Songs created with Voices AI

Songs made with Voices AI bring voice technology into music - from covers to original tracks. Hear how creators and our community are using AI voices to explore new sounds and ideas.

New Releases

BORREGO

BORREGO

Corrido alterado, que tenga tuba, acordeon, batería, guitarra y se escuche entre pesada, tristeza y venganza

عالبه ومجنونه

عالبه ومجنونه

Arabic pop with a bouncy 96 BPM maqsoum groove, punchy handclaps and dabke-leaning percussion; verse stays light with oud plucks and restrained bass, pre-chorus lifts with clapping build and a rising synth bed, chorus opens wider with stacked gang vocals and a teasing melisma on the hook phrase. Add short delay throws on the last word of each hook, a reversed swell into the chorus, and a bright glossy mix with close-mic lead vocal and warm harmony doubles.

Inneres Team

Inneres Team

Locker-flockiger Afro-RnB mit Funk-Groove, warm, intelligent und leicht tanzbar. Smooth male Vocal, sympathisch, klar artikuliert, mit lässigem Lächeln in der Stimme. Verse halb gesungen, halb gesprochen, rhythmisch federnd, erklärend, aber nicht schulisch. Refrain melodisch, catchy, sonnig und einprägsam, mit weichen Background-Harmonien und Call-and-Response-Adlibs. Beat mit Afro-Percussion, funky Bassline, Nile-Rodgers-artigen Gitarrenlicks, Rhodes-Piano, Claps und kleinen Brass-Stabs. Stimmung: kommunikativ, bewusst, charmant, groovy. Bei „Vier Ohren“ mehr Dialoggefühl und Frage-Antwort-Dynamik. Bei „Inneres Team“ mehr innere Stimmen, kleine Rollenwechsel, aber alles smooth geführt. Kein Drama, eher kluge Leichtigkeit mit Soul, Funk und Bewusstsein.

awerysopelea - gute Gene

awerysopelea - gute Gene

Humorous upbeat Austropop / German pop song with playful storytelling and warm emotional chorus. Male vocals with charm and slight self-ironic attitude, catchy singalong hook, light acoustic guitar, piano, groovy bass, live drums, cheerful brass accents, subtle crowd claps. Verses spoken-sung with comedic timing, chorus big and emotional like a funny Mother’s Day anthem. Style somewhere between classic German radio pop and modern feel-good Schlager-pop. Warm nostalgic vibe, energetic but heartfelt, audience should laugh and still feel emotional at the chorus.

Sascha – Blut aus Stalingrad und Bucha

Sascha – Blut aus Stalingrad und Bucha

rap, horrorcore, russischer psychocord, melancholic sad bad rap, sad slow hymnic self reflection, electro, old russian rap, fusion out of ballad and russian frenchcore, Russian horrorcore, aggressive, murder rap, slaughter, soul, trip hop, experimental, hip-hop, new wave

Martin Jiménez

Martin Jiménez

Corrido tumbado con voz rasposa y intimidante con ése tono agresivo

Ocho Almas en Ritmo

Ocho Almas en Ritmo

Cumbia alegre

Final Groove

Final Groove

Cinematic hip-hop at 76 BPM with a mournful solo cello blooming into devastating orchestral strings; vintage record-player hiss and crackle sit under a crisp punishing snare and deep thunderous 808 pulse. Verse opens sparse and heavy, then strings stack wider each pass, midsection swells with reversed orchestral breaths, final lift hits huge and tragic. Wide, dark, and polished., cello, orchestral, deep, hip-hop

Новый сторщик

Новый сторщик

Pop-rap with a bouncy mid-tempo groove, syncopated drums and bright synth stabs; verse stays light and conversational, pre-chorus tightens with rising claps and filtered pads, chorus opens with stacked gang vocals and a chantable hook. Vocal delivery is close-mic and playful with doubled lines on the hook, quick ad-lib echoes, and a short reverse swell into each chorus. Clean, punchy, glossy mix with crisp low end and shiny top.

Baile de Reloj

Baile de Reloj

Electro-swing club track with a bouncy swung four-on-the-floor pulse, wobbling upright-bass synth, brass stabs, and ticking percussion; verse rides clipped robot swagger, pre-chorus strips to handclaps and filtered keys, chorus hits with big swing horns and a chantable dance hook. Processed male vocals with tight doubles, call-and-response ad-libs, and short delay throws on the hook words. Gear-change risers, clock-tick fills, reverse cymbal swells, and pennywhistle sparkles between phrases. Bright, punchy, and glossy with a retro-futurist shine., funky, electro, swing, steampunk

Old school corrido dareyes de la sierra style sinaloa

Old school corrido dareyes de la sierra style sinaloa

Authentic Mexican style sierra corrido Norteño Dareyes de ka sierra, tuba, guitars, tololoche, and accordion classic

Te laud

Te laud

Energic start with solo acoustic drums, electric drums, triangle, piano, Contemporary, Soft rock, guitar bass, pop music, Praise and worship, piano, guitars, drums, kids song, children song, vbs song, meditation, hard beats.

Te laud

Te laud

Contemporary, Soft rock, guitar bass, pop music, Praise and worship, piano, guitars, drums,

Chi Espera

Chi Espera

Reggaeton dembow with a bouncing, syncopated groove and tight percussion; verse rides sparse kick, clap, and muted bass, pre-chorus lifts with filtered synth swells and hand-drum fills, chorus drops into a fuller perreo pocket with chant doubles and shouted ad-libs. Close-mic lead vocal with layered doubles on hook words, short delay throws on line ends, reversed risers into each chorus, glossy punchy mix with deep sub and bright top-end sparkle.

Eo de nueu

Eo de nueu

Pop dance with a buoyant four-on-the-floor pulse and playful syncopated percussion; verse stays lean with handclaps, bass, and a bright synth motif, pre-chorus lifts on filtered pads and rising vocal layers, chorus opens wide with stacked gang vocals on the chant. Lead vocal is close-mic and nimble, with doubles on key lines and short delay throws on the hook. Ear candy includes reverse swells, little chime runs, and a final lift into the last chorus. Mix is crisp, glossy, and punchy.

Glitter Boss Groove

Glitter Boss Groove

Mid tempo pop, electro R&B, glossy club vibe, 102 BPM, confident and flirty, boss energy, punchy drums, bouncy bass, bright synth stabs, smooth vocal runs, catchy hook, subtle risers, clean modern mix.

Фуулл Хаус

Фуулл Хаус

High-energy Mongolian house-pop banger; four-on-the-floor kick, bright plucky synths, fat sidechained bass. Verses stay tight and rhythmic with clipped male vocals; chorus explodes with stacked gang shouts on the hook, airy pads, and rising noise sweeps. Short spoken ad-libs drop into a filtered middle-8 before the last chorus hits even harder with extra percussion and octave leads.

פתיחת בוקר חדש

פתיחת בוקר חדש

Light acoustic quartet with nylon guitar, soft piano, warm pads, and brushed percussion; gentle male vocals floating on a steady, relaxed groove. Start sparse and intimate, then slowly add subtle harmonies and glockenspiel sparkles toward the end for a rising, optimistic arc that still feels calm and grounded.

Langvang Lanterner

Langvang Lanterner

rap, Upbeat techno-rap meets hillbilly-country, Danish male vocals; four-on-the-floor kick and bright synth plucks under stomping boots, claps, and a playful bounce. Flute rides the topline in the hooks, mandolin chops tight offbeats, and violin saws and slides for fiddle-style fills. Verses are half-spoken, half-rapped with humorous storytelling; chorus explodes into sing-along gang vocals and harmonies, with a brief fiddle-and-flute breakdown before the final hook., techno, violin, country

Bilhete em Cima da Mesa

Bilhete em Cima da Mesa

Brazilian funk-pop groove with tight percussion, deep round bass, and melancholic synth pads; male vocals laid close and intimate in the verses, opening into a bigger, chant-like hook with layered gang responses. Beat starts sparse, then grows with claps and bright percussive fills in the choruses, leaving a short breakdown bridge for a vocal spotlight before the final hook explodes.

Anka Kadar İnatçı

Anka Kadar İnatçı

Cinematic Anatolian rock, mid-tempo build from intimate acoustic guitar and soft male vocals into soaring distorted guitars and tom-heavy drums; verses stay close and smoky, chorus explodes with stacked harmonies and distant choir pads, violins double the topline in the final hook

Sabbia Infinita e Voli

Sabbia Infinita e Voli

Explosive romantic syntetic pop upbeat emotional. Voice man rough emotive and incredible modulation tone and voice

No Permit Club

No Permit Club

folk, Playful acoustic pop ballad, male vocals, tight three-part harmonies on the hook. Handclap groove and soft foot-stomps to imply rhythm under mostly a cappella texture, occasional guitar strums on section changes. Start almost spoken and cheeky, then open into a big, communal singalong chorus with call-and-response ad-libs on the last repeat., acoustic, inspirational, pop, light, ballad

Demon

Demon

electronica

Συγγνώμη

Συγγνώμη

Moody Greek pop ballad over spacious piano and warm pads; male vocals start intimate and close-mic’d, then build to a wide, emotional chorus with airy backing harmonies and subtle tom swells; second half adds pulsing bass and soft percussion for lift while keeping the vocal heartbreak front and center

Soñando El Final

Soñando El Final

rock, Indie rock en tempo medio con guitarras arpegiadas y reverb amplia, bajo cálido y batería con golpes contenidos que crecen hacia el estribillo; la voz principal femenina, íntima y quebrada al inicio, se abre en el coro con armonías suaves para acentuar la tristeza bonita; puente con guitarra limpia en delay y un ligero swell de teclas ambientales para sensación de nave espacial y soledad cósmica, indie rock

Hues of Godzilla

Hues of Godzilla

Dark cinematic trap with thunderous taiko hits, detuned brass stabs, sub-bass surges, and scorched vocal chants riding a tense, escalating energy arc

Swaram

Swaram

classical

Quarto Escuro, Mundo Inteiro

Quarto Escuro, Mundo Inteiro

Warm Brazilian R&B groove in mid-tempo, male vocals; velvety electric piano, round bass and soft funk guitar licks under a tight, intimate drum pocket. Intro “vinheta” with stacked harmonies and melismatic riff on the artist name, then beat drops smoother for the verse. Chorus widens with lush backing vocals, subtle vocoder doubles, and airy pads. Bridge strips back to voice, snaps and Rhodes before a final hook recap and short vocal run on the name tag.

 Время жмзни

Время жмзни

Rap, trance, minimal arangrment clear instrument separation focused lead instrument

Balkan Brass Waltz

Balkan Brass Waltz

orchestral, accordeon, tuba, trumpet, gipsy Dance, Balkan

intru3

intru3

fast love song with guitar + drum set + violin + Drums & Percussion + flute + keyboards, vocal need to be in the sound of bollywood singer "Udit Narayan"

Italienische Nacht

Italienische Nacht

Schlager, italo disco

Skyfire Sync

Skyfire Sync

Cloud rap, Djent, trap

Orange Ties & Alibis

Orange Ties & Alibis

rap, Boom-bap meets modern trap, swingy head-nod groove with brass stabs and swaggering 808s. Male vocals, charismatic and playful, half-comedic bravado, half sharp-tongued roast. Hook explodes with stacked gang vocals and ad-libs, verses ride close-mic and dry, occasional crowd chants to punch the jokes.

La Canción del Mundial Falla

La Canción del Mundial Falla

High-energy Latin pop anthem with stadium percussion, crowd chants, and bright brass hits; verses ride on syncopated guitars and tight drums, then explode into a wide, shout-along chorus with gang vocals and big tom fills. Male vocals up front, call-and-response hooks and claps driving the energy, final chorus modulates up with extra horns and choir-style backing.

Fake Pictures

Fake Pictures

Caribbean-infused R&B / tropical pop, smooth male vocals, minimal lyrics, emotional and seductive. Featured bright trumpet as lead melodic instrument with soft wind instrument (flute or pan flute) layered behind it. Heavy 808 drums with a distinct squeak sound on the snare. Medium-length instrumental intro (16 bars) of just trumpet, wind instrument, and subtle Caribbean percussion before any drums or vocals. Vocals enter clean with no drums initially. Warm, intimate, late-night vibe. Key of A minor, 85-92 BPM. Start with 16-bar instrumental intro: melodic trumpet riff with soft wind instrument swells and light Caribbean steel tones, building tension. Then soft vocals enter acapella-style on ‘Pose for me…’. Bring in heavy 808s and squeaky snare on the second chorus. Make the bridge longer and more atmospheric with layered trumpet moans and wind instrument cries. End with fading trumpet and 808 heartbeat.

I called you up

I called you up

British electronic classical fusion pop tune, 117BPM, minor key, changing, four-on-the-floor, uk opera female vocal, cool repetitive cadence, piano stabs, strings sticcato, moving synth, warm sub-bass house, dance, ethereal, dreamlike, curious, reflective, cool, 2026

I called you up

I called you up

British electronic pop tune, 137bpm, minor key, changing, four-on-the-floor, uk operatic style female vocal, cool repetitive cadence, piano stabs, strings staccato, moving synth, warm sub-bass house, dance, ethereal, dreamlike, curious, reflective, cool, 2026

Nuit Sans Frein

Nuit Sans Frein

French pop-R&B with slow sultry swung groove, elastic sub-bass and brushed drum snaps; verse stays intimate and sparse, pre-chorus lifts with stacked harmonies and filtered synth bloom, chorus opens with wide doubles and a chantable hook, bridge drops to voice and bass then returns with ad-lib runs. Close-mic lead vocal, silky breathy tone, delay throws on the hook words, reversed swells and soft cymbal washes between lines, glossy and bedroom-close mix., chanson

Bowling

Bowling

1970s West Coast rock ballad. Warm, weathered male lead vocal with a natural, lived-in tone. Rich layered harmonies throughout the chorus. Slow-to-mid tempo. Vintage analog recording sound with gentle tape saturation. Acoustic guitar-driven arrangement supported by soft piano, melodic bass, restrained drums, and tasteful clean electric guitar fills. Emotional, reflective, and bittersweet rather than dramatic. The singer sounds older, wiser, and slightly regretful, delivering the lyrics with understated conviction. Influences include classic 1970s California country-rock and soft rock. Smooth vocal blend, spacious mix, organic instrumentation, and strong storytelling. No modern pop production, no heavy compression, no contemporary country twang, no electronic elements.

I called you up

I called you up

British electronic pop tune, 128bpm, minor key, changing, four-on-the-floor, uk urban female vocal, cool repetitive cadence, piano stabs, strings sticcato, moving synth, warm sub-bass house, dance, ethereal, dreamlike, curious, reflective, cool, 2026

I called you up

I called you up

British electronic pop tune, ethereal, dreamlike, reflective, four-on-the-floor, uk urban male vocal, cool repetitive cadence, moving synth, warm sub-bass house, dance, cool, 2026

Velvet Window

Velvet Window

Funk with glossy neo-soul bass, clipped guitar pops, laid-back pocket drums, and a danceable mid-tempo sway; verse glides close-mic and intimate, pre-chorus opens with stacked harmonies and handclaps, chorus lands on a sticky chant with falsetto doubles. Add rim-shot pickups, wah-guitar flicks, and short delay throws on the hook words. Bright, polished, and sweaty-close in the mix., funk

Acoustic

Fake Pictures 2

Fake Pictures 2

Minimalist rap, reggae, doo wop, experimental, cinematic, heavy 808 drums, acoustic guitar, deep male heavy vocoder, talk not sing, beat switches, interludes, 85-92 BPM. Start with 16-bar instrumental intro: melodic trumpet riff with soft wind instrument swells and light Caribbean steel tones, building tension. Then soft vocals enter acapella-style on ‘Pose for me…’. Bring in heavy 808s and squeaky snare on the second chorus. Make the bridge longer and more atmospheric with layered trumpet moans and wind instrument cries. End with fading trumpet and 808 heartbeat.

Game Four en Nueva York

Game Four en Nueva York

Regional Mexican corrido with brisk 100 BPM polka bounce, tololoche-style bass pulse, accented guitarrón strums, and bright trumpet answers; verse rides tight acoustic figures, pre-chorus climbs with handclaps and shouted pickup lines, chorus lands with gang vocals and a stomp-along hook. Lead vocal stays gritty and close, with doubled chorus shouts, quick ad-lib gritos, and a short brass turnaround before the final lift. Crisp, energetic mix with warm low end and festive edge.

Toată Creația Să Laude Pe Domnul

Toată Creația Să Laude Pe Domnul

Canon with kid and adults, more adults man and women, G major key tonality, f major key, Contemplative song, remix, drama song, hollywood sountrack song, Drummer boy, snare drum, field drum, side drum, military drum, acoustic drums, tambourines Crescento in tonality, crescento in instrumental, Praise and worship. Australian and american style drums and orchestra, soundtrack

Toată Creația îți dai slavă

Toată Creația îți dai slavă

Canon child and adults, more adults man and women, G major key tonality, f major key, Contemplative song, remix, drama song, hollywood sountrack song, Drummer boy, snare drum, field drum, side drum, military drum, acoustic drums, tambourines Crescento in tonality, crescento in instrumental, Praise and worship. Australian and american style drums and orchestra, soundtrack

Toată Creația îți dai slavă

Toată Creația îți dai slavă

Canon kid and adults, more adults man and women, G major key tonality, f major key, Contemplative song, remix, drama song, hollywood sountrack song, Drummer boy, snare drum, field drum, side drum, military drum, acoustic drums, tambourines Crescento in tonality, crescento in instrumental, Praise and worship. Australian and american style drums and orchestra, soundtrack

حيرة ٨

حيرة ٨

Acoustic Khaleeji sad Jalsa, melancholic solo oud plucking, weeping oriental violin, modern slow lofi beat, warm deep sub-bass, emotional passionate male vocals, strict pure Saudi dialect, perfect Bedouin Qaf pronunciation as a voiced G sound, 78 BPM, premium clean acoustic studio mix

Toată Creația îți dai slavă

Toată Creația îți dai slavă

Canon kid and adults, more adults man and women, G major key tonality, f major key, Contemplative song, drama song, hollywood sountrack song, Drummer boy, snare drum, field drum, side drum, military drum, acoustic drums, tambourines Crescento in tonality, crescento in instrumental, Praise and worship. Australian and american style drums and orchestra, soundtrack

Toată Creația îți dai slavă

Toată Creația îți dai slavă

G major key tonality, f major key, Contemplative song, drama song, hollywood sountrack song, Drummer boy, snare drum, field drum, side drum, military drum, acoustic drums, tambourines Crescento in tonality, crescento in instrumental, Praise and worship. Australian and american style drums and orchestra, soundtrack

Toată Creația îți dai slavă

Toată Creația îți dai slavă

Canon kid and adults, more adults man and women, G major key tonality, f major key, Contemplative song, afro beat, remix, drama song, hollywood sountrack song, Drummer boy, snare drum, field drum, side drum, military drum, acoustic drums, tambourines Crescento in tonality, crescento in instrumental, Praise and worship. Australian and american style drums and orchestra, soundtrack

Toată Creația îți dai slavă

Toată Creația îți dai slavă

G major key tonality, f major key, Contemplative song, afro beat, remix, drama song, hollywood sountrack song, Drummer boy, snare drum, field drum, side drum, military drum, acoustic drums, tambourines Crescento in tonality, crescento in instrumental, Praise and worship. Australian and american style drums and orchestra, soundtrack

Balón de Humo

Balón de Humo

Trap melancólico a medio tiempo con 808 profundo y hi-hats sincopados; verso minimal con piano en acordes abiertos y subgrave respirando, pre-coro levanta con pads armónicos y filtros crecientes, coro entra con melodía amplia y dobles en terceras. Voces principales íntimas con armonías de fondo, ad-libs paneados y colas de delay cortas; puentes con corte de batería, reversos y campanas lejanas. Mezcla oscura, pulida y emocional, con brillo en el hook

Todo va a cambiar

Todo va a cambiar

Reggaeton, Dreamy, Dark, trap, electronic

Todo va a cambiar

Todo va a cambiar

Reggaeton, Dreamy, Dark, trap, electronic, Voice Colombie Girl

Sans faim

Sans faim

Rap consent

Srećko

Srećko

Strict traditional Dinaric-Dalmatian-Livno folk ballad. Emotional homeland song about childhood, Livno, Drinova Međa and the river Sturba. Warm natural male vocal, strong but nostalgic, sincere and heartfelt.dalmatian klapa, vocal harmony The sound should feel like Livanjsko Polje, Dinaric mountains, Dalmatinska Zagora and old village memories. Acoustic traditional arrangement with šargija, diple, frula, very subtle gusle, soft mandolin, lijerica-style melodic lines, deep traditional hand drum and gentle low drone. Slow to medium tempo, serious emotional atmosphere, wide open field feeling, mountain wind feeling, natural acoustic sound. The chorus should be strong, memorable and emotional, like an old homeland song from Livno and Dalmatian hinterland. Avoid modern pop, avoid trap, avoid rap, avoid EDM, avoid synthesizers, avoid Slovenian Oberkrainer style, avoid polka, avoid happy wedding music, avoid accordion-dominant arrangement, avoid heavy autotune., guitar, alternative, lounge

Ptica lastavica

Ptica lastavica

Traditional Bosnian sevdalinka with Ottoman oriental influence. vocal only, deep masculine Balkan baritone, emotional chest voice, natural raw sevdah singing. Slow tempo, dramatic, melancholic, noble old folk ballad atmosphere. Use only traditional acoustic instruments: saz, oud, ney flute, soft frame drum. No female vocal, no choir, no pop, no rock, no synth, no electronic beat, no trap, no autotune, no modern drums, no cinematic orchestra. Do not add new lyrics. Keep it traditional, simple, old, and emotional.

Ptica lastavica

Ptica lastavica

Traditional Bosnian sevdalinka with Ottoman oriental influence. Strong female lead vocal only, deep masculine Balkan baritone, powerful emotional chest voice, natural raw sevdah singing. Slow tempo, dramatic, melancholic, noble old folk ballad atmosphere. Use only traditional acoustic instruments: saz, oud, ney flute, soft frame drum. No female vocal, no choir, no pop, no rock, no synth, no electronic beat, no trap, no autotune, no modern drums, no cinematic orchestra. Do not add new lyrics. Keep it traditional, simple, old, and emotional., guitar, saxophone, cello

Ptica lastavica

Ptica lastavica

Traditional Bosnian sevdalinka with Ottoman oriental influence. Strong female lead vocal only, deep masculine Balkan baritone, powerful emotional chest voice, natural raw sevdah singing. Slow tempo, dramatic, melancholic, noble old folk ballad atmosphere. Use only traditional acoustic instruments: saz, oud, ney flute, soft frame drum. No female vocal, no choir, no pop, no rock, no synth, no electronic beat, no trap, no autotune, no modern drums, no cinematic orchestra. Do not add new lyrics. Keep it traditional, simple, old, and emotional.

Lowrider Halo

Lowrider Halo

Melodic West Coast Rap with mid-tempo bounce and emotional trap pulse; verse rides piano-led chords, clipped hi-hats, and elastic bass pressure, then pre-chorus widens with rising vocal layers and filtered tension. Chorus lifts into a soaring auto-tuned hook with stacked doubles and airy ad-libs, bridge pulls back to sparse keys and heartbeat drums before the final return. Close-mic tenor lead, wet delay throws on key phrases, bright and punchy mix with glossy low end., soaring, west coast rap, vocal, rhythmic, emotional

Lil Demon Way

Lil Demon Way

Trap with dark Atlanta bounce and cloud-rap haze, fast half-time drums, rattling hi-hats, rubbery sub-bass, and eerie synth pads; verse rides tense and clipped, pre-chorus narrows to a filtered melody and handclaps, chorus hits harder with stacked shouted doubles and a repeated chant hook. Vocal is close-mic, icy, and menacing with ad-lib panning, delay throws on the last word, and whispered side-lines. Ear candy: reversed sweeps into the drop, a ghostly bell motif between lines, and brief low-pass swells before each hook. Mix is dark, glossy, and sub-heavy., rap

DJ Kris Frémis

DJ Kris Frémis

French hip-hop R&B with kompa and gouyad sway, mid-tempo bounce and syncopated percussion; verse rides tight drums and warm bass, pre-chorus opens with guitar licks and airy pads, chorus lands on a sensual call-and-response with stacked female doubles; add tape-stop transitions, hand percussion lifts, and a short guitar flourish into each hook. Female vocals, close-mic and smoky in verses, silkier layered harmonies on the chorus. Bright, glossy, club-ready mix with deep low end., kompa, rap

DJ Kris Frémit

DJ Kris Frémit

Hip-hop R&B with a slow head-nodding swing, trap-clap accents, warm sub pulses, and glossy late-night keys; verse rides sparse drums and playful bass pockets, pre-chorus strips to snapped percussion and breathy rises, chorus hits with silky stacked harmonies and a chantable hook. Female vocals, close-mic and seductive in verses, doubled and ad-libbed on the hook, with short delay throws on the name. Ear candy: reversed swells into the chorus, finger snaps on the off-beat, and a filtered vocal chop that flashes between lines. Mix is smooth, wide, and polished with a velvet low end., rap

S'écrouler

S'écrouler

“Deeply emotional Rap Love track under 3:30, minor key, heartbreaking and melancholic atmosphere, intimate storytelling about broken promises, abandonment, guilt, helplessness and unanswered questions. Long emotional intro with soft piano, ambient pads, distant strings and subtle textures, creating the feeling of tears building up. Humanized male vocals, fragile, vulnerable and authentic delivery, clear articulation, no screaming, no aggressive tone. Emotional verses with pauses and breathing space, allowing every word to resonate. Powerful repetitive hook filled with pain and longing. Cinematic build-ups, emotional rap melodies, immersive transitions, wide stereo, bittersweet atmosphere, feeling of crying alone at night, carrying love, regret and sadness in silence. Every section should feel raw, sincere, heartbreaking and deeply human.”

Needle and Strings

Needle and Strings

Guitar-heavy rock with driving mid-tempo four-on-the-floor drums, thick distorted power chords, and a stomping bass line; verses ride lean riff loops with tight double-tracked vocals, pre-choruses lift with open hi-hats and rising gang chants, choruses hit wide with stacked harmonies and shouted hook doubles. Add pick-scrape risers, a feedback swell into the bridge, and a final solo over a bigger drum push. Bright, punchy, and arena-ready with a rough live-room edge., rock

 Девчонки

Девчонки

Trance, hammali, Emotional old-school rap, soulful piano, deep street storytelling, lonely night vibe, cinematic West Coast atmosphere, lo-fi, guitar, fusion, new wave, acoustic guitar, synthwave, orchestral, soul, indie, minimalist, woodwinds, celtic, clarinet, electro, R&B, vocal harmony, classical, trap, beatbox, hip-hop

دیوار ترک‌خورده

دیوار ترک‌خورده

Persian rap with a punchy mid-tempo boom-bap bounce, dusty kick-snare swing, and a tight bassline carrying the groove; verse rides sparse drums and chopped vinyl texture, pre-chorus opens with filtered percussion and a rising handclap pattern, chorus hits with stacked gang vocals and a blunt chant hook. Lead vocal stays close-mic and gritty with doubled last words, ad-lib throws on key phrases, a short reversed swell into each hook, and a crisp, dry mix with a heavy low end and sharp top.

On s'était promis

On s'était promis

“Deeply emotional Rap Love track under 3:30, minor key, heartbreaking and melancholic atmosphere, intimate storytelling about broken promises, abandonment, guilt, helplessness and unanswered questions. Long emotional intro with soft piano, ambient pads, distant strings and subtle textures, creating the feeling of tears building up. Humanized male vocals, fragile, vulnerable and authentic delivery, clear articulation, no screaming, no aggressive tone. Emotional verses with pauses and breathing space, allowing every word to resonate. Powerful repetitive hook filled with pain and longing. Cinematic build-ups, emotional rap melodies, immersive transitions, wide stereo, bittersweet atmosphere, feeling of crying alone at night, carrying love, regret and sadness in silence. Every section should feel raw, sincere, heartbreaking and deeply human.”

Hookers and Hackers

Hookers and Hackers

Country rock anthem with a driving two-step shuffle, crunching Telecaster riffs, stomping kick-snare, and a singalong bar-band chorus; verse rides twangy guitar and bass, pre-chorus opens with handclaps and a rising harmony stack, chorus hits with gang vocals on the tournament name and shouted name-roll call; lead male vocal stays gritty and close, with doubled hook words, short delay throws, and beer-hall ad-libs; steel-guitar swells, a drum fill into each chorus, and a bright punchy mix with dusty roots edge, country rock

City Boy

City Boy

Pop funk with a syncopated disco pulse, rubbery bass, tight guitar chanks, handclaps, and dancefloor swing; verse keeps it lean and percussive, pre-chorus lifts with filtered strings and rising ad-libs, chorus opens wide with stacked gang vocals and a sharp call-and-response hook. Main male vocals are glossy, playful, and charismatic, with doubled hook lines, falsetto flips, delay throws, and little ad-lib pops. Ear candy includes vinyl crackle on the intro, reverse cymbal swells into the chorus, and chime hits between phrases. Bright, punchy, and slickly polished., pop

Wer trinkt Bier?! HEY! HEY!

Wer trinkt Bier?! HEY! HEY!

Ballermann Party-Schlager 2026, extrem eingängiger Ohrwurm, männliche Party-Stimme, energiegeladen und feierwütig, fette Kickdrum, treibender Dance-Beat, Mitsing-Refrain, Stadion-Chöre, Party-Atmosphäre, Mallorca Megapark Vibes, moderne Schlager-Produktion, gute Laune, Alkohol- und Feierstimmung, einfache Hookline mit vielen Wiederholungen, 145 BPM, Sommerhit-Potenzial, Publikum singt laut mit, Eskalation im Refrain.

7 miliardi

7 miliardi

female vocals, autotune, high pitched notes, hard rock, dance, happy, summer hit song, live stadium, sweet, romantic, sexy, bitch, sensual

Lid down

Lid down

(Tempo: Fast, upbeat, and bouncy—think 80s synth-pop or a high-energy dance track)

Mandolina nad Morem

Mandolina nad Morem

Dalmatinska klapa, Electric Guitar, mandolin, Rock, Choral mandolin, rock, guitar, acoustic guitar, 80s, keyboard, drum and bass, accordion, vocal harmony, modern Dance hit

Silver Dress

Silver Dress

Pop dance with punchy four-on-the-floor kick, rubbery bass, and bright synth stabs; verse stays tight and suspenseful with close-mic lead and clipped doubles, pre-chorus lifts with filtered claps and rising vocal stacks, chorus lands wide with gang-vocal repeats and short delay throws on the hook phrase. Ear candy: reversed shimmer into each chorus, snare fills that crack open the drop, and sparkling percussion filigree. Mix is glossy, crisp, and radio-bright.

Neon Claims

Neon Claims

Pop dance-pop with a syncopated bass pulse, crisp handclaps, and glossy synth stabs; verse rides lean on tight kicks and vocal snaps, pre-chorus strips to bass and filtered chords, chorus opens with stacked harmonies and a chantable answer-back. Lead vocal stays close-mic and rhythmic, with doubled hooks, short delay throws, and ad-lib sighs. Sparkling risers, reverse cymbals, and a quick drum pickup into each chorus. Bright, polished, club-ready mix.

ABC Aong Remix

ABC Aong Remix

Dance-pop with a bouncy mid-tempo four-on-the-floor groove, rubbery bass, handclap snaps, and sparkling synth hooks; verse stays tight and playful with rhythmic spoken phrasing, pre-chorus lifts with filtered drum build and stacked "ah-ah" chants, chorus lands bigger with gang vocals on the chant phrase and a looping earworm melody. Lead vocal is bright and close-mic with doubled hook lines, ad-lib throws on the last word of each chorus, reversed swells into transitions, crisp punchy mix with glossy top end., remix

Get with the times

Get with the times

Yup beat club dance song

Neon Eclipse

Neon Eclipse

K-pop dance-pop with punchy kick-snare, bright synth plucks, and glossy sidechained pads over a propulsive four-on-the-floor groove; verse stays tight with clipped phrasing and stacked pre-chorus lifts, chorus opens wider with octave doubles and chanty group replies. Filter sweeps, reverse swells, and sparkly ear-candy fills drive transitions. Crisp, bright, high-gloss mix with intimate lead and huge hook layers., k-pop, rhythmic

Move All Night

Move All Night

Genre: Dance-Pop / EDM Tempo: 128 BPM Mood: Energetic, Euphoric, Uplifting, Feel-Good Vocals: Strong lead vocals with crowd chants and layered harmonies Instruments: Punchy kick drums, deep bass, bright synth leads, piano stabs, claps, risers, vocal chops, and festival-style drops Influence: Modern festival EDM, radio-friendly dance-pop, and arena-sized party anthems

Première fois

Première fois

“Afro-Pop × Club Pop × R&B Love Anthem, under 3:30, 112-118 BPM, warm and emotional atmosphere, true love theme, deep connection, loyalty, devotion and finding happiness through another person. Smooth humanized male vocals, clear articulation, natural and heartfelt delivery. Intro with soft piano, warm pads, atmospheric textures and subtle afro percussion. Catchy afro-pop groove, romantic melodies, uplifting energy, memorable repetitive hook designed to stay in the listener’s head. Modern afro-fusion drums, rhythmic bassline, emotional chord progression, danceable but sincere. Clean production, wide stereo, bright summer-night feeling, romantic club atmosphere, hopeful and positive emotion, intimate verses, powerful chorus, radio-ready sound, modern love song with genuine feelings and strong emotional impact.”

خريج ٢٠٢٦

خريج ٢٠٢٦

Arabic pop with upbeat dance rhythm, bright handclaps and bouncing synth plucks; verse starts light and playful with small drum fills, pre-chorus lifts with stacked harmonies and a rising snare roll, chorus opens into a big singalong with group vocals and celebratory chants. Lead vocal stays close and joyful with doubled hook lines, ad-lib runs on line ends, confetti risers and bell sparkles between phrases, crisp glossy mix with a festive punch.

Beat It Up

Beat It Up

Dance-pop with a propulsive four-on-the-floor kick, rubbery bass, clipped guitar skanks, and glittery synth stabs; verse rides sparse drums and punchy talk-sung lines, pre-chorus lifts with filtered risers and stacked oohs, chorus hits with big gang-vocal doubles on the hook and short delay throws, bridge strips to handclaps and bass before the final drop. Bright, glossy mix with crisp low end and wide hook vocals.

Ой Алина

Ой Алина

Dance-pop with a bouncy mid-tempo groove, crisp four-on-the-floor kick, snapping claps, and playful synth stabs; verse stays tight with minimalist bass and percussive vocal phrasing, pre-chorus lifts with rising filter sweeps and stacked harmonies, chorus opens wider with gang vocals on the hook. Lead vocal is cheeky and close-mic, with doubled lines on the refrain, quick delay throws on the last word, and bright punchy mix with glossy ear-candy fills between phrases.

Der Müller holts

Der Müller holts

Ancient medieval folk warning song about a supernatural being known only as The Miller. Slow, relentless rhythm like a mill wheel grinding in darkness. Sung by common villagers, not professional singers. Low male voices, occasional female harmonies, children’s voices joining the refrain. Sparse instrumentation: drum, hurdy-gurdy drone, wooden clappers, distant bell. The song should sound centuries old. The Miller is never described directly. He is felt rather than seen. The music should create the sense that everyone knows the story, but nobody knows whether it is only a story. Atmosphere: folklore, fear, superstition, harvest fields, abandoned mills, cold wind, candlelight, old religion and older things beneath it. The refrain should feel ritualistic and unforgettable. No orchestral score. No cinematic trailer music. No battle music. No dance rhythm. No modern vocals.

Ayo Menari Koplo

Ayo Menari Koplo

Dangdut koplo at 136 BPM with upbeat kendang, buzzing bass, bright organ licks, and playful percussion fills; verse keeps the groove light and bouncy, pre-chorus lifts with handclaps and rising synth stabs, chorus opens wide with shouts and gang vocals on the hook. Lead vocal is cheerful and front-and-center with stacked doubles on the refrain, plus ad-lib echoes and short call-response accents. Ear candy includes drum breaks, whistle hits, and quick fill-ins before each chorus. Mix is bright, punchy, and dance-floor forward.

Wheel on the Mississippi

Wheel on the Mississippi

Ragtime with a jaunty piano stride, clipped banjo accents, slap bass bounce, and brushed drums pushing a syncopated two-step feel; verse runs nimble and story-driven, pre-chorus tightens with handclaps and rising chromatic piano turns, chorus opens with gang vocals and a stomping hook. Add saloon-style brass stabs, a stop-time tag before each chorus, and a bright, punchy mix with close-mic lead vocal and playful ad-lib doubles., ragtime

حيرة ٤

حيرة ٤

Epic melancholic Khaleeji orchestral, dramatic cinematic weeping strings, sad acoustic grand piano, deep heavy Khaleeji rhythm beat, passionate emotional male vocals, intense heartbreak and sadness, strict authentic Gulf Arabic dialect, perfect Saudi accent, pronounce every Qaf as a voiced "G" sound like in the word "Good", strictly no Modern Standard Arabic Qaf, no classical Arabic pronunciation, 85 BPM, long musical interludes, premium professional studio mix

حيرة ١

حيرة ١

Epic melancholic Khaleeji orchestral, dramatic cinematic weeping strings, sad acoustic grand piano, deep heavy Khaleeji rhythm beat, passionate emotional male vocals, intense heartbreak and sadness, strict authentic Gulf Arabic dialect, perfect Saudi accent, explicit Bedouin "Qaf" pronunciation as a voiced velar plosive "G" sound, 85 BPM, progressive epic song structure, long musical interludes, premium professional studio mix

Hip Hop

Apocalypse 5:1-14

Apocalypse 5:1-14

Afro r&b beat hip hop

Apocalypse 4:1-11

Apocalypse 4:1-11

Afro r&b beat hip hop

Apocalypse 3:1-22

Apocalypse 3:1-22

Afro r&b beat hip hop

Apocalypse 2 :1-29

Apocalypse 2 :1-29

Afro r&b beat hip hop

Apocalypse 8:1-13

Apocalypse 8:1-13

Afro r&b beat hip hop

Apocalypse 1 :1-20

Apocalypse 1 :1-20

Afro R&B Beat Hip hop

Trippy tree of life

Trippy tree of life

R&B hip hop, lo-fi, bubblegum punk pop, acid bass, heavy alt bass, dark bass vibe, grunge (Tempo: Slow, laid-back lo-fi groove, around 78 BPM) ​(Intro) (A deep, distorted acid bassline punches through a warm, crackling lo-fi vinyl hiss. A dusty hip-hop drum loop kicks in, overlaid with a bright, sticky bubblegum-punk synth melody that sounds like a corrupted video game.), bass

Mayhem Walkout

Mayhem Walkout

Aggressive hip hop fight anthem with male vocals, dark arena-ready bounce, heavy bass and hard drums driving a marching halftime groove; verse rides sparse kicks, sub drops, and cold brass stabs; pre-chorus opens with crowd chants and rising orchestral swells; chorus slams with group shouts, taiko-style hits, and sharp ad-lib doubles on the hook. Tactical ear candy: gate-open risers, impact booms before each drop, and distant arena chants feeding the final chorus. Mix is wide, gritty, and punishingly loud., hip hop, dramatic, orchestral, male vocals

Prepare for the Mayhem.

Prepare for the Mayhem.

Dark aggressive hip hop, hardcore rap, DMX energy, 2Pac intensity, Jay-Z swagger, heavy 808 bass, gritty drums, aggressive male vocals, fight anthem, arena crowd chants, combat sports, championship energy, intimidating, cinematic, powerful, street anthem, fight night music

Cali Corner

Cali Corner

West Coast hip-hop with laid-back boom-bap swing, thick round bass, dusty drums, and funk-guitar stabs; verse rides a pocketed head-nod groove, pre-chorus strips to claps and bass, chorus opens with stacked chants and a talkbox-style hook. Tight doubles on key lines, ad-lib echoes on the ends, quick tape-stop blips and vinyl crackle between sections, bright punchy mix with warm low end and sunbaked grit., hip hop

Midnight Echoes of Solitude

Midnight Echoes of Solitude

Create a sad lofi hip hop rap song

Echoes of the Unshackled Soul

Echoes of the Unshackled Soul

⁠solo male vocalist, raw emotional performance, dynamic changes, weak vulnerable verses shifting to powerful aggressive rap, cinematic dark hip hop beat, storytelling, direct confession⁠

Verbe

Verbe

piano hip hop

Hetric cyber

Hetric cyber

Bit box, rap, drums, hip hop

Jonkel Time

Jonkel Time

R&B hip-hop with a swung pocket and groovy drum-programmed bounce; verse rides sparse keys, rubbery bass, and clipped hats; pre-chorus strips to handclaps and a filtered pad; chorus hits with stacked hooks, sub drops, and sung rap doubles. Vocal is close-mic and sultry in verses, with airy ad-libs, tight doubles, and short delay throws on the anchor phrase. Add tape-stop swells, reverse cymbal lifts, and a little vocal chop sparkle between lines. Mix is warm, glossy, and pocket-heavy., r&b, hip hop, groovy

Bad Girl

Bad Girl

deutschrap, hip Hop, Remix, r&p, echo Effekt

Bad Girl

Bad Girl

deutschrap, hip Hop, Remix, r&p

Midnight Hustle Chronicles

Midnight Hustle Chronicles

Rap hip hop 90’s slim shady slow story telling

Nerf Rodeo Rumble

Nerf Rodeo Rumble

Morgan wallen, upbeat hip hop country

Il ne faut pas se désolidariser.

Il ne faut pas se désolidariser.

Lis en français. Slame puissant et profond dans l'esprit hip hop, voix masculine et féminine de type caucasienne, de type caucasienne c'est très important et des voix calme. Beat lourd et rebondissant. Basse électronique organique. Synthétiseur moderne. Dark ambiance hardcore

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