"Funk"
Songs created with Voices AI

Songs made with Voices AI bring voice technology into music - from covers to original tracks. Hear how creators and our community are using AI voices to explore new sounds and ideas.

Cutting Loose

Groovy funk-disco with a tight syncopated bassline, crisp four-on-the-floor kick, snappy claps, bright rhythm guitar chops, and brassy keyboard stabs. Verses trade playful competition between two dancers; lift into a chantable, crowd-sized chorus with handclaps and layered backing vocals. Add a short rhythmic breakdown before the final chorus. Warm live-band punch, polished vintage dance-floor mix, lively lead vocal.

Deux heures à décider

French female pop rap duet, two playful female voices, funny conversational verses, catchy sung chorus, upbeat funky bass, bouncy hip-hop beat, playful spoken dialogue, natural laughter, cheeky attitude, modern French urban pop, energetic, lighthearted, 105 BPM.

Halloween

Halloween pop festivo en español, con electro-pop oscuro, funk bailable y toques cinematográficos de terror divertido. Tempo de 120 BPM, sintetizadores misteriosos, bajo profundo y funky, campanas tenebrosas, risas fantasmales, efectos de viento, puertas chirriantes y percusión contundente. Voz principal expresiva y juguetona, coros grupales que corean el estribillo. Introducción inquietante de 5 segundos, versos rítmicos, preestribillo creciente y coro explosivo, pegajoso y fácil de cantar. Puente con susurros y sonidos sobrenaturales antes del último coro. Ambiente mágico, travieso y bailable, ideal para Halloween, fiestas y videos virales. Mezcla moderna, potente y cinematográfica. Hook vocal antes del segundo 15. Artista: RamZAI.

Two Inges in the House

Extreme 1980s funk, 1982-1985 electro funk, 144 BPM, explosive slap bass, dirty analog synthesizers, heavy LinnDrum beats, clavinet, brass stabs, funky rhythm guitars, deep groovy basslines, Prince-era funk energy, Rick James-inspired party funk, raw raspy powerful male baritone vocals, swaggering soulful delivery, wild falsetto screams, playful spoken adlibs, explosive horn sections, thick analog production, vintage tape saturation, huge gated snare, infectious dance groove, extended instrumental funk breaks, call and response backing vocals, female soul choir, outrageous party atmosphere, sexy funky attitude, energetic bass solos, occasional shouted HAPPY BIRTHDAY!, funky birthday chants, HEY!, OWWW!, COME ON!, GET FUNKY!, nonstop dancefloor energy, authentic 80s funk masterpiece, original melody, original vocals, no modern pop, no EDM, maximum funk!

Sunday Alarm (Rework)

Groovy Southern hard rock with blues-rock and Texas boogie influences. Deep, gritty, expressive male vocals, slightly raspy but melodic. Punchy live drums, thick rolling bass, crunchy electric guitars, funky rhythmic riffs and expressive blues guitar solos. Start with a catchy guitar groove, build into explosive, anthemic choruses with layered male backing harmonies. Playful, rebellious energy, humorous storytelling and strong dynamic changes. Warm analog production, powerful guitar tone, natural band sound. Energetic, catchy, uplifting finale. No growling, no screaming, no electronic beats.

O Resto é Só Fé

Brazilian campaign funk, baile funk paredão energy, heavy tamborzão groove with punchy surdo-style kick, crisp syncopated percussion, deep sliding sub-bass, bright brass stabs and crowd-response accents. Open with a low spoken DJ callout over a sparse beat, then build into rhythmic male lead vocals with chantable group responses; verses ride a tight, bouncing pocket, chorus hits bigger with layered crowd chants and bass drops, ending on a repeated slogan. Polished, loud, festive street-parade mix.

عريكة وبس

dance, saxophone, bass, funk, chillout, salsa, accordion, EDM, keyboard, pop, ukulele, punk, lounge, acoustic guitar, vocal harmony, emo, deep house, electronic, instrumental, strings

Aku Baik-Baik Saja

Indonesian upbeat pop, light R&B and soul groove, funky bass, clean electric guitar, handclaps, playful and energetic, solo male vocal, no choir

Sunshine

Upbeat, fresh and addictive K-pop dance-pop song, 120 BPM, bright funky bassline, bouncy drums, sparkling synths, playful electric guitar, colorful summer atmosphere, youthful female group vocals, distinct vocal layers, catchy chant hook, melodic verses, energetic rhythmic rap, rich harmonies, cute ad-libs, explosive final chorus, polished modern pop production, joyful and confident mood, clean studio mix. Original melody, no imitation of existing songs.

Cha cha

Playful disco house, 124 BPM, D minor. Funky bass, punchy kick, bright guitar chops, piano stabs, crisp claps and shiny string accents. Playful female English vocal with rhythmic chants and the hook “Cha cha, turn around and bring it back.” Short verses, handclap breaks, groovy bass drop and a joyful final chorus. Stylish retro-futuristic club energy, clean mix and warm analog color. Target 2:25–2:50. Original composition.

Cascudo, Conta Depois

Brazilian funk carioca, playful baile-funk groove with punchy tamborzão percussion, deep rounded bass, crisp claps, sparse synth stabs, energetic conversational male lead with chantable call-and-response hook, tight rhythmic phrasing, raw club-ready production, dynamic drops between hook and verses

A-P-R-I Thriller Dance

Spooky theatrical dance-pop with a stalking mid-tempo groove, punchy live-sounding drums, deep bass, clipped funk guitar, eerie keyboard stabs, and dramatic group responses. Build from a tense sparse verse into a big chantable chorus; add a brief suspenseful breakdown, then return with layered vocals and a sharp dance-floor finish. Lead vocal: expressive, playful, slightly theatrical, with clear call-and-response.

Cukup Bagiku Melihatmu Tersenyum

Indonesian upbeat pop, light R&B and soul groove, funky bass, clean electric guitar, handclaps, playful and energetic, solo male vocal, no choir

Ups… Aku Salah

Indonesian upbeat pop, light R&B and soul groove, funky bass, clean electric guitar, handclaps, playful and energetic, solo male vocal, no choir

GTA Gangsta Grind

Rap 1990s, G-Funk, rap West Coast, Gangsta rap

Cinco Tiros, Nove Anos

Crie um funk nostálgico sobre a menina Ana Clara, que perdeu sua vida, por conta de um policial despreparado que resolveu atirar 5 vezes em uma criança inocente. Mas isso não e tudo pra falar de um absurdo, um político conhecido vestiu a roupa de amigo e ajudo o vilão a não ser julgado. Esse mesmo político que tempos depois volta ao mesmo lugar, com a cara de inocente, pra pedir voto para se eleger presidente e não ligou pra vida que ele menosprezou. Ana Clara, mas a justiça será iminente.

Ana Clara

Crie um funk nostálgico sobre a menina Ana Clara, que perdeu sua vida, por conta de um policial despreparado que resolveu atirar 5 vezes em uma criança inocente. Mas isso não e tudo pra falar de um absurdo, um político conhecido vestiu a roupa de amigo e ajudo o vilão a não ser julgado. Esse mesmo político que tempos depois volta ao mesmo lugar, com a cara de inocente, pra pedir voto para se eleger presidente e não ligou pra vida que ele menosprezou. Ana Clara, mas a justiça será iminente.

Entrance beat

Create a high-energy late-90s wrestling entrance instrumental at 138 BPM, blending alternative rock, funky breakbeats, and rave electronics. Open with a rising synth sweep, distorted guitar squeal, and explosive drum fill, then drop into a bouncy guitar riff over a thick, rubbery bassline. Use punchy kicks, cracking snares, fast hi-hats, and electronic percussion that makes the arena jump. Add swirling phaser effects, warped synth stabs, DJ scratches, and sudden stop-start hits for attitude. Build into a huge chant-ready hook with layered power chords, booming toms, and synth blasts. Break it down to bass and drums, then slam back harder with guitar layers and rapid fills. Keep it rebellious, chaotic, exciting, and recognizable as a daredevil tag-team walkout. Instrumental only, no vocals.

König Frido 👑

Epic cinematic dark fantasy orchestral soundtrack intro, mystical atmosphere, deep dramatic German male movie trailer narrator, ancient male choirs chanting KING FRIDOO, haunting strings, massive French horns, thunderous war drums, huge orchestral crescendos, majestic royal coronation atmosphere, dramatic silence before explosive transition into powerful German party rap anthem, 80s disco funk bassline, modern club production, catchy stadium chants, theatrical comedy energy, enormous cinematic finale. First 45 seconds purely cinematic orchestra with spoken narration, no rap, then explosive beat drop.

Berta, Let's Dance

Create a powerful, modern, high-energy techno hyperrealistic French Bulldog dance video. Like Ueberrest Style: Peak-Time Techno, Bass-Heavy Club Techno, Modern Rave, Underground Techno. Tempo: 138 BPM. Extremely deep, powerful, pulsating sub-bass, massive punchy four-on-the-floor kick drums, rolling basslines, driving techno percussion, crisp hi-hats, hypnotic synthesizer loops and energetic rhythmic grooves. The track must feel cool, confident and irresistibly danceable, with a strong underground nightclub atmosphere. Start immediately with a catchy, bass-driven groove. Add short rhythmic breaks, playful electronic effects, rising tension and explosive bass drops. Create strong, clearly defined beats that match the dog’s energetic dancing, head movements, paw gestures and body movements. Use unexpected bass accents, funky techno rhythms and short pauses to emphasize funny dance moments. Add occasional subtle robotic vocal samples saying “Berta!” or “Let’s dance!”,

Berta, Let's Dance

Create a powerful, modern, high-energy techno track for a funny, hyperrealistic French Bulldog dance video. Style: Peak-Time Techno, Bass-Heavy Club Techno, Modern Rave, Underground Techno. Tempo: 138 BPM. Extremely deep, powerful, pulsating sub-bass, massive punchy four-on-the-floor kick drums, rolling basslines, driving techno percussion, crisp hi-hats, hypnotic synthesizer loops and energetic rhythmic grooves. The track must feel playful, cool, confident and irresistibly danceable, with a strong underground nightclub atmosphere. Start immediately with a catchy, bass-driven groove. Add short rhythmic breaks, playful electronic effects, rising tension and explosive bass drops. Create strong, clearly defined beats that match the dog’s energetic dancing, head movements, paw gestures and body movements. Use unexpected bass accents, funky techno rhythms and short pauses to emphasize funny dance moments. Add occasional subtle robotic vocal samples saying “Berta!” or “Let’s dance!”,

Cantinho do Kaká

Brazilian pop-funk with a bouncy swung groove and handclap-driven rhythm; verse rides sparse percussion, bass, and bright guitar stabs, pre-chorus lifts with filtered pads and vocal chants, chorus hits with stacked gang vocals and a catchy call-and-response hook. Add risers, reversed cymbal swells, and playful ad-libs. Bright, punchy, and party-ready

Nie ma to jak KGHM

Polished 1970s-inspired funk and soul dance band, tight syncopated bass groove, crisp live drums, bright horn stabs, clipped rhythm guitar, warm electric piano, lively male lead vocal with playful conversational phrasing and group-response chorus. Three distinct verses with a memorable repeated refrain, brief horn fills between lines, energetic final chorus, warm punchy vintage recording with clear modern balance.

Arek i Szymon – przerwa trwa

Polish-language funk-disco groove with tight syncopated bass, clipped rhythm guitar, bright brass stabs, crisp live drums, handclaps, and a playful dance-floor pulse. Build from a lean bass-and-guitar intro into punchy verse sections, then open into a big singalong chorus with stacked group vocals and brass responses; add a short instrumental break before the final chorus. Warm, polished late-1970s-inspired band production, charismatic male lead with cheeky conversational phrasing.

Magic Carpet Ride

Funky soul with a tight syncopated bass-and-drum pocket, clipped wah guitar, bright brass stabs, and warm electric piano. Start with a brief instrumental groove, bring in a charismatic soulful lead vocal for vivid verses, then open into a catchy call-and-response chorus with handclaps and backing harmonies. Add a short horn-led instrumental break before the final chorus; keep the mix punchy, lively, and warmly vintage.

Magic Carpet Ride

Funky soul with a tight syncopated bass groove, crisp live drums, clipped wah guitar, warm electric piano, and punchy brass stabs. Start with a short bass-and-guitar pocket, bring in a confident soulful lead vocal for the verse, lift with handclaps and horn responses into a big catchy chorus, then open into a brief instrumental break before the final chorus. Warm, punchy vintage-leaning production with clear vocal presence and playful rhythmic swagger.

Sugar

Funky tech house, 125 BPM, G minor. Bouncy syncopated bass, tight kick, crisp claps, shuffled hats, filtered guitar chops and playful synth stabs. Confident female English vocal, cheeky spoken phrases and a highly repetitive hook: “Sweet like sugar, hit me with the bass.” Short verses, call-and-response, stop-start fills and a punchy bass drop. Modern club energy, funky swing, clean low-end and bright professional mix. DJ-friendly intro/outro, target 2:20–2:45. Original melody and lyrics.

Disco

Contemporary nu-disco and disco house anthem, 124 BPM, G minor, funky syncopated bass guitar, warm four-on-the-floor kick, crisp live-style claps, bright hi-hats, rhythmic guitar chops, electric piano, glossy strings and tasteful synth accents. Charismatic female lead in English supported by mixed group backing vocals. Build a catchy chorus around “Disco, disco, bring the feeling back, ” with playful verses, handclaps and short call-and-response lines. Use a funky instrumental intro, smooth filter transitions, a breakdown led by bass and vocal harmonies, then return with brighter strings and an uplifting final chorus. Retro-inspired but modern, stylish, joyful and highly danceable, with tight groove, warm analog texture and premium international mastering. Original song, no copied melody. DJ-friendly intro/outro, target duration 3:20–3:50.

Love Me in Stereo

R&b style bouncy funk pop dance pop polished radio rewdy major label made commercial appeal hook song female vocals, a nimble, playful female lead with crisp rhythmic phrasing and an instantly memorable call-and-response hook

Stereo Sound

Contemporary R&B blended with bouncy funk and radio-ready dance-pop, tight syncopated bass groove, crisp punchy drums, bright rhythmic guitar chops and glossy synth accents. Confident, expressive female lead vocal with playful phrasing and stacked harmony doubles on the hook. Start with a lean groove, build into a wide, instantly memorable chorus, add a brief instrumental turnaround, then return to a bigger final chorus. Clean major-label mix, upfront vocal, deep controlled low end, bright polished top, strong commercial songwriting.

I Take Control

Contemporary R&B fused with bouncy funk and dance-pop, polished major-label radio production with broad commercial appeal. Tight syncopated bass groove, crisp punchy drums, bright clipped guitar and glossy keys; verses stay nimble and spacious, pre-chorus lifts with stacked harmonies, then a big, instantly memorable chorus with call-and-response backing vocals. Confident expressive female lead, rhythmic phrasing, clean modern mix, dynamic final chorus.

I've Got Control

Contemporary R&B fused with bouncy funk-pop and dance-pop, confident playful energy, tight syncopated bass groove, crisp punchy drums, bright clipped guitar and glossy synth accents. Start with a rhythmic bass-and-clap hook, bring in intimate female lead vocals for the verse, lift with stacked harmonies and rising percussion into a big instantly memorable chorus; add brief instrumental replies between vocal phrases, a contrasting stripped-back bridge, then return to a wider final chorus. Polished major-label radio mix, clear vocal-forward balance, punchy low end, crisp highs, strong melodic payoff.

I'm in Control

Bouncy funk-pop and dance-pop with tight syncopated bass, clipped rhythm guitar, bright piano stabs, crisp kick and snare, and playful handclaps. Verses stay nimble and conversational; lift into a rising pre-chorus, then hit a bold, instantly memorable chorus with stacked female harmonies and punchy call-and-response. Polished early-2000s pop craftsmanship with modern low-end, clean separation, and a lively dancefloor mix.

Celular no Vestiário

Brega funk misturado com arrocha e sertanejo engraçado

Estruturar só tem doido

Brega funk misturado com arrocha e sertanejo engraçado

Weverton, Doido

Brega funk misturado com arrocha, groove dançante de paredão com balanço romântico e sanfona pontuando o refrão, grave redondo, percussão sincopada e teclados populares. Voz masculina brasileira, interpretação brincalhona e narrativa, versos com cadência falada-cantada e refrão melódico fácil de cantar junto. Arranjo cresce do verso enxuto para um refrão cheio, com viradas curtas e produção limpa, energética e bem-humorada.

Weverton, Doido!

Brega funk misturado com arrocha, groove dançante de paredão com balanço romântico e swingado, percussão seca e sincopada, grave redondo, sanfona expressiva respondendo às frases, teclados simples e marcantes. Voz masculina brasileira em português, interpretação divertida e teatral, versos narrativos com cadência falada-cantada e refrão coletivo fácil de cantar. Arranjo abre com chamada curta, versos sobre base contida, pré-refrão crescente e refrão explosivo; pequenas respostas de sanfona entre linhas, produção vibrante e direta, mix encorpada.

Weverton, Doido

Brega funk misturado com arrocha, groove dançante de paredão com balanço romântico e swingado; tamborzão seco, kick forte, palmas e percussão sincopada, baixo redondo, teclado sentimental e sanfona pontual. Versos narrativos em português brasileiro com voz masculina brincalhona e dicção clara; refrão curto, repetitivo e cantável, respostas de coro. Arranjo cresce do verso contido para refrão explosivo, pausa cômica antes do gancho, produção moderna, grave definido e vocal à frente.

No Almoxarifado, Não Entra

Brega funk pernambucano cômico e dançante, groove sincopado de paredão com kick seco, palmas e percussão eletrônica, synths curtos e graves elásticos; voz masculina expressiva em português brasileiro, entrega brincalhona e teatral, refrão fácil de cantar; versos narrativos sobre batida enxuta, refrão com resposta de grupo, pequenas pausas cômicas antes das punchlines, produção vibrante e direta.

Disco

Crear DISCO como una producción nu-disco instrumental original, a 120 BPM, tonalidad Mi menor y duración aproximada de 3:00 minutos. Combinar la energía de una pista contemporánea con bajo funk sincopado, batería firme, guitarra rítmica apagada, piano eléctrico y cuerdas sintéticas elegantes. El hook debe ser corto, rítmico y reconocible, construido con un motivo de guitarra o sintetizador que reaparezca en distintas capas. Utilizar una sensación humana en el groove, sin perder precisión de cuantización. La estructura debe incluir intro de percusión, entrada del bajo, apertura armónica, sección central con filtro, break breve y regreso completo con mayor brillo. Añadir pequeños detalles de metales sintéticos, palmas y acentos de piano, sin llenar todos los espacios. La mezcla debe equilibrar calidez analógica y claridad digital, con graves firmes, medios musicales y agudos suaves. Evitar una reproducción literal de canciones disco conocidas. No incorporar letra ni voz principal. Termin

DJ, Save My Life

Deep late-night funky house, warm syncopated bass groove, crisp four-on-the-floor drums, clipped rhythm guitar, dusty electric piano chords, subtle analog synth accents. Start with a filtered groove and intimate vocal, gradually open into a buoyant chorus, then feature a punchy DJ-friendly instrumental break and return to the hook. Soulful, expressive lead vocal with rhythmic phrasing and tasteful doubles; polished club mix with rounded low end, clear percussion, and warm tape character.

La Foi en Moi

French dance-funk club track, upbeat four-on-the-floor groove with syncopated slap bass and crisp brass stabs; glossy late-1990s French dance-pop production updated with punchy modern low end. Confident expressive female lead vocal in French, playful rhythmic phrasing and a big singalong chorus. DJ intro with filtered drums and bass, verses kept lean, rising pre-chorus, wide layered chorus, short instrumental breakdown with funky guitar and brass, then a final chorus and clean DJ-friendly outro. Tight, bright, polished mix.

Je me relève

French club funk-dance, upbeat four-on-the-floor groove with crisp live-feeling drums, elastic bass guitar, bright syncopated rhythm guitar, punchy brass stabs and playful disco strings. Build from a tight bass-and-guitar intro into a confident female lead vocal, expansive singalong chorus, lively instrumental break, then a final chorus with layered backing vocals. Polished DJ-friendly mix, warm vintage funk character with modern club punch, celebratory and self-assured.

Till the Sky Turns Blue

Late-1990s-inspired contemporary R&B club remix, swinging syncopated funk bass, crisp sampled-style breakbeat drums, clipped wah guitar accents, bright electric piano stabs, tasteful brass hits, bold soulful female lead with gospel-inflected runs and confident ad-libs, call-and-response backing vocals, polished punchy mix, verses lean and intimate before a wide dancefloor chorus, energetic DJ-friendly instrumental breaks

All Night Long

R&B, club remix, funky beat, all night long, soulful female lead vocal, confident late-night delivery, syncopated electric piano stabs, contemporary 1990s-inspired groove

Keep Me Moving All Night

’90s R&B, funky beat, smooth and playful, female group vocals, syncopated bass groove and crisp dance-floor drums, glossy early-’90s production

Make a Little History

Cinematic dance-pop fused with deep soul, tight funk guitar, blues-rock bite, disco pulse, and classic rock-and-roll swagger. Begin with a poised, suspenseful bass-and-clap groove; build into punchy live drums, syncopated rhythm guitar, bright strings and brass accents, then open into a huge, melodic chorus. Female lead vocal, commanding and expressive, shifting from intimate smoky phrasing to bold full-voice hooks; crisp backing harmonies and call-and-response. Polished, dramatic, rhythmically sharp mix with warm analog texture, memorable melodic turns, and a decisive final chorus.

The Spark That The World Knows

Revolutionary crossover pop, R&B, soul, funk, classic rock and roll, blues, and polished disco-dance; elegant and dramatic with a sly cinematic suspense. Tight syncopated bass and crisp dance-floor drums drive the verses, clipped rhythm guitar and handclaps build the pre-chorus, then a huge brass-and-guitar chorus opens wide. Add bluesy lead-guitar answers, punchy horn accents, layered backing vocals, and a tense stripped bridge that surges into a final double chorus. Charismatic male lead vocal, precise rhythmic phrasing, soulful grit and theatrical control; immaculate punchy mix with warm analog character and bold stereo width.

Flute on a Sunday Street

soul, funk, flute

Starlow & TEE

1960s–1970s Motown Soul & Funk | 112 BPM Upbeat vintage Motown funk with a groovy walking bassline, funky wah-wah guitars, live drums, tambourines, handclaps, bright brass horns, trumpets, saxophones, soulful piano and Hammond organ. Smooth, charismatic Black male lead singer with rich harmonies from a female soul group. Playful call-and-response vocals shouting “Come create with Starlow and TEE!” Catchy, repetitive chorus, synchronized background vocals, funky dance breaks, horn stabs and classic Motown energy. Warm analog vinyl sound, joyful, soulful and perfect for a retro TV show theme song.

Lula é minha pica

Funk proibidão, chiclete

Lastenrad vor der Haustür

drums, bass, acoustic guitar, funk Wut, 😡, vorwärts gerichtet, schnell Hip-Hop Rap

SWIPE left

High-energy funky comedy rap, humorous storytelling hip-hop, bouncy funk bassline, punchy boom-bap drums, playful piano stabs, catchy chant-style chorus, expressive conversational male rap vocals, witty punchlines, exaggerated comedic delivery, dramatic record scratches, smartphone notification sound effects, spoken dialogue skits, sudden beat cuts, explosive bass drops, increasingly animated vocals, playful family humor, memorable hook, polished production, upbeat and infectious groove.

SONDELA — BAMBOO AFTER DARK

Create an irresistible upscale South African amapiano and live jazz-funk lounge track at 118 BPM. Feature authentic Vietnamese sáo trúc bamboo flute as the melodic lead, answering a deep funky electric bass and syncopated South African log drums. Add warm Rhodes piano, crisp shakers, organic hand percussion, muted jazz guitar and tight live drum fills. ONE mature male baritone singing short, naturally pronounced isiZulu and English phrases, warm slightly raspy voice, intimate low register, realistic human breaths. About 65% instrumental. Open with a playful four-note bamboo-flute hook, build into a springy log-drum groove, feature a daring 16-bar sáo trúc and bass call-and-response solo, then a percussion-only break before the final groove. Sophisticated, flirty, rhythmically exciting, conversation-friendly. No sleepy pads, belting, robotic vocals or festival EDM drops.

PAS ENCORE — まだ帰らない

122 BPM. Sexy Japanese jazz-funk meets elegant French-touch lounge house. Start immediately with an addictive two-note fingerstyle electric bass riff, tight human acoustic drums, muted rhythmic jazz guitar, funky clavinet, warm Rhodes and silky filtered house textures. Stylish Paris-Tokyo nightlife, playful, flirty, upscale, irresistibly danceable yet conversation-friendly. ONE mature smoky female alto singing Japanese and French, authentic pronunciation, intimate low-mid register, subtle breaths, realistic human imperfections, relaxed spoken-sung delivery. 70% instrumental. Short unforgettable hook: 'Pas encore... まだ帰らない'. Feature bass-and-drum pocket, guitar/clavinet rhythmic exchanges, sudden half-time drum illusion, brief silence, then explosive GROOVE return without increased loudness. Organic musicianship, elegant mix. No belting, falsetto, robotic Auto-Tune, harsh synths, festival EDM drops or sleepy passages.

DÂY TƠ — DEIXA FLUIR

Vietnamese-Brazilian luxury bossa jazz-house, 120 BPM. FEATURE authentic Vietnamese đàn bầu (one-string monochord, expressive harmonic pitch bends) and đàn tranh (Vietnamese plucked zither). Instruments are the stars! Đàn tranh plays infectious rhythmic riffs, đàn bầu answers with seductive sliding melodies. Funky warm bass, Brazilian nylon guitar, crisp live drums, congas, soft house kick and elegant Rhodes chords. 85% instrumental. Feature 24-bar đàn bầu/đàn tranh call-and-response, playful percussion break and uplifting groove return. ONE smoky natural female alto singing only short Vietnamese-Brazilian Portuguese hooks. Intimate low-mid register, human breaths, authentic pronunciation, no belting or robotic tuning. Flirty, vibrant, sophisticated NAVA cocktail lounge. Never sleepy. No guzheng substitution, theremin, harsh synths or festival EDM drops.

रंग — THÊM CHÚT SẮC MÀU

Create a flirty, upscale Hindi-Vietnamese RAW acoustic jazz-funk track at 118 BPM. ONLY three performers: one upright double bassist, one tabla player (dayan and bayan), and one mature female contralto. No drum kit, guitar, piano, sitar, synths, percussion layers or backing vocals. Double bass drives a syncopated danceable groove with pizzicato, double-stops and subtle body taps; tabla answers in a playful 16-beat tintal cycle. Feature a 16-bar bass solo, expressive tabla improvisation and exciting call-and-response. Female sings sparse Hindi and Vietnamese hooks, warm smoky low-mid voice, audible breaths, natural human phrasing, authentic pronunciation, no belting. One-room acoustic live-session feel, woody resonance and lively natural dynamics. Short memorable hook: 'Rang... thêm chút sắc màu.' Sexy, rhythmic, sophisticated NAVA lounge, never sleepy. No Auto-Tune, robotic vocals, EDM drops or added instruments.

Sunset Vinyl Drive

saxophone, reggae, pop, funk, rock, classical, fusion, trumpet, folk, acoustic, guitar, new wave, pop punk, vocal, blues, orchestral, baroque, R&B

Goofy Mile Goodnight

Goofy 1980s television end-credits theme with jaunty jazz-funk swing, buoyant walking electric bass, crisp live drum kit, syncopated piano comping, bright brass stabs and nimble sax fills. Start with a short punchy instrumental fanfare, move into a characterful, playful lead vocal over a tight groove, then open into a brassy singalong chorus; add a brief sax-and-piano break before a big final chorus and a tidy button ending. Warm vintage studio mix, punchy tape-like saturation, lively ensemble feel, witty theatrical delivery.

Küllerin Hatırına

Iconic Turkish orchestral dance-pop, 114 BPM. Timeless 1980s elegance meets modern 2026 production. Infectious, powerful rhythmic groove, funky bass, punchy live drums, rhythmic piano, dramatic strings and sparkling brass. Instantly memorable instrumental hook. Charismatic, mature female alto vocal, warm, expressive and emotionally powerful. Crystal-clear Turkish diction, every word distinctly articulated and prominently mixed above the instruments. Strong emotional emphasis on key lyrics. Proud, playful verses with unexpected melodic turns and dramatic pauses. Explosive, uplifting, highly melodic chorus. Rich instrumental responses between vocal phrases, never covering the lyrics. Dynamic rhythmic breaks, sophisticated orchestral accents, irresistible danceable energy with bittersweet emotion. Powerful final chorus, intimate emotional outro. No arabesque, no excessive vibrato, no buried vocals, no monotonous melodies.

Kalbimin Kapısına Gel

Iconic Turkish orchestral dance-pop, 114 BPM. Timeless 1980s elegance meets bold modern production. Instantly recognizable piano and string hook, funky bass, punchy live drums, sparkling brass accents and dramatic violins. Rich, sophisticated, emotionally charged melodies. Powerful, charismatic mature female alto voice with exceptionally clear Turkish diction. Proud, playful verses with intimate emotional phrasing. Unexpected melodic leaps, dramatic pauses and exciting rhythmic breaks. Build tension before a huge, irresistible chorus. “Gönlüm hep bahar” bursts into a soaring, unforgettable melody. “Yine yok pahasına” delivers a bittersweet, dramatic melodic resolution. Strong instrumental responses between vocal lines. Explosive final chorus, emotional piano outro. Danceable, elegant, theatrical, deeply moving. No arabesque, no monotonous melody, no excessive vocal ornamentation.

910826

Energetic Electronic House / EDM Dance Pop / Upbeat K-Pop / 128 BPM / A Major / 4/4 Time Signature / Powerful Four-on-the-Floor Kick / Punchy Electronic Drums / Deep Groovy Bassline / Bouncy Synth Bass / Bright Synth Leads / Catchy Synth Hooks / Euphoric Melodies / Infectious Dance Groove / Funky Rhythms / Energetic Female Vocals / Confident Vocal Delivery / Catchy Repetitive Chorus / Layered Vocal Harmonies / Wide Stereo Synths / Dreamy Vocal Echo / Spacious Reverb / Rising Synth Build-Ups / Exciting Pre-Chorus / Explosive EDM Drop / Festival-Style Energy / Danceable Rhythms / Dynamic Transitions / Powerful Instrumental Dance Break / High-Energy Final Drop / Polished Modern K-Pop Production

De Frente Pro Mar

Brazilian baile funk, assertive male MC with rhythmic Portuguese delivery, heavy syncopated tamborzão groove, deep sliding sub-bass, sharp claps and dry percussion, sparse synth stabs, crowd-call accents; open with a spoken hype-style vocal pickup, build into a punchy verse and a chantable refrain, then finish with a short instrumental tag; raw but controlled club mix with upfront vocals

Prohibition Exhibition

Sensual, sophisticated neo-soul blended with slow alternative R&B and smoky late-night jazz influences. 74 BPM. Deep rounded bass groove, silky Rhodes electric piano, crisp relaxed drums, subtle funk guitar, atmospheric synthesizers, and occasional muted trumpet accents. Warm intimate production with a slow, hypnotic, seductive rhythm. One female vocalist with a husky, smoky lower register, velvety melodic phrasing, playful whispers, breathy ad-libs, and effortless soulful runs. Confident, teasing, mischievous, intimate, and unmistakably grown-up. Allow space between lyrics for flirtatious delivery and suggestive musical pauses. Strong memorable chorus, smooth instrumental breakdown, and lingering sensual outro. Approximately 3:30–4:00. No male vocals.

갑술일주

Late 2000s Korean Dance Pop / Electro R&B / Retro K-Pop / 110 BPM / F# Minor / Chic Female Solo Vocal / Low-Mid Register / Slightly Husky & Breathy Voice / Cool & Confident / Effortless Attitude / Smooth Talk-Singing / Groovy Bassline / Punchy Kick / Crisp Claps / Syncopated R&B Drums / Retro Synths / Funky Guitar Accents / Minimal Verses / Playful Pre-Chorus / Catchy Melodic Chorus / Addictive La-La-La Hook / Smooth Vocal Layers / Subtle Dark Atmosphere / Stylish & Sassy / Restrained Energy / Instrumental Final Chorus / Calm Spoken Outro / Polished Production / No Aggressive EDM / No Rock / No Screaming

The Woman Who Stays

Sensual, sophisticated neo-soul blended with slow alternative R&B and smoky late-night jazz influences. 74 BPM. Deep rounded bass groove, silky Rhodes electric piano, crisp relaxed drums, subtle funk guitar, atmospheric synthesizers, and occasional muted trumpet accents. Warm intimate production with a slow, hypnotic, seductive rhythm. One female vocalist with a husky, smoky lower register, velvety melodic phrasing, playful whispers, breathy ad-libs, and effortless soulful runs. Confident, teasing, mischievous, intimate, and unmistakably grown-up. Allow space between lyrics for flirtatious delivery and suggestive musical pauses. Strong memorable chorus, smooth instrumental breakdown, and lingering sensual outro. Approximately 3:30–4:00. No male vocals.

VELVET SPARK — CHẠM LÀ SAY

Sexy upscale lounge EDM, 122 BPM. Fuse soulful deep house, Brazilian bossa nova, jazz-funk and elegant nu-disco. Hypnotic warm electronic bass, infectious syncopated nylon guitar riff, silky Rhodes chords, crisp live-feeling drums, tasteful congas, subtle analog synth textures and playful tenor sax. Groove immediately, no slow intro. ONE mature smoky female alto singing English and Vietnamese, exceptionally realistic human voice, intimate low-mid register, natural breaths, slight rasp, relaxed spoken-sung phrasing. Catchy short flirty hook, 65% instrumental. Feature melodic guitar solo, 8-bar percussion breakdown, then a satisfying full-groove return with sax improvisation. Stylish, sensual, energetic luxury cocktail lounge. No high notes, belting, Auto-Tune artifacts, aggressive festival EDM drops, harsh synths or sleepy ambiance.

HALIKA — ĐÊM RỰC RỠ

Sexy upscale Filipino-Vietnamese jazz-house, Brazilian bossa and funk fusion, 122 BPM. Immediate danceable groove, punchy melodic electric bass, rhythmic nylon guitar, warm Rhodes, crisp realistic live drums, congas, subtle deep-house kick and playful muted trumpet accents. ONE warm natural male baritone singing Tagalog and Vietnamese, effortless low-mid register, intimate spoken-sung phrasing, subtle breath, human imperfections, accurate pronunciation. Catchy rhythmic bilingual chorus, confident playful attitude, no dramatic belting. Feature a dazzling 16-bar Brazilian jazz guitar solo, 8-bar live drum and conga interplay, funky bass fills and short brass responses. Rich organic musicianship, lively yet conversation-friendly luxury NAVA cocktail lounge. Smooth transitions, strong rhythmic momentum. No shrill vocals, falsetto, Auto-Tune artifacts, robotic singing, harsh EDM drops or sleepy ballad sections.

BLACK KEYS, RED LIPS — ĐỪNG VỘI VỀ

RAW LIVE ACOUSTIC SESSION, 120 BPM. ONLY ONE acoustic grand piano and ONE female solo voice. Lively, sexy jazz-funk with Latin montuno rhythms, swinging stride bass and sophisticated jazz chords. Piano creates EVERYTHING: rhythmic left-hand bass, syncopated chords, percussive accents, playful melodies and virtuosic improvisation. No drums, bass, guitar, strings, synths, samples or backing vocals. ONE mature smoky female alto, extremely realistic raw human singing, intimate conversational delivery, slight rasp, audible breathing, natural imperfections, comfortable low-mid range. Flirty English-Vietnamese lyrics, short memorable hook. Feature a thrilling 24-bar acoustic piano solo and playful piano-vocal call-and-response. One-take intimate room sound, natural key and pedal noises. Energetic, elegant, cheeky NAVA cocktail lounge. No Auto-Tune, high notes, belting, robotic vocals or sleepy ballad pacing.

BASSA NOVA — EM CƯỜI ĐI

Create a lively RAW Brazilian-Vietnamese acoustic bossa-jazz funk track at 114 BPM. ONLY ONE upright acoustic double bass and ONE male singer. No drums, guitar, piano, keyboards, synths, percussion, samples, backing vocals or overdubs. Bass carries all rhythm through syncopated pizzicato, walking lines, woody body taps, muted string slaps, harmonics and melodic double-stops. Start with a catchy bass riff; feature a 16-bar melodic bass solo and playful bass-vocal call-and-response. Deep natural male baritone, warm gentle rasp, audible breaths, human timing, comfortable low-mid notes, authentic Brazilian Portuguese and Vietnamese. Catchy hook: 'Sorri pra mim, em cười đi.' Flirty, upbeat, sexy, sophisticated NAVA lounge. One-room live acoustic performance feel. No Auto-Tune, falsetto, belting, artificial harmonies, robotic vocals or sleepy ballad energy.

BLIŻEJ — LẠI GẦN EM

RAW unplugged acoustic jazz-funk and Latin swing, 120 BPM. ONLY ONE acoustic cello, ONE wooden cajon drum, ONE female solo voice. No other instruments, layers or backing singers. Cello alternates funky pizzicato bass riffs, percussive string slaps, warm double-stops and expressive bowed melodies. Cajon creates infectious bass thumps, crisp slaps, ghost notes and lively syncopation. Feature 16-bar cello improvisation and 8-bar cajon solo. Mature smoky female contralto singing short Polish-Vietnamese phrases, exceptionally natural human voice, low-mid range, audible breath, slight rasp, spontaneous phrasing, no high notes. Intimate one-room live performance, woody resonance and human timing. Sexy, playful, energetic upscale NAVA lounge. No synths, electronic drums, Auto-Tune, pitch correction, robotic effects, slow ballad feel or added bass.

NHỊP GẦN — DRUMS & BREATH

Raw unplugged live-session jazz-funk, 118 BPM. ONLY ONE real acoustic drum kit and ONE unamplified female singer. No other instruments, bass, guitar, piano, synths, electronic beats, samples, overdubs or backing vocals. Infectious syncopated kick, snare, rimshots, toms and hi-hat played by one skilled human drummer. Dynamic drum improvisation, playful call-and-response with the singer, 16-bar drum solo. Female voice: mature smoky contralto, completely raw, intimate, naturally husky, low-mid register, audible breathing, subtle imperfections and spontaneous human phrasing. Vietnamese-English lyrics, short catchy melodic hook. One-room live performance, natural acoustic resonance, no Auto-Tune, pitch correction, reverb effects or robotic processing. Sexy, flirty, energetic, rhythmic and upscale NAVA lounge. Never sleepy, harsh or overpowering.

MỘC — NHỊP THẬT

Raw live acoustic jazz-bossa funk, 114 BPM. Sexy, lively, playful, upscale NAVA lounge atmosphere. One nylon-string acoustic guitar, upright double bass, real acoustic drum kit and hand-played congas. ONE mature female vocalist, completely natural raw husky alto, low-mid register, audible breaths, subtle imperfections, expressive human timing. Vietnamese-English lyrics, intimate conversational singing. Sound like five musicians performing together in one room, one continuous take. Hear fingers sliding on strings, drumsticks striking rims, natural room resonance. Infectious rhythmic guitar, funky acoustic bass, lively syncopated drums, 16-bar guitar solo and 8-bar drum feature. No electric instruments, synths, samples, Auto-Tune, pitch correction, artificial harmonies, robotic vocals or excessive effects. Energetic, seductive, organic, never sleepy.

Stupid Butts

Playful novelty funk-pop with a rubbery bass groove, clipped rhythm guitar, handclaps, bright brass stabs, and cheeky call-and-response vocals. Verses stay nimble and conversational; the chorus opens into a loud, simple group chant, with a brief stop-time break before the final hook. Clean, lively mix with crisp percussion and warm low end.

MIDNIGHT HEAT — NHỊP LỬA

118 BPM. Sexy, upbeat Spanish-Vietnamese Latin jazz-funk lounge. EXACTLY THREE PERFORMERS: ONE clean electric guitarist, ONE live acoustic drum-kit player, ONE natural male baritone singer. NO bass guitar, keyboards, piano, synths, percussion overdubs, strings, horns, backing vocals or extra instruments. Single guitar performance supplies funky low-string riffs, percussive chords and expressive melodic solos. Live drums supply punchy kick, crisp snare ghost notes, syncopated hi-hats and playful fills. Start with an addictive guitar-and-drum groove. Feature a 16-bar guitar solo and exciting 8-bar drum break. Warm slightly raspy low-mid male voice, exceptionally human, intimate, subtle breaths, natural timing, authentic Spanish and Vietnamese. Flirty, stylish, rhythmic, luxurious cocktail lounge. No high notes, belting, robotic tuning, sleepy ballad feel or harsh EDM drops.

BASS & WHISPERS — CHẠM KHẼ

Create an upbeat, sexy minimalist jazz-funk and neo-soul lounge song at 112 BPM using ONLY ONE electric bass guitar and ONE female solo vocalist. Absolutely no drums, percussion, piano, guitar, synths, strings, backing vocals or extra instruments. The bass creates the entire arrangement: deep fingerstyle grooves, tasteful slap accents, rhythmic muted plucks, harmonics, chordal double-stops and percussive string tapping. Start immediately with a catchy syncopated bass riff. Feature a 16-bar expressive bass solo and playful bass-vocal call-and-response. Female voice: mature smoky alto, exceptionally realistic human singing, intimate close-mic delivery, natural breath, subtle imperfections, low-mid register, authentic Vietnamese-English pronunciation. Flirty, confident, seductive, lively upscale cocktail lounge. No high notes, belting, falsetto, robotic tuning or sleepy ballad pacing.

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