Songs created with Voices AI

Songs made with Voices AI bring voice technology into music - from covers to original tracks. Hear how creators and our community are using AI voices to explore new sounds and ideas.

New Releases

You don’t let go.

You don’t let go.

British Afro RnB, 102 BPM, warm male UK vocal, emotional, Afro swing drums, soft guitar, deep bass, soulful harmonies, intimate verses, mantra hook, no cheese.

Mandolina Rock na Plaži

Mandolina Rock na Plaži

Rock, mandolin, dalmatian chorus, drumms, summer feeling

Boğazımda Kalan

Boğazımda Kalan

Turkish pop with modern arabesque touches, mid-tempo swung beat and a pulsing darbuka under glossy keys; verse stays intimate with sparse kick, bass, and fingerpicked guitar, pre-chorus opens with rising strings and layered breaths, chorus lands wide with stacked harmonies and a chantable topline. Vocal is close-mic and cracked in verses, doubled on the hook, with delay throws on key words. Ear candy: reversed cymbal lifts into the chorus, a soft ney phrase between lines, and a final lift with handclaps. Bright, emotional, radio-ready mix with warm low end and crisp top.

Zerstört

Zerstört

Powerful male vocal, dark cinematic Afro-Rock Hip-Hop energy with aggressive confidence and controlled rage. Deep, slightly raspy voice, half-sung and half-rapped verses, intense breath control, dramatic pauses, rising pressure before the hook. Hook should be shouted-sung with stadium power, emotional but dominant, like breaking chains. Add gang-style backing chants on “Boom, boom” and “Ich zerstör, was mich zerstört”. During the drum-break: no lead vocal, only short hype shouts, breaths, adlibs and crowd responses, leaving space for explosive live drums, tom rolls, crash cymbals and heavy kick patterns. Final hook bigger, rawer, full force, with layered male backing vocals and a victorious, destructive release.

NO ONE ELSE

NO ONE ELSE

Huge atmospheric synth chords, emotional ambient textures, cinematic dark pad, haunting synth lead melody, layered analog synths, subtle electric piano accents, deep clean sub bass, warm bass layer, punchy modern pop kick, hard emotional kick pattern, tight snare, layered clap stack, emotional snare reverb, massive drum impact moments, pauses between drum patterns for emotional tension, explosive kick + snare returns after silence, cinematic crashes, wide stereo percussion, emotional tom fills, simple but addictive hi-hat groove, open hats in chorus, reverse risers, impact hits, emotional electric guitar textures in background, ambient vocal textures, dark reverb space, emotional synth swells, huge chorus energy, smooth transitions between sections

Feria de la Piña IA

Feria de la Piña IA

Reggaeton, dubstep

Baile de Reloj

Baile de Reloj

Electro-swing club track with a bouncy swung four-on-the-floor pulse, wobbling upright-bass synth, brass stabs, and ticking percussion; verse rides clipped robot swagger, pre-chorus strips to handclaps and filtered keys, chorus hits with big swing horns and a chantable dance hook. Processed male vocals with tight doubles, call-and-response ad-libs, and short delay throws on the hook words. Gear-change risers, clock-tick fills, reverse cymbal swells, and pennywhistle sparkles between phrases. Bright, punchy, and glossy with a retro-futurist shine., funky, electro, swing, steampunk

Starving and Comfy

Starving and Comfy

Dreamy R&B with soft bounce, mellow mid-tempo groove, sparse verses that open into airy stacked harmonies, gentle ad-lib swells between lines, and a warm intimate mix with rounded lows and glossy highs

Chrono Rebel

Chrono Rebel

X:1 T:Jason, Rockero Enmascarado M:4/4 L:1/8 Q:1/4=100 K:Dm Style: rock, funky, punk metal %% [INTRO] – Guitarra Eléctrica Distorsionada V:1 clef=treble name="Guitarra" |: D2 F2 A2 F2 | D2 z2 D4 | G2 B2 A2 G2 | F4 z4 :| %% [VERSOS] – Riff oscuro V:1 |: D2 D2 F2 F2 | A4 G4 | F2 G2 A2 B2 | A8 :| %% [CORO] – Intensidad máxima V:1 |: A2 A2 d2 c2 | d4 c4 | A2 G2 F2 E2 | D8 :| %% [PUENTE] – Cambio dramático V:1 |: G2 G2 A2 A2 | F4 E4 | D2 E2 F2 G2 | A8 :| %% [OUTRO] – Retorno al misterio V:1 |: D2 F2 z4 | A2 z2 G4 | F2 E2 D2 z2 | D8 :| %% [BAJO] – Profundo y constante V:2 clef=bass name="Bass" |: D, 2 z2 D, 2 z2 | G, 2 z2 G, 2 z2 | A, 2 z2 A, 2 z2 | D, 2 z2 D, 2 z2 :| %% [BATERÍA] – Beat pesado V:3 clef=perc name="Drum Set" |: z D z D z D z D | z D z D z D z D | z D z D z D z D | z D z D z D z D :|

Forest UFO

Forest UFO

Experimental trap with half-time drums, warped sub drops, and jittery percussion; verse rides sparse and tense, pre-chorus lifts with filtered synth haze and snapped vocal chops, chorus lands on a blunt shouted hook with doubled ad-libs. Breathy close-mic lead, chopped backing echoes, tape-stop transitions, and a dry punchy mix with eerie space.

Sargija Kamancha Frula Lyra

Sargija Kamancha Frula Lyra

Balkan sargija, kamancha, frula, Greek Pontic lyra, and one traditional drum, mandolin, instrumental

فخر النيل

فخر النيل

Stadium anthemic pop with afro-trap percussion, marching claps, and a driving kick pulse; verse rides tight handclaps and bass stabs, pre-chorus strips to voice and snare roll, chorus opens with gang chants and brass hits on the hook. Lead vocal is gritty and close-mic in verses, doubled and shouted on the hook with call-and-response ad-libs. Rising crowd risers, whistle pops, and a final lift into a wide, loud mix

Broken Link Reel

Broken Link Reel

Cinematic ambient post-rock with slow-evolving felt piano, sub drones, brushed toms, and a pulse that swells like a distant engine; intro starts with filtered vinyl hiss and warped harmonic glints, middle opens into wide guitar harmonics and low synth bloom, final passage pulls back to solo piano and airy pad. Intimate close-mic detail, wide stereo lift, glossy reverb tails.

ألحان حنان في الصمت

ألحان حنان في الصمت

ambient, classical, keyboard, soul, saxophone

Rouage de fer

Rouage de fer

French rap, slow half-time boom-bap with dusty kick-snare swings and a grim, looping piano motif; verse rides sparse drums and low bass, pre-chorus tightens with filtered chords and a rising string scrape, chorus lands with stacked doubles and clipped gang responses. Breathy close-mic lead, gritty ad-libs tucked low, tape flutter and vinyl crackle between phrases, dry upfront mix with dark punch., simple

Sunrise Canopy Whisper

Sunrise Canopy Whisper

Create a realistic tropical forest ambience with soft birds singing. Environment: Dense rainforest at sunrise. Sounds: Distant birds, gentle leaves moving in wind, light insects, soft forest air. Mood: Calm, peaceful, natural, immersive. Audio Quality: High realism, cinematic nature recording feel. Avoid: Loud repetitive bird calls, human sounds, heavy jungle chaos. Style: National Geographic documentary ambience.

Watch Me

Watch Me

cloud rap, mumble rap

Watch Me

Watch Me

bubblegum trap, cloud rap, edm

Poslední jízdy

Poslední jízdy

Dusty fairground pop with a hint of melancholic indie, simple electric piano and muted drums under an intimate female vocal. Verses feel close-mic’d and conversational; chorus opens with brighter synth pad and glockenspiel, stacked harmonies lifting the hook. Subtle bass swells toward the end, ending on a soft, held vocal note over lingering keys.

lady of the dawn

lady of the dawn

male emo voice, cinematic, dark indie folk metal, ghost story, modern vocals, vocal effects, vocal harmonies, sexy, ominous, acoustic grunge

Loli y Carol

Loli y Carol

Warm acoustic pop ballad with intimate female vocals; close-mic guitar and soft pads under the verses, light percussion blooming in the choruses. Gentle bass and subtle piano swells as the emotion rises, with stacked harmonies on the hook to feel like friends singing together on a couch. Build from fragile and hushed to hopeful and glowing by the final chorus.

Amigas que Nunca Se Van

Amigas que Nunca Se Van

Aunque te sientas sola y perdida recuerda que aquí están tus amigas para escucharte, la vida no ha sido fácil y tus heridas están por sanar, pero nosotras no te vamos a abandonar, loli y Carol siempre estarán aquí para escucharte, te queremos tanto amiga que nos duele verte mal

Ночная Тень Трепет

Ночная Тень Трепет

R'n'B, deep house, Hookah rap/Shisha rap Dark Russian trap banger, male vocals, tense minor-key synths over heavy sub-bass and sharp, sparse drums. First

 Время жмзни

Время жмзни

Rap, hammali, trance, soft breathy intro, slight vocal raps, intimate close vocal, layered baking vocal in chorus

Geezers in the Armoury

Geezers in the Armoury

rock, Rough-edged acoustic rock ballad, male vocals, swinging mid-tempo. Verses stripped to single guitar and voice, palm-muted and close-mic’d. Chorus explodes with gang shouts, stomps and claps, bright doubled acoustics, and big room reverb on hooks. Brief middle lift where the vocal goes half-spoken, building into a final shout-along chorus that feels like a pub full of friends., acoustic, inspirational, ballad

Jesus

Jesus

Piano, nostalgique, ballade

Echoes of the Wandering Forge

Echoes of the Wandering Forge

Start with glossy, overproduced European pop (clean synths, tight drums, 100–110 BPM, emotionally hollow). Gradually degrade into detuned, drifting loops. Shift into French reggae trap-hop (deep sub, half-time drums, offbeat guitar, smoky minor mood). Strip down into raw, medieval British-style folk (drones, fiddle, hand percussion, slow, sparse, weathered). Then rebuild into a fusion: Norteño accordion + bajo sexto, Balkan folk rhythms/modes, and subtle South American textures, layered organically like woven fabric. End warm, acoustic, and communal — human, grounded, and cinema

Je Suis Dans La Joie

Je Suis Dans La Joie

Upbeat modern gospel feel with bright alto sax hooks answering the vocal. Mid‑tempo groove with claps on the backbeat, warm keys and subtle choir pads. Choruses soar with stacked harmonies; verses stay tighter and intimate. Saxophone takes short melodic fills between lines and a brief shout section near the end. Male or female vocals, congregational energy, polished live-church mix., saxophone

Up All Night, Mo Gbo

Up All Night, Mo Gbo

Afro-fusion heartbreak with muted log drums, warm pad haze, talking drum accents, and a restless, late-night bounce that lifts into a chantable hook; intimate lead vocal, call-and-response backing stacks, and a percussive chorus that feels like a crowded room at 2 a.m.

Miedo A Decir Tu Nombre

Miedo A Decir Tu Nombre

rock, Indie rock en español, tempo medio con guitarras eléctricas entrecruzadas y bajo melódico. Versos íntimos, casi susurrados, que crecen hacia un pre-coro tenso; el coro explota con baterías abiertas y voces dobladas. Detalles de reverb de sala en la voz principal, guitarras con delay sutil en el puente y un final que cae de golpe, dejando solo voz y acordes limpios., indie rock

Alma en Llamas de Fe

Alma en Llamas de Fe

Musica cristiana hermosa y bonita cosas que salen del corazón y alma

Skyfire Sync

Skyfire Sync

Cloud rap, Djent, trap

Crystal Light

Crystal Light

Pop ballad with mid-tempo pulse, warm acoustic guitar, soft piano figures, and gentle sidechain pads; verse stays intimate and close-mic, pre-chorus opens with stacked harmonies and rising drums, chorus lifts with handclaps and a singable family-name chant. Vocal doubles on the hook, tender ad-libs at phrase ends, a subtle string swell into the bridge, and a bright, polished mix with emotional depth.

Gamer 107 Buchona

Gamer 107 Buchona

High-energy Latin pop anthem with stadium percussion, crowd chants, and bright brass hits; verses ride on syncopated guitars and tight drums, then explode into a wide, shout-along chorus with gang vocals and big tom fills. Male vocals up front, call-and-response hooks and claps driving the energy, final chorus modulates up with extra horns and choir-style backing.

Smoke & Sunday Sunrise

Smoke & Sunday Sunrise

Country rock gospel twists punk pop

Gamer 107 Buchona

Gamer 107 Buchona

High-energy Cumbia Latin pop anthem with stadium percussion, crowd chants, and bright brass hits; verses ride on syncopated guitars and tight drums, then explode into a wide, shout-along chorus with gang vocals and big tom fills. Male vocals up front, call-and-response hooks and claps driving the energy, final chorus modulates up with extra horns and choir-style backing.

Mary mi flaca

Mary mi flaca

Latin pop ballad with a gentle dembow sway and warm guitar arpeggios; verse stays intimate and close-mic, pre-chorus opens with stacked harmonies and a rising snare swell, chorus lands on a singable chant with handclaps and a soft bass pulse. Breathy lead vocal, doubled on the hook, with tiny ad-lib echoes and a bright final lift. Polished, warm, and radio-ready.

Cherry Blossom Seal

Cherry Blossom Seal

Anime pop-rock with driving four-on-the-floor drums, bright palm-muted guitars, and a springy bassline; verse stays tight and percussive, pre-chorus opens with rising gang vocals and filtered synth swells, chorus hits wide with stacked harmonies and shouted hook replies. Female lead vocal, double-tracked on the hook, with reverse cymbal lifts, short delay throws, and crisp punchy mix.

Inside TikTok

Inside TikTok

Hip-hop pop with bouncy swung drums, clipped bass hits, and a tense half-time verse flow; verse stays lean and chatty, pre-chorus opens with stacked oohs and a filtered rise, chorus lands on a chanty hook with doubled vocals and short delay throws on the last word. Add a phone-scroll glitch intro, a beat mute before the hook, and sparkly ear-candy chops between lines. Bright, punchy mix with close-mic vocals and glossy top end.

Stone lakes elementary

Stone lakes elementary

Pop Anthem – emotiva, alegre y poderosa) coros de niños

زوزي وبزة

زوزي وبزة

Arabic pop ballad with a mid-tempo 6/8 sway, warm acoustic guitar and gentle darbuka under soft piano; verse stays intimate and close-mic with sparse hand percussion, pre-chorus lifts with stacked harmony lines and a rising string pad, chorus opens with fuller drums and a chantable lead vocal doubled in unison on the name phrases, bridge strips back to voice and guitar before a final chorus with airy ad-libs and a tender emotional lift. Bright, glossy mix with a close, romantic feel.

La Canción del Mundial Falla

La Canción del Mundial Falla

High-energy reggaeton, Corrido Latin pop anthem with stadium percussion, crowd chants, and bright brass hits; verses ride on syncopated guitars and tight drums, then explode into a wide, shout-along chorus with gang vocals and big tom fills. Male vocals up front, call-and-response hooks and claps driving the energy, final chorus modulates up with extra horns and choir-style backing.

Toby the Butthead

Toby the Butthead

Pop-punk with fast downstroke guitars, snappy drums, and bouncy bass; verse rides a cheeky half-time pulse, pre-chorus strips to gang claps and shouted pickups, chorus hits with wide power chords and doubled hook vocals. Add quick snare fills, a tape-stop into the bridge, and a last-chorus octave lift. Bright, punchy mix with rowdy close-mic vocals and stacked gang shouts on the hook.

Virgil My Heart

Virgil My Heart

Pop ballad with slow 6/8 sway, tender acoustic guitar and piano arpeggios; verse stays intimate and close-mic, pre-chorus opens with layered harmonies and a rising snare brush, chorus lands with wide stacked vocals and a simple piano lift. Add a soft string swell into the hook, a reverse piano breath before each chorus, and a final held note with subtle delay throws. Warm, glossy mix with emotional front-and-center vocals.

Virgil My Heart

Virgil My Heart

Pop ballad with slow pulsing drums, warm keys, and swelling strings; verse stays intimate and close-mic, pre-chorus opens with stacked harmonies and rising chords, chorus lands wide with doubled lead and soft gang vocals on the hook, bridge strips to piano and breathy ad-libs before a bigger final chorus. Bright, emotional mix with glossy top end and deep low-end bloom.

Virgil My Heart

Virgil My Heart

Pop ballad with intimate close-mic male vocals, soft piano and muted kick in the verse; pre-chorus lifts with string swells and stacked harmonies; chorus opens wide with a repeated anchor and aching ad-libs, then the bridge drops to bare keys before a final chorus with bigger drums and vocal doubles. Delicate room reverb, delay throws on the title phrase, warm polished mix with a cracked emotional edge.

HFY

HFY

R&B Hip-hop, Lo-fi alt, bubblegum punk, Blues, heartfelt "fuck you" vibes, chillout, R&B, blues smooth smokey female vocals, The "Smoky" Timbre & Vocal Fry: begins phrases with a light, gravelly vocal fry—a creaky, textured vibration. This creates an immediate sense of intimacy, making the listener feel like she is whispering a secret or speaking directly to them before she transitions into a melody, Voice Type: Generally classified as a Lyric Contralto or Mezzo-Soprano. ​Range: utilizes a roughly three-octave range, but her "superpower" is her lower register. While many pop singers struggle to sound powerful below middle C, lower notes are dense, rich, and effortless, Staccato Delivery: Short, detached, and punchy phrases that lock perfectly into the snare drum or hi-hats of a beat Dynamic Control ​ is a master of using volume to manipulate the listener’s emotions. She can transition from a pianissimo whisper (to sound fragile or intimate) to a powerful chest-voice belt

Midnight Dead

Midnight Dead

Alt-pop with half-time trap drums, tense pulse bass, and jagged guitar stabs; verse stays sparse and nervous, pre-chorus pulls back to whispered doubles and rising percussion, chorus hits with stacked gang vocals and a hooky octave lift. Filter sweeps, reversed cymbal swells, and a final drop of handclaps and sub hits. Bright, punchy mix with an eerie edge and close-mic lead.

Khatera Alefi

Khatera Alefi

Soulful pop-R&B ballad with a mid-tempo swing, gentle piano pulses, warm bass, and soft brushed drums; verse stays intimate and close-mic, pre-chorus opens with stacked harmonies and a rising pad, chorus blooms with wide doubles and a sing-back hook. Add tiny reverse swells into the pre-chorus, a bell tone after key lines, and a final lift with ad-lib gospel runs. Mix is warm, glossy, and emotional, with a polished but human feel., strong

Snakes, Scams & Sweet Revenge

Snakes, Scams & Sweet Revenge

Fun, punk, pop, rock, slow

La Canción del Mundial Falla

La Canción del Mundial Falla

High-energy Latin pop anthem with stadium percussion, crowd chants, and bright brass hits; verses ride on syncopated guitars and tight drums, then explode into a wide, shout-along chorus with gang vocals and big tom fills. Male vocals up front, call-and-response hooks and claps driving the energy, final chorus modulates up with extra horns and choir-style backing.

La Canción del Mundial Falla

La Canción del Mundial Falla

High-energy Latin pop anthem with stadium percussion, crowd chants, and bright brass hits; verses ride on syncopated guitars and tight drums, then explode into a wide, shout-along chorus with gang vocals and big tom fills. Male vocals up front, call-and-response hooks and claps driving the energy, final chorus modulates up with extra horns and choir-style backing. Reggeaton, Hip-hop, Dual

Paper Heart Match

Paper Heart Match

Pop with bright syncopated kick-snare, handclaps, and a bouncing synth bass; verse stays close and playful with plucked keys, pre-chorus lifts with stacked harmonies and a filtered riser, chorus opens wide with shimmering pads, gang vocal echoes, and a catchy clap pattern. Vocal is intimate in verses, double-tracked on the hook, with airy ad-libs and delay throws on the last word. Sparkly bell accents, reverse swells into the chorus, and a glossy, punchy mix with warm low end., pop

Acoustic

TE AMO MARYY

TE AMO MARYY

future bass, acoustic, vocal

Virgil on 61

Virgil on 61

Country ballad with warm acoustic guitar, brushed drums, and pedal steel sighs; verse rides a slow two-step with sparse bass and fingerpicked fills, pre-chorus opens with harmonies and a rising fiddle line, chorus lands with fuller drums and a steel-guitar hook. Close-mic female vocal with intimate doubles on the chorus, a few breathy ad-libs and gentle group echoes. Road-noise risers, a ghostly reverse-guitar swell, and a final chorus lift into wide, emotional mix., country

109 5

109 5

male emo voice, spooky folk song, western cowboy guitar, simple fiddle (violin), acoustic guitar, banjo, harmonica, dark bluegrass alternative disco

Toată Creația

Toată Creația

G major key tonality, f major key, Contemplative and funeral song, drama song, hollywood sountrack song, Drummer boy, snare drum, field drum, side drum, military drum, acoustic drums, tambourines Crescento in tonality, crescento in instrumental, Praise and worship. Australian and american style drums and orchestra, soundtrack

Besos en la Noche Acústica

Besos en la Noche Acústica

trumpet + vocal harmony + acoustic guitar + woodwinds, Vibe romántico-sucio, twink girly boy con daddy manly, besos apasionados y calor de hotel/gym.

Two Horses Home

Two Horses Home

Country ballad with a loping 6/8 sway, brushed drums, acoustic guitar, pedal steel sighs, and steady upright bass; verse rides sparse with close-mic male vocals and a soft dobro fill, pre-chorus opens with handclaps and harmony lift, chorus blooms with stacked thirds and a hooked group chant. Ear candy includes wind-chime accents, a tape-warm turn-around, and a steel swell into the final chorus. Warm, intimate, and cinematic in a dusty radio-friendly mix.

Toată Creația îți dai slavă

Toată Creația îți dai slavă

G major key tonality, f major key, Contemplative and funeral song, drama song, hollywood sountrack song, Drummer boy, snare drum, field drum, side drum, military drum, acoustic drums, tambourines Crescento in tonality, crescento in instrumental, Praise and worship. Australian and american style drums and orchestra, soundtrack

Fake Pictures 2

Fake Pictures 2

Minimalist rap, reggae, doo wop, experimental, cinematic, heavy 808 drums, acoustic guitar, deep male heavy vocoder, talk not sing, beat switches, interludes, 85-92 BPM. Start with 16-bar instrumental intro: melodic trumpet riff with soft wind instrument swells and light Caribbean steel tones, building tension. Then soft vocals enter acapella-style on ‘Pose for me…’. Bring in heavy 808s and squeaky snare on the second chorus. Make the bridge longer and more atmospheric with layered trumpet moans and wind instrument cries. End with fading trumpet and 808 heartbeat.

Game Four en Nueva York

Game Four en Nueva York

Regional Mexican corrido with brisk 100 BPM polka bounce, tololoche-style bass pulse, accented guitarrón strums, and bright trumpet answers; verse rides tight acoustic figures, pre-chorus climbs with handclaps and shouted pickup lines, chorus lands with gang vocals and a stomp-along hook. Lead vocal stays gritty and close, with doubled chorus shouts, quick ad-lib gritos, and a short brass turnaround before the final lift. Crisp, energetic mix with warm low end and festive edge.

Bowling

Bowling

1970s West Coast rock ballad. Warm, weathered male lead vocal with a natural, lived-in tone. Rich layered harmonies throughout the chorus. Slow-to-mid tempo. Vintage analog recording sound with gentle tape saturation. Acoustic guitar-driven arrangement supported by soft piano, melodic bass, restrained drums, and tasteful clean electric guitar fills. Emotional, reflective, and bittersweet rather than dramatic. The singer sounds older, wiser, and slightly regretful, delivering the lyrics with understated conviction. Influences include classic 1970s California country-rock and soft rock. Smooth vocal blend, spacious mix, organic instrumentation, and strong storytelling. No modern pop production, no heavy compression, no contemporary country twang, no electronic elements.

Toată Creația Să Laude Pe Domnul

Toată Creația Să Laude Pe Domnul

Canon with kid and adults, more adults man and women, G major key tonality, f major key, Contemplative song, remix, drama song, hollywood sountrack song, Drummer boy, snare drum, field drum, side drum, military drum, acoustic drums, tambourines Crescento in tonality, crescento in instrumental, Praise and worship. Australian and american style drums and orchestra, soundtrack

Toată Creația îți dai slavă

Toată Creația îți dai slavă

Canon child and adults, more adults man and women, G major key tonality, f major key, Contemplative song, remix, drama song, hollywood sountrack song, Drummer boy, snare drum, field drum, side drum, military drum, acoustic drums, tambourines Crescento in tonality, crescento in instrumental, Praise and worship. Australian and american style drums and orchestra, soundtrack

Toată Creația îți dai slavă

Toată Creația îți dai slavă

Canon kid and adults, more adults man and women, G major key tonality, f major key, Contemplative song, remix, drama song, hollywood sountrack song, Drummer boy, snare drum, field drum, side drum, military drum, acoustic drums, tambourines Crescento in tonality, crescento in instrumental, Praise and worship. Australian and american style drums and orchestra, soundtrack

Fake Pictures 8

Fake Pictures 8

Minimalist rap, trumpet samples, piccolo samples, cinematic, heavy 808 drums, heavy base line, slurred deep male voice, different voices throughout song, experimental, electric, beat breaks, beat switches male heavy vocoder, talk not sing on chorus, 50’s style lounge singing during verses, beat switches, interludes

Fake Pictures 7

Fake Pictures 7

Minimalist rap, trumpet samples, piccolo samples, cinematic, heavy 808 drums, heavy base line, slurred deep male voice, experimental, electric, beat breaks, beat switches male heavy vocoder, talk not sing on chorus, 50’s style lounge singing during verses, beat switches, interludes

Fake Pictures 6

Fake Pictures 6

Minimalist rap, trumpet samples, piccolo samples, cinematic, heavy 808 drums, heavy base line, slurred deep male voice, experimental, electric, beat breaks, beat switches male heavy vocoder, talk not sing, beat switches, interludes

Fake Pictures 5

Fake Pictures 5

Minimalist rap, lounge singing, trumpet, cinematic, heavy 808 drums, heavy base line, slurred deep male voice, experimental, electric, beat breaks, beat switches male heavy vocoder, talk not sing, beat switches, interludes

Fake Pictures 4

Fake Pictures 4

Minimalist rap, trumpet, cinematic, heavy 808 drums, heavy base line, slurred deep male voice, grunge, industrial, experimental, electric, beat breaks, beat switches male heavy vocoder, talk not sing, beat switches, interludes

352 Roll Call

352 Roll Call

Boom-bap rap with a laid-back head-nod groove, dusty drums and a rubbery bass line; verse rides sparse pockets with punch-in ad-libs, pre-hook tightens with stacked chant doubles, chorus hits with a short group chant and callouts. Vocal is close-mic and conversational, with subtle delay throws on the numbers, vinyl crackle between phrases, and a warm gritty mix that feels hand-to-hand and local.

352 On Turlock

352 On Turlock

Trap hip-hop with a laid-back head-nod groove, crisp hi-hat rolls and rubbery sub-bass; verse rides sparse drums and a looping synth tint, pre-chorus strips to claps and bass pulses, chorus comes in with stacked doubles and gang ad-libs on the names. Ear candy uses quick risers, reversed vocal sweeps, and coin-like percussion ticks between lines. Mix is dry, punchy, and close-mic with wide hook layers.

Fake Pictures 3

Fake Pictures 3

Minimalist rap, trumpet, piccolo, reggae, funk, doo wop, experimental, cinematic, heavy 808 drums, rock drums, car engine revving, electric guitar, electro, deep male heavy vocoder, talk not sing, beat switches, interludes

Balón de Humo

Balón de Humo

Trap melancólico a medio tiempo con 808 profundo y hi-hats sincopados; verso minimal con piano en acordes abiertos y subgrave respirando, pre-coro levanta con pads armónicos y filtros crecientes, coro entra con melodía amplia y dobles en terceras. Voces principales íntimas con armonías de fondo, ad-libs paneados y colas de delay cortas; puentes con corte de batería, reversos y campanas lejanas. Mezcla oscura, pulida y emocional, con brillo en el hook

Todo va a cambiar

Todo va a cambiar

Reggaeton, Dreamy, Dark, trap, electronic

Todo va a cambiar

Todo va a cambiar

Reggaeton, Dreamy, Dark, trap, electronic, Voice Colombie Girl

Neon Pulse Harmony

Neon Pulse Harmony

80s, jazz, rock, fusion, vocal harmony, ambient, choral

Red Dust Junction

Red Dust Junction

Blues rock with a slow-burning swung groove, gritty guitar riff, brushed snare on the verses, and a bigger half-time stomp in the chorus; verse stays lean with bass and vocal grit, pre-chorus opens with rising organ and handclaps, chorus hits with stacked harmonies and bent-note guitar answers. Rough lead vocal with doubled hook lines, smoky ad-libs, tape-delay throws on key phrases, reverse cymbal swells into each lift, warm analog mix with a raw, arena-sized edge., rock, blues, soulful

Hookers and Hackers

Hookers and Hackers

Country rock anthem with a driving two-step shuffle, crunching Telecaster riffs, stomping kick-snare, and a singalong bar-band chorus; verse rides twangy guitar and bass, pre-chorus opens with handclaps and a rising harmony stack, chorus hits with gang vocals on the tournament name and shouted name-roll call; lead male vocal stays gritty and close, with doubled hook words, short delay throws, and beer-hall ad-libs; steel-guitar swells, a drum fill into each chorus, and a bright punchy mix with dusty roots edge, country rock

Melodic

Fake Pictures

Fake Pictures

Caribbean-infused R&B / tropical pop, smooth male vocals, minimal lyrics, emotional and seductive. Featured bright trumpet as lead melodic instrument with soft wind instrument (flute or pan flute) layered behind it. Heavy 808 drums with a distinct squeak sound on the snare. Medium-length instrumental intro (16 bars) of just trumpet, wind instrument, and subtle Caribbean percussion before any drums or vocals. Vocals enter clean with no drums initially. Warm, intimate, late-night vibe. Key of A minor, 85-92 BPM. Start with 16-bar instrumental intro: melodic trumpet riff with soft wind instrument swells and light Caribbean steel tones, building tension. Then soft vocals enter acapella-style on ‘Pose for me…’. Bring in heavy 808s and squeaky snare on the second chorus. Make the bridge longer and more atmospheric with layered trumpet moans and wind instrument cries. End with fading trumpet and 808 heartbeat.

Srećko

Srećko

Strict traditional Dinaric-Dalmatian-Livno folk ballad. Emotional homeland song about childhood, Livno, Drinova Međa and the river Sturba. Warm natural male vocal, strong but nostalgic, sincere and heartfelt.dalmatian klapa, vocal harmony The sound should feel like Livanjsko Polje, Dinaric mountains, Dalmatinska Zagora and old village memories. Acoustic traditional arrangement with šargija, diple, frula, very subtle gusle, soft mandolin, lijerica-style melodic lines, deep traditional hand drum and gentle low drone. Slow to medium tempo, serious emotional atmosphere, wide open field feeling, mountain wind feeling, natural acoustic sound. The chorus should be strong, memorable and emotional, like an old homeland song from Livno and Dalmatian hinterland. Avoid modern pop, avoid trap, avoid rap, avoid EDM, avoid synthesizers, avoid Slovenian Oberkrainer style, avoid polka, avoid happy wedding music, avoid accordion-dominant arrangement, avoid heavy autotune., guitar, alternative, lounge

Lowrider Halo

Lowrider Halo

Melodic West Coast Rap with mid-tempo bounce and emotional trap pulse; verse rides piano-led chords, clipped hi-hats, and elastic bass pressure, then pre-chorus widens with rising vocal layers and filtered tension. Chorus lifts into a soaring auto-tuned hook with stacked doubles and airy ad-libs, bridge pulls back to sparse keys and heartbeat drums before the final return. Close-mic tenor lead, wet delay throws on key phrases, bright and punchy mix with glossy low end., soaring, west coast rap, vocal, rhythmic, emotional

I called you up

I called you up

British electronic classical fusion pop tune, 117BPM, minor key, changing, four-on-the-floor, uk opera female vocal, cool repetitive cadence, piano stabs, strings sticcato, moving synth, warm sub-bass house, dance, ethereal, dreamlike, curious, reflective, cool, 2026

I called you up

I called you up

British electronic pop tune, 137bpm, minor key, changing, four-on-the-floor, uk operatic style female vocal, cool repetitive cadence, piano stabs, strings staccato, moving synth, warm sub-bass house, dance, ethereal, dreamlike, curious, reflective, cool, 2026

I called you up

I called you up

British electronic pop tune, 128bpm, minor key, changing, four-on-the-floor, uk urban female vocal, cool repetitive cadence, piano stabs, strings sticcato, moving synth, warm sub-bass house, dance, ethereal, dreamlike, curious, reflective, cool, 2026

I called you up

I called you up

British electronic pop tune, ethereal, dreamlike, reflective, four-on-the-floor, uk urban male vocal, cool repetitive cadence, moving synth, warm sub-bass house, dance, cool, 2026

Velvet Window

Velvet Window

Funk with glossy neo-soul bass, clipped guitar pops, laid-back pocket drums, and a danceable mid-tempo sway; verse glides close-mic and intimate, pre-chorus opens with stacked harmonies and handclaps, chorus lands on a sticky chant with falsetto doubles. Add rim-shot pickups, wah-guitar flicks, and short delay throws on the hook words. Bright, polished, and sweaty-close in the mix., funk

City Boy

City Boy

Pop funk with a syncopated disco pulse, rubbery bass, tight guitar chanks, handclaps, and dancefloor swing; verse keeps it lean and percussive, pre-chorus lifts with filtered strings and rising ad-libs, chorus opens wide with stacked gang vocals and a sharp call-and-response hook. Main male vocals are glossy, playful, and charismatic, with doubled hook lines, falsetto flips, delay throws, and little ad-lib pops. Ear candy includes vinyl crackle on the intro, reverse cymbal swells into the chorus, and chime hits between phrases. Bright, punchy, and slickly polished., pop

Wer trinkt Bier?! HEY! HEY!

Wer trinkt Bier?! HEY! HEY!

Ballermann Party-Schlager 2026, extrem eingängiger Ohrwurm, männliche Party-Stimme, energiegeladen und feierwütig, fette Kickdrum, treibender Dance-Beat, Mitsing-Refrain, Stadion-Chöre, Party-Atmosphäre, Mallorca Megapark Vibes, moderne Schlager-Produktion, gute Laune, Alkohol- und Feierstimmung, einfache Hookline mit vielen Wiederholungen, 145 BPM, Sommerhit-Potenzial, Publikum singt laut mit, Eskalation im Refrain.

7 miliardi

7 miliardi

female vocals, autotune, high pitched notes, hard rock, dance, happy, summer hit song, live stadium, sweet, romantic, sexy, bitch, sensual

Lid down

Lid down

(Tempo: Fast, upbeat, and bouncy—think 80s synth-pop or a high-energy dance track)

Mandolina nad Morem

Mandolina nad Morem

Dalmatinska klapa, Electric Guitar, mandolin, Rock, Choral mandolin, rock, guitar, acoustic guitar, 80s, keyboard, drum and bass, accordion, vocal harmony, modern Dance hit

Silver Dress

Silver Dress

Pop dance with punchy four-on-the-floor kick, rubbery bass, and bright synth stabs; verse stays tight and suspenseful with close-mic lead and clipped doubles, pre-chorus lifts with filtered claps and rising vocal stacks, chorus lands wide with gang-vocal repeats and short delay throws on the hook phrase. Ear candy: reversed shimmer into each chorus, snare fills that crack open the drop, and sparkling percussion filigree. Mix is glossy, crisp, and radio-bright.

Neon Claims

Neon Claims

Pop dance-pop with a syncopated bass pulse, crisp handclaps, and glossy synth stabs; verse rides lean on tight kicks and vocal snaps, pre-chorus strips to bass and filtered chords, chorus opens with stacked harmonies and a chantable answer-back. Lead vocal stays close-mic and rhythmic, with doubled hooks, short delay throws, and ad-lib sighs. Sparkling risers, reverse cymbals, and a quick drum pickup into each chorus. Bright, polished, club-ready mix.

ABC Aong Remix

ABC Aong Remix

Dance-pop with a bouncy mid-tempo four-on-the-floor groove, rubbery bass, handclap snaps, and sparkling synth hooks; verse stays tight and playful with rhythmic spoken phrasing, pre-chorus lifts with filtered drum build and stacked "ah-ah" chants, chorus lands bigger with gang vocals on the chant phrase and a looping earworm melody. Lead vocal is bright and close-mic with doubled hook lines, ad-lib throws on the last word of each chorus, reversed swells into transitions, crisp punchy mix with glossy top end., remix

Get with the times

Get with the times

Yup beat club dance song

Neon Eclipse

Neon Eclipse

K-pop dance-pop with punchy kick-snare, bright synth plucks, and glossy sidechained pads over a propulsive four-on-the-floor groove; verse stays tight with clipped phrasing and stacked pre-chorus lifts, chorus opens wider with octave doubles and chanty group replies. Filter sweeps, reverse swells, and sparkly ear-candy fills drive transitions. Crisp, bright, high-gloss mix with intimate lead and huge hook layers., k-pop, rhythmic

Move All Night

Move All Night

Genre: Dance-Pop / EDM Tempo: 128 BPM Mood: Energetic, Euphoric, Uplifting, Feel-Good Vocals: Strong lead vocals with crowd chants and layered harmonies Instruments: Punchy kick drums, deep bass, bright synth leads, piano stabs, claps, risers, vocal chops, and festival-style drops Influence: Modern festival EDM, radio-friendly dance-pop, and arena-sized party anthems

Première fois

Première fois

“Afro-Pop × Club Pop × R&B Love Anthem, under 3:30, 112-118 BPM, warm and emotional atmosphere, true love theme, deep connection, loyalty, devotion and finding happiness through another person. Smooth humanized male vocals, clear articulation, natural and heartfelt delivery. Intro with soft piano, warm pads, atmospheric textures and subtle afro percussion. Catchy afro-pop groove, romantic melodies, uplifting energy, memorable repetitive hook designed to stay in the listener’s head. Modern afro-fusion drums, rhythmic bassline, emotional chord progression, danceable but sincere. Clean production, wide stereo, bright summer-night feeling, romantic club atmosphere, hopeful and positive emotion, intimate verses, powerful chorus, radio-ready sound, modern love song with genuine feelings and strong emotional impact.”

خريج ٢٠٢٦

خريج ٢٠٢٦

Arabic pop with upbeat dance rhythm, bright handclaps and bouncing synth plucks; verse starts light and playful with small drum fills, pre-chorus lifts with stacked harmonies and a rising snare roll, chorus opens into a big singalong with group vocals and celebratory chants. Lead vocal stays close and joyful with doubled hook lines, ad-lib runs on line ends, confetti risers and bell sparkles between phrases, crisp glossy mix with a festive punch.

Beat It Up

Beat It Up

Dance-pop with a propulsive four-on-the-floor kick, rubbery bass, clipped guitar skanks, and glittery synth stabs; verse rides sparse drums and punchy talk-sung lines, pre-chorus lifts with filtered risers and stacked oohs, chorus hits with big gang-vocal doubles on the hook and short delay throws, bridge strips to handclaps and bass before the final drop. Bright, glossy mix with crisp low end and wide hook vocals.

Ой Алина

Ой Алина

Dance-pop with a bouncy mid-tempo groove, crisp four-on-the-floor kick, snapping claps, and playful synth stabs; verse stays tight with minimalist bass and percussive vocal phrasing, pre-chorus lifts with rising filter sweeps and stacked harmonies, chorus opens wider with gang vocals on the hook. Lead vocal is cheeky and close-mic, with doubled lines on the refrain, quick delay throws on the last word, and bright punchy mix with glossy ear-candy fills between phrases.

Der Müller holts

Der Müller holts

Ancient medieval folk warning song about a supernatural being known only as The Miller. Slow, relentless rhythm like a mill wheel grinding in darkness. Sung by common villagers, not professional singers. Low male voices, occasional female harmonies, children’s voices joining the refrain. Sparse instrumentation: drum, hurdy-gurdy drone, wooden clappers, distant bell. The song should sound centuries old. The Miller is never described directly. He is felt rather than seen. The music should create the sense that everyone knows the story, but nobody knows whether it is only a story. Atmosphere: folklore, fear, superstition, harvest fields, abandoned mills, cold wind, candlelight, old religion and older things beneath it. The refrain should feel ritualistic and unforgettable. No orchestral score. No cinematic trailer music. No battle music. No dance rhythm. No modern vocals.

Ayo Menari Koplo

Ayo Menari Koplo

Dangdut koplo at 136 BPM with upbeat kendang, buzzing bass, bright organ licks, and playful percussion fills; verse keeps the groove light and bouncy, pre-chorus lifts with handclaps and rising synth stabs, chorus opens wide with shouts and gang vocals on the hook. Lead vocal is cheerful and front-and-center with stacked doubles on the refrain, plus ad-lib echoes and short call-response accents. Ear candy includes drum breaks, whistle hits, and quick fill-ins before each chorus. Mix is bright, punchy, and dance-floor forward.

Virgil On My Mind

Virgil On My Mind

Motivational hip-hop with a head-nod swing, crisp punchy drums, warm bass, and chopped vocal chants; verse rides sparse piano stabs and tight percussion, pre-chorus lifts with rising claps and filtered harmonies, chorus hits with stacked gang vocals on the anchor line, bridge strips to voice and bass before the final hook; close-mic lead vocal with doubled ad-libs, delay throws on key words, subtle tape hiss and reverse swells into each drop, bright and energetic mix, hip-hop, motivational

Virgil Keep Running

Virgil Keep Running

Motivational hip-hop, mid-tempo swung boom-bap with crisp kick-snare, punchy 808 support, and chopped soul stabs; verse rides sparse drums and bass with tight doubled lead, pre-chorus opens with rising chants and filtered piano, chorus hits with stacked gang vocals on the anchor line. Ad-lib panned responses, short delay throws on key words, reverse cymbal lifts into each hook. Bright, punchy mix with a warm center and wide backing layers., motivational, hip-hop

Keep Running

Keep Running

Hip-hop with a punchy mid-tempo boom-bap bounce, crisp snare snaps, warm bass hits, and chopped vocal stabs; verse rides sparse drums and a looping piano riff, pre-chorus opens with rising claps and filtered pads, chorus lands with stacked doubles and a chantable group reply. Use short delay throws on key words, subtle ad-lib panning, tape-stop transitions, and a bright, forward mix with gritty edge., motivational, hip-hop

Love it stays

Love it stays

British classical ballad, 78 BPM, A major with E minor colour, intimate and grief-led. sparse piano, warm cello, light viola/violin swells, subtle harmonium/organ pad, . Close, emotional British operatic style lead vocal, restrained and human, not polished. Small choir / voices for backing vocals and call-and-response.. . Final chorus fuller but still restrained, then strip back for outro. Warm, raw, cinematic, profound loss, love remaining after goodbye. No big drums, no glossy production, no power-ballad vocals.

Wheel on the Mississippi

Wheel on the Mississippi

Ragtime with a jaunty piano stride, clipped banjo accents, slap bass bounce, and brushed drums pushing a syncopated two-step feel; verse runs nimble and story-driven, pre-chorus tightens with handclaps and rising chromatic piano turns, chorus opens with gang vocals and a stomping hook. Add saloon-style brass stabs, a stop-time tag before each chorus, and a bright, punchy mix with close-mic lead vocal and playful ad-lib doubles., ragtime

Hip Hop

Apocalypse 5:1-14

Apocalypse 5:1-14

Afro r&b beat hip hop

Apocalypse 4:1-11

Apocalypse 4:1-11

Afro r&b beat hip hop

Apocalypse 3:1-22

Apocalypse 3:1-22

Afro r&b beat hip hop

Apocalypse 2 :1-29

Apocalypse 2 :1-29

Afro r&b beat hip hop

Apocalypse 8:1-13

Apocalypse 8:1-13

Afro r&b beat hip hop

Apocalypse 1 :1-20

Apocalypse 1 :1-20

Afro R&B Beat Hip hop

Trippy tree of life

Trippy tree of life

R&B hip hop, lo-fi, bubblegum punk pop, acid bass, heavy alt bass, dark bass vibe, grunge (Tempo: Slow, laid-back lo-fi groove, around 78 BPM) ​(Intro) (A deep, distorted acid bassline punches through a warm, crackling lo-fi vinyl hiss. A dusty hip-hop drum loop kicks in, overlaid with a bright, sticky bubblegum-punk synth melody that sounds like a corrupted video game.), bass

Mayhem Walkout

Mayhem Walkout

Aggressive hip hop fight anthem with male vocals, dark arena-ready bounce, heavy bass and hard drums driving a marching halftime groove; verse rides sparse kicks, sub drops, and cold brass stabs; pre-chorus opens with crowd chants and rising orchestral swells; chorus slams with group shouts, taiko-style hits, and sharp ad-lib doubles on the hook. Tactical ear candy: gate-open risers, impact booms before each drop, and distant arena chants feeding the final chorus. Mix is wide, gritty, and punishingly loud., hip hop, dramatic, orchestral, male vocals

Prepare for the Mayhem.

Prepare for the Mayhem.

Dark aggressive hip hop, hardcore rap, DMX energy, 2Pac intensity, Jay-Z swagger, heavy 808 bass, gritty drums, aggressive male vocals, fight anthem, arena crowd chants, combat sports, championship energy, intimidating, cinematic, powerful, street anthem, fight night music

Cali Corner

Cali Corner

West Coast hip-hop with laid-back boom-bap swing, thick round bass, dusty drums, and funk-guitar stabs; verse rides a pocketed head-nod groove, pre-chorus strips to claps and bass, chorus opens with stacked chants and a talkbox-style hook. Tight doubles on key lines, ad-lib echoes on the ends, quick tape-stop blips and vinyl crackle between sections, bright punchy mix with warm low end and sunbaked grit., hip hop

Midnight Echoes of Solitude

Midnight Echoes of Solitude

Create a sad lofi hip hop rap song

Echoes of the Unshackled Soul

Echoes of the Unshackled Soul

⁠solo male vocalist, raw emotional performance, dynamic changes, weak vulnerable verses shifting to powerful aggressive rap, cinematic dark hip hop beat, storytelling, direct confession⁠

Verbe

Verbe

piano hip hop

Hetric cyber

Hetric cyber

Bit box, rap, drums, hip hop

Jonkel Time

Jonkel Time

R&B hip-hop with a swung pocket and groovy drum-programmed bounce; verse rides sparse keys, rubbery bass, and clipped hats; pre-chorus strips to handclaps and a filtered pad; chorus hits with stacked hooks, sub drops, and sung rap doubles. Vocal is close-mic and sultry in verses, with airy ad-libs, tight doubles, and short delay throws on the anchor phrase. Add tape-stop swells, reverse cymbal lifts, and a little vocal chop sparkle between lines. Mix is warm, glossy, and pocket-heavy., r&b, hip hop, groovy

Bad Girl

Bad Girl

deutschrap, hip Hop, Remix, r&p, echo Effekt

Bad Girl

Bad Girl

deutschrap, hip Hop, Remix, r&p

Midnight Hustle Chronicles

Midnight Hustle Chronicles

Rap hip hop 90’s slim shady slow story telling

Nerf Rodeo Rumble

Nerf Rodeo Rumble

Morgan wallen, upbeat hip hop country

Il ne faut pas se désolidariser.

Il ne faut pas se désolidariser.

Lis en français. Slame puissant et profond dans l'esprit hip hop, voix masculine et féminine de type caucasienne, de type caucasienne c'est très important et des voix calme. Beat lourd et rebondissant. Basse électronique organique. Synthétiseur moderne. Dark ambiance hardcore

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