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awerysopelea - als ob ich schlafe

awerysopelea - als ob ich schlafe

Intimate German storytelling hip-hop duet. A low, rough-edged male baritone raps verse one in an easy Austrian cadence. A warm female alto tells verse two in rhythmic, close-mic German. Dry kick, rim clicks and a muted cello pulse leave room for every word. At each chorus the beat stays heavy while a Celtic fiddle plays a lilting three-note figure against it. Bodhrán doubles the kick, low electric guitar and bowed cello hold dark open fifths. The man sings the German calls low and wide. The woman answers in clear French, stretching “tour” and “moi”. In the final chorus she takes the first German call and he answers in French. They meet in harmony on “Eine Runde noch”. First chorus brief, second heavier. Bridge almost spoken in the car. Final chorus opens with both voices exposed, then the full Gothic Celtic arrangement returns. Intimate studio mix, clean consonants, two distinct voices.

Lyrics

[Verse 1 – male, close German rap] Die Stirn am kühlen Fenster, deine Jacke auf dem Bauch. Beim Wirt ging’s rechts, beim Bäcker links, dann kam schon unser Haus. Du hast den Regler aufgedreht, als ich die Augen schloss. Erst hast du dich geräuspert. Und dann, Mom, dann ging’s los. Ich musste grinsen, drückte die Kapuze ins Gesicht. Sogar als mir die Nase juckte, rührte ich mich nicht. Dann kam der Wirt, dann kam der Bäcker. Du fuhrst gradeaus. Und ich hielt noch ein ganzes Lied lang dieses Jucken aus. [Chorus – male, low and sung] Fahr an unserm Haus vorbei. [Female] Un dernier tour, juste toi et moi. [Male] Das Lied ist viel zu schön für leise. [Female] Plus fort, plus fort, chante avec moi. [Both] Eine Runde noch. [Instrumental – fiddle takes the vocal melody over the hip-hop beat] [Verse 2 – female, intimate rhythmic German] Heut holst du mich ab. Beim Bremsen tret ich wieder mit. Du schaust auf meinen Schuh. Ich sag, ich fühl nur die Musik. Drei Töne aus den Boxen, und schon fällt mir wieder ein, an dieser Stelle muss ich mit der zweiten Stimme rein. Ich sing die falsche Zeile. Du singst meinen Fehler mit. Seit wann gehört mein alter Patzer auch für dich zu diesem Lied? Du grinst und wirfst den Blinker an. Der Bäcker kommt in Sicht. Ich hör ihn zweimal klicken. Du fährst weiter. Ich sag nichts. [Chorus – male, low and sung] Fahr an unserm Haus vorbei. [Female] Un dernier tour, juste toi et moi. [Male] Das Lied ist viel zu schön für leise. [Female] Plus fort, plus fort, chante avec moi. [Both] Eine Runde noch. [Bridge – beat drops out, spoken] [Male] Mom, ich hab damals gar nicht geschlafen... [Female] Ich weiß... [Male] Woher? [Female] ... Dein Schuh, Andi. Ich hatte den ganzen Refrain im Kreuz. [Final chorus – female alone, full beat returns on the answer] Fahr an unserm Haus vorbei. [Male] Un dernier tour, juste toi et moi. [Male] Das Lied ist viel zu schön für leise. [Female] Plus fort, plus fort, chante avec moi. [Both] Eine Runde noch. Eine Runde noch. [Outro – fiddle alone, two quiet indicator clicks]

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