Songs created with Voices AI

Songs made with Voices AI bring voice technology into music - from covers to original tracks. Hear how creators and our community are using AI voices to explore new sounds and ideas.

New Releases

Wir haben Fehler gemacht

Wir haben Fehler gemacht

Instrumental Guide (Rau & Emotional) * Stimme: rau, tief, zerbrechlich in den Strophen, kraftvoll im Refrain * Intro: dunkles Piano + einzelne Cellotöne * Verse: Piano, tiefer Bass, dezente Gitarren * Pre-Chorus: anschwellende Streicher, Herzschlag-Drums * Chorus: kraftvolle Rock-Drums, breite Gitarren, emotionale Streicher * Bridge: fast nur Stimme und Piano * Final Chorus: volle Energie, große Streicher, Gitarrenwände, leidenschaftlicher Gesang * Outro: Piano, Cello und ein letzter gehauchter Satz

ليلتي معك

ليلتي معك

Arabic pop-reggaeton with dembow-locked percussion and a rubbery bassline, verse rides sparse hand drums and clipped synth plucks, pre-chorus tightens with rising claps and filtered vocal layers, chorus hits with a bold hook and crowd-style doubles. Close-mic female vocal with seductive ad-libs, delay throws on the last word, reversed swells into each drop, glossy and heat-soaked mix.

Mall për Babën

Mall për Babën

Turkish-influenced emotional pop ballad with female vocals, slow 6/8 sway and delicate darbuka taps under aching violin and oud phrases; verse stays sparse with close-mic intimate singing, pre-chorus opens into stacked harmonies, chorus blooms with wide strings and soft handclaps. Add breathy ad-libs, a mournful ney accent between lines, and a final chorus with lifted harmonies. Warm, polished, heartbroken mix

Čelični Zid

Čelični Zid

Emotional modern Bosnian football song with soft traditional Bosnian atmosphere and strong emotional male vocals in the foreground. Minimal instrumental production with gentle harmonika, saz, acoustic Balkan guitar and subtle sevdah-inspired melodies in the background. Deep emotional feeling, cinematic ambience and light modern drums with soft bass. The singer’s voice should stay clear, powerful and dominant, while the music supports the emotion without overpowering it. Patriotic, soulful and emotional Bosnian energy with a huge heartfelt chorus.

Good Life

Good Life

Pop with mid-tempo four-on-the-floor drums, warm synth bass, bright guitar stabs, and a lift from stripped verse to open chorus; verses stay close-mic and intimate, pre-chorus adds stacked harmonies and rising claps, chorus blooms with doubled lead and group oohs. Ear candy includes filtered risers, reverse piano swells, and delay throws on the hook. Mix is glossy, punchy, and wide.

Cadence Call# 5

Cadence Call# 5

deep southern soul blues, syncopated hand percussion, hand clapping, bass drums

Hannah

Hannah

Sweet, upbeat children’s song — gentle acoustic guitar, soft ukulele, happy claps, and a simple sing-along melody. Think super cute and bouncy like nursery rhymes mixed with light modern kids music (similar to Super Simple Songs or Raffi). Bright, joyful, and easy for a 4-year-old to sing along with.

Mineros de mi pueblo

Mineros de mi pueblo

Himno minero andaluz emotivo y épico, mezcla de rock andaluz y balada flamenca. Voz masculina grave, cálida y emocionante. Guitarras españolas, piano suave, percusión lenta y profunda, ambiente nostálgico y orgulloso. Coro grande y emotivo en el estribillo. Sonido cinematográfico, homenaje a los mineros y a un pueblo trabajador.

Небесный свет в глушке

Небесный свет в глушке

92-98 BPM Куплет: Пианино + лёгкий щёлкающий бит + тихая гитара. Уже качает, но не перебивает голос. Припев: Вступают барабаны, бас, струнные на фоне. Энергия идёт вверх вместе со словами «ты рвёшься к целям». Вайб: Что-то между Dean Lewis - Be Alright и The Script - Hall of Fame. Светлая грусть, но с драйвом.

Te laud

Te laud

Drama song, energic Contemporary, Soft rock, guitar bass, pop music, Praise and worship, piano, guitars, drums,

هيّه هيّه يا أهل الفخر

هيّه هيّه يا أهل الفخر

Arabic celebratory pop anthem with dabke-inflected handclaps and driving percussion; verse rides low drums and oud-like phrases, pre-chorus opens with stacked chants and rising percussion, chorus hits with crowd gang vocals and brass stabs. Lead vocal is bright and proud with doubled lines on the hook, short echo throws on key names, and festive transitions with risers, claps, and tambourine swells. Clean, punchy, stadium-bright mix.

Burnzie Nights

Burnzie Nights

Trap rap with hypnotic half-time drums, sliding 808s, sparse bell synths, and hazy melodic ad-libs; verse rides cold and roomy with tight triplet pockets, pre-hook narrows to a single bass pulse, chorus lands with stacked chant doubles and short delay throws on the name Burnzie; ear candy includes filtered risers, reversed vocal swells, and a quick hi-hat burst before each hook. Mix is glossy, deep, and nocturnal, with intimate lead vocals and wide ad-lib pockets., rap

Contigo es Mejor

Contigo es Mejor

Banda estilo Trakaloza de Monterrey

אמא בחדר הערפל

אמא בחדר הערפל

Alternative pop ballad with a slow broken pulse, intimate close-mic female vocals, sparse piano verse that opens into strings and low bass on the chorus, pre-chorus lifted by filtered pads and a rising breathy harmony, final chorus with doubled lead, soft gang backing on the anchor line, reversed swells and delicate room-echo chimes between phrases, warm and wide but emotionally bare

Timmy and people

Timmy and people

Accustic, Guitar, Piano, Bass, Deep House

Green71

Green71

Alt-pop with a driving midtempo pulse, syncopated drum programming, rubbery bass, and bright guitar stabs; verse keeps it tight and conversational, pre-chorus opens with rising stacked harmonies and filtered synth lifts, chorus lands on a chantable anchor with group doubles. Vocal is intimate and close-mic in verses, wider and slightly gritty on hooks, with delay throws on the key phrase. Ear candy includes reverse swells into the chorus, clipped hand percussion fills, and a final lift with shimmering top-line accents. Mix is crisp, punchy, and glossy with a strong low-end glide.

Жди удар от судьбы

Жди удар от судьбы

Dark cinematic ballad, slow tempo, Russian male vocals; sparse piano and low strings in the verses, distant choirs and booming toms in the chorus. Vocals start intimate and half-whispered, growing into raw, open-throated power on the hook. Reverb-drenched bells and subtle sound design accent the spiritual conflict. Final chorus swells with layered harmonies, then cuts to a single exposed vocal on the last line.

Neon Drift Symphony

Neon Drift Symphony

synth-pop, cloud rap

Echoes of G‑Pulse

Echoes of G‑Pulse

rock, dubstep, afrobeat, easy listening, percussion g major echo

Langvang Larm

Langvang Larm

rap, Up-tempo rockabilly-country-rap, Danish male vocals in a deep, playful register. Slapped upright bass, twangy electric guitar riffs, train-beat drums. Fiddle lines weaving call-and-response with a droning didgeridoo on the downbeats. Verses half-rapped, half-spoken with rowdy ad-libs; choruses explode in gang shouts and clapped backbeat for a beer-hall singalong feel., violin, electric, didgeridoo, country, rockabilly

Bilhete na Mesa

Bilhete na Mesa

Modern romantic sertanejo ballad, male vocals; intimate nylon guitar and soft accordion pads in the verses, brushed snare and warm bass easing in on the first chorus; hook lifts with stacked harmonies and a subtle backing choir; second chorus adds fiddle fills and a key-change style lift; mix keeps vocal upfront, letting emotion crack slightly on held notes, sertanejo

One more day with my best friend.

One more day with my best friend.

Cinematic, country, violin, piano, percussion, steel guitar, bass guitar

Loli y Carol Siempre

Loli y Carol Siempre

Warm acoustic pop ballad en español, female vocals; gentle nylon guitar and soft piano, intimate verses close to the mic, choruses lift with lush harmonies and light percussion; subtle pad swells in the bridge for an emotional peak then a stripped final hook with almost a cappella ending

سلب النوم خيالًا

سلب النوم خيالًا

Ethereal Arabic ballad, slow 6/8 with sparse oud and reverb-soaked piano, male vocals breathing close to the mic. Verses stay intimate and hushed; chorus swells with airy string pads and soft choir doubles. Subtle brushed percussion enters halfway to lift the emotion, then everything pulls back on the last hook, ending on a lingering vocal run and gentle oud tremolo.

109 5

109 5

male emo voice, spooky folk song, fiddle (violin), acoustic guitar, harmonica, dark bluegrass alternative disco grunge, folk rock, gritty guitar, cowboy swing, synth, ambient

Luna en Ruinas

Luna en Ruinas

Has un indie Rock sobre una persona que esta triste y tiene una desesperación de una separación amorosa y esta en una súplica nocturna y quiere confronta la soledad tras la partida de su amada. Y que su coro sea lindo

Mi palabra favorita

Mi palabra favorita

Balada cristiana

Ingen vei med hat

Ingen vei med hat

Dark, tense Scandinavian pop-rap, minor-key piano motif over heavy, slow-bouncing drums, gritty bass. Male vocals that shift from cold, almost spoken verses into an anthemic, shouted hook with gang-style backing. Arrangement builds from sparse first verse to a wall-of-sound final chorus with distorted synth swells and sharp percussive hits, spotlighting the moral turn-away from extremism.

Certified Napper

Certified Napper

Playful trap-bounce with bouncy 808s and crisp hi-hats; laid-back, confident male vocals. Hook hits early with stacked gang shouts and call-and-response ad-libs; verses ride a swung pocket with space for punchlines. Minimal keys and airy pads leave room for the vocal; last chorus adds extra harmonies and rising FX for a fun, triumphant close., sleep

أرم سمسم كوري كوري

أرم سمسم كوري كوري

Playful Arabic kids-rap with bouncy trap drums, bright mallet plucks, and female vocals; hook is super repetitive and chant-like, verses stay minimal so classrooms can sing along. Energy starts light and fun, chorus hits with stacked gang vocals and claps, bridge strips to beat and bass for a call-and-response moment before the final big hook.

Almacén Marbella

Almacén Marbella

Upbeat Latin pop-jingle feel, bright acoustic guitars with bouncy bass and light percussion, male vocals with stacked group hooks on the name, tempo around 110 BPM for radio and social media spots, catchy call-and-response moments, final tag ending on a memorable sung address line

Error, No Historia

Error, No Historia

Moody urban pop with Latin trap swing, male vocals. Minimal verse built on filtered synth pads and a mid-tempo, chesty kick; sub-bass blooms on the downbeat. Chorus widens with stacked, slightly detuned harmonies and crisp claps, then drops back to a sparse, almost spoken verse. Subtle reverse FX and tape delay on key phrases to underline the “borrado de la memoria” theme.

Guitarra Susurra Valor

Guitarra Susurra Valor

Voz fuerte y Suave guitarra

Bailando con la Marimba Sonora

Bailando con la Marimba Sonora

Upbeat Central American cumbia-marimba fusion, bright wooden keys and bouncy bass; tight percussion with güiro and light timbales, male vocals riding the groove, call-and-response shouts in the chorus, short breakdown where the marimba takes the lead before a big final hook reprise, marimba

Sugar Shot Drip

Sugar Shot Drip

cloud rap, hip-hop, bubblegum trap

Rain of Armageddon Beats

Rain of Armageddon Beats

Cloud rap, edm, bubblegum trap

When I Found My Place Again

When I Found My Place Again

World-Class Cinematic K-Pop Ballad with Emotional Orchestral Soundtrack. A heartfelt duet featuring a warm, mature male voice and a crystal-clear female voice. The song begins with soft piano, acoustic guitar, and gentle flute, gradually building with warm strings, emotional cello, and a cinematic orchestra. The atmosphere should feel nostalgic, peaceful, and deeply moving—not aggressive or military. It should capture the emotions of a veteran returning to the exact place where he served 57 years ago, standing alone on the former medical station site, slowly turning 360 degrees as memories of fallen comrades, local villagers, and miraculous survival come back. The chorus should be uplifting and memorable in a modern K-pop style, with rich harmonies that audiences around the world can sing together. Recording quality must be exceptionally clean (Hi-Fi), with clear pronunciation, no vocal distortion, and no background noise. Genre: Cinematic K-Pop Ballad / Orchestral Pop / Epic Emotional

Aimer, absolument tout aimer

Aimer, absolument tout aimer

Lis en français. Morceau pop vocal, plein d'espoir

Brass Crown

Brass Crown

Pop rock anthem with driving four-on-the-floor drums, handclaps, stacked guitars, and a huge chantable chorus; verse rides a tight kick-snare pulse, pre-chorus opens into rising tom fills and harmony lifts, chorus lands with gang vocals and bright power chords. Lead vocal stays gritty and close in verses, doubled on the hook with group shouts and short delay throws. Tape-stop swell into the bridge, then final chorus adds crowd claps and a soaring octave harmony. Bright, punchy, stadium-sized mix.

Feng Ye Guo Yu

Feng Ye Guo Yu

Mandopop ballad with steady mid-tempo pulse, gentle acoustic piano and warm electric bass; verse stays intimate and sparse, pre-chorus opens with rising strings and held backing vowels, chorus lifts into layered doubles and a wide, emotional hook. Add soft reverse swells into each chorus, a light drum lift on the turnaround, and a final key-change feel with glossy, intimate mix.

O Jane Jana

O Jane Jana

Dance-pop with a swaggering mid-tempo groove, tight syncopated kick-snare, bouncing bassline, and playful guitar stabs; verse stays lean with close-mic lead and clipped drum hits, pre-chorus opens into rising synths and handclaps, chorus lands wider with stacked doubles and gang vocal echoes on the hook. Add reverse swells into each drop, a short tom fill before the chorus, and sparkle-chime accents between phrases. Bright, glossy mix with a sweaty club pulse.

Reina Iconique

Reina Iconique

French reggaeton-pop with dembow-locked percussion and warm syncopated bass; verse rides sleek guitar plucks and hand percussion, pre-chorus strips to claps and filtered pads, chorus hits with airy synth brass and chant doubles. Vocal is intimate and flirty with layered harmonies, ad-lib panning, and short delay throws on the hook. Tropical risers, reversed swell into the drop, and a glossy, sunlit mix with tight low end.

Let Me Drive

Let Me Drive

Dance-pop with a bouncy four-on-the-floor groove, crisp clap/snare snaps, elastic synth bass, and a pulsing staccato lead; verse stays tight and percussive, pre-chorus strips to handclaps and rising vocal stacks, chorus opens wide with doubled hook vocals and chant replies. Filter sweeps, tire-squeal FX, and a sparkling top-line add motion. Bright, punchy, radio-ready mix.

Voile de soie

Voile de soie

Dreamy French pop ballad with soft 6/8 sway, brushed drums, intimate piano, and a tender violin line that answers each phrase; verse stays sparse with close-mic vocal and warm low strings, pre-chorus opens with rising harmony pads and a faint hand percussion pulse, chorus blooms with stacked doubles and a lyrical violin hook. Breathable, glossy mix with gentle tape haze, shimmer on transitions, and a final lift of bowed strings and airy ad-libs., soft

One Small Turn

One Small Turn

Indie-pop ballad with a slow half-time pulse, fingerpicked piano and soft brushed percussion; verse stays intimate and sparse, pre-chorus lifts with suspended chords and breathy doubles, chorus opens wide with stacked harmonies on the hook. Whispered ad-libs, gentle delay throws on the last word of each line, a small rise of strings into the final chorus. Warm, close-mic, vulnerable mix with polished low end., bright, slow

Bendición en mi Cuna

Bendición en mi Cuna

Pop balada espiritual en español con tempo medio, balada cálida y pulso suave; versos íntimos con guitarra y piano, pre-coro levantando la emoción con cuerdas tenues, coro amplio y cantable con armonías tiernas y palmas sutiles. Voz principal cercana y emotiva, dobles suaves en el coro, coritos infantiles en respuestas. Detalles de campanitas, un susurro de aire al entrar el pre-coro y un último coro más abierto. Mezcla brillante, envolvente y cariñosa.

Gitme kal biraz daha

Gitme kal biraz daha

Hareketli pop techno, 128 BPM, A minor, güçlü modern erkek vokal, duygusal ama enerjik söyleyiş. Sert kick, deep bass, elektronik synth lead, clap, hızlı hi-hat, club drop, nakaratta geniş vokal katmanları. Türkçe pop melodisi, akılda kalıcı tekrarlar, romantik ve dans ettiren atmosfer.

Vamos Chicos

Vamos Chicos

Latin pop reggaeton with dembow groove, crisp claps, bouncing synth bass, and playful percussion; verse stays lean and percussive, pre-chorus lifts with stacked handclaps and rising vocal chants, chorus drops into a chantable group hook with call-and-response ad-libs, bridge strips to drums and voice before the final lift. Bright, punchy mix with close-mic lead, gang vocals on the hook, and little synth fills between lines.

Neon Test

Neon Test

80s pop groove with punchy gated drums, rubbery synth bass, bright arpeggios, verse on tight staccato phrasing, pre-chorus lifting with stacked harmonies, chorus exploding into a chanty hook and handclaps; male vocals with doubled hook lines, ad-lib echoes, tape-delay throws on the last word, flickers of reverse synth and tom fills between sections; glossy, high-contrast, club-ready mix with a slick radio sheen, pop

The beating in my head

The beating in my head

upbeat pop-rock structure

مستقبلي يا وطن

مستقبلي يا وطن

Arabic pop ballad with heartfelt mid-tempo pulse, fingerpicked oud and warm pad bed in the verses; pre-chorus lifts with rising percussion and stacked harmonies; chorus opens wider with strings, handclaps, and a chantable hook. Lead vocal is intimate and cracking in places, with doubled lines on the refrain and soft ad-lib replies. Transitional reverse swells and breathy pauses before each chorus, bright and emotional mix with a close-mic center

Signal in Bloom full life

Signal in Bloom full life

Alt-pop mellow groove with soft syncopated drums, rounded keys, and a warm sub pulse; verse stays close and minimal with finger snaps and airy synth pads, pre-chorus opens with rising chord stacks and filtered vocal layers, chorus lands on a melodic, repeating hook with gentle doubles and light harmony. Add subtle glitch sparkles, reverse cymbal swells, and chime accents between phrases. Intimate close-mic lead, polished and smooth, bright but relaxed mix., mellow, contemporary

يا وطن قل لي

يا وطن قل لي

Arabic pop ballad with a slow driving pulse, heartfelt string bed, sparse piano in verses, and a soaring chorus; verse stays intimate and close-mic, pre-chorus opens with rising pads and stacked harmonies, chorus lands with full drums and wide vocal doubles; add reversed swells, breathy pickups, and a final lift with handclaps and sustained strings; glossy, cinematic, and emotionally direct

يا وطن ليه

يا وطن ليه

Arabic pop ballad with mid-tempo sway and restrained percussion; verse stays intimate with acoustic guitar and low strings, pre-chorus lifts on suspended chords and a breathy stacked vocal, chorus opens wider with warm piano, subtle hand drums, and doubled lead lines. Add reverse swell transitions, soft string rises into the chorus, and a final lift with harmony pads. Close-mic, aching male vocals, glossy but human mix.

مستقبلي يا وطن

مستقبلي يا وطن

Arabic pop ballad with a slow swaying 6/8 feel, tender piano and oud phrases over soft frame drum; verse stays intimate and close-mic with sparse support, pre-chorus opens into stacked harmonies and rising strings, chorus lands in a warm unified lift with short gang-vocal echoes on the anchor line. Add filtered risers into each chorus, a brief stripped bridge with breathy vocal layers, and a final chorus with wider harmony and emotional delay throws. Bright, heartfelt mix with an expansive but human sheen.

The me inside

The me inside

Upbeat, acoustic guitar building into a lively, feel-good pop-rock beat

Signal in Bloom

Signal in Bloom

Alt-pop mellow groove with soft syncopated drums, rounded keys, and a warm sub pulse; verse stays close and minimal with finger snaps and airy synth pads, pre-chorus opens with rising chord stacks and filtered vocal layers, chorus lands on a melodic, repeating hook with gentle doubles and light harmony. Add subtle glitch sparkles, reverse cymbal swells, and chime accents between phrases. Intimate close-mic lead, polished and smooth, bright but relaxed mix., mellow, contemporary

Future On Air clock ticks

Future On Air clock ticks

Pop dance with sleek electronic pulse, four-on-the-floor kick, snapped claps, rubbery bass, and glittering synth hooks; verse rides tight minimal drums and a talky close-mic vocal, pre-chorus lifts with filtered pads and rising handclaps, chorus opens wide with stacked doubles and a chantable topline. Add glitch blips, reverse swells, and short delay throws on the hook words; bright, polished, club-ready mix with glossy radio sheen., electronic, contemporary, pop, pop, dance, alternative

يا تميم أبو ديس

يا تميم أبو ديس

Khaleeji anthem-pop with steady mid-tempo percussion, oud and handclap groove, verse keeps it proud and spacious while the pre-chorus lifts with rising chants and tight harmony doubles; chorus lands big with gang vocals on the name and short delay throws on the key praise words. Add a clap break before the final chorus, a brief drum fill into each hook, and a bright, polished mix with wide backing vocals and a warm, celebratory center vocal.

Il custode delle nuvole

Il custode delle nuvole

country, guitar acoustic, percussion, bass and drums, 80s, due voci, vocal harmony. Violin, guitar, pop

Future On Air

Future On Air

Pop dance with sleek electronic pulse, four-on-the-floor kick, snapped claps, rubbery bass, and glittering synth hooks; verse rides tight minimal drums and a talky close-mic vocal, pre-chorus lifts with filtered pads and rising handclaps, chorus opens wide with stacked doubles and a chantable topline. Add glitch blips, reverse swells, and short delay throws on the hook words; bright, polished, club-ready mix with glossy radio sheen., electronic, contemporary, pop

على باب الحارة

على باب الحارة

Egyptian pop with maqsoom hand percussion, warm accordion riffs, darbuka snaps, and a bouncing bassline; verse rides tight conversational phrasing, pre-chorus lifts with stacked handclaps and rising strings, chorus lands on a chantable hook with gang vocals and short delay throws on the last word. Bridge pulls back to just voice and keys, then final chorus returns bigger with brass accents. Bright, glossy mix with an intimate close-mic lead and lively room energy.

Laço de Abraço

Laço de Abraço

Brazilian pop with a bouncing pagode groove, crisp hand percussion and syncopated acoustic guitar; verse rides sparse with handclaps and a soft bass pulse, pre-chorus lifts with stacked “oh-oh” harmonies, chorus hits with gang vocals and a brighter cavaquinho riff. Lead vocal stays intimate and close-mic in verses, doubled and ad-libbed on hooks. Reverse swells and tambourine lifts bridge each section; mix is warm, glossy, and punchy.

Patrick Got Sand

Patrick Got Sand

Pop-punk with bouncy ska guitars, punchy live drums, and a springy bassline; verse rides cheeky half-spoken lines, pre-chorus tightens with claps and rising gang shouts, chorus hits with bright unison hooks and bratty SpongeBob doubles. Add bubble pops between phrases, a quick horn jab into the hook, and a wet-splash riser before the final chorus. Crisp, wide, cartoon-bright mix with a rough-edged vocal lead.

Y Ahira

Y Ahira

Latin pop ballad with mid-tempo pulse and soft reggaeton percussion, verse stays intimate with fingerpicked guitar and warm electric piano, pre-chorus opens with rising snare taps and airy harmonies, chorus lands with stacked lead vocals and a singable group response. Breathy close-mic verses, doubled hook lines, delay throws on the last word of each chorus, gentle risers and reversed swells into the lift, glossy and emotional mix with a clear upfront vocal.

فين لياليك

فين لياليك

Arabic pop ballad with a swaying mid-tempo groove, warm darbuka taps and plush keys; verse stays intimate with close-mic lead and soft doubles, pre-chorus opens with rising strings and handclaps, chorus lands on stacked vocal harmonies and a chantable refrain. Add reversed swells into each chorus, a brief vocal echo on the hook, and a glossy, emotional mix with tight low end and wide reverb tails.

Wi-Fi da Vizinha

Wi-Fi da Vizinha

Brazilian funk-pop with bouncy syncopated percussion, clipped bass, and playful handclaps; verse stays dry and conversational, pre-chorus lifts with rising synth stabs and a quick drum fill, chorus hits with group chants and a bouncy call-and-response hook. Lead vocal is cheeky and close-mic, with doubled punchlines, ad-lib laughs, and short delay throws. Bright, glossy, comedic mix.

ميماتي رجع

ميماتي رجع

Arabic pop with bouncy mid-tempo rhythm and palm-muted percussion; verse rides a tight bass pulse and sparse keys, pre-chorus opens with rising handclaps and a lifted melodic turn, chorus hits with stacked unison vocals and short call-and-response repeats of the name. Vocal is intimate in verses, doubled and bright on hooks, with little delay throws on the final word. Ear candy: reversed swells into the chorus, a tiny chant pickup before each hook, and a percussive fill that snaps the turn. Mix is polished, warm, and forward

Clockwork Day

Clockwork Day

Pop with mid-tempo four-on-the-floor pulse, clipped guitar chops and warm synth bass; verse rides spare drum kit and tight piano stabs, pre-chorus opens with rising harmonies and filtered percussion, chorus hits with stacked gang vocals and a bright lead synth hook. Use close-mic lead vocals, doubled choruses, short delay throws on the last word of each hook, plus a tape-stop tick and a reversed swell into the final chorus. Mix is glossy, punchy, and intimate.

My fault

My fault

Melodic metalcore fused with a Slavic ballad atmosphere. The song opens with an unforgettable, haunting Eastern European melody that immediately captures attention and carries the emotional core of the track. Beautiful female clean vocals, expressive phrasing and melancholic harmonies lead the arrangement. Atmospheric guitars gradually build into powerful, soaring choruses with huge melodic hooks and emotional impact. Heavy guitars and drums provide weight without overwhelming the melody. Dynamic transitions between intimacy and intensity create a cinematic feeling. Harmonic minor scales, Slavic melodic movement and subtle folk character remain present throughout the song. No pop influences, no electronic dance elements, no rap, no excessive screams, no generic radio rock structures. Emotional, dramatic, beautiful and memorable. Designed to feel timeless, tragic and powerful, like an old Slavic lament reborn as modern melodic metalcore with warmth, depth and atmosphere. Slow burn. Raw.

قيس نجم

قيس نجم

Arabic pop anthem with mid-tempo darbuka groove and bouncy handclaps; verse rides sparse oud, bass, and tight percussion, pre-chorus lifts with stacked gang vocals and a rising clap pattern, chorus lands on a big chant with doubled lead and call-and-response phrases. Add short delay throws on the key name, a cymbal swell into each hook, and a wide bright mix with proud stadium energy and intimate lead vocal in the verses.

Astruildo al Aire

Astruildo al Aire

Cumbia-pop with a medium-tempo dembow-cumbia groove, bright güiro and accordion riffs, verse keeps it cheeky and conversational with handclaps, pre-chorus tightens into a rising chant, chorus opens wide with gang vocals and playful call-and-response. Lead vocal is warm and animated with doubled hook lines, short delay throws on key phrases, maracas and a reverse swell before each chorus. Mix is glossy, punchy, and festive.

Midnight Synth Graveyard

Midnight Synth Graveyard

Early 80s British post-punk new wave, dark gothic synth-pop, cold analog bass, sharp drum machine, jangly minor-key guitar, eerie synth stabs, dramatic male vocals with a British accent, deep baritone delivery, sarcastic spoken intro, sinister club groove, bleak underground atmosphere

Acoustic

Door in My Mind

Door in My Mind

Indie-folk ballad with intimate close-mic male vocals, fingerpicked acoustic guitar, soft brushed percussion, and warm bass pulse; verse stays sparse and breathy, pre-chorus opens with a rising harmony pad and filtered shaker, chorus lands wider with doubled voice and gentle gang harmonies. Add a reversed swell into each chorus and a final bell sparkle. Warm, roomy, emotional mix., light, slow

Door in My Mind

Door in My Mind

Indie-folk ballad with fingerpicked acoustic guitar, soft brushed percussion, and a steady 6/8 sway; verse stays intimate and spare, pre-chorus opens with a cello swell and breathy doubled vocal, chorus lands on a warm harmony lift with gentle gang vowels. Add a reverse-guitar swell into the first chorus, quiet room-noise texture under the verses, and a final key-change feel with wider reverb. Warm, close-mic, reflective mix., slow, light

ISLAS WESTERN HOUSE

ISLAS WESTERN HOUSE

Regional Mexican corrido tumbado with bélico edge and acoustic guitar, tololoche, bajo sexto, punchy requinto runs, and laid-back trap hats; verse stays narrative and intimate, pre-chorus lifts with tense harmony turns, chorus hits with gang vocal chants and shouted brand name. Male vocals, close-mic lead, double-tracked hook lines, brass stabs, tape-stop transitions, dust-and-sparkle mix with crisp low end and roomy handclaps.

La Geometria dei Nostri Passi

La Geometria dei Nostri Passi

Guitar acoustic, percussion, drum and bass, 80s, vocal harmony

Il custode delle nuvole

Il custode delle nuvole

guitar acoustic, percussion, piano, ma due voci

Fiddle & Stitch Groove

Fiddle & Stitch Groove

Upbeat, driving country-dance beat with fiddle and acoustic guitar

Il custode delle nuvole

Il custode delle nuvole

country, guitar acoustic, percussion, bass and drums, 80s, voce maschile e femminile, vocal harmony. Violin,

Vieni dal libano

Vieni dal libano

guitar acoustic, violin, coral, acoustic guitar

Blue Collar Halo

Blue Collar Halo

Indie-pop with buoyant acoustic strums, handclaps, and a bouncy four-on-the-floor kick; verse stays intimate with fingerpicked guitar and a ukulele countermelody, pre-chorus lifts with stacked oohs and a tambourine roll, chorus opens wide with gang vocals and a bright synth pad. Lead vocal is warm and close-mic, with doubled hooks and little harmony swells; short reverse cymbal swishes and a toy piano sparkle between lines. Mix is glossy, sunlit, and emotionally tender., happy

Söyle

Söyle

90s turkish pop ballad, elegant orchestral pop, melancholic poetry, acoustic grand piano, cinematic strings ensemble, soulful passionate female vocals, dramatic, high production quality

Dragica Sestro Moja

Dragica Sestro Moja

Pop-folk ballad with a warm mid-tempo swing, gentle acoustic guitar, tambourine on the backbeat, and soft accordion lifts in the chorus; verse stays intimate and close-mic, pre-chorus opens with light percussion and a rising harmony, chorus blooms with stacked female backing vocals and a small handclap pulse. Add a short instrumental turn after the second chorus, with a brushed snare fill, a tender accordion swell, and a final chorus that feels wider, bright, and heartfelt.

Lalayla Naw Xom

Lalayla Naw Xom

Kurdish lullaby-pop with a tender 6/8 sway, fingerpicked acoustic guitar and soft frame drum; verse stays intimate and sparse, pre-chorus opens with rising backing harmonies, chorus lifts into repeated childlike chant. Lead vocal is close-mic and breathy with warm doubles, gentle echo throws on the hook, glockenspiel sparkles between phrases, and the mix is soft, round, and comforting.

هەی لایەلایە

هەی لایەلایە

Kurdish lullaby, melancholic and acoustic, gentle guitar or santur accompaniment, soft soothing male vocals

Ege Sabahı

Ege Sabahı

Greek-islands–inspired slow pop with a gentle 6/8 sway, soft acoustic guitar, bouzouki-like plucks, brushed percussion, and a warm bass pulse; verse stays intimate and sunlit, pre-chorus opens with rising harmonies, chorus lands in a tender, singable lift with doubled lead vocals and airy backing oohs. Add subtle sea-breeze swells, gull-like synth accents, and a bright but mellow, close-mic mix., slow

Вдохни … и живи.

Вдохни … и живи.

Струнные инструменты. Фортепиано. Диско. D major, acoustic guitar, house, fusion

Sinceramente

Sinceramente

MPB-pop ballad with a swaying mid-tempo groove, gentle acoustic guitar and soft drum brushes; verse stays intimate and close-mic, pre-chorus opens with warm harmony lifts, chorus blooms with stacked vocal doubles and a chantable repeat. Add brushed percussion swells, a subtle piano hook between lines, and a final chorus with airy ad-libs. Mix is warm, clean, and emotional with a polished modern glow.

I Choose You Again

I Choose You Again

Contemporary Christian pop ballad with a slow 6/8 sway, tender acoustic guitar and soft piano in verse 1, pre-chorus lifting with strings and brushed cymbals, chorus opening into layered harmonies and a warm pad bed; intimate lead vocal with doubled choruses, gentle ad-lib echoes, a cymbal swell into each chorus, and a bright, heartfelt mix that feels close and reverent, gentle, warm, heartfelt, tone

Hugis ng Dilaw na Kaluluwa

Hugis ng Dilaw na Kaluluwa

Emo female acoustic

Cyprus Holiday

Cyprus Holiday

Country-pop with twangy acoustic guitar, brushed drums, pedal steel fills, and a bouncy two-step groove; verse tells a funny family-road story, pre-chorus tightens with rising harmony, chorus opens wide with singalong gang vocals and a cheeky payoff. Lead vocal is warm and conversational with harmony doubles on the hook, sly ad-libs on punch lines, and short delay throws on the title. Ear candy includes a harmonica tag, suitcase zipper foley, and a sun-fizz synth shimmer into the final chorus. Mix is bright, glossy, and road-trip radio-ready., country

Zé Prikito

Zé Prikito

Sertanejo-pop ballad with a steady midtempo pulse, acoustic guitar and soft accordion carrying the verse, pre-chorus lifting with light snare rolls and tambourine, chorus opening into stacked harmonies and a singable rural chant, bridge stripping down to voice and guitar before a final emotional lift. Lead vocal is intimate and cracked, with doubled choruses, small echo throws on the hook, and warm, polished mix with a nostalgic glow.

THIRUVANNAMALAI

THIRUVANNAMALAI

A raw 1950s South Indian Hindu mythological stage drama audio. Strictly solo male vocal only, no female voice, no chorus. The actor has a powerful, high-pitched, vibrating 1960s theatrical male voice. It begins with the actor delivering a dramatic, emotional spoken story-telling monologue in Tamil stage-play style, then immediately bursting into high-pitched, operatic classical Carnatic singing with intense emotional delivery. Absolutely no modern music, no synthesizers, no electric equipment, no pop beats. The only accompaniment is a rustic acoustic Tanpura drone, loud clashing of traditional Kerala temple Elathalam cymbals, and a raw wooden Mridangam playing classical Tala beats. The recording quality is a vintage, dusty, mid-century lo-fi analog mono field recording, mimicking a live open-air village drama stage with natural echoing acoustics. Deeply spiritual, ancient, and highly dramatic.

awerysopelea - die Hydra

awerysopelea - die Hydra

Emotional German cinematic singer-songwriter ballad, intimate female vocal, soft piano, warm acoustic guitar, deep cello, subtle ambient pads, build into a powerful hopeful chorus. Sacred, natural, mystical atmosphere. Themes of nature, Eden, healing, eternity, consciousness and finding the divine within life on Earth. German lyrics.

Him Him Him

Him Him Him

Pop ballad with a warm mid-tempo sway, soft acoustic guitar and brushed drums; verse stays intimate and close-mic, pre-chorus lifts with gentle harmony stacks, chorus blooms with layered doubles and a tender gospel-tinged pad. Add faint finger snaps, a rising string swell into the chorus, and a last-chorus key change feel. Mix is bright, soft-edged, and glowing., strong, praise, warm, light, gentle

__replici 003A italy

__replici 003A italy

Create an instrumental track inspired by the elegant Italian popular music of the 1950s, 1960s and 1970s. Capture the warmth of vintage Mediterranean melodies, romantic orchestral arrangements, acoustic guitar, mandolin, piano, lush strings, soft brass, vibraphone, accordion, gentle brushes on drums and melodic bass. The atmosphere should be nostalgic, cinematic, sophisticated and sunlit, evoking evenings in Rome, Naples and the Italian Riviera. Structure the composition with frequent instrumental pauses, soft breakdowns, transitions and sparse passages specifically designed to accommodate short spoken dialogue clips. Avoid lead vocals and dense midrange instrumentation during these sections to keep speech perfectly intelligible. Smooth analog warmth, vintage tape character, memorable melodies, elegant harmonic progressions, natural dynamics, professional studio mix, timeless soundtrack quality. Instrumental only, optimized for adding external voice samples during post-production.

Forever Shining

Forever Shining

Contemporary worship ballad with a gentle 6/8 sway, soft piano arpeggios, warm acoustic guitar, and brushed percussion; verse stays intimate and close-mic, pre-chorus lifts with stacked harmony and rising strings, chorus opens wide with sustained pads and handclap pulses. Lead vocal is tender and breathy with doubled lines on key phrases, layered group vocals on the hook, delay throws on the title line, and a glowing intimate-to-cinematic mix with airy reverbs and subtle chime transitions., bright, heartfelt, beautiful, warm

Thullu Athu

Thullu Athu

Indie pop with a soft mid-tempo bounce, syncopated acoustic guitar, mellow bass pulse, and hand-played shakers; verse stays intimate and sparse, pre-chorus opens with rising harmony stacks and filtered percussion, chorus lands with a memorable chantable hook and light gang doubles on the anchor phrase. Breathy lead vocal, close-mic and vulnerable, with delay throws on the final word of each chorus line. Tiny reversed swells, a bell chime between sections, and a warm glossy mix give it an earworm glow.

Kora Moon

Kora Moon

Afro-acoustic a cappella, female vocals, handclap-led pulse and lilting kora-like phrasing; verse stays bare with solo voice and close harmony hums, pre-chorus opens into layered call-and-response, chorus lands with clapped rhythm and stacked women’s vocals. Small breathy pauses, finger snaps, and a short vocal ululation lift the transitions. Warm, intimate, earthy mix with a dry room bloom.

ننھا خرگوش بنی

ننھا خرگوش بنی

Children’s folk-pop in a gentle 6/8 sway with plucked acoustic guitar, light hand percussion, and a soft whistle motif; verse keeps it sparse and storybook-like, pre-chorus opens with rising harmony and a tiny clap pattern, chorus lands in simple call-and-response with group voices on the hook. Delicate lead vocal, warm doubles on key lines, a bell chime between phrases, and a bright intimate mix with airy room reverb.

Let The River Flow

Let The River Flow

Contemporary country ballad with slow 6/8 sway, fingerpicked acoustic guitar, brushed drums, warm piano pads, and a rising string bed; verse stays intimate and close, pre-chorus opens with suspended chords, chorus lifts into a wide singable release. Lead vocal is breathy and cracked in places, with harmony doubles on the hook and a few soft response lines in parentheses. Ear candy includes a reversed swell into each chorus, faint bell tones after key phrases, and a final string climb. Mix is warm, spacious, and tear-stained, with a bright vocal front and center., sad

Mera Deewana

Mera Deewana

Romantic pop ballad with a swaying mid-tempo pulse, soft hand percussion and warm acoustic guitar; verse stays intimate and sparse, pre-chorus lifts with rising pads and stacked harmonies, chorus opens wider with a singable hook and gentle gang vocals. Close-mic male vocal with airy doubles, delay throws on key phrases, subtle reverse swells and chime fills, polished and emotional mix.

Over flow - EVAN

Over flow - EVAN

acoustic guitar, piano

Witch 2

Witch 2

Solo female lead vocalist only. No backing vocals, choir, gang vocals, crowd chants, audience sounds, call-and-response, rhythmic shouts, or "hey/oh/whoa" interjections. Dramatic late-80s/90s folk-rock power ballad with a dark cinematic Americana atmosphere. Emotional, rebellious, feminine, mythic, raw, and haunting. Begin with warm acoustic guitar, soft clean electric guitar, subtle bass, light synth pads, and sparse percussion for intimate storytelling. Gradually build tension into a powerful chorus with live drums, deep bass, wider guitars, and dynamic lift. The chorus should be an emotional release, sung powerfully yet melodically by the solo female voice. End with a slow, haunting outro using minimal guitar, soft pads, ambient textures, and a fading heartbeat-like drum pulse. Organic, spacious production with natural dynamics. Tempo: 84–92 BPM.

Witch

Witch

Don't include any rhythmic shouts where fans yell out. Only female singer voice. Dramatic 90s folk-rock power ballad beat. Sound is emotional, rebellious, feminine, and cinematic somewhere between late-80s power ballad, 90s folk-rock, & dark road-trip music. Start the verses stripped down with warm acoustic guitar, soft clean electric guitar, subtle bass, & light atmospheric synth pads. Keep the rhythm steady and serious, not too busy. Let the lyrics feel like storytelling. Build into a big chorus with emotional live drums, deep bass, wider electric guitars, and a powerful lift. The chorus should feel like a painful truth finally being shouted out loud. The outro should slow down and soften. Make it haunting and warning-like, almost like a lullaby turning into a threat. Use minimal guitar, soft pads, and a fading emotional drum pulse. Mood: wounded, defiant, mythic, raw, powerful, feminine, dramatic, late-night highway energy. Tempo: medium-slow, around 84-92 BPM.

Witch

Witch

No rhythmic shouts where fans yell out. Dramatic 90s folk-rock power ballad beat. Sound is emotional, rebellious, feminine, and cinematic somewhere between late-80s power ballad, 90s folk-rock, & dark road-trip music. Start the verses stripped down with warm acoustic guitar, soft clean electric guitar, subtle bass, & light atmospheric synth pads. Keep the rhythm steady and serious, not too busy. Let the lyrics feel like storytelling. Build into a big chorus with emotional live drums, deep bass, wider electric guitars, and a powerful anthemic lift. The chorus should feel like a painful truth finally being shouted out loud. The outro should slow down and soften. Make it haunting and warning-like, almost like a lullaby turning into a threat. Use minimal guitar, soft pads, and a fading emotional drum pulse. Mood: wounded, defiant, mythic, raw, powerful, feminine, dramatic, late-night highway energy. Tempo: medium-slow, around 84-92 BPM.

La Reina Del Juego Renace Remix

La Reina Del Juego Renace Remix

Corrido Belico sierreño Country outlaw country rap Intro: Heavy electric guitar riff with a driving drum beat line dancing style shuffle Disco & Funk, energetic Tumbado style Tempo 130 y 140 BPM base rítmica de duranguense a 135 BPM, usa un sintetizador Korg con sonidos digitales de aire/viento para los versos, introduce armonías de saxofón y trombón brillante para los coros usa la voz AI de la mujer que has estado usando que incorpora mi voz pregrabada

La Reina Del Juego Renace Remix

La Reina Del Juego Renace Remix

Corrido sierreño Tumbado Country outlaw country rap Intro: Heavy electric guitar riff with a driving drum beat line dancing style shuffle Disco & Funk, energetic Tempo 130 y 140 BPM base rítmica de duranguense a 135 BPM, usa un sintetizador Korg con sonidos digitales de aire/viento para los versos, introduce armonías de saxofón y trombón brillante para los coros usa la voz AI de la mujer que has estado usando que incorpora mi voz pregrabada

La Reina Del Juego Renace Remix

La Reina Del Juego Renace Remix

Corrido Belico sierreño Tumbado Country outlaw country rap Intro: Heavy electric guitar riff with a driving drum beat line dancing style shuffle Disco & Funk, energetic Tempo 130 y 140 BPM base rítmica de duranguense a 135 BPM, usa un sintetizador Korg con sonidos digitales de aire/viento para los versos, introduce armonías de saxofón y trombón brillante para los coros usa la voz AI de la mujer que has estado usando que incorpora mi voz pregrabada

La Reina Del Juego Renace Remix

La Reina Del Juego Renace Remix

Corrido Belico sierreño Country outlaw country rap Intro: Heavy electric guitar riff with a driving drum beat line dancing style shuffle Disco & Funk, energetic Tempo 130 y 140 BPM base rítmica de duranguense a 135 BPM, usa un sintetizador Korg con sonidos digitales de aire/viento para los versos, introduce armonías de saxofón y trombón brillante para los coros usa la voz AI de la mujer que has estado usando que incorpora mi voz pregrabada

INTK

INTK

4 minutes of 2010's dark Country Rap, edm with a strong deep raspy male vocal

I need to know

I need to know

4 minutes of 2010's dark country, 2010's dark Rap, edm with a deep raspy male vocal

Mo money

Mo money

Rap singing, trap, strip club, 808, bass

Mo money

Mo money

Rap singing, trap, strip club

Mo money

Mo money

Rap singing, trap, catchy

13

13

4 minutes of 2010's dark Rap, 2010's hip-hop, 1960's soul and blue with a deep and strong base line, with the feeling of being lost but a little hopeful

Bando Queen

Bando Queen

Trap hip-hop with swung hi-hats, booming sub-bass, and sparse piano stabs; verse rides a tense half-time bounce, pre-chorus strips to clap and bass hush, chorus hits with stacked chant doubles and short ad-lib punches. Vocal is close-mic and gritty in verses, wider with shouted backing responses on the hook. Vinyl crackle on the intro, risers into each hook, and a filtered synth pull before the final chorus. Dark, glossy mix with punchy low end., low

Circuitas y Coral soft

Circuitas y Coral soft

Classical crossover with chamber strings, piano ostinato, and subtle electronic pulse at a poised adagio; verse leans on contrapuntal cello and harp, pre-chorus lifts with layered woodwinds, chorus blooms into multi-melody choral stacks and counterpoint. Lead vocal stays close-mic and elegant with doubles on key phrases, wordless harmonies beneath. Harp glissandos, string swells, and soft glitch chirps bridge sections; mix is wide, polished, and radiant with modern clarity., classical, contemporary, R&B

Circuitas y Coral power

Circuitas y Coral power

Classical crossover with chamber strings, piano ostinato, and subtle electronic pulse at a poised adagio; verse leans on contrapuntal cello and harp, pre-chorus lifts with layered woodwinds, chorus blooms into multi-melody choral stacks and counterpoint. Lead vocal stays close-mic and elegant with doubles on key phrases, wordless harmonies beneath. Harp glissandos, string swells, and soft glitch chirps bridge sections; mix is wide, polished, and radiant with modern clarity., classical, contemporary, house

Circuitas y Coral

Circuitas y Coral

Classical crossover with chamber strings, piano ostinato, and subtle electronic pulse at a poised adagio; verse leans on contrapuntal cello and harp, pre-chorus lifts with layered woodwinds, chorus blooms into multi-melody choral stacks and counterpoint. Lead vocal stays close-mic and elegant with doubles on key phrases, wordless harmonies beneath. Harp glissandos, string swells, and soft glitch chirps bridge sections; mix is wide, polished, and radiant with modern clarity., classical, contemporary

I love you

I love you

old school 50’s doo wop, soul, heavy auto tune on vocals, robotic voices, blaring horns, Minimalist rap, reggaeton, Pulsing off-kilter rhythm like a heartbeat in 5/4 or 7/8, 808 drums, surreal, psychedelic, cinematic, experimental, warped, hospital noises, voice that sounds hooked to tubes and breathing apparatus, vocoder, electronic talk box

Sussurros de Luz Interior

Sussurros de Luz Interior

Essa letra combina muito com um rap melódico feminino, começando com piano e violão, entrando um beat leve no refrão e crescendo até o final, com uma interpretação suave e cheia de emoção.

ميماتي

ميماتي

dramatic cinematic trap, intense orchestral hits, heavy cinematic percussion, dark atmospheric synth pads, powerful male vocal, mid-tempo

Sorriso em Silêncio

Sorriso em Silêncio

Essa letra combina muito com um rap melódico feminino, começando com piano e violão, entrando um beat leve no refrão e crescendo até o final, com uma interpretação suave e cheia de emoção.

Гулибером По Маме

Гулибером По Маме

Russian pop-rap with a bouncing mid-tempo groove, syncopated drums and warm bass pulses; verse rides sparse percussion and a plucky synth motif, pre-chorus opens with rising backing vocals and filtered pads, chorus hits wider with stacked doubles and a chantable hook. Breathy close-mic lead in verses, punchy doubled lines on the chorus, a few echoed ad-libs in parentheses, with risers into each drop and glossy, bright mix

After Hours Jive

After Hours Jive

Soulful funky jazz with laid-back swung groove and pocketed drum accents; verse rides Rhodes, upright bass, and brushed kit, then pre-drop filters to hand percussion and muted guitar before the main groove opens with horn stabs and greasy sax replies. Short breakdowns trade between organ swells and walking bass. Quick tape-stop flicks, crowd-room claps, and bright vibraphone fills add ear candy. Warm, punchy, analog mix with smoky club presence., soulful, jazz, funky

Sumido na Justiça

Sumido na Justiça

Hip hop misturado com rap

Ashen Covenant

Ashen Covenant

Cinematic orchestral instrumental with Jewish tonal colors, slow half-time pulse, urgent string ostinatos, khazanic woodwind phrasing, taiko-like low percussion, and massive brass swells; verse-like sections move from sparse solo viola and duduk to layered choir pads and snare rolls, then the main lift hits with hammered cymbal crashes, deep sub hits, and wide strings. Breathy reverses, bowed metal scrapes, and distant frame-drum accents bridge the transitions. Dark, expansive, high-contrast mix with trailer-sized impact and intimate solo detail., dramatic

Tempo de Esperar

Tempo de Esperar

rap melódico feminino, começando só com piano e voz, e depois entrando uma batida leve de hip-hop com violão. Ela transmite exatamente esse sentimento de quem aprendeu a confiar no tempo sem perder a esperança.

Fugindo da Justiça

Fugindo da Justiça

Rap no estilo Gabriel pensador

Cosa ci resta

Cosa ci resta

country Trap pop indie

S21 FE

S21 FE

Polish pop-rap with mid-tempo four-on-the-floor bounce and tight syncopated claps; verse rides sparse plucks, muted bass, and crisp hats, pre-chorus opens with filtered synth lift and handclap rolls, chorus hits bigger with stacked doubles and chanty backing vocals. Add screen-swipe transitions, tiny notification pings, and a glossy sidechain pulse. Bright, punchy, radio-clean mix.

Un cazzo di Batman

Un cazzo di Batman

pop trap duro e deciso ritornello, synthesizer radio edit

Un cazzo di Batman

Un cazzo di Batman

pop trap duro e deciso ritornello, techno, synthesizer radio edit

《齊天之名

《齊天之名

Gangster trap

Un cazzo di Batman

Un cazzo di Batman

Rap hip pop trap duro e deciso

Un urlo nel vuoto

Un urlo nel vuoto

Sinthy wave indie, techno trap cantato con ritornello deciso e felice

Che cosa ci resta

Che cosa ci resta

Rap trap pop cantato in modo duro decisivo e malinconico

Batman

Batman

Dark spettro horror trap

Wer erschafft hier wen ?

Wer erschafft hier wen ?

Explosive euphoric West Coast Chicano homecoming vocal style. Male Vato voice, charismatic, emotional, loud, joyful, slightly raspy, sun-burned street soul. Delivery feels like arriving home after years away: laughing, shouting, celebrating, almost crying from happiness. Mix of spoken-word rap, melodic shouting, gang-style ad-libs and triumphant crowd energy. Strong “ese / vato / yeehaw” callouts with big chest voice. Flow should bounce with classic West Coast swagger, relaxed but ecstatic, like a lowrider cruising into paradise at sunset. Vocals should feel raw, human, overwhelmed, full of love for home, nostalgia, absurd joy and dramatic exaggeration. Add spontaneous ad-libs, laughs, cheers, breathy pauses, and shouted hooks. Mood: homecoming, paradise, freedom, chaos, joy, gratitude, emotional explosion.

Un cazzo di Batman

Un cazzo di Batman

Rap hip pop trap duro e deciso, techno

Urlo nel Vuoto

Urlo nel Vuoto

Trap pop rap, synthesizer, Veloce incazzata, techno

Urlo nel Vuoto

Urlo nel Vuoto

Trap synthesizer, Veloce incazzata, new wave

Catedral da Gratidão

Catedral da Gratidão

Gelson Manuel Yeah... Hoje não é sobre mim... É sobre honra... É sobre gratidão... Ao homem que Deus levantou... Pastor Felizberto Luís Paulo! E à nossa Mamy Marinela Luís Paulo! [Verso 1 – Rap] Lembro da história que ouvi desde criança, De um servo que pregava cheio de esperança. Onde muitos viam pouco, ele via uma visão, Porque quem sonha com Deus nunca anda na ilusão. Era uma igreja pequena, simples para começar, Mas tinha fogo do céu naquele lugar. Muito joelho no chão, muita lágrima no altar, E Deus foi abrindo portas que ninguém podia fechar. Não foi pela força, nem pela posição, Foi pela graça de Deus e muita oração. Hoje quem chega contempla essa construção: A Catedral Casa

Quiet Key, Open Heart

Quiet Key, Open Heart

indie rock, lounge

0 to 60 in 3.5

0 to 60 in 3.5

Super upbeat and fast paced, modern country. hyped. Rock and heavy metal accents

0 to 60 in 3.5

0 to 60 in 3.5

Modern country with a Little Rock and heavy metal accent

Not On My Ledger

Not On My Ledger

Classic rock and punk rock with new wave electro drive at 160 bpm; sharp downstroke guitars and tight drums in the verses, pre-chorus opens into stacked dual harmonies, chorus slams with gang vocals and a chantable hook, half-time guitar solo, sweaty bridge, then a stripped breakdown before a final double chorus. Close-mic baritone lead, gritty doubles, shouted backing vocals, bright punchy mix with synth flashes and tape-slap tails., vocal, new wave, electro, bright, classic rock, rock, punk

Dying Isn’t the Plan

Dying Isn’t the Plan

Classic rock and punk rock with new wave electro drive at 160 bpm, galloping drums and sharp offbeat guitar chugs; verse rides tight and nasty, pre-chorus lifts into stacked dual harmonies, chorus hits with gang vocals and a chantable hook, half-time guitar solo gives way to a sweaty bridge and a stripped breakdown before the final double chorus. Close-mic lead vocal, gritty doubles, shouted backing vocals, bright punchy mix with synth flashes and tape-slap tails., world, electro, new wave, punk, rock, classic rock

Dead Air Signal

Dead Air Signal

Grunge rock with a modern alt-metal edge, mid-tempo swung stomp and jagged syncopated riffs; verse rides tense low-end palm mutes, pre-chorus opens into climbing harmonized guitars, chorus hits with huge downbeat chords and gang shouts. Masculine vocals with gritty doubles, snarled ad-libs, and delay throws on the hook. Static bursts, reversed swells, and dial-tone bleeps bridge sections. Dry, punchy, savage mix., contemporary

Aunque Ya No Estés

Aunque Ya No Estés

Rock ballad with a soft introspective opening, swelling chorus, emotional electric guitars, restrained drums in verses, wider tom lifts in the pre-chorus, layered harmonies and open snare in the chorus, male vocals, intimate close-mic delivery, delay throws on key lines, rising cymbals and a final guitar surge, warm and powerful mix, rock

Incredibles Rise

Incredibles Rise

Post-grunge rock with a 2000s punch, driving mid-tempo drums, crunchy power chords, and soaring string lifts under male vocals; verse stays tight and muscular, pre-chorus climbs with toms and widening harmonies, chorus opens into big heroic gang chants and suspended strings, bridge drops to a lone vocal and piano before the final lift. Close-mic verses, stacked doubles on the hook, bold delay throws on the last word, bright and anthemic mix with cinematic size., rock, post-grunge, male vocals

Midnight Neon Dreamscape

Midnight Neon Dreamscape

electronic, salsa, bluegrass, synthwave, flute, chillout, pop punk, deep house, violin, baroque, punk, trombone, ballad, cinematic, progressive, banjo, hard rock, techno, celtic, cello

Kırık Aynalı Yemin

Kırık Aynalı Yemin

Azeri-leaning Iranian rock fused with chamber strings and dramatic piano; mid-tempo, tense 6/8 feel with driving toms, tremolo guitar accents, qanun-like plucks and a string quartet rising in waves. Verse stays sparse and close-mic, pre-chorus strips to piano and bowed strings, chorus lands with full band, octave harmonies and sequential stacked female vocals answering each line. Ear candy: reverse string swells into each chorus, a brief solo violin cry before the bridge, and cymbal bloom into the final refrain. Mix is wide, emotional, and cinematic with a raw center., rock, arabesk

The Red Comet Comedy Circus (Cosmic Prism)

The Red Comet Comedy Circus (Cosmic Prism)

Mellow theatrical soft rock with classic circus influences and a cosmic idol-pop atmosphere. Slow to mid-slow tempo, around 75–85 BPM, with a swaying waltz or carnival rhythm. Use soft electric guitar, warm bass, gentle drums, piano, and subtle calliope or accordion-style circus melodies. The circus sound should feel old-fashioned, haunting, and slightly sad, not goofy or high-energy. Verses should be spoken-word narration, with Rei performing like a sarcastic ringmaster over soft background music. Her voice should sound charming, tired, theatrical, and bitterly funny, like she is smiling through exhaustion. Choruses should be sung with a melancholic soft rock melody, emotional but controlled, building gently without becoming too powerful or upbeat. Overall mood: a lonely circus under starlight — pretty, strange, satirical, cosmic, and quietly tragic.

Midnight Floor Stamp

Midnight Floor Stamp

Electro-pop party anthem with chunky four-on-the-floor kick, wobbling synth bass, handclap snaps, and a bouncy half-time pre-chorus that snaps back into a shout-along drop; verse rides tight and playful, chorus opens wide with stacked gang vocals and short delay throws on the hook word. Add risers, reverse cymbal swells, and filtered scream-ins before each drop. Bright, punchy, and club-loud with a glossy top end., rock

Shadows Break Through Bass

Shadows Break Through Bass

dubstep, indie rock, hip-hop

Warum wir glauben

Warum wir glauben

Live Vision Punk Trash, Rocken Roll hard Rock mit viel Gitarren und Solos und Udo Rauhut Stimme. Mit ein tolles Publum viel klatschen

Warum wir glauben

Warum wir glauben

Punk Trash, Rocken Roll hard Rock mit viel Gitarren und Solos und Udo Rauhut Stimme

Fruchtsaft Pionier live

Fruchtsaft Pionier live

live vision, Trash Punk Rock Rocken Roll schnell und Hart viel Gitarren, solos und Paul Stanly Ibanez Gitarre .Publikum klatscht Stimme von Udo Rauhut mit ganz weicher zarter stimme .

Ich bin Bauer

Ich bin Bauer

Live vision, Blues mit viel Gitarren solo. Paul Stanley Ibanez Gitarre. publikum ist laut. Mit Udo Rauhut Stimme. Blues Rock mit Udo Rauhut Stimme meine Stimme sehr weiche stimme

Koshare e Lavdisë

Koshare e Lavdisë

Epic patriotic rock ballad with piano and soaring duet vocals, driving half-time drums and martial tom hits; verse opens sparse with piano and low bass, pre-chorus lifts with rising strings and snare roll, chorus bursts into stacked harmonies and gang shouts, bridge strips back to piano and voice before a final anthem-like chorus. Powerful male vocal leads with emotional doubles, octave harmonies, short delay throws on names, and bright wide mix with brass swells, reverse cymbal rises, and a huge cinematic master., ballad, rock

Detour

Detour

Hip-hop, rap, pop, country, techno, rock, r&b, vocal

Detour

Detour

Rap, country, hip-hop, rock, techno, R&B

Rise Beyond Tomorrow

Rise Beyond Tomorrow

Modern Epic Alternative Metal, Electronic Rock, Cinematic Metalcore, Powerful Male Vocal, Heavy Guitar Riffs, Modern Drums, Synth Atmosphere, Emotional, Hopeful, Energetic, No Orchestra, No Piano, Anthemic Chorus, 140 BPM, Wide Stereo, Huge Guitar Wall, Clean Vocals with Light Screams.

Urlo nel Vuoto

Urlo nel Vuoto

pop, folk rock, synthesizer, 80s Veloce incazzata

Echoes of G‑Pulse

Echoes of G‑Pulse

rock, dubstep, afrobeat, easy listening, percussion g major echo cover auto tune

Boom‑Boogie Riot Rumble

Boom‑Boogie Riot Rumble

Explosive 1950s rock and roll performed by a wildly improvising live band. Every performance feels unique, spontaneous and unpredictable. The musicians constantly react to each other, feeding off the audience's energy, extending solos, changing intensity and creating joyful controlled chaos. Blazing boogie-woogie piano drives the song with pounding left-hand rhythms and wild right-hand riffs, supported by energetic upright bass, punchy drums, joyful honking tenor sax and jubilant trumpet answering the singer with explosive brass accents. Wild, unrestrained male vocalist with explosive gospel preacher energy, hoarse shouts, vocal cracks, ecstatic screams, joyful yelps, falsetto whoops, breathy laughter, spontaneous ad-libs, playful interruptions and conversational singing. Raw vintage mono live recording, sweaty dance hall atmosphere, cheering crowd, theatrical, rebellious, imperfect, nonstop excitement, infectious groove, no polished studio vocals.

Echoes of G‑Pulse

Echoes of G‑Pulse

rock, dubstep, afrobeat, easy listening, percussion G major echo auto tune, techno,

Echoes of G‑Pulse

Echoes of G‑Pulse

rock, dubstep, afrobeat, easy listening, percussion major echo auto tune, techno,

No crowd

No crowd

Don't include the crowd noise on the background at all! No crowd noise in the song. Dramatic 90s folk-rock power ballad beat. Sound is emotional, rebellious, feminine, and cinematic somewhere between late-80s power ballad, 90s folk-rock, & dark road-trip music. Start the verses stripped down with warm acoustic guitar, soft clean electric guitar, subtle bass, & light atmospheric synth pads. Keep the rhythm steady and serious, not too busy. Let the lyrics feel like storytelling. Build into a big chorus with emotional live drums, deep bass, wider electric guitars, and a powerful anthemic lift. The chorus should feel like a painful truth finally being shouted out loud. The outro should slow down and soften. Make it haunting and warning-like, almost like a lullaby turning into a threat. Use minimal guitar, soft pads, and a fading emotional drum pulse. Mood: wounded, defiant, mythic, raw, powerful, feminine, dramatic, late-night highway energy. Tempo: medium-slow, around 84-92 BPM.

No crowd

No crowd

dramatic 90s folk-rock power ballad beat. Sound is emotional, rebellious, feminine, and cinematic somewhere between late-80s power ballad, 90s folk-rock, & dark road-trip music. Remove the crowd noise on the background completely. Start the verses stripped down with warm acoustic guitar, soft clean electric guitar, subtle bass, & light atmospheric synth pads. Keep the rhythm steady and serious, not too busy. Let the lyrics feel like storytelling. Build into a big chorus with emotional live drums, deep bass, wider electric guitars, and a powerful anthemic lift. The chorus should feel like a painful truth finally being shouted out loud. The outro should slow down and soften. Make it haunting and warning-like, almost like a lullaby turning into a threat. Use minimal guitar, soft pads, and a fading emotional drum pulse. Mood: wounded, defiant, mythic, raw, powerful, feminine, dramatic, late-night highway energy. Tempo: medium-slow, around 84-92 BPM.

No crowd

No crowd

dramatic 90s folk-rock power ballad beat. Sound is emotional, rebellious, feminine, and cinematic somewhere between late-80s power ballad, 90s folk-rock, & dark road-trip music. Don't include the crowd noise on the background. Start the verses stripped down with warm acoustic guitar, soft clean electric guitar, subtle bass, & light atmospheric synth pads. Keep the rhythm steady and serious, not too busy. Let the lyrics feel like storytelling. Build into a big chorus with emotional live drums, deep bass, wider electric guitars, and a powerful anthemic lift. The chorus should feel like a painful truth finally being shouted out loud. The outro should slow down and soften. Make it haunting and warning-like, almost like a lullaby turning into a threat. Use minimal guitar, soft pads, and a fading emotional drum pulse. Mood: wounded, defiant, mythic, raw, powerful, feminine, dramatic, late-night highway energy. Tempo: medium-slow, around 84-92 BPM.

No crowd

No crowd

dramatic 90s folk-rock power ballad beat with a slow-burning anthem feel. Sound is emotional, rebellious, feminine, and cinematic somewhere between late-80s power ballad, 90s folk-rock, & dark road-trip music. Don't include the crowd noise on the background. Start the verses stripped down with warm acoustic guitar, soft clean electric guitar, subtle bass, & light atmospheric synth pads. Keep the rhythm steady and serious, not too busy. Let the lyrics feel like storytelling. Build into a big chorus with emotional live drums, deep bass, wider electric guitars, and a powerful anthemic lift. The chorus should feel like a painful truth finally being shouted out loud. The outro should slow down and soften. Make it haunting and warning-like, almost like a lullaby turning into a threat. Use minimal guitar, soft pads, and a fading emotional drum pulse. Mood: wounded, defiant, mythic, raw, powerful, feminine, dramatic, late-night highway energy. Tempo: medium-slow, around 84-92 BPM.

No crowd

No crowd

dramatic 90s folk-rock power ballad beat with a slow-burning anthem feel. The song should sound emotional, rebellious, feminine, and cinematic somewhere between late-80s power ballad, 90s folk-rock, & dark road-trip music. No crowd noise at all. Start the verses stripped down with warm acoustic guitar, soft clean electric guitar, subtle bass, & light atmospheric synth pads. Keep the rhythm steady and serious, not too busy. Let the lyrics feel like storytelling. Build into a big chorus with emotional live drums, deep bass, wider electric guitars, and a powerful anthemic lift. The chorus should feel like a painful truth finally being shouted out loud. The outro should slow down and soften. Make it haunting and warning-like, almost like a lullaby turning into a threat. Use minimal guitar, soft pads, and a fading emotional drum pulse. Mood: wounded, defiant, mythic, raw, powerful, feminine, dramatic, late-night highway energy. Tempo: medium-slow, around 84-92 BPM.

Sheriff's Cucumber Riddle

Sheriff's Cucumber Riddle

Modern upbeat country rock performed by a tight live honky-tonk band. Warm, deep and powerful male lead vocalist with a natural Southern accent, confident storytelling, rich chest voice and effortless emotional delivery. Sounds like a hardworking small-town sheriff singing after a long day. Strong live bar atmosphere with Telecaster guitar, fiddle, banjo, Hammond organ, upright bass, punchy drums and handclaps. Big singalong choruses, crowd shouting along, conversational verses, playful spoken lines, spontaneous laughter, barroom energy, boots stomping on wooden floors, authentic country groove, raw but polished live recording, catchy hooks, driving rhythm, no pop production, no autotune, every performance feels like a packed Friday night in a roadside honky-tonk where everybody knows the lyrics.

Melodic

Healing Hands

Healing Hands

Cinematic orchestral instrumental with Jewish melodic colors, slow 6/8 pulse and tender swell; verse-like opening leans on solo violin, woodwind phrases, and soft frame drum; middle section opens into warm strings and full brass-like chords; final lift brings choir-like ooh textures and soaring high violin. Delicate harp flourishes, reversed swells into each rise, and gentle cymbal blooms. Wide, emotional, and prayerful, inspirational, soft, theme

Silent Witness of Horizons

Silent Witness of Horizons

Slow to mid tempo metalcore built on a gentle, swaying groove instead of a fast drive. The rhythm feels flowing and grounded, but slowed down to feel more emotional and immersive. The arrangement focuses on melody and atmosphere. Guitars are smooth and supportive, leaving space for a beautiful, expressive vocal line. Subtle folk-inspired phrasing and tonal choices give the song a natural, earthy and slightly mystical color. Verses remain soft and intimate, allowing the emotion to build gradually. The pre-chorus lifts gently through layering and harmony. The chorus is the centerpiece: warm, melodic, sad and emotionally. Unqie Melody!!!! Unique Remarkable rare beautiful Chorus!! EPIC!!!! Extrem Uniqe melody and vocal. Uniqe and Epic Chorus, emotional medloie and voice. Sad. Rare Meldoy the whole Song. Beautiful, emotional!!!! Beautiful an uniqe Verse!!!!! Rare uniqe verse!!!! Rare remarkelbe chours. Intro with acusstic gitarre. Intro melody the same as the Chorus. Beginning is slow

Gallery Seven

Gallery Seven

Slow to mid tempo metalcore built on a gentle, swaying groove instead of a fast drive. The rhythm feels flowing and grounded, but slowed down to feel more emotional and immersive. The arrangement focuses on melody and atmosphere. Guitars are smooth and supportive, leaving space for a beautiful, expressive vocal line. Subtle folk-inspired phrasing and tonal choices give the song a natural, earthy and slightly mystical color. Verses remain soft and intimate, allowing the emotion to build gradually. The pre-chorus lifts gently through layering and harmony. The chorus is the centerpiece: warm, melodic, sad and emotionally. Unqie Melody!!!! Unique Remarkable rare beautiful Chorus!! EPIC!!!! Extrem Uniqe melody and vocal. Uniqe and Epic Chorus, emotional medloie and voice. Sad. Rare Meldoy the whole Song. Beautiful, emotional!!!! Beautiful an uniqe Verse!!!!! Rare uniqe verse!!!! Rare remarkelbe chours. Intro with acusstic gitarre. Intro melody the same as the Chorus. Beginning is slow

__replici 001A

__replici 001A

Create a cinematic electronic track designed for seamless insertion of short spoken dialogue clips. The arrangement must include frequent instrumental breaks, sparse sections, transition moments, filtered drops, atmospheric intros and outros, and minimal instrumentation behind dialogue. Style combines Cinematic EDM, Big Room, Afro House, Melodic Techno and Hybrid Trailer Music. Deep punchy kick, warm sub bass, wide stereo synths, emotional strings, powerful impacts, risers and clean percussion. Avoid dominant lead vocals and leave space in the 300 Hz–4 kHz range so dialogue remains clear and intelligible. Build dramatic tension with alternating high-energy drops and quieter cinematic passages. Professional festival-quality mix, 128 BPM, dynamic arrangement, smooth transitions, memorable melodic hook and an epic cinematic ending. Instrumental only, no singing, optimized for adding external voice samples in post-production.

The whole place leans in

The whole place leans in

British melodic house pop fusion at a bright mid-tempo four-on-the-floor pulse with Afrobeat-inspired percussion, syncopated shakers, deep ethereal sub, and short piano riff bursts between sections; verse rides sparse drums and bass, pre-chorus opens with filtered chords and rising vocal stacks, chorus hits with a drone-like mantra hook and child choir lead over glossy synth plucks; trans voice drag queen lead vocal with tight doubles, call-and-return backing vocals, gang responses, and lifted ad-lib tails. Polished, club-ready, radio-ready, wide and glossy with crisp low end and sparkling top, afrobeat, pop, drone, deep

ب ع د 222

ب ع د 222

Arabic trap with a heavy swung pocket and booming sub-bass; verse rides tense minimal percussion and sharp handclaps, pre-chorus strips to bass and a filtered chant, chorus hits with a rude melodic hook and gang ad-libs. Vocal is close-mic, gritty, and boastful with doubled punchlines, delay throws on the last word of each hook, and brief reversed swells into the drops. Bright, hard, and muscular mix with glossy top end.

Silence Doré

Silence Doré

[STYLE_MUSICAL] Style: Intimate acoustic live performance, solo professional guitarist, bronze-string acoustic guitar (Ben Harper style). Vocals: Deep, rich bass-baritone, honey-like smoothness, suave and melodic. Description: A remarkably deep, grave male voice, yet exceptionally soft and melodic. Every note is a caress, sung with deep resonance and breathy control. The singer has total freedom for phrasing. Accompaniment is a single acoustic guitar with bronze strings, played with a warm, percussive, and resonant resonance (Ben Harper aesthetic). No extra orchestration, no saturation. Natural French diction, zero accent. It feels like a warm, deep whisper that envelops the listener, [PROMPT MUSICAL AI] Style: Intimate live acoustic ballad, solo professional acoustic guitar with bronze strings (Ben Harper fingerstyle/slide aesthetic). Vocals: Deep, rich, honeyed bass-baritone voice, suave, melodic, and gentle. Description: Deep, grave, and resonant male voice. Exceptionally smooth,

Éclats de Neige

Éclats de Neige

[PROMPT MUSICAL AI] Style: Intimate live acoustic ballad, solo professional grand piano. Vocals: High-pitched male tenor, honey-like smoothness, crystal-clear and airy texture. Description: Pure, honeyed male tenor voice. Exceptionally smooth, melodic, and reassuring. Every word is articulated with a focus on melodic finish. The voice is a soft, continuous caress, phrasing is free and emotive. No aggression, no saturation. Warm grand piano accompaniment, playing delicate and supportive chords with natural room reverb. Natural French diction, zero accent. Atmosphere: Sophisticated, emotional, live concert recording with subtle, warm audience presence. High fidelity, 48kHz.

Souffle d’ombre

Souffle d’ombre

[STYLE_MUSICAL] Style: Intimate acoustic live performance, professional guitarist, bronze-string acoustic guitar. Audience response included. Vocals: High-pitched male tenor, honey-like smoothness, crystal-clear and airy texture. Description: Pure, honeyed male tenor voice. Exceptionally smooth, melodic, and reassuring. Accompaniment is a single acoustic guitar with bronze strings, providing organic, warm textures. Natural French diction, zero accent. It feels like a beautiful, warm, and clear whisper that envelops the listener.

Écho de Neige Éphémère

Écho de Neige Éphémère

[STYLE_MUSICAL] Style: Intimate acoustic live performance, professional acoustic guitar (bronze strings). Vocals: High-pitched male tenor, honey-like smoothness, crystal-clear and airy texture. Description: Pure, honeyed male tenor voice. Exceptionally smooth, melodic, and reassuring. The singer has total freedom for phrasing and emotional delivery. The guitar provides a delicate, resonant accompaniment. No aggression, no saturation. Natural French diction, zero accent. It feels like a beautiful, warm, and clear whisper. Focus on organic, woody guitar resonance and a voice that feels like a soft, melodic embrace.

SI C'EST DUR NEW 3

SI C'EST DUR NEW 3

[STYLE_MUSICAL] Style: Intimate acoustic live performance, professional acoustic guitar (bronze strings). Vocals: High-pitched male tenor, honey-like smoothness, crystal-clear and airy texture. Description: Pure, honeyed male tenor voice. Exceptionally smooth, melodic, and reassuring. The singer has total freedom for phrasing and emotional delivery. The guitar provides a delicate, resonant accompaniment. No aggression, no saturation. Natural French diction, zero accent. It feels like a beautiful, warm, and clear whisper. Focus on organic, woody guitar resonance and a voice that feels like a soft, melodic embrace.

SI C'EST DUR NEW 1

SI C'EST DUR NEW 1

[STYLE_MUSICAL] Style: Intimate piano-vocal ballad. Vocals: High-pitched male tenor, honey-like smoothness, crystal-clear and airy texture. Description: Pure, honeyed male tenor voice. Exceptionally smooth and soothing. High-pitched and melodic, with a crystal-clear, caressing quality. Every note is linked in a continuous legato flow. No aggression, no saturation, no heavy instrumentation. Just a soft, reassuring, and deeply emotional vocal performance. Natural French diction, zero accent. It feels like a beautiful, warm, and clear whisper that envelops the listener. Soft grand piano accompaniment only.

Murmures d’ambre

Murmures d’ambre

[STYLE_MUSICAL] Style: Intimate piano-vocal ballad. Vocals: High-pitched male tenor, honey-like smoothness, crystal-clear and airy texture. Description: Pure, honeyed male tenor voice. Exceptionally smooth and soothing. High-pitched and melodic, with a crystal-clear, caressing quality. Every note is linked in a continuous legato flow. No aggression, no saturation, no heavy instrumentation. Just a soft, reassuring, and deeply emotional vocal performance. Natural French diction, zero accent. It feels like a beautiful, warm, and clear whisper that envelops the listener. Soft grand piano accompaniment only.

Miel de Piano

Miel de Piano

[STYLE_MUSICAL] Style: Live concert, intimate performance, warm grand piano, soulful response. Vocals: High-pitched male tenor, extreme honey-like smoothness, creamy and enveloping vocal texture. Description: The voice is pure liquid honey, incredibly soft, gentle, and caressing. A highly melodic, reassuring, and crystal-clear delivery where every note flows in a perfect legato. Slow, elegant, and deeply soothing phrasing. Absolutely NO shouting, NO harshness, NO sudden intensity. It is a continuous, velvety, and airy stream of sound. Natural French diction, zero accent. Focus on a warm, golden, and comforting resonance. It is a whisper-soft, melodic embrace, elegant and profoundly soothing.

ETRE AVALLON TOPISSIME 1

ETRE AVALLON TOPISSIME 1

[STYLE_MUSICAL] Style: Live concert, intimate performance, warm grand piano, soulful response. Vocals: High-pitched male tenor, extreme honey-like smoothness, creamy and enveloping vocal texture. Description: The voice is pure liquid honey, incredibly soft, gentle, and caressing. A highly melodic, reassuring, and crystal-clear delivery where every note flows in a perfect legato. Slow, elegant, and deeply soothing phrasing. Absolutely NO shouting, NO harshness, NO sudden intensity. It is a continuous, velvety, and airy stream of sound. Natural French diction, zero accent. Focus on a warm, golden, and comforting resonance. It is a whisper-soft, melodic embrace, elegant and profoundly soothing.

Miel de Piano

Miel de Piano

[STYLE_MUSICAL] Style: Live concert, intimate and warm atmosphere, grand piano accompaniment. Vocals: Higher-pitched male tenor, extreme honey-like smoothness, creamy and enveloping vocal texture. Description: The voice is pure liquid honey, incredibly soft, gentle, and caressing to the ear. A highly melodic and soothing delivery where every note melts into the next (legato). The phrasing is slow, elegant, and deeply reassuring. No harshness, no sudden jumps, just a continuous, velvety flow of sound. Natural French diction, zero accent. It feels like a beautiful, warm embrace of sound. Focus on emotional, melodic, and ultra-smooth vocal lines. Not operatic, not gospel. Elegant, subtle, and profoundly soothing.

Lumière Veloutée dans la Nuit

Lumière Veloutée dans la Nuit

[STYLE_MUSICAL] Style: Live concert intimate performance, warm grand piano, soulful audience response. Vocals: Higher-pitched male tenor, airy and crystal-clear, creamy and honeyed texture, round and gentle, highly melodic and soothing. Description: A very melodic and comforting male tenor, exceptionally smooth, honeyed and velvety texture. The voice carries a strong, beautiful, and reassuring melody with a warm, rounded resonance. Gentle and soft delivery. Natural French diction with zero foreign accent. Intimate, breathy, and organic phrasing. Very musical, focus on flowing, soothing vocal lines. Not operatic, not gospel. Pure, rounded, and softly brilliant tone, elegant and subtle.

مبارك يا عايض

مبارك يا عايض

Khaleeji celebratory anthemic pop with lively mid-tempo percussion and handclaps; verse stays proud and ceremonial, pre-chorus lifts with stacked group responses, chorus bursts in warm unison chants and short melodic repeats. Lead vocal is rich and close-mic with doubled hook lines, tasteful ad-lib echoes, and gang harmonies on key blessings. Use sparkling intro plucks, a rising fill into the chorus, and a brief rhythmic break before the final lift. Bright, polished, and festive with a wide, glossy mix.

Sábado en Fort the soto

Sábado en Fort the soto

Reggaeton-pop with a breezy dembow groove, light syncopated percussion, warm bass pulse, and sunny acoustic accents; verse rides sparse drums and playful melodic phrasing, pre-chorus lifts with filtered risers and stacked whispers, chorus opens with full groove and chanty gang vocals. Lead vocal is close-mic and flirty with doubled hook lines, short delay throws on the last word, and a few call-and-response ad-libs. Add water-splash foley, maraca flicks, and a brief drum fill into each chorus. Bright, polished, and summer-clean.

مركبات الطبخ

مركبات الطبخ

Energetic Egyptian folk instrumental featuring expressive traditional mizmar, fast oriental improvisations, authentic shaabi percussion, driving darbuka rhythms, powerful melodic ornaments, festive wedding atmosphere, rich Middle Eastern scales, high-energy live performance, crystal-clear lead instrument.

Réverbération de la Flamme

Réverbération de la Flamme

live classical hall concert performance, prestigious grand piano solo, rich long natural reverb, operatic symphonic depth, enthusiastic roaring audience singing along, dramatic call-and-response, masterclass acoustics, no digital drums, pure majestic keys, soft operatic tenor, smooth enveloping male classical vocals, very gentle yet powerful voice, elegant theatrical french diction, expressive melodic rap-singing blend, emotional and sophisticated tone

Papa kot

Papa kot

Genre: French-inspired dance pop with Afro-pop and electronic influences. Tempo: 116–120 BPM. Key: Minor key with an uplifting emotional feel. Rhythm: Driving four-on-the-floor kick, syncopated percussion, hand claps, shakers, and a groovy, danceable beat. Instrumentation: Marimba, kalimba, plucked synths, warm analog bass, bright synth stabs, subtle strings, atmospheric pads, clean electronic drums, and layered vocal harmonies. Vocals: Expressive male vocal with emotional verses and an anthemic, chant-like chorus. Structure: Short instrumental intro, verse, pre-chorus with rising tension, explosive chorus, instrumental hook, second verse, bridge, final chorus, and energetic outro. Mood: Bittersweet yet uplifting, energetic, cinematic, catchy, modern, and festival-ready. Production: Crisp, punchy mix with wide stereo synths, deep bass, organic percussion, memorable melodic hooks, and polished contemporary pop production. Create an original melody and chord progression that captures the

ÊTRE NEW CRISTALIN NON 1

ÊTRE NEW CRISTALIN NON 1

[AUDIO]: Maximum melodic and ethereal Cyber Space Opera Aria, 130 BPM. Layered with lush orchestral strings playing sweeping legato phrases, warm sub-bass, crystalline chimes, and celestial bells over a futuristic cinematic beat on the chorus. Solo female vocalist: an extraordinary Coloratura Soprano inspired by the Diva from The 5th Element. Flawless French diction, singing a continuous, liquid melody with zero rap elements. The vocal texture is hyper-velvety, smooth, and honey-like ("mielleuse et cristalline"). Features extensive multi-track vocal stacking where the artist doubles her own voice into a rich, enveloping choir, executing effortless ultra-high octave leaps and fluid, cascading operatic vocalises on the drop with extreme emotional depth. [VISUAL/CLIP]: Vertical 9:16, 4K, 8:7 ratio. Low-angle FPV drone sweeping in wide arcs, heavy Glow Effect around flashing Cyberpunk neon lights. High-contrast Teal & Orange color grading, soft Black Mist filter. Smooth, rhythmic speed ra

ÊTRE NEW CRISTALIN NON 2

ÊTRE NEW CRISTALIN NON 2

[AUDIO]: Maximum melodic and ethereal Cyber Space Opera Aria, 130 BPM. Layered with lush orchestral strings playing sweeping legato phrases, warm sub-bass, crystalline chimes, and celestial bells over a futuristic cinematic beat on the chorus. Solo female vocalist: an extraordinary Coloratura Soprano inspired by the Diva from The 5th Element. Flawless French diction, singing a continuous, liquid melody with zero rap elements. The vocal texture is hyper-velvety, smooth, and honey-like ("mielleuse et cristalline"). Features extensive multi-track vocal stacking where the artist doubles her own voice into a rich, enveloping choir, executing effortless ultra-high octave leaps and fluid, cascading operatic vocalises on the drop with extreme emotional depth. [VISUAL/CLIP]: Vertical 9:16, 4K, 8:7 ratio. Low-angle FPV drone sweeping in wide arcs, heavy Glow Effect around flashing Cyberpunk neon lights. High-contrast Teal & Orange color grading, soft Black Mist filter. Smooth, rhythmic speed ra

Étoiles Éthérées NON 2

Étoiles Éthérées NON 2

[AUDIO]: Maximum melodic and ethereal Cyber Space Opera Aria, 130 BPM. Layered with lush orchestral strings playing sweeping legato phrases, warm sub-bass, crystalline chimes, and celestial bells over a futuristic cinematic beat on the chorus. Solo female vocalist: an extraordinary Coloratura Soprano inspired by the Diva from The 5th Element. Flawless French diction, singing a continuous, liquid melody with zero rap elements. The vocal texture is hyper-velvety, smooth, and honey-like ("mielleuse et cristalline"). Features extensive multi-track vocal stacking where the artist doubles her own voice into a rich, enveloping choir, executing effortless ultra-high octave leaps and fluid, cascading operatic vocalises on the drop with extreme emotional depth. [VISUAL/CLIP]: Vertical 9:16, 4K, 8:7 ratio. Low-angle FPV drone sweeping in wide arcs, heavy Glow Effect around flashing Cyberpunk neon lights. High-contrast Teal & Orange color grading, soft Black Mist filter. Smooth, rhythmic speed ra

Étoiles Éthérées NON 1

Étoiles Éthérées NON 1

[AUDIO]: Maximum melodic and ethereal Cyber Space Opera Aria, 130 BPM. Layered with lush orchestral strings playing sweeping legato phrases, warm sub-bass, crystalline chimes, and celestial bells over a futuristic cinematic beat on the chorus. Solo female vocalist: an extraordinary Coloratura Soprano inspired by the Diva from The 5th Element. Flawless French diction, singing a continuous, liquid melody with zero rap elements. The vocal texture is hyper-velvety, smooth, and honey-like ("mielleuse et cristalline"). Features extensive multi-track vocal stacking where the artist doubles her own voice into a rich, enveloping choir, executing effortless ultra-high octave leaps and fluid, cascading operatic vocalises on the drop with extreme emotional depth. [VISUAL/CLIP]: Vertical 9:16, 4K, 8:7 ratio. Low-angle FPV drone sweeping in wide arcs, heavy Glow Effect around flashing Cyberpunk neon lights. High-contrast Teal & Orange color grading, soft Black Mist filter. Smooth, rhythmic speed ra

Lumière Mielleuse

Lumière Mielleuse

[AUDIO]: Highly melodic and warm acoustic soul-pop ballad, 112 BPM. Driven by a lively, rhythmic acoustic guitar with bright bronze strings and layered with delicate high-register guitar harmonics. Male solo artist, flawless French diction, singing a continuous, fluid melody with zero rap elements. The vocal texture must be ultra-velvety, smooth, sweet, and honey-like ("voix veloutée et mielleuse"). Extensive multi-track vocal stacking where the performer doubles his own voice, blending a round mid-range with a sweet, crystalline falsetto for a rich, deeply enveloping melodic experience. [VISUAL/CLIP]: Vertical 9:16, 4K, 8:7 ratio. Body-rig Snorricam capturing the performer's facial expressions. High-contrast Teal & Orange color grading, heavy cyberpunk neon glow softened by a Black Mist filter. Smooth Match Cuts perfectly synced to the lush vocal harmonies.

ÊTRE NEW ED PAS MAL DU TOUT 1

ÊTRE NEW ED PAS MAL DU TOUT 1

[AUDIO]: Highly melodic and warm acoustic soul-pop ballad, 112 BPM. Driven by a lively, rhythmic acoustic guitar with bright bronze strings and layered with delicate high-register guitar harmonics. Male solo artist, flawless French diction, singing a continuous, fluid melody with zero rap elements. The vocal texture must be ultra-velvety, smooth, sweet, and honey-like ("voix veloutée et mielleuse"). Extensive multi-track vocal stacking where the performer doubles his own voice, blending a round mid-range with a sweet, crystalline falsetto for a rich, deeply enveloping melodic experience. [VISUAL/CLIP]: Vertical 9:16, 4K, 8:7 ratio. Body-rig Snorricam capturing the performer's facial expressions. High-contrast Teal & Orange color grading, heavy cyberpunk neon glow softened by a Black Mist filter. Smooth Match Cuts perfectly synced to the lush vocal harmonies.

Čevapovi, Crvena Džep

Čevapovi, Crvena Džep

Powerful modern Bosnian football rock anthem with strong emotional male vocals and subtle traditional Bosnian influences. Energetic electric guitars, driving drums, powerful bass and melodic Balkan-inspired elements create a bold and inspiring sound. Fast-paced, passionate and anthemic, with high energy, stadium atmosphere and a massive singalong chorus. The singer’s voice should stay strong, emotional and dominant, leading the song with confidence and determination. Patriotic, powerful and emotionally charged Bosnian energy, combining modern rock intensity with the spirit of Bosnian football and national pride.

ÊTRE NEW LYRIC 2

ÊTRE NEW LYRIC 2

[AUDIO]: Serious and deeply emotional Opera Rap hybrid, 125 BPM. Dark grand piano chords, cinematic 808 sub-bass, and powerful orchestral strings. No gimmicks, no playful ad-libs. Duo performance: Male vocalist is an operatic Tenor delivering a rapid, highly melodic rap flow with impeccable French diction. Female vocalist is a dramatic classical Soprano taking center stage with maximum lyric power. Chorus features strict alternating structure: Chorus 1 is a majestic Soprano solo; Chorus 2 is an epic, full-power Tenor and Soprano operatic duet. [VISUAL/CLIP]: Vertical 9:16, 4K, 8:7 ratio. Body-rig Snorricam alternating between the two performers, sweeping low-angle FPV drone movements. High-contrast Teal & Orange grading, intense cyberpunk neon lights softened by a Black Mist filter, creating a stark, raw, and modern cinematic look.

ÊTRE NEW LYRIC 1

ÊTRE NEW LYRIC 1

[AUDIO]: Serious and deeply emotional Opera Rap hybrid, 125 BPM. Dark grand piano chords, cinematic 808 sub-bass, and powerful orchestral strings. No gimmicks, no playful ad-libs. Duo performance: Male vocalist is an operatic Tenor delivering a rapid, highly melodic rap flow with impeccable French diction. Female vocalist is a dramatic classical Soprano taking center stage with maximum lyric power. Chorus features strict alternating structure: Chorus 1 is a majestic Soprano solo; Chorus 2 is an epic, full-power Tenor and Soprano operatic duet. [VISUAL/CLIP]: Vertical 9:16, 4K, 8:7 ratio. Body-rig Snorricam alternating between the two performers, sweeping low-angle FPV drone movements. High-contrast Teal & Orange grading, intense cyberpunk neon lights softened by a Black Mist filter, creating a stark, raw, and modern cinematic look.

ÊTRE NEW ED BIEN BIEN 1

ÊTRE NEW ED BIEN BIEN 1

[AUDIO]: Beautifully melodic acoustic folk-pop ballad, 112 BPM. Rich guitar arrangement featuring driving acoustic strumming and a third layer of delicate, high-pitched guitar harmonics that weave around the vocal line. Single male artist, native French speaker with perfect diction, singing a pure, fluid melody with zero rap elements. The performance features multi-track vocal stacking where the artist doubles his own voice, layering his warm mid-range with a sweet, crystalline falsetto for an enveloping, harmonious, and highly emotional experience. [VISUAL/CLIP]: Vertical 9:16, 4K, 8:7 ratio. Body-rig Snorricam capturing the deep emotional containment of the singer. Cinematic High-Contrast Teal & Orange color grading, soft Black Mist filter, and warm ambient cyberpunk neon glow. Smooth Match Cuts synced with the arrival of the layered vocal harmonies.

ÊTRE NEW ED BIEN BIEN 2

ÊTRE NEW ED BIEN BIEN 2

[AUDIO]: Beautifully melodic acoustic folk-pop ballad, 112 BPM. Rich guitar arrangement featuring driving acoustic strumming and a third layer of delicate, high-pitched guitar harmonics that weave around the vocal line. Single male artist, native French speaker with perfect diction, singing a pure, fluid melody with zero rap elements. The performance features multi-track vocal stacking where the artist doubles his own voice, layering his warm mid-range with a sweet, crystalline falsetto for an enveloping, harmonious, and highly emotional experience. [VISUAL/CLIP]: Vertical 9:16, 4K, 8:7 ratio. Body-rig Snorricam capturing the deep emotional containment of the singer. Cinematic High-Contrast Teal & Orange color grading, soft Black Mist filter, and warm ambient cyberpunk neon glow. Smooth Match Cuts synced with the arrival of the layered vocal harmonies.

Everybody LOVES puppets

Everybody LOVES puppets

Upbeat, dance, happy, dance

A little bit of stitching

A little bit of stitching

Upbeat, happy, punk, dance

Jive After Hours

Jive After Hours

Upbeat jazz swing with walking bass, crisp ride cymbal, punchy piano comping, and bright horn riffs; verse-like sections would trade between sax and trumpet, a stripped break drops to brushed drums and bass, then the groove returns with shouty horn hits. Add quick drum fills, muted brass stabs, and a cheeky glissando turnaround. Lively, glossy, and dancefloor-bright., jazz

Peor Es Nada

Peor Es Nada

Latin party anthem with dembow groove, syncopated percussion, bright brass stabs, and a dancefloor-ready bassline; verse rides playful call-and-response, pre-chorus strips to handclaps and chant buildup, chorus hits with gang vocals and a trumpet hook. Lead vocal is close-mic and teasing in verses, doubled and shouted on hooks, with ad-lib echoes, risers into the drop, and a glossy, punchy mix

Peruca da Ângela

Peruca da Ângela

Pagode/funk carioca bounce with bright cavaquinho chops, cuíca flicks, and a round, dancefloor-focused kick; male vocals, crowd-call responses and stacked gang shouts on the hook; verses stay nimble and playful, pre-chorus leans into stop-time hits, and the chorus explodes in repeatable earworm lines tailored for viral TikTok chants

Pink Petal Flight

Pink Petal Flight

K-pop dance-pop with punchy four-on-the-floor drums, glossy synth arps, and syncopated bass snaps; verse keeps it airy with plucked keys and handclap pockets, pre-chorus lifts with filtered risers and stacked harmony swells, chorus bursts open with bright hooked synths and group chants. Lead vocal is close-mic and breathy in verses, doubled and glittery on hooks, with playful ad-libs and short delay throws. Sparkle chimes, reverse swells, and a final lift before the last chorus. Bright, clean, and candy-coated wide mix., k-pop

Two Souls

Two Souls

dance, electro, synthwave, electronic

Fuego del Inti Raymi

Fuego del Inti Raymi

Andean folk dance in a lively 6/8 pulse with charango-like picking, bombo accents, and panpipe flourishes; verse steps lightly with call-and-response phrasing, pre-chorus tightens into handclaps and rising voices, chorus opens wide with communal shouts and repeated hook lines. Lead vocal is bright and earthy with group doubles on the refrain, a few echoed ad-libs, and a warm live-room feel. Riser-like flute runs, drum fills between phrases, and a final lift with crowd-style chants. Mix is vivid, percussive, and festival-bright.

Nearly had it right

Nearly had it right

126bpm emotional house, dance, vocal house, clean melancholic pop, warm G major, bittersweet tension, tight four-on-the-floor drums, soft rolling bassline, muted electro chords, glowing pads, crisp hats, gentle reverse swells, small vocal chops, restrained euphoric lift, no festival drop, no cheese, no EDM. Close regretful female vocal, softly pushed, half-spoken in places, opening into a simple memorable chorus. Repeated mantra hook, simple chorus-like verses, emotional lift each return. Filtered intro, intimate verse, widening pre-chorus, warm chorus/drop, piano-pad breakdown, tasteful final chorus, DJ-friendly outro. Reflective

Dein Platz ist leer 1

Dein Platz ist leer 1

Disco-Schlager mit luxuriösem Sound, G-Dur, 123 BPM, Live-Drums kombiniert mit modernen Dance-Beats, breite Streicher, Chöre im Refrain, romantische Atmosphäre. Charismatischer männlicher Gesang, große Emotionen, Liebe und Leidenschaft, eingängige Melodie, professioneller Chart-Sound.

Nearly had it right

Nearly had it right

126bpm emotional house, indie dance, vocal house, clean melancholic pop, warm G major, bittersweet tension, tight four-on-the-floor drums, soft rolling bassline, muted piano chords, glowing pads, crisp hats, gentle reverse swells, small vocal chops, restrained euphoric lift, no festival drop, no cheese, no EDM. Close regretful european female vocal, softly pushed, half-spoken in places, opening into a simple memorable chorus. Minimal conversational lyrics about almost love, missed timing, a relationship that nearly worked, driving past someone’s place, saying too little too late, still feeling the pull but knowing it is gone. Repeated mantra hook, simple chorus-like verses, emotional lift each return. Filtered intro, intimate verse, widening pre-chorus, warm chorus/drop, piano-pad breakdown, tasteful final chorus, DJ-friendly outro.

Daniel park vs hi may

Daniel park vs hi may

electronic dance music

Nearly had it right

Nearly had it right

126bpm emotional house, indie dance, vocal house, clean melancholic pop, warm G major, bittersweet tension, tight four-on-the-floor drums, soft rolling bassline, muted piano chords, glowing pads, crisp hats, gentle reverse swells, small vocal chops, restrained euphoric lift, no festival drop, no cheese, no EDM. Close regretful British male vocal, softly pushed, half-spoken in places, opening into a simple memorable chorus. Minimal conversational lyrics about almost love, missed timing, a relationship that nearly worked, driving past someone’s place, saying too little too late, still feeling the pull but knowing it is gone. Repeated mantra hook, simple chorus-like verses, emotional lift each return. Filtered intro, intimate verse, widening pre-chorus, warm chorus/drop, piano-pad breakdown, tasteful final chorus, DJ-friendly outro.

Nearly

Nearly

126bpm British emotional house, indie dance, vocal house, clean melancholic pop, warm G major, bittersweet tension, tight four-on-the-floor drums, soft rolling bassline, muted piano chords, glowing pads, crisp hats, gentle reverse swells, small vocal chops, restrained euphoric lift, no festival drop, no cheese, no EDM. Close regretful British male vocal, softly pushed, half-spoken in places, opening into a simple memorable chorus. Minimal conversational lyrics about almost love, missed timing, a relationship that nearly worked, driving past someone’s place, saying too little too late, still feeling the pull but knowing it is gone. Repeated mantra hook, simple chorus-like verses, emotional lift each return. Filtered intro, intimate verse, widening pre-chorus, warm chorus/drop, piano-pad breakdown, tasteful final chorus, DJ-friendly outro.

Yaz Rüzgarı Renkli

Yaz Rüzgarı Renkli

Style/Genre: Modern Turkish Summer Pop, Upbeat, Tropical House elements, Bright and catchy, High-energy, Danceable, Professional Radio Production, Smooth male/female vocals, 115 BPM.

Maji ya Moto

Maji ya Moto

Afrobeat with danceable syncopated percussion, rolling log drums, bright guitar riffs, and a steady mid-tempo bounce; verse stays lean with marimba plucks and bass pulse, pre-chorus opens with rising backing chants, chorus hits with full drum lift and call-and-response vocals. Female vocals lead with airy doubles, stacked harmonies, and playful ad-libs; risers, handclap fills, and reversed swells mark transitions. Glossy, warm, and club-ready with a sunlit low end., afrobeat

MUSIQUE !!

MUSIQUE !!

French commercial summer dance 2026, 128 BPM, piano house + funky bass, radio edit 3:30, euphoric festival anthem. Male vocal, 30 ans, voix claire, énergie contagieuse, prononciation très articulée. Kick punchy, claps sur le 2 et 4, sidechain léger. Hook ultra mémorable, fait pour chanter en foule.

MUSIQUE !!

MUSIQUE !!

French commercial summer dance 2026, 128 BPM, piano house + funky bass, radio edit 3:30, euphoric festival anthem. Male vocal, 30 ans, voix claire à la Stromae / Julien Doré, énergie contagieuse, prononciation très articulée. Kick punchy, claps sur le 2 et 4, sidechain léger. Hook ultra mémorable, fait pour chanter en foule.

Back Of The Menu

Back Of The Menu

Pop-funk with a bouncy syncopated bassline, clipped guitar chops, and a four-on-the-floor kick that leans danceable and cheeky; verses stay tight and conversational, pre-chorus strips to bass and handclaps, chorus pops open with stacked gang vocals and short horn stabs. Lead vocal is close-mic and playful with doubled hook lines, ad-lib throws on punch words, and a small reversed swell into each chorus. Bright, glossy, and mischievous in the mix.

Sol y Zapateo

Sol y Zapateo

Pop infantil banger upbeat at 128 BPM with four-on-the-floor drums, bouncy claps, bubbly synth bass, and playful percussion; verse rides light handclaps and simple call-and-response, pre-chorus strips to kicks and a rising chant, chorus hits with bright brass stabs, group vocals, and a repeatable dance cue. Lead vocal is sweet and close-mic with kid gang vocals on the hook, plus short echo throws on the title. Add bubbly risers, toy-like chimes, and a tiny drum fill before each chorus. Mix is bright, punchy, and glossy., pop

MUSIQUE !!

MUSIQUE !!

Summer 2026 global dance anthem, 124 BPM, French tropical house world. Clean four-on-the-floor kick, warm deep bass, shimmering balafon loop, light sabar percussion. Male French vocal, like Stromae, very clear. Call-and-response choir on "musique!!". Euphoric, sunny, made for beach clubs and festivals. No EDM big drop, just a rolling groove that builds.

MUSIQUE !!

MUSIQUE !!

Summer 2026 global dance anthem, 124 BPM, French tropical house meets Afro-world. Clean four-on-the-floor kick, warm deep bass, shimmering balafon loop, light sabar percussion. Male French vocal, like Stromae, very clear. Call-and-response choir on "musique!!". Euphoric, sunny, made for beach clubs and festivals. No EDM big drop, just a rolling groove that builds.

Cucumber Jam

Cucumber Jam

Explosive 1950s rock and roll performed by a wildly improvising live band. Every performance feels unique, spontaneous and unpredictable. The musicians constantly react to each other, feeding off the audience's energy, extending solos, changing intensity and creating joyful controlled chaos. Blazing boogie-woogie piano drives the song with pounding left-hand rhythms and wild right-hand riffs, supported by energetic upright bass, punchy drums and joyful honking tenor sax. Wild, unrestrained male vocalist with explosive gospel preacher energy, hoarse shouts, vocal cracks, ecstatic screams, joyful yelps, falsetto whoops, breathy laughter, spontaneous ad-libs, playful interruptions and conversational singing. Raw vintage mono live recording, sweaty dance hall atmosphere, cheering crowd, theatrical, rebellious, imperfect, nonstop excitement, infectious groove, no polished studio vocals.

Rhythmic Breeze & Midnight Vibes

Rhythmic Breeze & Midnight Vibes

reggae Rnb Dancehall Soul riddim Jamaican Guitar Piano Vocal harmony Drums

مركبات الطبخ

مركبات الطبخ

High-energy Egyptian shaabi wedding instrumental featuring a powerful traditional mizmar lead with extended improvised solos, fast ornamental phrases, energetic darbuka and tabla rhythms, duff accents, exciting call-and-response between instruments, dramatic tempo builds, festive wedding atmosphere, rich oriental maqams, explosive transitions, crystal-clear live mix, and nonstop dance energy. استكنان حزين

Island Breeze Groove

Island Breeze Groove

reggae Afrobeat Dancehall Soul riddim Jamaican Guitar Piano Vocal harmony Drums Marimba

Yo estuve allí

Yo estuve allí

Genre: Cinematic Worship, Inspirational Orchestral Ballad, Contemporary Christian, Ambient Spiritual Style: Intimate male lead vocal with deep emotion and sincerity, warm baritone voice, beginning almost as a whisper and growing into a powerful declaration of hope. Piano-driven introduction, soft ambient pads, delicate strings, distant cello, emotional orchestral build, cinematic percussion, uplifting choir in the final chorus, subtle acoustic guitar, heavenly atmosphere, slow and reflective. The song should feel like light breaking through darkness after a disaster. Emotional, compassionate, hopeful, reverent, inspiring, suitable for a true survival story. No aggressive drums, no rock, no electronic dance elements. High dynamic range, crystal-clear production, immersive cinematic sound, ending in peace, comfort, and triumph.

Musique

Musique

French commercial summer dance 2026, 128 BPM, piano house + funky bass, radio edit 3:30, euphoric festival anthem. Male vocal, 30 ans, voix claire à la Stromae / Julien Doré, énergie contagieuse, prononciation très articulée. Kick punchy, claps sur le 2 et 4, sidechain léger. Hook ultra mémorable, fait pour chanter en foule.

Musique

Musique

French commercial summer dance 2026, 128 BPM, piano house + funky bass, radio edit 3:30, euphoric festival anthem. Male vocal, 30 ans, voix claire et souriante à la Stromae / Julien Doré, énergie contagieuse, prononciation très articulée. Kick punchy, claps sur le 2 et 4, sidechain léger. Hook ultra mémorable, fait pour chanter en foule.

Bubbe's Wedding Circle

Bubbe's Wedding Circle

Klezmer dance tune in a fast bulgar feel with clarinet lead, accordion chops, upright bass walking, and crisp hand percussion; verse keeps the rhythm bouncing and conversational, pre-chorus lifts with violin runs and clapped accents, chorus bursts into stomping communal chants. Lead vocal is bright and agile with group shout doubles, short delay throws, and fiddle ornaments. Sparkling cimbalom fills, crowd-ready, wide and festive mix., klezmer

Boogie‑Rogue Rabbithole

Boogie‑Rogue Rabbithole

Explosive 1950s rock and roll performed by a wildly improvising live band. Every performance feels unique, spontaneous and unpredictable. The musicians constantly react to each other, feeding off the audience's energy, extending solos, changing intensity and creating joyful controlled chaos. Blazing boogie-woogie piano drives the song with pounding left-hand rhythms and wild right-hand riffs, supported by energetic upright bass, punchy drums and joyful honking tenor sax. Wild, unrestrained male vocalist with explosive gospel preacher energy, hoarse shouts, vocal cracks, ecstatic screams, joyful yelps, falsetto whoops, breathy laughter, spontaneous ad-libs, playful interruptions and conversational singing. Raw vintage mono live recording, sweaty dance hall atmosphere, cheering crowd, theatrical, rebellious, imperfect, nonstop excitement, infectious groove, no polished studio vocals.

Moss Flute Drift

Moss Flute Drift

Ambient instrumental with soft flute motifs over slow felted piano, brushed textures, and a gentle sub pulse; verse-like sections open on airy flute phrases, then a pre-drop narrows to piano and breathy pads before the main swell adds warm strings and light mallet sparkle. Whispered room tone, reverse swells, and chime tails create motion. Intimate close-mic, soft-focus, and spacious., soft

Bayokucutha Phambili

Bayokucutha Phambili

Amapiano with log-drum bounce and shuffling hats, mid-tempo laid-back groove; verse stays sparse with soft keys, muted percussion, and a rolling bassline; pre-chorus opens with stacked vocal lifts and a rising shaker turn; chorus drops into a fuller groove with chant-like doubles and a repeating hook. Close-mic lead vocal, warm harmonies on the hook, airy ad-libs, clean punchy mix with glossy top-end and subtle ear-candy fills between lines.

Be still

Be still

Voice should be warm, cinematic, and emotionally steady, with a prophetic spoken‑word tone. Deliver the script with gentle urgency, soft pauses, and rising intensity. Use subtle reverb and atmospheric golden ambience. Maintain clear articulation, deep resonance, and controlled conviction. Add soft piano pads, warm strings, and light cinematic percussion that builds gradually. Keep pacing smooth, reflective, and high‑retention, designed for a viral 1‑minute Christian spoken‑word video.

L'ultima volta

L'ultima volta

ballad, bass, orchestral, piano, doppia voce

You Remained God

You Remained God

Southern soul gospel with sultry riffs, worn upright piano, maple drum kit, deep bass, and choppy guitar; verse stays intimate and aching, pre-chorus opens into stacked choir responses, chorus lifts with full contemporary band and handclaps. Lead vocal is smoky and pleading with warm doubles, choir echoes on key lines, ad-lib shouts and delay throws on the hook. Organ swells, cymbal lifts, and a final modulation bring the lift; mix is big, earthy, and emotional, gospel, contemporary, southern soul

Blue Velvet Coda

Blue Velvet Coda

Jazz ballad, 60s slow swing at a languid dusk tempo; brushed drums and upright bass hold a lazy pulse while smoky tenor sax leads the first section, piano comps with sparse voicings, then the middle opens into a warm trumpet chorus over walking bass and soft ride cymbal. Final stretch strips back to sax and brushed snare. Intimate close-mic room tone, mellow analog warmth, dusty and round., slow, jazz

You Remained God

You Remained God

Southern soul with a sultry slow-burn groove, swung pocket and late-beat drum accents; verse rides worn upright piano, maple-kit brushes, round bass and clipped guitar fills; pre-chorus opens with harmony lift and bass walk; chorus lands on stacked vocal doubles and a short hook. Faded tape hiss, organ blooms, and a slide-guitar answer before the bridge. Warm, intimate, and church-hugged mix with close-mic lead, southern soul

Broken Altar

Broken Altar

Gospel soul worship at a slow 74 BPM with swung pocket, church organ swells, galaxy-bright grand piano, sultry bass line, and black southern vocal runs. Verse stays intimate with sparse keys and bass; pre-chorus lifts with handclap pulse and stacked ad-libs; chorus opens wide with choir doubles and riffing lead. Solo organ break, then final chorus blooms in full room bloom, warm and glossy mix., vocal, worship

Still God

Still God

Worship ballad with solo organ, galaxy-like grand piano arpeggios, and a sultry low bass line; verse stays sparse and intimate with close-mic lead, pre-chorus rises on stacked harmonies and sustained organ swells, chorus opens wider with doubled vocals and a singable congregational lift. Bridge drops to piano and voice, then final chorus blooms with choir pads, gentle cymbal shimmer, and a glowing, cinematic mix., worship

Rising Ember

Rising Ember

Cinematic orchestral instrumental with soaring string ostinatos, emotional piano phrases, and huge brass swells; verse-like sections start with intimate solo strings and soft pulse, pre-chorus layers tremolo violins and ascending cellos, chorus opens into full string choir and wide low brass; add heartbeat timpani rolls, reversed cymbal swells, and shimmer hits into each lift. Wide, polished, tear-jerking mix with a glossy trailer-scale finish., inspirational

Omo Yoruba

Omo Yoruba

Afrobeat Amapiano edm

Simchat Piano

Simchat Piano

Jewish-influenced instrumental cinematic with soaring string ensemble and a gentle piano intro; verse-like opening stays intimate with solo piano and soft viola, then the arrangement blooms into warm violins and clarinet-style countermelodies, the middle lifts with emotional crescendos and a tender pause before the final swell. Breath-like swells, bowed string rises, subtle harp glints, and a glowing reverb tail. Wide, heartfelt, and polished., inspirational

Break The Ice

Break The Ice

Pop ballad with soaring anthemic chorus, steady four-on-the-floor pulse, cinematic piano intro, rising strings into a huge drum lift; verse stays intimate with sparse piano and finger snaps, pre-chorus opens with stacked harmonies and a climbing snare roll, chorus blooms with wide synth pads and gang vocal repeats. Breathy lead vocal with doubles on key lines, delayed ad-libs in the chorus, shimmering chimes and reversed swells between sections, bright polished mix with glossy top end and deep controlled low end.

Let It Go

Let It Go

Pop power ballad with soaring mid-tempo pulse, steady kick-snare lift, wide piano chords in the verses, pre-chorus opening into stacked harmonies, and a huge chorus with drums and synth strings; lead vocal starts intimate and restrained, then blooms into doubled belts and airy ad-libs, with reversed swells into each chorus and a final key-change feel; bright, cinematic, and glossy with emotional punch

Ice in My Hands

Ice in My Hands

Pop ballad with half-time drums and shimmering synth piano; verse starts sparse with close-mic vocals and low brushed percussion, pre-chorus lifts with stacked harmonies and rising pads, chorus opens wide with big kick, snare clap, and chanty backing vocals. Bridge drops to a filtered piano and breathy lead, then final chorus returns with doubled vocals, delay throws on the hook, and icy bell accents. Bright, emotional, glossy mix with a cold-to-warm contrast.

Moonlit Cradle Drift

Moonlit Cradle Drift

Ambient lullaby instrumental with slow, breathing-paced rhythms and a loopable soft pulse; verse-like sections thin to music box tinkles, gentle piano chords, warm pads, and hushy white-noise texture, then a small lift with reversed swells and tiny chime runs before settling back to near-silence. Close, velvety mix — soothing, high-quality, and bedtime-soft., warm, noise, gentle, rhythmic, slow, soft, ambient, soothing, sleep, deep, calming

Ashes At Dawn

Ashes At Dawn

Cinematic orchestral score with intense dramatic swells, slow 6/8 pulse, trembling string ostinatos, mournful piano motifs, light taiko-style drums, and deep orchestral bass; verse-like passages stay sparse with solo piano and divided strings, then build through rising tremolo and low drum hits into a wide, tragic climax with brass-sized string unisons and reversed swell transitions; intimate close-mic feel in the opening, expanding to a huge panoramic hall mix with crisp transients and dark, glossy low end., dramatic, light

Hip Hop

Basement Cipher

Basement Cipher

Underground hip hop with grimy boom-bap drums, dusty vinyl crackle, sharp snare crack, and a chopped soul loop riding a head-nod swing; verse stays skeletal with bass, drums, and filtered samples, pre-chorus strips to kick and a vocal chop, chorus lands with doubled hook vocals, gang ad-libs, and a gritty synth stab. Close-mic lead, dry and tense in verses, wider doubles on hooks, tape-stop turnarounds and reverse-swell fills into each section, mix dark, punchy, and intimate, hip hop

Sumido na Justiça

Sumido na Justiça

Hip hop em forma de suspense e muito sinistro

Sumido na Justiça

Sumido na Justiça

Hip hop misturado com rap

Michel auf Asphalt

Michel auf Asphalt

German hip hop with playful boom-bap bounce, swung drums and a cheeky finger-snapped groove; verse rides punchy low-end pockets, pre-chorus strips to claps and bass hum, chorus hits with gang shouts and a simple chant hook. Lead vocal is dry and close, with doubled punch lines, ad-lib laughs, and quick delay throws on the hook word. Tire-squeak risers, a toy-bell accent, and a vinyl crackle lift into each chorus. Bright, gritty, and cartoonish in the mix., hip hop

Kingdom Inheritance

Kingdom Inheritance

Southern hip hop rap hybrid with sultry R&B undertone, mid-tempo bounce and swung trap hats over live bass guitar, handclap snaps, and twangy steel fills; verses ride sparse drums and fingerpicked guitar, pre-chorus opens with stacked harmonies and a rising choir pad, chorus hits with catchy rap-sung cadence and gang vocals, bridge pulls to half-time with a prayerful hush before a final lift. Lead vocal stays intimate and smoky in verses, doubled on key lines, with delay throws, ad-lib echoes, and warm bright punch in the mix., country, hip hop, praise, r&b, rap

2.0Beat Test oldschool Gemini

2.0Beat Test oldschool Gemini

C-Major, Happiness, Downtempo, Chill-Hop, Vintage-Soul, schwebende Flöte, atmosphärische Pads, starke Kick und snare - old school hip hop, Lo-Fi Beat, tiefe Kickdrum, knackige Snare, Vinyl scratching, weibliche Gospel-Backing-Vocals, entspannt, extended arrangement, long track, 95 BPM

2.0Beat Test oldschool Gemini

2.0Beat Test oldschool Gemini

Happiness, Downtempo, Chill-Hop, Vintage-Soul, schwebende Flöte, atmosphärische Pads, starke Kick und snare - old school hip hop, Lo-Fi Beat, tiefe Kickdrum, knackige Snare, Vinyl scratching, weibliche Gospel-Backing-Vocals, entspannt, extended arrangement, long track, 95 BPM

2.0Beat Test oldschool Gemini

2.0Beat Test oldschool Gemini

Happiness, Downtempo, Chill-Hop, Vintage-Soul, schwebende Flöte, atmosphärische Pads, starke Kick und snare - old school hip hop, Lo-Fi Beat, tiefe Kickdrum, knackige Snare, rhythmische Gitarre, weibliche Gospel-Backing-Vocals, entspannt, extended arrangement, long track, 95 BPM

2.0Beat Test oldschool Gemini

2.0Beat Test oldschool Gemini

Happiness, Downtempo, Chill-Hop, Vintage-Soul, schwebendes Saxophon, atmosphärische Pads, starke Kick und snare - old school hip hop, Lo-Fi Beat, tiefe Kickdrum, knackige Snare, rhythmische Gitarre, weibliche Gospel-Backing-Vocals, entspannt, extended arrangement, long track, 95 BPM

2.0Beat Test oldschool Gemini

2.0Beat Test oldschool Gemini

Happiness, Downtempo, Chill-Hop, Vintage-Soul, schwebendes Piano, atmosphärische Pads, starke Kick und snare - old school hip hop, Lo-Fi Beat, tiefe Kickdrum, knackige Snare, rhythmische Gitarre, weibliche Gospel-Backing-Vocals, entspannt, extended arrangement, long track, 95 BPM

⁠Masked Vibe (Mystical Pop Rap)⁠

⁠Masked Vibe (Mystical Pop Rap)⁠

Instrumental German pop rap, indie hip hop, positive upbeat piano, mystical atmospheric synth pads, deep warm sub bass, bouncy boom bap drums, catchy melody, emotional but groovy vibe, purely instrumental, strictly zero vocals, karaoke background track, extended arrangement, 100 BPM

ÊTRE OLYMPIA

ÊTRE OLYMPIA

live concert performance, enthusiastic cheering stadium crowd singing along, acoustic piano chords, orchestral strings, huge hall reverb, emotional conversational hip hop, call-and-response vocals, authentic organic audience interactions

Sombre Silence

Sombre Silence

90s french underground rap, real live acoustic nylon guitar accompaniment, heavy boom bap bassline, 90 bpm, no intro, instant song start, explosive beat entrance, raw organic hip hop, dark melancholy mood, no electronic drum machine, rubato elastic rhythm, deep monotone female rapper, androgynous raspy voice, natural french accent, conversational matter-of-fact delivery, authentic 1995 Parisian street style, no stereotypical accent, calm confident continuous flow, strict spoken tone

ÊTRE RAP VOIX GRAVE SUPER 2

ÊTRE RAP VOIX GRAVE SUPER 2

90s french underground rap, real live acoustic nylon guitar accompaniment, heavy boom bap bassline, 90 bpm, no intro, instant song start, explosive beat entrance, raw organic hip hop, dark melancholy mood, no electronic drum machine, rubato elastic rhythm, deep monotone female rapper, androgynous raspy voice, natural french accent, conversational matter-of-fact delivery, authentic 1995 Parisian street style, no stereotypical accent, calm confident continuous flow, strict spoken tone

Échos Sombres, Vignes de Verre

Échos Sombres, Vignes de Verre

90s french underground rap, old school boom bap beat, dark melancholic piano chords, 90 bpm, deep low-pitched tomboy female voice, androgynous raspy female rapper, calm serious monotone delivery, strict continuous flow, authentic raw hip hop

Échos Sombres, Vignes de Verre

Échos Sombres, Vignes de Verre

90s french hardcore rap, old school boom bap, dark melancholy beat, heavy vinyl scratch, gritty dusty drums, raw street underground hip hop, 90 bpm, continuous rhythmic flow

ÊTRE NEW RAP STÉRÉOTYPÉ 1

ÊTRE NEW RAP STÉRÉOTYPÉ 1

90s french hardcore rap, old school boom bap, dark melancholy beat, heavy vinyl scratch, gritty dusty drums, raw street underground hip hop, 90 bpm, continuous rhythmic flow

Kingston Boom Bap (Reggae Rap Instrumental)⁠

Kingston Boom Bap (Reggae Rap Instrumental)⁠

Instrumental reggae hip hop fusion, 90s boom bap beat, dub style sub bass, offbeat acoustic guitar skank, punchy lo-fi drum break, vintage brass stabs, warm jamaican atmosphere, heavy vinyl crackle, purely instrumental rap beat, strictly zero vocals, karaoke background track, extended arrangement, 86 BPM

808 Hustle, Bass Pulse

808 Hustle, Bass Pulse

Hip hop deep bass and 808s

Fall off.

Fall off.

Deep bass and rhythmic beat, hip hop, woodwinds

808 Pulse & Southern Grind

808 Pulse & Southern Grind

Modern hip hop, deep bass and 808s with southern trap and catch my rhythm

Bass Pulse Hustle

Bass Pulse Hustle

Deep bass and rhythmic beat, hip hop

Bass Blaze Hustle

Bass Blaze Hustle

Catchy rhythmic beat, hip hop, deep bass

Dayang Senandung

Dayang Senandung

Nusantara Mystical Boom Bap • Malay Poetic Hip Hop • Vintage Soul • Cinematic Lo-Fi Tempo: 90 BPM Key: C Minor Mood: Mystical, Nostalgic, Elegant, Reflective, Timeless, Dreamlike, Cinematic, Ethereal. Instrumentation: Dusty Boom Bap Drums, Crisp Hi-Hats, Deep Warm 808 Bass, Emotional Piano, Vintage Acoustic Guitar, Traditional Malay Seruling, Harmonica, Warm Analog Keyboard, Soulful String Ensemble, Soft Frame Percussion, Vinyl Crackle, Cassette Tape Hiss, Analog Saturation, Wide Cinematic Reverb. Intro: Old Cassette Tape Hiss, Vintage Vinyl Crackle, Gentle Night Forest Ambience, Soft Wind Through Trees, Distant Bamboo Chimes, Faint Traditional Village Atmosphere, Calm Spoken-Word Monologue Before The Beat Drops. Vocals: Male Calm Poetic Rap, Deep And Gentle Voice, Clear Flow With Natural Breathing, Philosophical Nusantara Storytelling, Soft Female Vintage Harmonies During Chorus, Elegant Traditional Vocal Ornamentation, Smooth And Hypnotic Delivery.

Khilaf Yang Lalu

Khilaf Yang Lalu

Nusantara Nasheed Chill, Trap Hip Hop, Malique Inspired Poetic Rap, 72 Bpm, Bom Bap, Emotional Piano, Soft Seruling, Deep 808 Bass, Slow Trap Beat, acoustic, keyboard, harmonica, Male Calm Voice, Spiritual Introspective Malay Lyrics, Cinematic Ambient, Lo-Fi Texture, Viral Tiktok Vibe, Smooth And Hypnotic. “Raw Emotional Storytelling” • “Minimalist But Impactful Beat” • “Soulful And Haunting Melody”

Jalan Niatku

Jalan Niatku

Nusantara Spiritual Boom Bap Dark Spiritual Boom Bap • Malay Nusantara Hip Hop • Vintage Soul • Cinematic Lo-Fi Chill, Trap Hip Hop, Malique Inspired Poetic Rap, 72 Bpm, Bom Bap, Emotional Piano, Soft Seruling, Deep 808 Bass, Slow Trap Beat, acoustic, keyboard, harmonica, Male Calm Voice, Spiritual Introspective Malay Lyrics, Cinematic Ambient, Lo-Fi Texture, Viral Tiktok Vibe, Smooth And Hypnotic. Tempo: 90BPM Key: C Minor Mood: Dark, reflective, nostalgic, spiritual, melancholic, hopeful, cinematic, timeless. Intro: Old cassette tape hiss, vinyl crackle, soft room ambience, distant thunder, subtle wind, faint old radio texture. A calm spoken-word monologue begins before the beat enters. “Raw Emotional Storytelling” • “Minimalist But Impactful Beat” • “Soulful And Haunting Melody”

Jalan Niatku

Jalan Niatku

Nusantara Nasheed Chill, Trap Hip Hop, Malique Inspired Poetic Rap, 72 Bpm, Bom Bap, Emotional Piano, Soft Seruling, Deep 808 Bass, Slow Trap Beat, acoustic, keyboard, harmonica, Male Calm Voice, Spiritual Introspective Malay Lyrics, Cinematic Ambient, Lo-Fi Texture, Viral Tiktok Vibe, Smooth And Hypnotic. “Raw Emotional Storytelling” • “Minimalist But Impactful Beat” • “Soulful And Haunting Melody”

130bpm3-2Elise in the Trap

130bpm3-2Elise in the Trap

Good vibes, Für Elise original sample, classical hip hop, Beethoven Für Elise piano sample, dark trap beat, heavy 808 sub bass, punchy kick drum, crisp fast hi-hats, cinematic rap instrumental, soft back vocals, pure rap beat, karaoke background track, extended arrangement, 130 BPM, für Elise, uplifting, good vibes

Elise in the Trap

Elise in the Trap

Instrumental classical hip hop fusion, Beethoven Für Elise piano sample, dark trap beat, heavy 808 sub bass, punchy kick drum, crisp fast hi-hats, cinematic rap instrumental, strictly zero vocals, pure rap beat, karaoke background track, extended arrangement, 130 BPM

3-2Elise in the Trap

3-2Elise in the Trap

Für Elise original sample, classical hip hop, Beethoven Für Elise piano sample, dark trap beat, heavy 808 sub bass, punchy kick drum, crisp fast hi-hats, cinematic rap instrumental, soft back vocals, pure rap beat, karaoke background track, extended arrangement, 85 BPM, für Elise, uplifting, good vibes

3-2Elise in the Trap

3-2Elise in the Trap

Für Elise original sample, classical hip hop, Beethoven Für Elise piano sample, dark trap beat, heavy 808 sub bass, punchy kick drum, crisp fast hi-hats, cinematic rap instrumental, soft back vocals, pure rap beat, karaoke background track, extended arrangement, 85 BPM, für Elise, uplifting

Bier

Bier

Hip hop Beat.

Sweet Obsession

Sweet Obsession

East/west coast rock / alternative mix Hip Hop strip club dj mix aggressive bass heavy trap up beat tempos with violin riffs, heavy drum riffs through song mix corridor tumbado

Sweet Obsession

Sweet Obsession

East/west coast rock / alternative mix Hip Hop dj club aggressive bass heavy trap up beat tempos with violin riffs, heavy drum riffs through song mix corridor tumbado

Sweet Obsession

Sweet Obsession

East/west coast rock / alternative mix Hip Hop dj club aggressive bass heavy trap up beat tempos with violin riffs, heavy drum riffs through song

Sweet Obsession

Sweet Obsession

East/west coast rock / alternative mix Hip Hop country outlaw dj club aggressive bass heavy trap up beat tempos with violin riffs, heavy drum riffs through song

Sweet Obsession

Sweet Obsession

Country outlaw East/west coast rock / alternative mix Hip Hop dj club aggressive bass heavy trap up beat tempos with violin riffs, heavy drum riffs through song

Gelap Terang Bayang-Bayang

Gelap Terang Bayang-Bayang

Nusantara Spiritual Boom Bap Dark Spiritual Boom Bap • Malay Nusantara Hip Hop • Vintage Soul • Cinematic Lo-Fi Chill, Trap Hip Hop, Malique Inspired Poetic Rap, 72 Bpm, Bom Bap, Emotional Piano, Soft Seruling, Deep 808 Bass, Slow Trap Beat, acoustic, keyboard, harmonica, Male Calm Voice, Spiritual Introspective Malay Lyrics, Cinematic Ambient, Lo-Fi Texture, Viral Tiktok Vibe, Smooth And Hypnotic. Tempo: 90BPM Key: C Minor Mood: Dark, reflective, nostalgic, spiritual, melancholic, hopeful, cinematic, timeless. Intro: Old cassette tape hiss, vinyl crackle, soft room ambience, distant thunder, subtle wind, faint old radio texture. A calm spoken-word monologue begins before the beat enters. “Raw Emotional Storytelling” • “Minimalist But Impactful Beat” • “Soulful And Haunting Melody”

L🖤

L🖤

Female Latin street hip hop inspired by the raw energy of classic Ecuadorian underground hip hop. Confident, determined, and authentic female voice with a strong street attitude. Tight rap flow with rhythmic delivery, catchy melodic hooks, and a motivational vibe. Hard-hitting boom bap drums blended with modern trap percussion, deep 808 bass, dark synths, vinyl textures, subtle guitar riffs, urban samples, and gritty city atmosphere. No piano, no orchestral strings, no emotional ballad elements. Real, powerful, and uplifting, telling the story of a hardworking woman chasing her dream while balancing family, motherhood, and night shifts. 90–94 BPM, classic Latin street hip hop, raw, energetic, and cinematic.

Electronic

Neon Pulse Trio

Neon Pulse Trio

synthwave, deep house, techno, cello, progressive, cinematic, trombone, violin, baroque, chillout, flute, electronic

Velvet Whispers

Velvet Whispers

Slow, Sad, Naive, Elegant, Naive and electronic guitars. D major

__replici 002A

__replici 002A

Create a high-energy Electro Swing track designed for seamless insertion of short spoken dialogue clips. Blend vintage 1920s jazz with modern electronic production, powerful electro house grooves, cinematic sound design and festival energy. Feature swinging drums, upright bass, brass section, clarinet, piano, gypsy jazz guitar, vinyl crackle, gramophone textures and punchy electronic bass. Include frequent instrumental breaks, stop-and-go transitions, filtered sections and quiet moments that leave space for dialogue without masking speech. Avoid lead vocals; use only subtle vocal chops and crowd textures. Build through energetic swing rhythms, catchy horn riffs, dramatic risers and explosive Electro Swing drops with a playful, classy and slightly mischievous atmosphere. Crystal-clear mix, wide stereo image, 126 BPM, dynamic arrangement, cinematic transitions and an unforgettable finale. Instrumental only, optimized for adding external movie dialogue or voice samples during post-product

__replici 002B

__replici 002B

Create a high-energy Electro Swing track designed for seamless insertion of short spoken dialogue clips. Blend vintage 1920s jazz with modern electronic production, powerful electro house grooves, cinematic sound design and festival energy. Feature swinging drums, upright bass, brass section, clarinet, piano, gypsy jazz guitar, vinyl crackle, gramophone textures and punchy electronic bass. Include frequent instrumental breaks, stop-and-go transitions, filtered sections and quiet moments that leave space for dialogue without masking speech. Avoid lead vocals; use only subtle vocal chops and crowd textures. Build through energetic swing rhythms, catchy horn riffs, dramatic risers and explosive Electro Swing drops with a playful, classy and slightly mischievous atmosphere. Crystal-clear mix, wide stereo image, 126 BPM, dynamic arrangement, cinematic transitions and an unforgettable finale. Instrumental only, optimized for adding external movie dialogue or voice samples during post-product

Pulso de Humo

Pulso de Humo

Dark electronic techno with a driving four-on-the-floor pulse, syncopated hats, metallic bass stabs, and warped synth textures; verse stays lean with whispered close-mic lines and a dry kick, pre-chorus opens with filtered noise and a rising pulse, chorus hits with stacked vocal doubles and a heavy hook, bridge drops to sub bass and breathy fragments before the final lift. Add reversed swells, glitch clicks, and a cold spacious mix with sharp low-end impact., experimental, techno, pop

JULY BIRTHDAY LOOP REMIX

JULY BIRTHDAY LOOP REMIX

Afro-Juju trap, Black Rhythm & Soulful Blues, rhymal Hip-hop, Deep Afro Soul, Highlife, rock, funk, saxophone, chill wave samba, talking drums, ancestral flute, Soulful Boogie, reggaetonwave, ancestral drill fusion, drum and bass, trumpet, classical, trombone, electronic

Gaming

Gaming

Create a light-hearted Tamil song with a playful heartbreak mood. The music should be simple, raw, and slightly quirky. Use a slow-to-mid tempo (85–100 BPM). Start with a soft acoustic guitar or ukulele intro, followed by a subtle lo-fi beat with finger snaps and light percussion. Add a mild kuthu groove in the background during the chorus to give a fun South Indian street feel. The singer should sound casual, slightly imperfect, and conversational — like storytelling, not heavy singing. Male voice preferred, slightly husky, natural, with small laughs or sighs in between lines. Use minimal instruments: acoustic guitar, light bass, finger snaps, soft electronic pads, and playful whistle or humming in between sections. Chorus should be catchy, repetitive, and easy to remember. Background should include subtle crowd ambience or room reverb to give a “local, raw recording” feel. Avoid heavy orchestration. Keep it simple, fun, and emotionally relatable. Overall mood: Sad but smiling, broken

Vanthuttannnn

Vanthuttannnn

Create a light-hearted Tamil song with a playful mood. The music should be simple, raw, and slightly quirky. Use a slow-to-mid tempo (85–100 BPM). Start with a soft acoustic guitar or ukulele intro, followed by a subtle lo-fi beat with finger snaps and light percussion. Add a mild kuthu groove in the background during the chorus to give a fun South Indian street feel. The singer should sound casual, slightly imperfect, and conversational — like storytelling, not heavy singing. Male voice preferred, slightly husky, natural, with small laughs or sighs in between lines. Use minimal instruments: acoustic guitar, light bass, finger snaps, soft electronic pads, and playful whistle or humming in between sections. Chorus should be catchy, repetitive, and easy to remember. Background should include subtle crowd ambience or room reverb to give a “local, raw recording” feel. Avoid heavy orchestration. Keep it simple, fun, and emotionally relatable. Overall mood: fast but smiling, broken

Tomorrow start

Tomorrow start

Create a light-hearted Tamil song with a playful heartbreak mood. The music should be simple, raw, and slightly quirky. Use a slow-to-mid tempo (85–100 BPM). Start with a soft acoustic guitar or ukulele intro, followed by a subtle lo-fi beat with finger snaps and light percussion. Add a mild kuthu groove in the background during the chorus to give a fun South Indian street feel. The singer should sound casual, slightly imperfect, and conversational — like storytelling, not heavy singing. Male voice preferred, slightly husky, natural, with small laughs or sighs in between lines. Use minimal instruments: acoustic guitar, light bass, finger snaps, soft electronic pads, and playful whistle or humming in between sections. Chorus should be catchy, repetitive, and easy to remember. Background should include subtle crowd ambience or room reverb to give a “local, raw recording” feel. Avoid heavy orchestration. Keep it simple, fun, and emotionally relatable. Overall mood: Sad but smiling, broken

Vanthuttannnn

Vanthuttannnn

Create a light-hearted Tamil song with a playful mood. The music should be simple, raw, and slightly quirky. Use a slow-to-mid tempo (85–100 BPM). Start with a soft acoustic guitar or ukulele intro, followed by a subtle lo-fi beat with finger snaps and light percussion. Add a mild kuthu groove in the background during the chorus to give a fun South Indian street feel. The singer should sound casual, slightly imperfect, and conversational — like storytelling, not heavy singing. Male voice preferred, slightly husky, natural, with small laughs or sighs in between lines. Use minimal instruments: acoustic guitar, light bass, finger snaps, soft electronic pads, and playful whistle or humming in between sections. Chorus should be catchy, repetitive, and easy to remember. Background should include subtle crowd ambience or room reverb to give a “local, raw recording” feel. Avoid heavy orchestration. Keep it simple, fun, and emotionally relatable. Overall mood: Sad but smiling, broken

Vanthuttannnn

Vanthuttannnn

Create a light-hearted Tamil song with a playful heartbreak mood. The music should be simple, raw, and slightly quirky. Use a slow-to-mid tempo (85–100 BPM). Start with a soft acoustic guitar or ukulele intro, followed by a subtle lo-fi beat with finger snaps and light percussion. Add a mild kuthu groove in the background during the chorus to give a fun South Indian street feel. The singer should sound casual, slightly imperfect, and conversational — like storytelling, not heavy singing. Male voice preferred, slightly husky, natural, with small laughs or sighs in between lines. Use minimal instruments: acoustic guitar, light bass, finger snaps, soft electronic pads, and playful whistle or humming in between sections. Chorus should be catchy, repetitive, and easy to remember. Background should include subtle crowd ambience or room reverb to give a “local, raw recording” feel. Avoid heavy orchestration. Keep it simple, fun, and emotionally relatable. Overall mood: Sad but smiling, broken

ÊTRE NEW CRISTALIN BIEN 1

ÊTRE NEW CRISTALIN BIEN 1

Traditional Classical Opera Aria, 100% acoustic and orchestral. NO drums, NO percussion, NO techno, NO electronic beats, NO synthesizers, NO modern elements. Instrumentation consists EXCLUSIVELY of a live symphony orchestra, acoustic cello, sweeping legato violins, a majestic acoustic grand piano, and church organ. Solo female performer: a dramatic Coloratura Soprano with a rich, hyper-velvety, and honey-like vocal texture ("voix mielleuse et veloutée"). Flawless French diction. The vocal is 100% sung in a continuous, flowing lyrical melody with zero spoken or rap elements. Features classical multi-track vocal stacking to double her own voice into an angelic, purely operatic harmony. The performance delivers magnificent high-octave leaps and smooth, fluid operatic vocalises, creating a traditional, grand, and highly emotional classical masterpiece.

ÊTRE NEW CRISTALIN SUPER 2

ÊTRE NEW CRISTALIN SUPER 2

Traditional Classical Opera Aria, 100% acoustic and orchestral. NO drums, NO percussion, NO techno, NO electronic beats, NO synthesizers, NO modern elements. Instrumentation consists EXCLUSIVELY of a live symphony orchestra, acoustic cello, sweeping legato violins, a majestic acoustic grand piano, and church organ. Solo female performer: a dramatic Coloratura Soprano with a rich, hyper-velvety, and honey-like vocal texture ("voix mielleuse et veloutée"). Flawless French diction. The vocal is 100% sung in a continuous, flowing lyrical melody with zero spoken or rap elements. Features classical multi-track vocal stacking to double her own voice into an angelic, purely operatic harmony. The performance delivers magnificent high-octave leaps and smooth, fluid operatic vocalises, creating a traditional, grand, and highly emotional classical masterpiece.

ÊTRE NEW SOPRANO OPÉRA 2

ÊTRE NEW SOPRANO OPÉRA 2

[AUDIO]: 100% Cyber Space Opera Aria, 130 BPM. Blending a massive classical symphony orchestra and heavy electronic sub-bass with a fast, futuristic techno-orchestral beat on the chorus. Solo female vocalist: an extraordinary Coloratura Soprano with a crystalline, alien-like purity inspired by the Diva Plavalaguna from The 5th Element. Flawless French diction on verses, shifting into superhuman high-octave leaps, lightning-fast staccato arpeggios, and stunningly precise operatic vocalises on the drop. Epic and mind-blowing. [VISUAL/CLIP]: Vertical 9:16, 4K, 8:7 ratio. Low-angle FPV drone sweeping in wide arcs, heavy Glow Effect around flashing Cyberpunk neon lights. High-contrast Teal & Orange color grading, soft Black Mist filter. Fast speed ramping synced to the rapid, alien vocal arpeggios.

ÊTRE NEW SOPRANO OPÉRA 1

ÊTRE NEW SOPRANO OPÉRA 1

[AUDIO]: 100% Cyber Space Opera Aria, 130 BPM. Blending a massive classical symphony orchestra and heavy electronic sub-bass with a fast, futuristic techno-orchestral beat on the chorus. Solo female vocalist: an extraordinary Coloratura Soprano with a crystalline, alien-like purity inspired by the Diva Plavalaguna from The 5th Element. Flawless French diction on verses, shifting into superhuman high-octave leaps, lightning-fast staccato arpeggios, and stunningly precise operatic vocalises on the drop. Epic and mind-blowing. [VISUAL/CLIP]: Vertical 9:16, 4K, 8:7 ratio. Low-angle FPV drone sweeping in wide arcs, heavy Glow Effect around flashing Cyberpunk neon lights. High-contrast Teal & Orange color grading, soft Black Mist filter. Fast speed ramping synced to the rapid, alien vocal arpeggios.

Percussions de la Basse Brume

Percussions de la Basse Brume

bass, percussion, electronic

Batteries et Sifflets

Batteries et Sifflets

percussion, electronic

JULY BIRTHDAY LOOP

JULY BIRTHDAY LOOP

Afro-Juju trap, Black Rhythm & Soulful Blues, rhymal Hip-hop, Deep Afro Soul, Highlife, rock, funk, saxophone, chill wave samba, talking drums, ancestral flute, Soulful Boogie, reggaetonwave, ancestral drill fusion, drum and bass, trumpet, classical, trombone, electronic

Zombified

Zombified

Electronic fantasy pop with punchy four-on-the-floor drums, skittering synth arps, and half-time pre-chorus lift; verse stays tight and minimal, pre-chorus opens with rising pads and filtered claps, chorus blooms with stacked hooks and a dark glitter bass line. Deep male vocals front and center, doubled on the hook with octave shadows, short delay throws on key lines, reverse swells and sparkling chimes into each drop, bright and polished mix with a heavy low-end pulse., deep, electronic, pop, male vocals

Echoes

Echoes

Melodic electro house, 128 BPM, Lyrical and emotional piano melody, Modern electronic production, Warm ambient piano chords, Future house elements, Crisp digital percussion, Sophisticated and cinematic, Clean mix

Neon Salsa Pulse

Neon Salsa Pulse

synth-pop, electronic, salsa

Echoed Bass Rapture

Echoed Bass Rapture

deep house, electronic, dubstep HEAEVY BASS minimal and occasional lyrics with echo and reverb to sound as if your dresming

Whale‑Piano and the Squirrels of the Skyscape

Whale‑Piano and the Squirrels of the Skyscape

Create a quirky cinematic electronic soundtrack that sounds like a BBC nature documentary scored by Trent Reznor and Danny Elfman. Blend playful pizzicato strings with dark analog synths, glitchy electronic percussion, warm bass, subtle orchestral swells, and humorous woodwinds. The mood should bounce between wonder, satire, absurdity, and existential unease. It should feel like discovering bizarre new species while quietly realizing humans are the strangest animal of all. Approximately 2 minute

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