"Drum And Bass"
Songs created with Voices AI

Songs made with Voices AI bring voice technology into music - from covers to original tracks. Hear how creators and our community are using AI voices to explore new sounds and ideas.

Willy y su juego

Willy y su juego

Reggaeton dembow with bouncy syncopated percussion, rubbery synth bass, and cheeky handclaps; verse stays sparse with tight drum-and-bass pockets, pre-chorus lifts with filtered risers and whispered call-backs, chorus drops wide with gang vocals and a sticky chant. Lead vocal is playful and close-mic with doubled hook lines, ad-lib puns, and short delay throws. Ear candy includes tape-stop transitions, reversed claps, and a horn stab into the final chorus. Mix is bright, punchy, and club-ready.

Nachtzug ohne Empfang

Nachtzug ohne Empfang

Techno with driving four-on-the-floor kick, tight offbeat bass pulse, metallic claps, and a hypnotic looped synth motif; verse rides sparse drum-and-bass tension with close-mic lead vocal, pre-chorus opens with filtered pads and rising noise, chorus hits harder with stacked doubles and a chantable hook, bridge drops to half-time toms and a lonely whistle before the final lift. Add reverse swells into each section, station-announcement fragments as textural ear candy, and a clean, bright, club-ready mix with wide low end., techno

Sesame Street

Sesame Street

Bright pop with bouncy four-on-the-floor groove, handclaps on the backbeat, playful bassline, and glockenspiel accents; verse rides a sparse drum-and-bass pulse, pre-chorus opens with rising whooshes and stacked "oh-oh" vocals, chorus hits with full drums, clapping crowd voices, and a chantable group hook. Close-mic lead vocal with doubled hooks, short delay throws on the title phrase, vinyl crackle in the intro, and a sunny, polished mix with crisp top end.

Rastamann Groove

Rastamann Groove

Afrobeat with syncopated percussion, skittering guitar chops, and bouncing bass; verse rides tight drum-and-bass pocket, pre-chorus strips to handclaps and chant, chorus opens with stacked gang vocals and horn stabs. Lead vocal stays warm and gritty with call-and-response doubles, short delay throws on the hook, and ad-lib responses tucked left and right. Add conga fills, reversed swell into the chorus, and a bright, punchy mix with dusty low-end heat., afrobeat

My Happy Place

My Happy Place

Afro deep house with a rolling four-on-the-floor pulse, syncopated congas, hand percussion, and a deep sub drop on the downbeat; verse rides a stripped drum-and-bass pocket, pre-chorus lifts with filtered chants and rising shakers, chorus opens into warm log drum stabs and airy synth chords. Lead vocal is intimate and close-mic, with stacked doubles, call-and-response gang echoes, delay throws on the hook, and ear-candy risers into each drop. Deep, glossy, club-ready mix with heavy low end and bright percussion sheen., deep, happy, deep house

لا أمان

لا أمان

Epic Arabic protest anthem with driving mid-tempo percussion, handclap pulse, and tense oud-like phrases; verse rides tight drum-and-bass patterns, pre-chorus strips to frame drum and rising chants, chorus hits with layered gang vocals and a bold unison chant. Lead vocal is gritty and impassioned with doubled lines on the hook, echoed ad-libs on key words, and a brief breakdown before the final lift. Ear candy includes reverse swells into the chorus, metallic hits between phrases, and a final crowd chant. Mix is wide, cinematic, and punchy.

Cry Babe King

Cry Babe King

Boom-bap diss rap with a swung mid-tempo drum pocket, dusty snare crack, grimy bassline, and sharp handclap accents; verse rides sparse with tight drum-and-bass space, pre-chorus strips to filtered chops and tense ad-libs, chorus hits with gang shouts and a simple chant. Lead vocal stays dry and close in verses, doubled and sneered on hooks, with quick delay throws on the name. Ear candy: tape-stop into the hook, short horn stab between lines, reversed cymbal swell before the last chorus. Mix is punchy, gritty, and front-of-face.

Surya Vansh Aaya

Surya Vansh Aaya

Bollywood-pop with a driving mid-tempo dhol groove, syncopated handclaps, pulsing bass, and soaring synth strings; verse stays lean with tight drum-and-bass motion, pre-chorus opens into layered gang chants, chorus lands on a chantable hook with doubled lead and crowd-style responses. Add tabla fills, reverse swells into the chorus, and a bright, punchy mix with wide vocal stacks and glossy hook delay throws.

Najipo Curadkiyow

Najipo Curadkiyow

Afro-pop with dembow-locked percussion and bouncing handclaps; verse rides a sparse drum-and-bass pocket, pre-chorus lifts with sung call-backs and a rising synth line, chorus hits with bright group chants and short guitar stabs. Lead vocal stays close-mic and playful with doubles on the hook, little ad-lib echoes on the ends of lines, and a filter sweep into each chorus. Crisp, warm, and dance-floor punchy.

Mirrorball Pulse

Mirrorball Pulse

80s dance-pop with a driving four-on-the-floor kick, syncopated bass synth, bright arpeggiated leads, and punchy gated snare; verse rides a stripped drum-and-bass pulse, pre-chorus opens with rising filter sweeps, and the chorus hits with stacked synth brass stabs and a sticky octave hook. Instrumental breaks add handclap lifts, reverse cymbal swells, and glittery chime fills. Bright, glossy, wide stereo mix with hard-edged punch., pop

Krio for the People

Krio for the People

Afrobeat with rolling syncopated percussion, bright guitar skanks, bouncy bassline, and horn stabs that answer the vocal; verse rides a lean drum-and-bass groove, pre-chorus lifts with handclaps and rising backing chants, chorus opens with stacked gang vocals and short brass hits. Lead vocal stays conversational and close-mic in verses, with doubled lines and call-response ad-libs on the hook. Ear candy includes shaker fills, reverse cymbal swells into the chorus, and a percussive break before the final lift. Mix is warm, punchy, and dancefloor-ready with a glossy low end., afrobeat

Noite Tribal

Noite Tribal

Tribal house at 130 BPM with a rolling, syncopated groove, metallic berimbau-style bassline, tight hand percussion and animated lead synths; verse rides a lean drum-and-bass pocket, pre-chorus strips to tomless pulse and filtered tension, chorus hits with bright stabs and a bouncy lead hook, bridge drops to bass and kick before the final lift. Male vocals are close-mic, playful, dry in verses and more pushed in the hook. Ear candy: reverse sweeps into the pre-drop, metallic clicks between phrases, and a quick riser before each chorus. Bright, punchy, club-forward mix., tribal house, vocal

Sous les Projec

Sous les Projec

House dance with triba percussion, four-on-the-floor pulse, rubbery bass, clap snaps, and robotic vocal chops; verse rides tight drum-and-bass pockets, pre-chorus strips to filtered kick and rising synth tension, chorus opens with a huge stomping groove and call-and-response chants. Vocal is robotique and punchy with doubled hooks, pitch-stacked ad-libs, and delay throws on the key phrase. Ear candy: laser risers, reversed cymbal swells, metallic fills into each drop. Mix is bright, heavy, and club-ready with a thick low end.

Béton Chrome

Béton Chrome

Afro-house dancehall with a four-on-the-floor pulse, swung syncopated percussion, shuffling shakers, and a rubbery sub that locks to the kick. Verse rides tight drum-and-bass space; pre-chorus lifts with filtered synth sweeps and clipped vocal chants; chorus opens wide with bright synth stabs and a chantable hook. Layered lead vocal with doubled lines, ad-lib pings, and short delay throws on the last word. Metallic risers, reversed cymbal swells, and sidechain breathing give it a futuristic sheen; glossy, punchy mix with club-ready low end.

Brasil Rumo ao Hexa

Brasil Rumo ao Hexa

Brazilian pop-funk with upbeat samba swing, driving percussive groove, verse built on tight drum-and-bass bounce, pre-chorus lifts with stacked harmonies and handclaps, chorus bursts open with gang vocals and a melodic lead, bridge drops to a clapping chant then returns fuller; close-mic lead vocal with doubles on the hook, ad-lib cheers and short delay throws on key lines, bright and punchy mix with brass accents and crowd-energy transitions

Crown on the Floor

Crown on the Floor

Funk-pop with a laid-back swung pocket, syncopated bassline, clipped guitar chops, and handclaps on the backbeat; verse rides a stripped drum-and-bass groove, pre-chorus opens with rising strings and filter-swept keys, chorus hits wider with stacked gang vocals and a sharp horn stab. Lead vocal stays close-mic and playful, with ad-lib echoes and short delay throws. Bright, chunky, and glossy

Shidan Aawa

Shidan Aawa

Afrobeats with an infectious mid-tempo dance groove, syncopated percussion and bouncy bass, verse rides tight drum-and-bass pockets, pre-chorus lifts with snare rolls and rising synth haze, chorus hits with stacked gang vocals and handclaps. Lead vocal stays close-mic with doubled hook lines, quick ad-lib echoes on key words, reverse swells into transitions, bright punchy mix with glossy low-end and wide stereo sparkle.

Pasang Badan Stunting

Pasang Badan Stunting

Upbeat Indonesian dangdut-pop anthem with brisk marching groove, syncopated percussion, and festive community-call energy; verse rides a light drum-and-bass pulse with spoken crowd responses, pre-chorus strips to handclaps and short chants, and chorus hits with bright brass stabs, group shouts, and repeated hook lines. Lead vocal is clear and front-facing with stacked doubles on the hook, call-and-response ad-libs, short delay throws on key phrases, and a lively mix with crisp mids, bouncy low end, and a celebratory crowd feel.

Benny On The Couch

Benny On The Couch

Reggae comedy storytelling with a laid-back one-drop groove, skanking guitar on the offbeat, fat bass, and playful percussion; verse rides a light drum-and-bass pocket with spoken-sung lines, pre-chorus strips to hand drums and a bass tease, chorus opens with gang vocals and a chantable hook. Lead vocal stays warm and conversational with ad-lib echoes on punchlines, short delay throws on key words, and little horn stabs between lines. Ear candy includes rimshot pickups, tape-stop flourishes, and a playful whistle tag. Mix is bright, bouncy, and clean with a sunlit low end., warm, world, comedy, reggae

رأفت الأسطورة

رأفت الأسطورة

Arabic pop-rap with a bouncy mid-tempo groove and syncopated handclaps; verse rides a lean drum-and-bass pulse with tight ad-lib responses, pre-chorus strips to claps and a rising vocal stack, chorus hits with a chantable gang-vocal hook and short melodic turns. Use quick delay throws on the name, a filtered riser into each chorus, and a tiny percussion fill between lines. Bright, punchy mix with close-mic lead and wide backing vocals on the hook.

Purple Funky Smoke and Mirrors for a orphan

Purple Funky Smoke and Mirrors for a orphan

Preschool extremely maasive funky very quiet cafe hip hop for kids live stage instrumental from 1989 in front of the live kids audience Featuring a hip-hop swing at 85 BPM in D minor; one-note vamp tension rides deep drums, soft bongos, funky wah guitar and a mean and extremly funky steady slap bass with no breaks. Intro stays drum-and-bass only; break drops to bongo accents and bass stabs; final pass tightens with ghost-note push and tiny turnaround fills. Punchy low end, dusty transients, raw mono-friendly mix, gritty 1992 crate-digging feel., raw, deep, funk, soft, hip-hop, hip hop, swing, low

Purple Smoke and Mirrors

Purple Smoke and Mirrors

Preschool extremely maasive funky very quiet cafe hip hop for kids live stage instrumental from 1989 in front of the live kids audience Featuring a hip-hop swing at 85 BPM in D minor; one-note vamp tension rides deep drums, soft bongos, funky wah guitar and a mean and extremly funky steady slap bass with no breaks. Intro stays drum-and-bass only; break drops to bongo accents and bass stabs; final pass tightens with ghost-note push and tiny turnaround fills. Punchy low end, dusty transients, raw mono-friendly mix, gritty 1992 crate-digging feel., raw, deep, funk, soft, hip-hop, hip hop, swing, low

Teacher Princess Of The Funky World!

Teacher Princess Of The Funky World!

a 3 minute Broadway Preschool extremely maasive funky very quiet cafe smooth nasty hip hop for kids live stage instrumental from 1989 in front of the live kids audience Featuring a hip-hop swing at 85 BPM in D minor; one-note vamp tension rides deep drums, soft bongos, and a mean and extremly funky steady slap bass with no breaks. Intro stays drum-and-bass only; break drops to bongo accents and bass stabs; final pass tightens with ghost-note push and tiny turnaround fills. Punchy low end, dusty transients, raw mono-friendly mix, gritty 1992 crate-digging feel., raw, deep, funk, soft, hip-hop, hip hop, swing, low

Teacher Princess Of The Funky World!

Teacher Princess Of The Funky World!

a 3 minute Broadway Preschool extremely maasive funky very quiet cafe smooth nasty hip hop for kids live stage instrumental from 1989 in front of the live kids audience Featuring a hip-hop swing at 85 BPM in D minor; one-note vamp tension rides deep drums, soft bongos, funky wah guitar and a mean and extremly funky steady slap bass with no breaks. Intro stays drum-and-bass only; break drops to bongo accents and bass stabs; final pass tightens with ghost-note push and tiny turnaround fills. Punchy low end, dusty transients, raw mono-friendly mix, gritty 1992 crate-digging feel., raw, deep, funk, soft, hip-hop, hip hop, swing, low

Mysterious Purple smoke

Mysterious Purple smoke

a 3 minute Broadway Preschool extremely maasive funky very quiet cafe smooth nasty hip hop for kids live stage instrumental from 1989 in front of the live kids audience Featuring a hip-hop swing at 85 BPM in D minor; one-note vamp tension rides deep drums, soft bongos, funky wah guitar and a mean and extremly funky steady slap bass with no breaks. Intro stays drum-and-bass only; break drops to bongo accents and bass stabs; final pass tightens with ghost-note push and tiny turnaround fills. Punchy low end, dusty transients, raw mono-friendly mix, gritty 1992 crate-digging feel., raw, deep, funk, soft, hip-hop, hip hop, swing, low

Mysterious Purple Funk Girl

Mysterious Purple Funk Girl

a 3 minute Preschool extremely maasive funky very quiet cafe smooth nasty hip hop for kids live stage instrumental from 1989 in front of the live kids audience Featuring a hip-hop swing at 85 BPM in D minor; one-note vamp tension rides deep drums, soft bongos, funky wah guitar and a mean and extremly funky steady slap bass with no breaks. Intro stays drum-and-bass only; break drops to bongo accents and bass stabs; final pass tightens with ghost-note push and tiny turnaround fills. Punchy low end, dusty transients, raw mono-friendly mix, gritty 1992 crate-digging feel., raw, deep, funk, soft, hip-hop, hip hop, swing, low

Purple Paint Splash Oopsie

Purple Paint Splash Oopsie

Preschool funky cafe hip hop live stage instrumental from 1991 in front of the live audience Featuring a hip-hop swing at 89 BPM in D minor; one-note vamp tension rides deep drums, soft bongos, funky wah guitar and a mean and extremly funky steady slap bass with no breaks. Intro stays drum-and-bass only; break drops to bongo accents and bass stabs; final pass tightens with ghost-note push and tiny turnaround fills. Punchy low end, dusty transients, raw mono-friendly mix, gritty 1992 crate-digging feel., raw, deep, funk, soft, hip-hop, hip hop, swing, low

Purple Splash Art Funk

Purple Splash Art Funk

Minimalist old-school funk live 4 minute instrumental in front of the live audience with an 89 BPM swung pocket in D minor, built around one-note vamp tension, deep hip-hop drums, soft bongos, and a mean slap bass carrying every turn. Arrangement stays stripped: drum-and-bass intro, bongo accents in the break, bass-led groove lift, then a tighter final pass with extra ghost-note push and tiny turnaround fills. Punchy low-end, dusty transients, raw mono-friendly mix with a gritty 1992 crate-digging feel., deep, hip hop, soft, swing, funky

Chainlock Pocket

Chainlock Pocket

Funk instrumental with hip-hop swing at 89 BPM in D minor; one-note vamp tension rides deep drums, soft bongos, and a mean slap bass. Intro stays drum-and-bass only; break drops to bongo accents and bass stabs; final pass tightens with ghost-note push and tiny turnaround fills. Punchy low end, dusty transients, raw mono-friendly mix, gritty 1992 crate-digging feel., raw, deep, funk, soft, hip-hop, hip hop, swing, low

Purple Splash Funk

Purple Splash Funk

Minimalist old-school funk instrumental with an 89 BPM swung pocket in D minor, built around one-note vamp tension, deep hip-hop drums, soft bongos, and a mean slap bass carrying every turn. Arrangement stays stripped: drum-and-bass intro, bongo accents in the break, bass-led groove lift, then a tighter final pass with extra ghost-note push and tiny turnaround fills. Punchy low-end, dusty transients, raw mono-friendly mix with a gritty 1992 crate-digging feel., deep, hip hop, soft, swing, funky

Sarabia Shuffle

Sarabia Shuffle

Funk with desert-dusk groove, tight syncopated bassline, crisp percussion, and handclap accents; verse rides a stripped drum-and-bass pocket with tongue-in-cheek vocal snaps, pre-chorus opens with filtered guitars and shouted replies, chorus hits with stacked gang vocals and a catchy one-note horn riff. Ad-lib delays, tambourine lifts, glossy punchy mix., funk

Noite Sem Freio

Noite Sem Freio

Rap freestyle with punchy boom-bap drums, swung hi-hats, and a loose pocket; verse-driven with a stripped drum-and-bass first verse, a pre-chorus that tightens into chopped vocal chants, and a chorus that lands on a short, repeatable anchor with gang doubles. Add turntable scratches, filtered risers, and a final beat switch with harder kicks. Vocal delivery is agile and confident, with stacked ad-libs on key rhymes. Bright, gritty, forward mix., freestyle, rap

Kama Near

Kama Near

Afrobeats with bouncy mid-tempo dembow-tinged groove, rubbery bass, talking drums, crisp shakers, and syncopated percussion; verse rides sparse drum-and-bass with playful callouts, pre-chorus strips to clap, bass, and rising synth tension, chorus hits with bright guitar stabs and stacked gang vocals. Lead vocal is close-mic and cheeky with doubled hook lines, ad-libs in parentheses, delay throws on the chant words, and little shout responses. Ear candy includes reverse cymbal swells into the chorus, bell accents between phrases, and a short drop-out before the final hook. Mix is bright, punchy, and glossy with a warm low end., sleep, rich

DJ YVAN MAX

DJ YVAN MAX

Techno trance with rigid four-on-the-floor kick, metallic synth stabs, female vocals, and robotic vocal processing; verse rides stripped drum-and-bass pulse with cold arpeggiated piano figures, pre-chorus opens with filtered sweeps and rising octave layers, chorus hits wider with a huge kick, bright lead riff, and crowd-ready chant doubles. Add reversed swells, vinyl crackle, and a final lift of dramatic classical piano motifs. Bright, punchy, glossy mix with hard sub and sparkling top end., techno, trance

Backroom Tape Loop

Backroom Tape Loop

Boom bap hip-hop at 85 BPM with a swung, mid-tempo pocket; verse sections ride a stripped drum-and-bass groove, the drop brings in a soulful pitched-up vocal sample and a dusty looped melody, then a bridge-style break thins to kick, shaker, and bass before the final return. Crisp snappy snare, warm kick, subtle rhythmic shaker, and a smooth deep bassline. Grainy pitched sample loops, tiny vinyl crackle transitions, and a low-pass swell into each change. Grounded, gritty, raw underground mix with a minimalist late-night feel., soulful, rhythmic, vocal, deep, hip-hop, smooth, bassline, melancholy, raw, warm, nostalgic

Leo On My Mind

Leo On My Mind

Pop with bouncy mid-tempo four-on-the-floor groove, snapped claps and bright pluck synths; verse rides tight drum-and-bass pockets, pre-chorus strips to handclaps and a filtered pad, chorus opens wide with stacked doubles on the name hook. Vocal is intimate and playful with punchy doubles, quick delay throws on the hook word, and soft gang ad-libs. Ear candy: rising reverse swell into each chorus, a bell hit after key phrases, and a small vocal chop tag between lines. Mix is crisp, glossy, and front-row bright.

Luke Robert John Davis

Luke Robert John Davis

Southern crunk rap with trunk-rattling 808 bounce, halftime clap snaps, and shouted call-and-response hooks; verse rides a sparse drum-and-bass pocket with siren stabs, pre-chorus stacks rising chants, and chorus hits with gang vocals on the name. Vocal delivery is cocky and gritty, doubled on the hook with ad-lib puns, short delay throws, and crowd-shout layers. Ear candy: arena risers into each chorus, brief tape-stop flips, and metallic handclaps. Mix is loud, bright, and chest-thumping, rap, crunk, fresh

Bilolo Na Chapada

Bilolo Na Chapada

Brazilian pop-funk with bouncing percussive swing, bright handclaps, and a playful groove; verse rides tight drum-and-bass chatter, pre-chorus strips to palm-muted percussion and chant buildup, chorus hits with group vocals and a catchy call-and-response. Lead vocal is close and conversational with doubled hook lines, quick ad-lib pings, and little crowd shouts. Ear candy: reverse cymbal lifts, short whistle fills, and a final percussion break. Mix is shiny, warm, and punchy.

Swords Beneath the Incense

Swords Beneath the Incense

Organic folk-pop fused with modern electronic production. Rich vocal harmonies, expressive flute leads, harp ambience, mandolin rhythms, emotional saxophone phrasing, warm trombone pads, and uplifting drum-and-bass grooves. Inspired by spiritual pilgrimage, inner conflict, mercy, redemption, and longing for peace. The arrangement should gradually rise from intimate acoustic vulnerability into a massive cinematic finale with layered choirs and thunderous percussion.

“Swords Beneath the Incense”

“Swords Beneath the Incense”

Modern cinematic pop with deep emotional vocals, atmospheric synth layers, warm analog bass, haunting flute melodies, subtle Gregorian chant textures, soft harp glissandos, emotional saxophone swells, distant trombone harmonies, organic mandolin plucks, and restrained drum-and-bass percussion. Massive reverb, cathedral ambience, spiritual tension, emotional build-ups, melancholic yet hopeful. Similar energy to alternative pop mixed with sacred cinematic soundtrack music. Slow-burning verses exploding into wide euphoric choruses.

“Veni, Fire of the Living Word”

“Veni, Fire of the Living Word”

Atmospheric cinematic folk blended with sacred liturgical tones, featuring expressive male vocals, airy flute melodies, warm harmonica, soft harp textures, emotional saxophone and trombone harmonies, delicate mandolin plucking, and restrained drum-and-bass percussion. Deep spiritual atmosphere, ancient-meets-modern mood, contemplative yet uplifting, echoing cathedral acoustics, folk ritual energy, and cinematic emotional swells.

Up All Night

Up All Night

Moody Afrobeats / alt-R&B blend with male vocals; sparse muted keys and soft guitar plucks over a slow, bouncing groove. Verses stay intimate and conversational, close-mic vocal with subtle delay. Chorus blooms with airy harmonies, warm sub bass, and shimmering pads, hook repeated for singalong. Bridge strips back to drum-and-bass pocket then swells into a final, melodic chorus ad-lib run.

Paper Kites

Paper Kites

Pop with brisk four-on-the-floor pulse, snapped claps, glossy synth bass, and bright guitar stabs; verse stays lean with tight drum-and-bass pockets, pre-chorus lifts into stacked harmonies and filtered risers, chorus opens wide with gang-vocal doubles and a sing-back hook. Add reversed swells into each drop, sparkly arpeggio fills between lines, and a final chorus with extra ad-libs. Crisp, polished, radio-bright mix with close-mic lead vocal and lush stereo width., pop

Pulse Overdrive

Pulse Overdrive

Pop synth-pop with brisk four-on-the-floor drums, rubbery sidechained bass, glittering arpeggio synths, and bright octave lead hooks; verse keeps a lean drum-and-bass pocket, pre-chorus lifts with filtered risers and widened pads, chorus opens into stacked chord stabs and handclap layers, bridge strips to pulsing sub and a single motif before the final lift. Crisp, glossy, radio-bright mix with punchy transients and shimmering top end., pop

Ozer Abi

Ozer Abi

Turkish arabesk-pop with mid-tempo swing, darbuka and clarinet answering a pulsing bass groove; verse rides a tight drum-and-bass pocket with kısa bağlama licks, pre-chorus opens into rising strings and handclaps, chorus hits wide with unison gang vocals and a catchy clarinet hook. Lead vocal is warm and gritty with doubled choruses, slight delay throws on the name phrase, and ad-lib shouts tucked between lines. Ear candy includes reversed cymbal swells into choruses, a brief darbuka fill before the last hook, and sparkling string hits on the turnarounds. Bright, punchy, and warmly compressed.

Sokağın Kıvırtısı

Sokağın Kıvırtısı

Turkish Roman havası rap with fast swung darbuka, clarinet riffs, sharp handclaps, and bouncing bass; verse rides a lean drum-and-bass pocket with quick triplet cadences, pre-chorus strips to claps and clarinet glides, chorus hits with gang shouts and a call-and-response hook. Lead vocal stays close-mic and gritty with doubled ends, short delay throws on the anchor phrase, and ad-lib laughs panned wide. Ear candy: cymbal lifts into the hook, reversed clarinet swells, and a sudden breakdown before the last chorus. Bright, punchy, street-party mix., rap

Plein de Vrai

Plein de Vrai

French afrobeats-rap with a bouncy mid-tempo groove, syncopated percussion, warm sub-bass, and airy synth plucks; verse rides tight drum-and-bass pockets, pre-chorus strips to hand drums and vocal lifts, chorus opens with stacked doubles and a chantable group response. Use close-mic lead vocals with light ad-libs, delay throws on last words, reversed swells into hooks, and glossy bright mix with a strong low end.

Jeffy and Junior

Jeffy and Junior

Pop-rap with playful bounce, midtempo swing, crisp clap pockets and rubbery bass; verse rides sparse drum-and-bass chatter, pre-chorus lifts with filtered synth fizz and quick chant stacks, chorus opens wide with gang doubles on the names. Vocal is close-mic and conversational with left-right ad-libs, short delay throws on the hook, coin-drop transitions and toy-like risers. Bright, punchy, glossy mix.

Baba God Judge

Baba God Judge

Nigerian rap( Phyno rap Style) fused with Afrobeat, mid-tempo and bounce-heavy with syncopated percussion, log drums, bass guitar stabs, and a skanking guitar riff; verse rides a lean drum-and-bass pocket, pre-chorus opens with call-and-response chants and rising shakers, chorus hits with stacked gang vocals and a catchy pidgin anchor. Lead vocal is gritty and conversational with double-tracked punchlines, ad-lib echoes, and short delay throws on hook words. Add airhorn swells, reversed risers, and market-percussion fills between lines; bright, punchy mix with warm low end and a dry center vocal., rap

Baba God Judge

Baba God Judge

Nigerian rap fused with Afrobeat, mid-tempo and bounce-heavy with syncopated percussion, log drums, bass guitar stabs, and a skanking guitar riff; verse rides a lean drum-and-bass pocket, pre-chorus opens with call-and-response chants and rising shakers, chorus hits with stacked gang vocals and a catchy pidgin anchor. Lead vocal is gritty and conversational with double-tracked punchlines, ad-lib echoes, and short delay throws on hook words. Add airhorn swells, reversed risers, and market-percussion fills between lines; bright, punchy mix with warm low end and a dry center vocal., rap

Nasraay Hooyo Dheh

Nasraay Hooyo Dheh

Somali anthem with darbuka pulse and handclap-driven 4/4 rhythm; verse rides a spare drum-and-bass chant, pre-chorus lifts with stacked call-and-response vocals, chorus lands big with group shouts and repeated family praises. Lead vocal is close-mic and proud, with gang-style doubles on key names, short delay throws on the chant words, and a bright, punchy mix with frame-drum fills and horn-like synth accents between lines.

Bundbrand på Langvang

Bundbrand på Langvang

folk, Upbeat techno-folk crossover med dyb mandevokal, ukulele-stabs og pulserende drum-and-bass-groove, underskruet didgeridoo-drone for jordforbindelse. Vers i halvtalende story-mode, så stemmen kan være mørk og tør; omkvæd løfter med simple, rå singalong-linjer og små kor-svar. Atmosfæren bygger sig fra rolig, rytmisk første vers til et næsten rave-agtigt sidste omkvæd med ekstra harmonier og perkussive ukulele-figurer., ukulele, drum and bass, didgeridoo, techno

밤 드라이브 러브송

밤 드라이브 러브송

Glossy 80s city pop groove with bright rhythm guitar, glassy FM synth leads, and bouncy bass. Female vocals; soft, intimate in verses, then airy and open in the hook with doubled topline and subtle harmonies. Short rap over a stripped-down drum-and-bass breakdown in the middle, then full band swells back in for a final chorus lift.

Midnight Circle

Midnight Circle

funk, Smoky Afrobeats groove with syncopated percussion, pulsing bass, and shimmering guitar licks. Male vocals over a hypnotic mid-tempo pocket; group chorus enters wide and chant-like with stacked call-and-response. Subtle synth pads deepen the mystery, bridge strips back to drum-and-bass before a final, explosive hook., rhythmic, afrobeats

Crosswalk Confessions

Crosswalk Confessions

rap, Indie rock band with live drums and crunchy guitars locked to a head-nod hip-hop groove; male vocals with a half-sung, half-spoken delivery. Verses sit in a tight pocket over muted riff and bass, choruses explode with wide gang vocals and fuzzed-out power chords. Middle section strips down to drum-and-bass stomp, then slams back in with layered shouts on the final hook., hip-hop, indie rock

Purple Tears on Chrome

Purple Tears on Chrome

rap, Moody R&B over a gritty, industrial-tinged hip hop beat; subby bass growl and metallic percussion hits. Verses start sparse with solo drum groove and female vocals in an intimate, close-mic tone; chorus blooms with lush pads and stacked harmonies. Mid-song, the beat strips to a punchy drum-and-bass backbone for a confident solo rap, then everything drops back into a smoky, reverb-washed outro hook., industrial, hip hop

Velvet String Machine

Velvet String Machine

funk, Hybrid groove odyssey: harpsichord and harp arpeggios over a shuffling drum-and-bass backbone, rubbery funk bass, and bright 80s house piano. Verses lean alt-country with mandolin and woodwind flourishes; pre-chorus slips into smoky R&B chords; chorus explodes into disco-pop with stacked mixed-gender vocal harmonies and a lilting reggae offbeat. Clarinet and Celtic flute trade riffs in the bridge. Warm, slightly saturated mix, lead male vocal with lush backing harmonies., celtic, harmony, r&b, clarinet, drum and bass, harp, country, disco, baroque, pop, vocal, reggae

Static in the Photograph

Static in the Photograph

rock, Male vocals over a hybrid alt-rock groove: clean, chorus-soaked guitar on a half-time reggae skank, tight picked bass, and punchy live drums that pivot into drum-and-bass patterns in the pre-chorus and final chorus. Verses stay sparse and melancholic, vocal close and dry; choruses explode with pop-punk energy, doubled leads and gang shouts on key lines. Subtle synth pad glues sections, bridge strips back to rim-clicks and bass, then everything slams back in for an anthemic outro repeat., reggae, drum and bass, pop punk, alternative rock

रघुनंदन बलिया

रघुनंदन बलिया

Big, chest-thumping Hindi bhajan-rock anthem; male vocals with gritty devotional intensity. Dholaks, chimta, and claps lock in over a heavy drum-and-bass groove, harmonium and electric guitar in call-and-response. Verses stay tight and percussive; chorus explodes with group vocals and shouts, energy peaking with each repetition of the hook. It should be Raghunandan ... Raghu Raghu Nandan in second line

रघुनंदन बलिया

रघुनंदन बलिया

Big, chest-thumping Hindi bhajan-rock anthem; male vocals with gritty devotional intensity. Dholaks, chimta, and claps lock in over a heavy drum-and-bass groove, harmonium and electric guitar in call-and-response. Verses stay tight and percussive; chorus explodes with group vocals and shouts, energy peaking with each repetition of the hook.

Gëzimi në Kullat e Valle

Gëzimi në Kullat e Valle

Folk, Southern Albanian Wedding Banger At 110 Bpm: Male Vocals Over Clarinet-Led Folk Melody, Layered Iso-Polyphony Group Responses, And A Punchy Drum-And-Bass Groove. Verse Sits On Plucked Lute And Frame Drum; Chorus Explodes With Tupan, Hand Percussion, And Bright Clarinet Riffs. Modern Low-End Glues It Together While Keeping The Village Courtyard Vibe Alive., Polyphony, Joyful, Emotional, Vocal, Clarinet, Drum And Bass

Cracks In The Ceiling

Cracks In The Ceiling

Indie rock energy with gritty guitar riffs and punchy live drum-and-bass groove. Verses sit in a tight pocket with dry male vocals, bass slightly overdriven and upfront. Chorus opens wide with gang shouts, doubled lead, and crashing cymbals. Brief middle break drops to bass and rim clicks, then full-band slam back in for the final hook., drum and bass

Father's Jacket

Father's Jacket

Dark grime ballad with male vocals over blown-out bass and clipped, overdriven drums. Verse flows stay tight and confessional, with pockets of double-time pain. Hook widens with eerie pads and pitched-down ad-libs, bass swallowing the low end. Sparse, detuned piano stabs in the chorus; final section strips to drum-and-bass, vocal half-whispered, half-snarled for a broken, defiant close., grime, ballad, nostalgic, sad

Hold the night

Hold the night

Drum & bass Songstructuur + Productie-aanwijzingen Intro (8–12 bars) • Zachte pads, lichte arpeggio’s of filtered piano. • Female vocal chop (bijv. “mmm” of “ah”) heel subtiel. • Filtered breakbeat op de achtergrond, nog zonder bass. • Langzame opbouw met risers, noise sweeps en korte percussie. ⸻ Verse 1 (16 bars) Tekst: Verse 1 • Minimalistisch: enkel drums (shaker/snare ghost notes), lichte sub atmosfeer. • Vocal duidelijk en relatief droog. • Geen volle basslijn nog, hooguit een zachte mid-bass. ⸻ Pre-Chorus (8 bars) Tekst: Pre-Chorus • Opbouw in energie: high-pass filter langzaam openen. • Meer percussie, lichte arp of synth die spanning opbouwt. • Kick iets prominenter, maar nog geen full dnb drive. ⸻ Chorus + Drop (32 bars) Tekst: Chorus • Hier komt de volle drum-and-bass beat in. • Reese bass of modulerende jump-up bassline. • Chopped vocals uit het chorus: “take control… soul… unfold” als extra ritmische elementen in de drop. • Snelle hi-hats, punchy sn

Hold the might

Hold the might

Drum & bass Songstructuur + Productie-aanwijzingen Intro (8–12 bars) • Zachte pads, lichte arpeggio’s of filtered piano. • Female vocal chop (bijv. “mmm” of “ah”) heel subtiel. • Filtered breakbeat op de achtergrond, nog zonder bass. • Langzame opbouw met risers, noise sweeps en korte percussie. ⸻ Verse 1 (16 bars) Tekst: Verse 1 • Minimalistisch: enkel drums (shaker/snare ghost notes), lichte sub atmosfeer. • Vocal duidelijk en relatief droog. • Geen volle basslijn nog, hooguit een zachte mid-bass. ⸻ Pre-Chorus (8 bars) Tekst: Pre-Chorus • Opbouw in energie: high-pass filter langzaam openen. • Meer percussie, lichte arp of synth die spanning opbouwt. • Kick iets prominenter, maar nog geen full dnb drive. ⸻ Chorus + Drop (32 bars) Tekst: Chorus • Hier komt de volle drum-and-bass beat in. • Reese bass of modulerende jump-up bassline. • Chopped vocals uit het chorus: “take control… soul… unfold” als extra ritmische elementen in de drop. • Snelle hi-hats, punchy sn

Für immer mit dir

Für immer mit dir

warme vocal-harmonien mit emotionaler tiefe, vocal, harmony, sanfte drum-and-bass-grooves, drum and bass, r&b

Generate Voiceovers & songs with AI

Download Voices AI

Create audio with more than 300 different voices in our library.

4.7176k Reviews20M+ Downloads

Discover the Future of Music with Our AI-Generated Songs Library

Welcome to the next generation of music creation with our AI Songs Library, where innovative artificial intelligence meets creative expression. Explore a vast selection of user-generated AI songs across genres, moods, and languages. From ambient and cinematic soundscapes to upbeat pop and deep, resonant tracks, our AI-driven technology brings unique, high-quality music to life, perfect for any project or personal enjoyment.

Whether you're a content creator, game developer, podcaster, or simply a music lover, our AI-powered song library offers something for everyone. Each track is crafted using advanced AI technology, ensuring realistic sound quality and a natural feel, with customizable options to suit your unique needs. From background scores to inspirational soundtracks, discover the versatility and depth of AI music on our platform.

Key Features of Our AI Songs Library:

  • Wide Genre Selection: Discover songs across various music styles like pop, rock, hip-hop, classical, jazz, ambient, and more, all generated by advanced AI technology.
  • Mood and Tone Customization: Easily find or create tracks that match the mood you need-whether it’s upbeat, chill, dramatic, or inspirational, our AI music offer the perfect vibe.
  • Multi-Language Lyrics: Our library includes songs in multiple languages, including English, German, Spanish, and many others, expanding your reach and connecting with global audiences.
  • Perfect for Multimedia: Use our AI song generator for background music, sound effects, or as a unique addition to your videos, podcasts, and presentations.

Why Choose Our AI-Generated Songs?

  • High-Quality Sound: Our multi-language support means your music can engage listeners from around the world, making it perfect for cross-cultural projects.
  • Endless Creativity: With AI-driven customization, each song can be uniquely tailored to fit your project’s needs, making it a valuable asset for creators.
  • Global Accessibility: Our multi-language support means your music can engage listeners from around the world, making it perfect for cross-cultural projects.
  • Easy Integration: Download and integrate songs effortlessly into your existing workflows, whether it’s for audio production, streaming, social media, or commercial use.

Browse our AI Songs Library now to explore user-generated music, crafted with cutting-edge AI technology. Find the perfect soundtrack for your content, elevate your projects with innovative soundscapes, and experience the future of music creation today.