"Blues"
Songs created with Voices AI

Songs made with Voices AI bring voice technology into music - from covers to original tracks. Hear how creators and our community are using AI voices to explore new sounds and ideas.

  Make It Count

Make It Count

80s guitar rock studio track, 130 BPM. Dry, close, controlled recording. Crunchy electric rhythm guitar, bass and tight punchy drums. MALE VOCAL IS THE LEAD SINGER for the entire song, gritty and raspy, emotional but controlled. FEMALE VOCAL IS SECONDARY, only adding occasional backing lines and responses behind the male, mainly in the chorus. Short guitar intro, then bass and drums, followed quickly by the male lead. Catchy guitar riff, tight verses and a strong memorable chorus. Keep the arrangement compact and focused. IMPORTANT: Two singers recorded separately in a recording studio. Completely isolated vocals and instruments. NO PEOPLE PRESENT. NO AUDIENCE. NO CROWD. NO CHEERING. NO CLAPPING. NO APPLAUSE. NO CHANTS. NO GROUP SINGING. NO LIVE RECORDING. NO CONCERT SOUND. NO ROOM CROWD NOISE. NO STADIUM. NO ARENA. NO SPOKEN VOCALS. NO RAP. NO BLUES. NO METAL.

    Make It Count

Make It Count

80s-inspired gritty rock studio recording. 130 BPM. Tight, dry production with crunchy electric rhythm guitars, driving bass and punchy drums. Male lead vocal carries 85–90%: gritty, raspy, emotional and melodic. Female backing vocals only on key chorus lines. Short 6–8 second guitar intro, then bass, drums and male vocal. Catchy, guitar-driven verses and a strong memorable chorus. Radio-ready studio sound. STRICTLY STUDIO. NO LIVE PERFORMANCE, NO AUDIENCE, NO CROWD, NO CHEERING, NO CLAPPING, NO APPLAUSE, NO CHANTS, NO GROUP VOCALS, NO CONCERT ATMOSPHERE, NO STADIUM OR ARENA EFFECTS. NO SPOKEN WORDS, TALKING OR RAP. NO BLUES, METAL, POP-ROCK, POWER BALLAD OR LONG GUITAR SOLO.

My Favorite Hat

My Favorite Hat

Blues with slow swung 12-bar feel, walking bass and brushed drums; verse stays sparse with close-mic vocal and lonely guitar licks, pre-chorus opens with a bent harmonica figure and a rising drum swell, chorus lands heavier with gang-vocal answers on the hook word. Add bottle-neck slide fills between lines, a dusty room-ambience tail, and a final verse that drops to voice and guitar before the last chorus. Warm, weathered mix with a grainy vintage edge., blues

My Favorite Hat

My Favorite Hat

melancholic acoustic blues, slow shuffle beat, weeping slide guitar, walking upright bass, smoky male vocals, late-night lonely mood

No mercy

No mercy

Heavy metal evil dark music blues

Crown of Your Own Desire

Crown of Your Own Desire

evil dark metal, slow-to-midtempo stomping groove, blues-rock guitar phrasing twisted into minor-key doom riffs, down-tuned distorted guitars with expressive bends and slide-like inflections, thick bass, massive live drums, tom-heavy transitions, ominous low male vocals shifting from restrained menace to harsh roars, sparse ritualistic intro, crushing verse, huge anthemic chorus, bluesy lead guitar interlude, thunderous breakdown, raw analog saturation, dense but clear mix, dramatic half-time ending

Backdoor Man

Backdoor Man

gritty electric blues-rock, swaggering midtempo shuffle, overdriven guitar riffs, walking bass, roomy live drums, raspy confident male vocal, call-and-response chorus, raw bar-band mix with a tight modern low end

Backdoor Man

Backdoor Man

raw electric blues-rock, mid-tempo shuffle groove, gritty male baritone vocal, overdriven guitar riffs, walking bass, loose live-room drums, call-and-response chorus, vintage analog saturation, compact arrangement with a punchy guitar intro and dirty instrumental turnaround

Black Tie, Cold Eyes

Black Tie, Cold Eyes

dark drill fused with 1950s noir and early rhythm-and-blues arranging, slow stalking half-time groove, clipped punchy kick and snare, deep sliding sub-bass, sparse brushed percussion, tremolo electric guitar, muted upright piano, tense orchestral strings, smoky mono-leaning room ambience with modern low-end control, verses restrained and conversational, chorus wider with stacked male vocals, brief instrumental breakdown, dusty tape saturation and narrow-band vocal texture

You're mind Steve

You're mind Steve

organ, vocal harmony, acoustic guitar, electro, house, blues

Bockworschtelend 2

Bockworschtelend 2

folk rock, trumpet, blues, vocal harmony

Tin Can Over Tulsa

Tin Can Over Tulsa

1950s rockabilly, brisk slapback groove, upright bass walking hard, twangy hollow-body electric guitar, bright snare and tambourine, bluesy male lead vocal with playful urgency, vintage mono room sound, short guitar fills between vocal lines, explosive double-time final chorus

Steven, Reveille & Rêves

Steven, Reveille & Rêves

blues-rock humoristique qui accélère sur les refrains 🎸😴 : début volontairement tranquille, presque somnolent, puis gros réveil musical sur « STEVEN !!! », avant de retomber doucement comme s’il se rendormait. 😆

🎺 THE TRUMPET PLAYED FOR EVERYONE

🎺 THE TRUMPET PLAYED FOR EVERYONE

here’s an original 1940s/50s smoky jazz-club song, Low black blues vocals dramatic trumpet solo, walking double bass, brushed drums and a smoky 1950s nightclub feel.

Yaadon ka galiyaara

Yaadon ka galiyaara

EDM, acoustic, blues, new wave, progressive

River‑Honeysuckle Covenant

River‑Honeysuckle Covenant

Modern Appalachian new bluegrass with a subtle Mississippi Delta-blues undertone, 74–76 BPM, steady 4/4. [acoustic guitar] [mandolin] [banjo] [fiddle] [upright bass] [cello] [light brushed percussion]. Organic string-driven sound with rolling banjo, rhythmic mandolin, warm acoustic picking, mournful fiddle fills, deep bass, and occasional cello for darker passages. Male high-baritone/low-tenor vocal: earthy, raspy, nasal-edged Appalachian twang with a weathered chest tone and only a slight bluesy grit. Strong but imperfect and human, capable of climbing into gritty upper-mid notes and controlled belts. Keep the singing continuously flowing with NO long pauses; only very short breaths after every two lyric lines. Verses stay conversational and forward-moving. Choruses open up with stronger projection, then immediately settle back. Raw, modern, mountain-rooted, emotional, and acoustic.

The Man In The Tweed Jacket

The Man In The Tweed Jacket

bossa nova, Rhythm n Blues, jazz

Counting My Steps

Counting My Steps

Acoustic indie folk, warm fingerpicked guitar, steady stomp-clap rhythm, intimate male vocal, gentle harmonica accents, wooden room reverb, raw traditional blues-folk feeling

Honeysuckle River Lullaby

Honeysuckle River Lullaby

Modern Appalachian country blended with deep Delta blues, progressive bluegrass, dark Americana, and Southern roots at 72–74 BPM in 4/4, centered in F# minor with brighter A-major lifts in the choruses. [fingerpicked steel-string acoustic guitar] [rolling banjo] [mournful fiddle] [resonant dobro] [mandolin] [upright bass] [subtle brushed percussion]. Vocal: deep smoky baritone with chest-heavy resonance, weathered Southern drawl, controlled rasp, and dusky blues grit. Keep verses intimate and restrained, with breathy line endings. Let key phrases swell into strong chest-mix belts, reaching a moderate upper-mid register without sounding like a high tenor. Choruses should rise powerfully, then immediately pull back into softer, lower phrasing. Organic, raw, cinematic, mournful, and soulful, with a slightly quicker forward-moving pulse but never upbeat or rushed.

OUT OF THE DARKNESS CAME THE LIGHT

OUT OF THE DARKNESS CAME THE LIGHT

Dreamy, melancholic alternative rock with slow tempo, hazy electric guitars, warm analog reverb, subtle psychedelic textures, soft brushed drums, deep bass, and an intimate ethereal female vocal. The atmosphere should feel nocturnal, nostalgic, sensual and slightly haunting, with spacious production, minimal arrangement, emotional restraint, and a hypnotic cinematic mood. Blend dream pop, slowcore, neo-psychedelia, folk and blues influences. Avoid polished pop production; keep it raw, organic, atmospheric and timeless. The full song must not exceed 5 minutes in total length.

THE BODY REMEMBERS

THE BODY REMEMBERS

Dreamy, melancholic alternative rock with slow tempo, hazy electric guitars, warm analog reverb, subtle psychedelic textures, soft brushed drums, deep bass, and an intimate ethereal female vocal. The atmosphere should feel nocturnal, nostalgic, sensual and slightly haunting, with spacious production, minimal arrangement, emotional restraint, and a hypnotic cinematic mood. Blend dream pop, slowcore, neo-psychedelia, folk and blues influences. Avoid polished pop production; keep it raw, organic, atmospheric and timeless. The full song must not exceed 5 minutes in total length.

THE PRICE OF STAYING SMALL

THE PRICE OF STAYING SMALL

Dreamy, melancholic alternative rock with slow tempo, hazy electric guitars, warm analog reverb, subtle psychedelic textures, soft brushed drums, deep bass, and an intimate ethereal female vocal. The atmosphere should feel nocturnal, nostalgic, sensual and slightly haunting, with spacious production, minimal arrangement, emotional restraint, and a hypnotic cinematic mood. Blend dream pop, slowcore, neo-psychedelia, folk and blues influences. Avoid polished pop production; keep it raw, organic, atmospheric and timeless. The full song must not exceed 5 minutes in total length.

NOTHING LEFT TO PROVE

NOTHING LEFT TO PROVE

Dreamy, melancholic alternative rock with slow tempo, hazy electric guitars, warm analog reverb, subtle psychedelic textures, soft brushed drums, deep bass, and an intimate ethereal female vocal. The atmosphere should feel nocturnal, nostalgic, sensual and slightly haunting, with spacious production, minimal arrangement, emotional restraint, and a hypnotic cinematic mood. Blend dream pop, slowcore, neo-psychedelia, folk and blues influences. Avoid polished pop production; keep it raw, organic, atmospheric and timeless. The full song must not exceed 5 minutes in total length.

BETWEEN HEAVEN AND THE GRAVE

BETWEEN HEAVEN AND THE GRAVE

Dreamy, melancholic alternative rock with slow tempo, hazy electric guitars, warm analog reverb, subtle psychedelic textures, soft brushed drums, deep bass, and an intimate ethereal female vocal. The atmosphere should feel nocturnal, nostalgic, sensual and slightly haunting, with spacious production, minimal arrangement, emotional restraint, and a hypnotic cinematic mood. Blend dream pop, slowcore, neo-psychedelia, folk and blues influences. Avoid polished pop production; keep it raw, organic, atmospheric and timeless. The full song must not exceed 5 minutes in total length.

I LEARNED TO LOVE THE DARK

I LEARNED TO LOVE THE DARK

Dreamy, melancholic alternative rock with slow tempo, hazy electric guitars, warm analog reverb, subtle psychedelic textures, soft brushed drums, deep bass, and an intimate ethereal female vocal. The atmosphere should feel nocturnal, nostalgic, sensual and slightly haunting, with spacious production, minimal arrangement, emotional restraint, and a hypnotic cinematic mood. Blend dream pop, slowcore, neo-psychedelia, folk and blues influences. Avoid polished pop production; keep it raw, organic, atmospheric and timeless. The full song must not exceed 5 minutes in total length.

BEAUTIFUL THINGS STILL DIE

BEAUTIFUL THINGS STILL DIE

Dreamy, melancholic alternative rock with slow tempo, hazy electric guitars, warm analog reverb, subtle psychedelic textures, soft brushed drums, deep bass, and an intimate ethereal female vocal. The atmosphere should feel nocturnal, nostalgic, sensual and slightly haunting, with spacious production, minimal arrangement, emotional restraint, and a hypnotic cinematic mood. Blend dream pop, slowcore, neo-psychedelia, folk and blues influences. Avoid polished pop production; keep it raw, organic, atmospheric and timeless. The full song must not exceed 5 minutes in total length.

THE ONLY WAY OUT IS IN

THE ONLY WAY OUT IS IN

Dreamy, melancholic alternative rock with slow tempo, hazy electric guitars, warm analog reverb, subtle psychedelic textures, soft brushed drums, deep bass, and an intimate ethereal female vocal. The atmosphere should feel nocturnal, nostalgic, sensual and slightly haunting, with spacious production, minimal arrangement, emotional restraint, and a hypnotic cinematic mood. Blend dream pop, slowcore, neo-psychedelia, folk and blues influences. Avoid polished pop production; keep it raw, organic, atmospheric and timeless. The full song must not exceed 5 minutes in total length.

YOUR HANDS CAN’T HOLD A GHOST

YOUR HANDS CAN’T HOLD A GHOST

Dreamy, melancholic alternative rock with slow tempo, hazy electric guitars, warm analog reverb, subtle psychedelic textures, soft brushed drums, deep bass, and an intimate ethereal female vocal. The atmosphere should feel nocturnal, nostalgic, sensual and slightly haunting, with spacious production, minimal arrangement, emotional restraint, and a hypnotic cinematic mood. Blend dream pop, slowcore, neo-psychedelia, folk and blues influences. Avoid polished pop production; keep it raw, organic, atmospheric and timeless. The full song must not exceed 5 minutes in total length.

THE DEVIL NEVER LOOKED LIKE THIS

THE DEVIL NEVER LOOKED LIKE THIS

Dreamy, melancholic alternative rock with slow tempo, hazy electric guitars, warm analog reverb, subtle psychedelic textures, soft brushed drums, deep bass, and an intimate ethereal female vocal. The atmosphere should feel nocturnal, nostalgic, sensual and slightly haunting, with spacious production, minimal arrangement, emotional restraint, and a hypnotic cinematic mood. Blend dream pop, slowcore, neo-psychedelia, folk and blues influences. Avoid polished pop production; keep it raw, organic, atmospheric and timeless. The full song must not exceed 5 minutes in total length.

I BURIED WHO I USED TO BE

I BURIED WHO I USED TO BE

Dreamy, melancholic alternative rock with slow tempo, hazy electric guitars, warm analog reverb, subtle psychedelic textures, soft brushed drums, deep bass, and an intimate ethereal female vocal. The atmosphere should feel nocturnal, nostalgic, sensual and slightly haunting, with spacious production, minimal arrangement, emotional restraint, and a hypnotic cinematic mood. Blend dream pop, slowcore, neo-psychedelia, folk and blues influences. Avoid polished pop production; keep it raw, organic, atmospheric and timeless. The full song must not exceed 5 minutes in total length.

THE HOUSE BEHIND MY EYES

THE HOUSE BEHIND MY EYES

Dreamy, melancholic alternative rock with slow tempo, hazy electric guitars, warm analog reverb, subtle psychedelic textures, soft brushed drums, deep bass, and an intimate ethereal female vocal. The atmosphere should feel nocturnal, nostalgic, sensual and slightly haunting, with spacious production, minimal arrangement, emotional restraint, and a hypnotic cinematic mood. Blend dream pop, slowcore, neo-psychedelia, folk and blues influences. Avoid polished pop production; keep it raw, organic, atmospheric and timeless. The full song must not exceed 5 minutes in total length.

PALUMBRISTA

PALUMBRISTA

Dreamy, melancholic alternative rock with slow tempo, hazy electric guitars, warm analog reverb, subtle psychedelic textures, soft brushed drums, deep bass, and an intimate ethereal female vocal. The atmosphere should feel nocturnal, nostalgic, sensual and slightly haunting, with spacious production, minimal arrangement, emotional restraint, and a hypnotic cinematic mood. Blend dream pop, slowcore, neo-psychedelia, folk and blues influences. Avoid polished pop production; keep it raw, organic, atmospheric and timeless. The full song must not exceed 5 minutes in total length.

THE WEIGHT OF WHAT I NEVER SAID

THE WEIGHT OF WHAT I NEVER SAID

Dreamy, melancholic alternative rock with slow tempo, hazy electric guitars, warm analog reverb, subtle psychedelic textures, soft brushed drums, deep bass, and an intimate ethereal female vocal. The atmosphere should feel nocturnal, nostalgic, sensual and slightly haunting, with spacious production, minimal arrangement, emotional restraint, and a hypnotic cinematic mood. Blend dream pop, slowcore, neo-psychedelia, folk and blues influences. Avoid polished pop production; keep it raw, organic, atmospheric and timeless. The full song must not exceed 5 minutes in total length.

WHEN THE SHADOW CALLS MY NAME

WHEN THE SHADOW CALLS MY NAME

Dreamy, melancholic alternative rock with slow tempo, hazy electric guitars, warm analog reverb, subtle psychedelic textures, soft brushed drums, deep bass, and an intimate ethereal female vocal. The atmosphere should feel nocturnal, nostalgic, sensual and slightly haunting, with spacious production, minimal arrangement, emotional restraint, and a hypnotic cinematic mood. Blend dream pop, slowcore, neo-psychedelia, folk and blues influences. Avoid polished pop production; keep it raw, organic, atmospheric and timeless. The full song must not exceed 5 minutes in total length.

THE ART OF REBELLION

THE ART OF REBELLION

Dreamy, melancholic alternative rock with slow tempo, hazy electric guitars, warm analog reverb, subtle psychedelic textures, soft brushed drums, deep bass, and an intimate ethereal female vocal. The atmosphere should feel nocturnal, nostalgic, sensual and slightly haunting, with spacious production, minimal arrangement, emotional restraint, and a hypnotic cinematic mood. Blend dream pop, slowcore, neo-psychedelia, folk and blues influences. Avoid polished pop production; keep it raw, organic, atmospheric and timeless. The full song must not exceed 5 minutes in total length.

سرابي القديم

سرابي القديم

Desert blues with a 12/8 sway and dusty handclaps, twangy electric guitar phrases answering a raw male vocal; verse rides sparse frame drum and low bass, pre-chorus opens with clapping and a rising desert chant, chorus hits with bent guitar, group echoes, and a dry percussion stomp. Breathy doubles on key lines, delay throws on the hook words, wind-chime accents into each change, intimate and grainy mix with sun-baked warmth.

سرابي القديم

سرابي القديم

Desert blues in Arabic, slow 6/8 groove around 78 BPM, dry hand percussion and low frame drum, hypnotic electric guitar with quarter-tone bends, sparse bass, occasional oud phrases, wide dusty room ambience, intimate weathered male vocal, verses restrained and spacious, chorus opens into a stronger call-and-response, brief instrumental guitar break, warm analog saturation and deliberately uncluttered mix.

THE ART OF REBELLION

THE ART OF REBELLION

Dreamy, melancholic alternative rock with slow tempo, hazy electric guitars, warm analog reverb, subtle psychedelic textures, soft brushed drums, deep bass, and an intimate ethereal female vocal. The atmosphere should feel nocturnal, nostalgic, sensual and slightly haunting, with spacious production, minimal arrangement, emotional restraint, and a hypnotic cinematic mood. Blend dream pop, slowcore, neo-psychedelia, folk and blues influences. Avoid polished pop production; keep it raw, organic, atmospheric and timeless.

سر زلف

سر زلف

blues Chicago Guitar Chicago

WHEN THE SHADOW CALLS MY NAME

WHEN THE SHADOW CALLS MY NAME

Dreamy, melancholic alternative rock with slow tempo, hazy electric guitars, warm analog reverb, subtle psychedelic textures, soft brushed drums, deep bass, and an intimate ethereal female vocal. The atmosphere should feel nocturnal, nostalgic, sensual and slightly haunting, with spacious production, minimal arrangement, emotional restraint, and a hypnotic cinematic mood. Blend dream pop, slowcore, neo-psychedelia, folk and blues influences. Avoid polished pop production; keep it raw, organic, atmospheric and timeless.

NO ONE IS COMING TO SAVE YOU

NO ONE IS COMING TO SAVE YOU

Dreamy, melancholic alternative rock with slow tempo, hazy electric guitars, warm analog reverb, subtle psychedelic textures, soft brushed drums, deep bass, and an intimate ethereal female vocal. The atmosphere should feel nocturnal, nostalgic, sensual and slightly haunting, with spacious production, minimal arrangement, emotional restraint, and a hypnotic cinematic mood. Blend dream pop, slowcore, neo-psychedelia, folk and blues influences. Avoid polished pop production; keep it raw, organic, atmospheric and timeless.

Midnight River Whisper

Midnight River Whisper

Deep, low-timbre male vocal with a smoky Delta-blues character—gravelly, chest-heavy, weathered, soulful, and powerful without sounding polished. Slow Southern drawl, expressive blues phrasing, controlled rasp, and a raw lived-in delivery. Style blends modern Appalachian country, progressive bluegrass, Southern roots, Americana, and dark acoustic blues. Keep the arrangement organic, spacious, and emotionally heavy, with strong storytelling and a haunting backwoods atmosphere. [warm acoustic guitar] [resonant dobro] [restrained banjo] [mandolin] [upright bass] [haunting fiddle] [light brushed percussion] [subtle slide guitar] Build gradually around the vocal, allowing each instrument room to breathe. Earthy, melancholic, gritty, intimate, and cinematic—Delta blues soul blended with modern mountain-country and newgrass.

The Watch at Ten

The Watch at Ten

Gritty electric blues noir, slow shuffle around 78 BPM, overdriven hollow-body guitar answering a smoky low male vocal, walking upright bass, dry snare and brushed cymbals, sparse piano stabs, harmonica fills between lines. Start with a tense guitar-and-bass intro, build slightly through the verses, strip to voice and piano for the false-lead bridge, then hit a thick guitar solo and final chorus. Close-miked vocal with grain, restrained room ambience, vintage tube saturation, punchy midrange, and a dark late-night bar mix.

BORN OUTSIDE THE GATE

BORN OUTSIDE THE GATE

Dreamy, melancholic alternative rock with slow tempo, hazy electric guitars, warm analog reverb, subtle psychedelic textures, soft brushed drums, deep bass, and an intimate ethereal female vocal. The atmosphere should feel nocturnal, nostalgic, sensual and slightly haunting, with spacious production, minimal arrangement, emotional restraint, and a hypnotic cinematic mood. Blend dream pop, slowcore, neo-psychedelia, folk and blues influences. Avoid polished pop production; keep it raw, organic, atmospheric and timeless.

THE SKIN I LEFT BEHIND

THE SKIN I LEFT BEHIND

Dreamy, melancholic alternative rock with slow tempo, hazy electric guitars, warm analog reverb, subtle psychedelic textures, soft brushed drums, deep bass, and an intimate ethereal female vocal. The atmosphere should feel nocturnal, nostalgic, sensual and slightly haunting, with spacious production, minimal arrangement, emotional restraint, and a hypnotic cinematic mood. Blend dream pop, slowcore, neo-psychedelia, folk and blues influences. Avoid polished pop production; keep it raw, organic, atmospheric and timeless.

Я не желаю тебе смерти

Я не желаю тебе смерти

ballad, vocal, deep piano chords with sparse guitar licks, a soulful and raw vocal performance with an intimate texture, blues

Одинокий человек не обязан есть чужую жизнь

Одинокий человек не обязан есть чужую жизнь

creating a reflective and emotional atmosphere. male vocals recommended., rich piano and guitar with a slow, blues, ballad, heartfelt tempo. smooth transitions between verses and chorus, vocal

Cider Trails and Winter Roads

Cider Trails and Winter Roads

Style: Soulful modern outlaw country with southern soul and blues grit, 78 BPM, 6/8 feel. Less folk, more muscle. Lead vocal: raw, gritty, soulful male with natural rasp and low-end growl, not clean Nashville, close and powerful, occasional gritty ad-lib. Instruments: warm clean electric guitar with slight breakup and tremolo, heavy strummed acoustic underneath, deep round electric bass, big live drums with room sound - not brushed, laid back and heavy, Hammond B3 organ swelling in background, weeping pedal steel far back, gospel-tinged female backing vocals only on final chorus. Production: analog, warm, live band in one room, tape saturation, slight grit, no pop gloss, no auto-tune. Mood: heavy, honest, faithful, tired but devoted, late-night bar to Sunday morning. Let verses stay

Dunking in the Shadows

Dunking in the Shadows

dark swamp blues rock, heavy distorted bass, gritty electric guitar riffs, sluggish plodding drum groove, moody atmospheric male vocals, cinematic tension, slow tempo

Blues y regge adios

Blues y regge adios

Reggeton blues

Stay With You

Stay With You

Country-R&B crossover with a sultry, assured female lead vocal; midtempo groove around 86 BPM, acoustic guitar and brushed snare in the verses, rounded electric piano and restrained sub-bass underneath, pedal-steel fills answering the vocal, then a wider chorus with stacked harmonies, handclaps, and tasteful blues guitar. Keep the delivery intimate in the verses and confident in the hook, with clear diction, tasteful melisma, dry upfront lead vocal, short plate reverb, warm analog-style saturation, and polished radio-ready low end. Build from sparse verse to lifted pre-chorus, expansive chorus, stripped bridge, and final chorus with ad-libs.

Aunt Lula’s house 2026-2

Aunt Lula’s house 2026-2

Sing in a Southern Soul male voice with a heavy King George bounce. Use talk-sing delivery with confident swagger, clear storytelling, and a warm baritone tone. Add bold adlibs like “yeahhh, ” “mm-hmm, ” “come on now, ” “step with me, ” “ohhh yeah, ” and “let’s ride.” Keep the rhythm punchy with a steady two-step groove, bluesy slides, and grown-folks charm. Emphasize the beat with playful pauses, call-and-response energy, and smooth vibrato. Make it sound live, bouncy, and full of Southern Soul personality.

Aunt Lula’s house 2026

Aunt Lula’s house 2026

Sing in a Southern Soul male voice with a heavy King George bounce. Use talk-sing delivery with confident swagger, clear storytelling, and a warm baritone tone. Add bold adlibs like “yeahhh, ” “mm-hmm, ” “come on now, ” “step with me, ” “ohhh yeah, ” and “let’s ride.” Keep the rhythm punchy with a steady two-step groove, bluesy slides, and grown-folks charm. Emphasize the beat with playful pauses, call-and-response energy, and smooth vibrato. Make it sound live, bouncy, and full of Southern Soul personality.

Family affair 2b.1

Family affair 2b.1

Sing in a smooth Southern Soul male voice with a laid-back King George vibe. Use talk-sing delivery, warm baritone tone, and confident bluesy swagger. Add natural adlibs like “yeahhh, ” “mm-hmm, ” “come on now, ” “ohhh yeah, ” and “let’s go.” Keep a relaxed two-step bounce with soulful slides, subtle vibrato, and grown-folks charm. Deliver names clearly with emotional weight, blending sincerity and a feel-good groove. Make it sound live, warm, and full of Southern Soul personality.

Family affair 2b.2

Family affair 2b.2

Sing in a smooth Southern Soul male voice with a laid-back King George vibe. Use talk-sing delivery, warm baritone tone, and confident bluesy swagger. Add natural adlibs like “yeahhh, ” “mm-hmm, ” “come on now, ” “ohhh yeah, ” and “let’s go.” Keep a relaxed two-step bounce with soulful slides, subtle vibrato, and grown-folks charm. Deliver names clearly with emotional weight, blending sincerity and a feel-good groove. Make it sound live, warm, and full of Southern Soul personality.

Where Did You Went, Old Friend

Where Did You Went, Old Friend

Slow 12-bar electric blues in a minor-leaning mood, around 68 BPM, with brushed drums, warm upright bass, lazy tremolo guitar fills, sparse piano answers, and a worn barroom arrangement. Begin intimate and restrained, widen slightly in the final choruses, then end with a lonely guitar turnaround. Deep gravelly male vocal, conversational phrasing, cracked sustained notes, close-miked, tape warmth, modest room reverb, and plenty of space between phrases.

Kendall Manda al Caminar

Kendall Manda al Caminar

Rock pesado con raíces de blues rock, tempo medio-rápido y riffs de guitarra con bends ásperos. Batería contundente con bombo marcado, caja seca y fills amplios; bajo grueso siguiendo el riff. Versos con voz principal femenina de actitud descarada y fraseo rasgado; estribillo grande, melódico y pegadizo con coros de respuesta. Añadir un puente instrumental con solo de guitarra expresivo, amplificadores saturados y mezcla cruda pero definida, con pegada de directo y final explosivo.

Whispers

Whispers

cello, trumpet, ukulele, deep house, 80s, new wave, chillout, harp, jazz, trip hop, a cappella, drums, blues, punk, violin, acoustic guitar, soundtrack

Crimson Silence

Crimson Silence

4 minutes of 2020's dark romance Metal, 2020's dark romance blues, 2020's dark romance soul with a deep raspy white male vocal about being single, alone and miserable because nobody cares or loves me, about to give up on love forever

Pankowkater

Pankowkater

1980s ostrock, art rock, gritty duet, dark female alto voice with raspy raw sound, staccato pressed rasp male vocal, driving hammond organ, raw bluesy electric guitar, heavy rhythmic drums, dramatic emotional tension, analogue production, 112 bpm

Names on a Wall

Names on a Wall

2020s rap metal fused with slow, sorrowful blues; 74 BPM, minor-key electric guitar bends and dusty blues lead phrases over downtuned palm-muted guitars, sparse half-time drums that expand into crushing choruses, restrained sub-bass, occasional feedback swells, and a raw live-room mix. Deep raspy white male vocal, intimate talk-sung verses with weary rap cadence, then cracked full-throated choruses; keep the delivery human, grief-stricken, and specific. Arrangement: stark guitar-and-voice opening, tense verse, massive chorus, second verse with heavier drums, stripped bridge, final chorus with layered gang responses, then a quiet unresolved guitar outro.

Dust in My Boots

Dust in My Boots

Rap metal and broken-man blues at a mid-tempo stomp, with syncopated palm-muted guitars, heavy breakbeats, and a dragged, half-time groove; verse 1 rides close-mic raspy low-end spoken rap, pre-chorus strips to bass and kick with a cracked blues vocal lift, chorus slams with gang shouts and stacked doubles, bridge drops to lonely clean guitar and room noise before a final full-band surge. Distorted ad-libs, delayed hook throws, battle-scarred breathing, and vinyl-grit texture; mix is raw, wide, and bruised, with a smoky low-mid punch., rap metal, blues, deep, vocal

Mi 7

Mi 7

Soul/blues romántico de tempo lento-medio, guitarra eléctrica con bends cálidos, piano Wurlitzer, bajo redondo, batería con escobillas y caja profunda, órgano suave entrando en el estribillo, sección de metales discreta en el clímax. Voz principal masculina, íntima y quebrada en los versos, creciendo a una interpretación apasionada en el coro, con coros gospel suaves respondiendo frases clave. Arreglo: intro de piano y guitarra, verso contenido, pre-coro ascendente, estribillo amplio, segundo verso con bajo más presente, puente desnudo y último coro con metales y armonías. Mezcla analógica, cálida, ligeramente saturada, con voz al frente y reverb corta de sala.

Siete cincuenta y nueve

Siete cincuenta y nueve

Soul blues contemporáneo, tempo lento-medio con swing relajado; guitarra eléctrica limpia con respuestas bluseras, piano Rhodes cálido, bajo redondo y batería con escobillas que crece hacia un estribillo amplio. Versos íntimos y cercanos, pre-estribillo con tensión armónica, coros con armonías vocales suaves y un pequeño solo de guitarra después del segundo coro. Voz principal emotiva, ligeramente rasposa, fraseo conversado y dinámicas que pasan de vulnerable a esperanzador. Mezcla cálida, orgánica y analógica, con saturación de cinta sutil y espacio de sala; cierre reducido a piano, guitarra y voz.

7:59

7:59

Soul/blues with swung pocket and slow-burn groove; verse rides sparse electric piano, brushed drums, and a warm bass line; pre-chorus opens with organ swells and a lifted harmony; chorus lands with gritty lead vocal, doubled last lines, and handclap accents. Use short delay throws on the hook word, a muted guitar answer after each phrase, and a final chorus with gospel-style backing voices. Mix is warm, smoky, and intimate., blues, soul

Siete cincuenta y nueve

Siete cincuenta y nueve

Soul/blues romántico contemporáneo, tempo lento-medio con shuffle suave, piano eléctrico con acordes de séptima, guitarra blues limpia con respuestas melódicas, bajo redondo, batería contenida con escobillas y golpes de caja profundos, órgano discreto en el estribillo. Voz principal masculina, cálida y vulnerable, con pequeñas inflexiones gospel y coros suaves en los estribillos. Arreglo: intro de piano y guitarra, versos cercanos, pre-estribillo que eleva la tensión, estribillo amplio y memorable, puente con guitarra protagonista y final íntimo. Mezcla analógica cálida, voz al frente, saturación ligera, espacio de club pequeño y dinámica natural.

MMA fight trailer

MMA fight trailer

Blues-rock with electronic stomp beat at a slow 78 BPM feel and double-time punch in the chorus; verses ride stripped drum hits, sub pulses, and distorted guitar scrapes, pre-chorus tightens with snare rolls and filtered noise, chorus slams with gang shouts and bluesy hook doubles. Brit-leaning rough male vocal, gritty close-mic verses, snarled ad-libs, splashy room reverbs, tape grit, wide and raw mix., electronic, slow, rock, singer-songwriter, raw, guitar solos

MMA fight trailer

MMA fight trailer

Blues-rock with electronic stomp beat at a slow 78 BPM feel and double-time punch in the chorus; verses ride stripped drum hits, sub pulses, and distorted guitar scrapes, pre-chorus tightens with snare rolls and filtered noise, chorus slams with gang shouts and bluesy hook doubles. Brit-leaning rough male vocal, gritty close-mic verses, snarled ad-libs, splashy room reverbs, tape grit, wide and raw mix., electronic, slow, rock, singer-songwriter, raw

Pipe Bowl

Pipe Bowl

Bluesy folk-rock with a slow swung pocket and fingerpicked acoustic guitar; verse stays sparse with brushed snare, upright bass, and close-mic male vocals, pre-chorus opens with a trembling harmonica line, chorus lands with gang shouts and a muddy electric guitar answer phrase. Bridge strips to voice and bass, then final chorus blooms with tambourine, handclaps, and delay throws on the title line. Warm, grainy, intimate mix with dusty low end and bright top-air.

Amantes

Amantes

Style rock, Punk, fusion, metal, grime, blues, electro hits hats Voz Myriam Hernandez, BPN: 65, INTRO Arpegio, pianissimo suave, Coro mezzo piano a forte, 4 VERSO 1 Arpegio Piano C4 G3 E4 G4 F4 A3 D4 A4 G4 B3 E4 B4,

178

178

Blues

177

177

Blues

11

11

Blues

Calling Through the Blue

Calling Through the Blue

Raw contemporary soul ballad with gospel undertones, slow 6/8 groove, warm Rhodes chords, sparse brushed drums, rounded electric bass, occasional Hammond swells, and restrained blues guitar fills. Begin nearly bare and intimate, build into a pleading chorus with layered harmonies, then fall back to a worn, vulnerable outro. Lead vocal is expressive and slightly cracked, close-miked, with tasteful melisma, call-and-response backing vocals, tape warmth, and a roomy but controlled analog mix.

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