"Reggaeton"
Songs created with Voices AI

Songs made with Voices AI bring voice technology into music - from covers to original tracks. Hear how creators and our community are using AI voices to explore new sounds and ideas.

Dos Acordes

Dos Acordes

Detroit urbano romántico fused with old-school reggaeton, mid-tempo bounce and dembow-locked percussion, built on a minimalist 1–2 note topline and a looping two-chord progression; verses ride sparse piano/pluck, sub bass, and restrained Detroit drum movement, pre-choruses thin out to percussion and vocal focus, choruses land with the dembow pattern, deeper low-end, and a simple chantable hook. Male vocals, close-mic spoken-sung delivery with Auto-Tune smoothing the almost linear melody, doubled lines on key phrases, subtle delay throws, breathy ad-libs, tiny reverse swells into transitions, dry-to-room contrast, warm intimate mix with pocket-heavy punch., vocal

La Casa Arde

La Casa Arde

Reggaeton dembow with syncopated percussion, handclaps, and a bouncing sub-bass line; verse stays tight with sparse drums and cheeky vocal phrasing, pre-chorus lifts with filtered synths and rising chants, chorus hits wider with stacked gang vocals and a sharp brass stab on the hook. Short ad-libs, delay throws on key words, reversed sweeps into each drop, bright and punchy mix built for the dance floor.

Me Pica la Rata

Me Pica la Rata

Reggaeton urbano con dembow pegajoso y percusión seca; verso ligero y hablado, pre-coro sube con coros susurrados y tensión cómica, coro corto y repetitivo con respuesta de grupo; puente baja a media voz con palmas y vuelta final más grande. Voz cercana, doble en estribillo, ad-libs juguetones, mezcla brillante y apretada con bajo profundo y detalles de risas y golpes de caja.

Los De La Cámara

Los De La Cámara

Reggaeton with dembow-locked percussion, sharp palm-muted synth hits, and a rolling low-end groove; verse stays tense and conversational with minimal drums and bass, pre-chorus strips to percussion and vocal chants, chorus drops with full kick, snap claps, brass punches, and shouted group responses. Lead vocal is close-mic and gritty in verses, doubled on hooks with gang ad-libs and short delay throws. Ear candy includes filtered risers, reversed percussive swells, and a quick horn stab before each chorus. Mix is bright, punchy, and club-ready.

Daylin Cree En Mí

Daylin Cree En Mí

Latin pop reggaeton with dembow-locked percussion, warm synth bass, and palm-muted guitar stabs; verse stays tight and intimate with sparse drums and close-mic lead, pre-chorus lifts with filtered pads and rising claps, chorus opens into stacked gang vocals on the name phrase and a bouncing hook. Short delay throws on key words, airy risers into each drop, bright punchy mix with a glossy club sheen.

Fernando y Mariela

Fernando y Mariela

Spanish-language romantic urbano-pop with dembow-leaning pulse, soft reggaeton groove and tender acoustic guitar accents; verse keeps it intimate and conversational, pre-chorus lifts with filtered percussion and stacked harmonies, chorus opens wide with chantable doubles and short delay throws on the names. Add airy risers, phone-notification sparkles, and a warm bass bloom into the hook. Bright, polished, close-mic mix with glossy emotional sheen., romantico

Te culpo y ella

Te culpo y ella

Latin pop reggaeton with a midtempo dembow pulse, syncopated kick and muted snap, verse kept sparse with bass, clave, and short guitar stabs; pre-chorus opens with filtered percussion and rising vocal layers; chorus drops into a wide hook with stacked doubles, call-and-response ad-libs, and a short brass hit. Add reverse swells into each chorus, a percussive break before the bridge, and a glossy close-mic lead with warm, punchy mix.

Arena y Mentiras

Arena y Mentiras

Latin pop with reggaeton-leaning dembow groove, midtempo pulse, syncopated percussion and warm bass; verse stays sparse with palm-muted guitar and close-mic lead, pre-chorus lifts with filtered pads and layered oh-oh backing vocals, chorus opens with full drums, handclaps, and a chantable hook, bridge pulls back to half-time with a tense vocal break before the final chorus. Bright, glossy mix with intimate verses and wide, emotional hooks.

DJ Dola Dola

DJ Dola Dola

Reggaeton dembow with bouncy syncopated percussion and a rubbery bassline; verse stays lean with handclaps, muted synth plucks, and tight rhythmic phrasing, pre-chorus builds with filtered snare rolls and vocal lifts, chorus opens with full dembow, gang doubles, and a catchy shout. Ad-libs ping wide, reverse swells bridge into each drop, and the mix is bright, glossy, and club-ready.

Papá Pig Viene

Papá Pig Viene

Reggaeton romántico con dembow marcado y bajo profundo; verso íntimo con percusión seca y guitarras cortadas; pre-coro sube con filtros y coros apilados; coro entra con tumbao abierto, palmas y respuesta en grupo. Voz principal cercana con dobles en el hook, ecos cortos en palabras clave, risers suaves y campana invertida antes del coro. Mezcla brillante y pegajosa, cálida en la voz y muy al frente.

Kaméa

Kaméa

Reggae, reggaeton, afrobeat, djembe, ukulele, vocal, disco, acoustic, percussions

A kamea

A kamea

heartfelt males vocals, zouk love, reggaeton, smooth acoustic guitar and saxophone melodies, tambour, acoustic, warm rhythm, saxophone, heartfelt, smooth, female vocals, warm, zouk, Steeldrum, afrobeat, reggae jamaican

A kamea

A kamea

heartfelt males vocals, zouk love, reggaeton, emotional and sensual atmosphere, smooth acoustic guitar and saxophone melodies, tambour, acoustic, emotional, warm rhythm, saxophone, heartfelt, smooth, female vocals, warm, zouk, Steeldrum, Dancehall -Type Beat, Latin Pop Stadium -Anthem Beat, Afro-Latino Dance Beat, World Cup / Anthem Pop Beat 120 BPM, pop/Afrobeats, Call-and-Response, synth bass, sub bass, Afrobeats, Soukous, Reggaeton, Dembow, club/EDM, 115 à 125 BPM, djembe, drum and bass, piano, synthétiseur

Kaméa

Kaméa

heartfelt males vocals, zouk love, reggaeton, emotional and sensual atmosphere, Latin Pop Stadium -Anthem Beat, Afro-Latino Dance Beat, World Cup / Anthem Pop Beat 120 BPM, pop/Afrobeats, Call-and-Response, synth bass, sub bass, Afrobeats, Soukous, Reggaeton, Dembow, club/EDM, 115 à 125 BPM, smooth acoustic guitar and saxophone melodies, tambour, acoustic, emotional, warm rhythm, saxophone, heartfelt, smooth, female vocals, warm, zouk, Steeldrum, Dancehall -Type Beat, Latin Pop Stadium -Anthem Beat, Afro-Latino Dance Beat, World Cup / Anthem Pop Beat 120 BPM, pop/Afrobeats, Call-and-Response, synth bass, sub bass, Afrobeats, Soukous, Reggaeton, Dembow, club/EDM, 115 à 125 BPM, djembe, drum and bass, piano, synthétiseur

THE RELUCTANT BOBS

THE RELUCTANT BOBS

Cinematic conscious hip-hop fused with dark alternative rap, soulful norteño and restrained reggaeton-soul, 104 BPM. Deep warm bass, punchy hip-hop drums, subtle dembow, industrial percussion, atmospheric piano, haunting nylon-string guitar, low strings, brass swells and distant choir. Verses: intelligent, conversational male rap with dry humor and vivid storytelling; begin almost nostalgic, then gradually expose the game as a miniature empire built on fear, exploited labor and endless war. Pre-chorus grows reflective and melodic. Chorus: mournful but anthemic, emphasizing “The Reluctant Bobs, ” Max and Moe, and refusing to become bad men merely to win. Strip down for the berries, fiber and universe imagery. Verse 4 turns urgent and cinematic as the game’s logic becomes nuclear geopolitics. Final chorus should feel enormous, prophetic and tragic. End sparsely and reverently on “Sit down.” Serious, human and philosophical—never novelty gaming music, glossy pop or party reggaeton.

Dientes de Burro

Dientes de Burro

Reggaeton dembow duro with syncopated kick patterns and rattling percussion; verse rides sparse drums and a low bass pulse, pre-chorus strips to handclaps and a filtered chant, chorus hits with thick synth brass and gang vocals on the hook. Lead vocal is cocky and close-mic with doubled punch-ins, delay throws on the last word, and ad-libs in parentheses. Ear candy includes a reverse swell before the hook, a rimshot fill into the pre-chorus, and a sidechain pump under the chorus. Bright, aggressive, and glossy with a street-ready mix.

Fuego en Mi Cama

Fuego en Mi Cama

Reggaeton dembow with tight syncopated kick and crisp handclaps, verse rides sparse bass and muted synth stabs, pre-chorus lifts with filtered sweeps and stacked ahhs, chorus hits with wide horn-like synth bursts and chant doubles, bridge drops to drums and breathy lead before a final hook push, close-mic sensual male vocals with ad-lib panning and short delay throws, glossy punchy mix

Beso en el cologio

Beso en el cologio

Reggaeton urbano with dembow-locked drums, syncopated hand percussion, and a warm sub line that bounces under tight guitar stabs; verse keeps it sparse and teasing, pre-chorus opens with filtered pads and stacked whispers, chorus drops with gang vocals and a catchy clap pattern. Lead vocal is close-mic and playful, with doubled hook lines, little delay throws, and ad-lib replies. Bright, glossy mix with crisp tops and a big club-ready low end.

Soy Rebelde

Soy Rebelde

Latin pop with reggaeton bounce and pop-rock edge, mid-tempo dembow groove, verses kept tight and percussive with palm-muted guitar and snapped percussion; pre-chorus opens into filtered claps and rising gang vocals; chorus lands with a bold synth stab, stacked doubles on the hook, and short echo throws on the last word. Add tambora fills, reverse swells into the lift, and a bright, punchy, radio-ready mix with intimate lead vocals and shouted group responses.

Petiso Ganaremos

Petiso Ganaremos

Spanish pop-chant anthem with marching reggaeton bounce, syncopated handclaps, stomping percussion, and a crowd-ready hook; verse keeps it lean and driving, pre-chorus tightens with rising vocal stacks, chorus opens wide with gang shouts and repeat chants. Lead vocal is gritty and close-mic in verses, doubled on the hook with shouted ad-libs, plus short delay throws on the final phrase. Add whistle pickups, reverse swells into the chorus, and a punchy bright mix with heavy sidechain movement.

Hola Tú

Hola Tú

Latin pop-reggaeton with a mid-tempo dembow groove, syncopated handclaps, soft synth bass, and airy guitar plucks; verse stays tight and percussive, pre-chorus lifts with filtered drums and stacked whispers, chorus opens into a chanty singback hook. Lead vocal is close-mic and playful with doubled phrases, ad-lib echoes on the hook, and quick delay throws. Tiny risers, reversed swells, and a palm-muted percussion fill bridge the sections. Bright, polished, radio-ready mix with punchy low end.

Dame Tu Seguridad

Dame Tu Seguridad

Latin pop-reggaeton midtempo with dembow-locked bounce, glossy synth plucks and warm sub pulses; verse rides sparse percussion and finger snaps, pre-chorus opens with filtered pads and rising vocal stacks, chorus lands with thick kick, claps and a chantable hook. Lead vocal intimate and breathy in verses, doubled on the chorus with ad-lib echoes and a few gang-style backing repeats. Ear candy: reversed swells into the pre, short delay throws on the last word of each hook, tiny pluck fills between lines. Bright, polished, radio-ready mix with an emotional close-mic center.

Sal en la Pista

Sal en la Pista

Reggaeton clásico de tempo medio con dembow marcado, percusión seca y bajo redondo; verso con guitarras limpias y teclas cálidas, pre-coro sube con palmas filtradas y coros al fondo, coro entra ancho con synth brass nostálgico y respuesta de grupo. Voz principal cercana con dobles en el hook, ad-libs discretos y delay corto en remates. Destellos de mar, reversas suaves y un cierre con ruido de olas y panderos. Mezcla brillante, cálida y pegajosa.

Ahí En La VIP

Ahí En La VIP

Reggaeton dembow with bouncing percussion and elastic sub-bass, swung hats, and sharp club-clap accents; verse stays sparse and conversational, pre-chorus tightens with filtered risers and gang chants, chorus opens wider with stacked doubles on the anchor phrase and short delay throws on the last word. Close-mic male vocals, gritty in verses and shouted in the hook, with vinyl hiss, a reverse swell into the drop, and bright punchy mix

Entre Sombras y Besos

Entre Sombras y Besos

R&B, reggaeton, rap

Ya No Llores Más

Ya No Llores Más

Latin pop ballad with reggaeton pulse, mid-tempo sway, warm synth pads and muted guitar; verse stays intimate and close-mic, pre-chorus lifts with layered harmonies and a filtered snare build, chorus opens wide with stacked doubles and a repeating chant hook, bridge drops to voice and piano before the final chorus returns fuller. Airy delays on the last word of each line, soft risers, and a glossy, emotional mix with a polished low end.

De Frente al Amanecer

De Frente al Amanecer

Reggaeton boricua with dembow-locked, beatbox, trap, vocal, guitar

De Frente al Amanecer

De Frente al Amanecer

Reggaeton boricua with dembow-locked groove at mid-tempo, punchy kick and crisp rim pattern; verse rides sparse with sub-bass and dry hand percussion, pre-chorus strips to claps and a rising synth smear, chorus hits with heavy bass, short brass stabs, and crowd-style chants. Male vocals close-mic and gritty in verses, doubled and ad-libbed on hooks, with delay throws on the last word. Add reversed swells into each chorus, a filtered breakdown before the bridge, and bright, glossy mix polish., reggaeton

Zapatos En Piso

Zapatos En Piso

Reggaeton dembow, 96 BPM, syncopated with a heavy swing; verse rides sparse kick, clap, and sub-bass, pre-chorus strips to hand percussion and a filtered synth pulse, chorus hits with a brighter lead and percussive horn stabs. Lead vocal is close-mic and playful with double-tracked hook words, ad-lib panning on ends, and gang chant accents in parentheses. Ear candy includes risers into each drop, reversed swells before the chorus, and tiny percussion fills between lines. Bright, punchy, club-ready mix with thick low end.

Bbbreraaa

Bbbreraaa

reggaeton, chillout, ambient, country, woodwinds, instrumental, indie, soul, synth-pop, trap, salsa, metal, mandolin, celtic, dubstep, drums, electric guitar, classical, emo, violin

Laja el huevo

Laja el huevo

Reggaeton dembow with stomping kick-snare, rubbery bass, and bouncy guira patterns; verse rides sparse and cheeky with space for the vocal, pre-chorus tightens into clipped call-and-response, chorus slams with gang doubles on the anchor phrase and short horn stabs. Ad-lib panning, quick delay throws on the last word, and little percussion fills between lines. Bright, punchy, club-ready mix.

Sople Tusi

Sople Tusi

Reggaeton dembow with tight kick-snare, rolling percussion, and a rubbery bass pulse; verse stays sparse with clipped lead vocal and handclap snaps, pre-chorus lifts with filtered pads and a rising chant, chorus drops hard with stacked doubles and short delay throws on the hook. Add reverse swells into each drop, tiny vocal chops between lines, and a glossy, club-bright mix with intimate close-mic verses and wider gang shouts on the hook.

Rafita Calvitas

Rafita Calvitas

Reggaeton rap with bouncy dembow groove and cheeky street-corner swagger; verses ride sparse kick, snare, and rubbery bass, pre-chorus strips to handclaps and a teasing chant, chorus hits with stacked gang vocals and a chopped rim pattern. Lead vocal close-mic and playful, with doubles on punchlines, ad-lib throws on the hook, and small percussion fills plus reverse swells into each chorus. Bright, punchy, club-ready mix with a rough grin.

Corazón en Jaula

Corazón en Jaula

Dark Latin pop with slow reggaeton pulse and tense syncopated percussion; verse rides sparse nylon guitar and muted kick, pre-chorus opens with rising handclaps and filtered synth air, chorus hits with an anthem-sized drum drop and stacked unison vocals. Lead vocal is intimate and breathy in verses, doubled and gritty on the hook, with delay throws on key words and a few gang shouts. Ear candy includes reversed swells into the pre, snapped fills before the chorus, and a glassy bell motif. Bright top end over a deep, moody low end, polished and dramatic.

# 🎵 AMOR, ABRE A PORTA! 🎵

# 🎵 AMOR, ABRE A PORTA! 🎵

Reggaeton remix Afrobeat

Café au lait

Café au lait

Steeldrum, Dancehall -Type Beat, Latin Pop Stadium -Anthem Beat, Afro-Latino Dance Beat, World Cup / Anthem Pop Beat 120 BPM, pop/Afrobeats, Call-and-Response, synth bass, sub bass, Afrobeats, Soukous, Reggaeton, Dembow, club/EDM, 115 à 125 BPM, djembe, drum and bass, piano, synthétiseur

Élan de Fête

Élan de Fête

Steeldrum, Dancehall -Type Beat, Latin Pop Stadium -Anthem Beat, Afro-Latino Dance Beat, World Cup / Anthem Pop Beat 120 BPM, pop/Afrobeats, Call-and-Response, synth bass, sub bass, Afrobeats, Soukous, Reggaeton, Dembow, club/EDM, 115 à 125 BPM, djembe, drum and bass, piano, synthétiseur

Metis kanal européen

Metis kanal européen

Steeldrum, Dancehall -Type Beat, Latin Pop Stadium -Anthem Beat, Afro-Latino Dance Beat, World Cup / Anthem Pop Beat 120 BPM, pop/Afrobeats, Call-and-Response, synth bass, sub bass, Afrobeats, Soukous, Reggaeton, Dembow, club/EDM, 115 à 125 BPM, djembe, drum and bass, piano, synthétiseur

Yudiputa Gancia

Yudiputa Gancia

Reggaeton dembow with bouncy syncopated percussion, rubbery sub-bass, and handclap snaps; verse stays sparse with dry kick, bass, and a rattling guiro, pre-chorus tightens with filtered synth swells and chant doubles, chorus hits with stacked group vocals and a bright brass stab. Lead vocal is close-mic and teasing, with ad-lib pings, call-and-response echoes, and short delay throws on the hook. Slick, punchy mix with glossy low end and wide hook layers.

Guty y Martín

Guty y Martín

Reggaeton dembow at 96 BPM with rubbery kick-snare, bouncing bass and chopped palm-muted guitar accents; verse stays sparse with syncopated percussive hits, pre-chorus strips to handclaps and filtered synth swell, chorus drops full dembow with gang vocal repeats on the hook. Lead vocal is close-mic, playful and slightly nasal, with doubled lines on the hook and ad-lib throws. Short risers, reverse cymbal pulls and a tiny bell loop between phrases. Bright, punchy, club-ready mix with warm low end.

Baile de Vocales

Baile de Vocales

Reggaeton infantil alegre y bailable, dembow suave y saltarín con palmas, maracas y teclados brillantes; intro llama con conteo juguetón, verso enseña vocales y días con frases cortas, pre-coro sube con palmas y respuestas en coro, estribillo repite la lista con gancho fácil. Voces infantiles al frente, doblajes en el coro, coritos grupales en respuesta, campanitas y risers cortitos entre secciones, mezcla limpia, luminosa y muy pegajosa.

Baile de las Vocales

Baile de las Vocales

Reggaeton infantil alegre y bailable con dembow suave, palmas marcadas y percusión ligera; intro llamativo con grito de llamado, verso juguetón con voz clara y coros de niños, pre-coro que suma energía y coro corto, pegajoso y repetible; puentes con palmas, campanitas y respuestas en grupo; mezcla brillante, limpia y muy rítmica, pensada para cantar y moverse en primer grado

Baile de las Vocales

Baile de las Vocales

Reggaeton infantil alegre y bailable, dembow suave y ritmo saltarín; intro con palmas y llamada-respuesta, versos simples que enseñan vocales, números, días, estaciones y meses; pre-coro sube con coros de niños y pequeñas pausas para repetir; coro corto y pegajoso con voces dobladas, palmas y risas; puentes con cambios de dinámica y campanitas brillantes; mezcla limpia, cálida y brillante, pensada para cantar y moverse en clase

Vocales Bailables

Vocales Bailables

Reggaeton infantil, 96 BPM, dembow suave y juguetón con palmas, percusión ligera y bajo redondo; intro entra con gritos de llamada y respuesta, verso con ritmo simple y frases cortas; pre-coro sube con palmas y coros de niños; coro pegajoso con voz en grupo, dobles alegres y ad-libs; puentes con campanitas y mini cortes de batería; mezcla brillante, limpia y cercana, pensada para cantar y moverse

Pipí Borracho

Pipí Borracho

Reggaeton urbano with a perreo swing and syncopated handclaps; verse rides a minimal dembow with dry kicks and a rubbery bass pulse, pre-chorus strips to snapped percussion and a filtered synth swell, chorus hits with bright brass stabs and chant doubles on the hook. Lead vocal stays close-mic and cocky in verses, with stacked unison on the hook and short delay throws on the last word of each line. Ear candy includes a reverse riser into the chorus, a bottle-rack percussion fill, and a quick tape-stop before the final hook. Crisp, punchy, club-ready mix.

Shrek y el Burro

Shrek y el Burro

Reggaeton urbano with dembow-locked percussion, crisp handclaps, and a rubbery synth bass; verse rides sparse with teasing ad-libs and a playful bounce, pre-chorus tightens with filtered snaps and rising vocal stacks, chorus hits with chanty group doubles and a cheeky call-and-response. Breathy lead vocal, doubled hook lines, quick delay throws on punch words, tiny rimshot fills and reverse swells into each drop. Bright, punchy mix with glossy low end.

Чюлюлинджюс у моря

Чюлюлинджюс у моря

Dark reggaeton-pop with dembow pulse and tense late-night groove; verse rides minimal kick, sub and finger snaps, pre-chorus opens with filtered percussion and rising synth air, chorus hits with handclaps, clacking bass and hooky gang doubles on the odd phrase. Close-mic female lead, breathy doubles, teasing ad-libs, short delay throws on the last word of each hook. Sea-spray risers, pool-water shimmer FX, vinyl hiss between sections, bright punchy mix with glossy low end.

Caca con caca

Caca con caca

Reggaeton dembow with bouncy syncopated percussion, cheeky bass hits, and playful brass stabs; verse stays sparse with claps and a rubbery synth, pre-chorus tightens with filtered risers and chopped backing chants, chorus drops into a fuller perreo groove with gang shouts on the hook. Lead vocal is close-mic and teasing, with doubled lines on the chant and quick delay throws on punch words.

Rima Rítmica

Rima Rítmica

Spanish reggaeton-pop with a dembow-locked groove and crisp handclaps, verse stays lean with bouncing percussion and plucky synth stabs; pre-chorus strips to bass and snapped vocal pickups; chorus opens with stacked doubles and a chantable hook. Filter sweeps, reverse swells, and a last-drop snare roll add lift. Bright, punchy, club-ready mix with close-mic lead and gang ad-libs on the hook.

Island Beat Swagger

Island Beat Swagger

Reggae trap, pop, reggaeton

Titi Me Pregunto

Titi Me Pregunto

Reggaeton dembow with syncopated kick-clap, airy synth plucks, and a rolling bass pulse; verse stays sparse with tight percussion and close-mic lead, pre-chorus lifts with filtered pads and vocal stacks, chorus hits with gang doubles and a blunt chant hook. Add reverse swells into each drop, tiny cowbell flicks between lines, and short delay throws on the last word. Bright, punchy, club-ready mix with a glossy low end.

Ya Ves Tus Ojos

Ya Ves Tus Ojos

Latin pop-reggaeton with a midtempo dembow groove, warm bass pulse, crisp claps, and syncopated guitar plucks; verse stays intimate with sparse percussion and close-mic lead, pre-chorus lifts with rising synths and stacked harmonies, chorus opens with a chantable hook and short gang-vocal doubles. Add reverse swells into each drop, a bright bell turnarounds, and delay throws on the last word of the hook. Bright, polished, radio-ready mix with an emotional center.

Fede y Nicole

Fede y Nicole

Latin pop romántico with mid-tempo reggaeton pulse, crisp claps and warm guitar arpeggios; verse stays intimate and close-mic, pre-chorus opens with rising harmony stacks, chorus lands with a singable hook and handclaps, bridge pulls to sparse keys then final chorus blooms with gang-style backing vocals and a soft percussion lift; glossy, heartfelt, radio-ready mix

Llegó El Tío

Llegó El Tío

Reggaeton urbano con dembow seco y percusión picada; verso con bajo elástico y teclas cortas, pre-coro levantando tensión con coros filtrados y palmas, coro entrando con bajo más gordo y respuesta de grupo en la frase central. Voz masculina cercana con dobles en el gancho, ad-libs en eco y pequeños fills de timbal entre frases. Sonido brillante y callejero, pegajoso y frontal.

Mi solo amor

Mi solo amor

Reggaeton, afrobeat

DLS con amigos

DLS con amigos

Latin pop with reggaeton bounce at a mid-tempo pace, dembow-locked drums and playful hand percussion; verse stays light and conversational, pre-chorus tightens with rising claps and filtered synth plucks, chorus opens wide with gang vocals and a short chantable hook. Lead vocal is bright and close-mic with doubled hook lines, ad-libs answering key phrases, and a few delay throws on the title. Ear candy includes whistle pops, reverse swells into the chorus, and a final crowd-style chant. Mix is glossy, punchy, and stadium-ready.

Лава мачи

Лава мачи

Latin pop with reggaeton bounce and dembow-locked percussion, 96 BPM feel; verse stays lean with handclaps, bass pulses, and playful synth plucks, pre-chorus strips down to snapped rhythm and rising filter, chorus opens with a wider kick pattern and chanty group doubles on the hook. Breathy lead vocal with tight doubles, ad-lib pings on phrase ends, reversed swells into each drop, glossy punchy mix with bright top end and warm low mids.

Sunday in Vegas

Sunday in Vegas

Country to reggaeton crossover with a dusty two-step groove that flips into a dembow-locked club bounce; verse rides twangy acoustic, pedal steel, and handclaps, then the pre-chorus strips to a stomping kick and road-trip gang vocals. Chorus hits with congas, sub bass, and sharp horn stabs. Lead vocal is dry and close in verses, then doubled and ad-libbed in Spanish on the hook, with risers, reverse cymbal swells, and a bright punchy mix., reggaeton, country

Boots To Formagio

Boots To Formagio

Country-to-reggaeton hybrid with twangy acoustic guitar and handclap shuffle in verse one, then dembow drums and sub-bass take over by the pre-chorus; verse rides boots-on-the-ground storytelling, pre-chorus narrows to a chant, chorus hits with Spanish hooks and gang vocals. Lead vocal is dry and close in verse, doubled and slightly pitched in the hook, with ad-lib echoes and delay throws on key phrases. Slide-guitar swells, reversed risers, and a snare pickup mark the switch. Bright, punchy, arena-ready mix with a dusty-to-glossy transition., country, reggaeton

Oklahoma In Vegas

Oklahoma In Vegas

Country to reggaeton crossover with a two-step swing in the verses, then a dembow-locked drop in the chorus; verse rides acoustic guitar, fiddle, and handclaps, pre-chorus strips to stomps and a bass pulse, chorus hits with syncopated congas, brass stabs, and crowd chants. Lead vocal is close-mic and story-driven, with doubled hook lines, call-and-response ad-libs, riser swells into the switch, and a glossy bright mix that opens wide on the Spanish sections., reggaeton, country

Pera que tirite

Pera que tirite

Reggaeton dembow with syncopated kick-and-snare, dry palm-clap accents, and a rubbery bass pulse; verse rides sparse with looped guiro and tight percussion, pre-chorus strips to hand drums and filtered chant, chorus hits with stacked gang vocals and a brass stab on the anchor phrase. Lead vocal is close-mic, playful, with doubled hook lines, pitch-bent ad-libs, and short delay throws. Ear candy: reverse sweeps into each chorus, a tiny flute riff between phrases, and a sidechain swell on the last bar. Bright, punchy, club-ready mix with a gritty low end.

Mala Persona

Mala Persona

Latin trap with reggaeton bounce, mid-tempo dembow groove and sparse 808 hits; verse rides tense half-time percussion and a dry synth pulse, pre-chorus opens with filtered guitar and rising claps, chorus drops with stacked gang vocals and a blunt chant hook. Lead vocal stays close-mic and gritty, with doubled lines on the hook, short delay throws on the last word, and small reversed swells into each drop. Bright, punchy, club-ready mix with a dark edge.

Luisa Hasta Las Seis

Luisa Hasta Las Seis

Latin pop reggaeton with dembow pulse, handclaps and warm synth bass; verse stays intimate and percussive, pre-chorus opens with filtered percussion and rising harmony stacks, chorus drops into a chanty singback with doubled lead and gang vocals on the anchor phrase. Use little conga fills, reverse swells into each lift, and glossy delay throws on the name. Bright, romantic, and punchy in the mix.

La Costa Giraba

La Costa Giraba

Reggaeton viejo, mid-tempo dembow with dusty conga taps, rimshot bounce, and a warm sub pulse; verse rides lean with a toy-keyboard hook and sparse percussion, pre-chorus opens with filtered pads and handclaps, chorus hits fuller with accordion stabs and shouted gang doubles. Vinyl crackle, reverse swell into each downbeat, and a beach-bar crowd texture thread the transitions. Bright but weathered mix, intimate and sun-faded.

Se Me Quita

Se Me Quita

Latin pop-reggaeton with a swung dembow pulse and warm synth bass; verse stays intimate with palm-muted guitar and sparse percussion, pre-chorus opens with filtered handclaps and a rising vocal stack, chorus drops into a chanty hook with doubled lead and gang responses. Add reverse swells into each pre, little ear-candy shakers on the turn, and short delay throws on the key phrase. Bright, glossy, close-mic mix with a club-ready low end.

Rosalía de Mi Calle

Rosalía de Mi Calle

Latin pop with reggaeton sway and handclap percussion at a mid-tempo pulse; verse rides sparse kick, nylon guitar, and snapped snaps, pre-chorus strips to bass and breathy callouts, chorus hits with stacked harmony and a catchy dembow bounce. Lead vocal stays close-mic and playful, with double-tracked hooks, little delay throws, and gang echoes on the name. Ear candy includes reverse claps into the drop, a short horn stab, and tiny percussive fills between lines. Bright, polished mix with warm low end and crisp tops.

Martina y Valentín

Martina y Valentín

Latin pop with reggaeton bounce, mid-tempo dembow groove, playful syncopation, verse rides on light guitar stabs and muted percussion, pre-chorus strips to kick, handclaps, and rising synth swells, chorus opens with layered gang vocals and bright brass accents, duet lead with tight doubles and cheeky ad-libs, ear candy from reversed breaths, risers into the hook, and a bell sparkle between lines, glossy and warm mix

Chikito Pero Fino

Chikito Pero Fino

Reggaeton urbano con dembow lento y groove syncopado; verso seco con bajo profundo y percusión mínima, pre-coro sube con coros filtrados y palmas, coro entra pegadizo con synth brillante y respuesta en grupo; voz masculina cercana con dobles en el hook, ad-libs paneados y throws de delay al final de frase; barridos cortos antes del coro y caída de subgrave en el puente; mezcla cálida, frontal y pegajosa.

Hola Elieth

Hola Elieth

Latin pop with reggaeton bounce and light dembow percussion, syncopated handclaps, and a warm bass pulse; verse stays lean with palm-muted guitar and tight percussion, pre-chorus lifts with rising vocal stacks and filtered synth swells, chorus opens into a chanty topline with gang harmonies on the name. Lead vocal is intimate and playful with short delay throws on key phrases, plus small ad-lib echoes and airy transitions. Bright, polished mix with a sunlit, radio-ready sheen.

La Familia Firme

La Familia Firme

Latin urbano anthem with reggaeton bounce and handclap-driven percussion; intro opens spacious with shouted group chants, verse rides tight dembow and bass stabs, pre-chorus lifts with stacked harmonies and tom fills, chorus hits bigger with gang vocals and brass hits. Lead vocal stays close-mic and gritty, with doubled hook lines and ad-lib throws. Vinyl crackle, reverse risers, and a snare build into each chorus. Bright, punchy, festival-ready mix.

Ando loco por tu piel

Ando loco por tu piel

Contemporary Latin urban pop with a sensual reggaeton groove, 96 BPM, warm dembow drums, rounded sub bass, muted electric guitar plucks, soft brass accents, and airy synth pads. Start with a sparse intimate intro, build through the pre-chorus with rising percussion, then open into a wide, highly memorable chorus with doubled male lead vocals and tight harmonies. Add a brief bridge that strips back to percussion and guitar before the final chorus. Clean radio-ready mix, punchy kick, controlled low end, crisp vocal presence, subtle room ambience, and tasteful ad-libs at phrase endings.

مهرجان الألوان

مهرجان الألوان

Latin dance reggaeton with dembow-locked percussion, buoyant congas, palm-muted guitar stabs, and a bouncing sub-bass; verse stays lean with handclaps and syncopated marimba accents, pre-chorus strips to snare rolls and rising crowd chants, chorus hits with brass stabs and a chantable hook. Lead vocal is close-mic and playful with doubled chorus lines, ad-lib runs, and short delay throws on the anchor phrase. Ear candy includes whistle bursts, reverse swells into each drop, and bright percussion fills. Mix is glossy, wide, and party-ready.

Un ratico más

Un ratico más

Latin pop with reggaeton pulse and dembow-locked percussion at a midtempo sway; verse rides sparse guitar, palm claps, and a warm bass pulse; pre-chorus strips to hand percussion and filtered pads before chorus hits with stacked vocal doubles and a singable hook chant. Add reverse swells into transitions, a soft riser before each lift, and short delay throws on the anchor phrase. Close-mic lead vocal, glossy and intimate, with wide bright mix and hooky crowd-style ad-libs.

Holaaaaa

Holaaaaa

Reggaeton pop with a dembow-locked groove, crisp clap snaps, and bouncing synth plucks; verse stays playful and sparse, pre-chorus lifts with filtered pads and handclap rolls, chorus opens wide with stacked gang vocals and a singback chant. Close-mic lead with doubled hook lines, tiny ad-lib pops, reverse swells into the drop, bright and punchy mix.

Josías Hermoso

Josías Hermoso

Latin pop ballad with a light reggaeton pulse, mid-tempo and swaying rhythm; verse rides acoustic guitar and soft syncopated percussion, pre-chorus strips to handclaps and a rising bass note, chorus hits with warm synth pads and a singback hook. Lead vocal is intimate and close-mic with airy doubles, stacked harmony on the last word of each chorus line, plus short delay throws on the name. Reverse swells into the chorus and a delicate shaker lift before the final refrain. Bright, polished, romantic mix.

Dónde estás bb

Dónde estás bb

Reggaeton pop with dembow-locked groove and crisp syncopated percussion; verse rides a sparse bass pulse and handclaps, pre-chorus strips to filtered chords and a ticking hi-hat build, chorus hits with a chantable hook and bright synth stabs. Vocal is close-mic and intimate in verses, doubled on the hook with short delay throws and soft gang ad-libs. Ear candy includes reverse swells into the chorus, a breathy riser before each drop, and tiny percussion fills between lines. Mix is glossy, punchy, and wide, built for replay.

La Copa Se Discute

La Copa Se Discute

Reggaeton antiguo, dembow seco y sabroso, tempo medio-bajo, bajo redondo y percusión de calle; verso con piano stabs y güiro marcado, pre-coro apretando con filtros y palmas, coro pegajoso con coros de pandilla y trompetas cortas. Voz principal rasposa y cercana, dobles en el estribillo, ad-libs paneados, risers de tambor antes de caer, mezcla brillante y contundente con sabor clásico de barrio., reggaeton

Joe y José

Joe y José

Reggaeton dembow with swaggering syncopation, palm-clap percussion, deep sub pulses, and a cheeky club pulse; verse stays lean with sparse drums and playful vocal riffs, pre-chorus tightens with snare rolls and filtered chants, chorus drops with gang vocal echoes and short delay throws on the names. Close-mic lead vocal, doubled hooks, glossy and punchy mix with a teasing, infectious sheen.

Julin Vega Gana

Julin Vega Gana

Reggaeton dembow-locked at a party tempo with punchy kick-snare, rolling sub, and clacking rim percussion; verse stays lean with handclap gaps and call-and-response chants, pre-chorus tightens with filtered synth risers and stacked crowd vocal repeats, chorus drops bigger with brass stabs, short delay throws on the name, and gang vocals on the slogan. Male vocals, close-mic and gritty in verses, louder doubled hook lines, glossy and bright mix with ear-candy pauses and reverse swells into each chorus.

O Segredo do Meu Sorriso

O Segredo do Meu Sorriso

Reggaeton remix Techno remix

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