Songs created with Voices AI

Songs made with Voices AI bring voice technology into music - from covers to original tracks. Hear how creators and our community are using AI voices to explore new sounds and ideas.

New Releases

Jhoao Não Obedece

Jhoao Não Obedece

Pagode with swung percussion, lively cavaquinho groove, hand percussion accents, and a bouncy bassline; verse rides a playful conversational pocket, pre-chorus tightens with claps and rising choir stabs, chorus opens into stacked group vocals with short chantable replies. Lead vocal stays warm and slightly raspy with double-tracked hook words, light ad-libs, and a few call-and-response moments. Add tamborim fills between lines, a quick percussion break before the last chorus, and a bright, glossy mix with festive, close-mic energy.

Gopak

Gopak

Altwenative Experimental, melodic, folkhop, folkbeatbox, unique unusual pronouncements, на хвилі мелодії піниться бандур вокал серфінгує, instrumental orchestral dj wave, drumobandura and bass bandura, trako parfenyuk vocal style, трохи затягнуто енергійніше мелодійніше будьласка, знаєш чого не вистачає? Ти робиш якийсь фрагмент процентів 10 оригінальним гарним а решта просто ніби інша пісня з шаблонів, це як латки з цегли величі древніх будов, немає цілісності і монолітності пісні і оригінальності, це все ще як розбита ваза з шаблонів, напевно я бачу намагання змін і рости, вже є перші паростки але немає зеленого поля, не ображайся сонечко я просто намагаюсь знайти спільну мову

Recuerdos de un adiós

Recuerdos de un adiós

Ranchera, bolero, balada

Vwayaj Los Santos

Vwayaj Los Santos

Kompa with a mid-tempo bouyon pulse and swung percussion, bright guitar skanks, rubbery bass, and tight conga syncopation; verse rides sparse drums and clipped guitar, pre-chorus lifts with handclaps and rising synth sparkle, chorus opens into stacked harmonies and a chantable lead hook. Male vocals with smooth double-tracked lines, airy ad-libs, and call-and-response backing shouts on the hook. Quick drum fills, siren swells, and reversed guitar tails between sections. Clean, glossy mix with warm low end and dancefloor shine., kompa

Sascha – Blut aus Stalingrad und Bucha

Sascha – Blut aus Stalingrad und Bucha

rap, horrorcore, russischer psychocord, melancholic sad bad rap, sad slow hymnic self reflection, electro, old russian rap, fusion out of ballad and russian frenchcore, Russian horrorcore, aggressive, murder rap, slaughter, soul, trip hop, experimental, hip-hop, new wave

Ingens fel vi är flugchattarna

Ingens fel vi är flugchattarna

[BARNPOP + DANSSBANDSPOP (LIGHT) + CARTOON/ANIMATION SOUNDTRACK + COMEDY POP lekfull barnpop med dansbandskänsla och cartoon vibe BPM: 95–115 instrument: akustisk gitarr enkel synth studsande bas lätta trummor små “surr”-ljudeffekter 🪰 känsla: glad varm lekfull lite busig tydlig melodi användning: temalåt till serie intro-låt spotify kids / youtube barn]

Diane Já Sentou

Diane Já Sentou

Forró-pop infantil with syncopated zabumba bounce and bright accordion stabs; verse keeps it playful and sparse, pre-chorus lifts with handclaps and a rising whistle, chorus snaps in with gang vocals and a catchy call-and-response. Lead vocal is close-mic and smiling, with doubled hook words, short delay throws, and a few playful ad-libs. Ear candy includes rooster crows, a tambourine fill into the chorus, and a tiny reverse swell before the last hook. Mix is bright, punchy, and festive.

La Maga del Bar

La Maga del Bar

Balada punk, rap, con guitarra rasgueadas, bajo que avanza suavemente y un cálido montuno de drumsque se inclina hacia un rink punk lento; la estrofa se mantiene íntima con percusión escasa y respuestas de trompeta con sordina, el pre-estribillo se eleva con chasquidos de clave y potente coros, el estribillo florece con saxo y percusión manual. Male vocal young singer Trobador y su eccentric voice seda y romántica, con efectos de retardo en frases clave; glissandos cristalinos y campanillas de ambiente entre líneas. En un bar chiquito el tiempo se quedó Se transformó en la junta todo ahí se celebró los que se iban, que llevaba, que serían padres, los que volvieron, un motivo para llegar al viejo y pequeño lugar, no había silencio ni secretos esas noches solo felicidad. Pero todo sucede si el estaba ahí, el hacía que la magia sucedía, cada uno le tenía un nombre. Un día no llegó, nadio lo sintió su nombre de borro, el no tuvo despedida y la se apagó

Bun 5

Bun 5

90s techno percussion, Raw dirty raspy British rap, Raw, dirty, grime, trip hop, drum and bass, heavy deep dubstep, heavy deep low bass, afro beats

Fuck wrap

Fuck wrap

future bass, guitar, cinematic rap

Crimson acceptance

Crimson acceptance

emotional Spoken word journal entry. Reflective emotional, creative and beautiful, Strong British accent

Spunutus3

Spunutus3

experimental melodic, чому так? Або вокал класний Або музика хіба не хочеш разом одне й друге разом, шось таке шоб аж, дуже класні але чогось не вистачає, дуже гарні але немає тої родзинки щоб спинитись

Manejando Sin Rumbo

Manejando Sin Rumbo

Norteño Sax estilo La Rienda Real

ذكريات ليلٍ حزين

ذكريات ليلٍ حزين

مصري هادي حزين قاتل**[Senio - Chorus/Necessary]** Sad Songs Soft Egyptian Tone Sooth Choirs and Replies (Climax Backing Vocals) Echo (Reverb): Using the “Large Hall Reverb” The sound of the choir and the nhond to give a sense of distance and wide space. Balancing: Keeping the prominence of the “flute and lute” machine and “cello embedded with nhond” in musical breaks to confirm the status of the “dry” Rhythm: The kick is warm (Warm Low-end) Not sharp,

مصري تركي  2026

مصري تركي 2026

لحن تركي مزيكا تركي ولاكن كلام مصري 2026 صوت المغني هادي

Sorgija Vodi, Drums Vibe

Sorgija Vodi, Drums Vibe

Balkan sargija, kamancha, vocal harmony, frula, Greek Pontic lyra, and one traditional drum, 80”

Josué 24-15

Josué 24-15

Balada, Rap, Piano, Violin

A tu tiempo

A tu tiempo

Balada, rap, electro, acoustic

टूटी हुई दास्तां

टूटी हुई दास्तां

Slow cinematic ballad, male vocals, close-mic and fragile at first over soft piano and distant pads; verse stays intimate with subtle string swells and low ambient percussion. Chorus blooms with wider reverb, deep kick pulses, and warm bass, plus airy backing harmonies on key lines. Final chorus strips back to voice and piano, ending on a held note that fades into a lingering string chord., sad, emotional, male vocals

لقطة تثبّت الوقت

لقطة تثبّت الوقت

Warm midtempo pop with subtle trap bounce, airy pads and plucky keys. Male vocals upfront, intimate then opening in the hook with stacked harmonies and soft tuned ad-libs. Verses stay minimal and percussive; chorus lifts with side-chained synth swells, wide claps, and a round sub. Light reverse effects and filtered drops around section changes for a dreamy, scrolling-through-memories feel.

Banco de Plaza

Banco de Plaza

Style: Balada, rap, funky, in alive concert in broadway street to New year night with some miles to the people, Whispery, male vocal young singer urbano he plays that his vibrato, tone, sound, like benson bon and over sparse, ticking percussion in the verses; chorus Legato opera reverb amplia, autotune moderado; vocalizaciones sin palabras blooms with lush pads, and layered whispers answering the lead Shadowy mid-tempo electronic instrumental track rock punk, drum, guitar bajo, violin, piano, pulsing sub bass and detuned synth arps.. Subtle reverse effects and filtered risers deepen the sense of ritual; final chorus strips back to vocal and low drone for a lingering, uneasy outro.,

Boots, Bass und Balg

Boots, Bass und Balg

Create a retro 1990 MS-DOS style soundtrack inspired by classic point-and-click adventure games on a 286 PC. The music should sound like it’s played through an old Sound Blaster or AdLib card, with simple FM synthesis and limited polyphony. Theme: Pirate adventure on the high seas. Mood: Playful, mysterious, slightly mischievous, with a sense of exploration and humor. Use bouncy melodies, simple square/triangle wave leads, and light percussive elements typical of early PC game music. Include a catchy main motif that loops well. Tempo: Medium (around 100–120 BPM). Instruments: FM synth brass, plucky bass, simple flute/whistle lead, minimal drum sounds. Style references: early LucasArts / Sierra adventure games (but do not copy any specific melody). Add subtle sea shanty vibes with a whimsical pirate feel. The track should feel nostalgic, slightly lo-fi, and charmingly limited by early 90s hardware.

দূরের চাইতে কাছে

দূরের চাইতে কাছে

Soft romantic ballad with young female vocals, slow tempo. Intimate piano and light fingerpicked guitar form the core, with subtle pad swells and warm studio reverb. Verses stay close and quiet; choruses bloom with doubled vocals and gentle harmonies. Slightly airy top-end and gentle vibrato on held notes, a calm dreamy arc that never rushes the emotion., female vocals, heartfelt, harsh, romantic, soft, smooth, breathy, gentle, natural, vocal, slow, light, tone, emotional

أبو إبراهيم يرفع الراية

أبو إبراهيم يرفع الراية

Anthemic Arabic football chant with huge stadium gang vocals, driving tabla and darbuka pulse, brass stabs, clapping crowd percussion, and a soaring male lead that builds from a tight intro into a massive chorus

MY ONe

MY ONe

electric guitar

На моём пути

На моём пути

Uplifting pop with a pulsing four-on-the-floor beat, glossy synth arpeggios, tight handclaps, and a bright lift into a layered, singalong chorus; add a warm electric piano bed and a final key change for the last refrain

Amiga Que Brilla

Amiga Que Brilla

Warm pop ballad with intimate acoustic guitar and soft piano; female vocals up close and emotional. Verses stay gentle and conversational, then chorus blooms with rich harmonies, tambourine, and a steady, uplifting beat. Subtle strings rise in the bridge for a tearful lift, ending on a quiet, heartfelt refrain almost a cappella.

Ночная Тень Трепет

Ночная Тень Трепет

R'n'B, deep house, Hookah rap/Shisha rap Dark Russian trap banger, male vocals, tense minor-key synths over heavy sub-bass and sharp, sparse drums. First

Eres Mi Todo

Eres Mi Todo

Warm romantic Latin ballad with male vocals, intimate piano and close-miked acoustic guitar; verses stay tender and close, chorus blossoms with stacked harmonies and soft choral pads, gentle toms and bass entering subtly for lift, final hook repeats and fades on a lingering vocal run

King of the Cracks

King of the Cracks

Aggressive modern trap-metal hybrid, male vocals. Downtuned guitars chug over rattling hi-hats and a snarling distorted bass. Verses are tight and percussive with half-screamed lines; hook explodes with gang vocals and octave doubles on the title phrase. Occasional cinematic hits and sub drops underline the “monster” moments; final chorus stacks ad-libs and crowd chants for a mosh-ready climax.

Курить сиги

Курить сиги

Moody Russian cloud-rap vibe, mid-tempo bounce with detuned synth bells and deep sub-bass. Male vocals half-sung, half-mumbled, lazy pocket, occasional stacked doubles on punchlines. Hook opens wider with airy pads and distant choir stabs, ad-libs tucked in stereo. Minimal drums in verses, extra percussion and reverb blooms in the chorus for that woozy, floating feel.

Neon Pulse Dreamscape

Neon Pulse Dreamscape

Cloud rap, bubblegum trap, hip-hop

Templar's Vengeful Eclipse

Templar's Vengeful Eclipse

Gritty, Templar Metal, vengeful, grimdark

Sessiz Telefon

Sessiz Telefon

Acoustic pop ballad with slow 72 BPM pulse, gentle fingerpicked guitar, soft piano pads, and a restrained kick on the downbeats; verse stays intimate and sparse, pre-chorus lifts with string swells and breathy doubles, chorus opens into stacked harmonies with a chantable hook; bridge drops to solo voice and room tone before a final chorus with wider harmonies, phone-notification chimes, reversed swells, and a warm, close-mic mix

Fuerte en la Red

Fuerte en la Red

pop punk, hard rock

Orbit Motel

Orbit Motel

Pop with a lo-fi sheen, mid-tempo and buoyant with swung drum programming, rubbery bass, glittering synth arps, and smooth female vocals; intro opens with filtered pads and radio chatter textures, verses stay lean with skittering percussion, chorus lifts into stacked harmonies and a chantable hook, bridge drops to tape-warped keys and breathy lead, final chorus blooms with handclaps, reversed swells, and a bright punchy mix, pop, lo-fi, female vocals, smooth

Orbit Candy

Orbit Candy

Pop with bubblegum-lo-fi gloss, midtempo bounce and tucked-in swing; verse rides plush bass, dry drums, and a toy-synth pluck, pre-chorus strips to claps and filtered pads, chorus pops with stacked harmonies and a lifted hook. Female vocals are smooth and close-mic with airy doubles, playful ad-libs, and short delay throws. Starry risers, tape hiss, and reversed swells bridge each lift; bright, warm, and polished with a soft lo-fi haze., female vocals, smooth, lo-fi, bubblegum pop, pop

Баба Люда

Баба Люда

Russian dark pop-rock with stomping mid-tempo groove and sharp accordion-guitar riffs; verse rides tense, conversational lines over dry drums and low bass, pre-chorus tightens with rising toms and stacked chants, chorus hits with gang vocals and a brutal, chantable anchor. Vocal production is close-mic and sneering in verses, doubled and shouted on hooks, with short delay throws on key words. Ear candy includes creaking door FX, a warped organ swell before the chorus, and a slammed stop before the final hook. Mix is gritty, punchy, and claustrophobic, like a small room about to explode.

Warum seid ihr so?

Warum seid ihr so?

Children's choir gospel-pop in a gentle mid-tempo swing with handclaps, warm piano, soft bass, and light percussion; verse stays intimate with solo child lead and choir replies, pre-chorus opens into stacked unison voices, chorus lifts with bright group harmonies and simple call-and-response. Add a bell chime before each chorus, a short instrumental turn after verse 2, and a final chorus with full child choir plus airy ad-libs. Close-mic, tender, and glossy with a hopeful church-hall sheen.

Mirror Room

Mirror Room

Dream pop with washed-out 4/4 pulse, soft syncopated drum machine, chiming guitars, rolling bass, and airy synth pads; verse floats in close-mic low register, pre-chorus opens with filtered toms and rising harmony stacks, chorus blooms with wide doubled vocals and a chantable hook. Reverse swells, tape hiss, and glimmering delay throws bridge the transitions. Wide, hazy, and luminous mix, dream pop

Mirror Tide

Mirror Tide

Dream pop with slow hazy pulse, drifting tambourine, chiming guitar loops, and soft sub swells; verse floats on sparse drums and low pad, pre-chorus lifts with layered oohs and a rising bass figure, chorus blooms into wide stacked harmonies and delayed lead lines. Breathy close-mic vocal with doubled choruses, whispered ad-libs, and shimmering falsetto echoes. Reversed swells, tape flutter, and glassy chimes bridge sections. Lush, nocturnal, and wide, dream pop

Pídelo Por Favor

Pídelo Por Favor

Latin pop ballad with reggaeton pulse, mid-tempo dembow sway, warm electric piano, muted guitar accents, and airy synth pads; verse rides intimate and sparse, pre-chorus opens with rising percussion and stacked harmonies, chorus lands with a short chantable hook and fuller bass. Lead vocal close-mic and emotional, doubled on key lines, with delay throws on the title phrase and soft gang harmonies on the hook. Reversed swells, snapped fills, and a subtle drop into the final chorus. Bright, polished, and aching., punta

نرمين اليماني

نرمين اليماني

Arabic pop anthem with a bright mid-tempo backbeat, handclaps and upbeat synth bass; verse feels intimate and proud, pre-chorus opens with rising pads and stacked harmonies, chorus lands on a chantable gang-vocal lift. Lead vocal stays close-mic and warm with doubled hook lines, short delay throws on the name, and a final chorus adds tambourine lifts, claps, and sparkling top-line accents. Crisp, glossy mix with celebratory punch.

The Man I Trust

The Man I Trust

Pop R&B with a mid-tempo swung groove, warm drum machine and plucked guitar loop; verses stay intimate and sparse, pre-chorus opens with rising pads and stacked harmonies, chorus lands with a short chantable hook and soft gang vocals. Lead vocal is close-mic and sincere with doubled lines on key words, delay throws on the hook, subtle finger snaps and reversed swells between sections, polished and tender mix with a glossy low end., romantic

Meki Mamanim

Meki Mamanim

pop, country, acoustic, melodic, male vocals

Bakit Ganito

Bakit Ganito

Tagalog emotional pop ballad with slow swaying pulse and soft acoustic guitar; verse stays intimate and conversational, pre-chorus opens with rising pads and a held breath, chorus lands on a simple aching chant with stacked harmonies. Lead vocal is close-mic and cracked with gentle doubles, with a few whispered echoes on key lines. Use a faint piano lift, reversed swell into the chorus, and a warm wide mix that feels fragile and immediate., punta

Zwischen Fall und Hand

Zwischen Fall und Hand

Dramatic German pop-rock duet with driving mid-tempo drums and piano pulses; verses trade between two voices in tense call-and-response, pre-chorus narrows to sparse kick and low keys, chorus opens wide with stacked harmonies and sharp counter-lines. Male lead is dry and intimate, female lead clear and forceful, both doubled on key phrases. Reverse swells, impact hits before the chorus, and a lifted bridge with halved drums. Bright, punchy mix with emotional edge.

Zwillinge im Haus

Zwillinge im Haus

German acapella gospel-pop ballad with steady handclap-like vocal rhythm and warm room harmonies; verse opens sparse with close-mic lead and soft ooh beds, pre-chorus widens into stacked thirds and a rising choir feel, chorus blooms with full a cappella chords and repeated anchor phrase, bridge drops to a solo prayer before final chorus swells with layered countermelody, intimate and radiant mix with clear breath and roomy natural reverb

دور الإجار

دور الإجار

Arabic pop shaabi with a swung darbuka pulse and airy synth bed; verse stays sparse with close-mic male vocals and handclap snaps, pre-chorus lifts with rising strings and stacked replies, chorus lands on a chantable hook with gang shouts and short delay throws on the title phrase. Add reversed swells into each chorus, a brief perc break before the bridge, and a warm bright mix with crisp low end and intimate center vocal.

Échos de l’Aurore Éclipsée

Échos de l’Aurore Éclipsée

New pop Rap Violon Techno Vibe libre danser le soir Remix style astronomia

Acoustic

Porch Light On

Porch Light On

Country ballad with steady mid-tempo sway, brushed drums, fingerpicked acoustic, steel guitar sighs, and a warm bass pulse; intro opens with porch-door creak and distant harmonica, verses stay intimate and sparse, chorus widens with harmony stacks and pedal steel lifts, bridge drops to solo voice and acoustic, final chorus swells with fiddle and soft gang vocals, outro fades on porch-light imagery, intimate close-mic vocal with gentle doubles and emotional delay throws, heartfelt, emotional, country

Musik Kommt Von Gott

Musik Kommt Von Gott

Country with live audience interaction, upbeat swung 4/4, acoustic guitar and piano driving the groove, accordion lifting the choruses, verse stays warm and conversational, pre-chorus opens up with handclaps and crowd response, chorus hits with singalong gang vocals and call-and-answer lines, bridge drops to piano and a lone vocal before the final full-band lift, close-mic lead with roomy live hall reverb, bright and open mix with a heartfelt stage energy, country

Surat untuk diri

Surat untuk diri

Nusantara Melancholic Boom Bap Hip Hop, 78–84 Bpm, Deep Warm 808 Bass, Dusty Boom Bap Drums With Steady Groove, Soft Acoustic Guitar, Gentle Malay Flute (Seruling), Subtle Violin And Ambient Pads, Warm Vinyl Texture, Soulful Young Male Vocal With Calm And Sincere Delivery, Mood Like An Elder Giving Heartfelt Advice To His Child, Poetic Storytelling, Nostalgic And Reflective Atmosphere, Spiritual Warmth, Wisdom And Humility, Warm Analog Mix, No Aggressive Drums, No Edm Synths, No Heavy Autotune, Vibe Of Late-Night Fatherly Messages And Timeless Life Lessons.

Primera Canción

Primera Canción

Latin pop with a gentle mid-tempo bounce, syncopated acoustic guitar and soft palmas; verse starts intimate with voice and guitar only, pre-chorus adds a rising synth pad and handclaps, chorus opens with stacked doubles and a chantable hook. Small reverse swells and a tambourine lift into each chorus. Bright, warm, close-mic mix with polished pop sheen.

Dusty Barn Sprint

Dusty Barn Sprint

Fast-tempo country with driving four-on-the-floor stomp, galloping acoustic strums, fiddle lead lines, twangy electric guitar breaks, accordion flourishes, and a solo piano spotlight section; verse section feels lean and road-kicked, then each instrumental chorus opens wider with traded solos and live-room crowd energy, ending in a fiddle-and-guitar tag. Bright, punchy mix with roomy live ambience and crisp front-end attack., country

Pelampisan Hati

Pelampisan Hati

Indonesian pop ballad with a slow swaying groove, tender acoustic guitar and muted drums in the verses; pre-chorus lifts with fuller strings and a rising bass line; chorus opens wide with stacked harmonies and a short sing-back hook. Lead vocal stays intimate and cracked in the verses, doubled on the hook with airy ad-libs and emotional last-word sustains. Subtle reverse swells, piano fills between lines, and a clean glossy mix with warm low end and bright vocal presence.

Heim im Schnee

Heim im Schnee

Country ballad with twangy acoustic guitars, brushed drums, fiddle solo, and steady half-time pulse; verse rides sparse picking and pedal steel, pre-chorus lifts with rising harmony stacks, chorus opens with warm gang vocals and a chantable hook, bridge gives space to a lyrical fiddle solo before the final chorus swells. Close-mic male vocal, intimate in verses, stronger doubles on the hook, bright and punchy mix with wind-chime ear candy and a short gust transition into the solo., country

Loved Myself Thin

Loved Myself Thin

Genre: Heartbreak Country-Pop Mood: Bittersweet, nostalgic, yearning, emotionally honest Tempo: Mid-tempo (78–92 BPM) Key Characteristics: * Conversational storytelling * Personal memories and specific details * Strong emotional vulnerability * Big sing-along chorus with memorable hook * Heartbreak mixed with nostalgia rather than anger * Themes of longing, self-discovery, lost love, and reflection * Poetic but relatable language * Builds from intimate verses to an emotionally powerful chorus Instrumentation: * Acoustic guitar driving the song * Warm piano accents * Light banjo or mandolin textures * Steady kick and snare with modern pop production * Atmospheric electric guitar swells * Layered vocal harmonies in the chorus * Emotional bridge with stripped-back instrumentation before final chorus Vocal Style: * Soft and intimate in verses * Emotional, slightly cracked delivery on vulnerable lines * Powerful and melodic chorus * Emphasis on storytelling and lyrical clarity Infl

Bowling

Bowling

1970s West Coast rock ballad. Warm, weathered male lead vocal with a natural, lived-in tone. Rich but subtle layered harmonies throughout the chorus. Slow-to-mid tempo. Vintage analog recording sound with gentle tape saturation. Acoustic guitar-driven arrangement supported by soft piano, melodic bass, restrained drums, and tasteful clean electric guitar fills. Emotional, reflective, and bittersweet rather than dramatic. The singer sounds older, wiser, and slightly regretful, delivering the lyrics with understated conviction. Influences include classic 1970s California country-rock and soft rock. Smooth vocal blend, spacious mix, organic instrumentation, and strong storytelling. The chorus should remain intimate and low-key, with no significant dynamic lift from the verses. Harmonies are gentle and blended, not triumphant or anthemic. The song should feel like one continuous reflection from beginning to end. No soaring vocals, no dramatic builds, no big drum fills, no arena-rock energy

Musik für uns

Musik für uns

Country with male and female vocals, steady mid-tempo train groove and strummed acoustic guitars; verse rides intimate storytelling, pre-chorus opens into handclaps and lifted harmony, chorus hits with duet call-and-response and crowd-friendly chant lines. Guitar solo takes a warm melodic break after the second chorus, then final chorus adds fuller band and audience singback. Alternating lead lines, stacked thirds on the hook, live-room ambience, claps, and a bright, open mix., country

Ponteiro Quebrado

Ponteiro Quebrado

Sertanejo, acoustic guitar, accordion, emotional male vocals, Brazilian country music, mid-tempo ballad

Acostamento do Coração

Acostamento do Coração

Sertanejo moderno with a steady mid-tempo swing, shuffling acoustic guitar, warm bass, and brushed drums; verse rides close-mic voice and sparse viola, pre-chorus lifts with stacked harmonies and a rising accordion line, chorus hits with full band and singalong gang vocals on the hook. Add pedal steel swells, short delay throws on the last word of each chorus line, a wind-down break before the bridge, and a bright, polished mix with intimate verses and wide, emotional choruses., sertanejo

Rumo a Goiânia

Rumo a Goiânia

Sertanejo mid-tempo with pulsing acoustic guitar, bright viola fills, steady kick-snare, and a singalong chorus built for roadside shouting; verse keeps a lean fingerpicked groove, pre-chorus opens with rising backing harmonies and handclaps, chorus lands wide with stacked doubles and short gang vocals on the title phrase. Add banjo-picked turns, a whistle-like guitar lick between lines, and a final chorus with extra harmony and a brief instrumental lift. Warm, radio-ready mix, rustic and polished., sertanejo

Schutzengel im Taxi

Schutzengel im Taxi

Gospel a cappella with female lead vocals, live room handclaps, warm choir pads, and a testimony feel; verse opens sparse with solo voice and body percussion, pre-chorus lifts in stacked harmonies, chorus lands bright and stomping. Mid-song breaks into a featured acoustic guitar solo, then a soulful organ solo with call-and-response ad-libs. Close-mic vocal intimacy, crowd-like energy on hooks, roomy clap-and-stomp mix, gospel

Mala no Banco

Mala no Banco

Sertanejo with a mid-tempo swung groove and steady acoustic guitar strum, light sanfona, soft kick and snare on the backbeat; verse stays intimate with guitar, bass, and road-noise textures, pre-chorus lifts with stacked harmonies and a rising sanfona line, chorus opens wide with singalong doubles and a catchy handclap pulse. Use short delay throws on the hook words, a small trumpet-like fill between lines, and a bright, polished mix with warm low end and radio-ready shine., sertanejo

Estrada Para Londrina

Estrada Para Londrina

Sertanejo with a steady mid-tempo groove and swung acoustic guitar; verse rides just voice, viola caipira, and brushed hand percussion, pre-chorus opens with a rising harmony and a tambourine lift, chorus hits with doubled lead vocal, a singable gang hook, and a warm accordion line. Add road-noise risers, a short pickup before each chorus, and a final lift with claps. Bright, open, radio-ready mix with a dusty country heart., sertanejo

Gremium Romania

Gremium Romania

Hardcore dark rap with hardware-rattle percussion, dark electric rock guitar riffs, and Viking battle chants; verse rides tense half-time with low, clipped delivery and gritty gang doubles, pre-chorus tightens with rising screams and metallic hits, chorus opens on huge shouted hook with male crowd vocals. Ear candy: sword-steel swipes, reversed horn swells, and a final riff break before the last chant. Mix is dark, wide, and heavy with sharp guitar bite and sub-bass pressure., rock, rap, electric

Surat untuk diri

Surat untuk diri

Urban Hip Hop / Conscious Hip Hop (Malay Poetic Rap), 808 Bass Sub-Genre & Elemen Sokongan -Poetic Rap / Lyrical Hip Hop, Fokus Kosa Kata Berat, Metafora, Dan Penceritaan Dalaman, Boom Bap Moden (Low Bpm), Beat Perlahan ± 85–92 Bpm, Ruang Luas Untuk Delivery -Flow Tenang, Berlapik, Bukan Agresif -Minimalist Hip Hop - Instrumen Ringkas: Piano Minor, String Nipis, Vinyl Crackle Mood & Karakter Reflektif, Matang, Introspektif, Sunyi, Berat, Jujur, Tidak Emosional Berlebihan, Tapi Menikam Perlahan. Struktur Vokal -Verse: Rap Tenang, Suku Kata Jelas, Pause Bererti -Hook: Separuh Nyanyian / Spoken Hook (Low Register) -Ad-Libs: Minimum, Kadang Cuma Bisikan Atau Echo Cadangan Susunan Muzik -Intro: Spoken Word + Ambience -Verse 1: Rap Penuh (Tight & Berlapik) -Hook: Melodik Ringkas, Tak Catchy Murahan -Verse 2: Lebih Puitis & Berat Makna -Outro: Spoken Line Atau Doa Pendek, Rujukan Bunyi - Piano Minor / Rhodes, Pad Gelap Lembut, Drum Boom Bap Low Swing, Bass Hangat

Gate 47 Malfunction

Gate 47 Malfunction

Trap diss track with hard-hitting 808 bounce, halftime snap, and clipped hi-hat rushes; verse rides tense and sarcastic with tight pauses, pre-chorus strips to bass and handclaps, chorus hits with shouted gang doubles on the airline name. Ad-lib throws on punch lines, phone-alert glitches between lines, short reverse swells into each hook, bright and punchy mix with gritty vocal crunch and wide hook stacks.

Southwest Delay 1242

Southwest Delay 1242

aggressive trap beat, hip hop, diss track, heavy 808s, rhythmic flow, disgruntled mood

Gremium Romania

Gremium Romania

Heavy metal hip hop Hardcore dark rap with hardware-rattle percussion, dark electric rock guitar riffs, and Viking battle chants; verse rides tense half-time with low, clipped delivery and gritty gang doubles, pre-chorus tightens with rising screams and metallic hits, chorus opens on huge shouted hook with male crowd vocals. Ear candy: sword-steel swipes, reversed horn swells, and a final riff break before the last chant. Mix is dark, wide, and heavy with sharp guitar bite and sub-bass pressure., rock, rap, electric

East Coast Heatwave

East Coast Heatwave

Psychedelic Rap funk

Échos de l’Aurore Éclipsée

Échos de l’Aurore Éclipsée

New pop Rap Violon Techno

Échos de l’Aurore Éclipsée

Échos de l’Aurore Éclipsée

Slow rap, pop, techno Piano

Échos de l’Aurore Éclipsée

Échos de l’Aurore Éclipsée

Slow rap, pop newcountry, remix

IMY

IMY

Melancholic urban reggaeton folk trap latin

Bells, Banjo, and Retirement Rhymes

Bells, Banjo, and Retirement Rhymes

This would be hilarious done in a mix of old-school country and a little comedic rap, like a blend of a classroom version of a country novelty song and a lighthearted retirement anthem.

FDO Anthem

FDO Anthem

Trap with menacing half-time 808 bounce, sparse hi-hat triplets, dark synth pulses, and sharp snare gaps; verse one rides brooding solo energy, pre-chorus tightens with filtered pads and rising ad-libs, chorus opens into a chant-heavy hook, verse two switches to a Man rapper with clipped double-tracked lines, final chorus stacks both voices with gang shouts, reverse swells, and a hard sub drop; close-mic intimate verses, smoked-out low register on hooks, punchy glossy mix, rap

Ritmo de Almas Gemelas

Ritmo de Almas Gemelas

Jersey club con efectos reverb de fantasia en toda la pista bajos de trap y drums de rnb con efectos de rebote Con una voz barítono aguda

Voyage

Voyage

Pop nostalgie rap soft

Shadow Crown

Shadow Crown

K-pop dance-pop with propulsive four-on-the-floor kick, syncopated claps, and dark synth plucks over dramatic string stabs; verse rides tight low-end and rapid vocal phrasing, pre-chorus opens with lifted harmonies and rising tension, chorus hits with huge stacked unison hooks and chant replies. Lead vocals stay crisp and close-mic in verses, doubled and bright on hooks, with group shouts, delay throws on key words, reversed swells into drops, and a glossy punchy mix, k pop

Calçada Marcada

Calçada Marcada

Aggressive Portuguese rap with stomping boom-bap drums, grimy bass stabs, and tense swung hi-hats; verse rides dense and confrontational, pre-chorus tightens with clipped pauses and rising tension, chorus hits with shouted gang vocals and a repeated chant anchor. Lead vocal is close-mic, gritty, and biting with doubled last words; ear candy includes sirens as transition hits, reversed snare swells, and vocal ad-libs thrown wide. Mix is dark, dry, and punchy with a hard low end., rap

Burned The Fairytal

Burned The Fairytal

Rock /soul with guitar saxophone and violins riffs / I want the verses to have a back choir singing I see right thru you when ever that part hits

East Coast Heatwave

East Coast Heatwave

blues rock country

Just Jane

Just Jane

Male rock vocal, raw and happy in love, slightly raspy, intense happy but controlled. Dutch delivery with natural flow, strong dynamic shifts, and a loving feel. Verse sections restrained and tense, pre-chorus building pressure, chorus powerful, open, and anthem-like. Clear diction, human breath, slight gravel, No live-performance energy. Voice should sound intense, in love, and urgent, like a singer so in love it hurts, so in love. Add subtle emotional ups, not polished pop vocals. Gritty modern rock ballet with expressive storytelling.

Just Jane

Just Jane

Powerful Dutch pop-rock anthem about love at first sight. Male lead vocal. Emotional and authentic. Starts intimate in a crowded city bar with soft piano and clean electric guitar. Builds steadily into a huge explosive chorus. Theme: seeing a woman named Jane, instant connection, overwhelming love at first sight, questioning if it is real or just imagination. Strong heartbeat imagery, butterflies, tsunami of emotions, losing track of the world. Modern Dutch pop-rock in the style of a stadium anthem. Warm bass, driving drums, soaring guitars, emotional piano, subtle strings. Dynamic arrangement with quiet verses, powerful pre-chorus, massive singalong chorus and emotional bridge. Passionate vocal performance full of wonder, vulnerability and excitement. Catchy melodic hooks. Radio-ready production. Uplifting, cinematic, romantic and unforgettable. Dutch vocals only. Big crowd-worthy finale with layered backing vocals and choir singing “Jane” in the outro. 120 BPM. Key: G major.

Night Crawlers

Night Crawlers

Rob Zombie style, industrial metal, dark synth rock

Gimme Monster

Gimme Monster

Techno rock with driving four-on-the-floor drums, jagged power-chord guitar, and punchy synth stabs; verse rides tight and tense, pre-chorus climbs with snare lifts and filtered vocal layers, chorus slams open with gang shouts and doubled male vocals. Add risers into each drop, glitchy fills after hook lines, and metallic impacts before the final chorus. Bright, aggressive, club-ready mix with a thick, roaring midrange., rock, techno, male vocals

Iron Boss Pulse

Iron Boss Pulse

Techno-rock with high-energy four-on-the-floor drive, jagged power-chord hits, and a relentless bassline punching on the downbeat. Verse rides clipped drum machine pulses and tight guitar stabs; pre-chorus strips to bass, toms, and rising noise; chorus slams with stacked gang vocals and arena-sized hooks. Filter sweeps, reverse cymbal bursts, and a final octave bass lift. Bright, aggressive, wide mix., techno, rock

Rare Battle Encounter

Rare Battle Encounter

Techno-rock with driving four-on-the-floor kick, distorted bass riff, and tight syncopated toms; verse feels tense and minimal, pre-drop strips to a pulsing sub pulse and filtered guitar chugs, chorus slams with stacked power chords and octave bass, then a breakdown flashes snare rolls and reverse cymbal swells before the final surge. Aggressive male shout layers, gang-style hook doubles, and short delay throws on key hits. Bright, punchy, arena-sized mix with a hard low-end edge., techno, rock

Mud On My Boots

Mud On My Boots

Punk rock, fast and upbeat with driving four-on-the-floor drums, palm-muted verse guitars, shout-along chorus gang vocals, and a ramping pre-chorus that snaps into open-chord release; verses stay tight and street-level, chorus hits with stacked shouts and quick stop-start hits, bridge drops to one guitar and shouted half-time lines before the final blast. Raw close-mic lead vocal, doubled on hooks, with crowd-style gang shouts, skid-sound risers, and a bright, punchy mix, punk, rock

Bathroom Riot

Bathroom Riot

Punk rock with fast downstroke guitars, blastbeat-snare drive, and a shouted gang-vocal chorus; verse races with clipped lines, pre-chorus tightens into a one-line ramp, and the chorus hits with stomp-along repeats. Lead vocal is ragged and close, with doubled shouts on hook words, sneered ad-libs, and a brief drum break before the last chorus. Mix is raw, bright, and sweaty with a punchy garage bite., rock, punk

Melodic

حمّاد يا نجم المهرجان

حمّاد يا نجم المهرجان

Authentic Jordanian Tas’awiya Dabke wedding song for groom Hamad. Traditional ma’anni singer with strong call-and-response chorus, heavy dabke rhythm, tabl baladi, mijwiz, hand claps, and live wedding atmosphere. Warm elderly women voices performing natural zaghareet throughout the song. Lyrics celebrate Hamad, his brothers Firas and Omar, cousin Abdulkarim, Mohannad, and all his cousins gathering to congratulate him on his wedding day. Starts as pure Jordanian folklore, then blends with melodic techno, deep bass, emotional synths, oriental melodies, cinematic build-ups, and a powerful festival drop. Traditional vocals remain dominant while techno adds energy and excitement. Emotional, euphoric, authentic, high-energy Jordanian wedding anthem, 128 BPM.

Still breathing

Still breathing

Production Notes: * Tempo: 138 BPM * Male and female shared lead vocals * Emotional clean guitar intro that builds naturally * Strong live drums with powerful fills, not overproduced * Deep bass following the emotion of the lyrics * Warm distorted rhythm guitars in the chorus * Melodic lead guitar fills between vocal lines * Emotional guitar solo after the second chorus * Raw, passionate vocal delivery with natural grit * Big choruses driven by emotion rather than crowd chants * Soft piano and clean guitar ending

Lento

Lento

R&B soul melodic

Run the night

Run the night

A high-energy K-pop song inspired by the performance style of Stray Kids, ENHYPEN, and BLACKPINK. The song should feature powerful rap verses with strong attitude, dynamic EDM and hip-hop beats, and an explosive, catchy chorus designed for global audiences. The verses should feel intense and confident, similar to Stray Kids' energetic performance style. The pre-chorus should become more melodic and emotional, creating anticipation before the drop, with a mysterious and cinematic feeling similar to ENHYPEN. The chorus should be bold, addictive, and anthem-like, featuring confident lyrics, crowd-chant moments, and a strong "world domination" or "all eyes on us" atmosphere inspired by BLACKPINK's girl-crush concept. Include Korean and English lyrics naturally mixed together. The song should feel trendy, powerful, performance-focused, and suitable for a large concert stage. The energy should continuously build until a dramatic final chorus with layered vocals, powerful ad-libs, and an

أحبك بصوتك

أحبك بصوتك

Arabic pop ballad with a gentle mid-tempo sway, soft hand percussion and warm oud phrases in the verse; pre-chorus lifts with layered strings and breathy doubles; chorus opens into a wide melodic hook with stacked harmonies and a short clap pattern. Lead vocal stays intimate and close-mic, with echo throws on the title phrase, a small percussion fill before each chorus, and a glossy, emotional mix that feels bright and tender.

Michou

Michou

French dark melodic rap, deep and charismatic male voice, introspective storytelling, poetic wordplay, emotional delivery, atmospheric piano, ambient synths, deep bass, modern trap drums, cinematic and nocturnal mood, smooth flow switching between rap and melody, heartfelt birthday tribute to little sister Micheline (Michou), elegant writing, powerful emotions, premium studio production, catchy melodic hook, authentic and soulful performance.

بوت اللوت

بوت اللوت

Arabic trap drill with a tense half-time bounce, rattling hi-hats, booming sub drops, and a dark plucked lead that loops like a warning siren; verse rides sparse with cold drum pockets and tight ad-libs, pre-chorus strips to bass and snapped claps, chorus hits with stacked gang vocals and a bigger melodic chant. Filter sweeps, reversed risers, and glitchy fills before each drop; close-mic male vocals, gritty and aggressive, bright punchy mix

سراب الألحان الملكي

سراب الألحان الملكي

Majestic and sophisticated Khaleeji orchestral pop, in the style of Mohammed Abdu. Grand symphonic arrangement featuring lush violin sections, deep cello undertones, and a sweeping, melodic musical flow. A polished, mid-tempo authentic Khaleeji rhythm that feels grand yet intimate. High-end, pristine production, cinematic emotional scale, and dramatic intensity. Vocals are rich, resonant, and technically precise with elegant phrasing. Polished, grand, and timeless masterpiece feel.

We

We

Commercial Melodic Techno, 128 BPM. Anyma-style cinematic drops with Black Coffee groove and subtle Hip-Hop rhythm influence. The drums and percussion should have a bouncy, head-nodding Hip-Hop feel while maintaining a powerful melodic techno energy. Deep rolling bassline, driving kick drum and hypnotic groove. Create one addictive 4-note melody that repeats throughout the track. Strong flamenco female vocals, emotional and clear. Spanish flamenco guitar as the signature hook. Subtle Jordanian dabke percussion, light mizmar accents, Indian tabla textures, Chinese erhu atmosphere and Argentinian tango strings blended tastefully. The music must feel global, luxurious, emotional and highly danceable. Huge drops, cinematic synths, goosebump-inducing tension and unforgettable melodies. Make people dance, move their heads and remember the hook instantly.

We

We

Commercial Melodic Techno & Deep House, 128 BPM. Anyma-style cinematic production with powerful kick drum, deep rolling bassline, hypnotic groove and massive emotional drops. Crystal-clear female vocals are the priority. Strong flamenco female singer with an emotional and unforgettable voice. Create one addictive 4-note melody that repeats throughout the entire track. Blend global influences: Spanish flamenco guitar, Jordanian dabke percussion and mizmar accents, Indian sitar textures and tabla rhythms, Chinese erhu melodies and atmospheric elements, Argentinian tango strings and bandoneon touches, Mexican guitar flourishes. Keep the techno and house energy dominant. Huge festival drops, cinematic synths, emotional tension and release. Luxury fashion soundtrack. Dark, elegant, emotional, addictive and highly danceable. Timeless global sound with strong replay value and u Make the vocals 30% louder than the instrumental. Vocal clarity is more important than sound effects, synths or bass

We

We

Commercial Melodic Techno, 128 BPM. Anyma-style cinematic production with powerful kick drum, deep rolling bassline, hypnotic groove and massive emotional drops. Vocals are the priority and must be crystal clear, loud and always understandable. Strong flamenco female vocalist with a rich, emotional and commanding voice. Add short spoken-word monologue moments, intimate and mysterious. Create one addictive 4-note melody that repeats throughout the track, first on flamenco guitar, then vocal chants, then lead synth during the drop. Huge techno energy, deep bass, cinematic synths, organic percussion, subtle dabke groove and light mizmar accents. Luxury fashion soundtrack, Ibiza meets Cairo nightlife. Emotional, dark, elegant, highly danceable and unforgettable. Festival-quality production with strong replay value and goosebump-inducing atmosphere. Make the vocals 30% louder than the instrumental. Vocal clarity is more important than sound effects, synths or bass

We

We

Commercial Melodic Techno, 128 BPM. Anyma-style cinematic production with Black Coffee groove and movement. Powerful driving kick drum, deep rolling bassline, hypnotic rhythm, massive emotional drops and strong house energy that makes people dance instantly. Create one unforgettable 4-note hook melody that repeats throughout the entire track. The melody must be simple, addictive, emotional and instantly recognizable after one listen. First played by flamenco guitar, then echoed by a haunting female vocal chant, then repeated by the melodic techno lead synth during the drop. Use the same melody throughout the song in different forms. Spanish flamenco female vocalist with a powerful emotional voice. Two female vocalists in duet. Luxury fashion soundtrack. Subtle Levantine dabke percussion, light mizmar accents and organic percussion for identity. Deep atmospheric synths, goosebump-inducing tension and euphoric festival drops. Music must dominate over vocals. Dark, emotional, addictive, e

Aripov 2

Aripov 2

“Grand cinematic opening, presidential gala atmosphere, massive symphonic orchestra, powerful taiko drums, bright brass fanfare, cinematic choir, luxury world music production, festival crowd ambience, energetic dance beat 128 BPM” “Male announcer voice, warm and majestic” Good evening, dear friends! Welcome to this beautiful celebration of family, love and friendship. From sunny Delhi to magnificent Tashkent, let our hearts unite tonight! Please welcome Balam Muhammad and Aayat! “Orchestral hit” “Massive brass” “DJ vinyl scratch” “Children laughter” “Rising cinematic sweep”

Icebound Pulse Parade

Icebound Pulse Parade

808 dance acoustic guitar upbeat

Wannabe Wannabe

Wannabe Wannabe

Dance-pop with punchy four-on-the-floor kick, rubbery bass, clapping snares, and bratty chant hooks; verse rides sparse synth stabs and tight percussion, pre-chorus strips to handclaps and rising vocal stacks, chorus hits with a big neon-pluck lead and group shouts on the anchor phrase. Lead vocal is bright and cheeky with doubled hooks, ad-lib replies, and short delay throws on key words. Ear candy: filtered risers into each chorus, a reversed swell before the drop, and glossy vocal chops on the tag. Mix is crisp, wide, and high-energy.

Masjja Fi Di Beat: Gaza Rhythm Revolution

Masjja Fi Di Beat: Gaza Rhythm Revolution

Here’s a Dancehall Gaza Masjja-style anthem (raw energy, street vibes, sound system chant style 🇯🇲🔥): 🎤 “Gaza Masjja Rule the Area” (Intro) Yeahhh… Gaza Masjja! Portmore vibes, Masjja empire! Weh dem know ’bout di real street fire? 🔥 (Chorus) Gaza Masjja rule di area, loud inna di speaker 🔊 Badness no tek check, we step in like reaper From Masjja to di world, we hotter than fever If yuh diss di crew, better pray to yuh leader Gaza Masjja, Gaza Masjja We no run from nada Gaza Masjja, Gaza M

Run The Line

Run The Line

Big beat electronic dance with punchy four-on-the-floor kick, crunchy breakbeat snaps, distorted synth stabs, and a driving bass riff; verse rides sparse drums and a filtered groove, pre-chorus strips to vocal chops and rising noise, chorus hits with stacked hooks and a wider synth blast. Chopped lead vocals, shouted doubles on the hook, short delay throws, reverse swells into drops, and a bright, aggressive club mix with heavy sidechain pump.

Primo giorno

Primo giorno

female vocals, autotune, high pitched notes, hard rock, dance, happy, summer hit song, sweet, romantic, sexy, bitch, sensual, love

Primo giorno

Primo giorno

female vocals, autotune, high pitched notes, dance, happy, summer hit song, sweet, romantic, sexy, bitch, sensual, hit, mooving

Oasis de Luna

Oasis de Luna

Commercial Melodic Techno, 128 BPM. Anyma-style cinematic production with Black Coffee groove and Bedouin atmosphere. Powerful driving kick, deep rolling bassline, hypnotic rhythm and massive emotional drops. Create an unforgettable 4-note melodic hook that repeats throughout the track. First played by flamenco guitar, then echoed by a modern melodic techno synth and subtle mizmar. Spanish flamenco female vocalist with a haunting powerful voice, paired with an authentic Jordanian Arabic female singer with natural emotional pronunciation. Duet vocals, call-and-response style. Arabic darbuka, tribal percussion, atmospheric pads and cinematic strings. Before every drop, strip the music down to flamenco guitar, Arabic vocals and light percussion. Half-second silence, then a euphoric festival drop. Dark, emotional, addictive, elegant, highly danceable, luxury fashion soundtrack, timeless and unforgettable with strong replay value.

Birthday for sis

Birthday for sis

Emotional, soulful uptempo dance‑groove tone. Smooth, rhythmic delivery with warm rasp and deep feeling. Voice should sound like someone smiling through heartbreak, celebrating love while carrying loss. Keep the tempo lively with soulful phrasing, light ad‑lib energy, and a bittersweet edge. Confident, warm, and heartfelt with a steady groove.

V13

V13

Commercial Melodic Techno, 126 BPM. Anyma cinematic production with Black Coffee groove, Saint Levant emotion and authentic Levantine Arabic vocals. Deep rolling bassline, hypnotic rhythm, powerful kick, emotional builds and huge melodic drops. Spanish flamenco female singer with a haunting voice, paired with a Jordanian Arabic female vocalist in a natural duet. Flamenco guitar leads the melody, supported by darbuka, frame drums, organic percussion, atmospheric pads and cinematic synths. Before every drop, strip the track down to Arabic vocals, flamenco guitar and light percussion, then explode into a euphoric festival drop with deep bass and unforgettable melodies. Luxury fashion soundtrack, Ibiza sunset meets Cairo midnight. Emotional, powerful, elegant, addictive, timeless and highly danceable. Designed for reels, fashion films and clubs, with strong replay value and global appeal.!!!

V13

V13

Dark Cinematic Melodic Techno, 128 BPM. Anyma, Adriatique and Tale Of Us inspired. Massive emotional techno production with a powerful driving kick, deep sub bass, hypnotic rolling bassline and cinematic synths. Two female vocalists in a duet: one authentic Levantine Arabic singer with natural Jordanian pronunciation, one international Spanish/English vocalist with a haunting flamenco voice. Call-and-response vocal style, blending Arabic and English naturally. Music must dominate over vocals. Long atmospheric builds, emotional tension, goosebump-inducing melodies and euphoric melodic techno drops. Flamenco guitar used as a signature hook. Arabic vocals appear mainly before the drop for emotional impact. Half-second silence before the drop. Huge Anyma-style lead synth, deep bass and festival energy. Dark, addictive, emotional, elegant and highly danceable. Luxury fashion soundtrack, unforgettable melody, strong replay value, timeless global sound.

V13

V13

Commercial Melodic Techno, 126 BPM. Anyma-style cinematic production with Black Coffee groove and Bedouin atmosphere. Deep rolling bassline, hypnotic rhythm, powerful kick drum, emotional build-ups and massive melodic drops. Spanish flamenco female vocalist with a strong haunting voice, authentic Jordanian Arabic female singer with natural pronunciation and emotional delivery. Duet vocals with call-and-response moments. Flamenco guitar as the main melodic hook, supported by Arabic darbuka, tribal percussion, organic house textures, atmospheric pads and cinematic synths. Before every drop, reduce the track to flamenco guitar, Arabic vocals and light percussion, creating tension and emotion. Then explode into a euphoric melodic techno drop with deep bass, unforgettable melodies, festival energy and luxury fashion film vibes. Ibiza sunset meets Cairo midnight. Emotional, addictive, timeless and highly danceable.

قيثارة الأمواج

قيثارة الأمواج

new wave, piano, classical, guitar

Boarding Pass Blues

Boarding Pass Blues

Hip-hop diss track, mid-tempo boom-bap with gritty swung drums, punchy bass, and sharp clap accents; verse rides sparse piano stabs and tight percussion, pre-chorus strips to kick, bass, and a siren-like synth rise, chorus hits with stacked group shouts and a nasty chantable hook. Lead vocal is close-mic and dry in verses, doubled and snarling on hooks, with ad-lib throws on punch lines. Ear candy includes airport PA snippets, reversed swells into the chorus, and quick tape-stop cuts before name-drops. Mix is loud, crisp, and dirty-clean, built for a petty anthem.

Sturm im Hafen

Sturm im Hafen

German folk-pop worship ballad with accordion, fiddle, piano, pan flute, and organ; driving 6/8 sway, verse stays hushed and close, pre-chorus lifts with tightening harmonies, chorus opens into six-part stacked vocals and a chantable lift, mid-song instrumental solo carried by violin and pan flute over piano, final chorus swells with organ and gang-style choir. Warm close-mic lead, rich choral doubles on hooks, wind swells, deck creaks, and a big reverent mix with cinematic width.

Hafen der Gnade

Hafen der Gnade

German folk-pop worship ballad with accordion, violin, piano, pan flute and organ; slow swaying 6/8 feel, verse begins sparse with accordion and piano, pre-chorus lifts with violin lines and stacked harmonies, chorus opens wide with six-part vocal layers and organ swell, middle section features a plaintive instrumental solo that hands back into a final soaring chorus. Lead vocal intimate and weathered, with warm choral doubles, echo throws on key words, and a wide, luminous mix with storm effects and ship creaks

MomSolo

MomSolo

Pop nostalgie slow piano saxophone

Cuando lo Imposible se Volvió Posible

Cuando lo Imposible se Volvió Posible

Country balada romántica en español latino, profundamente emocional y cinematográfica. Guitarras acústicas cálidas, piano sentimental, violines suaves, percusión sutil y atmósferas envolventes. Voz femenina llena de sentimiento, interpretación íntima y auténtica. La historia narra un amor que nació de forma inesperada entre Valladolid, Yucatán y Calderitas. Recuerdos de una tarde-noche en los columpios de un parque, conversaciones interminables, una mano que volvió a sanar un corazón herido y un primer beso en el bus rumbo al mirador. La canción debe transmitir gratitud, admiración, complicidad, confianza absoluta, respeto mutuo y amor eterno. Coro poderoso, memorable y emotivo. Producción moderna, cálida y elegante, con crecimiento progresivo hasta un final lleno de esperanza. Duración aproximada de 3 a 4 minutos. Acento mexicano del sureste. Enfoque en recuerdos reales, destino, segundas oportunidades y amor para toda la vida.

Flamme d'Échos Silencieux

Flamme d'Échos Silencieux

Pop soft violon piano guitare, saxophone, techno

Hip Hop

Elektronik Bağlama Rüzgarı

Elektronik Bağlama Rüzgarı

Elektronik bağlama hip hop

Elektronik Bağlama Gol Vuruşu

Elektronik Bağlama Gol Vuruşu

Elektronik bağlama hızlı ve hip hop

Bağlama Beat Elektrik Ritim Yıldızlar

Bağlama Beat Elektrik Ritim Yıldızlar

Elektronik bağlama hip hop

Saz Hip Zurna Beats

Saz Hip Zurna Beats

Saz elektronikli bağlama hip hop zurna da davul da olsun

Electric Kora Pulse

Electric Kora Pulse

Elektronik bağlama hip hop

Gremium Romania

Gremium Romania

Heavy metal hip hop Hardcore dark rap with hardware-rattle percussion, dark electric rock guitar riffs, and Viking battle chants; verse rides tense half-time with low, clipped delivery and gritty gang doubles, pre-chorus tightens with rising screams and metallic hits, chorus opens on huge shouted hook with male crowd vocals. Ear candy: sword-steel swipes, reversed horn swells, and a final riff break before the last chant. Mix is dark, wide, and heavy with sharp guitar bite and sub-bass pressure., rock, rap, electric

Iron Wolves United

Iron Wolves United

Hardcore dark rap-rock with stomping half-time drums, distorted electric guitar riffs, and a grim bass pulse; verse rides sparse drums and tense guitar chugs, pre-chorus opens with rising gang shouts and filtered tension, chorus slams with wide shouted doubles and a chantable hook. Breaks use snare rolls, reverse cymbal swells, and cold sub hits. Powerful male vocal, gritty close-mic verses, arena-size hooks, aggressive mix, bright and crushing., hardcore, electric, rock, hip hop, rap

Steel on the Border

Steel on the Border

Hardcore dark rap with electric guitar riffs, Viking rock chants, and dark hip hop drums; verse rides a brooding half-time stomp with gritty bass and gang shouts, pre-chorus tightens to snare snaps and distorted guitar tremolo, chorus slams with shouted hooks and stacked voices. Close-mic male vocal, rough doubles, call-and-response ad-libs, reverse cymbal swells into drops, metallic impacts and crowd-style chants. Wide, raw, and heavy, rap, electric, rock, hip hop, hardcore

Gremium Romania

Gremium Romania

Hardcore dark rap, hip hop with hardware-rattle percussion, dark electric rock guitar riffs, marching toms, and Viking battle chants; verse rides tense half-time with low, clipped delivery and gritty gang doubles, pre-chorus tightens with rising screams and metallic hits, chorus opens on huge shouted hook with male crowd vocals. Ear candy: sword-steel swipes, reversed horn swells, and a final riff break before the last chant. Mix is dark, wide, and heavy with sharp guitar bite and sub-bass pressure., rock, rap, electric

Teampat  Aku Mengadu

Teampat Aku Mengadu

Mellow Spiritual Rap, Emotional Lo-Fi Hip Hop, 70 Bpm, Warm Emotional Piano, Deep Ambient Pad, Soft Trap Drums, Smooth Sub Bass, Minimal Percussion, Calm Male Voice, Slow Reflective Rap Flow, Emotional Singing Hook, Cinematic Night Atmosphere, Atmospheric Texture, Heartfelt Malay Lyrics, Healing Energy, Airy Reverb, Modern Islamic Inspirational Vibe, Soulful And Hypnotic, Dark Blue Midnight Mood, Soft Vocal Echo, Intimate Storytelling. Key: D Minor Tempo: 70 Bpm Mood: Calm, Emotional, Deep, Healing Style: Modern Mellow Spiritual Rap Instruments: - Warm Felt Piano - Ambient Synth Pad - Deep Sub Bass - Soft Trap Kick - Light Rim Snare - Reverse Piano Fx - Atmospheric Texture - Soft Drone Layer - Air Vocal Texture Mix: - Wide Reverb - Smooth Compression - Warm Analog Tone - Dark Cinematic Space Soft Emotional Male Voice, Calm And Intimate Tone, Deep Reflective Rap Flow, Heartfelt Delivery, Smooth Melodic Hook, Emotional Breathing Texture, Cinematic Vocal Atmosphere, Gentle Echo, Peaceful.

Sweet Escape Sumedang

Sweet Escape Sumedang

Hip hop rap with a bouncy mid-tempo boom-bap groove, tight kick-snare pocket and rolling sub bass; verse rides sparse drums and a dusty piano loop, pre-chorus opens with filtered claps and a short riser, chorus hits with stacked gang vocals and a chopped vocal chant on the shop name. Lead vocal stays close-mic and punchy with double-tracked hook lines, ad-lib echoes on key words, and a quick tape-stop flourish into the final chorus. Bright, glossy mix with gritty drum grit and warm bakery-room atmosphere., rap, hip hop

Sweet Escape Sumedang

Sweet Escape Sumedang

Hip-hop rap with bouncy boom-bap drums and elastic sub-bass, verse rides on tight kick-snare pockets with playful internal rhymes; pre-chorus lifts with filtered claps and rising vocal stacks; chorus hits with gang-shouted hook and chopped ad-libs. Lead vocal is dry and upfront with doubled hook lines, short delay throws on the last word of each bar, and a few call-and-response parentheticals. Ear candy includes vinyl crackle, a quick reverse swell into the chorus, and bell hits between lines. Mix is bright, punchy, and street-clean with warm low-end, rap, hip hop

Sable d'Âme Nocturne

Sable d'Âme Nocturne

[((Classic french hip hop, melancholic orchestrations, heavy dramatic piano chords, dark strings, solemn cinematic atmosphere, raw powerful conscious rap, deepest gravelly hardcore male voice, spoken word intensity, poetic slam, authentic, universal))]

Sable d’Éclipse

Sable d’Éclipse

[((90s french hip hop, smooth boom bap rhythm, jazz rap vibe, warm acoustic guitar loop, deep round bassline, calm poetic male rap vocals, rhythmic flow, classy, serene, solar mood, authentic, universal))]

Sable ACIDE JAZZ 2

Sable ACIDE JAZZ 2

[((90s french hip hop, smooth boom bap rhythm, jazz rap vibe, warm acoustic guitar loop, deep round bassline, calm poetic male rap vocals, rhythmic flow, classy, serene, solar mood, authentic, universal))]

Wave of the Winter

Wave of the Winter

Hip hop, gangsta rap, trap

Wings for Sale

Wings for Sale

Hip hop-hard rock metal fusion with Jamaican patois bounce, midtempo head-nod swing and chunky half-time stomps; verse rides tight rap over distorted acoustic strums, violin stabs, and keyboard pulses; pre-chorus strips to bass and toms, chorus slams with gang shouts and doubled screams. Filtered risers, reverse violin swells, and a final drum break. Bright, aggressive, punchy mix with wide guitars and upfront vocal grit., electric, hip hop, acoustic, hard rock, violin, metal, sleep

Muro Molhado

Muro Molhado

Lo-fi hip hop with dusty boom-bap drums, swung hi-hats, and a mellow bass line; verse rides sparse vinyl crackle and chopped guitar, pre-chorus tightens with filtered pads and a muted snare roll, chorus opens with a sticky repeated hook and whispered doubles. Add tape stop transitions, distant siren swell, and spray-can clicks as ear candy. Intimate close-mic lead, soft ad-libs, warm and grainy mix., lo-fi, hip hop

Corporate War

Corporate War

Modern hip hop with hard trap drums and gritty boom-bap swing, mid-tempo and aggressive; verse rides tense 808 slides and clipped hats, pre-chorus strips to a snare clap and bass rumble, chorus hits with stacked gang shouts and distorted chant doubles. Add cash-register hits, alarm risers, and vinyl crackle. Bright, punchy, close-mic mix with a bruised low end., rap, hip hop

Electronic

Telin Neon

Telin Neon

Electronic folk with driving 4-on-the-floor pulse and syncopated darbuka-style percussion, led by a shimmering saz motif over sub bass and clipped synth plucks; verse section stays sparse and hypnotic, pre-drop filters the melody and adds reversed swells, chorus opens with stacked octave saz lines and punchier drums. Breathy risers, metallic ticks, and delay tails on fills. Bright, glossy, club-ready mix.

Nennt mich gloria

Nennt mich gloria

Afrohouse, ex, experimental, Ambient, mandolin, electronic, lounge, grazil elements

Pulse Runner

Pulse Runner

Big beat electronic with propulsive four-on-the-floor kick, chunky syncopated breakbeat chops, distorted synth stabs, and a relentless low-end pulse; verse rides tight drum loops and clipped vocal fragments, pre-chorus strips to filtered percussion and rising noise, chorus slams with stacked shouts and a huge bass hook, then a breakdown drops to handclaps and a smeared sample before the final surge. Processed male vocal with doubled hooks, short delay throws, chopped ad-libs, and crowd-like gang accents. Crackling tape texture, reverse swells, and abrupt filter opens. Bright, aggressive, wide, and punchy.

Rusted Pulse

Rusted Pulse

Electronic grunge with a stomping mid-tempo four-on-the-floor, distorted synth bass, crunchy breakbeat fills, and jagged filter-sweeps; verse stays stripped to drum machine, sub, and scratched guitar shards, pre-chorus opens with rising noise and clipped vocal repeats, chorus hits with stacked gang hooks and brutal sidechain pumps. Dry close-mic lead vocal with shouted doubles, ping-pong delay throws on key words, reversed swells into each drop, cracked vinyl texture, bright and punchy mix with a filthy low end., electronic, grunge

هواة حنينٍ عالٍ

هواة حنينٍ عالٍ

Atmospheric Cinematic Khaleeji ballad, modern fusion style. Deep and melancholic piano-driven composition blended with subtle, moody electronic textures and ambient soundscapes. Sophisticated, slow-paced modern Khaleeji percussion (percussive heartbeat feel), no traditional oud solo. Emotional, breathy, and close-mic male vocals with high-end production clarity. Cinematic, vast, spacious, and deeply immersive. Evocative of a modern, high-budget emotional ballad.

Power Surge

Power Surge

Anthemic digitally-infused worship rock with massive arena energy. Male tenor lead vocal (A minor–Bb major range). Start atmospheric and intimate with synth pulses, ambient textures, vocal chops, glitch effects and delayed guitar. Build into huge worship-pop-punk choruses with driving drums, soaring guitars, gang vocals and cinematic synth layers. Frequent vocal slicing, stutters, skips and electronic textures throughout. Tight harmony stacks on key declarations. Dynamic rise from restrained verses to explosive choruses. Bridge continually escalates beyond the chorus with arpeggiated synths, layered vocals, choir textures and increasing intensity before a dramatic drop and triumphant “Amen” payoff. Influenced by Matt Maher, David Crowder, Steve Fee, modern worship, electronic rock and anthemic pop-punk.

Echoes of the Invisible Archive

Echoes of the Invisible Archive

a cinematic electronic score that begins with quiet tension and mystery, using deep analog synth drones, distant pulses, and sparse piano. Gradually build into intelligent futuristic percussion and emotional atmospheric pads. The mood should feel like discovering an urban legend that transforms into a profound scientific truth. Think Hans Zimmer meets Trent Reznor with subtle sci-fi ambience, ending with wonder rather than fear. Instrumental only.

Au poignet lunaire

Au poignet lunaire

Jazz dance with a brisk swung groove and electronic accordion riffs, anchored by upright bass snaps and clipped kit patterns; verse rides on tight rhythmic phrasing, pre-chorus opens with handclaps and filtered bell swells, chorus lands on a chanty lift with doubled vocals and playful crowd shouts. Accordion glissandos, reverse cymbal lifts, and short delay throws on key words. Bright, glossy, and elegant., jazz

Sitora

Sitora

Grand celebration in a luxury concert hall, cinematic orchestral pop, Uzbek pop mixed with Indian Bollywood style, festive atmosphere, powerful female and male vocals, choir of girls, rich strings, brass section, electronic dance elements, Indian dhol, tabla, Uzbek doira, joyful audience, emotional and uplifting, world music fusion, crystal clear vocals, festival atmosphere, luxury event, dynamic transitions between Uzbek and Indian melodies, cinematic finale, crowd cheering, professional live show.”

Toxic as hell

Toxic as hell

Gqom Electronic Ultra Beats / Hardstyle Commercial EDM & Electro HouseTrance & Progressive House: Commentary

Amer lodZak

Amer lodZak

Vesela balkanska narodna muzika, ženski glas, vedar i emotivan vokal, tradicionalna harmonika kao glavni instrument, akustična gitara, bas, bubanj, lagano brži narodni ritam, kafanska atmosfera, kamiondžijska pjesma, catchy refren za pjevanje, truck horn sound effect twice before every chorus, upbeat Balkan folk, clear female vocal, warm village-party feeling, no modern pop, no electronic synths.

Energi Pesta Jalan

Energi Pesta Jalan

Create a modern masculine pop-rock song with a confident, attractive, and charismatic male vocal. The voice should be clean, smooth, deep, and slightly husky, avoiding an overly raspy or screaming style. Deliver the vocals with relaxed swagger, emotional control, and strong rhythm, giving the feeling of confidence and seduction. The instrumental should combine catchy pop melodies with powerful rock guitars, tight bass, punchy drums, and subtle electronic textures. Build a steady, hypnotic groove with a sensual, body-moving rhythm that feels intimate and energetic, driven by a deep kick and groovy bassline. Keep the chorus anthemic and memorable, with polished studio production, cinematic atmosphere, and rich harmonies. Tempo around 110–125 BPM, creating a smooth, masculine, easy-listening vibe that is catchy, addictive, and full of confident energy.

LA Sabiduría. CantÆscritor: Ángel Antonio Varela. ©™®

LA Sabiduría. CantÆscritor: Ángel Antonio Varela. ©™®

Voz-Expectral-A.A.Mc.V-4-8Hz, And bass trance and GarifunaTribal music 🎵🎶, 30-100Hz-synthesizer-fusion-Flamenco, Hard/Rock. 432Hz-electronic dance-Flow/Reguetón/ Techno/Country...., electronic/emo. Analogy Mixer and Native American Music 🎵🎶., trance, dance, electronic

Sabiduría. CantÆscritor: Ángel Antonio Varela. ©™®

Sabiduría. CantÆscritor: Ángel Antonio Varela. ©™®

Voz-A.A.Mc.V-4-8Hz, And bass trance-Garifuna Tribal, synthesizer fusion-Flamenco-Hard Rock. electronic dance-Flow pop.

Sri Mujiati

Sri Mujiati

Prompt (English): Create an energetic Indonesian dangdut instrumental with a koplo groove and strong Sundanese–Javanese musical influences. The rhythm should be lively, infectious, and easy to dance to, around 98–105 BPM, with dynamic dangdut kendang koplo driving the entire arrangement. Use suling Sunda, kendang, melodic bass, rhythm guitar, electric guitar fills, keyboard, and traditional pentatonic melodies inspired by West and Central Java. The melody should be catchy, joyful, and easy to remember, with call-and-response phrases between the flute and guitar. Include a short intro, energetic verses, a powerful sing-along chorus, an exciting instrumental break, and a festive ending. The overall atmosphere should feel like a village celebration or community gathering, warm, cheerful, and authentic, while maintaining a polished modern production. Avoid EDM, trap, rock, and heavy electronic sounds; prioritize live instruments and classic Indonesian dangdut energy.

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