Pod Bašića Brijegom

Albanian epic mountain folk from Malësia, sorrowful but proud, 116 BPM, steady forward motion. ONLY THREE instruments: LAHUTA, single-string bowed fiddle; CIFTELI, plucked two-string lute; FYELL, Albanian shepherd flute. During vocals, lahuta and cifteli lead; fyell adds brief mournful replies. INSTRUMENTAL BREAKS: FYELL MUST BE THE LOUDEST, DOMINANT LEAD, playing clear, powerful, breathy melodies above quieter lahuta and cifteli. ONE deep rugged male baritone, warm chest resonance, controlled mountain projection, strong melodic dignified singing, no yelling. Clear natural BOSNIAN, correct stress and vowels, no Albanian accent. Flowing phrasing, brief breaths, restrained ornaments, no dragging. Intimate dry studio sound. Four-bar instrumental breaks, no vocals. FINAL STANZA ONLY: one softer male backing singer harmonizes the same words. No other instruments, drums, bass, guitar, sargija, synths, orchestra, choir, crowd, applause, rap or recitation. Sing all lyrics once, in order, uncha

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Lyrics

[Verse 1: Solo male baritone] Drumom mladi vojnik svojoj majci hodi, put ga niz Mahovce rodnom pragu vodi. Na kućnome pragu majka ga čekala, zagrlila njega, tiho zaplakala. [Instrumental Break: 4 bars, dominant lahuta and cifteli, mournful fyell, no vocals] [Verse 2: Solo male baritone] Kad su naši momci prema Bliznoj pošli, po svog druga rano pred kuću su došli. Majka sinu dade jabuku u ruku, da mu glad ublaži i olakša muku. [Instrumental Break: 4 bars, dominant lahuta and cifteli, mournful fyell, no vocals] [Chorus: Powerful solo male lead] Čekaj mene, majko, pod Bašića brijegom, kad se staze skriju pod dubokim snijegom. Dok me tvoje srce u daljini čeka, ne plaši me Blizna ni Studena rijeka. [Instrumental Break: 4 bars, dominant lahuta and cifteli, mournful fyell, no vocals] [Verse 3: Solo male baritone] Na prozoru majka svoga sina čeka, nada joj se budi s glasom izdaleka. Kad bi neki vojnik pred kapiju stao, svaki bi joj susret novu nadu dao. [Instrumental Break: 4 bars, dominant lahuta and cifteli, mournful fyell, no vocals] [Verse 4: Solo male baritone, restrained grief] Jednog dana momci kroz selo su prošli, s njenim mrtvim sinom pred kuću su došli. Na Bliznoj je pao, majka suze lila, na Podbašče crna zemlja ga pokrila. [Instrumental Break: 4 bars, dominant lahuta and cifteli, mournful fyell, no vocals] [Verse 5: Solo male baritone, deep sorrow] Stara majka njega noćima je zvala, svako jutro pred vratima je stajala. Uzalud je njemu postelju sterala, uzalud mu mjesto za stolom čuvala. [Instrumental Break: 4 bars, dominant lahuta and cifteli, mournful fyell, no vocals] [Bridge: Same male lead quoting the mother, fully sung, no recitation] „Samo sam ti, sine, tu jabuku dala, ni komadić hljeba nisam ti imala. Tri si dana, sine, ljutu glad trpio, pa si na onaj svijet gladan preselio.“ [Instrumental Break: 4 bars, dominant lahuta and cifteli, mournful fyell, no vocals] [Final Verse: Strong male lead, one softer male backing singer harmonizing the same words] Još ga majka žali pod Bašića brijegom, na Podbašče tiho počiva pod snijegom. Za Bosnu je pao, mladost svoju dao, a u srcu majke zauvijek ostao. [End: Brief decisive ending. No additional vocals, no repeated lines.]

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