
[Intro — Instrumental motif] [Verse 1 — Male, rhythmic / half-spoken] Tagsüber pressen wir die Welt in kleine Kästchen, nachts hängt sie endlos über mir. Wir bauen Fenster bis zum Himmel und zieh’n die Vorhänge dafür. Ein Kind malt Sonnen auf Beton, als wär der graue Hof nicht echt. Wir nennen alles Fortschritt, solang die Kurve weiter wächst. Und irgendwo zwischen „später“ und „ich muss nur noch kurz hier durch“ drückt Moos den Asphalt auseinander — leise, grün und völlig stur. [Chorus — Female, extremely intimate] Tell me there’s still something worth waking for. Tell me there’s still something worth waking for. [HARD CUT] [Instrumental Break — the motif explodes] [Verse 2 — Male, English, rhythmic] We built machines to save us time, then filled the time they saved. We carry everybody’s lives behind a sheet of glowing glass. I saw a stranger stop four lanes to lift a bird out of the rain. Then watched a room applaud a graph while someone’s name became a number. I don’t know what that makes us — beautiful, broken, or afraid. But every time one person turns back, the whole equation changes shape. [Chorus — Female] Tell me there’s still something worth waking for. Tell me there’s still something worth waking for. [Instrumental Response] [Verse 3 — Male + Female] [M] Vielleicht ist Hoffnung nur ein Fehler im System, ein kleiner Riss, den keiner geplant hat. [F, softly] Alors gardons l’erreur. [M] Vielleicht verändert einer nie die ganze Welt — nur die Welt von einem andern. [F] C’est déjà le monde. [M] Ich hab keine Antwort auf das Warum, nur Hände, Augen, Zeit. [F] Moi non plus. [M] Aber wenn das Licht durch Risse kommt — [F] Laisse-les ouverts. [M, quiet] Leave them open. [Final Chorus — Female, almost alone] Tell me there’s still something worth waking for. [full instrumental theme enters] Tell me there’s still something worth waking for. [Instrumental Outro] [everything collapses to one piano note] [F, close, almost spoken] See you tomorrow.
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