Songs created with Voices AI

Songs made with Voices AI bring voice technology into music - from covers to original tracks. Hear how creators and our community are using AI voices to explore new sounds and ideas.

New Releases

Pas de pizza ananas

Pas de pizza ananas

Tribal percussion with taiko-style drums, stomping pulse, call-and-response chants, and a playful swagger; verse starts sparse with frame drums and handclaps, pre-chorus tightens with rising shakers, chorus hits with big gang vocals and shouted refrain, bridge drops to a single drum and spoken chant before the final stomp; close-mic lead vocal with doubled hook lines, ad-lib shouts, bright punchy mix, chanson

Moj Motër

Moj Motër

Turkish-tinged sorrow ballad with a slow 6/8 sway, aching string lines and hand drum pulse; verse opens sparse with intimate male and female duet, pre-chorus lifts on bowed phrases and breathy harmony, chorus lands in unison with a plaintive chant. Male vocals and female vocals trade lines, then stack on the hook with soft doubles, tearful ad-libs, and a short instrumental break between choruses. Warm, wide, emotional mix with a close-mic heart.

Les gens sont bon.

Les gens sont bon.

Lis en français, style SLAM POSÉ. Voix adulte non texturée, timbre grave et chaleureux. Marque une vraie respiration après chaque point, une demi-pause après chaque virgule. Garde une intensité contenue, presque parlée, sans effet théâtral. Finis sur un ton apaisé et ouvert pour "les vacances toute l'année".

Recuerdos de un adiós

Recuerdos de un adiós

Ranchera, bolero, balada

Life sucks

Life sucks

Heavy metal rock dark metal evil ..

Anello di Rima Sottoscuro

Anello di Rima Sottoscuro

hip-hop indie melodic

Небесный свет в глушке

Небесный свет в глушке

92-98 BPM Куплет: Пианино + лёгкий щёлкающий бит + тихая гитара. Уже качает, но не перебивает голос. Припев: Вступают барабаны, бас, струнные на фоне. Энергия идёт вверх вместе со словами «ты рвёшься к целям». Вайб: Что-то между Dean Lewis - Be Alright и The Script - Hall of Fame. Светлая грусть, но с драйвом.

Love

Love

Somber. Piano, slightly angry, rebellious, circus themed, cabaret, mystical. Whimsical. Ambitious. It must have slow pacing.

Sin ti no soy nada

Sin ti no soy nada

Reggaeton EDM Young vs Child 12 Years old mix

Silent Breath

Silent Breath

A deeply sparse solo piano instrumental played in the style of slow one-note-at-a-time phrasing. Each note is placed with breath-like silence between, creating an emotional minimalism that feels intimate and reflective. No chords, only isolated single notes — often played in a slowly unraveling melodic line across 3–5 tones. Tempo is extremely slow (~48 BPM), with natural rubato and human imperfections. Uses soft upright felt piano with subtle room ambience. Ideal for introspective moments, memory sequences, or emotional cinema. No vocals, no harmonies, no flourishes — only space, tone, and resonance.

Chrono Rebel

Chrono Rebel

X:1 T:Jason, Rockero Enmascarado M:4/4 L:1/8 Q:1/4=100 K:Dm Style: rock, funky, punk metal %% [INTRO] – Guitarra Eléctrica Distorsionada V:1 clef=treble name="Guitarra" |: D2 F2 A2 F2 | D2 z2 D4 | G2 B2 A2 G2 | F4 z4 :| %% [VERSOS] – Riff oscuro V:1 |: D2 D2 F2 F2 | A4 G4 | F2 G2 A2 B2 | A8 :| %% [CORO] – Intensidad máxima V:1 |: A2 A2 d2 c2 | d4 c4 | A2 G2 F2 E2 | D8 :| %% [PUENTE] – Cambio dramático V:1 |: G2 G2 A2 A2 | F4 E4 | D2 E2 F2 G2 | A8 :| %% [OUTRO] – Retorno al misterio V:1 |: D2 F2 z4 | A2 z2 G4 | F2 E2 D2 z2 | D8 :| %% [BAJO] – Profundo y constante V:2 clef=bass name="Bass" |: D, 2 z2 D, 2 z2 | G, 2 z2 G, 2 z2 | A, 2 z2 A, 2 z2 | D, 2 z2 D, 2 z2 :| %% [BATERÍA] – Beat pesado V:3 clef=perc name="Drum Set" |: z D z D z D z D | z D z D z D z D | z D z D z D z D | z D z D z D z D :|

Ritmul Luminilor Sfinte

Ritmul Luminilor Sfinte

Canon version, Praise and worship, choir song, hymns song, piano, guitars, drums, energic song,

هب السعد

هب السعد

Khaleeji wedding anthem with a luxurious slow sway, regal folk percussion, warm oud phrases, glossy strings, and handclap accents; verse stays graceful and spacious, pre-chorus lifts with choral swell and rising tabla fills, chorus blooms with doubled lead vocals and bridal gang responses. Elegant, ceremonial mix with wide reverb, polished lows, and sparkling ornamental ear candy.

مصري تركي  2026

مصري تركي 2026

لحن تركي مزيكا تركي ولاكن كلام مصري 2026

J

J

Style de Tovaritch - Valentina

دموع العود

دموع العود

Iraqi oud instrumental, slow free-floating adagio with rubato phrasing and mournful maqam-inflected motifs; verse-like openings stay bare on solo oud, then a deeper tremolo passage swells into higher-register ornament turns, and the final section thins back to a fragile single-line lament. Breath-like pauses, finger slides, and resonant room tail create the transitions. Intimate, dry, and sorrowfully close-miked.

Eo de nueu

Eo de nueu

Pop dance with a buoyant four-on-the-floor pulse and playful syncopated percussion; verse stays lean with handclaps, bass, and a bright synth motif, pre-chorus lifts on filtered pads and rising vocal layers, chorus opens wide with stacked gang vocals on the chant. Lead vocal is close-mic and nimble, with doubles on key lines and short delay throws on the hook. Ear candy includes reverse swells, little chime runs, and a final lift into the last chorus. Mix is crisp, glossy, and punchy.

אמא בחדר הערפל

אמא בחדר הערפל

Alternative pop ballad with a slow broken pulse, intimate close-mic female vocals, sparse piano verse that opens into strings and low bass on the chorus, pre-chorus lifted by filtered pads and a rising breathy harmony, final chorus with doubled lead, soft gang backing on the anchor line, reversed swells and delicate room-echo chimes between phrases, warm and wide but emotionally bare

Trop Grand

Trop Grand

French trap with a slow 90 BPM bounce, rattling hi-hats and a rubbery sub; verse stays sparse with clipped ad-libs and tight rhythmic phrasing, pre-chorus opens into stacked doubles and a rising synth swell, chorus hits with a blunt chant and short gang vocals. Reverse snare lifts, tape-stop transitions, and a glossy, close-mic mix with hard low-end punch.

awerysopelea - dreh dich nicht um

awerysopelea - dreh dich nicht um

weibliche Stimme sehr leise, flüsternd, horror, düster extrem nah (intim) langsam kindlich, aber unruhig leicht heiser / brüchig nicht perfekt sauber singen lange Pausen zwischen Zeilen dunkler Hall leichte Verzerrung im Hintergrund Emotion: ruhig, kontrolliert, besitzergreifend

Sunrise Canopy Whisper

Sunrise Canopy Whisper

Create a realistic tropical forest ambience with soft birds singing. Environment: Dense rainforest at sunrise. Sounds: Distant birds, gentle leaves moving in wind, light insects, soft forest air. Mood: Calm, peaceful, natural, immersive. Audio Quality: High realism, cinematic nature recording feel. Avoid: Loud repetitive bird calls, human sounds, heavy jungle chaos. Style: National Geographic documentary ambience.

Petlyablya

Petlyablya

Experimental, melodic, emotional, unusual unique pronouncements, very experimental, duet males and females duo, sarcastic, emotional, естетика мелодії і музики в гармонії з емоціями різкі переходи від краси слова до мату

أنا طائر أعشق السماء

أنا طائر أعشق السماء

Warm Arabic pop ballad with oud and qanun over gentle percussion; verses stay intimate and close-mic’d, chorus lifts with sweeping strings and stacked male vocals on the hook, subtle bass glues it together, final chorus adds soft choir pads for a soaring, cinematic finish

ROBOXX NA PISTA

ROBOXX NA PISTA

High-energy Brazilian EDM banger with alternating human and vocoder robotic leads; four-on-the-floor kick, bright synth stabs, and huge festival risers. Verses stay tight over percussive plucks, pre-chorus strips to bass and claps, then chorus explodes with layered crowd chants and robotic call-and-response. Big sub drops and glitchy FX on the countdown; arrange for dynamic breaks and a final extended hook to keep the dance floor jumping.

Mantra Millonario

Mantra Millonario

rap, Hard-hitting Latin trap beat with deep sub-bass and sharp hi-hats; verses stay tight and hypnotic over minimal keys, hook explodes with stacked gang vocals and airy pads. Energy climbs in each section, ending in a triumphant, chant-like outro perfect for crowd call-and-response, male vocals with strong attitude and crisp doubles.

ROBOXX Invadiu a Festa

ROBOXX Invadiu a Festa

dance, High-energy Brazilian dance-pop, bright synth stabs over a four-on-the-floor kick, sidechained bass pumping under catchy male vocals trading lines with a crunchy, pitched-down vocoder robot voice. Verses stay tight and percussive; pre-chorus strips to claps and risers, chorus explodes with stacked hooks and crowd chants. Space for call-and-response ad-libs and a short synth break to hype the dance floor. Male vocals + processed robot vox.

سداح سلام الشكابيلا

سداح سلام الشكابيلا

High-energy Gulf trap with male vocals; tight tuned-kick groove, crisp claps, and bouncing sub-bass. Verses ride a swaggering mid-tempo pocket with sharp darbuka fills and filtered synth plucks; chorus explodes with gang vocals, stomps, and chant-style hooks. Occasional risers and chopped vocal drops between lines to keep the momentum thick and club-ready.

Ritmo de Amor

Ritmo de Amor

funk, Groovy Brazilian funk-pop groove with bouncy bass, crisp percussion, and male vocals riding a playful swing; verses stay intimate and slightly whispered, chorus explodes with bright synth chords and stacked harmonies, with a short spoken ad-lib before the last hook to lift the energy and keep the dancefloor locked in

🎶 “We Want More” 🎶

🎶 “We Want More” 🎶

Rap, hip-hop, drum and bass, progressive, motivational, batucada, aggressive.

Rise Together, Grade by Grade

Rise Together, Grade by Grade

Modern Gen Z graduation anthem. Emotional pop with a soft lo-fi intro that builds into cinematic pop. Tempo: 75–80 BPM Key: A Major Style: Inspirational, youthful, heartfelt, slightly conversational tone (Gen Z but not slang-heavy). Clean and school-appropriate. Vocals: Children’s choir (soft, innocent) Youth voices (clear, hopeful) Teen vocals (emotional, expressive) Solo lead (young adult, heartfelt) Full choir harmonies in chorus Structure: Soft intro → gradual build → strong emotional chorus → cinematic final chorus → soft piano outro Instrumentation: Lo-fi piano intro, soft beat, ambient pads, light strings, modern pop drums, optional acoustic guitar Mood: Hopeful, proud, nostalgic, uplifting, unity, achievement Production: Clean studio mix, warm reverb, layered vocals, emotional dynamics, clear lyrics

Four Gunslingers from the Bay

Four Gunslingers from the Bay

rap, Hard-hitting West Coast rap anthem, mid-tempo bounce with heavy, swinging drums and thick sub-bass. Male vocals, rowdy call-and-response hooks, layered gang shouts on key punchlines. Gritty electric piano stabs and brass hits punctuate the verses; chorus explodes with stacked vocals and crowd chants. Big-room mix built for arenas and tailgates, with swaggering ad-libs and hype-drop moments.

Sandra Zárate, 57 Velas

Sandra Zárate, 57 Velas

Ballad-pop cálida with acoustic guitar arpeggios, brushed percussion, intimate upright piano, and a rising string pad that blooms into a heartfelt singalong chorus; tender male-female harmony feel, gentle lift on the last refrain

Raah-e-Dil

Raah-e-Dil

Epic Bollywood ballad with female vocals over a raag-inspired melody; intro with solo harmonium and soft strings, then tabla enters in a slow teentaal groove. Verses stay intimate with sarangi phrases and tanpura drone, pre-chorus swells with orchestral strings and subtle choir pads. Chorus explodes with powerful dhols, soaring melody, and layered female harmonies. Final chorus modulates up a step with cinematic brass swells and a long, emotional vocal tail., soulful, ghazal, vocal, strong, emotional, female vocals, dramatic, heartfelt

Sheran’s Double Celebration

Sheran’s Double Celebration

pop, High-energy pop with bright synths, four-on-the-floor kick, and rhythmic claps; verses bounce with playful melodic runs, pre-chorus lifts with rising pads, and the chorus explodes into gang vocals and stacked harmonies. Add a short spoken breakdown before the final hook, female vocals leading with lots of ad-lib energy.

Rain of Armageddon Beats

Rain of Armageddon Beats

Cloud rap, edm, bubblegum trap

Alien Resonance

Alien Resonance

Metalcore, industrial Metal, Djent

Caroline Bum Bum

Caroline Bum Bum

Bubblegum pop with bouncy mid-tempo groove, syncopated handclaps and rubbery bass; verse stays tight and playful, pre-chorus strips to snapped percussion and stacked "ba-ba" chants, chorus pops wide with bright synth stabs and gang vocals on the hook. Close-mic lead vocal with candy-coated doubles, call-and-response ad-libs, tape-stop flicks, and tiny sparkle chimes between lines. Crisp, glossy mix with a cheeky, fizzy punch.

Dalmatinski Višeglasni Zvuk

Dalmatinski Višeglasni Zvuk

klapa, Traditionell napjev, refren Choral, gitara, harmonika, mandolina, vocal harmony, 80“, synthesizer, strings, pop

La Raclette

La Raclette

rock, Playful French pop/rock, lentils suavely- tempo groove with drums, bright overdriven guitars, and a thick, round bassline; male vocals up front with cheeky attitude, gang shouts on each “raclette” hook, and a bridge that drops to half‑time drums and single guitar before a big, shouted final chorus and outro chant, pop, chanson, drum and bass, percussion, electronic, orchestral, xylophone

NRC residential journey

NRC residential journey

80s hard rock soft rock, pop rock country, folk rock organ, keyboard piano, bass, drums, brass cinematic guitar guitar electric guitar solo soundtrack Celtic electric guitar, techno, country, pop, synth-pop, soul

Digitales Revier

Digitales Revier

German alt-pop with moody mid-tempo pulse, tight kick-snare groove and filtered synth beds; verse stays stripped with dry close-mic vocal and sparse plucked accents, pre-chorus opens with rising pads and breathy doubles, chorus lands wider with stacked harmonies and a chantable hook. Ear candy: reversed swells before each lift, glitchy notification ticks as transitions, and a short tape-stop into the bridge. Mix is glossy, intimate, and slightly cold.

Pookies i stan

Pookies i stan

Swedish pop-rap with bouncy mid-tempo swing, rubbery bass, handclaps on the backbeat, and a playful call-and-response groove; verse keeps it tight and conversational, pre-chorus strips to snaps and a rising synth line, chorus opens with stacked doubles and gang-style shouts on the hook. Add tape-stop transitions, tiny horn stabs between lines, and a bright, punchy mix with intimate lead vocal and wide hook harmonies.

La Raclette

La Raclette

rock, Playful French pop/rock, mid‑tempo groove with bouncy drums, bright overdriven guitars, and a thick, round bassline; male vocals up front with cheeky attitude, gang shouts on each “raclette” hook, and a bridge that drops to half‑time drums and single guitar before a big, shouted final chorus and outro chant, pop, chanson

DB Aufbrecher-Song 2025

DB Aufbrecher-Song 2025

electro, EDM, industrial, classical, hip-hop, rock, guitar, disco, progressive, punk, country, fusion, grunge, bass, country pop, electric guitar, saxophone, woodwinds, baroque, jazz, epic, werbefilm, Imagefilm, Deutsche Bahn, DB, Piano, Geige, klangschale, marimba, Orgel, two steps from hell

Teeth In The Wallpaper

Teeth In The Wallpaper

Haunting art‑pop with whispery female vocals over detuned piano and distant, warped strings; verses stay sparse and close‑miked, breaths audible, then chorus swells with choir‑like harmonies and a pulsing sub‑bass drone. FX‑drenched percussion flickers at the edges like footsteps in another room, with sudden silences and reverse reverbs to keep the listener on edge.

وين راحت الفلوس

وين راحت الفلوس

Arabic pop with mid-tempo four-on-the-floor bounce and tight handclaps; verse rides sparse plucked keys and warm sub bass, pre-chorus strips to claps and a rising synth shimmer, chorus opens with stacked gang vocals and a hooky rhythmic chant. Lead vocal stays close-mic and intimate with doubles on key lines, delay throws on the title phrase, and a filtered breakdown before the final chorus. Bright, punchy, polished mix with glossy low end and a few cash-register blips as ear candy.

Nur ein Klick

Nur ein Klick

German pop with a bouncy mid-tempo groove, crisp clap-driven verses, a pre-chorus that tightens into restless stacked harmonies, and a chorus that opens wide with chantable gang vocals and short hook repeats; use playful ad-libs, delayed hook echoes, small glitch accents between lines, and a bright, glossy mix with punchy low end and clean top-end sparkle.

Yurak Raqsining Qalbi

Yurak Raqsining Qalbi

Uzbek, acoustic guitar, pop, punk

Pink on Call

Pink on Call

Bubblegum pop with a glossy mid-tempo bounce, syncopated handclaps, rubbery bass, and sparkly synth stabs; verse stays cheeky and percussive, pre-chorus lifts with filter sweeps and stacked “oh-oh”s, chorus lands on a big chant with doubled lead and girly ad-libs. Add vinyl tick, lip-gloss pop SFX, and a tiny riser into each hook. Bright, polished, candy-coated mix with close-mic vocals and wide backing harmonies.

Lukewarm Hot Dogs in the Car Dealership Parking Lot

Lukewarm Hot Dogs in the Car Dealership Parking Lot

Midwest emo and pop-punk anthem. Instrumentation features twinkly, math-rock-influenced clean guitar riffs with open tunings, bursting into heavy, distorted power chords for the chorus. Driving, energetic drums with complex fills and heavy crash cymbals. Vocals should be emotionally raw, ranging from a soft, melodic, slightly whiny delivery to strained, desperate, raspy yelling at the top of their lungs. Dynamic tempo shifts, a quiet bridge that builds tension, and a frustrated, self-deprecating, angsty vibe. In the style of Hot Mulligan, Real Friends, or The Wonder Years.

Still In My Heart

Still In My Heart

Pop ballad with midtempo pulse and gentle half-time drums, warm piano arpeggios, soft electric guitar swells, and a restrained sub bass. Verse stays intimate and close-mic; pre-chorus opens with stacked harmonies and rising strings; chorus lands wide with doubled lead and a chanty hook. Add reverse cymbal lifts, breathy delay throws, and a final lift with handclaps. Bright, emotional, polished mix.

LA REINA DE HOY

LA REINA DE HOY

Reguetón pop latino explosivo con fusión de rap melódico, percusión festiva, synths brillantes, dembow acelerado, coros multitudinarios y energía de celebración familiar. Intro hablada infantil inspirada en fiesta clásica mexicana, con transición orgánica hacia melodía tradicional de cumpleaños mexicana reinventada en beat urbano moderno. Tempo rápido (104–108 BPM), vibrante, emocional y altamente bailable. Versos con narrativa nostálgica y alegre sobre infancia, familia, crecimiento y sueños. Coro poderoso y pegajoso con esencia de Las Mañanitas modernizadas. Breaks de rap con frases de cariño y orgullo familiar. Producción colorida, cálida y festiva, estilo anthem de cumpleaños con sentimiento de legado, evolución y celebración de vida. Voz femenina juvenil con actitud dulce y poderosa, acompañada de voces familiares y ambiente de fiesta.

Andy Is High

Andy Is High

Alt-pop with a woozy mid-tempo groove, half-time drum pocket, rubbery bass, and hazy synth blips; verse stays sparse with close-mic vocals and offbeat percussion, pre-chorus opens with rising filter sweeps and stacked harmonies, chorus lands on a chanty hook with doubled lead and gang ad-libs. Reverse swells, tape-stop flicks, and sparkly ear-candy between lines. Bright but slightly blurry mix, intimate and glossy.

Fine Fine Fine

Fine Fine Fine

Pop with bright mid-tempo groove, bouncy four-on-the-floor pulse, verse keeps it lean with clipped bass and handclaps, pre-chorus opens with rising synth pads, chorus lands on stacked doubles and a chanty hook; little reverse swells into each chorus, sparkly bell accents between lines, glossy and punchy close-mic vocal with airy ad-libs on the hook.

NEON SCARS

NEON SCARS

dark industrial techno pop, 132 BPM, key F minor, deep male vocal, low pitch, aggressive and emotional, heavy distorted kick, deep sub bass, dark atmospheric pads, minimal melody, underground rave, Berlin techno style, hypnotic rhythm, intense drop, raw energy, strong rap verse, cold and serious tone, no cute elements, no bubblegum pop

Seven Colors Bridge

Seven Colors Bridge

Pop ballad with gentle 92 BPM pulse, soft piano and brushed drums in the verse; pre-chorus lifts with string swell and stacked harmonies; chorus opens wide with bright acoustic strums, childlike gang vocals, and a halo of vocal doubles. Add rain-stick texture, reversed shimmer into each chorus, and a final lift with bells. Intimate close-mic lead, warm and glossy mix., light, soul, deep, bright, warm

Kerstin macht Party

Kerstin macht Party

Party schlager with bouncy four-on-the-floor, handclap-driven verses, and a big singalong chorus; verse stays tight and playful, pre-chorus lifts with snare rolls and stacked gang chants, chorus hits wide with shouting doubles on the name line and short response lines. Add vinyl crackle, whistle pops, and a short synth lift before each hook. Bright, punchy, and glossy with a club-ready vocal sheen.

Schadi am Ball

Schadi am Ball

Children’s pop with bouncy mid-tempo four-on-the-floor, handclap groove, playful synth marimba, and simple drum kit; verse stays light with solo lead vocal and tiny percussion, pre-chorus adds claps and a rising whistle, chorus opens with gang vocals and a singalong chant. Bright, clean mix with crisp edges, ear-candy whistles between lines, and a cheerful stadium sing vibe.

Kise Ho

Kise Ho

Punjabi pop with a light bhangra bounce, mid-tempo four-on-the-floor, playful dhol accents in the verses, a stripped pre-chorus with handclaps and vocal lifts, and a chorus that opens wide with gang vocals, bright synth plucks, and short delay throws on the hook line. Close-mic lead vocal, crisp and punchy mix with glossy highs and a warm low end.

Junis baut mit Spaß

Junis baut mit Spaß

Children's pop with bouncy 120 BPM handclaps, simple kick-snare groove and ukulele plucks; verse stays playful and story-led, pre-chorus lifts with clapping chants, chorus lands on a short singback hook with group shouts. Add toy-block percussion, whistle fills between lines, and a bright glossy mix with close-mic lead and childlike gang vocals on the hook.

فارس شجاعه

فارس شجاعه

Arabic pop-folk anthem with driving darbuka pulse and stomping handclaps; verse rides sparse oud, bass, and frame drum, pre-chorus lifts with stacked chants and rising strings, chorus hits with big group vocals and a chantable gang hook. Lead vocal stays close and proud, with doubled lines on key phrases and echo ad-libs on the last word. Ear candy: reverse swells into the pre-chorus, brass stabs on downbeats, and a final clap break before the last chorus. Bright, warm, and cinematic with a جشن-ready mix.

Брат мой Тень

Брат мой Тень

Afrobeats-influenced pop with a warm mid-tempo swing and syncopated percussion; verse stays close and conversational over palm-muted guitar and soft handclaps, pre-chorus lifts with stacked harmonies and a filtered riser, chorus opens into a chantable hook with gang vocals and a bouncing bass pulse. Use intimate lead vocals with subtle doubles, ad-lib echoes on the hook, a few delayed tail throws, and airy percussion fills between lines. Bright, polished, and emotionally warm

أبو الليل مراد

أبو الليل مراد

Arabic pop-rap with heavy dabke drums and punchy percussion, mid-tempo with a swaggering bounce; verse rides tight spoken-sung phrasing over sparse kick and claps, pre-chorus strips to hand percussion and a rising chant, chorus hits with stomping group vocals and a sharp synth stab motif. Lead vocal is gritty and close-mic with doubled hook lines, scattered ad-libs in parentheses, risers and crowd shouts into each chorus, bright and aggressive mix with a dry center and wide hook energy.

Diez Años Juntos

Diez Años Juntos

Spanish pop ballad with warm acoustic guitar, gentle piano and soft percussion; verse stays intimate and story-led, pre-chorus lifts with rising harmony pads, chorus opens into a soaring singalong with doubled lead vocals and group harmonies on the anchor phrase. Add tender string swells between lines, a breathy pause before the hook, and a final chorus with brighter drums and wide stereo backing vocals. Mix is polished, heartfelt, and radiant.

أويلي الشام

أويلي الشام

Arabic pop-dabke with a driving 110 BPM darbuka groove, clap-led verses, pre-chorus lifting with rising strings and hand-rolled perc, chorus opening wide with layered gang vocals and a chantable call-and-response hook, bridge dropping to frame drum and dry lead vocal before the final lift, bright and festive mix with crisp low end and sparkling top percussion

The Crown 2.0

The Crown 2.0

Retro-swing meets modern pop-EDM, 1920s-30s jazz and vaudeville influence, theatrical male vocal (baritone-tenor), radio-announcer showman delivery, playful and slightly sinister charisma, crisp consonant-driven diction, near-spoken sing-song verses building into belted anthemic chorus, layered/harmonized vocals on hooks, gramophone-filtered vocal texture in verses, clean modern pop vocal on chorus, big-band horn stabs, music-box motifs, synth bass, crisp modern drums, build-drop structure, catchy nursery-rhyme hook

Honestly?

Honestly?

Retro-swing meets modern pop-EDM, 1920s-30s jazz and vaudeville influence, theatrical male vocal (baritone-tenor), radio-announcer showman delivery, playful and slightly sinister charisma, crisp consonant-driven diction, near-spoken sing-song verses building into belted anthemic chorus, layered/harmonized vocals on hooks, gramophone-filtered vocal texture in verses, clean modern pop vocal on chorus, big-band horn stabs, music-box motifs, synth bass, crisp modern drums, build-drop structure, catchy nursery-rhyme hook

The Crown 2.0

The Crown 2.0

1920s-30s jazz and vaudeville influence meets lavish Gatsby-era glamour and heavy modern pop-EDM, warm golden-toned production, theatrical male vocal (baritone-tenor), radio-announcer showman delivery, warm and cheerful charisma with a playful, slightly sinister undercurrent that never breaks its smile, crisp consonant-driven diction, laughter woven into the rhythm as a light motif, near-spoken sing-song verses over swinging brass building into a huge belted anthemic EDM drop, layered/harmonized vocals on hooks, gramophone-filtered vocal texture in verses, clean modern pop vocal on chorus, radio static and tuning-dial effects, big-band horn stabs, music-box motifs, pulsing synth arps, sidechained bass, four-on-the-floor drums, festival-style build-drop structure, catchy nursery-rhyme hook

Honestly?

Honestly?

1920s-30s jazz and vaudeville meets lavish Gatsby-era party glamour and heavy modern EDM, warm golden-toned production, theatrical male radio-host vocal (baritone-tenor), inviting ‘aw-shucks’ showman charm, warm and cheerful delivery that never breaks its smile, playful teasing energy with a hidden predatory undercurrent, laughter used as a rhythmic motif (light chuckles and bursts of giggling woven into the beat), crisp old-timey diction, near-spoken sing-song verses over lush swinging brass building into a huge warm EDM anthemic drop, radio static and tuning-dial effects, layered/harmonized vocals on hooks, gramophone-filtered texture in verses, clean modern pop vocal on chorus, opulent big-band horn stabs, music-box motifs, pulsing synth arps, sidechained bass, four-on-the-floor drums, festival-style build-drop structure, catchy nursery-rhyme hook that stays warm and cheerful even at its darkest

Never Wanna See

Never Wanna See

Alt-pop with moody half-time drums, muted bass pulses, and sparse electric piano in the verses; pre-chorus opens with filtered harmony stacks and rising noise; chorus lands with wide synth chords, hard kick, and doubled lead vocal on the hook. Close-mic, intimate vocals with delay throws on key lines, a reversed swell into each chorus, and a glossy, punchy mix.

Honestly?

Honestly?

New Orleans dixieland jazz and vaudeville meets heavy modern EDM, theatrical male radio-host vocal (baritone-tenor), warm ‘aw-shucks’ showman charm, upbeat and chipper delivery that never breaks its smile, playful teasing energy with a hidden predatory undercurrent, laughter used as a rhythmic motif (light chuckles and bursts of unhinged giggling woven into the beat), crisp old-timey diction, near-spoken sing-song verses over tap-shuffle rhythm building into a huge EDM anthemic drop, radio static and tuning-dial effects, layered/harmonized vocals on hooks, gramophone-filtered texture in verses, clean modern pop vocal on chorus, big-band horn stabs, music-box motifs, pulsing synth arps, sidechained bass, four-on-the-floor drums, festival-style build-drop structure, catchy nursery-rhyme hook that stays cheerful even at its darkest

Honestly?

Honestly?

Retro-swing meets heavy modern pop-EDM, 1920s-30s jazz and vaudeville influence, theatrical male vocal (baritone-tenor), radio-announcer showman delivery, upbeat and warmly charming with a playful predatory undercurrent, like a cat happily toying with its food, delivered with a genuine smile rather than menace, confident he can win either way, crisp consonant-driven diction, cheeky and fun on the surface, near-spoken sing-song verses building into a huge EDM-driven anthemic drop, layered/harmonized vocals on hooks feel teasing rather than threatening, gramophone-filtered vocal texture in verses, clean modern pop vocal on chorus, pulsing synth arps, sidechained bass, big-band horn stabs, music-box motifs, four-on-the-floor drums, festival-style build-drop structure, catchy nursery-rhyme hook that stays fun even with its hidden edge

Something Special

Something Special

Pop-R&B midtempo with a swung drum pocket, warm sub bass, and glassy guitar plucks; verse stays intimate and sparse, pre-chorus opens with stacked harmony lifts and filtered clap echoes, chorus blooms with lush synth pads and a sing-back topline. Vocal is close-mic and breathy in verses, doubled on hooks, with delay throws on the last word. Chime risers and reversed swells bridge each section; mix is glossy, wide, and polished.

I Will Be Me

I Will Be Me

Retro-swing meets heavy modern pop-EDM, 1920s-30s jazz and vaudeville influence, theatrical male vocal (baritone-tenor), radio-announcer showman delivery, predatory confidence like a cat playing with its food, savoring every word like he already knows how this ends, playful and dangerously charming, crisp consonant-driven diction with a smirking edge, near-spoken sing-song verses building into a huge EDM-driven anthemic drop, layered/harmonized vocals on hooks feel like a taunt, gramophone-filtered vocal texture in verses, clean modern pop vocal on chorus, pulsing synth arps, sidechained bass, big-band horn stabs, music-box motifs, four-on-the-floor drums, festival-style build-drop structure, catchy nursery-rhyme hook that turns menacing on repeat

Honestly?

Honestly?

Retro-swing meets heavy modern pop-EDM, 1920s-30s jazz and vaudeville influence, theatrical male vocal (baritone-tenor), radio-announcer showman delivery, predatory confidence like a cat playing with its food, savoring every word like he already knows how this ends, playful and dangerously charming, crisp consonant-driven diction with a smirking edge, near-spoken sing-song verses building into a huge EDM-driven anthemic drop, layered/harmonized vocals on hooks feel like a taunt, gramophone-filtered vocal texture in verses, clean modern pop vocal on chorus, pulsing synth arps, sidechained bass, big-band horn stabs, music-box motifs, four-on-the-floor drums, festival-style build-drop structure, catchy nursery-rhyme hook that turns menacing on repeat

Pas Touche, VIP

Pas Touche, VIP

Prompt : Pop rap française moderne, 124 BPM, voix féminine, énergique et espiègle. Refrain ultra accrocheur, couplets rythmés, ambiance romantique avec une touche d’humour. Batterie punchy, basse dynamique, synthés brillants, clap et guitare légère. Production radio, dance-pop rap avec des ad-libs comme “Eh !”, “Pfff…”, “Ohlala…”, “Mouah !”. Énergie festive, entraînante et mémorable.

Acoustic

Qulchoz Harpa Tashqari

Qulchoz Harpa Tashqari

harp, acoustic guitar

Knox In The Pines

Knox In The Pines

Dark folk-horror ballad with a slow lurching 6/8 feel, fingerpicked acoustic guitar, bowed bass, distant frame drum, and tense half-whispered male vocals; verse stays sparse and close-mic, pre-chorus adds a low drone and childlike harmony, chorus opens with gang-shadow doubles and a grim chant. Use reversed swells into each chorus, cracked bell chimes between lines, and a wide, cold mix with a dusty room edge.

Sogʻin Manzara

Sogʻin Manzara

Uzbek, celtic, acoustic guitar, soul

Oʻrmon Tashqari

Oʻrmon Tashqari

Uzbek melodic, mandolin, soundtrack, acoustic guitar

حروف

حروف

beatbox, cello, guitar, violin, Saudi drums, Saudi style, Saudi pronunciation, No screaming, trap, piano, drum and bass, acoustic guitar

Hu Diyelim Dostlar

Hu Diyelim Dostlar

1970s Anatolian rock, psychedelic rock, vintage synthesizers, groovy bassline, acoustic guitar, spiritual folk rock, rhythmic and upbeat yet deep, philosophical storytelling, deep baritone male vocals, vintage warm vinyl production, 100 BPM

Yılların Sessiz Yarası

Yılların Sessiz Yarası

Deeply emotional Turkish folk ballad, cinematic neofolk, mournful acoustic guitar, crying bağlama, melancholic mey, slow heartbreaking tempo, sorrowful male vocals, atmospheric, dramatic strings, epic and tragic orchestration, 80 BPM

Papa ko

Papa ko

Create an epic cinematic world-folk instrumental celebrating life after survival, inspired by forgotten civilizations and tribal cultures. The music should feel ancient, joyful, spiritual, and powerful. Use only natural acoustic instruments with minimal electronic elements. Tempo: 112–118 BPM. Begin with soft bamboo flute, clay ocarina, wooden whistles, distant frame drums, and nature ambience (wind, birds, river). Gradually introduce layers of tribal percussion including taiko-inspired drums, djembe, davul, udu drum, talking drum, mridangam, parai, and large ceremonial bass drums. Add rich melodic textures using Armenian duduk, bansuri, Native American flute, kora, Celtic harp, nyckelharpa, Hardanger fiddle, rebab, sarangi, esraj, Chinese guqin, Japanese shakuhachi, and African kalimba. Introduce rare ancient instruments such as the Greek lyre, tagelharpa, jouhikko, balafon, hulusi, jaw harp, bullroarer, rainstick, and conch shell horns. Use deep male tribal chants, joyful female folk

Altos da Boa Vista

Altos da Boa Vista

Brazilian gospel worship with warm mid-tempo swing, handclap pulse, and a gentle rise into a bigger congregational chorus; verse stays intimate with acoustic guitar and soft keys, pre-chorus strips to voice, pad, and shaker, chorus opens with full drums, bass, and bright choir doubles. Lead vocal stays close and heartfelt in verses, stacked harmonies and call-and-response on the hook, with risers into each lift and a final chorus glowing wide and uplifting. Clean, spacious mix with a live church-room feel.

Just me

Just me

Deeply emotional acoustic rock ballad. Male lead vocal with a weathered, broken but warm voice. Raw vulnerability. Sound like a man telling the truth after years of hiding the pain. Fingerpicked acoustic guitar in the foreground. Gentle piano supporting the melody. Sparse bass. Soft brushes and distant drums entering only in the second half. Rich ambient reverb creating loneliness and space. Every word must feel lived-in and believable. Slow tempo around 72 BPM. Dynamic build from intimate whisper to powerful emotional climax. Themes of grief, loss, eternal love, longing, remembrance, and hope of reunion. No vocal effects, no autotune sound, natural human imperfections. Cinematic but intimate. Inspired by the emotional depth of Bruce Springsteen’s ballads, Johnny Cash’s late recordings, and the soul of Chris Stapleton. Heartbreaking verses, soaring chorus, tear-inducing bridge, goosebumps final chorus. Warm acoustic production. Authentic. Honest. Devastatingly beautiful.

Nenjam Ellam

Nenjam Ellam

Create an epic cinematic world-folk instrumental celebrating life after survival, inspired by forgotten civilizations and tribal cultures. The music should feel ancient, joyful, spiritual, and powerful. Use only natural acoustic instruments Tempo: 112–118 BPM. Begin with soft bamboo flute, clay ocarina, wooden whistles, distant frame drums, and nature ambience (wind, birds, river). Gradually introduce layers of tribal percussion including taiko-inspired drums, djembe, davul, udu drum, talking drum, mridangam, parai, and large ceremonial bass drums. Add rich melodic textures using Armenian duduk, bansuri, Native American flute, kora, Celtic harp, nyckelharpa, Hardanger fiddle, rebab, sarangi, esraj, Chinese guqin, Japanese shakuhachi, and African kalimba. Introduce rare ancient instruments such as the Greek lyre, tagelharpa, jouhikko, balafon, hulusi, jaw harp, bullroarer, rainstick, and conch shell horns. Use deep male tribal chants, joyful female folk

I lived

I lived

Slow acoustic screamo ballad, gentle fingerpicked acoustic guitar in verses, massive cathedral reverb on vocals and instruments, soft distant piano throughout, heavy emotional acoustic strumming in breaks, slow pounding echo drums, clean vulnerable male tenor vocals in verses, emotional screamed vocals in breaks, no gang vocals, no crowd participation, long decay and sustain on emotional words, intimate and vulnerable verses, explosive and gut-wrenching screaming breaks, melancholic and triumphant mood, major key throughout, raw emotional delivery, song about chasing and living your dreams, overcoming struggle and finding freedom, emotional singing breaks with quiet piano, 3-minute duration, under 5000 words. ---

Nenjam Ellam

Nenjam Ellam

Create a dreamy Tamil romantic ballad inspired by the emotional depth and sophistication of early-2000s Tamil cinema. Begin with delicate ambient pads, soft piano, and gentle acoustic guitar, gradually introducing warm string sections, expressive flute, subtle electronic textures, and smooth bass. The rhythm should be understated with mellow electronic percussion and organic hand percussion. Feature a heartfelt male-female duet with emotional, intimate vocals that feel conversational yet melodic. The composition should evolve naturally into a soaring orchestral chorus while maintaining a sense of tenderness. Use rich harmonies, cinematic dynamics, and intricate melodic phrases. The atmosphere should feel like rain-soaked evenings, quiet city lights, and two lovers sharing honest emotions. Avoid modern EDM or trap elements. Focus on timeless melody, emotional orchestration, and elegant production reminiscent of classic Tamil romantic soundtracks without imitating any existing compositio

Lonrly

Lonrly

Asking Alexandria, Acoustic, piano

باوانێ بچووك

باوانێ بچووك

Kurdisch folk-pop with steady mid-tempo hand drum pulse and warm acoustic guitar; verse stays intimate with solo voice and low drone, pre-chorus adds claps and a rising harmony, chorus opens into gang-style unison with a simple chantable hook. Lead vocal is close-mic and emotional, with soft double-tracks on the chorus and small echo throws on the name. Ear candy includes a brushed frame drum swell, a short flute pickup into the chorus, and a final lifted harmony. Bright, earthy, and human, with a clean forward mix.

Api Di Hati

Api Di Hati

Malay pop ballad with a sweeping mid-tempo groove, gentle acoustic piano intro, lifted by string swells in the pre-chorus and a warm drum pulse in the chorus; verse stays intimate and close-mic, chorus blooms with stacked harmonies and a belted lead, bridge drops to piano and breathy vocal before a final chorus with wide backing vocals, soft risers, and an emotional glossy mix

Zmajevi Srca Bosna

Zmajevi Srca Bosna

Emotional modern Bosnian football song with soft traditional Bosnian atmosphere and strong emotional male vocals in the foreground. Minimal instrumental production with gentle harmonika, saz, acoustic Balkan guitar and subtle sevdah-inspired melodies in the background. Deep emotional feeling, cinematic ambience and light modern drums with soft bass. The singer’s voice should stay clear, powerful and dominant, while the music supports the emotion without overpowering it. Patriotic, soulful and emotional Bosnian energy with a huge heartfelt chorus.

Je me suis fait mal

Je me suis fait mal

French pop ballad with slow half-time pulse, tender acoustic piano and muted kick; verse stays intimate and close-mic, pre-chorus opens with rising strings and breathy doubles, chorus lands with wide harmonies and a singable hook. Add soft reverse swells into each chorus, little finger-snap clicks between lines, and a final lift with layered vocal ad-libs. Warm, glossy, emotional mix.

Tent Goodnight

Tent Goodnight

Pop ballad with playful acoustic strums, mid-tempo bounce, and a warm singalong groove; verse stays sparse with fingerpicked guitar and soft bass, pre-chorus lifts with handclaps and rising harmony, chorus opens wide with stacked vocals and a chantable refrain. Lead vocal is intimate and close-mic, with echoed ad-libs on the hook, a few breathy doubles, and a final chorus that adds subtle percussion, reversed swells, and a glossy, bright mix, sleep

Gravity 1

Gravity 1

Create an epic cinematic world-folk instrumental celebrating life after survival, inspired by forgotten civilizations and tribal cultures. The music should feel ancient, joyful, spiritual, and powerful. Use only natural acoustic instruments with minimal electronic elements. Tempo: 112–118 BPM. Begin with soft bamboo flute, clay ocarina, wooden whistles, distant frame drums, and nature ambience (wind, birds, river). Gradually introduce layers of tribal percussion including taiko-inspired drums, djembe, davul, udu drum, talking drum, mridangam, parai, and large ceremonial bass drums. Add rich melodic textures using Armenian duduk, bansuri, Native American flute, kora, Celtic harp, nyckelharpa, Hardanger fiddle, rebab, sarangi, esraj, Chinese guqin, Japanese shakuhachi, and African kalimba. Introduce rare ancient instruments such as the Greek lyre, tagelharpa, jouhikko, balafon, hulusi, jaw harp, bullroarer, rainstick, and conch shell horns. Use deep male tribal chants, joyful female folk

New Wineskins

New Wineskins

Dark alternative rock with 70’s classic rock, progressive metal, blues influences, Balkan folk. Tempo 78 BPM in D minor. Moody, atmospheric verses explode into massive, emotionally charged choruses. Downtuned guitars, melodic bass, powerful live drums, ambient acoustic textures, expressive guitar solos, and haunting vocal harmonies. A weathered male voice moves from intimate whispers to raw, soulful power. The mood is rebellious, reflective, mysterious, and darkly humorous. Lyrics explore lifelong friendship, faith, dreams, spiritual struggle, conspiracies, AI, ancient mysteries, and finding hope in ordinary conversations. The music should feel cinematic, organic, imperfect, and deeply human, balancing crushing heaviness with quiet vulnerability. Dynamic builds, spacious production, and memorable hooks create the feeling of two old friends laughing in the face of chaos while refusing to surrender hope.

Gelap Terang Bayang-Bayang

Gelap Terang Bayang-Bayang

TITLE: Nusantara Spiritual Boom Bap Genre: Dark Spiritual Boom Bap • Malay Nusantara Hip Hop • Vintage Soul • Cinematic Lo-Fi Tempo: 82 BPM Key: D Minor Mood: Dark, reflective, nostalgic, spiritual, melancholic, hopeful, cinematic, timeless. Intro: Old cassette tape hiss, vinyl crackle, soft room ambience, distant thunder, subtle wind, faint old radio texture. A calm spoken-word monologue begins before the beat enters. Instrumentation: • Warm fingerstyle acoustic guitar • Vintage upright piano • Emotional Malay-style string orchestra • Soft cello & viola layers • Boom bap kick & snare • Dusty percussion • Deep rounded 808 bass • Low orchestral drones • Soft ambient pads • Reverse piano swells • Tape flutter & analog saturation Beat: Classic boom bap groove, human swing, dusty sampled feel, head-nodding rhythm, thick snare, warm kick, subtle ghost notes, minimal but powerful. Vocals: • Deep male poetic hip hop rap • Emotional spoken-word monologue • Calm, expressive storytelling

Snovi Veda, Srca Bosna

Snovi Veda, Srca Bosna

Emotional modern Bosnian football song with soft traditional Bosnian atmosphere and strong emotional male vocals in the foreground. Minimal instrumental production with gentle harmonika, saz, acoustic Balkan guitar and subtle sevdah-inspired melodies in the background. Deep emotional feeling, cinematic ambience and light modern drums with soft bass. The singer’s voice should stay clear, powerful and dominant, while the music supports the emotion without overpowering it. Patriotic, soulful and emotional Bosnian energy with a huge heartfelt chorus.

カナクマとチェル

カナクマとチェル

Japanese pop with a bouncy mid-tempo groove, tight syncopated drums and warm electric bass; verse keeps a playful, close-mic feel with light acoustic guitar and sparse keys, pre-chorus lifts with claps and rising synths, chorus opens into stacked harmonies and group vocals. Add bell-like ear candy between phrases, a filtered riser into each chorus, and a brief breakdown before the final hook. Bright, glossy, and intimate with clean punchy mix.

Espejo Quieto

Espejo Quieto

Latin pop ballad with gentle midtempo pulse, brushed percussion and warm acoustic guitar; verse stays intimate and conversational, pre-chorus opens with rising harmony and filtered pads, chorus blooms with stacked vocals and a memorable chantable anchor. Add short delay throws on key words, soft hand percussion between lines, and a final lift with strings. Polished, emotional, close-mic mix with a bright top end and warm low mids.

Miracle of Dien Khanh Youngseok ❤️ Lý Mãn Gia

Miracle of Dien Khanh Youngseok ❤️ Lý Mãn Gia

Modern K-Pop, cinematic romantic travel anthem, male and female duet, clean emotional vocals, bright hopeful sound, 108 BPM, G Major, acoustic guitar, piano, strings, warm bass, soft EDM drums, tropical percussion, ocean waves, seagulls, Vietnam travel, war memory, miracle survival, peace, love, Hanoi, Nha Trang, Dien Khanh, Da Lat, Cam Ranh, uplifting chorus, emotional bridge, high quality studio recording.

Gelap Terang Bayang-Bayang

Gelap Terang Bayang-Bayang

Dark Spiritual Nusantara Hip Hop, 72 BPM, Dusty Boom Bap Drums, Deep Warm 808 Bass, Dark Vintage Acoustic Guitar, Haunting Orchestral Strings, Analog Tape Saturation, Old Cassette Texture, Vinyl Crackle, Tape Hiss, Lo-Fi Noise, Cinematic Ambient, Minimal Piano Motifs, Ethereal Vocal Pads, Warm Mono-To-Stereo Vintage Mix, Male Calm Spiritual Voice, Deep Poetic Rap With Natural Breathing, Dense Internal Rhymes, Conscious Storytelling, Instrumental Breakdowns, Mystical Nusantara Atmosphere, Reflective And Repentant Mood, Smooth Head-Nodding Groove, Soulful And Haunting Melody, Timeless 90s Cassette Sound, No EDM Synths, No Heavy Autotune, No Aggressive Trap, Warm Analog Compression, Slight Tape Wow And Flutter, Vintage Radio Character.

Will And Drew

Will And Drew

Children's singalong with bouncy acoustic guitar, handclaps, and simple stomp rhythm; verse-one starts with a playful travel tale, pre-chorus narrows to rising questions, chorus bursts into a chanty hook with group shouts and nursery-rhyme repetition. Add xylophone fills between lines, comic slide-whistle accents for each animal reveal, and a bright close-mic lead with kids’ gang vocals on the hook. Clean, colorful, and front-row cheerful.

چھوٹا چوہا

چھوٹا چوہا

Children’s folk-pop in a gentle lilting 6/8 with handclaps and brushed percussion; verse stays sparse with acoustic plucks and close storytelling, pre-chorus lifts with soft harmonies and a rising flute, chorus blooms with group vocals on the anchor phrase. Warm male and female vocals with tender doubles, playful call-and-response, tiny bell accents between lines, and a cozy, bright mix with storybook clarity.

Dari Zulumat Ke Nur

Dari Zulumat Ke Nur

Nusantara Poetic Hip Hop, 74–78 BPM, cinematic boom bap with subtle trap hi-hats, deep warm 808 bass, vintage acoustic guitar, emotional orchestral strings, warm analog texture, vinyl crackle, nostalgic 70s Malay music influence, female lead vocal with soft vintage tone, graceful vibrato, elegant traditional Malay phrasing, airy layered harmonies, male poetic rap with clear rhythmic flow, dense internal rhymes, philosophical storytelling, conscious hip hop energy, instrumental breaks, cinematic ambience, warm stereo mix, intimate vocal presence, timeless Nusantara atmosphere, minimalist but impactful production, soulful and haunting melody, no aggressive delivery, no EDM synths, no heavy autotune.

سودھا خاندان

سودھا خاندان

Urdu devotional pop ballad with mid-tempo sway and warm dholak groove; verse rides intimate acoustic guitar and soft harmonium, pre-chorus lifts with claps and rising strings, chorus blooms with stacked male/female harmonies and group responses. Lead vocal stays close-mic and emotional with gentle doubles, short delay throws on names, and a few airy risers into each chorus. Bright, polished, heartfelt mix with a celebratory family feel.

तेरी मुस्कान

तेरी मुस्कान

Bollywood romantic pop ballad with a steady mid-tempo sway, हल्का percussion and warm acoustic guitar under lush strings; verse stays intimate and close-mic, pre-chorus opens with rising harmonies, chorus blooms with stacked female lead and soft gang echoes. Add reversed swell into chorus, delicate piano fills between lines, and a final lift with handclaps. Bright, polished, emotional mix.

Zion

Zion

Mashup 2: The "Earthy Beach-Soul & Silky Harmony" Crossover • The Mix: Mishka + Sons of ZionWhat it sounds like: A sun-soaked, highly melodic road-trip classic. Mishka commands the verses with his rugged, deep, and breathy acoustic baritone, giving the storytelling lines an honest, campfire intimacy. The split second the chorus drops, the track opens up into the silky smooth R&B lead tenors and massive, soaring festival harmonies of Sons of Zion.Best for: A 76 BPM relaxed country-roots bounce with clean acoustic guitar strumming and a warm woody bassline. • The Mix: Stick Figure + Samory IWhat it sounds like: A massive, atmospheric masterpiece. The instrumental track is built entirely on Stick Figure's signature floating, space-heavy studio dub—full of echoing synth delays and twinkling keyboards. Scott Woodruff sets a soft, airy, comforting backdrop, but right on the verses, Samory I strikes with his raw, crying prophetic tenor. The contrast of an angelic, floating digital dub.

Blues

Blues

Classic Korean ballroom "blues" dance instrumental inspired by 1980s–1990s dance halls, slow romantic tempo (70–75 BPM), expressive tenor saxophone lead, warm Rhodes electric piano, clean electric guitar, subtle strings, soft brushed drum kit, acoustic bass, nostalgic, sentimental, elegant, smooth groove, perfect for slow partner dancing, no vocals, cinematic high-fidelity production.

PROMPT 3.1— Rain After Summer (Livre)

PROMPT 3.1— Rain After Summer (Livre)

Warm melodic Brazilian Jazz blending lyrical flugelhorn, elegant Rhodes piano, nylon guitar and sophisticated Latin percussion. Rich jazz harmony, expressive melodies, cinematic atmosphere, smooth samba-jazz grooves, tropical easy listening, vintage analog warmth, spacious stereo imaging, natural room ambience, refined orchestration, organic dynamics, timeless instrumental storytelling with bright coastal energy and relaxed sophistication. Flugelhorn as the primary melodic voice, supported by Fender Rhodes, acoustic piano, nylon-string guitar, upright and electric bass, vibraphone, brushed drum kit, congas, bongas, shaker, maracas, tamborim and subtle orchestral textures. Warm analog recording, natural room ambience, gentle plate reverb, wide stereo field, expressive dynamics, clean vintage jazz production with rich harmonic detail.

شواطئ دجلة

شواطئ دجلة

Arabic pop-folk with buoyant mid-tempo groove and hand percussion, verse stays warm and inviting with oud, acoustic guitar, and soft claps; pre-chorus lifts with rising group vocals and a quick drum build; chorus opens wide with stacked harmonies and chantable family-friendly hook. Use short lead phrases, call-and-response backing vocals, a few delay throws on the farm name, and sparkling transition fills like darbuka rolls and airy synth chimes. Bright, polished, festive mix with a natural outdoor feel.

Even more powerfuler now

Even more powerfuler now

Instrumental only. target runtime approximately three minutes.Dark aggressive relentless duel between a monstrous distorted bass guitar and a sharp high gain electric guitar. Bass is evil, low tuned, growling with heavy slap, slides, sub bass rumble, and crushing groove dominance. Guitar is fast, melodic, tense, with shredding precision, harmonics, and cutting leads. Call and response battle escalating each round. Bass grows heavier and more oppressive, more dominating, overpowering the mix with deeper tones and relentless rhythm. Guitar fights back with rapid solos and chaotic begins to lose ground. Final section bass completely dominates, swallowing the guitar in massive low end, crushing grooves, and dark overwhelming force. Style extreme blackened death metal, ultra heavy drums, double kick, triple kick, double time blast beats, pounding tom and snare rolls 210-220 BPM, intense dark atmosphere, no vocals.relentless four minute track runtime

Kratos the god of dissing

Kratos the god of dissing

A Greek/greece back beat for a rap song, soundtrack, choral, trap

Tronen

Tronen

Aggressiv och sorglig gangsterrapp

Ingen kung utan krig

Ingen kung utan krig

Aggressiv och sorglig gangsterrapp

Kratos the god of dissing

Kratos the god of dissing

A Greek/greece back beat for a rap song, soundtrack, /harp, choral, trap

från askan

från askan

Aggressiv och sorglig gangsterrapp

Gelap Terang Bayang-Bayang

Gelap Terang Bayang-Bayang

Nusantara Hip-Hop with cinematic orchestral elements. The track features a male rapper with a rhythmic, percussive flow and a female vocalist providing melodic, ethereal hooks. Instrumentation includes a grand piano playing minor-key arpeggios, a lush string section with sustained violins and cellos, and a boom-bap inspired drum kit with a heavy kick and crisp snare. A deep synth bass provides low-end weight. Turntable scratches are used as transitions. The arrangement alternates between sparse, piano-driven verses and dense, orchestral choruses. Key of C minor, 90 BPM.

Luz de la Noche Rebelde

Luz de la Noche Rebelde

Punky, Rap, hip hop, percussion, drum and bass, electronic, orchestral, trip hop, xylophone, grunge, woodwinds, banjo female/vocals young singer voice with the sound of the song on the radio in the background and the sound is the same as the Mon Laferte version voice

Gelap Terang Bayang-Bayang

Gelap Terang Bayang-Bayang

Indonesian Hip-Hop With Cinematic Orchestral Elements. The Track Features A Male Rapper With A Rhythmic, Percussive Flow And A Female Vocalist Providing Melodic, Ethereal Hooks. Instrumentation Includes A Grand Piano Playing Minor-Key Arpeggios, A Lush String Section With Sustained Violins And Cellos, And A Boom-Bap Inspired Drum Kit With A Heavy Kick And Crisp Snare. A Deep Synth Bass Provides Low-End Weight. Turntable Scratches Are Used As Transitions. The Arrangement Alternates Between Sparse, Piano-Driven Verses And Dense, Orchestral Choruses. Key Of C Minor, 90 Bpm.

Ich hör, was keiner sagt.

Ich hör, was keiner sagt.

Dramatische deutschsprachige Ballade über Erkenntnis, Isolation und veränderte Wahrnehmung. Struktur: Strophe, Refrain, Strophe, Refrain, Outro. Sehr emotional, tief, ernst und filmisch. Thema: Eine Person erkennt immer feiner die Zwischentöne in Stimmen, Blicken und Worten. Sie hört, was andere nicht sagen, spürt subtile Brüche im Ton, falsche Wärme, versteckte Absichten und kleine Risse in Fassaden. Diese Erkenntnis macht sie nicht überlegen, sondern einsam, weil sie sich dadurch von der Gesellschaft getrennt fühlt. Stimmung: melancholisch, dramatisch, verletzlich, nachdenklich, innerlich angespannt. Sound: langsame Piano-Ballade mit dunklen Streichern, dezenter Atmosphäre, viel Raum, später größer werdender Refrain. Vocal Style: gefühlvolle männliche Stimme, warm, rau, verletzlich, erst fast gesprochen und leise, im Refrain groß, schmerzhaft und getragen. Kein harter Rap, keine Ironie, keine Comedy. Ausdruck: poetisch, ernst, seelisch, mit starker Dramaturgie.

Papa Upa Radio

Papa Upa Radio

Latin trap with dembow-leaning percussion and a bouncy half-time bounce; verse rides sparse kicks, handclaps, and a plucky synth riff, pre-chorus tightens with risers and chant layers, chorus hits with stacked gang vocals and a punchy brass stab. Lead vocal is gritty and close-mic with doubled hook lines, ad-libs panned wide, tape-stop flips, and a glossy, bright club mix.

Lukewarm Hot Dogs in the Car Dealership Parking Lot

Lukewarm Hot Dogs in the Car Dealership Parking Lot

Laid-back, luxurious but gritty hip-hop. Smooth, chopped soul sample beat over crisp, mid-tempo boom-bap drums. The vocal delivery should be a relaxed, conversational, slightly cynical rap flow, sprinkled with dry humor and ad-libs. Reminiscent of a Griselda, Larry June, or Freddie Gibbs track. Include a jazzy bassline, atmospheric rain sound effects in the background, and a slow, bluesy saxophone loop to emphasize the gloomy, rainy holiday mood contrasting with the celebratory concept. Clean production with a raw, underground street-rap aesthetic.

Fenêtres Ouvertes

Fenêtres Ouvertes

Afro-trap festive with bouncy dembow-leaning drums, syncopated claps, and a warm sub pulse; verse stays loose and percussive, pre-chorus lifts with filtered choir pads and handclap stacks, chorus opens wide with chantable gang vocals and a bright lead melody. Add reverse swells into hooks, little crowd shouts on the downbeat, and a glossy, sunlit mix with crisp top-end and thick low end.

Вперёд Без Паузы

Вперёд Без Паузы

Russian chanson-rap with a stomping mid-tempo groove, swung drums and gritty accordion phrases over punchy sub hits; verses ride sparse kick, snapped clap, and tense plucked bass, pre-chorus strips to handclaps and a rising vocal chant, chorus opens with singable gang doubles and a tougher drum lift. Add tape-stop turns, reverse cymbal swells, and a short accordion turnaround. Mix is bright, hard-edged, and radio-loud with an intimate lead vocal.

Только Вперёд

Только Вперёд

Russian chanson-rap with a driving mid-tempo swing, hard-hitting kick-snare and dusty accordion phrases in the verses; rap sections stay tight and rhythmic, pre-chorus strips to bass, handclaps, and a rising chant, chorus opens with sung gang harmonies and a gritty hook. Add short reverse swells into transitions, vinyl crackle under the intro, and a brief accordion fill before the final lift. Vocal delivery alternates between rough close-mic rap and open-throated choruses, with punchy, bright, radio-ready mix and an edge-of-the-seat emotional bite.

bom dia

bom dia

"Rap gospel falado, voz feminina madura, interpretação emocionante e inspiradora, instrumental de piano, violão e batida de rap suave, clima de esperança, crescente e emocionante, cerca de 1 minuto e 40 segundos."

Только вперёд

Только вперёд

Russian hybrid chanson-rap with driving mid-tempo bounce, tough swung drums and accordion-guitar verses; verse 1 leans rough and narrative with dry spoken flow, pre-chorus strips to claps and bass pulse, chorus opens into singalong chant with stacked gang vocals, verse 2 tightens into faster rap cadences, bridge pulls back to lone voice and picked strings before a final chorus lift. Close-mic lead, gritty doubles on punch lines, short delay throws on the hook, reverse swell into the drop, bright-but-raw mix with punchy low end and street-level edge.

حروف

حروف

beatbox, saxophone, guitar, violin, Saudi drums, Saudi style, Saudi pronunciation, No screaming, trap, piano

Danysita Party

Danysita Party

Afro-latino / reggaeton ultra festif, percussions explosives, basse puissante, rythme très rapide, énergie de club, refrains répétitifs et addictifs, flow chanté-parlé, ambiance caliente, sexy, insolente et festive. Un morceau pensé pour faire danser immédiatement, avec des breaks, des “hey!”, “eh-eh!”, “dale!”, et un gimmick accrocheur autour de “Danysita”.

يا ريان يا البوت

يا ريان يا البوت

Arabic trap-pop with bouncy dembow-leaning drums and a playful chantable groove; verse rides sparse handclaps, rubbery bass, and clipped synth stabs; pre-chorus tightens with filtered risers and stacked responses; chorus hits with gang vocal doubles and a cheeky call-and-response hook. Close-mic lead vocal, lightly distorted ad-libs, quick delay throws on punchlines, neon-bright and punchy mix with playful ear-candy fills.

Echoes Between Lines

Echoes Between Lines

Modern Turkish Arabesk cinematic pop ballad with subtle Middle Eastern influence and infectious emotional groove. Powerful deep emotional male vocal with intimate verses, expressive chest resonance, high octave chorus, controlled vibrato, long sustained notes, soulful vocal ornamentation, tasteful ad-libs and dramatic emotional delivery. Short unforgettable hook, clear verse-pre-chorus-chorus structure, catchy repeated chorus. Emotional piano, large symphonic strings, warm analog synths, ambient electric guitar, deep driving 808 bass, groovy bassline, punchy modern drums, rhythmic percussion, delicate oud textures, soft ney accents and elegant Arabic-inspired melodic phrases blended into a premium international sound. Dynamic, addictive, emotional yet powerful. Dramatic cinematic atmosphere with luxurious production. Avoid generic melodies, slow dragging arrangements, cliché progressions, trap-heavy production and overlong choruses. 104 BPM, A Minor.

By Mistake

By Mistake

Hip-hop trap with a swaggering half-time bounce, crisp hats and rubbery sub-bass; verse rides sparse drums and tight low-end, pre-chorus opens with filtered chords and rising vocal stacks, chorus hits with gang doubles on the anchor phrase and a chopped sample stab. Ad-lib puns, short delay throws on key words, reverse swells into each drop, glossy and hard-edged mix with big center vocal.

متور دوكر اس

متور دوكر اس

Levantine pop-rap with a driving mid-tempo groove, syncopated percussion, booming handclaps, and a playful streetwise bounce; verse rides sparse kick, bass, and finger snaps, pre-chorus tightens with rising synth tension, chorus opens with stacked gang vocals and a chantable hook. Lead vocal is close-mic and conversational with doubled hook lines, short delay throws on key phrases, and ad-lib shouts between bars. Ear candy includes engine rev samples, reverse swells into the chorus, and a final lift with crowd-style shouts. Bright, punchy mix with a gritty urban edge.

Alma rota

Alma rota

Trap urbano español sucio aflamencado con una base de violín y piano con una voz rasgada de las que te roza el alma

Echoes Between Lines

Echoes Between Lines

Modern R&B Gospel Pop anthem with cinematic emotion, infectious groove and subtle Middle Eastern influence. Powerful emotional male vocal with intimate breathy verses, expressive chest voice, high-octave soaring chorus, layered harmonies, tasteful ad-libs, soulful vocal runs, resonant tone and controlled vibrato. Short unforgettable hook, clear verse-pre-chorus-chorus structure, catchy repeated chorus. Gospel choir, gospel organ, emotional piano, lush cinematic strings with subtle Hijaz-inspired melodies, warm analog synths, ambient guitar, deep driving 808 bass, groovy bassline, punchy hip-hop drums and rhythmic percussion. Delicate oud textures, soft ney accents and elegant Middle Eastern vocal ornaments blended naturally into a premium international sound. Dynamic, addictive, emotional yet danceable. Avoid slow ballads, generic pop melodies, cliché progressions, trap-heavy production and long choruses. 104 BPM, A Minor.

Echoes Between Lines

Echoes Between Lines

Modern R&B Gospel Pop anthem with cinematic emotion, infectious groove and subtle Middle Eastern influence. Powerful female mezzo-soprano diva with breathy verses, expressive chest voice, soaring belted chorus, layered harmonies, tasteful ad-libs, soulful vocal runs and controlled vibrato. Short unforgettable hook, clear verse-pre-chorus-chorus structure, catchy repeated chorus. Gospel choir, gospel organ, emotional piano, lush cinematic strings with subtle Hijaz-inspired melodies, warm analog synths, ambient guitar, deep driving 808 bass, groovy bassline, punchy hip-hop drums and rhythmic percussion. Delicate oud textures, soft ney accents and elegant Middle Eastern vocal ornaments blended naturally into a premium international sound. Dynamic, addictive, emotional yet danceable. Avoid slow ballads, generic pop melodies, cliché progressions, trap-heavy production and long choruses. 104 BPM, A Minor.

Gridiron Overture

Gridiron Overture

Symphonic hip-hop instrumental with 92 BPM swung drums, smooth cowbell, deep sub hits, and a marching snare backbone; verse sections ride sparse piano, low strings, and muted brass; chorus swells with full orchestra stabs, timpani rolls, and halftime drum lifts; bridge drops to solo cello and field-echo pads before final surge. Wide, cinematic, punchy mix with crisp low end and heroic brass bloom., smooth, rap, somber, football, hip hop, uplifting

War inside me

War inside me

ompt: "A heavy, slow-burning Southern Trap Blues track at 70 BPM. Focus on a dark, swampy atmosphere with a slow, distorted 808 bassline and a crisp, rattling hi-hat pattern. Layer a melancholic, slightly out-of-tune slide guitar riff over a clean electric blues progression. The vocals should be raw, gritty, and deeply expressive, sitting perfectly in a spacious, reverb-heavy mix that feels both intimate and haunting."

Babi Bangsat Monyet

Babi Bangsat Monyet

Aggressive Indonesian drill-rap with bleak half-time bounce, rattling hi-hats and a cavernous 808 glide; verse rides tense and clipped, pre-chorus tightens with shouted stack-ups, chorus hits with gang-vocal repetition and a nasty stop-start cadence. Vocal delivery is snarled and close-mic with doubled ad-libs, delay throws on the last word, and a filtered break before the drop. Ear candy includes siren risers, reversed impacts, and a brief bass cut into the hook. Mix is dark, punchy, and upfront.

War inside me

War inside me

🎸 Style: Jelly Roll × Struggle Jennings × Upchurch with swampy slide guitar, 808s that rattle the tailgate, a mournful harmonica, and a choir creeping in on the last chorus. Equal parts backwoods confession and late-night redemption. The kind of song you blast on a dirt road because therapy closes at five and speakers don't.

DeadHour „“ hill

DeadHour „“ hill

night Rap Dark Rap Song trap R&B Flow, trance

Ilary Vuole Tutto

Ilary Vuole Tutto

Italian trap with mid-tempo bounce, punchy kick-hat programming, sliding sub-bass, and a percussive groove that stays tense in the verses; pre-chorus strips to handclaps and a filtered synth pulse, then the chorus lands with stacked doubles, gang shouts on the hook, and short delay throws on the last word. Thin risers, reverse hits, and a glossy, hard-edged mix

Fire & Ice Echoes

Fire & Ice Echoes

Emotional indie rock female /vocal

Fire & Ice Echoes

Fire & Ice Echoes

Emotional indie rock

Cold coffee in the morning

Cold coffee in the morning

Ballad, male /vocals, young singer Trobador voice grave, obscure, sucks, tomcat, vocals punk, rock, guitars, middle tempo, drum and bass, instrumental, electrónica, strings

Riot in the Streets

Riot in the Streets

Ballad, male /vocals, young singer Trobador voice grave, obscure, sucks, tomcat, vocals punk, rock, guitars, middle tempo, drum and bass, instrumental, electrónica, strings

Eclipse of the Neon Rebellion

Eclipse of the Neon Rebellion

Cinematic alternative metal, electronic rock, dark synth, powerful deep male vocals, emotional and intense, heavy electric guitars, cinematic orchestral layers, industrial drums, atmospheric pads, massive choir, explosive chorus, mysterious, motivational, futuristic, high energy, polished modern production.

Girl

Girl

drum and bass, keyboard hard rock

Iconic by Accident

Iconic by Accident

upbeat modern pop-rock, driving drums, distorted guitar riffs, anthem-like energy, confident male vocals, catchy chorus

 عشق

عشق

hard rock

Burn Oven Bradley

Burn Oven Bradley

Novelty pop-rock with bouncy midtempo stomp, clipped handclaps, rubbery bass, and playful guitar stabs; verse rides sparse drums and a chanty bassline, pre-chorus lifts with stacked "ohhh" vocals and a rising snare roll, chorus hits with gang shouts and a sing-back hook. Lead vocal is close-mic and cheeky with doubled chorus lines, plus delay throws on the shouted name. Add a kettle squeal, oven-door slam, and a tiny reverse swell into each chorus. Bright, punchy, cartoon-clean mix.

Mosel Ufer Rock

Mosel Ufer Rock

Punk, Rock, Iron Maiden

Gravity

Gravity

Genre: Cinematic Pop × Emotional EDM × Alternative Rock Tempo: 124 BPM Key: D Minor → F Major (final lift) Vocals: Deep emotional male lead with layered harmonies and a powerful anthem-style chorus Instruments: Grand piano, cinematic strings, electric guitar, synth bass, atmospheric pads, taiko drums, live toms, modern EDM percussion, choir, reverse effects, wide ambient textures Mood: Inspiring, uplifting, powerful, emotional, cinematic, victorious Reference style: Epic cinematic pop with massive choruses, organic instruments blended with modern electronic production, soaring emotional energy suitable for stadium performances and motivational videos

Uferrock Revolt

Uferrock Revolt

Punk, Rock, Iron Maiden

Uferrebel

Uferrebel

Punk, Rock, Iron Maiden

Uferrock Zuhause

Uferrock Zuhause

German rock anthem with driving mid-tempo four-on-the-floor drums, punchy palm-muted guitars and big bass lines; verse rides tight and conversational, pre-chorus opens with rising toms and gang shouts, chorus hits wide with stacked harmonies and shouted title hook. Add handclaps, river-ambience swells and a short guitar lift into the final chorus. Bright, anthemic, live-sounding mix with crowd-ready singalong energy.

The Warning I Didn’t Hear

The Warning I Didn’t Hear

A country rock Southern‑soul chords with a male's voice

Broken Cymbal Skies

Broken Cymbal Skies

Grunge rock with a smashed-drum intro, slow-to-mid tempo swing, sludgy downbeat push, and filthy guitar layers snarling over a huge room-kit pulse; verse rides just kick, toms, and a cracked bass grind, pre-chorus climbs with cymbal pressure and feedback, chorus slams full distortion. Reverb tails, tape hiss, reverse crash swells, wide punchy mix, raw and thunderous., raw, grunge, rock

Volando house remix  2

Volando house remix 2

House Latín pop rock rap folk melancholic

Volando house remix

Volando house remix

House Latín pop rock rap melancholic

Tattooed Fury

Tattooed Fury

Dimmbar style with goosebumps Gitarrensolo and powerful emotional breaks. Instrumente are uniform and like a rollercoster feeling, and downs Which freaks people out.EXTREMELY POWERFUL | Hardcore Punk | Street Punk | Hard Rock | Heavy Metal | Rap-Punk | 180 BPM. Massive distorted guitars, thunderous bass, fast aggressive drums. Instrumental battle: Punk vs Metal, both fighting with different riffs and rhythms. Explosive transitions. Huge goosebump breakdowns with silence before impact. Emotional clean melodies explode into angry screams. Furious rap verses, raw punk vocals, brutal metal screams. Epic guitar solo intensive, Tremolo creative and powerful, emotional lead solo, crushing bass break, double kick assault. Sad, serious, angry, desperate,

Blitzkälte – Riff des Untergangs

Blitzkälte – Riff des Untergangs

Dimmbar style with goosebumps Gitarrensolo and powerful emotional breaks. Instrumente are uniform and like a rollercoster feeling, and downs Which freaks people out.EXTREMELY POWERFUL | Hardcore Punk | Street Punk | Hard Rock | Heavy Metal | Rap-Punk | 180 BPM. Massive distorted guitars, thunderous bass, fast aggressive drums. Instrumental battle: Punk vs Metal, both fighting with different riffs and rhythms. Explosive transitions. Huge goosebump breakdowns with silence before impact. Emotional clean melodies explode into angry screams. Furious rap verses, raw punk vocals, brutal metal screams. Epic guitar solo, emotional lead solo, crushing bass break, double kick assault. Sad, serious, angry, desperate, Gitarre mit Tremolo

Blitzkälte – Riff des Untergangs

Blitzkälte – Riff des Untergangs

Dimmbar style with goosebumps Gitarrensolo and powerful emotional breaks. Instrumente are uniform and like a rollercoster feeling, and downs Which freaks people out.EXTREMELY POWERFUL | Hardcore Punk | Street Punk | Hard Rock | Heavy Metal | Rap-Punk | 180 BPM. Massive distorted guitars, thunderous bass, fast aggressive drums. Instrumental battle: Punk vs Metal, both fighting with different riffs and rhythms. Explosive transitions. Huge goosebump breakdowns with silence before impact. Emotional clean melodies explode into angry screams. Furious rap verses, raw punk vocals, brutal metal screams. Epic guitar solo, emotional lead solo, crushing bass break, double kick assault. Sad, serious, angry, desperate

Volando house

Volando house

House Latín pop rock rap melancholic

Eclissi d’Amore Neon

Eclissi d’Amore Neon

Explosive romantic syntetic love 90's pop upbeat. Trance. Soft rock Two voices: Voice man rough emotional emotive; Voice woman very sweet incredible modulation tone and voice.

Ritmo de Esperanza Eterna

Ritmo de Esperanza Eterna

electronic, dubstep, hard rock, mariachi

Ecos de Luz

Ecos de Luz

hard rock, ambient

DONDE EMPIEZAN LOS SUEÑOS

DONDE EMPIEZAN LOS SUEÑOS

Pop Rock infantil energético con fusión de coros infantiles, percusión viva, guitarras brillantes, palmadas rítmicas y energía explosiva. Tempo rápido entre 145 y 155 BPM. Sonido alegre, fresco, emocionante y festivo con esencia escolar y espíritu de graduación. Inspirado en atmósferas de pop juvenil moderno con influencias de k-pop infantil, hooks pegajosos, cambios dinámicos, coros grupales poderosos y momentos de respuesta colectiva. Voces infantiles claras, coros enérgicos y frases icónicas integradas como “Guys… Teacher!” y “Six-Seven” como sello del grupo. Ambientación emocional que combine nostalgia, celebración, amistad y futuro. Incluir pequeñas referencias juguetonas al “Rancho” como símbolo de identidad. Sensación de himno de generación, con explosión final de alegría, aplausos, risas y celebración máxima. Regionalizado con esencia cálida de Tlajomulco, Jalisco, con espíritu mexicano alegre y familiar.

Niemals macht der Stoff Sinn

Niemals macht der Stoff Sinn

vocal style reference: "suicidal" "Sadness" "mindbroken" "speechless" "hatred" "sober" "Screaming to Devil" "heartless" "godless" "loveless" "lonelyness" and "dying" melancholic suicidal symphony with Full Force Hate Power of Voice, gritty distorted guitars and heavy verses that stays ghosted and hated, stays cramped and bare, pre-chorus opens with swelling rolls and no harmony, full hate, chorus hits with wide power chords and screamed doubles. Intimate wide-mic lead in verses, cracked backing vocals on hook words, reverse, forwarded and spiraled swell into each chorus, tape hiss and distant room bloom, heavy and raw mix with claustrophobic low end., emo, rock, emotional, [Massive Choir] [Crowd Chanting] [Hardcore Suicide Emo Sounds]

Eine Nacht

Eine Nacht

vocal style reference: "suicidal" "Sadness" "mindbroken" "speechless" "hatred" "sober" "Screaming to Devil" "heartless" "godless" "loveless" "lonelyness" and "dying" melancholic suicidal symphony with Full Force Hate Power of Voice, gritty distorted guitars and heavy verses that stays ghosted and hated, stays cramped and bare, pre-chorus opens with swelling rolls and no harmony, full hate, chorus hits with wide power chords and screamed doubles. Intimate wide-mic lead in verses, cracked backing vocals on hook words, reverse, forwarded and spiraled swell into each chorus, tape hiss and distant room bloom, heavy and raw mix with claustrophobic low end., emo, rock, emotional, [Massive Choir] [Crowd Chanting] [Hardcore Suicide Emo Sounds]

Toată Creația

Toată Creația

Christmas carol, x mass, Classic Pop and soft rock, modern vibes, no folk influences, snare,

Toată Creația

Toată Creația

Classic Pop and soft rock, modern vibes, no folk influences, snare,

Melodic

Hymne der ewigen Vereinigung

Hymne der ewigen Vereinigung

Compose an original Romantic-era orchestral wedding march in the spirit of 19th-century German classical music. Feature a bright, ceremonial opening led by trumpets and horns, supported by full strings, woodwinds, timpani, and rich orchestral harmonies. Write a memorable, uplifting main theme with elegant counterpoint, graceful melodic phrasing, and noble rhythmic momentum. Develop the music through warm, romantic variations, expressive modulations, and a grand, emotionally satisfying climax before concluding with a brilliant, festive orchestral finale. The music should evoke dignity, joy, love, and timeless celebration while remaining entirely original and avoiding any direct quotation, replication, or close imitation of existing copyrighted compositions.

Last Ca

Last Ca

Max Martin’s latest Top 40 masterpiece relies on flawless melodic math and explosive hooks. Driven by a heavy, pumping side-chained synth bass and an ultra-compressed four-on-the-floor kick, the rhythm sets an immediate, unstoppable club groove. The vocals are hyper-polished, utilizing tight pitch correction and stacked multi-octave backing harmonies that create a massive wall of sound. Glistening retro-80s pads build tension during the pre-chorus, leading into a sudden, explosive chorus drop.The verses employ a strict, minimalist arrangement, stripping back the instrumentation to just the driving bassline and crisp claps to give the vocals complete center stage. Meticulously designed white-noise risers, sub-drops, and sharp transient sweeps seamlessly pull the listener through calculated transitions. It is mathematically optimized pop perfection, crafted cleanly under three minutes to conquer streaming metrics and dominate global radio waves.

라디오 하나

라디오 하나

Retro Korean synth-pop, 1980s new wave, analog synthesizers, vintage drum machine, sparkling synth arpeggios, warm chorus pads, melodic synth bass, catchy hook chorus, nostalgic childhood memories, family warmth, bright female vocal, dreamy retro atmosphere, upbeat groove, cinematic nostalgia, polished modern production, emotional yet uplifting mood.

Top Shelf Life

Top Shelf Life

Early 2010s Frat Rap, Party Hip-Hop, 90 BPM, F# minor, 4/4 straight groove, syncopation density medium, pocket tight, bright detuned arpeggiated synth (chiptune), warm sustained synth pad, punchy deep kick, crisp tight snare, tight closed hi-hats (8th-note), layered clap, deep resonant synth bass, pitched-up chipmunk vocal samples (melodic hook), male tenor youthful energetic conversational delivery, spoken word, approximate range C3-F4 for melodic phrases, confident braggadocious tone, heavily compressed, consistent loudness, minimal dynamic variation, dry upfront vocals, subtle digital room/plate reverb (0.8-1.2s), subtle slapback delay, subtle doubling, subtle pitch correction, moderate compression, de-essing, high-pass filtering, wide stereo field, panned synths/samples, centered drums/bass, moderate depth, balanced with slight mid-range emphasis, full warm bass, forward mids, bright clear high-mids, crisp highs, playful confident celebratory carefree mischievous mood, high energy

Natalie Abroad

Natalie Abroad

Afrohouse with tribal percussion and Arabic-flamenco melodic touches, driving four-on-the-floor groove; verse rides hand drums, frame claps, and a dry plucked motif, pre-chorus opens with rising qanun lines and filtered crowd shouts, chorus hits with wide synth stabs, deep kick, and sung hook doubles. Lead vocal is intimate and smoky with stacked harmonies, airy ad-libs, and short delay throws on Natalie’s name. Ear candy includes reversed oud swells, desert-riser shimmers, and a brief breakdown of hand percussion before the final lift. Bright, punchy, and cinematic with a warm low end., emotional, sad, flamenco

ماذا دهاك؟

ماذا دهاك؟

Arabic Pop Rock, emotional male vocal, powerful chorus, catchy melodies, expressive verses, modern production, punchy drums, driving bass, melodic electric guitar, subtle oriental touches, radio-ready sound

عطر الغيوم المفقودة

عطر الغيوم المفقودة

Arabic Alternative Pop, expressive emotional male vocal, dark romantic atmosphere, rhythmic melodic flow, addictive hook, modern electronic textures, deep bass groove, crisp percussion, subtle oriental accents, polished commercial production, emotionally powerful chorus, radio-ready sound

منار يا أم حمودي

منار يا أم حمودي

Arabic pop ballad with soft dabke pulse and warm mid-tempo sway; verse stays intimate with lightly strummed oud, hand percussion, and tender melodic lifts; pre-chorus opens with rising claps and a suspended pad; chorus lands bigger with stacked female harmonies, chantable group responses, and a clean drum bounce; bridge pulls down to voice and percussion before a final fuller chorus. Close-mic lead vocal, gentle doubles on the hook, bright and heartfelt mix with a few airy transitional fills.

Echoes Between Lines

Echoes Between Lines

Modern R&B Gospel Pop anthem with cinematic emotion, infectious groove and subtle Middle Eastern melodic flavor. Powerful female mezzo-soprano diva with breathy verses, expressive chest voice, soaring emotional chorus, layered harmonies, soulful vocal runs, tasteful ad-libs and controlled vibrato. Short unforgettable hook, clear verse, pre-chorus and catchy repeated chorus. Gospel choir, gospel organ, emotional piano, cinematic strings, warm analog synths, ambient guitar, deep driving 808 bass, groovy bassline, punchy modern drums and rhythmic percussion. Add delicate oud, soft ney and elegant Arabic-inspired vocal ornamentation blended naturally into a premium international pop sound. Dynamic, addictive, emotional yet danceable. Avoid slow ballads, generic melodies, trap-heavy production and long choruses. 104 BPM, A Minor.

ألحان الروحِ الباهتة

ألحان الروحِ الباهتة

intimate romantic arabic ballad, authentic natural saudi dialect only, soft warm expressive male vocals filled with deep love, tenderness and genuine affection, sing with natural romantic emotion and gentle heartfelt delivery as if speaking lovingly to someone very close, beautiful acoustic piano, expressive solo violin, warm acoustic guitar, subtle cello, soft orchestral strings, light brushed percussion, melody should feel intimate, elegant, dreamy, emotionally captivating and beautifully romantic, rich emotional dynamics, memorable melodic hook, luxurious modern acoustic production, no sadness, no aggressive pop, no heavy autotune, no oud

الشاب سفيان

الشاب سفيان

Raï-pop with driving darbuka, handclaps, and a bouncy synth bass line; verse rides a lean groove with dry percussion and melodic callouts, pre-chorus strips to voice and frame drum, chorus opens with stacked doubles and bright accordion-like synth stabs. Add reversed swells into each lift, a quick snare fill before the hook, and short delay throws on the name phrase. Mix is glossy, punchy, and street-bright with intimate lead vocals and warm crowd-style gang responses.

Пепел под кожей

Пепел под кожей

Russian post-punk with driving bass ostinato and taut drum machine pulse; verse rides a dry, close-mic baritone with clipped phrases, pre-chorus opens into rising harmony stacks, chorus hits with wide gang doubles and a melodic shout hook. Add reversed cymbal swells, distant guitar scrape transitions, and a short filtered break before the final chorus. Mix is cold, punchy, and forward with gritty low mids.

Sombra de Adela

Sombra de Adela

Modern Electronic House, Dance, 126 BPM. Powerful female Spanish lead vocal with confident attitude and emotional expression. simple, memorable, flowing, romantic and instantly singable, built from short melodic phrases with natural stepwise movement and a strong call-and-response character. Energetic four-on-the-floor groove, deep sidechained bass, driving percussion, congas, shakers, timbales, modern synth plucks, powerful supersaw leads, subtle nylon guitar and occasional trumpet accents. Huge festival drops, emotional breakdowns, wide stereo image, commercial club production, radio-ready mastering, warm summer atmosphere, catchy hooks and unforgettable chorus. Traditional Mexican character reimagined as a modern international Electronic House anthem. Melodie Style, " ey Adelita "

Fuego de Adelita

Fuego de Adelita

Modern Electronic House, Dance, 126 BPM. Powerful female Spanish lead vocal with confident attitude and emotional expression. The melody should evoke the feeling of a traditional Mexican folk song: simple, memorable, flowing, romantic and instantly singable, built from short melodic phrases with natural stepwise movement and a strong call-and-response character. Energetic four-on-the-floor groove, deep sidechained bass, driving percussion, congas, shakers, timbales, modern synth plucks, powerful supersaw leads, subtle nylon guitar and occasional trumpet accents. Huge festival drops, emotional breakdowns, wide stereo image, commercial club production, radio-ready mastering, warm summer atmosphere, catchy hooks and unforgettable chorus. Traditional Mexican character reimagined as a modern international Electronic House anthem. Melodie Style, " ey Adelita "

Bajo el Sol de Adelita

Bajo el Sol de Adelita

Modern Electronic House with strong Latin and Mexican influences, 126 BPM. Powerful female Spanish lead vocal with confident attitude and emotional expression. The melody should evoke the feeling of a traditional Mexican folk song: simple, memorable, flowing, romantic and instantly singable, built from short melodic phrases with natural stepwise movement and a strong call-and-response character. Energetic four-on-the-floor groove, deep sidechained bass, driving percussion, congas, shakers, timbales, modern synth plucks, powerful supersaw leads, subtle nylon guitar and occasional trumpet accents. Huge festival drops, emotional breakdowns, wide stereo image, commercial club production, radio-ready mastering, warm summer atmosphere, catchy hooks and unforgettable chorus. Traditional Mexican character reimagined as a modern international Electronic House anthem. Melodie Style, traditionell mexico " ey Adelita "

كيفك باسل

كيفك باسل

Arabic pop-R&B with a laid-back midtempo groove, swung percussion and warm synth bass; verse stays intimate with minimal keys and finger snaps, pre-chorus opens into stacked harmonies and rising pads, chorus lands with a hooky melodic chant and handclaps. Lead vocal is close-mic and emotional with soft doubles, delay throws on key words, and light ad-libs answering the hook. Ear candy includes reversed swells, a brief filtered break before each chorus, and glossy top-line shimmer. Mix is warm, polished, and radio-ready.

Sufletul Meu Te Cântă

Sufletul Meu Te Cântă

Joyful Romanian worship pop with dancing swing, upbeat mid-tempo groove, saxophone carrying the main melodic riff, verse stays light with bass, acoustic piano and handclaps, pre-chorus lifts with rising backing vocals, chorus opens wide with layered harmonies and gospel shouts. Lead vocal is warm and close, with doubled choruses, short delay throws on key words, ad-libs panned in the outro. Add sparkling sax fills between lines, a brief lift before each chorus, and a bright, polished mix with punchy drums and glowing reverb.

PROMPT 3 — Rain After Summer (Livre)

PROMPT 3 — Rain After Summer (Livre)

Warm melodic Brazilian Jazz blending lyrical flugelhorn, elegant Rhodes piano, nylon guitar and sophisticated Latin percussion. Rich jazz harmony, expressive melodies, cinematic atmosphere, smooth samba-jazz grooves, tropical easy listening, vintage analog warmth, spacious stereo imaging, natural room ambience, refined orchestration, organic dynamics, timeless instrumental storytelling with bright coastal energy and relaxed sophistication. Flugelhorn as the primary melodic voice, supported by Fender Rhodes, acoustic piano, nylon-string guitar, upright and electric bass, vibraphone, brushed drum kit, congas, bongas, shaker, maracas, tamborim and subtle orchestral textures. Warm analog recording, natural room ambience, gentle plate reverb, wide stereo field, expressive dynamics, clean vintage jazz production with rich harmonic detail.

Wrong House Wrong Night

Wrong House Wrong Night

Pop-punk with a driving four-on-the-floor kick, crunchy palm-muted guitars, and fast snare cracks; verse rides tight and awkward, pre-chorus strips to bass and gang chants, chorus hits wide with shouted doubles and a sticky melodic hook. Add reverse cymbal swells into each lift, a tiny glass-shatter hit before the drop, and a last-chorus handclap stack. Bright, punchy, and messy-funny in the mix.

Wertlos Melancholich

Wertlos Melancholich

Slow Trap Soul, melancholic heartbreak anthem, 72 BPM, warm raspy male vocal, vulnerable and reflective performance, smooth melodic phrasing, soft 808 bass, minimal trap hi-hats, dreamy electric piano, subtle guitar textures, deep pads, intimate room reverb, painful but beautiful mood, emotional dependency, lost self-worth, inner conflict, slow build from broken verses to soulful hook, bittersweet outro, modern cinematic soul, late-night sadness, 3 minutes

PROMPT 2 — Rio Skyline (Livre) 01

PROMPT 2 — Rio Skyline (Livre) 01

Warm melodic Brazilian Jazz blending lyrical flugelhorn, elegant Rhodes piano, nylon guitar and sophisticated Latin percussion. Rich jazz harmony, expressive melodies, cinematic atmosphere, smooth samba-jazz grooves, tropical easy listening, vintage analog warmth, spacious stereo imaging, natural room ambience, refined orchestration, organic dynamics, timeless instrumental storytelling with bright coastal energy and relaxed sophistication. Flugelhorn as the primary melodic voice, supported by Fender Rhodes, acoustic piano, nylon-string guitar, upright and electric bass, vibraphone, brushed drum kit, congas, bongas, shaker, maracas, tamborim and subtle orchestral textures. Warm analog recording, natural room ambience, gentle plate reverb, wide stereo field, expressive dynamics, clean vintage jazz production with rich harmonic detail.

I know where I am

I know where I am

122bpm, British deep melodic house track with a grounded late-night-to-morning atmosphere, clean four-on-the-floor kick, rolling sub-bass, clipped UK garage-influenced percussion, soft filtered pads, and a restrained hypnotic groove. Close male spoken-sung vocal delivering a repetitive grounding mantra, with sparse backing vocals marked by distant child-choir textures used only as subtle emotional support, not lead. Airy vocal chops, short delay throws, reverse swells, and minimal melodic phrases create tension without overcrowding the track. Reflective, steady, quietly confident mood with a restrained euphoric lift, bass-heavy drop, stripped instrumental sections, and a DJ-friendly outro built around fragments of “where i am” and “i know, i know.”

PROMPT 1 — Tropical Morning (Livre)

PROMPT 1 — Tropical Morning (Livre)

Warm melodic Brazilian Jazz blending lyrical flugelhorn, elegant Rhodes piano, nylon guitar and sophisticated Latin percussion. Rich jazz harmony, expressive melodies, cinematic atmosphere, smooth samba-jazz grooves, tropical easy listening, vintage analog warmth, spacious stereo imaging, natural room ambience, refined orchestration, organic dynamics, timeless instrumental storytelling with bright coastal energy and relaxed sophistication. Flugelhorn as the primary melodic voice, supported by Fender Rhodes, acoustic piano, nylon-string guitar, upright and electric bass, vibraphone, brushed drum kit, congas, bongas, shaker, maracas, tamborim and subtle orchestral textures. Warm analog recording, natural room ambience, gentle plate reverb, wide stereo field, expressive dynamics, clean vintage jazz production with rich harmonic detail.

أدهم دحدوح

أدهم دحدوح

Arabic pop with a bouncy mid-tempo four-on-the-floor groove, handclaps and darbuka accents; verse rides tight kick, bass, and dry rhythm guitar, pre-chorus strips to claps and a rising synth bed, chorus opens with layered gang vocals and a short melodic lift. Lead vocal is close-mic with doubled choruses and playful ad-libs, plus reversed swells into hooks and bright chime turns. Mix is crisp, punchy, and glossy.

قلبك في نجوم الليل

قلبك في نجوم الليل

dreamy magical romantic khaleeji song, authentic natural saudi dialect only, smooth soft warm male vocals filled with deep love tenderness affection emotional warmth and genuine romantic feelings, singer must sound completely in love with soft charming intimate emotional delivery, beautiful dreamy melodic production with atmospheric ambient synth textures soft piano sparkling gentle keyboard melodies subtle emotional strings warm bass and elegant modern percussion, melody should feel magical enchanting emotionally uplifting intimate beautiful addictive and deeply romantic, listener should feel warmth butterflies emotional comfort and dreamy romantic atmosphere, modern saudi romantic music style, no sadness no aggressive pop no heavy autotune

حُبّ القمر الخفي

حُبّ القمر الخفي

dreamy magical romantic khaleeji song, authentic natural saudi dialect only, smooth soft warm male vocals filled with deep love tenderness affection emotional warmth and genuine romantic feelings, singer must sound completely in love with soft charming intimate emotional delivery, beautiful dreamy melodic production with atmospheric ambient synth textures soft piano sparkling gentle keyboard melodies subtle emotional strings warm bass and elegant modern percussion, melody should feel magical enchanting emotionally uplifting intimate beautiful addictive and deeply romantic, listener should feel warmth butterflies emotional comfort and dreamy romantic atmosphere, modern saudi romantic music style, no sadness no aggressive pop no heavy autotune

حُبّك نُور فِي لَيالي

حُبّك نُور فِي لَيالي

modern emotional romantic khaleeji song, authentic natural saudi dialect only, smooth expressive warm male vocals filled with genuine love affection tenderness emotional attachment and heartfelt happiness, singer must sound deeply in love with clear tenderness warmth softness and romantic affection in every line, sing with loving gentle emotional delivery as if talking lovingly to someone very special, beautiful clean modern melodic production with atmospheric soft synth textures warm piano layers subtle emotional strings warm bass and gentle modern drum groove, melody should feel catchy memorable dreamy emotionally uplifting beautifully romantic and full of emotional warmth, modern saudi music atmosphere, no sadness no heavy autotune no aggressive pop production

Jugendweihe

Jugendweihe

Festival Techno, Euphoric Dance, Big Room, Future Rave, 150 BPM, powerful kick drums, huge festival synths, emotional piano intro, energetic female and male duet vocals, massive build-ups, explosive drops, crowd chants, hands-up atmosphere, modern German dance anthem, emotional yet powerful, radio-quality production.

Corrientita

Corrientita

Bolivian tinku with a lively huayño pulse and stomping folkloric percussion; verse rides driving charango, bombo, and handclap accents; pre-chorus lifts with tighter drums and chant replies; chorus hits with group shouts and a bright melody on the hook. Lead vocal is raw and communal with doubled lines, short call-and-response, and festive ad-libs. Intro uses brief wind-like swells and drum pickups; between sections, small charango runs and a final crowd-style chant add lift. Mix is warm, punchy, and dance-floor bright.

Puntlander Kow Dheh

Puntlander Kow Dheh

Up-tempo Afro-pop with Somali folk flavor; male vocals riding a bouncing, syncopated groove, shakers and bright guitars circling a thick, danceable bassline. Call-and-response gang vocals on the hook, big claps on 2 and 4, short ululation stabs and flutes weaving through the verses. Energy builds steadily to an anthemic final chorus with stacked harmonies and a long crowd-chanted outro.

Sample

Sample

Breaks, dance, raw

Seventh Floor Problems

Seventh Floor Problems

Funk-infused minor-key dance-pop with a glossy club sheen and female vocals; tight sidechained synth bass and crisp punchy snare. Verse stays spacious with airy pads and playful plucks; pre-chorus tightens into tense tritone colors; chorus explodes wide with stacked harmonies, lush bold bass, and bright slap-bass accents. Theatrical lead vocal with ad-lib doubles, delay throws, and handclap lifts; vinyl-hiss risers and reversed shimmer swells. Bright, punchy, and cinematic in the mix., pop, bright, female vocals, playful, funk

Mirror Floor Crisis

Mirror Floor Crisis

Funk-infused shimmering minor-key dance-pop with female vocals, tight sidechained synth bass and crisp punchy snares; verse stays spacious with airy pads and playful plucks, pre-chorus tightens into tense tritone colors, chorus explodes wide with stacked harmonies, lush bass and bright slap bass accents. Theatrical sass-forward lead with ad-lib doubles, delay throws, handclap lifts, vinyl-hiss risers and reversed shimmer swells. Glossy, high-contrast club mix., playful, pop, funk, bright, female vocals

Secret Code

Secret Code

Funk-infused shimmering minor-key dance-pop with glossy club sheen; female vocals, tight sidechained synth bass and crisp punchy snare. Verse stays spacious with airy pads and playful plucks; pre-chorus tightens into tense tritone colors; chorus explodes wide with stacked harmonies, lush bold bass, and bright slap bass accents. Theatrical lead with ad-lib doubles, delay throws, handclap lifts, vinyl-hiss risers and reversed shimmer swells; bright, punchy, club-polished mix., pop, female vocals, bright, playful, funk

Secre

Secre

Commercial Funk-infused shimmering minor-key dance-pop with glossy club sheen; female vocals, tight sidechained synth bass and crisp punchy snare. Verse stays spacious with airy pads and playful plucks; pre-chorus tightens into tense tritone colors; chorus explodes wide with stacked harmonies, lush bold bass, and bright slap bass accents. Theatrical lead with ad-lib doubles, delay throws, handclap lifts, vinyl-hiss risers and reversed shimmer swells; bright, punchy, club-polished mix., pop, female vocals, bright, playful, funk, polished radio ready major label release appeal

Jey

Jey

Funk-infused shimmer dance-pop with female vocals, tight sidechained synth bass, crisp punchy snare, and a glossy club groove; verse stays spacious with airy pads and playful plucks, pre-chorus tightens into tense colors, chorus opens wide with stacked harmonies and bold slap-bass accents. The lead is theatrical and sass-forward with ad-lib doubles and delay throws; vinyl-hiss risers and reversed shimmer swells thread the transitions. Bright, polished, and dancefloor-ready., funk, bright, pop, playful, female vocals, slap bass about, polished radio ready major label release sound

Password Denied

Password Denied

funk-infused dance-pop, minor key, glossy club sheen, female vocals, tight sidechained synth bass, crisp punchy snare, airy pads, playful plucks, tense tritone pre-chorus, lush stacked harmonies, bright slap bass accents, theatrical sass-forward delivery, ad-libs, delay throws, handclap lifts, vinyl-hiss risers, reversed shimmer swell

Public Private Key

Public Private Key

Funk-infused shimmer dance-pop with female vocals, tight sidechained synth bass, crisp punchy snare, and a glossy club groove; verse stays spacious with airy pads and playful plucks, pre-chorus tightens into tense colors, chorus opens wide with stacked harmonies and bold slap-bass accents. The lead is theatrical and sass-forward with ad-lib doubles and delay throws; vinyl-hiss risers and reversed shimmer swells thread the transitions. Bright, polished, and dancefloor-ready., funk, bright, pop, playful, female vocals

Public

Public

Pop funk with a bouncy groove, bright guitar chops, and round synth bass; female vocals up front, close-mic in verses with airy backing harmonies on the hook. Pre-chorus lifts on pads and hand percussion, chorus blooms with stacked mids, slick claps, and short delay throws on the last word. Bright, polished, radio-ready mix with glossy top end and warm low-end bounce., pop, clean, bright, soul, bounce, rhythmic, electric, funk, low, electronic, warm, dance pop, female vocals

Public

Public

Funk-infused shimmer dance-pop with female vocals, tight sidechained synth bass, crisp punchy snare, and a glossy club groove; verse stays spacious with airy pads and playful plucks, pre-chorus tightens into tense colors, chorus opens wide with stacked harmonies and bold slap-bass accents. The lead is theatrical and sass-forward with ad-lib doubles and delay throws; vinyl-hiss risers and reversed shimmer swells thread the transitions. Bright, polished, and dancefloor-ready., funk, bright, pop, playful, Pop funk with a bouncy groove, bright guitar chops, and round synth bass; female vocals up front, close-mic in verses with airy backing harmonies on the hook. Pre-chorus lifts on pads and hand percussion, chorus blooms with stacked mids, slick claps, and short delay throws on the last word. Bright, polished, radio-ready mix with glossy top end and warm low-end bounce., pop, clean, bright, soul, bounce, rhythmic, electric, funk, low, electronic, warm, dance pop, female vocals

Public/Private

Public/Private

funk-infused minor-key dance-pop, glossy club sheen, female vocals, sidechained synth bass, crisp punchy snare, airy pads, playful plucks, bright slap bass accents, theatrical and sassy vocal performance

Receipt in Silk

Receipt in Silk

Funk-infused shimmering minor-key dance-pop with glossy club sheen, female vocals; tight sidechained synth bass and crisp punchy snare. Verse stays spacious with airy pads and playful plucks; pre-chorus tightens into tense tritone colors; chorus explodes wide with stacked harmonies, lush bold bass, and bright slap bass accents. The lead is theatrical and sass-forward with ad-lib doubles, delay throws, and handclap lifts; vinyl-hiss risers and reversed shimmer swells bridge into the drop. Bright, polished, and high-drama in the mix., female vocals, drama, smooth, funk, bright, playful

Pink Is In

Pink Is In

Pop dance-pop with brisk four-on-the-floor bounce, syncopated clap snaps, and playful bass pulses; verse stays lean with tight drum kit and rubbery synth plucks, pre-chorus lifts with filtered vocal stacks and rising handclaps, chorus opens wide with gang doubles on the hook phrase. Add sparkle hits, reversed sweeps into the drop, and quick ear-candy chimes between lines. Bright, glossy, and punchy in the mix, with close-mic lead vocals and stacked ad-libs on the chant.

Pas Touche, VIP

Pas Touche, VIP

Prompt : Rap française moderne, 124 BPM, voix féminine, énergique et espiègle. Refrain ultra accrocheur, couplets rythmés, ambiance romantique avec une touche d’humour. Batterie punchy, basse dynamique, synthés brillants, clap et guitare légère. Production radio, dance-rap avec des ad-libs comme “Eh !”, “Pfff…”, “Ohlala…”, “Mouah !”. Énergie festive, entraînante et mémorable.

Last Call Frenzy

Last Call Frenzy

Electropop dance-pop at a driving club tempo with a pumping side-chained synth bass and ultra-compressed four-on-the-floor kick; verse stays tight and percussive, pre-chorus lifts with glistening retro-80s pads and rising filter sweeps, chorus drops explosive with stacked octave harmonies and big handclap hits. Female vocals, hyper-polished, pitch-tight, with ad-lib doubles, delay throws, and sparkling transition FX. Bright, punchy, club-big mix.

Glass Heart

Glass Heart

Pop dance-pop with pulsing four-on-the-floor kick, glossy synth bass, and a bittersweet lift; verse stays intimate and percussive, pre-chorus opens with rising pads and snare build, chorus hits bright and fist-pump huge with stacked harmonies and chant doubles. Vocal is close-mic in verses, airy layered leads in hooks, with delay throws on key words, reverse swells into the drop, and sparkling top-line chimes. Polished, wide, radio-bright mix.

라디오 하나

라디오 하나

Korean 1980s retro synth-pop, upbeat dance groove, analog synthesizers, vintage drum machine, bright synth brass, sparkling arpeggiators, warm chorus pads, catchy hook melody, nostalgic childhood memories, cheerful female vocal, retro city-pop influence, new wave energy, uplifting and sentimental mood, memorable sing-along chorus, polished modern mix with authentic 1980s Korean pop atmosphere.

라디오 하나

라디오 하나

Korean retro dance-pop, nostalgic 1980s style, upbeat groove, disco-inspired rhythm, warm analog synths, catchy repetitive chorus, memorable hook melody, playful bassline, vintage drum machine feel, cheerful and sentimental mood, family memories and childhood nostalgia, easy sing-along chorus, bright female vocal, retro yet polished modern production, feel-good atmosphere.

Glass Inside

Glass Inside

Nu-disco / funky house with a four-on-the-floor pulse, rubbery bassline, clean rhythm guitar chops, and glossy synth stabs; verse rides tight and intimate, pre-chorus opens with filtered pads and rising claps, chorus blooms into a bright, hypnotic hook with stacked female doubles. Use breathy close-mic lead, soft octave layers, and echoed end-word throws. Add tape-stop flickers, reverse cymbal swells, and little bell accents between phrases. Polished, warm, and dancefloor-sleek., disco, deep

Mahaha Ahaaaaa

Mahaha Ahaaaaa

Disco dance-pop with four-on-the-floor kick, rubbery bass guitar, clipped rhythm guitar, and bright string stabs; verse rides lean and funky, pre-chorus strips to handclaps and bass climbs, chorus opens wide with stacked gang vocals and a soaring synth-brass hook. Disco-siren risers, reverse cymbal swells, and sparkling bell fills between lines. Glossy, punchy mix with a big dancefloor sheen., disco

Gel güzelim

Gel güzelim

Modern Arabic pop dance, romantic male velvet vocal, warm Mediterranean groove, catchy short hook, Arabic percussion, darbuka rhythm, clap groove, oud touches, soft synth bass, clean club-pop energy, emotional but not arabesque, smooth vocal slides, A minor, 104 BPM, radio hit feeling, no choir, no audience, no heavy arabesk sadness.

Mahaja Ahaaaaa

Mahaja Ahaaaaa

Disco dance-pop with four-on-the-floor kick, syncopated bass guitar, clipped rhythm guitar, and string stabs driving a glittery club pulse; verse rides a tight bassline and handclaps, pre-chorus strips to percussion and rising synth shimmer, chorus hits with stacked gang vocals and brass punches. Lead vocal is bright and playful with doubles on key lines, ad-lib repeats on the hook, and short delay throws. Vinyl crackle, reverse cymbal swells, and mirrored synth risers link sections. Clean, glossy, and party-sharp., disco

Maharaj Ahaaaaa

Maharaj Ahaaaaa

Disco dance-pop with a four-on-the-floor pulse, rubbery bass, glittering string stabs, and clipped rhythm guitar; verse glides with tight low-end and handclaps, pre-chorus lifts with filtered synth risers and crowd-chanted replies, chorus opens wide with stacked harmonies and a bouncy brass hook. Lead vocal is bright and playful with doubled hook lines, panned ad-libs, and delay throws on the last word. Sparkle hits, reversed cymbal swells, and a short talkbox lick bridge the drops. Glossy, punchy, floor-filling mix., disco

Maharaj Ahaaaaa

Maharaj Ahaaaaa

Disco dance-pop with four-on-the-floor kick, rubbery bass guitar, Nile-style rhythm guitar chops, and shimmering string stabs; verse stays sleek and minimal with clipped vocal phrasing, pre-chorus lifts on handclaps and rising horns, chorus blooms wide with stacked gang vocals and the chantable hook. Vinyl crackle into the intro, filter sweep before each drop, and a bright tambourine shimmer on the offbeats. Glossy, punchy mix with a tight low end and sparkling highs., disco

Pretty Fire

Pretty Fire

Hyperpop dance-pop with punchy four-on-the-floor drums, rubbery bass, and syncopated claps; verse rides sparse plucks and tight percussion, pre-chorus strips to filtered synth and stacked whispers, chorus hits with bright saw hooks and gang vocals on the chant. Vocal is close-mic and playful with doubled hooks, pitched ad-libs, quick delay throws, and a glossy bright mix with risers, reverse swells, and sparkly ear-candy fills.

Ni Modo

Ni Modo

Traditional Dominican bachata with warm requinto arpeggios, güira shimmer, bongó accents, and a steady tumbao bass; intimate storytelling verses lead into harmony-lift pre-choruses with hand percussion, then a fuller chorus with guitar flourishes and soft gang responses. Close-mic emotional lead vocal, double-tracked chorus lines, tasteful ad-lib echoes, short breakdown before the final lift, lived-in and danceable mix., steady, vocal, harmony, emotional, soft, warm, bachata

Ink Echoes

Ink Echoes

Modern Alternative Pop/R&B with strong groove and infectious rhythm. Powerful female mezzo-soprano with breathy intimate verses, expressive chest voice, emotional belts, layered harmonies, tasteful ad-libs and soulful R&B vocal runs. Energetic, catchy melodies with irresistible hooks and smooth rhythmic flow. Driving deep punchy bass, groovy bassline, crisp punchy drums, syncopated percussion, rhythmic piano, funky guitar textures, warm analog synths, lush strings used only for emotional impact, wide cinematic reverbs and polished modern production. Dynamic arrangement with constant momentum, exciting transitions, strong pre-chorus lift and explosive chorus. Sophisticated, elegant, addictive, emotional yet danceable. Avoid slow ballad feeling, avoid empty spaces, avoid generic melodies. 104 BPM, A Minor.

Two Strangers in the Same Place

Two Strangers in the Same Place

Eurodance anos 90 estilo GIGI D.agostini com batida forte e bem dance music, techno, dance

Bompala

Bompala

Dance-pop with bouncy four-on-the-floor kick, syncopated handclaps, rubbery bass, and bright synth stabs; verse stays tight with sparse drums and playful vocal chops, pre-chorus strips to claps and a rising bassline, chorus drops full stacked harmonies and a chant hook. Lead vocal is close-mic with doubled hook lines, ad-lib bursts, and short delay throws. Neon-free, crisp, glossy mix with ear-candy risers, reverse cymbals, and sparkle hits between phrases.

Bolpala

Bolpala

Afro-pop with mid-tempo bounce, syncopated percussion and a warm sub pulse; verse stays lean with hand drums and clipped guitar, pre-chorus lifts with stacked harmonies and a rising chant, chorus opens wide with gang vocals and a simple call-and-response hook. Close-mic lead vocal, doubled on the hook, with delay throws on key words. Ear candy includes reversed swells into each chorus, tiny bell hits between lines, and a brief percussion break before the final lift. Bright, polished mix with a sweaty dancefloor edge.

The Weight of Silence

The Weight of Silence

Solo piano, cinematic, atmospheric, introspective, shifting tempo to mimic sand falling, elegant melody transitioning into a steady rhythmic pattern, melancholic yet hopeful mood

ساعة الرمل

ساعة الرمل

Neo-classical instrumental piano ballad with a steady rubato pulse, delicate left-hand ostinato, and a single recurring motif that turns at the exact emotional pivot; verse passages stay sparse and clocklike, mid-song lift opens into wider chord voicings and higher register cascades, then the final section softens back to bare keys. Felt-piano intimacy, pedal bloom, subtle room reverb, gentle page-turn swells and sand-like reversed piano whispers; warm, cinematic, and close-mic.

Give

Give

Create a Christian contemporary spoken-word worship song that blends inspirational poetry with modern worship music. The theme is choosing God over money, trusting His provision, and embracing generosity as an act of faith. Begin with a reflective spoken introduction about discovering that God measures blessing by what we release, not what we possess. Build into a powerful declaration contrasting the world’s message of gaining more with Jesus’ call to surrender. Use expressive spoken-word vocals with an emotional progression from wonder and conviction to surrender, breakthrough, and celebration. Include key messages such as: “It is more blessed to give than receive, ” “You cannot serve God and mammon, ” “Generosity is warfare, ” and “Give, and it shall be given unto you, pressed down, shaken together, and running over.” Feature atmospheric piano, pads, strings, and worship drums that gradually build into a cinematic climax. End with a triumphant declaration: God blesses what we surrender,

Yellow Hallway

Yellow Hallway

Experimental dreamcore with uneasy 84 BPM half-time pulse, warped tape hiss, and off-kilter ambient percussion; verse-like sections drift on detuned plucks and distant room tones, then the arrangement fractures into sparse dropped beats and a cold drone swell before a faint resolving motif returns. Ghostly chopped breaths, reversed piano tails, and granular glitches flicker between phrases. Wide, eerie, degraded mix with a nostalgic-but-unsettled sheen., experimental

La cita de julio

La cita de julio

Tango nostálgico, lento y arrastrado, con bandoneón llorado, contrabajo marcado y ritmo de dos por cuatro; la estrofa camina con piano seco y cuerdas tenues, el pre-coro aprieta con respiración contenida, el coro abre con bandoneón al frente y respuesta coral, el puente baja a media voz con palmas lejanas y un solo de violín, y el final vuelve al rubato con cierre íntimo. Voz masculina cercana, áspera y emotiva, dobles en el estribillo, ecos cortos y aire de salón viejo, mezcla cálida, cinematográfica y de humo, tango

Туғпн күн

Туғпн күн

classical, piano, indie

Wieso sagt ChatGPT ?

Wieso sagt ChatGPT ?

piano, deep house, vocal harmony, lounge

Sometimes It’s Good to Be Alone”

Sometimes It’s Good to Be Alone”

female singer whose voice is low, gentle, and expressive, with the quiet bridge sung almost without music before the full instrumental returns. It would work well with piano, soft strings, warm synth pads, and a relaxed beat that gradually builds back into the final chorus. Ocarina, Bamboo flute, gentle

Uzi Na Sindano

Uzi Na Sindano

Afrobeats with amapiano bounce, mid-tempo dembow-locked groove, rolling shakers and log drum pulse; verse stays sparse with finger snaps and soft bass, pre-chorus tightens with rising percussion and stacked breaths, chorus opens into a chanty call-and-response with doubled lead and gang backing vocals. Ear candy includes reversed vocal swells into the hook, a short riser before each drop, and tiny bell hits between lines. Bright, glossy, intimate mix with a club-ready low end and close-mic vocals.

Destiny in blood

Destiny in blood

“Hard Dark Romance × Industrial Hard Techno, under 3:30, 150-160 BPM. Long cinematic intro with dark piano, strings, brass and tension. Deep masculine baritone vocals, sensual, confident, intimate and smooth. Themes of obsession, forbidden love and destiny. Emotional verses, gradual build-up. Explosive Industrial Hard Techno drops with distorted warehouse kicks, huge rumble, metallic hangar reverb, screeches, crushing 4x4 groove, dark cinematic rave energy.”

Comet To Monster

Comet To Monster

Alt-pop ballad with moody half-time pulse, sparse piano and pulsing sub in verses; pre-chorus strips to handclaps and rising synth tension; chorus opens wide with stacked harmonies and a big chantable hook. Lead vocal stays close-mic and cracked, with doubled lines on the hook, subtle delay throws on key words, reversed swells into each chorus, and a glossy yet intimate mix with cinematic low end.

Tape in the Choir Loft

Tape in the Choir Loft

Gospel choir with nostalgic 1990s flashback feel, slow-swinging and cinematic, built on brushed drums, warm organ swells, upright bass, and handclap lift on the downbeat. Verse starts intimate with solo lead and soft room choir; pre-chorus opens into stacked harmonies; chorus blooms into full choir unison. Vinyl crackle, reverse piano swells, and a bell hit on transitions. Wide, warm, filmic mix., gospel, nostalgic

Плохое пройдёт

Плохое пройдёт

Russian melancholic pop with pulsing mid-tempo drums, dark piano chords, and restrained synth bass; verse stays intimate and close-mic, pre-chorus opens with rising pads and layered harmony, chorus lands with a bigger drum groove and a repeated chant hook. Breathy lead vocal with doubled lines in the chorus, soft ad-libs on key phrases, vinyl crackle into the first verse, filtered riser before the hook, wide and emotional mix

Don't Worry About It

Don't Worry About It

Pop ballad with a mellow mid-tempo pulse, brushed drums, warm electric piano, and a steady bass line; verse stays intimate and close-mic, pre-chorus opens with rising harmony stacks and a filtered swell, chorus lands with a chantable hook and soft gang vocals, bridge drops to piano and breathy doubles before the final lift. Glossy but human mix, airy top end, intimate low mids, with delay throws on the hook phrase.

Hip Hop

Ciemny Metalny Takt

Ciemny Metalny Takt

Hip hop ciemny uliczny styl bas, chillout

Gelap Terang Bayang-Bayang

Gelap Terang Bayang-Bayang

Urban Mystical Hip Hop / Nusantara Horror Boom Bap, Malique Inspired Poetic Rap, 82 Bpm, Deep Warm 808 Bass, Dusty 90S Boom Bap Drums, Dark Cinematic Piano With Haunting Melody, Eerie Ambient Pads, Traditional Gamelan Percussion And Metallic Textures, Creepy Atmospheric Strings, Vinyl Crackle, Horror Soundscape, Suspense Build-Ups And Empty Spaces, Male Rap Vocal With Fast Yet Clear Poetic Flow, Female Rap Vocal With Calm Mystical Delivery, Soft Female Pop Chorus With Haunting Ethereal Harmonies, Satirical Storytelling About Two-Faced People And Hidden Intentions, Mystical Urban Atmosphere, Like Encountering A Spirit In An Old Village At Midnight, Subtle Whispers And Reverse Effects, Instrumental Breakdowns With Music Only Sections, Cinematic Interludes, 90S Malay Horror Movie Vibe, Smooth But Unsettling Groove, Raw Emotional Storytelling, Deep Conscious Rap Energy, No Edm Synths, No Heavy Autotune, Not Too Dark But Mysterious And Haunting.

Gelap Terang Bayang-Bayang

Gelap Terang Bayang-Bayang

Malay Poetic Conscious Hip Hop / Nusantara Boom Bap • Tempo: 78-84 Bpm • Deep Warm 808 Bass With Soft Punchy Kick • Dusty Boom Bap Drums With Crisp Hi-Hats • Emotional Piano Melodies And Ambient Strings • Subtle Malay Flute (Seruling) And Rebab Textures • Cinematic Spiritual Atmosphere With Wide Reverb • Dark Soulful Sample Chops And Vinyl Crackle • Male Young Vocal, Soft, Calm, Introspective And Full Of Emotion • Complex Lyrical Flow Inspired By Malay Poetic Rap • Internal Rhymes, Wordplay, Philosophical Storytelling • Chorus With Layered Harmonies And Subtle Zikir-Like Ambience • Mood: Reflective, Contemplative, Resilient, Seeking Meaning In Life • Vibe: Walking Alone Under City Lights After Rain, Searching For Direction And Inner Peace • Mix Style: Warm Analog, Wide Stereo Image, Deep Sub Bass, Intimate Vocal Presence • Influences: Conscious Hip Hop, Modern Boom Bap, Cinematic Soul, Nusantara Elements • No Aggressive Trap, No Edm Synths, No Autotune-Heavy Vocals

Loyal to the game

Loyal to the game

Hip hop, hard rock, r & b, metal, piano, electric guitar, bass, drums, pop

Echoes of a Kind Heart

Echoes of a Kind Heart

acoustic guitar, rock, hip hop, piano, electric guitar, hard rock, keyboard, violin

2Elise in the Trap

2Elise in the Trap

Für Elise sample, Instrumental classical hip hop fusion, Beethoven Für Elise piano sample, dark trap beat, heavy 808 sub bass, punchy kick drum, crisp fast hi-hats, cinematic rap instrumental, strictly zero vocals, pure rap beat, karaoke background track, extended arrangement, 85 BPM, für Elise

Happy Lissi 2.0

Happy Lissi 2.0

Instrumental 90s underground boom bap, raw MPC sampler beat, happiness lo-fi piano loop, dusty drum break, heavy swing groove, punchy kick, raw snare, nostalgic regional hip hop vibe, authentic street rap instrumental, purely instrumental, strictly zero vocals, extended arrangement, 85 BPM

Elise in the Trap

Elise in the Trap

Instrumental classical hip hop fusion, Beethoven Für Elise piano sample, dark trap beat, heavy 808 sub bass, punchy kick drum, crisp fast hi-hats, cinematic rap instrumental, strictly zero vocals, pure rap beat, karaoke background track, extended arrangement, 130 BPM

Lissi 2.0

Lissi 2.0

Instrumental 90s underground boom bap, raw MPC sampler beat, melancholic lo-fi piano loop, dusty drum break, heavy swing groove, punchy kick, raw snare, nostalgic regional hip hop vibe, authentic street rap instrumental, purely instrumental, strictly zero vocals, extended arrangement, 85 BPM

Byee

Byee

Hip hop using my voice

Khilaf Yang Lalu

Khilaf Yang Lalu

Nusantara Nasheed Chill, Trap Hip Hop, Malique Inspired Poetic Rap, 72 Bpm, Bom Bap, Emotional Piano, Soft Seruling, Deep 808 Bass, Slow Trap Beat, acoustic, keyboard, harmonica, Male Calm Voice, Spiritual Introspective Malay Lyrics, Cinematic Ambient, Lo-Fi Texture, Viral Tiktok Vibe, Smooth And Hypnotic. “Raw Emotional Storytelling” • “Minimalist But Impactful Beat” • “Soulful And Haunting Melody”

Khilaf Yang Lalu

Khilaf Yang Lalu

Genre: Urban Hip Hop Nasyid, Malay Nusantara, Cinematic Spiritual Tempo: 82 BPM Key: D Minor A soulful Malaysian urban hip hop nasyid with a modern cinematic atmosphere. Warm emotional piano leads the melody, supported by lush cinematic string sections, soft ambient pads, expressive clean electric guitar, deep subby 808 bass, punchy hip hop kick, crisp snare, tight trap hi-hats, subtle percussion, and a gentle lo-fi vinyl texture. Blend traditional Malay Nusantara emotion into a contemporary urban sound without using heavy traditional instruments. The arrangement starts intimate and emotional, gradually building into a powerful, uplifting chorus with wider strings, stronger drums, and deeper bass while maintaining a spiritual and reflective mood. Warm analog production, spacious reverb, wide stereo imaging, clean mix, emotional dynamics, modern radio-quality mastering, heartfelt, hopeful, reflective, inspirational, cinematic, atmospheric, soulful, authentic Malaysian urban vibe.

 Titel ⁠Cold and Sweet (Lo-Fi Rap Instrumental

Titel ⁠Cold and Sweet (Lo-Fi Rap Instrumental

Instrumental lo-fi hip hop, chillhop, Clem Beatz style, emotional atmospheric boom bap, warm electric piano chords, nostalgic acoustic guitar, soft dusty drum break, warm sub bass, heavy vinyl crackle, ambient rain textures, cozy mellow vibe, purely instrumental, strictly zero vocals, karaoke background track, 80 BPM, long beat

Cold and Sweet (Lo-Fi Rap Instrumental)⁠

Cold and Sweet (Lo-Fi Rap Instrumental)⁠

Instrumental lo-fi hip hop, chillhop, Clem Beatz style, emotional atmospheric boom bap, warm electric piano chords, nostalgic acoustic guitar, soft dusty drum break, warm sub bass, heavy vinyl crackle, ambient rain textures, cozy mellow vibe, purely instrumental, strictly zero vocals, karaoke background track, 80 BPM, longtime beat

Gaz i Błoto – Rap Zróbmy

Gaz i Błoto – Rap Zróbmy

Hip hop. Uliczny styl. Spokojny flow. Bass

Basowy Zakręt Lubin

Basowy Zakręt Lubin

Hip hop uliczny styl. Spokojny flow, bass

Strop Gazu

Strop Gazu

Hip hop uliczny mocny styl. Wyraźnie bez pośpiechu, bass

Dym i Blachy

Dym i Blachy

Hip hop uliczny styl. Kobiece głos w tle

Pył i Gaz: Uliczna Sztuka

Pył i Gaz: Uliczna Sztuka

Hip hop mocny uliczny styl

ANGEL WINGS

ANGEL WINGS

Hip hop trap beat. Mid-tempo upbeat piano loop, synthesizer, bass guitar, cello and trombone for bass. Some light strings and horns for a steady rhythm in the background. Add snaps. Add a choir for harmony in the chorus. Powerful bridge. Soulful adlibs. Powerful hook.

ANGEL WINGS

ANGEL WINGS

Hip hop trap beat. Mid-tempo upbeat piano loop, synthesizer, bass guitar, cello and trombone for bass. Some light strings and horns for a steady rhythm in the background. Add snaps. Add a choir for harmony in the chorus. Powerful bridge. Soulful adlibs.

Pulse of the Alley

Pulse of the Alley

Rap, hip hop

WINGS

WINGS

Hip hop trap beat. Mid-tempo upbeat piano loop, synthesizer, bass guitar, cello and trombone for bass. Some light strings and horns for a steady rhythm in the background. Add snaps. Add a choir for harmony in the chorus. Powerful bridge. Soulful adlibs.

Glory

Glory

Hip hop trap beat. Upbeat piano loop, synthesizer, bass guitar, cello and trombone for bass. Some light strings and horns for a steady rhythm in the background.

Drei Uhr Lernen

Drei Uhr Lernen

Lo-Fi hip hop with a laid-back swung beat, soft vinyl crackle, dusty Rhodes chords, muted kick and snare, and a gentle bass pulse; verse stays sparse with close-mic vocal lines, pre-chorus opens with filtered pads and tape stops, chorus lands on a warm repeatable hook with stacked doubles, tiny bell tinkles and reversed swells between phrases, intimate and grainy mix with a cozy late-night feel., lo-fi

Aku dah penat

Aku dah penat

Genre: Emotional Hip Hop, Cinematic Ambient, Violin Tempo: 68 BPM Key: D Minor Heartbreaking emotional hip hop with a crying atmosphere, soft melancholy guitar, distant cello, emotional violin layers, warm ambient pads, subtle electric guitar, deep warm 808 bass, trap drums, gentle hi-hats, vinyl crackle texture, spacious reverb and cinematic ambience. Male vocal only, low raspy baritone voice with trembling emotional delivery, breathing between lines, as if holding back tears. Painful and heartfelt rap style with clear pronunciation. Chorus sung by a soft emotional male voice with slight vocal cracks, expressing loneliness, exhaustion and silent suffering. Mood of crying alone at night, feeling broken, betrayed and tired of life, but still holding on and refusing to give up. Intimate verses, emotional build-up, powerful chorus, ending with fading piano and strings. No female vocals, no EDM, no aggressive rap. Style: Malique × Kmy Kmo × Tuju × Sad Cinematic Hip Hop.

Me gusta alv 2

Me gusta alv 2

Mexican Gangsta Rap trap Latin hip hop alterado Make song at least 2 minutes long

Geheime Macht

Geheime Macht

EDM hip-hop with punchy half-time drums and elastic synth bass, female lead with stacked female doubles; verse stays lean with chopped stabs and tight kick-snare, pre-chorus lifts via filtered risers and whispered group chants, chorus slams into huge anthemic gang vocals and a wide synth hook. Add reverse swells, vocal chops, and glossy punchy mix., hip hop, female vocals, edm

Kein Frieden hier

Kein Frieden hier

EDM-pop hip hop with female vocals and stacked female harmonies, midtempo bounce and half-time hip hop drums; verse rides tight kick-snares, clipped synth plucks, and sparse sub, pre-chorus opens with rising filters and vocal chops, chorus hits huge with layered unison leads, octave doubles, and gang-like female stacks. Use breathy close-mic verses, punchy rap-sing delivery, big chant hooks, reverse swells into drops, and glossy wide mix with bright top end and heavy sidechain pump., female vocals, singer-songwriter, edm, hip hop

Sterne im Blut

Sterne im Blut

EDM singer-songwriter hip hop with female vocals and stacked female harmonies; mid-tempo four-on-the-floor verse rides on clipped kick, rim snaps, and warm sub, pre-chorus lifts with filtered synth arps and whispered doubles, chorus explodes with huge group chant and octave leads. Bridge drops to half-time with sparse piano and distant handclaps, then final chorus adds brass hits, risers, and call-and-response layers. Bright, wide, polished mix with punchy low end and glossy top sheen., hip hop, edm, female vocals, singer-songwriter

Paula mein Herz

Paula mein Herz

Paula mein Herz, RNB Hip Hop

Electronic

Digital god

Digital god

Asking Alexandria style, slow industrial metalcore, downtuned crushing guitar chugs at doom metal pace, heavy half-time drums with massive kick drum hits, heavy distorted guitars, aggressive screamed male vocals in verses, clean powerful anthemic male tenor vocals in choruses, explosive gang shouts with "hey" chants, synth stabs and glitchy electronic effects, pounding breakdowns, cathedral reverb on gang vocals, chaotic and tight instrumentals, major key anthemic chorus with minor key verses, dystopian and philosophical theme, AI and technology critique, deep lyrical content, slow and heavy tempo, 4-minute duration, massive climactic finale, raw emotional delivery, stadium energy, breakdown with call-and-response gang vocals.

Digital god

Digital god

Asking Alexandria style, industrial metalcore, electronicore, heavy distorted guitars, fast double bass drumming, aggressive screamed male vocals in verses, clean powerful anthemic male tenor vocals in choruses, explosive gang shouts with "hey" chants, technical guitar riffs, synth stabs and glitchy electronic effects, pounding breakdowns, cathedral reverb on gang vocals, chaotic and tight instrumentals, major key anthemic chorus with minor key verses, dystopian and philosophical theme, AI and technology critique, deep lyrical content, 4-minute duration, massive climactic finale, raw emotional delivery, stadium energy, breakdown with call-and-response gang vocals.

Aiguilles de Genève

Aiguilles de Genève

Electronic pop with a steady mid-tempo groove and crisp four-on-the-floor pulse; verse rides minimal clicks, ticking percussion, and a dry bass synth; pre-chorus opens with filtered chords and rising arps; chorus hits with stacked male vocal doubles, short gang vocal echoes, and a bright hook chant. Sparkle transitions, reverse swells, and tiny chime fills thread through the arrangement. Clean, glossy, intimate mix with a polished showroom sheen, male vocals.

L’Aventure d’Yvan Max

L’Aventure d’Yvan Max

Jungle with electronic male vocals, 170 BPM swung breakbeats, skittering amens and deep sub rolls; verse rides sparse rim taps, clipped bass, and glassy synth stabs; pre-chorus strips to filtered pads and rising pulse; chorus hits with chopped vocal doubles and a brighter synth lead. Add vinyl crackle, reverse swells into drops, and tiny bell ticks between lines. Bright, gritty, forward mix with a glossy edge., jungle

Aventure D’horlogerie

Aventure D’horlogerie

Jungle electronic with driving breakbeat rhythm, syncopated percussion, elastic sub-bass, and male vocals; verse rides tight drum loops and chopped synth stabs, pre-chorus strips to tense toms and filtered pulses, chorus opens with wide pads and a chantable hook. Processed lead vocal with doubles, delay throws on key words, and gang-style backing echoes in parentheses. Risers, reverse cymbal swells, and metallic clicks bridge sections. Bright, glossy, high-contrast mix with a kinetic club sheen., jungle

Yvan Max Genève

Yvan Max Genève

Jungle with fast 170 BPM breakbeats, deep sub rolls, and chopped electronic percussion; verse rides tense and minimal with clipped bass and filtered pads, pre-chorus opens into rising amen fills, chorus slams with wider synth stabs and chant doubles. Male vocals, tight doubles on the hook, reverse swells and metallic ticks into drops, bright and punchy mix., jungle

Yvan Max Genève

Yvan Max Genève

Jungle with electronic male vocals, fast breakbeats and syncopated reese bass; verse rides sparse rimshots, chopped congas, and a ticking percussion loop, pre-chorus strips to filtered pads and a rising snare coil, chorus hits with full amen-style drums, sub pressure, and shouted gang doubles on the anchor phrase. Vocal is close-mic and dry in verses, hard-doubled on hooks with short delay throws; add reversed swells, metallic tick fills, and brief filter drops before each chorus. Bright, aggressive, glossy mix., jungle

Merci de me suivre

Merci de me suivre

Jungle with breakneck syncopated percussion and rolling sub-bass, male vocals processed with metallic electronic layers; verse rides sparse wood-taps and clipped bass hits, pre-chorus opens with tense filtered rises and ticking textures, chorus hits with wide chopped percussion and a chantable hook. Use doubled lead, pitch-shifted call-and-response ad-libs, reverse swells into each section, tiny bell clicks between lines, and a bright, punchy mix with glossy top-end bite., jungle

Rouages dans la jungle

Rouages dans la jungle

Jungle with electronic vocal processing, syncopated percussion and skittering breaks; verse rides tight percussion and rubbery bass, pre-chorus filters down to tense pads and ticking textures, chorus opens with chopped vocal doubles and a chantable lead phrase. Add reversed swells, metallic clicks, and brief tape-stop transitions. Bright, punchy, futuristic mix with humid low-end and glossy top end., jungle

Deneme

Deneme

Turkish arabesk orchestral ballad, 72 BPM, A minor, deep emotional male vocal, high octave chorus, strong chest resonance, controlled vibrato, long sustain notes, dramatic cinematic feel, large symphonic strings, violins, cello, kanun, oud, clarinet and emotional piano. Slow intro with violin or clarinet taksim, then heavy darbuka and full orchestra enter gradually. Verses should be calm, painful and intimate. Chorus should rise with a powerful crying vocal, emotional feryat, big orchestral build, deep heartbreak and dark romantic pain. No choir, no audience, no electronic sound, clean studio vocal, classic Turkish arabesk feeling.

Desert Beat Symphony

Desert Beat Symphony

synthesizer, violin, xylophone DJ remix electronic guitar

Gemini deneme

Gemini deneme

Turkish arabesk orchestral ballad, 72 BPM, A minor, deep emotional male vocal, high octave chorus, strong chest resonance, controlled vibrato, long sustain notes, dramatic cinematic feel, large symphonic strings, violins, cello, kanun, oud, clarinet and emotional piano. Slow intro with violin or clarinet taksim, then heavy darbuka and full orchestra enter gradually. Verses should be calm, painful and intimate. Chorus should rise with a powerful crying vocal, emotional feryat, big orchestral build, deep heartbreak and dark romantic pain. No choir, no audience, no electronic sound, clean studio vocal, classic Turkish arabesk feeling.

Love

Love

Retro-swing meets modern pop-EDM, 1920s-30s jazz and vaudeville influence with electronic production. Theatrical male vocal, baritone-tenor, radio-announcer delivery, crisp diction, high energy. Playful, defiant, mischievously confident, bursting with swagger, secretly sinister undercurrent masked by charm, like a con-man grinning before the twist. Verses upbeat, near-spoken, sing-song, bouncy, restless, building excitement and menace. Choruses erupt into a fuller, belted, anthemic pop vocal, huge and hooky, catchy nursery-rhyme melody with a dark edge underneath. Layered harmonized backing vocals on hooks, call-and-response ad-libs (na-na-na, ha-ha-ha) that feel taunting not sweet. Gramophone-filtered vintage-radio texture in verses, clean modern vocal in choruses. Instrumentation: big-band horn stabs, clarinet or music-box motifs, synth bass, sidechained pads, driving trap-influenced or four-on-the-floor drums. Dynamic build-drop structure, upbeat, playful and theatrical throughout.

Love

Love

Retro-swing meets modern pop-EDM fusion, 1920s-30s jazz and vaudeville influence blended with electronic production. Theatrical male vocal, baritone-tenor, radio-announcer showman delivery, crisp diction. Playful, defiant, mischievously confident, secretly sinister undercurrent masked by charm, like a con-man smiling before the twist. Verses near-spoken, sing-song, coiled and simmering, building tension and menace. Choruses erupt into a fuller, belted, anthemic pop vocal, huge and hooky, catchy nursery-rhyme melody with a dark edge underneath. Layered harmonized backing vocals on hooks, call-and-response ad-libs (na-na-na, ha-ha-ha) that feel taunting rather than sweet. Gramophone-filtered vintage-radio vocal texture in verses, clean modern vocal in choruses. Instrumentation: big-band horn stabs, clarinet or music-box motifs, synth bass, sidechained pads, crisp modern trap-influenced or four-on-the-floor drums. Dynamic build-drop structure, playful and theatrical throughout.

I Will Be Me

I Will Be Me

Retro-swing meets modern pop-EDM fusion, 1920s-30s jazz and vaudeville influence blended with electronic production. Theatrical male vocal, baritone-tenor, radio-announcer showman delivery, crisp diction. Playful, defiant, mischievously confident, secretly sinister undercurrent masked by charm, like a con-man smiling before the twist. Verses near-spoken, sing-song, coiled and simmering, building tension and menace. Choruses erupt into a fuller, belted, anthemic pop vocal, huge and hooky, catchy nursery-rhyme melody with a dark edge underneath. Layered harmonized backing vocals on hooks, call-and-response ad-libs (na-na-na, ha-ha-ha) that feel taunting rather than sweet. Gramophone-filtered vintage-radio vocal texture in verses, clean modern vocal in choruses. Instrumentation: big-band horn stabs, clarinet or music-box motifs, synth bass, sidechained pads, crisp modern trap-influenced or four-on-the-floor drums. Dynamic build-drop structure, playful and theatrical throughout.

Mirror, Mirror

Mirror, Mirror

Retro-swing meets modern pop-EDM fusion, 1920s-30s jazz and vaudeville influence blended with electronic production. Theatrical male vocal, baritone-tenor, radio-announcer showman delivery, crisp diction. Playful, defiant, mischievously confident, secretly sinister undercurrent masked by charm, like a con-man smiling before the twist. Verses near-spoken, sing-song, coiled and simmering, building tension and menace. Choruses erupt into a fuller, belted, anthemic pop vocal, huge and hooky, catchy nursery-rhyme melody with a dark edge underneath. Layered harmonized backing vocals on hooks, call-and-response ad-libs (na-na-na, ha-ha-ha) that feel taunting rather than sweet. Gramophone-filtered vintage-radio vocal texture in verses, clean modern vocal in choruses. Instrumentation: big-band horn stabs, clarinet or music-box motifs, synth bass, sidechained pads, crisp modern trap-influenced or four-on-the-floor drums. Dynamic build-drop structure, playful and theatrical throughout.

Smiling Frown

Smiling Frown

Retro-swing meets modern pop-EDM fusion, 1920s-30s jazz and vaudeville influence blended with electronic production. Theatrical male vocal, baritone-tenor, radio-announcer showman delivery, crisp diction. Defiant, unbothered, mischievously confident, secretly sinister undercurrent masked by charm, like a con-man smiling before the twist. Verses near-spoken, sing-song, coiled and simmering, building tension and menace. Choruses erupt into a fuller, belted, anthemic pop vocal, huge and hooky, catchy nursery-rhyme melody with a dark edge underneath. Layered harmonized backing vocals on hooks, call-and-response ad-libs (na-na-na, ha-ha-ha) that feel taunting rather than sweet. Gramophone-filtered vintage-radio vocal texture in verses, clean modern vocal in choruses. Instrumentation: big-band horn stabs, clarinet or music-box motifs, synth bass, sidechained pads, crisp modern trap-influenced or four-on-the-floor drums. Dynamic build-drop structure, defiant and theatrical throughout.

Mirror, Mirror

Mirror, Mirror

Retro-swing meets modern pop-EDM fusion, 1920s-30s jazz and vaudeville influence blended with electronic production. Theatrical male vocal, baritone-tenor, radio-announcer showman delivery, crisp diction. Defiant, unbothered, mischievously confident, secretly sinister undercurrent masked by charm, like a con-man smiling before the twist. Verses near-spoken, sing-song, coiled and simmering, building tension and menace. Choruses erupt into a fuller, belted, anthemic pop vocal, huge and hooky, catchy nursery-rhyme melody with a dark edge underneath. Layered harmonized backing vocals on hooks, call-and-response ad-libs (na-na-na, ha-ha-ha) that feel taunting rather than sweet. Gramophone-filtered vintage-radio vocal texture in verses, clean modern vocal in choruses. Instrumentation: big-band horn stabs, clarinet or music-box motifs, synth bass, sidechained pads, crisp modern trap-influenced or four-on-the-floor drums. Dynamic build-drop structure, defiant and theatrical throughout.

Love

Love

Retro-swing meets modern pop-EDM fusion, 1920s-30s jazz and vaudeville influence blended with electronic production. Theatrical male vocal, baritone-tenor, radio-announcer showman delivery, crisp diction. Defiant, unbothered, mischievously confident, secretly sinister undercurrent masked by charm, like a con-man smiling before the twist. Verses near-spoken, sing-song, coiled and simmering, building tension and menace. Choruses erupt into a fuller, belted, anthemic pop vocal, huge and hooky, catchy nursery-rhyme melody with a dark edge underneath. Layered harmonized backing vocals on hooks, call-and-response ad-libs (na-na-na, ha-ha-ha) that feel taunting rather than sweet. Gramophone-filtered vintage-radio vocal texture in verses, clean modern vocal in choruses. Instrumentation: big-band horn stabs, clarinet or music-box motifs, synth bass, sidechained pads, crisp modern trap-influenced or four-on-the-floor drums. Dynamic build-drop structure, defiant and theatrical throughout.

I Will Be Me

I Will Be Me

Retro-swing meets modern pop-EDM fusion, 1920s-30s jazz and vaudeville influence blended with electronic production. Theatrical male vocal, baritone-tenor, radio-announcer showman delivery, crisp diction. Playful, charismatic, slightly sinister undertone, like an old-time emcee introducing an act. Verses near-spoken, sing-song, narrative, low energy, building tension. Choruses open into a fuller, belted, anthemic pop vocal, huge and hooky, catchy nursery-rhyme-simple melody. Layered harmonized backing vocals on hooks, call-and-response ad-libs (na-na-na, ha-ha-ha style). Gramophone-filtered vintage-radio vocal texture in verses, clean modern vocal in choruses. Instrumentation: big-band horn stabs, clarinet or music-box motifs, synth bass, sidechained pads, crisp modern trap-influenced or four-on-the-floor drums. Dynamic build-drop structure, cinematic energy shifts between verse and chorus, danceable and theatrical.

Smiling Frown

Smiling Frown

Retro-swing meets modern pop-EDM fusion, 1920s-30s jazz and vaudeville influence blended with electronic production. Theatrical male vocal, baritone-tenor, radio-announcer showman delivery, crisp diction. Playful, charismatic, slightly sinister undertone, like an old-time emcee introducing an act. Verses near-spoken, sing-song, narrative, low energy, building tension. Choruses open into a fuller, belted, anthemic pop vocal, huge and hooky, catchy nursery-rhyme-simple melody. Layered harmonized backing vocals on hooks, call-and-response ad-libs (na-na-na, ha-ha-ha style). Gramophone-filtered vintage-radio vocal texture in verses, clean modern vocal in choruses. Instrumentation: big-band horn stabs, clarinet or music-box motifs, synth bass, sidechained pads, crisp modern trap-influenced or four-on-the-floor drums. Dynamic build-drop structure, cinematic energy shifts between verse and chorus, danceable and theatrical.

Mirror, Mirror

Mirror, Mirror

Retro-swing meets modern pop-EDM fusion, 1920s-30s jazz and vaudeville influence blended with electronic production. Theatrical male vocal, baritone-tenor, radio-announcer showman delivery, crisp diction. Playful, charismatic, slightly sinister undertone, like an old-time emcee introducing an act. Verses near-spoken, sing-song, narrative, low energy, building tension. Choruses open into a fuller, belted, anthemic pop vocal, huge and hooky, catchy nursery-rhyme-simple melody. Layered harmonized backing vocals on hooks, call-and-response ad-libs (na-na-na, ha-ha-ha style). Gramophone-filtered vintage-radio vocal texture in verses, clean modern vocal in choruses. Instrumentation: big-band horn stabs, clarinet or music-box motifs, synth bass, sidechained pads, crisp modern trap-influenced or four-on-the-floor drums. Dynamic build-drop structure, cinematic energy shifts between verse and chorus, danceable and theatrical.

Love

Love

Retro-swing meets modern pop-EDM fusion, 1920s-30s jazz and vaudeville influence blended with electronic production. Theatrical male vocal, baritone-tenor, radio-announcer showman delivery, crisp diction. Playful, charismatic, slightly sinister undertone, like an old-time emcee introducing an act. Verses near-spoken, sing-song, narrative, low energy, building tension. Choruses open into a fuller, belted, anthemic pop vocal, huge and hooky, catchy nursery-rhyme-simple melody. Layered harmonized backing vocals on hooks, call-and-response ad-libs (na-na-na, ha-ha-ha style). Gramophone-filtered vintage-radio vocal texture in verses, clean modern vocal in choruses. Instrumentation: big-band horn stabs, clarinet or music-box motifs, synth bass, sidechained pads, crisp modern trap-influenced or four-on-the-floor drums. Dynamic build-drop structure, cinematic energy shifts between verse and chorus, danceable and theatrical.

La victoire des victoires

La victoire des victoires

Hard dark trance techno, fast-paced music, 124 BPM, hypnotic kick, atmospheric pad, French spoken word, calm male narrative voice, no singing, no autotune, philosophical, organic hyper-voluble electronic bass theme in the foreground, constantly evolving and never static — round, warm analog tone with slight saturation, deep sub with singing midrange, legato slides, nervous little runs and counter-melodies weaving between vocal phrases, breathing like a living organism, responding to the voice, layered with a hyper-voluble organic lead synth, vocal-like / woody-electronic timbre, liquid arabesques and slow vibrato, constantly improvising around the voice in real-time, never looping, soft resonance, sits just above the bass

CONSCIENCE

CONSCIENCE

Hard dark trance techno, fast-paced music, 124 BPM, hypnotic kick, atmospheric pad, French spoken word, calm male narrative voice, no singing, no autotune, philosophical, organic hyper-voluble electronic bass theme in the foreground, constantly evolving and never static — round, warm analog tone with slight saturation, deep sub with singing midrange, legato slides, nervous little runs and counter-melodies weaving between vocal phrases, breathing like a living organism, responding to the voice, layered with a hyper-voluble organic lead synth, vocal-like / woody-electronic timbre, liquid arabesques and slow vibrato, constantly improvising around the voice in real-time, never looping, soft resonance, sits just above the bass

CONSCIENCE

CONSCIENCE

Hard dark trance techno, fast-paced music, 124 BPM, kick, atmospheric pad, French spoken word, calm male narrative voice, no singing, no autotune, philosophical, organic hyper-voluble electronic bass theme in the foreground, constantly evolving and never static — round, warm analog tone with slight saturation, deep sub with singing midrange, legato slides, nervous little runs and counter-melodies weaving between vocal phrases, breathing like a living organism, responding to the voice, layered with a hyper-voluble organic lead synth, vocal-like / woody-electronic timbre, liquid arabesques and slow vibrato, constantly improvising around the voice in real-time, never looping, soft resonance, sits just above the bass

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