Songs made with Voices AI bring voice technology into music - from covers to original tracks. Hear how creators and our community are using AI voices to explore new sounds and ideas.

Bad Move
late-1980s dance-pop and funk, tight syncopated drum groove, crisp handclaps, clipped electric guitar, elastic bass, bright brass stabs, dramatic synth accents, urgent rhythmic male lead vocal, layered call-and-response backing vocals, polished analog studio mix, tense verses opening into a huge chantable chorus

On the run
Pop funk with bright digital piano, bright guitar chops, round synth bass, pads, hand percussion, and slick claps; polished radio compression, glossy top end, warm low-end bounce, stacked mids, short delay throws on final words; bouncy midtempo groove; female up-front vocals with close-mic verses and airy backing harmonies on the hook.

On the run
Pop funk, polished radio compression with glossy top end, warm low-end bounce, stacked mids and short delay throws on final words; bright digital piano, bright guitar chops, round synth bass, pads, hand percussion and slick claps; female up-front vocals with close-mic verses and airy backing harmonies on the hook; bouncy midtempo groove

Goza Pra Mim
funk carioca sensual e dançante, batida sincopada pesada, subgrave redondo, percussão seca e detalhada, synths curtos e provocantes, versos íntimos em português brasileiro, refrão cantado e repetitivo, vocal feminino confiante, produção moderna de club, dinâmica crescente até um refrão explosivo

Останься
Trance with soulful piano, funk electric guitar, filtered synth chops and deep bass; bright confident female vocal, slightly breathy close-mic verses, punchy chorus delivery, Russian gang-vocal hook and ad-libs; tight vocal, wide stereo, cinematic night atmosphere; steady driving pulse, key up +1 semitone in the final drop-chorus

Останься
Trance, steady driving pulse, modern club-radio mix with tight vocal and wide stereo, bright confident female vocal with slightly breathy close-mic verses and punchy chorus delivery, soulful piano, funk electric guitar, filtered synth chops, deep bass, Russian gang-vocal hook and ad-libs, cinematic night atmosphere, key up +1 semitone in the final drop-chorus

On the run
Pop dance pop with female vocals, close-mic verses and airy backing harmonies on the hook; bright electric guitar chops, round synth bass, pads, hand percussion, slick claps, and stacked mids; bouncy funk groove; polished radio-ready mix with glossy top end, warm low-end bounce, and short delay throws on the last word

On the run
Pop dance-pop production, bright polished radio-ready mix with glossy top end, warm low-end bounce, stacked mids, and short delay throws on the last word; bouncy funk groove; bright guitar chops, round synth bass, pads, hand percussion, slick claps; female vocals, close-mic verses with airy backing harmonies on the hook.

Kalbinin Eşkiyası
Modern Turkish dance-pop at 124 BPM, powerful sensual confident female vocal, cool verses and tense pre-chorus into a massive hook-led chorus, addictive melodic bassline, punchy drums, sleek electric guitar, warm synths and elegant strings, 70s funk syncopation, sleek radio-ready mix with tight low end and wide chorus impact

İstanbul’un Şarkısı
funk, mature powerful female vocal in Istanbul Turkish, 118 BPM with a cool-groovy verse and huge explosive chorus, signature funky bass riff, wah-wah guitar, clavinet, analog synth, dry live drums, sharp 2-bar bass-guitar break after the specified line, retro 70s Anatolian-funk pulse with European disco drive and polished 2026 Turkish pop focus

İstanbul’un Şarkısı
Funk, 118 BPM with a driving disco pulse; dry live drums, analog synth saturation, and retro glamour; powerful mature female vocal with cool verses and an explosive chorus; signature funky bass riff, wah-wah guitar, clavinet, European disco string-like synth layers, and a sharp 2-bar bass-guitar break after the specified line.

Kalbim Bir Şarkı Çiçeği
Dance-pop, modern punchy production with an elegant retro groove and cinematic ending, driving 120 BPM four-on-the-floor groove, confident mature female vocal with close-mic verses rising into explosive melodic chorus, dramatic strings, funky bass, 70s Turkish-pop guitar accents, modern synths, instantly catchy intro

Kalbim Bir Şarkı Çiçeği
Dance-pop, modern punchy production with an elegant retro groove and cinematic ending, confident mature female vocal with clear melodic phrasing and restrained doubles, driving 120 BPM four-on-the-floor groove, dramatic strings, funky bass, bright modern synths, instantly catchy intro, rising pre-chorus, explosive melodic chorus, strong 70s Turkish pop DNA

Midnight Sax Serenade
Pop funk-soul chillout with saxophone, mandolin, electric guitar, acoustic guitar, guitar and xylophone; steady midtempo groove, minimalist electro-lounge production, instrumental

Midnight Sax Serenade
Pop instrumental, saxophone leads over mandolin, electric and acoustic guitar, guitar, and xylophone; minimalist production with clean synthwave tones and restrained baroque accents; steady chillout-funk groove with soulful syncopation.

明日への光
J-pop rock with funk groove, energetic tempo, high-dynamic live-band mix and triumphant finale, powerful passionate male chest voice with conversational verses and soaring bridge, deep slap bassline, punchy acoustic drums, bright rhythm guitar, syncopated piano accents, featured guitar solo, guitar-bass exchange, explosive sing-along chorus and massive final chorus

On the run
Rami yacoub style Pop funk with a bouncy groove, bright guitar chops, and round synth bass; female vocals up front, close-mic in verses with airy backing harmonies on the hook, Pre-chorus lifts on pads and hand percussion, chorus blooms with stacked mids, slick claps, and short delay throws on the last word, Bright, polished, radio-ready mix with glossy top end and warm low-end bounce, female vocals, pop, warm, low, female vocals, clean, rhythmic, dance pop, bounce, funk, electric, electronic, bright, soul, major label produced and polished, radio ready about shine, max martin, Andreas Carlsson hit pop song style arrangement

Running From Your Gravity
Rami yacoub style Pop funk with a bouncy groove, bright guitar chops, and round synth bass; female vocals up front, close-mic in verses with airy backing harmonies on the hook, Pre-chorus lifts on pads and hand percussion, chorus blooms with stacked mids, slick claps, and short delay throws on the last word, Bright, polished, radio-ready mix with glossy top end and warm low-end bounce, female vocals, pop, warm, low, female vocals, clean, rhythmic, dance pop, bounce, funk, electric, electronic, bright, soul, major label produced and polished, radio ready about shine, max martin, Andreas Carlsson hit pop song style arrangement

Running From Your Gravity
Pop-funk with a bouncy dance-pop groove, bright muted electric-guitar chops, round synth bass, slick claps, hand percussion, warm low-end bounce, polished radio-ready mix, glossy controlled top end. Female lead vocal: close-mic and conversational in the verses, airy backing harmonies in the hook. Pre-choruses lift with widening pads and hand percussion; choruses bloom with stacked midrange vocals, crisp claps, and short delay throws on the final word of key lines. Dynamic, catchy, clean, rhythmic, confident.

Heart in the Passenger Seat
pop funk, rhythmic dance-pop bounce, bright clean electric guitar chops, round synth bass, tight polished drums, slick claps, warm low-end bounce, glossy radio-ready mix, close-mic female lead vocals in verses, airy female backing harmonies on the hook, pre-chorus pad lift with hand percussion, chorus with stacked midrange vocals, short delay throws on final words, dynamic verse-to-chorus arrangement

光走る鼓動
Japanese male vocal, uplifting J-pop × pop rock with funk and soul influence, motivational and youthful, strong groove rather than excessive speed, groovy bassline, punchy live drums, bright electric guitar, rhythmic piano, conversational and rhythmic verses, lyrics clearly delivered and easy to understand, gradually rising pre-chorus, explosive emotional anthemic chorus, catchy sing-along melody, powerful chest voice, energetic backing vocals, emotional chord lifts, strong dynamic contrast between verse and chorus, inspiring and triumphant atmosphere, live-band feeling, powerful but not aggressive, no trap-heavy production, no overly fast rap flow, no dark mood, big emotional bridge, huge final chorus, triumphant ending.

I Like Chicken Wings
upbeat comedy party pop, bouncy four-on-the-floor groove, funky bass guitar, crisp handclaps, bright brass stabs, playful male lead vocal with exaggerated chant delivery, call-and-response chorus, clean punchy mix, short instrumental breaks for crowd energy

Italo do Brioco
Funk carioca with dembow-locked drums, skittering tamborzão fills, and a rubbery bassline; verse rides tight and conversational, pre-chorus strips to handclaps and a rising synth sting, chorus hits with crowd shouts and a chopped lead hook. Lead vocal is raw and teasing with doubled hook lines, short ad-libs tossed wide, and quick delay throws on the punch phrase. Airy sirens, reversed whooshes, and a bass drop before each chorus; bright, punchy, and sweaty-clean in the mix.

BAD MAMMA JAMMA THEOLOGY
Modern club hip-hop × R&B × Latin dance rap, 106 BPM. Irresistible party groove with deep rolling 808s, punchy kick, crisp claps, bouncing hi-hats, dembow-influenced percussion, funky bass, sparse piano, nylon-guitar accents and brass hits. No rock or metal. Charismatic male rapper: confident, funny, conversational, slightly stoned philosopher energy, never preachy. Smooth seductive female R&B vocalist carries a huge melodic hook with playful call-and-response and layered harmonies. Make “HELLO, WAKE UP AMERICA” a catchy rhythmic party chant over a bass drop. Dark lyrics about Caesar, war, money and prophecy contrast with a sexy dance-floor beat. Bong section turns psychedelic with filtered bass and chopped vocal echoes. Cut everything for “Confidence proportional to the evidence.” Then “Remember that, dummy”—massive 808 drop. Final section explodes into percussion, female harmonies, crowd vocals and a dance break. Sexy, smart, funny, spiritual and ridiculously catchy.

Tá do Lado
Pop brasileiro com R&B e soul, groove funk dançante, guitarras rock levemente sujas, baixo sincopado, bateria disco com bumbo firme e hi-hats abertos, synths dance brilhantes, refrão grande e cantável, vocal masculino rouco e caloroso, versos íntimos e descontraídos, pré-refrão crescente, ponte com guitarra, produção moderna com baixo presente, palmas discretas e energia de banda ao vivo; composição original em português

Do Lado de Cá
Pop brasileiro dançante com R&B e soul, groove funk sincopado, guitarras rock limpas e levemente sujas, baixo elástico, bateria disco com bumbo firme, palmas e sintetizadores dançantes; versos íntimos em voz masculina rouca e descontraída, refrão aberto e cantável, ponte com guitarra, produção orgânica de banda ao vivo combinada com brilho pop moderno, dinâmica crescente e mix quente

No Shopping Com Elas
Brazilian pop funk with a bouncy dembow-leaning groove, syncopated handclaps, and glossy bass pulses; verse stays playful and conversational with light percussion and snapped vocals, pre-chorus lifts with filtered pads and rising ad-libs, chorus drops into a chanty group hook with stacked doubles. Sprinkle mall-bell chimes, bag-rustle foley, and quick drum fills into transitions. Bright, punchy, and sunlit mix with close-mic female vocals and crowd-style backing on the hook.

Ela Domina o Refrão
funk brasileiro cômico e explícito, batida dançante de baile, tamborzão pesado, grave 808 encorpado, synths curtos e brincalhões, vocal masculino enérgico em canto-falado, refrão pegajoso, produção limpa e agressiva, viradas de percussão e chamadas de festa

Spicy Little Supper
upbeat playful party-pop with a bouncy dance groove, punchy drums, handclaps, funky bass, bright brass accents, cheeky call-and-response vocals, polished radio mix, energetic chorus built for group singalong

Make 'Em Spicy
upbeat funky pop-rap, playful Southern party energy, bouncy drums, crisp handclaps, rubbery bass, bright brass stabs, catchy call-and-response hook, animated conversational vocals, polished colorful mix

Ventisca
funk

うそでもいいから
Upbeat Japanese R&B pop ballad, 92 BPM, smooth but driving groove. Distinctive sweet female vocal, soulful and emotional. Punchy R&B drums, deep funky bass, Rhodes piano, clean electric guitar, bright synth pads and subtle saxophone. Strong syncopated rhythm, catchy bassline, smooth 7th and 9th chords. Romantic late-night atmosphere with bittersweet emotion, energetic chorus, polished 90s-inspired R&B production.

うそでもいいから
Sophisticated 1980s Japanese city pop, 98 BPM, clear upbeat groove. Distinctive sweet female vocal. Prominent slap-style electric bass, crisp Linn-style drum machine with live hi-hat, funky clean electric guitar, bright electric piano, analog Juno-style synths, subtle brass and saxophone riffs. Strong syncopated rhythm, catchy bassline, tight drums, jazzy seventh chords. Neon-lit summer night, bittersweet romance, nostalgic Tokyo atmosphere. Clean, punchy, polished vintage production with a memorable instrumental hook.

Szachy na spokojnie
Polish chillout hip-hop, 88 BPM, laid-back boom bap groove with a gentle funky bounce. Warm Rhodes piano, mellow jazzy guitar, smooth bassline, soft kick, crisp rimshot snare and subtle shakers. Relaxed, friendly outdoor hangout atmosphere. Natural male rap vocals, warm tone, clear Polish pronunciation, playful conversational flow. Catchy half-sung chorus with gentle backing vocals repeating “Na spokojnie”. Spacious verses with room for storytelling, fuller melodic chorus. Short instrumental intro, small instrumental breaks between sections, relaxed spoken outro. Feel-good mood, organic instruments, warm and polished product

When the Rhythm Finds Us
upbeat dance-pop with contemporary R&B and soul vocals, tight funk guitar and elastic bass groove, four-on-the-floor disco drums, bright string stabs, punchy live rock guitar accents, handclaps, polished club mix, dynamic verses that build into a huge singalong chorus, soulful ad-libs and a short instrumental dance break

Still Choose You
pop, contemporary R&B, soul, funk, rock, disco, dance; upbeat four-on-the-floor groove, syncopated bass guitar, bright rhythm guitar, tight live drums with crisp claps, glossy synth accents, funky electric piano, dramatic guitar lift in the pre-chorus, big singable chorus, expressive soulful lead vocal with stacked harmonies, polished punchy mix, dynamic breakdown before the final chorus

마라탕 먹고 싶다
upbeat Korean indie pop with funky dance groove, bright electric piano, plucky synth bass, crisp drum kit, playful brass accents, conversational male lead vocal, catchy call-and-response chorus, clean punchy modern mix, dynamic verse-to-chorus lift

마라탕 먹고 싶다
upbeat Korean indie-pop with playful funk groove, bright female vocals, bouncy electric bass, crisp drum kit, muted guitar chops, hand percussion, spicy street-food energy, catchy call-and-response chorus, polished lively mix with a short instrumental break before the final chorus

Soleil de Nuit au Cap
90 BPM. Warm, sunny French old-school hip-hop, mainly 1990s French rap with a subtle late-80s/90s West Coast touch. Boom-bap drums, round funky bass, Rhodes/electric piano, mellow clean guitar, light analog synths and relaxed summer groove. Add only occasional short 1970s soul-style vocal chops: warm male falsetto, dusty vinyl texture, used as transitions or background accents, never dominating the track. Medium male baritone voice, natural French diction, laid-back but expressive rap flow, intimate and melodic at times, no autotune, no female lead, no crowd chants. Mood: affectionate, sunlit and fresh, but bittersweet underneath. Verses should feel conversational and vivid; chorus simple, warm and memorable. 90 BPM throughout, organic dynamics, classic hip-hop mix, warm low end, crisp snare, spacious stereo image.

Meu Amigo, Eu Tô Contigo
Funk carioca melódico e dançante, batida de tamborzão marcada, grave 808 encorpado, percussão seca e sincopada, synths tropicais simples, versos falados-cantados com energia calorosa, refrão melódico e fácil de cantar, clima de amizade leal e celebração, produção moderna limpa, viradas curtas antes do refrão e final com coro coletivo

Não Toma Conta da Minha Vida
Funk carioca brasileiro, batida de baile com tamborzão marcado, grave 808 encorpado, percussão seca e sincopada, synth curto e provocante, versos falados-cantados com flow confiante, voz feminina adulta e atrevida, refrão chiclete com respostas de coro, produção moderna, energia dançante e humor debochado, arranjo com intro curta, versos compactos, pré-refrão crescente, refrão explosivo e ponte de call-and-response

Cuida da sua vida
Funk carioca de baile, batida tamborzão seca e pesada, grave 808 curto, percussão sincopada, synths curtos e provocantes, versos falados com flow confiante, refrão cantado e grudento, energia de festa em casa, produção moderna e direta, pausas para resposta da multidão, atitude debochada porém divertida

That's what I like - português
2010s contemporary pop-R&B, upbeat funk groove, catchy bassline, crisp punchy drums, rhythmic percussion, smooth electric piano, bright synth accents, luxurious and playful atmosphere, danceable, polished radio production, male tenor vocal, warm bright tone, soulful phrasing, rhythmic delivery, agile falsetto, tasteful vocal runs, playful ad-libs, layered background vocals, catchy repetitive chorus, confident and charismatic performance. Warm bright male tenor, smooth soulful tone, expressive R&B phrasing, controlled falsetto, agile vocal runs, rhythmic and playful delivery, confident high notes, charismatic performance, tasteful ad-libs and harmonies.

Slap Bass Demo
1993 old school extremely funky hip hop, nasty funky lounge bassy groove, 88 bpm, d minor single note very deep resonant slap bassline, swinging deep hip hop drums, dynamic bongo percussion layer, minimalist instrumental trim, no other instruments

Love Me Furtive
English R&B fusion with rap and dance-pop energy, neo-soul chord colors, tight funk bass, crisp syncopated drums, glossy pop hooks, warm Rhodes keys, muted guitar scratches, subtle vocal harmonies, intimate breathy female lead shifting into confident melodic rap, sleek modern mix, verses sparse and conversational, pre-chorus building tension, chorus wide and catchy, short funky instrumental break, final chorus with layered ad-libs; avoid imitation of any named artist

The literature master Birthday Soiree
Reggaeton, Saxophone, Afro-Juju Highlife, Talking Drum, Flute, Bass, Percussion, Shaker, Deep Afro Soul, Black Rhythm & Xoulful Blues, Sitar Afro-Jazz, Prog Afro-Funk, Poetry, Samba-Afro-Piano, Amapiano bass log drum, Soulful Boogie, rock, EDM, electric guitar, synth-pop

深夜のメッセージ
House, Funk, Jazz, Pop, Disco Funk, Jazz House

Toma lá da cá parte 2
Estilo funk consciência, funk de favela, tambor, melodia, emocionante, marcante, piano, 130bpm

CAVALO DE TRÓIA PARTE 2
Estilo funk consciente, funk de favela, tambor, melodia, emocionante, marcante, piano, 130 bpm

Rhythm Inside
Brazilian baile funk and club-house fusion, driving four-on-the-floor groove, syncopated percussion, punchy sub bass, bright filtered synth stabs, chopped vocal textures, energetic DJ-set momentum, short tension builds into heavy drops, polished loud club mix, confident male vocal ad-libs

4
Tribal / Afro-Latin Sexy inclusive Miami club track at 126 BPM blending Tech House, modern Disco House, tribal percussion and Afro-Latin groove. Funky rolling bassline, punchy kick, crisp claps, congas, shakers, disco guitar chops, filtered strings and short vocal samples. Confident male spoken vocal with crowd-response phrases: “NO LABELS TONIGHT” and “TONIGHT WE ARE ONE.” Start funky and seductive, then progressively become harder and more tribal. Huge stop before the main drop. Second drop combines disco energy with heavy Tech House bass and Afro percussion. Stylish, provocative, joyful and sophisticated. Extended DJ arrangement.

夜の限界コード
Japanese Vocaloid-Style Club EDM, Dark Electro House, Complextro, Hard Electro, Digital Bass Music, BPM160, Fast-Paced, Human Male Vocal Only, Strong Auto-Tune, Kerokero Male Vocal, Rapid-Fire Sung Japanese Phrasing, Dense Syllabic Melody, Fast Staccato Vocal, Syncopated Vocal Melody, No Rap-Dominant Delivery, Minor Key, Dark Club Energy, Dirty Electronic Bass, Heavy 808 Bass, Massive Sidechain Pumping, Hard Punchy Kick, Metallic Synth Stabs, Distorted Digital Synth, Bitcrushed Synth, Glitch FX, Stutter Editing, Vocal Chops, Chopped Synth Hooks, Aggressive Beat Cuts, Short Tension Build, Hard Electronic Drop, Drop Immediately Hits Hard, Relentless Dance Groove, Neon Streaming Atmosphere, Digital Broadcast Aesthetic, Party Club Energy, Toxic Pop Edge, Cocky, Chaotic, Addictive, Hook-Heavy, High-Energy, Danceable, No Reggae, No Dancehall, No Reggaeton, No Funk Groove, No Refreshing Pop, No Euphoric Festival Pop, No Bright Supersaw Chorus, No Emo Pop, No Dreamy Chords, No Acoustic Instruments, No Laid-Back Rap

No Labels, No Borders
Tech house fused with tribal percussion, disco-house bass groove, and Latin house swing; 124 BPM four-on-the-floor, tight punchy kick, syncopated congas and bongos, guiro, shakers, handclaps, funky octave bass, filtered disco strings, muted guitar chops, bright piano stabs, and a short soulful vocal hook. Start with a stripped percussion groove, build through call-and-response chants, open the filters into a bold chorus, add a brief breakdown with hand percussion and spoken-sung declarations, then return to a euphoric final drop. Confident mixed-gender group vocals, multilingual-friendly pronunciation, crisp club mix, warm low end, wide percussion, controlled vocal delay, uplifting and communal rather than sentimental.

EU SOU INTENSA
Balada pop romântica cinematográfica brasileira, profundamente emocional e íntima. Voz feminina adulta, delicada, intensa e vulnerável, cantando como uma declaração de amor real. Início minimalista com piano suave e voz muito próxima, respiração natural e interpretação contida. Crescimento gradual com violoncelo, cordas cinematográficas, pads atmosféricos e percussão leve. Refrões fortes e emocionantes, sem exagero vocal. A cantora demonstra tristeza verdadeira, saudade, amor e esperança. No último refrão, a voz começa a falhar e ficar embargada, No final, reduzir quase todo o instrumental, deixando piano e cordas discretas. A cantora passa do canto para uma fala emocionada, com pausas, respiração trêmula e choro contido, como se não conseguisse terminar a declaração. Últimas frases quase sussurradas entre lágrimas. Clímax emocional forte e humano. Estilo trilha sonora de filme romântico contemporâneo. Sem batida eletrônica, sem funk, sem sertanejo, sem voz alegre.

In the 602
energetic witty summer pop, desert funk groove, punchy live drums, rubbery bass, bright electric guitar, handclaps, sunny brass accents, playful conversational lead vocal, tight radio-ready mix, big singalong chorus, short stop-start breaks for jokes

In the 692
energetic desert-pop party anthem, bright southern hip-hop bounce, witty conversational verses, catchy melodic male lead vocal, handclaps and crisp drums, funky bass, bright electric guitar, brass accents, playful call-and-response chorus, polished radio mix with a hot-weather carefree feel

دبلة ومونكي
Egyptian pop, upbeat danceable rhythm, energetic darbuka percussion, hand claps, funky bassline, bright cheerful synths, playful melody, wedding celebration atmosphere, charismatic male vocal

Goleiro Bruno Picotou
Brazilian humorous dance-pop, upbeat pagode-funk groove, punchy surdo and hand percussion, bright cavaquinho accents, playful call-and-response vocals, catchy short chorus, clean festive production, comic storytelling, energetic arrangement with a brief breakdown before the final chorus

Verkeerdom versoeking
Afrikaans alternative rap meets dusty trip-hop and crooked bedroom funk. 86 BPM: lazy swung drums, warm sub-bass, muted guitar, strange percussion and sudden silences. Low female lead, casual, husky and teasing: spoken intro, loose half-rap verses, sing-talk hook. Relaxed male replies and imperfect doubles. Natural Afrikaans; preserve slang and wordplay. Breaths, tiny laughs, uneven phrasing, slightly behind the beat, like sharing secrets at 2 a.m. Good-girl sweetness, naughty underneath. Shared exes, overlapping pasts, old wounds soothed by pleasure. Fleeting intimacy, no promises. Dry humour with sadness beneath it. Unexpected, intimate, raw; no forced rap accent, belting, glossy tuning or grand climax. Strip bridge to bass and voice; pause before “doo-vay.” End with overlapping “soet / stout” whispers, “hou my net vas” underneath, and two distant “ek’s weer hier” echoes fading into room noise.

I Don't Even Know Her Name
dance-pop, 80s funk pop, iconic tight drum beat, pulsing synthesizer bassline, rhythmic electric guitar stabs, crisp hi-hats, dramatic suspenseful atmosphere, energetic male vocals

Omon Moni Birthday Soiree
Reggaeton, Saxophone, Afro-Juju Highlife, Talking Drum, Flute, Bass, Percussion, Shaker, Deep Afro Soul, Black Rhythm & Xoulful Blues, Sitar Afro-Jazz, Prog Afro-Funk, Poetry, Samba-Afro-Piano, Amapiano bass log drum, Soulful Boogie, rock, EDM, electric guitar, synth-pop

My Sons Bring Me Home
1970s funk foundation with tight syncopated drums, rounded electric bass, clavinet and wah guitar; 1960s vocal soul phrasing with gospel-leaning call-and-response backing vocals; 1960s electric blues guitar bends and expressive fills; early-2000s hip-hop verses with steady conversational rap cadence; deep raspy white male lead vocal, weathered and intimate in the verses, forceful in the chorus; live-band room sound, warm tape saturation, dry upfront drums, restrained horn accents, dynamic arrangement that moves from sparse testimony to full-band release; serious, reflective, resilient, cinematic but human

Where the Dust Comes Down
1970s funk foundation with tight syncopated drums, elastic electric bass, clavinet and warm brass accents; 1960s vocal soul phrasing with gospel call-and-response, gritty stacked harmonies, and restrained organ; 1960s electric guitar blues with expressive bends, tremolo, and answering fills; 2000s hip-hop verses with deliberate head-nod groove, crisp boom-bap drums, deep sub bass, and conversational rhythmic delivery; deep raspy white male lead vocal, weathered and intimate in verses, forceful soulful choruses; narrative arrangement that begins sparse, builds through verse and pre-chorus, opens into a large hook, features a blues-guitar instrumental break, then closes with a stripped reflective outro; warm analog saturation, punchy drums, clear vocal-forward mix, dramatic but human

When the Road Disappears
1970s funk foundation with tight syncopated bass, dry live drums, clavinet and horn accents; 1960s vocal soul phrasing with gritty call-and-response backing vocals; 1960s electric guitar blues using expressive bends, short fills, and tube-amp breakup; 2000s hip-hop verses with relaxed pocket, crisp boom-bap drums, restrained turntable textures, and occasional half-time weight. Deep raspy white male baritone lead, conversational rap delivery shifting into soulful sung hooks, raw analog warmth, punchy low end, concise arrangement with an instrumental guitar break before the final chorus, verses, pre-choruses, repeated hook, and a tight outro.

The Great Big Disco Groove
groovy funk-disco, syncopated slap bass, tight four-on-the-floor drums, clipped rhythm guitar, bright electric piano, handclaps, brass stabs, playful call-and-response vocals, polished 1970s-inspired dancefloor mix, verses build tension, pre-chorus lifts, huge chantable chorus, instrumental breakdown with bass and brass exchanges, energetic competitive mood

Christ Emmanuel, notre chanson
Coupé-Décalé moderne et international, groove dansant autour de percussions ivoiriennes précises, batterie afro-pop énergique, basse ronde et rebondissante, guitares funky en contretemps, cuivres éclatants, synthés festifs, appels-réponses de foule, montée progressive vers un refrain fédérateur, voix masculine chaleureuse et expressive, chœurs joyeux, production brillante et ample avec impact radio, émotion parentale sincère, célébration familiale et élégante

SECONDHAND FABULOUS
Late-1970s disco-funk, 116 BPM, glamorous, playful and groove-driven, polished studio production. Confident female lead vocal with warm soulful tone, personality and rhythmic phrasing, fun and stylish rather than overly powerful. Prominent syncopated electric bass, tight acoustic drums, crisp funky rhythm guitar, clavinet, Rhodes, bright horn stabs and tasteful disco strings. Verses groove-focused, pre-choruses build naturally, choruses wide, catchy and celebratory with soulful backing vocals. After the second chorus, add a short 8–12 second funk breakdown: drums strip back, punchy bass riff leads, guitar and clavinet trade rhythmic phrases, brief female ad-libs, then sharp horn stabs drive into the bridge. No long instrumental solo. Final chorus bigger with bass, horns, strings and backing vocals. Authentic warm 70s feel. Studio only, no audience. Avoid EDM, modern dance-pop, house and electronic disco.

Sweetest Pops BIRTHDAY LOOP REMIX
Afro-Juju trap, Black Rhythm & Soulful Blues, rhymal Hip-hop, Deep Afro Soul, Highlife, rock, funk, saxophone, chill wave samba, talking drums, ancestral flute, Soulful Boogie, reggaetonwave, ancestral drill fusion, drum and bass, trumpet, classical, trombone, electronic

Back for Fun
upbeat funk-pop, bouncy syncopated bass, crisp handclaps, bright electric piano, playful brass stabs, tight danceable drums, conversational lead vocal, stacked gang harmonies in the chorus, clean colorful mix, verse-to-chorus lift with a short brass break before the final chorus

Back for Fun
upbeat funky pop, playful syncopated groove, rubbery bass, crisp handclaps, bright rhythm guitar, cheeky brass accents, punchy drums, conversational lead vocal, catchy call-and-response chorus, polished colorful production with a short breakdown before the final chorus

Brandão Team Tigrao
Funk português com influência de Brazilian funk, commercial pop e R&B. Voz masculina. Português de Portugal, pronúncia portuguesa europeia e sotaque natural de Portugal. Música energética, divertida e positiva, com baixo forte, batida dançante, percussão, elementos electrónicos e uma melodia muito cativante. A música deve ter ambiente de live do TikTok, com energia de comunidade, amizade e diversão. Versos mais melódicos e emocionais, seguidos por um refrão explosivo e fácil de cantar. Usar chamadas e respostas entre o cantor e a multidão. O refrão principal deve destacar “BRANDÃO TÁ ON”, “TEAM TIGRAO” e “UPPA UPPA”, de forma muito repetitiva e memorável. Vibe de hino de uma comunidade de TikTok, mas mantendo humildade e boa disposição. Tema de nunca desistir, ser forte, ser um bom parceiro, aproveitar a vida e ser feliz. Produção moderna e comercial, grave forte, drop de funk, vozes de multidão no refrão e final épico. Não usar sotaque brasileiro na voz. Português europeu.

GANGGANGSULLAE!
Wild Korean folk EDM / 134 BPM / insanely fun festival dance beat / playful, cheeky Korean spoken vocal / traditional Korean female folk chants / Ganggangsullae-inspired call-and-response / huge deep Korean buk as MAIN beat / constant booming DUNG-DUNG rhythm / buk + electronic kick layered together / bouncy sub bass / addictive four-on-the-floor groove / fast janggu rolls / sharp kkwaenggwari / jing accents / pungmul and samulnori percussion / “얼쑤! 좋다!” energetic crowd shouts / playful Korean-English vocal switching / verses start minimal with buk and funky bass / percussion gradually gets faster / dramatic stop-and-go / sudden SILENCE before punchlines / one massive “둥!” buk hit / “뭐라고?” call-and-response build / rapidly rising janggu and kkwaenggwari / HUGE DROP on “강강술래!” / explosive group chanting / round-and-round dance feeling / repetitive hypnotic folk hook / bright synth stabs / pumping electronic bass / modern Korean club sound / joyful village festival transformed into a mas

Gf Timo K c g ne
“Same musical identity as a punchy, stylish island film opening, but shifting into approaching storm tension. Begin with a tight rhythmic groove, dry drums, muted funky bass, subtle clicks and sharp guitar stabs. Gradually darken the harmony as storm clouds appear, adding low pulsing synths, distant cinematic percussion and tense warm strings. Build urgency as the boat races back and islanders board up their homes. Then transition smoothly to a wealthy luxury villa: keep the tension, but introduce elegant vintage keys and sophisticated, restrained orchestral textures. Stylish, rhythmic, adventurous and cinematic – tense, but not horror or trailer music. Analog, distinctive, slightly mischievous.118 BPM. Instrumental.”

Michael Jackson
Energetic 1980s dance-pop with a funky groove, punchy bassline, crisp electronic drums, rhythmic funk guitar, bright analog synthesizers and dramatic string accents. Dynamic male pop vocals with expressive emotion, tight rhythmic phrasing, layered harmonies, catchy vocal hooks and powerful high-register moments. Big memorable chorus, danceable beat, polished studio production, exciting vocal ad-libs and a nostalgic stadium-pop atmosphere.

그림자 비트
Original dark funk song, 112 BPM, D minor. Low, confident solo Korean vocal with rhythmic melodic singing. Syncopated electric-bass ostinato, punchy dry kick, tight snare, muted guitar scratches and sparse clavinet accents. Two bars per lyric line. Deliver “한 걸음” in short detached phrases, then sustain the endings “선명해져” and “깊어져”. Keep verses sparse; add guitar responses in chorus vocal gaps. Bridge drops drums for one bar, leaving subtle footstep percussion and voice. Full bass groove returns in the final chorus with light vocal doubling. Clear consonants, controlled low end, minimal reverb. Original melody and bass line, no samples or artist imitation.

slow
Afro house × drum & bass × R&B × funk, 126 BPM intro building into 174 BPM DnB sections. Warm afro percussion, funky bass guitar, smooth Rhodes chords, soulful R&B vocals, deep sub bass, rolling breakbeats, tribal drums and catchy guitar chops. Sexy summer-night vibe, groovy verses, energetic drop, smooth transitions and a melodic club feel.

sunrise
Jazz groove house, 124 BPM, warm funky bassline, jazzy Rhodes chords, soft saxophone riffs, crisp house drums, shuffled hi-hats, subtle vinyl texture, soulful female vocal chops, deep warm kick. Minimal, sexy late-night club vibe. Smooth build-up into a groovy bass-driven drop. Keinemusik × jazzy Ibiza house feel.

Brindo alla mia posizione
Italian comedic pop-funk, bouncy four-on-the-floor groove, playful bass guitar, clipped rhythm guitar, bright brass stabs, handclaps, conversational male lead vocal with exaggerated theatrical delivery, verses sparse and talk-sung, big catchy chorus with group responses, polished radio mix, humorous confident energy

Alerta Feminina
Ritmo pop urbano com influência de rap falado e funk melody, batida média e envolvente, aproximadamente 95 BPM. Voz feminina madura, firme e natural, como uma mulher conversando e aconselhando outras mulheres. Versos principalmente falados, com pequenas partes melódicas. Refrão cantado, marcante e fácil de memorizar. Instrumental moderno, grave suave, bateria seca, baixo presente e poucos elementos para deixar a voz em destaque. Não fazer sofrência, não fazer sertanejo tradicional, não exagerar nos efeitos vocais. A música deve transmitir alerta, experiência, força feminina e autoestima, sem parecer agressiva. Começar quase falando e ir crescendo até o refrão. Duração máxima de 2 minutos e 30 segundos

Mãos que Não Se Perdem
Ritmo pop urbano com influência de rap falado e funk melody, batida média e envolvente, aproximadamente 95 BPM. Voz feminina madura, firme e natural, como uma mulher conversando e aconselhando outras mulheres. Versos principalmente falados, com pequenas partes melódicas. Refrão cantado, marcante e fácil de memorizar. Instrumental moderno, grave suave, bateria seca, baixo presente e poucos elementos para deixar a voz em destaque. Não fazer sofrência, não fazer sertanejo tradicional, não exagerar nos efeitos vocais. A música deve transmitir alerta, experiência, força feminina e autoestima, sem parecer agressiva. Começar quase falando e ir crescendo até o refrão. Duração máxima de 2 minutos e 30 segundos
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