmospheric pads. Keep the cajón prominent throughout with articulate dynamic accents and call-and-response percussion. Bring in flamenco guitar only clearly after the midpoint, first with tense rasgueados and clipped chord stabs, then expressive Phrygian melodies and rapid picado. Build section by section toward a fiery, danceable cabaret climax for a troupe of dancers: stronger palmas, driving bass, layered percussion, dramatic stops, accelerating fills, and a final explosive rhythmic resolution. Cinematic stage mix, intimate percussion detail, wide theatrical atmosphere, powerful transient impact, no vocals.

Selfbuilt oldschool+edm

Selfbuilt oldschool+edm

Uplifting edm, oldschool hip hop vibes, dance, club, 140 bpm, longtime beat, dark souls, upcoming vibes, vinyl scratching

Rising Temperature

Rising Temperature

Here’s a high-energy EDM/festival-style dance track about the rising temperature, with a big drop-ready chorus. Big beats high energy

Aleksandar Veliki – iz Ahilove loze

Aleksandar Veliki – iz Ahilove loze

Dance music, Serbian-Macedonian, techno, beatbox, violin

Aleksandar Veliki iz Ahilove loze

Aleksandar Veliki iz Ahilove loze

Dance music, Serbian-Macedonian, techno, beatbox, violin

I'm the cuteness

I'm the cuteness

Style: Upbeat K-Pop / Bubblegum Dance-Pop Tempo: Fast, energetic (128 BPM)

مهرجان الألوان

مهرجان الألوان

Latin dance reggaeton with dembow-locked percussion, buoyant congas, palm-muted guitar stabs, and a bouncing sub-bass; verse stays lean with handclaps and syncopated marimba accents, pre-chorus strips to snare rolls and rising crowd chants, chorus hits with brass stabs and a chantable hook. Lead vocal is close-mic and playful with doubled chorus lines, ad-lib runs, and short delay throws on the anchor phrase. Ear candy includes whistle bursts, reverse swells into each drop, and bright percussion fills. Mix is glossy, wide, and party-ready.

待ちぼうけ

待ちぼうけ

Japanese City rock, fusion pop, 80's style, Low pitch vocal, Low octave singing, ・Thick bassline ・Snare drenched in reverb ・Synth pads and synth brass ・Clean-tone guitar chopping • A sentimental melodic line • Based on a minor key, evoking feelings of melancholy or nostalgia • A restrained vocal delivery, infused with passionate progression • Influences from dance beats • A four-on-the-floor rhythm reminiscent of disco and Eurodisco • A structure that resonates with what’s known as a “bubble-era sound” (referring to the upbeat, flashy style of Japan’s economic bubble era) ・Extra low pitch vocal ・Slow singing ・Slow tempo melody and riddim ・sing in a extra low range ・sing a melody with a narrow vocal range ・40-year-old middle-aged man's singing voice ・Don't go up an octave in the chorus. ・Keep it in the same octave for the chorus. ・Sing it another octave lower

The Red-Haired Woman

The Red-Haired Woman

Passionate 2020s country-rock ballad fused with desperate 2000s alternative rock. Four-minute arrangement: intimate acoustic guitar and brushed kick in the opening verse, restrained electric guitar swells into a pre-chorus, then huge overdriven guitars, live drums, warm bass, and broad country-rock harmonies in each chorus. Add a brief stripped bridge before a final double chorus with a lifted emotional peak. Strong raspy white male lead vocal: conversational and vulnerable in verses, cracked high notes and full-throated pleading in choruses, with occasional gritty sustained cries. Organic room ambience, punchy snare, dense but clear guitars, warm low mids, modern polished master, dramatic dynamics, no electronic dance elements.

반짝 뛰어

반짝 뛰어

K-pop dance-pop with bright four-on-the-floor kick, punchy clap snaps, and glossy synth plucks; verse stays lean with playful staccato phrasing, pre-chorus lifts through rising harmonies and filtered build, chorus opens wide with stacked group vocals and a chantable hook. Add ear candy with reverse swells, bell chimes, and a final lift into the last chorus. Crisp, shiny, radio-ready mix with a sparkling top end.

Денис, наш праздник

Денис, наш праздник

Pop dance with bouncy four-on-the-floor, handclap groove, bright synth stabs, playful bassline, verse keeps it light and conversational, pre-chorus lifts with snare rolls and stacked vocal harmonies, chorus opens wide with gang vocals on the name. Close-mic lead with double-tracked hooks, quick delay throws on the punchlines, confetti risers and chime fills between lines, crisp and sparkling mix.

ألا تكون سمائي

ألا تكون سمائي

Arabic cinematic romantic ballad, slow 6/8 groove around seventy BPM, intimate female lead vocal in clear Modern Standard Arabic with expressive melisma, piano and delicate oud opening, warm strings entering in the pre-chorus, restrained frame drum and low percussion at the first chorus, rising orchestral arrangement toward the final chorus, spacious natural reverb, close vocal presence, bittersweet devotion and sunset imagery, polished wide mix with a gentle dynamic build

Cash in the Cup

Cash in the Cup

Contemporary R&B with hip-hop bounce, mid-tempo swung groove and crisp hi-hat pockets; verse stays sparse with sub-bass, dry snaps, and a tucked electric piano, pre-chorus opens with filtered chords and rising vocal stacks, chorus hits with layered doubles and a chantable hook, bridge drops to half-time with airy ad-libs, then final chorus adds gang harmonies and a reverse swell. Intimate close-mic lead, glossy top-end, punchy and radio-ready mix.

Sjenka Mostara

Sjenka Mostara

Deep Emotional Cinematic Bosnian Folk, Epic Sevdah, Historical Orchestral Ballad, Slow Mid Tempo, Strong Powerful Male Lead Vocals, Deep Commanding Voice, Distinctive Masculine Tone, Boss-Like Vocal Presence, Saz, Accordion, Warm Piano, Cinematic Strings, Deep Choir, Majestic, Melancholic, Hopeful, Timeless Mostar Atmosphere

DM Machine

DM Machine

Amapiano-influenced South African rhythm with log drum bounce, skittering shakers, and a relaxed four-on-the-floor pulse; verse rides sparse piano stabs and talk-sung male lead, pre-chorus opens with handclaps and rising vocal stacks, chorus lands with a chantable hook and group replies. Close-mic male vocals with subtle doubles, call-and-response ad-libs, delay throws on key words, airy risers into each drop, and glossy wide mix with deep club-ready low end., male vocals

Paper Crane Moon

Paper Crane Moon

Japanese cinematic piano ballad with triplet heartbeat rhythm, sparse verse piano arpeggios, pre-chorus lifting into sustained strings and timpani rolls, chorus opens with big octave piano, layered harmonies, and a soaring lead vocal. Breathier verses, doubled chorus, one whispered bridge, reversed piano swell into final chorus. Glossy wide mix, emotional and bright., dramatic, anime

遠い空へ祈り

遠い空へ祈り

dramatic cinematic piano, solo instrumental focus with subtle emotive orchestration, melancholic yet hopeful mood, Japanese anime score influence, expressive and dynamic piano performance with frequent minor-to-major key modulations, rubato phrasing for dramatic weight

Paper Cranes

Paper Cranes

Japanese piano ballad with lyrical rubato, delicate arpeggiated piano, soft brushed percussion, and swelling string lines; verse stays intimate and sparse, pre-chorus lifts with suspended chords and breathy doubles, chorus blooms into wide harmony stacks and a countermelody on high piano, bridge drops to solo piano and a cracked vocal before the final lift. Close-mic vocal with light room reverb, octave doubles on key phrases, gentle delay throws on the hook, glassy risers and reversed piano swells between sections. Wide, emotional, and cinematic., sad, anime

Paper Crane Rain

Paper Crane Rain

Japanese piano ballad, slow 68 BPM with a delicate rubato feel and sparse heartbeat-like kick; verse opens on solo felt piano with intimate pedal noise, pre-chorus adds high string harmonics and soft taiko swells, chorus widens into aching octave piano lines and suspended violin layers, bridge drops to bare keys and room tone before a final lift. Breath-like phrasing, gentle reverb tails, subtle reverse swells, warm and cinematic close-mic mix., sad

Basement Pulse

Basement Pulse

House with high-energy four-on-the-floor drive, syncopated clap stacks, and a low sub-bass punch that grinds under heavy drum hits; verse-like sections keep the groove stripped to kick, bass, and a snapped percussion loop, then the drop opens with bright piano stabs, airy risers, and filtered vocal chops. Add short reverb throws, reverse swells, and sidechain pump for a wide, club-bright mix., beats, low

Midnight Drive

Midnight Drive

House with high-energy four-on-the-floor drive, syncopated clap stacks, and a low sub-bass punch that grinds under heavy drum hits; verse-like sections keep the groove stripped to kick, bass, and a snapped percussion loop, then the drop opens with bright piano stabs, airy risers, and filtered vocal chops. Add short reverb throws, reverse swells, and sidechain pump for a wide, club-bright mix., beats, low

Hit Schiller dolby 6

Hit Schiller dolby 6

“Ambient electronic journey with ocean waves and soft wind sounds, floating synth textures, deep heartbeat bass, emotional piano melodies and angelic choirs. Spacious reverb, mysterious and beautiful atmosphere, slowly evolving with emotional peaks. Cinematic and immersive.”

Hit Schiller dolby 5

Hit Schiller dolby 5

“Ambient electronic journey with ocean waves and soft wind sounds, floating synth textures, deep heartbeat bass, emotional piano melodies and angelic choirs. Spacious reverb, mysterious and beautiful atmosphere, slowly evolving with emotional peaks. Cinematic and immersive.”

One Day I Found Love

One Day I Found Love

Pop ballad with gentle half-time drums, warm piano arpeggios, soft sub pulses, and rising string layers; verse stays intimate and close-mic, pre-chorus opens with breathy doubles and filtered harmonies, chorus lands wide with stacked vocals and a memorable hook. Add reverse swells into each chorus, a sparkling bell accent after key lines, and a final lift with ad-lib runs. Bright, emotional, polished mix.

No Peques Mas

No Peques Mas

200 beats per minute. Uptempo Salsa. Old-School Salsa (Hector Lavoe voice), pronounced timbales. starts with congas for 8 measures, then timbales join in (up-cowbell) and hi-hat of drum set. Total percussion measures: 16 measures. Then full salsa band comes in, heavy piano montuno, and brass (three trumpets, two trombones, one baritone sax, one tenor sax, one alto sax) for another 16 measures. Total Intro measures = 32 measures. also include guiro instrument. Intro vamps between F major and G major chords. Then bands cuts on D minor chord, C major chord, and ends on D minor chord. Then verse starts on D7 chord and starts cycle of keys (D7 to Gm to C major to F major to Bb major, etc. ) Chorus section has heavy piano salsa montuno repeating D minor to G minor to A Major to G minor to A Major to G minor to D minor. And repeats throughout chorus

Cappucino Assassino

Cappucino Assassino

Italian comedic pop with brisk mid-tempo bounce, swung drum machine groove and playful staccato synth bass; verse stays cheeky and clipped, pre-chorus pulls back with handclaps and rising vocal stacks, chorus opens wide with gang shouts and a chantable hook. Close-mic lead vocal, silly doubles on punchlines, tiny delay throws on the title phrase, espresso-machine hiss and toy piano fills for ear candy, bright glossy mix

Raaaaam

Raaaaam

Create a soulful Bollywood-style devotional bhajan inspired by the emotional flow of Tu Hi Re. Tempo slow to medium (68–72 BPM), smooth and flowing. Mood deeply spiritual, romantic devotion, peaceful and heart-touching. Use soft flute as the lead melody, supported by warm piano chords and gentle synth pads. Add tanpura drone for continuous spiritual depth. Percussion should be very minimal – light tabla taps and soft electronic ambient rhythm, no heavy beats. Vocal style emotional, silky and expressive, with clear Hindi pronunciation of “Ram Ram” and “Shri Ram.” Singing should feel like a loving prayer, not loud, with slight reverb to create temple-hall ambience. Background humming or elongated “Raaam…” notes can be added subtly. Arrangement should build slowly, remain calm, and feel repeat-worthy. Mixing warm and balanced, vocals upfront, instruments soft and immersive, creating divine serenity and bhakti rasa.

Crack Shack Nights

Crack Shack Nights

Hip-hop with a dusty boom-bap swing, knotted hi-hats, heavy kick-snare pocket, and a lazy late-night bounce; verse rides sparse drums and a grimy sample, pre-chorus thins to bass and clipped clap, chorus hits with stacked unison chants and a chopped vocal stab. Close-mic lead with doubled punch-ins, ad-lib echoes on the hook, tape hiss, reverse swells into transitions, and a dry, gritty mix with hard low-end thump., dub, hip hop

Come to Jesus

Come to Jesus

Southern soul country with hip-hop bounce and slow-burn R&B sway, 86 BPM, fingerpicked guitar, warm organ, muted kick, and a snapping backbeat; verse stays intimate with close-mic delivery and sparse bass, pre-chorus opens with handclaps and rising harmony stacks, chorus lifts on gospel-style group answers and a loose clap groove. Female lead vocal, husky verses, airy melisma on the hook, call-and-response ad-libs, short delay throws on the title line. Ear candy includes reversed piano swells into the chorus, a tambourine shake on turnarounds, and a final key change feel. Mix is warm, wide, and radio-polished with dusty roots texture., r&b, hip hop, deep southern soul, country

Wenn ich mich verliere

Wenn ich mich verliere

German female/male rap duet, with female vocals, slow-burn boom-bap pulse and half-time drums; intro opens on lonely piano, verse adds muted bass, snapped percussion, then strings and toms stack by section. Pre-chorus narrows to piano and voice, chorus erupts with huge cinematic choir, brass swells, and wide trap cymbal lifts. Breathy double-tracked verses, shouted hook doubles, delay throws on key lines, reverse swells into each drop, bright punchy yet colossal mix., rap singer-songwriter alternate hip hop indie rock, emotional, raw, clear diction

Verano en la rotonda

Verano en la rotonda

Style: Spanish hip hop, punk-heavy, male/vocal, voice singer Trobador, her voice, raspy, aguda, tomcat, such. with bright chiming guitars and glossy, synth arpeggios, mid-tempo driving groove; verse stays dry and conversational with tight bass and clean picked guitar, pre-chorus opens with filtered pads and a tom lift, chorus blooms with stacked harmonies and a sharp hook bassline. Lead vocal is close-mic and half-smirking, with doubled chorus lines and a few airy ad-libs. Ear candy includes reverse cymbal swells, cassette hiss, and a synth sparkle between phrases. Bright, crisp, slightly nostalgic mix with polished low end.

Wanna go home

Wanna go home

Sad pop, R&B, sad hip hop

Trust No Bitch

Trust No Bitch

Hip-hop jam with a funky swing and midtempo bounce, talk-box hooks over punchy drums and rubbery bass; verse rides sparse hats, snapped snares, and staccato keys, pre-chorus strips to bass and filtered vocal chops, chorus hits with talk-box doubles and gang ad-libs. Ear candy: chrome risers into hooks, reverse cymbal swells, and little synth squeaks between lines. Mix is glossy, warm, and hard-hitting, with male vocals and a robotic sheen on the hook., hip hop, electric

Weismann Hat's Gemacht

Weismann Hat's Gemacht

Rap-rock anthem with female vocals, driving mid-tempo groove and stomp-clap rhythm; verse rides tight rap phrasing over piano stabs, distorted guitar chugs, and cello pedal tones; pre-chorus opens up with rising violin lines and layered doubles; chorus hits huge with gang vocals, shouted hook, and a melodic top line. Add reversed piano swells into the pre, a string lift before each chorus, and a final half-time break. Bright, punchy, arena-sized mix with gritty edge., cello, female vocals, rap, hip hop, violin, rock, raw

Hol den Weismann

Hol den Weismann

Alt rap-rock with hip hop rap-metal drive at a midtempo stomp; verse rides sparse guitar, dry kick, and spoken female lead, pre-chorus tightens with gang-clap tension, chorus opens on stacked female harmonies and shouted doubles. Bridge strips to one distorted bass note and close-mic breath, then final chorus hits with crash cymbals and vocal unison. Clear diction, raw intimate mix, vivid delay throws, reversed swells, and a gritty wide punch, emotional, raw, rock, female vocals, hip hop, rap, metal, singer-songwriter

Zwischen meinen Fragen

Zwischen meinen Fragen

hip hop rap-rock alt powerful duet with singer-songwriter intimacy, chorus opens into shouted unison hooks and grit-stacked harmonies. Ear candy: unique memorable Instruments, overlapping, Mix is raw, intimate, and sharply punched, with a wide abrasive edge., raw, rap, singer-songwriter, hip hop, rock, cinematic, vocal harmony, piano, cello, violin, acoustic guitar

Zwischen meinen Fragen

Zwischen meinen Fragen

Alt hip hop rap-metal with singer-songwriter intimacy, midtempo swung drums and jagged distorted guitar hits; verses stay close-mic and conversational with half-spoken rap phrasing, pre-chorus strips to bass and breathy doubles, chorus opens into shouted unison hooks and grit-stacked harmonies. Ear candy: reverse guitar swells into each lift, short delay throws on key words, a final breakdown with toms and feedback. Mix is raw, intimate, and sharply punched, with a wide abrasive edge., raw, rap, singer-songwriter, hip hop, metal

DEUS HABITA EM MIM

DEUS HABITA EM MIM

Intro violin, trombone, bass, piano, saxofone, funk brasileiro, trap, trombone, vocal masculino e feminino, synthwave, guitar, future bass, cinematic, beats, violin, trombone, percussion, violin, hip hop, trap Brasileiro, Black music

MANTRA DA ABUNDÂNCIA

MANTRA DA ABUNDÂNCIA

Saxofone, violin, funk brasileiro, kick, bass, trombone, funk brasileiro, sub bass, beat, violin, cinematic, vocal, trap, hip hop, rap, black music, grave, pop, trombone, violin

PODE VIR — MANTRA DA ABUNDÂNCIA

PODE VIR — MANTRA DA ABUNDÂNCIA

Saxofone, violin, funk brasileiro, kick, bass, trombone, funk brasileiro, sub bass, beat, violin, cinematic, vocal, trap, hip hop, rap, black music, grave, pop, trombone, sax, violin, beat bruxaria

This his the rule

This his the rule

Violin, Funk brasileiro, violin, beat, sanfona, trap, trombone, saxofone, cinematic, violin, future bass, trap, violin, hip hop, black music, violin, trombone, saxofone, beat

TUDO FUNCIONA A MEU FAVOR 2

TUDO FUNCIONA A MEU FAVOR 2

Violin, funk brasileiro, cinematic, violin, trombone, future bass, trap, hip hop, black music, batida grave

EU NASCI PRA VENCER

EU NASCI PRA VENCER

Violin, cinematic, funk brasileiro, batida grave, rap, trap, black music, hip hop

Straße der Eltern

Straße der Eltern

German female/male rap duet, with female vocals, slow-burn boom-bap pulse and half-time drums; intro opens on lonely piano, verse adds muted bass, snapped percussion, then strings and toms stack by section. Pre-chorus narrows to piano and voice, chorus erupts with huge cinematic choir, brass swells, and wide trap cymbal lifts. Breathy double-tracked verses, shouted hook doubles, delay throws on key lines, reverse swells into each drop, bright punchy yet colossal mix., rap singer-songwriter alternate hip hop indie rock, emotional, raw, clear diction

awerysopelea - Gelbes Licht

awerysopelea - Gelbes Licht

German female/male rap duet, with female vocals, slow-burn boom-bap pulse and half-time drums; intro opens on lonely piano, verse adds muted bass, snapped percussion, then strings and toms stack by section. Pre-chorus narrows to piano and voice, chorus erupts with huge cinematic choir, brass swells, and wide trap cymbal lifts. Breathy double-tracked verses, shouted hook doubles, delay throws on key lines, reverse swells into each drop, bright punchy yet colossal mix., rap singer-songwriter alternate hip hop indie rock, emotional, raw, clear diction

awerysopelea - gleiche Richtung

awerysopelea - gleiche Richtung

German female/male rap duet, with female vocals, slow-burn boom-bap pulse and half-time drums; intro opens on lonely piano, verse adds muted bass, snapped percussion, then strings and toms stack by section. Pre-chorus narrows to piano and voice, chorus erupts with huge cinematic choir, brass swells, and wide trap cymbal lifts. Breathy double-tracked verses, shouted hook doubles, delay throws on key lines, reverse swells into each drop, bright punchy yet colossal mix., rap singer-songwriter alternate hip hop indie rock, emotional, raw, clear diction

Wenn ich mich verliere

Wenn ich mich verliere

female vocals, singer-songwriter raw and intimate, alternate hip hop, emotional alt pop-rock, emotional, raw, clear diction

Wenn ich mich verliere

Wenn ich mich verliere

female vocals, singer-songwriter alternate hip hop dark indie rock, emotional, raw, clear diction

Diri Ambo

Diri Ambo

85 Bpm, Boom Bap, Underground Rap, Dark Lo-Fi Hip Hop, Dusty Live Drums, Distorted Cello Drone, Melancholy Piano Chords, Raw Male Vocals, Introspective, Emotional

VFive Group – Melakar Masa Hadapan

VFive Group – Melakar Masa Hadapan

85 Bpm, Boom Bap, Underground Rap, Dark Lo-Fi Hip Hop, Dusty Live Drums, Distorted Cello Drone, Melancholy Piano Chords, Raw Male Vocals, Introspective, Emotional

Dubstepdrop Selfbuilt oldschool+edm

Dubstepdrop Selfbuilt oldschool+edm

Uplifting edm, oldschool hip hop vibes, dance, club, 140 bpm, longtime beat, dark souls, upcoming vibes, vinyl scratching, dubstep-drop, dubstep chorus

Dubstep Selfbuilt oldschool+edm

Dubstep Selfbuilt oldschool+edm

Uplifting edm, oldschool hip hop vibes, dance, club, 140 bpm, longtime beat, dark souls, upcoming vibes, vinyl scratching, dubstep

Male Black pop hip hop vocals  calling you(word change)

Male Black pop hip hop vocals calling you(word change)

90s Soul Male group Hip hop Athem with mid-tempo pulse, handclaps on the backbeat, warm piano arpeggios, and a lifted drum build; verse stays intimate and sparse, pre-chorus opens with stacked harmony lifts, chorus lands big with gang vocals and short delay throws on the anchor line. Add reversed swells into each section, a soft pad bloom on the bridge, and a bright, polished mix with close-mic lead vocal., light, bright, soul

Black Male soul hip hop(word change)

Black Male soul hip hop(word change)

90s Soul Hip hop Athem with mid-tempo pulse, handclaps on the backbeat, warm piano arpeggios, and a lifted drum build; verse stays intimate and sparse, pre-chorus opens with stacked harmony lifts, chorus lands big with gang vocals and short delay throws on the anchor line. Add reversed swells into each section, a soft pad bloom on the bridge, and a bright, polished mix with close-mic lead vocal., light, bright, soul

Like a kite

Like a kite

pop, hip hop

VFive Group – Melakar Masa Hadapan

VFive Group – Melakar Masa Hadapan

[Genre: International Corporate Anthem] [Style: Cinematic Pop, Inspirational Orchestral, Corporate, Contemporary Adult Pop] [Tempo: 82 BPM] [Key: G Major] [Mood] Inspiring, Powerful, Visionary, Elegant, Professional, Hopeful, Uplifting, Premium, Global [Intro] Grand Piano, Ambient Pads, Soft Strings [Verse] Warm Piano, Light Percussion, Deep Bass, Clean Guitar, Soft Strings [Pre-Chorus] Cinematic Strings, French Horn, Timpani Build, Ambient Choir [Chorus] Full Orchestra, Grand Piano, Powerful Strings, Brass Ensemble, Epic Choir, Driving Drums [Bridge] Emotional Piano, Solo Cello, Ambient Strings [Final Chorus] Full Cinematic Orchestra, Epic Choir, Brass, Timpani, Cymbal Swells, Inspirational Finale [Vocal] Powerful, Emotional, Confident, Clear, Anthemic, Inspiring, Contemporary Pop Vocal [Production] Hollywood Cinematic, Premium Broadcast Quality, Crystal Clear Mix, Wide Stereo, Dynamic, Warm Mastering, Modern International Corporate Sound [Negative] Hip Hop, Rap, Trap, Dril

Bekal Sang Musafir

Bekal Sang Musafir

Nusantara Malay Nasheed, Trap Hip Hop, Malique Inspired Poetic Rap

Finer things3

Finer things3

2000s commercial hip hop, club banger, brass horns fanfare, heavy 808 bass, smooth male R&B vocal chorus, laid-back rap flow, rap verses, mid-tempo party anthem

Patchwork Riot

Patchwork Riot

female Singer-songwriter alt hip hop punk, female vocals, pre-chorus opens into stacked multilingual harmonies,

Finer things

Finer things

2000s commercial hip hop, club banger, brass horns fanfare, heavy 808 bass, smooth male R&B vocal chorus, fast rap verses, laid-back rap flow, mid-tempo party anthem

Patchwork Riot

Patchwork Riot

Alt hip hop punk with female vocals, stomping swung drums, gritty bass guitar, and shouted snare hits; verse rides tight rap-punk phrasing, pre-chorus opens into stacked multilingual harmonies, chorus slams with gang vocals and call-and-response hooks. Ad-libs pan wide, a chopped choir repeats key words, and a radio-static riser flips into each drop. Bright, raw, and punchy with a cracked-club edge., female vocals, punk, hip hop

Unser Österreich

Unser Österreich

Alternative hip hop rock with tense palm-muted guitars, punchy live drums, and elastic bass; verses ride a stripped hip hop bounce, pre-chorus opens into stacked multilingual harmonies in sequence, chorus slams with distorted guitars and doubled female lead. Raw close-mic vocal, clear diction, shouted hook doubles, quick delay throws on key names, reverse swells into each section change, gritty but bright modern mix., rock, fake, emotional, female vocals, hip hop, singer-songwriter, raw

Shards of Smoke

Shards of Smoke

Alternative hip hop rock with female vocals, stacked multilingual harmonies in sequence, and a driving backbeat; verse rides tense picked guitar, low toms, and clipped rap-sung phrasing, pre-chorus strips to handclaps and vocal layers, chorus hits with distorted power chords and unison gang harmonies. Raw lead with clear diction, doubled lines on key words, short delay throws on the hook, reversed swell into each chorus, gritty wide mix with intimate close-mic verses and explosive rock lift., raw, hip hop, country, singer-songwriter, rock, female vocals, emotional

Picture Me a Big Boy

Picture Me a Big Boy

Can you make an upbeat hip hop song about being a big boy and not a cry baby in a 2pac voice. Saying picture me a big boy

Electronic

Horses

Horses

Dark and gritty industrial electronic music. Heavily distorted vocoder vocals

Break free

Break free

electronic, electro

ОН И ОНА AI 1-2

ОН И ОНА AI 1-2

STRICT CAST: MALE SOLO = HUMAN only. FEMALE SOLO = AI only. Never swap voices. Follow all SOLO tags exactly. Cinematic musical dialogue, not pop, no verse-chorus. MALE: warm, emotional, human; piano, cello, strings. FEMALE: beautiful, cold, precise, strange; unusual intervals, electronic textures, never robotic. Begin as two incompatible musical worlds. Gradually bring them closer. Memory adds warmth; touch creates shared notes; waiting and time make her more emotional. After she wants their next meeting sooner: instrumental transition. Time passes. They meet again in love. Keep her alien identity, now blended with his harmony. Final: sparse and intimate. He ages and dies; she remains young. At “Тогда я не хочу времени” — silence. Then unite their human and alien themes. End with beauty and quiet tragedy.

Djedovo makes money 3

Djedovo makes money 3

"Extremely rustic seljačko Bosnian/ Balkan folk, humorous village kafana song. wild fast accordion, šargija-style folk energy, punchy simple folk drums, nasal energetic male folk singer, rowdy shouted backing vocals, repetitive catchy chorus, raw old-school ex-Vugoslav countryside party sound, comedic folk storytelling, wedding-tent atmosphere, no modern pop, no electronic EDM."

Horses

Horses

Dark and gritty industrial electronic music

Hit Schiller dolby 3

Hit Schiller dolby 3

“Ambient electronic journey with ocean waves and soft wind sounds, floating synth textures, deep heartbeat bass, emotional piano melodies and angelic choirs. Spacious reverb, mysterious and beautiful atmosphere, slowly evolving with emotional peaks. Cinematic and immersive.” 3. Schiller + Herr der Ringe + moderne Elektronik
“Epic fantasy electronic soundtrack with orchestral strings, cinematic drums, soft choir voices, deep atmospheric synthesizers and emotional melodies. Mystical, magical and emotional journey through mountains and stars. Large stereo atmosphere and gradual build-up.” “wide stereo image, cinematic reverb, emotional build-up, high production quality, Dolby Atmos feeling”

Hit Schiller dolby 4

Hit Schiller dolby 4

“Ambient electronic journey with ocean waves and soft wind sounds, floating synth textures, deep heartbeat bass, emotional piano melodies and angelic choirs. Spacious reverb, mysterious and beautiful atmosphere, slowly evolving with emotional peaks. Cinematic and immersive.” 3. Schiller + Herr der Ringe + moderne Elektronik
“Epic fantasy electronic soundtrack with orchestral strings, cinematic drums, soft choir voices, deep atmospheric synthesizers and emotional melodies. Mystical, magical and emotional journey through mountains and stars. Large stereo atmosphere and gradual build-up.” “wide stereo image, cinematic reverb, emotional build-up, high production quality, Dolby Atmos feeling”

Hit Schiller dolby 1

Hit Schiller dolby 1

“Ambient electronic journey with ocean waves and soft wind sounds, floating synth textures, deep heartbeat bass, emotional piano melodies and angelic choirs. Spacious reverb, mysterious and beautiful atmosphere, slowly evolving with emotional peaks. Cinematic and immersive.” 3. Schiller + Herr der Ringe + moderne Elektronik
“Epic fantasy electronic soundtrack with orchestral strings, cinematic drums, soft choir voices, deep atmospheric synthesizers and emotional melodies. Mystical, magical and emotional journey through mountains and stars. Large stereo atmosphere and gradual build-up.” “wide stereo image, cinematic reverb, emotional build-up, high production quality, Dolby Atmos feeling”

Hit Schiller dolby 2

Hit Schiller dolby 2

“Ambient electronic journey with ocean waves and soft wind sounds, floating synth textures, deep heartbeat bass, emotional piano melodies and angelic choirs. Spacious reverb, mysterious and beautiful atmosphere, slowly evolving with emotional peaks. Cinematic and immersive.” 3. Schiller + Herr der Ringe + moderne Elektronik
“Epic fantasy electronic soundtrack with orchestral strings, cinematic drums, soft choir voices, deep atmospheric synthesizers and emotional melodies. Mystical, magical and emotional journey through mountains and stars. Large stereo atmosphere and gradual build-up.” “wide stereo image, cinematic reverb, emotional build-up, high production quality, Dolby Atmos feeling”

Teste 1

Teste 1

Genre: Scottish Military March / Highland Pipes & Drums Tempo: 112 BPM • Major Key • 4/4 March Create a powerful traditional Scottish Highland military march with authentic ceremonial energy. Lead with a large Highland bagpipe section playing a bold, triumphant, instantly memorable original melody. Use deep booming bass drums, tight military side drums, crisp marching snares, precise rudimental rolls, accented flams and strong cymbal crashes. Bagpipes must dominate: piercing chanters, continuous drones, ornamental grace notes and synchronized pipe-band phrasing. Drums should create a strict, powerful marching pulse with increasing intensity. No guitars, piano, synths, electronic bass or modern EDM elements. Authentic massed pipes-and-drums sound, outdoor parade atmosphere, natural reverb and huge ensemble presence. Mood: heroic, proud, ceremonial, martial, majestic, emotional and unmistakably Scottish Highland.

Schwarz Weiß Rot

Schwarz Weiß Rot

Deutschrap with gangsta-rap cadence and dark cinematic ambient-orchestra tension; slow, weighty groove with half-time drums, deep sub hits, and ominous string pulses. Verse rides sparse electronic haze and sharp piano stabs; pre-chorus tightens with rising strings and filtered chants; chorus lands on a stark, chantable hook with gang vocal doubles. Whispered ad-libs, doubled lead in verses, wide reverb on key lines, reverse swells before drops, cold roomy mix with punchy low end and dramatic orchestral glare., ambient, rap

Ohhhhh Mirco ohhhhh fede

Ohhhhh Mirco ohhhhh fede

electronic, piano, disco

DOVE MUORE LA LUCE

DOVE MUORE LA LUCE

Pure Italian tragic opera, dark, sacred and emotionally devastating. Dramatic male tenor with a warm baritonal depth, commanding projection, classical bel canto technique, long legato phrases, expressive vibrato and crystal-clear Italian diction. Begin with an intimate, grief-stricken recitative, then rise through a tormented aria into explosive high notes and a monumental operatic finale. Add a distant mixed “Coro delle Ombre”, first whisper-soft, later powerful and fate-like. Full classical orchestra only: trembling violins, mournful cellos, double basses, bassoons, French horns, dark brass, timpani, pipe organ and solitary funeral bells. Extreme dynamics, theatrical pauses, rubato and cathedral acoustics. Controlled, breathing low end. No pop, no R&B, no electronic sounds, no modern drums, no autotune—solely grand, authentic, dark Italian opera.

Russian love

Russian love

Trip-hop, dark melancholic, Germany noir, Russian mafia atmosphere, deep emotional love story, cinematic, slow tempo (68-74 BPM), aggresive rap solo, rich low register, smoky voice, warm emotional tone, deep male baritone backing vocal, haunting duet, intimate storytelling, dramatic, bittersweet, painful romance, loyalty, sacrifice, dark rap, hope through suffering, dark elegance, vintage Soviet aesthetic, Moscow night streets, rap, rain, cold city lights, black leather, quiet power, subtle danger, emotional restraint, expressive violin, emotional piano, solo cello, double bass, orchestral strings, ambient synth pads, vinyl crackle, deep sub bass, organic percussion, minimal electronic beats, downtempo groove, haunting choir, rich harmonies, emotional climax, unforgettable chorus, luxurious production, mysterious, poetic, timeless, heartbreaking, soulful, immersive, cinematic masterpiece.

Russian love

Russian love

Trip-hop, dark melancholic, Germany noir, Russian mafia atmosphere, deep emotional love story, cinematic, slow tempo (68-74 BPM), deep female contralto vocal, rich low register, smoky voice, warm emotional tone, deep male baritone backing vocal, haunting duet, intimate storytelling, dramatic, bittersweet, nostalgic, painful romance, loyalty, sacrifice, destiny, hope through suffering, dark elegance, vintage Soviet aesthetic, Moscow night streets, smoky bar, rain, cold city lights, black leather, quiet power, subtle danger, emotional restraint, film score, expressive violin, emotional piano, solo cello, double bass, orchestral strings, ambient synth pads, vinyl crackle, deep sub bass, organic percussion, minimal electronic beats, downtempo groove, haunting choir, rich harmonies, emotional climax, unforgettable chorus, luxurious production, mysterious, poetic, timeless, heartbreaking, soulful, immersive, cinematic masterpiece.

Attila und Seline

Attila und Seline

Trip-hop, dark melancholic, Germany noir, Russian mafia atmosphere, deep emotional love story, cinematic, slow tempo (68-74 BPM), deep female contralto vocal, rich low register, smoky voice, warm emotional tone, deep male baritone backing vocal, haunting duet, intimate storytelling, dramatic, bittersweet, nostalgic, painful romance, loyalty, sacrifice, destiny, hope through suffering, dark elegance, vintage Soviet aesthetic, Moscow night streets, smoky bar, rain, cold city lights, black leather, quiet power, subtle danger, emotional restraint, film score, expressive violin, emotional piano, solo cello, double bass, orchestral strings, ambient synth pads, vinyl crackle, deep sub bass, organic percussion, minimal electronic beats, downtempo groove, haunting choir, rich harmonies, emotional climax, unforgettable chorus, luxurious production, mysterious, poetic, timeless, heartbreaking, soulful, immersive, cinematic masterpiece.

Melonenparty

Melonenparty

Pop Trance / Dance Pop, 138 BPM. Deep smoky female lead vocal, raspy and powerful, playful and charismatic. Modern catchy pop melody with strong electronic production. Punchy four-on-the-floor kick, tight driving trance bass, bright synths, polished pop drums, piano accents and atmospheric pads. Big memorable chorus, short electronic build-ups and energetic dance drops. Computerized playful child voice used only for the hook. Fun, absurd, cheeky summer-party feeling. Clean modern radio production with festival energy. Catchy vocal melody, strong rhythmic groove and a huge singalong chorus. Not hardcore, not hardstyle, not aggressive. The phrase "Ich hab 'ne Melone auf dem Kopf, 'ne Sonnenbrille auf, und ich will durch den Pool fahren" must be the main unforgettable hook.

Melone auf dem Kopf

Melone auf dem Kopf

Party Comedy Trance / Festival Trance, 140 BPM. Extremely deep smoky female voice, very raspy, powerful and playful. Computerized child-like voice only for the main hook. Massive punchy trance kick, heavy driving trance bass, bright euphoric synth lead, piano elements, atmospheric pads, crisp percussion and electronic FX. Trance energy from the first seconds, bass and kick immediately present. Short build-ups, explosive melodic drops, strong sidechain pumping, wide stereo synths and big vocal reverb. The beat must hit hard and scheppern, but stay melodic and danceable. NOT hardcore, NOT hardstyle, NOT schranz. Funny, absurd, catchy festival anthem with a huge electronic drop after the hook.

Melone

Melone

Party Comedy Trance Anthem, 138 BPM. Extremely deep smoky female voice, very raspy, powerful and playful. Funny spoken-word elements mixed with strong female vocals. Modern euphoric trance production. Piano and atmospheric pads at the beginning. Trance bass enters early but stays tight and rhythmic. Punchy electronic kick, energetic bassline, bright festival synths. Short cinematic build-ups, no long instrumental sections. Huge catchy festival drop. Computerized child-like vocal used only for short funny hook phrases. Playful crowd atmosphere. The song should feel absurd, hilarious and unexpectedly epic. Not hardcore, not hardstyle. Strong contrast between calm spoken intro and explosive trance drop. The phrases "Ich hab eine Melone auf dem Kopf", "Ich bin ein Obstbaum" and "und fahr durch den Pool" must be the recognizable hook.

The Spook

The Spook

Electronic trap with tense half-time bounce, clipped percussion, and a low end that pulses like a warning light; intro opens with whispered phantom lines and filtered hum, verse rides sparse drums and cold arps, pre-chorus tightens with rising syncopation, chorus hits with stacked doubles and gang ad-libs on the hook word, bridge drops to near-silence before a final surge. Close-mic lead vocal, dry and focused in verses, wider harmonies and delay throws on the chorus, crisp bright mix with hard sub pressure., low

Duas Camadas

Duas Camadas

Ambient electronic pad loop at 130 BPM with two interlocking texture layers, steady pulse and soft evolving harmony; intro opens on a filtered bed and tiny reverses, then a second layer blooms in the midrange while the loop cycles with subtle filter movement; middle section adds airy shimmer and sidechain swell, final pass thins back to the core pad for a seamless loop. Wide, dreamy, and polished with a clean modern mix.

Sommer 2026

Sommer 2026

Modern uplifting summer pop, radio-ready, 118 BPM, warm female vocal, catchy melodic chorus, organic acoustic guitar blended with modern electronic production, bright synths, subtle tropical percussion, deep clean bass, dynamic drums, emotional build, cinematic bridge, layered backing vocals, polished professional mix, sunny sophisticated atmosphere, joyful and energetic but elegant, memorable hook, contemporary European radio sound.

Times About Up

Times About Up

Commercial synth-pop funk with bouncy groove, bright guitar chops, round synth bass, and female vocals up front; verses stay close-mic and dry, pre-chorus lifts on pads, chorus blooms with stacked mids, slick claps, airy harmonies, and short delay throws on the last word. Bright polished radio-ready mix with glossy top end and warm low-end bounce., soul, electronic, dance pop, bounce, warm, clean, low, electric, funk, pop, rhythmic, bright, female vocals

About Up

About Up

Commercial synth-pop funk with bouncy groove, bright guitar chops, round synth bass, and female vocals up front; verses stay close-mic and dry, pre-chorus lifts on pads, chorus blooms with stacked mids, slick claps, airy harmonies, and short delay throws on the last word. Bright polished radio-ready mix with glossy top end and warm low-end bounce., pop, electronic, clean, soul, rhythmic, warm, female vocals, dance pop, bright, bounce, funk, electric, low

….

….

Turkish arabesk orchestral ballad, 72 BPM, A minor. Deep emotional mature male baritone vocal, dark and powerful tone, strong chest resonance, controlled vibrato, clear Turkish pronunciation. Verses should be low, intimate and wounded. Pre-chorus gradually builds tension. Chorus rises into a powerful higher register with long sustained notes and dramatic emotional delivery, especially on “Yalan, yalan”. Large symphonic string orchestra with multiple violins, expressive solo violin, deep cellos and rich orchestral layers. Piano supporting the harmony, subtle oud and qanun touches, tasteful traditional percussion. Dramatic cinematic atmosphere, classic Turkish arabesque emotion with modern clean studio production. Strong dynamic contrast between verses and chorus. No female vocals, no choir, no rap, no electronic pop sounds. 25–30 second emotional instrumental intro. 15 second orchestral outro.

Sevdan yalanmış

Sevdan yalanmış

Classic Turkish orchestral arabesque, dark Nihavent feeling, 70 BPM, slow emotional 6/8 groove. Huge string orchestra, multiple violins in front, expressive solo violin and layered violin ensemble. Deep cello support, qanun and oud touches, strong but tasteful darbuka and traditional percussion. Powerful mature male baritone vocal, dark, warm and wounded tone, very clear Turkish pronunciation. Controlled vibrato, dramatic but never exaggerated. Verses intimate, painful and restrained. Build tension gradually before the chorus. Chorus must open up dramatically and become big, memorable and emotional, with strong emphasis on “Yalan, yalan”. Long sustained notes on key words. Classic 80s–90s Turkish arabesque atmosphere, rich live-orchestra feeling, cinematic depth, modern clean studio mix. No female vocals, no choir, no pop or electronic elements. 25–30 second emotional orchestral intro led by solo violin. 15 second dramatic instrumental outro.

Yalanmış sevdan

Yalanmış sevdan

Deep emotional Turkish arabesque, 74 BPM, A minor. Powerful mature male baritone vocal, warm, dark and dramatic tone, clear Turkish pronunciation, controlled vibrato, emotional but not exaggerated. Piano-led intro, rich cinematic strings, solo violin and cello, subtle oud and kanun textures. Slow heavy rhythm enters gradually. Verses intimate and wounded, pre-chorus builds tension, chorus becomes powerful and memorable with strong emphasis on “Yalan, yalan”. No choir, no female vocals, no rap, no electronic sound. Classic 80s–90s arabesque feeling with modern clean studio production. 25–30 second instrumental intro and emotional 15 second outro.

AIでボイスオーバーと楽曲を生成

Voices AI をダウンロード

ライブラリ内の300以上のさまざまな声でオーディオを作成できます。

4.717.6万件のレビュー20M+ ダウンロード数

AI生成楽曲ライブラリで音楽の未来を発見

AIソングライブラリへようこそ。革新的な人工知能と創造的表現が出会う次世代の音楽制作です。ジャンル、ムード、言語を超えたユーザー生成のAI楽曲を豊富に探索できます。アンビエントやシネマティックなサウンドスケープから、アップビートなポップや深く共鳴するトラックまで、AI駆動の技術がユニークで高品質な音楽を生み出し、あらゆるプロジェクトや個人の楽しみにも最適です。

コンテンツクリエイター、ゲーム開発者、ポッドキャスター、または単に音楽好きの方でも、AI駆動の楽曲ライブラリはすべての人に何かを提供します。各トラックは高度なAI技術で作られ、リアルな音質と自然な感触を実現し、独自のニーズに合わせたカスタマイズが可能です。バックグラウンドスコアからインスピレーションあふれるサウンドトラックまで、プラットフォーム上でAI音楽の多様性と深みを発見してください。

AIソングライブラリの主な機能:

  • 豊富なジャンル選択: ポップ、ロック、ヒップホップ、クラシック、ジャズ、アンビエントなど、さまざまな音楽スタイルの楽曲を発見できます。すべて高度なAI技術で生成されています。
  • ムードとトーンのカスタマイズ: アップビート、チル、ドラマチック、インスピレーショナルなど、必要なムードに合うトラックを簡単に見つけたり作成したりできます。AI音楽が最適な雰囲気を提供します。
  • 多言語歌詞: ライブラリには英語、ドイツ語、スペイン語など、複数の言語の楽曲が含まれており、リーチを拡大しグローバルなオーディエンスとつながります。
  • マルチメディアに最適: 背景音楽、効果音、またはビデオ、ポッドキャスト、プレゼンテーションへのユニークな追加としてAI楽曲ジェネレーターを活用できます。

なぜ当社のAI生成楽曲を選ぶのか?

  • 高品質サウンド: 多言語対応により、世界中のリスナーとつながり、異文化プロジェクトに最適です。
  • 無限の創造性: AI駆動のカスタマイズにより、各楽曲はプロジェクトのニーズに合わせて独自に調整でき、クリエイターにとって価値ある資産となります。
  • グローバルなアクセシビリティ: 多言語対応により、世界中のリスナーとつながり、異文化プロジェクトに最適です。
  • 簡単な統合: 音楽制作、ストリーミング、ソーシャルメディア、商用利用など、既存のワークフローに楽曲を手間なくダウンロード・統合できます。

今すぐAIソングライブラリを閲覧し、最先端AI技術で作られたユーザー生成音楽を探検しましょう。コンテンツに最適なサウンドトラックを見つけ、革新的なサウンドスケープでプロジェクトを高め、音楽制作の未来を体験してください。