Terror V3

Follow all [bracketed] performance cues precisely. NEVER sing, speak or read bracketed instructions aloud. Preserve lyrics VERBATIM, including swearing, Cockney pronunciation and ad-libs. Honour spoken, shouted, whispered and sung sections. Clean studio mix, no long instrumental breaks, decisive ending. Bee Gees "Stayin' Alive" meets Disco Heaven. Authentic 1970s Saturday Night Fever funk with Studio 54 swagger, driving four-on-the-floor drums, octave-walking bass, wah-wah guitar, clavinet, punchy brass, soaring disco strings, symphony orchestra and heavenly gospel choir. Joyful, theatrical, funky, irresistibly danceable, big-screen soundtrack. Lead: mature, deep, gritty British Cockney male with charismatic swagger, dry comic timing and expressive theatrical acting. Natural London accent, spoken dialogue, rhythmic talk-singing and powerful sung choruses. No American accent, nasal vocals or lead falsetto. Bee Gees-style falsetto reserved for backing harmonies.

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Lyrics

[Under 3:00] [Intro: Cold open | Short | Dialogue only | Rhythmic spoken dialogue | cheeky Cockney] [Yells] WHAT THE FUCK?!! [Instantly smug] Right..OPERATION BYE-BYE-TWEETY-FUCKIN-PIE! EASY-PEASY, LEMON-FUCKIN-SQUEEZY! FIRST ORDER OF BIZNIZ IS TO DISARM ‘IS MISSUS! Just folla my lead yeah? [Cheeky] And REMEMBA BOYS - eyes ‘n teef. [Note Falls downwards and off as lead falls down cliff ] Eyes…. AND…TEEEEEF! [Verse 1: Immediate vocal, full disco-funk groove, octave walking bass, strings, Cockney swagger] Evenin Cunts! We're ‘ere to commit a bit of High~ treason [choir] (Bill-eee-He he he he-hehe) Go on son! 'Ave a bump Never go inta shark infested waters wivout chum. If there IS some geezer up ear Wiv a big white beard, E's a world ‘evvy-weigh’ CUNT! [Pre-Chorus: Groove builds, continuous vocal] I tell ya what to fuckin' do... and you FUCKIN' dooo it~ [Chorus: Big disco-funk groove with symphony percussion only, brass hits, stacked choir harmony backing] TERROR! Fuck it! Fuckin' diabolical! Don't you worry son... (You'll love it!) DADDY'S COMIN' HOME!! I'd call you a cunt... (He's bad...) But you ain't got the depff or the warmff! [Verse 2 | stronger lead vocal | bigger strings | brass punches | syncopation: heavy] Well, well, well... If it ain't the invisible cunt! I'll tell ya ‘oo YOU are— a fuckin' moron! You can be pissy as ya like, but we both know... [Obviously Lying] I ain‘t the bad guy ear! [Sudden spoken outburst, layered stacked harmonies] THE FUCKIN' KID'S STARK RAAAY-VIN! [Pre-Chorus: Low spoken delivery, continuous groove] [Dialogue] [Seething angry] We should lob a fuckin’ NUKE at ‘im Get it over and done wiv! You know wot I'm sayin? [Chorus: Bigger groove, thicker backing vocals] Terror! Fuck it! Fuckin' diabolical! Don't you worry son... You'll love it! DADDY'S COMIN’ HOME! I'd call you a cunt... (He's bad...) But you ain't got the depff or the warmff! [Breakdown: Funky drum break and a haunting strings melody, rhythmic and played behind the dialogue] [SINISTER] Expectin’ an ‘appy endin’, were we? Well... [Demonic] I'm sorry You-Eeee… [YELLED] It AIN'T that kinda MASS-Arge parlour. [Hyped] ‘Ere we fuckin’ go…. [YELLING] BOOM! ClAIRET EVERYWHERE! [Silence] [Spoken | mocking] [Unhinged] Annie - you OK? [louder] Annie are ya OK?! OI! - I SAID ARE YA 'OK ANNIE!! Bloody ‘ell - turns out I woz wrong about yer missus all along… [Screams] SHE'S ARMLESS! HEE-HEEEE [NO BREAK] [Final Chorus: Biggest groove, party feel, immediate triumphant lead vocal backed by layered celestial gospel choir backing] Terror! Fuck it! Fuuu-ckin' diabolical! Don't you worry son... You'll love it! [Peak moment] [Belted by lead] [GLEEFUL] [SMUG] DADDY'S FUCKIN' HOME!! I'd call you a CUNT! (He's bad...) But you ain't got the depth or the warmth! [Outro] [Spoken word | Yelling] WELL I FUCKIN’ WARNED YA, DIN-I?! YOU-EEEEEE!! THERE…WE ALL SQUARE? [Evil laugh echoes] Hahahahahaaaaaaaaa-haaa [End]

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