Песни, созданные с Voices AI, внедряют голосовые технологии в музыку - от каверов до оригинальных треков. Узнай, как создатели и наше сообщество используют AI‑голоса, чтобы исследовать новые звуки и идеи.
La Habana Despierta
Reparto cubano auténtico de La Habana, 120 BPM, extremadamente pegajoso, agresivo, rápido y bailable. Dembow cubano muy marcado, bajos subgraves brutales y retumbantes, bombos secos y contundentes, percusión afrocubana acelerada, campanas metálicas, piano de timba frenético, sintetizadores callejeros y explosiones de bajo. Voz masculina cubana grave, rasgada y potente, con acento habanero muy marcado, actitud desafiante y flow repartero auténtico. Canto rápido, rítmico y melódico, con pronunciación y expresiones cubanas naturales. Coros cortos, repetitivos, pandilleros y extremadamente contagiosos, con muchas voces masculinas respondiendo al cantante. El estribillo ¡Qué coño dices tú! debe explotar con bajos masivos, percusión y gritos de barrio. Ritmo constante de discoteca cubana, con cortes repentinos, redobles, cambios de intensidad y entradas explosivas. Producción profesional, sonido urbano crudo y mucha energía de principio a fin. Nada de baladas, pop, trap, reguetón lent
¿DÓNDE ESTÁ LA AYUDA?
Voz masculina cubana, grave, potente y con acento habanero muy marcado. Interpretación cantada con flow repartero, frases cortas y rítmicas, coros multitudinarios extremadamente pegajosos, repetitivos y fáciles de bailar. Ritmo continuo con cambios explosivos, paradas breves, redobles de percusión y entradas de bajo muy fuertes. Estribillos con energía de discoteca cubana, respuesta de voces masculinas y mucha fuerza callejera. La letra cuenta una historia triste y realista, pero la música debe ser alegre, intensa, contagiosa y muy bailable. Producción profesional, sonido potente y limpio. Prohibido: baladas, reguetón lento, trap, pop, rap hablado, introducciones largas y partes recitadas. Todo cantado, con ritmo desde el principio.
King Is Back
Trap anthem with halftime drums and rattling hi-hats, built for a huge festival drop; verse rides sparse sub pulses and sharp snare snaps, pre-chorus strips to claps and chanting doubles, chorus hits with stacked gang vocals and a detuned synth stab. Add reverse swells before the drop, impact hits on the hook, and metallic echoes between lines. Bright, punchy, arena-wide mix.
Daniel—hör genau hin
East Coast hip hop, gangsta rap, hard boom-bap groove with dusty chopped soul accents, punchy kick and snare, deep restrained bass, sparse minor-key piano stabs, gritty male German rap with clipped, taunting delivery and tight internal rhymes; verses stay lean, hook lands with a blunt chant and brief ad-libs, raw close vocal over a wide but uncluttered mix
Kalter Stahl in der Hand
Aggressive late 1990s East Coast hardcore hip-hop, 101 BPM, raw deep raspy male rapper, furious commanding German rap delivery, explosive rhythmic end rhymes, aggressive barked vocals, thunderous old-school hip-hop drums, extremely punchy kick and snare, dirty distorted bass, dark brass stabs, sinister piano loops, raw gritty street production, intense shouted gang vocals, explosive call and response hook, angry high energy workout anthem, relentless rhythmic flow, powerful bass-heavy car stereo mix, dramatic drum breaks, hard drops, shouted English phrases, maximum adrenaline and gym motivation, absolutely no autotune, no pop, no melodic singing, no trap, no EDM, original beat and melody.
Three Blocks Past the Overpass
Rock, metal, rap style song
Alguém que Me Queia Bem
Brazilian romantic funk rap, melodic male vocals in Portuguese, intimate piano chords and a rounded deep 808 groove. Open with soft ad-libs over sparse piano, bring in a syncopated funk beat for the melodic refrain, then build the verses with conversational rhythmic rap and warm backing harmonies. Polished contemporary mix, clear vocal upfront, heartfelt and sincere.
Quero Amar Alguém
Rap funk romântico brasileiro, groove de funk cadenciado com swing sincopado e 808 redondo; piano sentimental em acordes marcantes, versos com flow melódico íntimo e refrão amplo e cantável, voz masculina expressiva, produção moderna e polida com baixo profundo e bateria seca; intro suave, refrão emotivo e final resolvido.
Joyeux Anniversaire, Hugo
Jazz manouche festif, guitare acoustique manouche en accords swing et lignes virtuoses, contrebasse bondissante, claquements de mains et batterie hip-hop légère. Rap français en duo homme-femme, voix distinctes, chaleureuses et enjouées, couplets alternés puis refrain scandé ensemble. Arrangement vivant avec intro guitare, couplets rythmiques, refrain fédérateur et petite coda anniversaire; mix clair, organique et dansant.
Joyeux Anniversaire Hugo
Jazz manouche acoustique festif, guitare manouche en pompe swing avec lignes mélodiques virtuoses, contrebasse souple et claquements de mains discrets. Rap français en duo alternant voix féminine et masculine, articulation claire, échanges chaleureux et refrain collectif entraînant. Arrangement vivant qui démarre sur guitare et contrebasse, ajoute les deux rappeurs en alternance, puis ouvre sur un refrain de fête chanté en chœur. Son organique, joyeux et familial, dédié à un anniversaire de 36 ans.
Was ist das alles hier?
German melodic rap crossover, female lead vocal, intimate conversational rap verses opening over sparse minor-key piano and rounded sub bass, rising pre-chorus with pulsing strings and widening harmonies, huge memorable sung chorus with stacked doubles and a bold soaring topline, modern punchy hip-hop drums with crisp hats and deep 808, dynamic dropouts between phrases, final chorus expanded with ad-libs, polished radio-ready mix with clear upfront vocal
Müde vom Vielleicht
German melodic rap crossover, female lead vocal with intimate conversational rap verses opening into a huge memorable sung chorus, urgent emotional delivery, modern punchy half-time drums, deep rounded sub bass, stark piano motif and restrained atmospheric synth layers, chorus widens with stacked harmonies and fuller drums, polished radio-ready mix with clear upfront vocal
Da ist mehr
Cinematic art-pop with German lead vocals and brief French passages, immediate close-miked intimate vocal over a single muted piano note and breath, then introduce unexpected instruments in stages: plucked bass clarinet, hand percussion, bowed vibraphone and warm analog bass. Let the rhythm pivot from loose half-time pulse to clipped syncopation, then open into a broad, simple singalong chorus with layered harmonies. Distinct emotional color in every section; sharply drop to near silence before a solo cello and exposed voice slowly rise into a swelling final refrain. End by returning to the opening piano figure transformed by cello harmonics and a soft vocal reprise. Detailed, organic production, wide but vocal-forward mix, dynamic contrasts.
I Love Riham
K-pop dance-pop fused with hip-hop, contemporary R&B, and EDM; crisp syncopated kick and snare groove, elastic sub-bass, glossy synth chords, bright plucked hook, and punchy electronic drops. Confident melodic lead with rhythmic rap passages, layered group harmonies, and chantable call-and-response refrains. Build from a lean verse into a rising pre-chorus, explosive chorus, contrasting rap verse, dance break, and final stacked chorus; polished, energetic radio-ready mix.
Чамайг явснаас хойш
Mongolian melancholic rap ballad, intimate soft male vocal with gentle melodic phrasing, restrained half-time groove, muted piano chords and sparse rounded bass, subtle brushed percussion entering after the intro, verses delivered close and conversational, chorus opens into a wider plaintive melody with light backing harmonies, warm low-key mix and clear vocal focus.
Хайрласан мөрөөдөл
Mongolian melodic hip-hop heartbreak ballad, gentle half-time boom-bap groove, muted piano motif and warm sub-bass, crisp restrained drums, intimate low male rap in the verses opening into a plaintive sung chorus, sparse arrangement that gradually builds with subtle vocal doubles, close dry lead vocal and soft room ambience, polished but emotionally raw mix
Rivaditas
Reggaeton, Latin trap, flamenco pop and mambo collaboration; syncopated dembow groove with crisp handclaps, deep rounded 808 bass, Spanish nylon-string guitar rasgueado, bright brass mambo riffs and lively percussion. Alternate intimate melodic trap verses with expressive flamenco-pop vocal runs and a big, catchy duet chorus; add a brass-and-guitar instrumental break before the final chorus. Polished, punchy Latin dance production with clear vocal handoffs.
Rivaditas y Giraditas
Reggaetón de club con dembow firme y bajo profundo, Latin trap en versos con hi-hats rápidos y 808s redondos, pop flamenco con guitarra española rasgueada, palmas y melismas vocales; colaboración de dos voces alternadas, una voz femenina melódica y una voz masculina de rap melódico. Mambo latino con metales brillantes, montuno de piano y percusión de conga y timbal en los coros; energía festiva, sensual y callejera. Producción moderna, percusión nítida, bajo cálido, transiciones con llamadas y respuestas, coro grande y pegadizo.
Jerome
Rap
Mes rêves sont à moi
Bossa nova française contemporaine, groove souple et syncopé à la guitare nylon, flûte de pan en réponses mélodiques, percussions légères et basse ronde. Couplets en rap français masculin très grave, proche et vulnérable, débit posé avec des rimes nettes; refrain chanté par une voix féminine, mélodique et ample. Arrangement qui s’ouvre progressivement: guitare et flûte au début, basse et percussions discrètes aux couplets, refrain plus riche avec harmonies vocales, pont retenu puis dernier refrain chaleureux. Mix organique, intime, voix bien devant. Thème de paroles blessantes, découragement, persévérance et rêves à préserver.
La taille de mes pas
Bossa nova douce et mélancolique, guitare nylon en balancement syncopé, basse ronde et légère percussion aux balais, flûte de pan en réponses mélodiques entre les phrases. Voix principale féminine, intime et affirmée, avec un rappeur à la voix très grave dans les couplets et un refrain chanté en harmonie féminine. Arrangement évolutif: guitare et voix en ouverture, basse et percussion qui entrent progressivement, refrain ample et mémorable, passage plus dépouillé au pont, dernier refrain chaleureux. Mix organique, proche et clair, groove souple, émotion vulnérable mais résiliente.
Captain Martino
Fast-paced narrative rap, hard-driving boom-bap drums with tight kick and snare, nimble bass, clipped piano stabs and sparse brass accents. Rapid articulate lead flow with internal-rhyme bursts, confident commanding delivery, brief call-and-response ad-libs. Verses stay lean; pre-chorus lifts with rising percussion, chorus lands as a bold chant, final chorus adds stacked doubles. Crisp upfront vocal, punchy low end, dry drums, clean modern mix.
Je vais essayer
Bossa nova contemporaine à balancement souple, guitare nylon syncopée et percussions feutrées, flûte de pan en réponses mélodiques entre les phrases. Couplets en rap français à voix masculine très grave, proche et retenue, débit posé avec rimes nettes; refrain chanté par une voix féminine chaleureuse, ample et mémorable. Arrangement qui s’ouvre progressivement, guitare et flûte en dialogue, refrain plus large puis retour intime pour la conclusion. Mix organique, voix au premier plan, basse ronde et douce.
Continuer à rêver
Bossa nova française introspective, groove souple de guitare nylon en syncopes et basse ronde, flûte de pan en réponses mélodiques entre les phrases, couplets en rap masculin très grave et proche du micro, refrain porté par un chœur féminin ample et chaleureux. Arrangement vivant mais retenu, petites percussions bossa feutrées, montée émotionnelle au dernier refrain, mix organique et clair.
Un rêve respire
Bossa nova moderne à 92 BPM, guitare nylon en balancement syncopé, basse ronde et légère, percussion douce aux balais et shaker, flûte de pan en réponses mélodiques entre les phrases. Couplets en rap français à voix masculine très grave, proche et vulnérable, débit posé et précis. Refrain chanté par une voix féminine claire et chaleureuse, mélodie mémorable. Arrangement: guitare seule en ouverture, entrée progressive de la basse et des percussions au premier couplet, flûte de pan en interludes, refrain féminin plus ample, pont dépouillé puis dernier refrain harmonisé; mix organique, intime, chaleureux, voix au premier plan.
Recommencer doucement
Bossa nova contemporaine, guitare nylon en balancement souple, percussions légères et flûte de pan en réponses mélodiques. Couplets en rap français à voix masculine très grave, posé et proche, avec silences expressifs; refrain chanté par une femme, ample et chaleureux. Arrangement évolutif: guitare et voix dépouillées au début, flûte de pan entre les phrases, percussions plus présentes au refrain, pont intime puis dernier refrain élargi. Mix organique, doux, voix bien devant, groove détendu.
Kursi Tua
balada pop indonesia kontemporer yang intim tempo lambat dengan piano felt dan petikan gitar akustik tipis bait dekat dan rapuh lalu chorus melebar dengan string lembut dan perkusi halus vokal pria berbahasa indonesia Indonesian Pop, Jazz, Soul dan tertahan artikulasi jelas dinamika naik perlahan menuju klimaks emosional produksi hangat dan lapang dengan ruang vokal di depan
T’es trooooop belle mon chat
French melodic rap, romantic R&B, emotional piano melody, soft hip-hop beat, warm male vocals, sentimental love song, 2010s French rap
SOVEREIGN OF THE FOUR HEAVENS
Epic dark Korean K-pop banger with cinematic fantasy elements, strict 145 BPM, under 4 minutes. 80% energetic K-pop, 20% symphonic rock. Powerful South Korean female lead vocalist with a natural, noticeable Korean accent when singing English and flawless native Korean pronunciation. Bright, catchy melodic hooks, infectious dance rhythms, punchy electronic drums, deep bouncing sub-bass, shimmering synthesizers, energetic K-pop rap verses and soaring emotional choruses. Mystical opening with celestial bells, guzheng, airy whispers and ethereal choir, quickly building into an explosive 145 BPM K-pop beat. Intense Korean verses, confident feminine vocals, layered harmonies, powerful high notes and dramatic vocal transitions. Add occasional distorted guitar accents and orchestral strings without overpowering the electronic K-pop production. Fierce Korean dance breakdown, huge uplifting final chorus and magical whispered outro. Majestic celestial dragon energy, elegant yet powerful, triump
SOVEREIGN OF THE FOUR HEAVENS
Epic upbeat Korean K-pop anthem with cinematic fantasy elements, strict 145 BPM, under 4 minutes. 80% energetic K-pop, 20% symphonic rock. Powerful South Korean female lead vocalist with a natural, noticeable Korean accent when singing English and flawless native Korean pronunciation. Bright, catchy melodic hooks, infectious dance rhythms, punchy electronic drums, deep bouncing sub-bass, shimmering synthesizers, energetic K-pop rap verses and soaring emotional choruses. Mystical opening with celestial bells, guzheng, airy whispers and ethereal choir, quickly building into an explosive 145 BPM K-pop beat. Intense Korean verses, confident feminine vocals, layered harmonies, powerful high notes and dramatic vocal transitions. Add occasional distorted guitar accents and orchestral strings without overpowering the electronic K-pop production. Fierce Korean dance breakdown, huge uplifting final chorus and magical whispered outro. Majestic celestial dragon energy, elegant yet powerful, triump
SOVEREIGN OF THE FOUR HEAVENS
Epic female-fronted Korean symphonic rock and dark K-pop metal, under 4 minutes. Native South Korean female vocalist with a distinct natural Korean accent when singing English, flawless Korean pronunciation. Mystical intro of ancient bells, guzheng, ethereal choir and breathy whispers. Gradually accelerate into crushing distorted guitars, pounding sub-bass, thunderous double-kick drums and cinematic orchestral strings. Fierce rapid Korean rap-metal verses, confident seductive low vocals, aggressive battle chants, powerful emotional belts, soaring high notes and explosive anthemic choruses. Dramatic twin-guitar solo, haunting piano bridge, ferocious Korean breakdown and majestic final chorus. Celestial dragon awakening, four elements, silver lotus, elegant warrior queen energy. Powerful, mystical, commanding, dangerous, breathtaking studio production.
The Silver Lotus
Epic cinematic K-pop rock and symphonic metal, 3:45 duration. Powerful South Korean female lead vocalist, authentic Korean accent clearly present in English lyrics, fluent native Korean pronunciation. Beautiful, haunting, slightly breathy vocals evolving into fierce, emotional high belts, aggressive Korean rap-rock verses and raw passionate screams. Mystical intro with ancient Asian bells, guzheng, ethereal choir, whispers and soft piano. Gradually build into thunderous double-kick drums, deep pounding bass, distorted electric guitars and dramatic orchestral strings. Explosive anthemic choruses with layered female harmonies, soaring vocals and dramatic pauses. Emotional piano bridge about saving her younger sister Cecilia in ice, fifty years of separation and reunion. Ferocious Korean breakdown, majestic final chorus and haunting whispered outro. Dark, mystical, powerful, heartbreaking and triumphant. Polished studio quality.
Ramrav
Fierce, thunderous ancient Ravana Thandavam. ONLY traditional acoustic instruments: massive temple drums, pakhawaj, bronze cymbals, conch shell and damaru. Repeated explosive DAMARU sounds throughout the music, alternating with powerful, rapid drum strikes. Deep male chants of “Hara Hara Mahadeva! Shiva Shambho!” Intense rhythmic acceleration, sudden dramatic pauses, earth-shaking percussion and a terrifying, majestic climax. Raw live acoustic sound, primal energy, ancient temple atmosphere. No synthesizers, no electronic sounds, no modern instruments, no digital effects. Pure, powerful, spine-chilling ancient Indian percussion.
Where the River Bends
Colombian tropical dance-pop with cumbia and vallenato influence, buoyant syncopated groove, bright accordion phrases, guacharaca scrape, hand percussion, warm bass, crisp modern drums; intimate female lead with playful melodic phrasing, catchy chorus, verses build into a full celebratory refrain, clean polished mix with lively percussion upfront.
GTA Gangsta Grind
Rap 1990s, French Boom Bap
00_ Präsi LY0N — OPERATOR
Dark German cinematic rap, 84 BPM, D minor, halftime groove. Extremely deep masculine baritone rap voice, mature gritty texture, commanding German pronunciation, authentic emotional storytelling, powerful aggressive verses, memorable melodic male anthem hook, layered deep male chants. Haunting minor-key piano, distorted heavy 808 sub bass, hard punchy hip-hop drums, metallic industrial percussion, dark cinematic strings, deep brass, distant church bell accents, atmospheric rain and thunder intro, subtle futuristic synth pulses. Starts with intimate spoken words, explosive hook within first 20 seconds, dynamic storytelling verses, dramatic orchestral transitions, stripped-down spoken bridge, monumental final double chorus. Premium studio production, powerful bass, upfront clear vocals, wide cinematic stereo. Dark, determined, disciplined, authoritative, raw, emotional, triumphant. No female vocals, no pop, no cheerful melodies, no EDM drops, no excessive autotune.
00- Präsentation LY0N — OPERATOR
Dark German cinematic rap, 84 BPM, D minor, halftime groove. Extremely deep masculine baritone rap voice, mature gritty texture, commanding German pronunciation, authentic emotional storytelling, powerful aggressive verses, memorable melodic male anthem hook, layered deep male chants. Haunting minor-key piano, distorted heavy 808 sub bass, hard punchy hip-hop drums, metallic industrial percussion, dark cinematic strings, deep brass, distant church bell accents, atmospheric rain and thunder intro, subtle futuristic synth pulses. Starts with intimate spoken words, explosive hook within first 20 seconds, dynamic storytelling verses, dramatic orchestral transitions, stripped-down spoken bridge, monumental final double chorus. Premium studio production, powerful bass, upfront clear vocals, wide cinematic stereo. Dark, determined, disciplined, authoritative, raw, emotional, triumphant. No female vocals, no pop, no cheerful melodies, no EDM drops, no excessive autotune.
Una locura contigo
Rap, pop.
Mango Sos Un Mango
Un rap hoy te voy a enselar quien es el mas pro de tu casa mango sos un mango como hair 7
Crossfire Overdrive
Cinematic trap with tense halftime drums, pounding taiko hits, and a jagged minor-key synth ostinato driving relentless momentum; verse layers stay sparse with low pulses and metallic ticks, pre-drop builds through snare rolls and rising strings, then the impact hits with braams, distorted bass surges, and sharp brass stabs. Gritty, wide, and high-contrast, with trailer-sized punch and urban heat.
Aquí Andamos
Fast Thug Rap, beat drop, bass drop, boss nova, Mexican rap radio, heavy 808s, rap battle
هذي حكايتي
Arabic pop ballad with an intimate autobiographical storytelling feel, warm piano and restrained oud phrases over a steady mid-tempo groove; begin sparse and conversational, build gradually with soft strings and understated percussion into a wide emotional chorus, then resolve gently. Clear expressive Arabic lead vocal, natural phrasing, close and warm production.
Ameo Tiene Cigarro
High-energy tribal tech house at 128 BPM with a nostalgic late-1990s/early-2000s club feel. Four-on-the-floor punchy kick, tightly driving bass groove, explosive hand-played toms and layered tribal percussion. Use occasional sharp Spanish guitar riffs as rhythmic accents. Deep male spoken-sung one-bar “MY FRIEND” calls at phrase changes. Build a breakdown with rising synth tension, rapid tribal rolls, and layered voices chanting an open “A”; then a massive escalating build into an explosive drop with a forceful shouted hook. At the very end, isolate the final O as one bar of chopped vocal percussion, then slam the full beat back in.
यमुना किनारे तेरा ठिकाना
Create a beautiful, soulful traditional Indian Krishna-Meera devotional bhajan in Hindi. The song expresses Meera Bai’s unconditional love, surrender, and devotion to Lord Krishna. Use a sweet, melodious female lead vocal with deep emotion, clear Hindi pronunciation, and expressive devotional singing. Begin with a gentle bansuri flute introduction, followed by harmonium, tanpura, soft tabla, manjira, and subtle dholak. Gradually build into a joyful yet peaceful bhajan rhythm with soft group vocals repeating the mukhda. Create a spiritual Vrindavan atmosphere with warmth, longing, divine love, and heartfelt devotion. Keep the melody original, memorable, and easy for audiences to sing along with. Use the provided Hindi lyrics exactly as written. No rap, no EDM, no heavy electronic beats. Target duration: 4–5 minutes. Suitable for a cinematic Krishna-Meera devotional YouTube video.
Mapa de Estrelas
Synth-pop cinematographic with pulsing arpeggiated synths, crisp four-on-the-floor kick, and a lifted midtempo feel; verse starts sparse with soft bass and glassy plucks, pre-chorus opens with rising filters and stacked vocal layers, chorus blooms with wide pads and a singable celestial motif. Lead vocal stays intimate in verses, doubled and airy on hooks, with echo throws on key words, reversed swells into transitions, and a bright, polished mix that feels vast and weightless.
Table Manners Missing
Hip hop rap
Masque tombe
Rap de quartier banlieue hip-hop
Deux heures à décider
French female pop rap duet, two playful female voices, funny conversational verses, catchy sung chorus, upbeat funky bass, bouncy hip-hop beat, playful spoken dialogue, natural laughter, cheeky attitude, modern French urban pop, energetic, lighthearted, 105 BPM.
Senke u Gradskom Plesu
Bouncy Latin trap with male vocals, tight reggaetón groove and bright percussive hits; verses sit on a sly, swaggering pocket, bass ducking under playful top-line. Hook explodes with stacked chants and call-and-response ad-libs, synth leads mirroring the vocal melody. Short bridge strips to claps and sub, then final chorus comes back wider with crowd shouts and doubled lead Arab Drill Remix
Mamita Dinamita
Bouncy Latin trap with male vocals, tight reggaetón groove and bright percussive hits; verses sit on a sly, swaggering pocket, bass ducking under playful top-line. Hook explodes with stacked chants and call-and-response ad-libs, synth leads mirroring the vocal melody. Short bridge strips to claps and sub, then final chorus comes back wider with crowd shouts and doubled lead.
DUSTY
sad emo rap, melodic trap, soft acoustic guitar loop, gentle 808s, rain ambience, auto-tuned male vocals, grief, heartfelt, lo-fi reverb, 140 bpm half-time, D minor, emotional, melancholic, layered harmoniesProduction notes: it opens on soft guitar with rain sounds, and the 808s stay gentle so the words carry it. Strip everything down for the bridge. In the last chorus the words turn from sorry to living for him, so the song ends on love instead of guilt.
Lucid
sad emo rap, slowed melodic trap, dreamy piano loop, muffled 808s, heavy reverb, auto-tuned male vocals, heartbreak, lo-fi, 140 bpm half-time, A minor, hazy, emotional, melancholicProduction notes: make it sound hazy and underwater, with a low-passed piano loop, soft 808s and lots of reverb on the vocal. Stay laid back on the verses, like you're barely holding it together. In the bridge, everything but piano drops out, and that's where the song turns. In the last chorus, change "can't get you" to "gotta get you" so it ends on a little bit of hope
Rhonda
When this is the Bestie trap when I make a beef wrap when you ever ever ever when you write live forever forever forever forever when you want to hang the freak kill you wanna kill your grandpa we will you wanna kill your grandpa when you want to kill his
Stay By My Side
2020s country rap, slow half-time trap groove with acoustic guitar, gritty slide guitar accents, deep rounded 808, restrained crisp hats and snare; intimate verse delivery that grows into a wide, pleading hook, deep raspy white Southern male vocal with conversational drawl, honest and vulnerable rather than theatrical; sparse opening, fuller drums and guitars in the chorus, close dry lead vocal with subtle room ambience, polished but rough-edged mix.
هذا يوم الخميس
Upbeat Gulf Arabic comedy rap, brisk bouncy hip-hop groove with punchy kick and snare, nimble handclaps, rubbery bass, playful plucked synth accents. Confident conversational male rap with crisp Arabic diction, cheeky timing and lively ad-libs. Verses trade quick character sketches; a chantable group-response hook lifts the energy, with a brief beat drop before the final refrain. Bright clean modern mix, tight low end, vocals upfront.
awerysopelea - Wenn diese Nacht niemals endet
Explosive 128 BPM electro house / big room rave anthem with raw early-2010s underground club energy. Massive warehouse atmosphere, thunderous four-on-the-floor kick, gritty distorted synth bass, euphoric sawtooth melodies, hypnotic arpeggios and powerful sidechain pumping. A slightly melancholic, nostalgic undertone beneath overwhelming euphoria. Long instrumental sections, suspenseful filtered breakdowns, dramatic snare builds, rising tension, sudden silence and gigantic bass-heavy drops with an unforgettable original synth hook. The second drop is even more explosive, chaotic and energetic. Only two brief, intimate spoken phrases in German and French, never fully sung. 95% instrumental. No verses, no rap, no pop chorus, no repetitive singing. Immersive, emotional, rebellious, euphoric. Festival-sized sound system, deep sub-bass, wide stereo, professional club production.
Attendons le terrain
Rap dur voix graves masculines et féminines
No Brakes, No Pause
Aggressive modern trap rap, around 145 BPM with a half-time bounce; distorted 808 bass, clipped punchy kick, crisp snare, rapid ticking hi-hats, and a dark two-note synth motif. Start with a brief spoken hype intro over sparse drums, then slam into tightly pocketed male rap verses; use short ad-libs and doubled phrase endings. Make the hook broad and chantable, with a brief beat drop before the final return. Dry, forward lead vocal, gritty low end, sharp transient-heavy mix, controlled distortion.
Zlatni Prsten
Arab Talava Remix Techno, explosive Arabic Gypsy club music, 138 BPM, massive festival techno drops, powerful Arabic violin and Turkish saz melodies, hypnotic oriental synth riffs, wild darbuka and tabla percussion, driving four-on-the-floor kick, thunderous distorted bass, deep rolling sub bass, explosive reverse bass, sharp claps, rapid percussion fills, hypnotic hand drums, dramatic Arabic vocal chants, deep charismatic male Romani vocals, energetic call-and-response chants, catchy repetitive hooks, wild na-na-nej and le-le-le vocal runs, Middle Eastern scales, exotic flute accents, aggressive risers, cinematic tension builds, sudden silence before huge drops, crowd-shouting party vocals, layered male chants, powerful brass stabs, fast violin trills, rhythmic vocal chops, bouncing club groove, heavy pumping sidechain, massive stereo width, crystal-clear punchy mix, deep clean low end, explosive transitions, double-time percussion breakdowns, unexpected beat switches, huge final drop
Has Mor Pele
Trap and drum & bass fusion; deep distorted 808 sub bass and powerful DnB bassline, hard punchy kick, sharp snare, fast rolling hi-hats, dark minimal synths, tense atmospheric pads and syncopated percussion; 154 BPM stop-and-go verse groove with sudden chorus transition, huge bass drop and short repetitive hook; deep rough male baritone with cold rhythmic Serbian flow, minimal singing and tight doubled hook; modern clean heavy mix with minimal autotune, controlled sub distortion and sharp transient impact.
Senke u Gradskom Plesu
Trap and drum & bass fusion; deep distorted 808 sub bass and powerful DnB bassline, hard punchy kick, sharp snare, fast rolling hi-hats, dark minimal synths, tense atmospheric pads and syncopated percussion; 154 BPM stop-and-go verse groove with sudden chorus transition, huge bass drop and short repetitive hook; deep rough male baritone with cold rhythmic Serbian flow, minimal singing and tight doubled hook; modern clean heavy mix with minimal autotune, controlled sub distortion and sharp transient impact
नई दुनिया में चक्कर
High-energy Hindi comedy rap, punchy boom-bap drums fused with modern trap percussion, springy bass, sharp brass stabs and playful arcade synth accents. Confident male rapper with crisp conversational Hindi diction, teasing ad-libs and comic pauses; tightly rhythmic verses, chantable hook, brief beat drop before the punchline, polished lively mix.
78 ударів серця
Emotional melodic Slavic hip-hop, melancholic lyrical rap, intimate and nostalgic atmosphere. Deep, slightly raspy male vocals with a warm, vulnerable tone. Conversational storytelling rap verses with natural rhythm, heartfelt melodic singing in the chorus. Soft piano melodies, atmospheric guitar, warm bass, subtle trap drums, gentle percussion and spacious reverb. Slow to mid-tempo, 78–85 BPM. The song should feel deeply personal, sincere and bittersweet, like a late-night confession about love, memories, heartbreak and life. Emotional pauses, expressive vocal delivery, memorable melancholic chorus, minimal instrumental arrangement. Gradually build emotional intensity toward the final chorus. Authentic, raw, cinematic, soulful sound. No aggressive rap, no EDM, no excessive autotune.
Sergio, cállate
Rock, guitarra eléctrica, violín tambores, coro y raperos
비 내리는 키갈리, 영석의 편지(Rainy Kigali, A Letter from Youngseok)
Emotional cinematic K-pop ballad, 4 minutes, 68 BPM, gentle piano intro, soft cello, expressive violin, warm acoustic guitar, delicate rain ambience, intimate mature male vocal, nostalgic and deeply romantic atmosphere, lonely empty chair beside a peaceful lake in the rain, heartfelt Korean first verse and English second verse, slow emotional build, beautiful soaring chorus, subtle orchestral strings, bittersweet melody, tender emotional climax, universal love and longing, natural human voice, elegant production, soft piano and fading rain outro. No rap, no EDM, no heavy drums. 음악 장르 가수 음색 성숙하고 따뜻한 남성 보컬 템포 68 BPM 감정 그리움 60% + 낭만 30% + 희망 10% 언어 한국어 1절, 영어 2절 목표 길이 약 4분 핵심 악기 피아노, 첼로, 바이올린 엔딩 잔잔한 빗소리와 피아노
Je te reconnaîtrais dans un autre monde
Voir rap féminine diam’s sensuelle sur du piano
Je te reconnaîtrais dans un autre monde
Voir rap féminine grave sensuelle sur du piano
Laughing in the Margins
Dark cabaret hip-hop with bouncing swing drums, rubbery bass, and circus-like piano stabs; verse rides half-spoken, half-rapped with tight triplet pockets, pre-chorus strips to claps and snare taps, chorus hits with gang vocal laughs and a crooked piano hook. Close-mic lead voice with doubled punchlines, occasional tape-stop throws, coin-spin risers, and a wide, glossy mix that feels theatrical and sly.
Pumpkin Teeth
Pop with spooky Halloween bounce, mid-tempo swung rhythm and playful handclaps; verse stays sparse with octave bass, creepy toy piano, and dry close-mic vocals, pre-chorus adds filtered choir ooos and rising bells, chorus hits with gang doubles, snapped kicks, and a chantable hook. Ear candy: reversed wind swells into each chorus, candy-wrapper foley, and a last-beat organ stab. Mix is bright, punchy, and a little haunted., halloween
나도 꿈이 있었어
Emotional early-2000s Korean ballad, soulful and powerful male vocals with a slightly husky, mature tone, heartfelt storytelling, melancholic piano intro, warm acoustic guitar, rich orchestral strings, slow tempo around 72 BPM, nostalgic atmosphere, restrained and intimate verses building into an explosive, heartbreaking chorus, raw emotional delivery, soaring high notes, dramatic vocal climax, bittersweet melody, deep regret and longing, classic Korean sentimental ballad sound, organic instrumentation, no EDM, no rap.
3 AM at the Airport
Atlanta Trap, Drake Rap
Rhytum & Blues
Fast flow Trap, drill with tight sub-heavy mix, restrained spatial delay, close-mic male rap with fast verses and doubled hooks, restrained vocal echoes, atmospheric synths, saturated 808 bass with glides, sparse piano stabs, low night drones, fast dark hypnotic groove
Nie wieder Hass
German-language battle rap, hard-edged boom bap with a modern punch, gritty baritone rap delivery, tight internal rhymes and sharp consonants, heavy kick and snare, dark minor-key piano stabs, restrained bass, dry upfront vocal mix, escalating verses and a chantable anti-fascist hook
Kein Platz für euren Hass
German hardcore rap, politically charged protest hip-hop, 94 BPM boom-bap groove with hard snare and deep kick, distorted bass, tense minor-key piano stabs and sparse brass hits; forceful male rap delivery with sharp consonants, tightly packed internal rhymes and shouted group responses in the hook. Verses stay lean and confrontational; hook opens into a blunt chant, brief stripped-down bridge, final hook hits hardest. Gritty but intelligible vocal mix, raw room edge, punchy low end.
إم إم تو اليوم
Arabic pop-rap with playful gaming energy, bouncy syncopated beat, punchy handclaps and rounded synth bass, bright plucked synth motif, conversational youthful Arabic vocals with rhythmic call-and-response; verses stay nimble and cheeky, chorus opens into a catchy group chant, polished upbeat mix
Lucid
emo rap, melodic trap, sad acoustic guitar loop, heavy 808s, auto-tuned male vocals, emotional, lo-fi reverb, 150 bpm half-time, C minor, raw, melancholic, layered harmoniesProduction notes: build it on a sad acoustic guitar or plucked loop with a rolling 808 underneath, around 150 BPM in a half-time feel. Sing the hook with heavy auto-tune and rap verse 2 faster, the way Juice WRLD would freestyle. Strip the bridge down to guitar only for the rawest moment, then bring everything back with stacked harmonies for the last chorus.
Numb love
sad emo rap, slowed melodic trap, dreamy piano loop, muffled 808s, heavy reverb, auto-tuned male vocals, heartbreak, lo-fi, 140 bpm half-time, A minor, hazy, emotional, melancholicProduction notes: make it sound hazy and underwater, with a low-passed piano loop, soft 808s and lots of reverb on the vocal. Stay laid back on the verses, like you're barely holding it together. In the bridge, everything but piano drops out, and that's where the song turns. In the last chorus, change "can't get you" to "gotta get you" so it ends on a little bit of hope
Billy Jean
Production notes:** 140 BPM with a half-time feel, in C# minor. It's dark horrorcore trap: an out-of-tune music box loop, a deep 808 slide, sparse hi-hats, a reversed piano and a ticking clock as the percussion. Rap the verses low, calm and almost polite, because quiet is creepier than yelling. Double the chorus with a pitched-down whisper. Kill the beat on the bridge, then drop it back hard on "now."
Mets le poids dans la balance
Rap électro francophone engagé, groove mid-tempo lourd et syncopé, grosse basse ronde, kick sec, claps métalliques et synthés tendus; couplets rappés par une voix masculine grave, rocailleuse et frontale, refrain ample en chœurs féminins, ponctuations vocales robotiques et brefs effets de sirène entre les sections; arrangement progressif avec couplets dépouillés, refrains plus larges et pont qui retombe avant le dernier refrain; mix puissant, clair et contemporain.
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