Songs made with Voices AI bring voice technology into music - from covers to original tracks. Hear how creators and our community are using AI voices to explore new sounds and ideas.

La Lefilla de Raúl Netanyahu
Pop latino romántico y divertido, tempo medio-alto con guitarra acústica juguetona, bajo redondo, palmas, percusión ligera y pequeños acentos de metales cómicos. Versos íntimos y conversados; pre-estribillo ascendente; estribillo grande, pegadizo y emotivo con armonías de pareja. Voz principal cálida, interpretación sonriente y expresiva, coros que repitan los nombres Ariadna y Deiver. Producción limpia, brillante y bailable, con una breve pausa cómica antes de cada mención de la frase absurda recurrente.

Sultepec en la Sangre
Corrido regional mexicano con fusión de reggaetón latino y pop, tempo medio bailable, guitarras acústicas y requinto al frente, bajo acústico firme, percusión latina con dembow suave en los coros, palmas discretas y metales festivos en el estribillo. Voz principal masculina cálida, orgullosa y emotiva, interpretación clara en español mexicano. Intro con requinto, versos narrativos con dinámica contenida, pre-coro ascendente, coro grande y memorable, puente con pausa devocional y final celebratorio. Producción moderna, limpia y cálida, manteniendo el carácter de corrido y un ambiente de fiesta patronal de pueblo.

Parasite johnny 2
Extreme blackened satanic death metal. Ultra-aggressive and relentless. Downtuned 7–9 string guitars with razor-sharp tremolo picking, dissonant riffs, dive bombs, pinch harmonics, crushing breakdowns, and chaotic solos. Bass guitar is highly audible and technical with fingerstyle, slap, pop, slides, raking, shredding, and dueling the guitars. Drums are inhumanly fast with relentless blast beats, double- and triple-time patterns, machine-gun kick drums, rapid tom fills, gravity blasts, and galloping rhythms that build from a sprint to full speed apocalyptic, infernal, cosmic, and oppressive with themes of Hell, black holes, gravity, the void, darkness, singularities, annihilation, and the end of the universe, massive low end, crushing dynamics, and maximum intensity from beginning to end

Infamous Bully
Deathcore, melodic death metal duet, aggressive male guttural growls, piercing female high screams, heavy down-tuned guitars, fast blast beats, aggressive and high energy

Prepared Silence
Instrumental contemporary art-pop with an avant-garde chamber arrangement: begin with sparse prepared piano and close-miked bowed metal textures, then introduce a loping off-kilter percussion groove, muted bass, angular viola phrases, and granular vocal-like synth tones. Build through contrasting sections with abrupt dropouts, asymmetrical fills, and a wide cinematic final swell. Detailed stereo movement, dry intimate foreground sounds against deep room ambience, restrained dynamics, experimental but emotionally focused mix.

All in
Opis bitu: mroczny, kasynowy hip-hop/trap, około 92–96 BPM. Głęboki bas, ciężka stopa, suche werble, pojedyncze dźwięki fortepianu i metaliczne odgłosy żetonów. W tle napięte smyczki, dźwięk tasowanych kart i narastający heartbeat przed refrenem. Refren szeroki, koncertowy, z niskim chórem powtarzającym „all-in, all-in”. Bridge prawie bez perkusji, a po słowie „river” potężny powrót bitu.

Gripped
Instrumental only. target runtime approximately four minutes.Dark aggressive relentless duel between a powerful bass guitar and a sharp high gain electric guitar. Bass is evil, low tuned, with heavy slap, bass slides, dive bombs, and crushing groove dominance. Guitar is fast, melodic, tense, with shredding precision, harmonics, and cutting leads. Call and response battle escalating each round. Bass grows heavier and more alpha, oppressive, more dominating, overpowering the mix with deeper sliding tones and relentless rythum combos .Guitar fights back with rapid solos and chaotic phrasing but begins to lose ground. Final battle bass completely dominates, swallowing the guitar in massive low end, crushing grooves, and dark overwhelming force. Style extreme blackened satanic death metal, ultra heavy drums, double kick, double time blast beats, triple time blast beats, pounding tom and snare rolls, chaotic breakdowns 195-220 bpm, no vocals.

Manipulative Robot
Deathcore, melodic death metal duet, aggressive male guttural growls, piercing female high screams, heavy down-tuned guitars, fast blast beats, aggressive and high energy

رصاصة في الكلام
Arabic drill with aggressive triplet bounce and tense minor-key synth stabs; verse rides sparse kick, rolling hi-hats, and a dry bass pulse, pre-chorus strips to voice and sub hits, chorus slams with gang doubles and sharp callouts. Add short reverse swells into each drop, metal clacks between phrases, and a brief filtered break before the final chorus. Close-mic lead vocal, gritty and direct, with shouted ad-libs on the hook.

Event Horizon Ruins
Progressive metal with thall, doom, ambient sound design, and ethereal cosmic dread at a glacial pulse; verse sections grind on an ultra-low 9-string with irregular syncopated palm-muted hits, dissonant intervals, and cavernous pauses, pre-chorus opens into drifting drones and metallic scrape textures, chorus blooms with massive sustained chords and sub-bass swells. Ghosted pick scrapes, reversed swells, granular space tails, and distant mechanical pulses thread the transitions. Huge, oppressive, wide-sky mix with crushing low end and icy air., electric, slow, doom metal, ambient, progressive metal, low

Rambo und Körnel
Cinematic German rap with marching half-time drums and tense, syncopated low-end; verse rides sparse kicks, snapped claps, and gritty bass, pre-chorus opens with filtered choir pads and rising toms, chorus hits with gang shouts and a hard brass stab. Lead vocal stays close-mic and rough, with doubled last words, shouted ad-libs, and delay throws on the hook phrase. Ear candy: radio chatter intro, reversed snare swells into the chorus, metallic impacts on transitions. Bright but heavy mix, wide and punchy with a war-room edge.

يا رجال 67
Arabic trap with a dark, chest-thumping bounce and syncopated percussion; verse rides sparse drums and a low bass pulse, pre-chorus opens with rising handclaps and filtered chants, chorus hits hard with stacked gang vocals and a short call-and-response hook. Close-mic lead vocal with gritty doubles, quick ad-lib panning, and a sharp delay throw on the anchor phrase. Metallic risers, reversed snaps, and a sub-drop into each hook. Bright, punchy, and aggressive mix.

Volar Alto
Pop disco-techno with a driving four-on-the-floor kick, syncopated clap snaps, bright synth stabs, and a pulsing bassline; verse rides sparse with hand percussion and filtered keys, pre-chorus opens with rising pads and stacked harmonies, chorus hits wider with glittering hook synths and octave lifts. Male tenor lead, close-mic and emotional in verses, doubled on hooks with airy harmonies and short delay throws. Ear candy: reverse swells before each chorus, metallic chimes between phrases, final lift with crowd-style gang vocals. Bright, punchy, and radio-polished, pop, disco, techno

Quítame la Ropa
Disco techno with a driving four-on-the-floor pulse, rubbery bassline, syncopated claps, and glittering synth stabs; verse rides tight and teasing, pre-chorus strips to filtered kick and handclaps, chorus opens with stacked hook chants and bright octave synths. Breathy lead vocal with doubled phrases, ad-lib echoes, and short delay throws on the title line. Risers, reverse cymbal swells, and a metallic fill bridge each section. Glossy, punchy, club-ready mix., techno, disco

كسر الهيبة
Arabic drill with aggressive, syncopated 808 bounce and fast hi-hat rolls; verse rides tense and cramped, pre-chorus cuts to half-time with shouted doubles, chorus lands on a short gang-vocal chant. Vocal is close-mic and raw in verses, layered with hard unison stacks on the hook. Metallic risers, reverse cymbal swells, and a distant siren texture drive transitions. Mix is dark, punchy, and front-loaded.

Shadow Reckoning
Hardcore metal, nu-metal, thrash groove. 130 BPM, B minor, punishing real drum kit with relentless double kick, heavy tom fills, percussive chugging distorted guitars, dissonant off-beat riff, siren-like guitar squeals, breakdown heavy. Mood is violent, vengeful, cold fury, unforgiving. Production raw and crushing, drums loud front and center, guitars thick, no 808s, no acoustic. Vocals are barked hardcore shouted vocals, chest voice, no singing, no rapping, commanding and pissed off. Verse tight bark locked to guitar riff. Chorus gang shout chant with layered shouts. Bridge strips to kick and chug breakdown with spoken bark, then slams back twice as heavy. Final chorus half-time open breakdown heaviest part

Outside the Door
Intense, hip-hop, metal, with male vocals

Shadow Reckoning
Aggressive trap metal, nu-metal, phonk. 90 BPM, A minor, punishing 808s, distorted bass, heavy kick, electric guitar chugs. Mood is vengeful, cold, unforgiving. Male vocal - gritty, raspy, half-rapped half-screamed, like Tom MacDonald x Jelly Roll. Verse whisper-close to mic, pissed off. Chorus explosive full scream with layered gang vocals. Bridge drops drums completely, spoken word, then beat slams back twice as heavy. Raw, unpolished, angry, no melody just pain.

Outside the Door
hip-hop, metal, with male vocals

Shadow Reckoning
Dark southern trap rock, outlaw country metal, hard-hitting emotional anthem. 88 BPM, minor key, heavy 808s under distorted electric guitar and dark piano. Mood is cold, menacing, vengeful, exhausted anger turning into final judgment. Male vocal, 41 year old raspy baritone, half-sung half-rapped, whispered intro then explosive. Verse is tight, low, controlled rage right on the beat. Chorus is full scream, anthemic, gang vocal layers. Bridge drops to almost acapella spoken word, intimate and threatening then beat slams back. Final chorus half-time, slow, heavy, devastating. Production: gritty, raw, minimal drums in verse, huge drums in chorus, reverb tail on last word.

Parasite johnny
Extreme blackened satanic death metal. Ultra-aggressive and relentless. Downtuned 7–9 string guitars with razor-sharp tremolo picking, dissonant riffs, dive bombs, pinch harmonics, crushing breakdowns, and chaotic solos. Bass guitar is highly audible and technical with fingerstyle, slap, pop, slides, raking, shredding, and dueling the guitars. Drums are inhumanly fast with relentless blast beats, double- and triple-time patterns, machine-gun kick drums, rapid tom fills, gravity blasts, and galloping rhythms that build from a sprint to full speed apocalyptic, infernal, cosmic, and oppressive with themes of Hell, black holes, gravity, the void, darkness, singularities, annihilation, and the end of the universe, massive low end, crushing dynamics, and maximum intensity from beginning to end

Subjugation of the Smashed Throne
Extreme blackened death metal, 3–4 minutes long. Violent escalating duel between monstrous clean low-tuned bass guitar and razor-sharp high-gain lead guitar. Bass dominates with deep low-end power, aggressive slap bass, heavy slides, raking, tremolo-picked bass riffs, percussive strumming, and oppressive groove-driven rhythms without distortion. Thick industrial atmosphere with mechanical heaviness and dark cinematic tension. Lead guitar counters with rapid melodic shredding, dissonant harmonics, dive bombs, chaotic phrasing, and piercing high-register solos. battle where every section intensifies. Bass grows heavier, darker, and more dominant, overwhelming the mix with colossal sub frequencies and relentless rhythmic control. Final climax: bass completely consumes the guitar beneath crushing grooves and suffocating low-end force. Ultra-heavy drums: blast beats, double kick, pounding toms. 195–220 BPM.

Midnight Predator
rock metal

Iron Ember Fury
Metal

Rage of the Phoenix
hard rock, metal

Cardboard World
Industrial cinematic trap-metal with a fast, punishing half-time groove, distorted sub bass, metallic percussion, detuned guitar stabs, tense orchestral hits, and abrupt dropouts. Aggressive male vocals alternate between clipped rap verses and shouted, anthemic hooks. Keep the production dark, explosive, and clearly stylized like an over-the-top fictional action film, with a huge final breakdown.

Rival Idol
Industrial alt-rock with stomping mid-tempo groove, punchy syncopated drums, distorted bass, and jagged guitar stabs; verse rides tight and tense, pre-chorus opens with filtered noise and rising toms, chorus hits in half-time with gang shouts and doubled lead vocal. Add reverse swells into each hook, tape-stop flicks before the drop, and a cold metallic crash after the last line. Wide, aggressive, and glossy-brutal mix with close-mic snarling vocals., idol

Die Welt Gehört Uns
Dark cinematic alternative trip-hop with experimental downtempo swing, сух bass pulse, broken kick patterns, and tense hand percussion; verse rides sparse noir drums, filtered sub hits, and distant piano fragments; pre-chorus opens with rising drones and stacked low harmonies; chorus lands wider with gritty doubles, gang shouts on the anchor line, and a warped choir pad. Vinyl crackle, reversed swells, and metallic impacts bridge sections. Intimate close-mic lead, wide and ominous mix., experimental

Glassborn Creature
Gothic industrial with mid-tempo stomping drums, distorted synth pulses, metallic hits, and a cold mechanical groove; verse rides sparse pulse and scraped textures, pre-chorus tightens with rising static and filtered toms, chorus slams with huge downbeat chants and stacked doubles. Gravelly lead vocal with whispered harmony shadows, shouted gang-vocal hook words, delay throws on key lines. Ear candy: lab-bell pings, reversed sparks into transitions, and a burst of chain-like percussion before the final chorus. Mix is dark, wide, and steel-bright with a filthy low end., industrial

Bassquake Circuit
Dubstep with half-time swing, snarling mid-bass wobble, clipped drum hits, and a tense verse-to-drop arc; intro opens with sub rumbles and metallic ticks, buildup stacks filtered growls and rising snare pressure, drop slams with sawtooth bass modulations and stop-start fills, then a second drop widens with extra octave grit and glitch stutters. Ghosted vocal chops, tape-stop transitions, reverse sweeps, and sub-drop impacts. Bright, heavy, and aggressively clean., dubstep

CULT of the Lamb
Intro soft music, then turning into death metal

ممنوع تدخل
Egyptian drill with sliding 808s, snappy claps, and tense minor synth stabs; verse rides clipped, confrontational cadences, pre-chorus strips to drums and chant, chorus slams with gang shouts and a distorted bass drop. Gritty male lead with doubled hook lines, ad-lib panning, and short delay throws. Reversed risers, metallic hits, filtered crowd shouts. Bright, hard, claustrophobic mix.

THE FINAL
rock alternativo y metal alternativo, con un sonido pesado de guitarras mezclado con piano clásico, coros y atmósferas oscuras. una voz increíble en los giros y llena de dolor con un estilo muy grave y particular a la que se le une en coros una voz femenina casi como caída del cielo y la voz masculina parece sacada del mismísimo diablo sobre una base de piano espectacular a trozos emulando el sonido 8d

Better Than Any Drug
STYLE: 80s rock with a crunchy, melodic guitar intro that grabs attention immediately. Male lead vocal with natural emotion and a slightly gritty edge. Female vocal brings attitude, confidence and energy, adding harmonies and powerful responses. Guitar and drums drive the song with a catchy melodic hook and memorable chorus. Raw, emotional and polished enough for Spotify. Personal and passionate without cramming every detail into the lyrics. No blues, country, arena rock or heavy metal. Genuine Bulletproof Hart feel — catchy, emotional, guitar-driven and a little dangerous. 128 BPM, around 3:10–3:25.

COLLATERAL DAMAGE
COLLATERAL DAMAGE — FINAL STYLE 80s rock in the established Bulletproof Hart style. Emotional, gritty and melodic with a strong guitar hook. Crunchy rhythm guitar, clean guitar touches, tight punchy drums and simple driving bass. Male lead vocal with natural emotion and attitude. Female vocal needs strong attitude and aggression — gritty, confident, slightly raspy and pissed off, like she’s standing up for herself. She should sound angry and powerful, not soft, sweet or pop. Give her sharper attacks on words like “gone, ” “locked away, ” “collateral damage, ” “dangerous, ” “broken” and “heart.” Let her push the chorus with attitude and emotion. No screaming, no heavy metal vocals, no blues, no country, no arena rock. Keep the verses tight and the chorus powerful but controlled. INTRO: Short melodic crunchy electric-guitar riff, drums enter quickly, then male vocal immediately. Female enters with attitude on her lines. No spoken intro, no long build. TEMPO: 140–145 BPM. Keep the song a

Glacial Echoes in Midnight
electro, afrobeat, folk rock, metal, dubstep, piano, keyboard, saxophone, easy listening, synthwave, strings, beatbox, lounge, trombone, R&B, flute, trip hop, trap, trumpet, synthesizer

Built Beneath the Wreckage
2000s-2010s post-grunge hard rock with industrial-metal edges, driving drop-tuned electric guitar riffs, punchy live drums, tight bass, dramatic string-like synth accents, quiet tense verses exploding into a huge anthemic chorus, gritty male lead vocal with raspy urgency, stacked gang harmonies on the hook, polished radio-rock mix with wide guitars and hard snare impact

Still Standing
Modern hard rock with nu-metal weight and cinematic arena scale: palm-muted down-tuned guitars, tight punchy live drums, driving bass, tense verse dynamics, then explosive wide choruses with stacked gang harmonies. Male lead vocal, gritty and forceful in verses, soaring and commanding in the hook. Add a brief dramatic breakdown before the final chorus, polished radio-rock mix with thick guitar walls, clear vocal presence, and controlled low end.

يا زقان قولو اص
Arabic trap with booming 808 bounce, punchy handclaps, and tight hi-hat rolls; verse rides in a gritty half-time pocket, pre-chorus strips to drums and low bass tension, chorus hits with gang chants and short call-and-response hooks. Lead vocal is close-mic and sharp with doubled lines on the hook, ad-lib shouts tucked wide. Ear candy includes reverse swells into the hook, metallic fills between lines, and a filtered riser before the drop. Mix is dark, crisp, and hard-hitting.

SOY EL FINAL
rock alternativo y metal alternativo, con un sonido pesado de guitarras mezclado con piano clásico, coros y atmósferas oscuras. una voz increíble en los giros y llena de dolor con un estilo muy grave y particular a la que se le une en coros una voz femenina casi como caída del cielo y la voz masculina parece sacada del mismísimo diablo sobre una base de piano espectacular a trozos emulando el sonido 8d

Зульфия 4
Create a spectacular, luxurious cinematic birthday anthem blending Bollywood, Indian disco, Arabic elegance, Symphonic Metal and modern EDM. Grand presidential gala-concert atmosphere: festive, emotional, powerful and sophisticated. Start with sparkling piano, Indian percussion and lush strings, then build into massive live drums, tabla, darbuka, deep cinematic bass drums, spectacular drum fills, rolls and explosive transitions. Add full symphony orchestra, soaring violins, rich brass, grand piano, electric guitar, Arabic and Indian melodic instruments, modern synths, arpeggios, deep EDM bass and tasteful DJ vinyl scratches. Use enormous orchestral hits, dramatic pauses, risers, sweeps and powerful dance drops. Bright, crystal-clear, expressive lead vocal with luxurious concert-hall echo and reverb. Rich backing choir and Bollywood-style vocal responses. Every transition should feature elegant instrumental fills and virtuoso improvisations. Constantly increase energy toward a magnifice

Зульфия.
Create a spectacular 4:30 high-energy cinematic Eastern wedding dance anthem: Caucasian rhythms, Uzbek flavor, Symphonic Metal and modern EDM. Keep the original melody clearly recognizable; all improvisations must develop its theme without drifting away. Fast irresistible groove with nagara, bongos, darbuka, powerful live drums, huge bass drums and orchestral percussion. Feature virtuoso drum solos, long fills, breaks, rolls and explosive transitions; expressive Eastern flute solos, strings, brass, piano, electric guitar and massive orchestral hits. Add deep punchy bass, synths, arpeggios, DJ vinyl scratches, risers, sweeps, impacts, electronic shouts, “HEY!” and “HA!”. Use dramatic pauses, build-ups and explosive drops. Constantly increase excitement toward a huge final climax. Elite gala-wedding atmosphere: joyful, wild, luxurious, everyone dancing, jumping and shouting. Crystal-clear studio mix, wide stereo, powerful dynamics, clean separation, no hiss, noise, muddiness or distortio

Rudra
"A very high-intensity, cinematic instrumental track capturing the fierce, cosmic fury of Lord Shiva’s pure Rudra Thandava. The rhythm is driven by the primal, thunderous, and frantic beats of a large Damaru drum, accelerating into a chaotic but divine tempo. Sharp, very heavy metallic clashes from classical bronze cymbals (Manjira/Taal) slice through the composition with precise, aggressive timing. A very powerful, dark, and resonant solo Bansuri flute plays a fierce, intense melody in a haunting classical raga like Revati or Bhairav, mimicking a brewing storm. The background features deep, droning Tanpura notes and heavy acoustic string plucks from a Rudra Veena, building a gripping, mystical atmosphere. The track reaches an epic, rapid-fire climax with fast-paced rhythmic syllables translated into pure percussion rolls, simulating the stomping feet of Nataraja shattering the cosmos. Raw, acoustic, and deeply divine."

把我的名字喊响
Chinese emotional post-hardcore and alternative metal, female lead vocal with intimate restrained verses that erupt into fierce melodic screams, downtuned guitars, tense palm-muted riffs, explosive live drums, thick bass, dynamic quiet-to-heavy arrangement, verses build pressure, pre-chorus drops briefly before a huge cathartic chorus, bridge with half-time breakdown and gang shouts, polished modern mix with upfront vocal, wide distorted guitars, punchy low end, controlled aggression

Black Tide Chapel
Gothic metal with slow galloping double-kick, doom-laden palm-muted guitars, choir pads and church bells under a dark half-time groove; verse rides low and murky, pre-chorus opens with cleaner harmony climbs, chorus slams with stacked male vocals and gang shouts. Reverse swells, thunder hits, and distant bell chimes frame a wide, cathedral-bright mix., gothic metal

The wolf within
Dark cinematic modern metalcore/deathcore, atmospheric and emotional, heavy distorted guitars, deep bass, thunderous drums, haunting clean guitar passages, dramatic orchestral textures, powerful male vocals alternating between vulnerable melodic singing and extremely aggressive guttural screams, emotional build-ups, massive breakdowns, eerie choir layers, intense dynamic contrast, dark spiritual atmosphere, melancholic verses exploding into crushing choruses, raw and desperate emotional delivery, epic final climax.

Pixel Shuriken
Geek rap and anime trap with nu-metal guitars, fast swung hi-hats, punchy half-time drums, and heavy 808 bass; verse rides a tight fast-flow pocket with distorted guitar stabs, pre-chorus strips to sub and toms with rising synth tension, chorus opens into a melodic emotional lift with stacked doubles and gang ad-libs. Bridge drops to filtered guitars and a lone voice, then final chorus slams with wider harmonies, reverse swells, and impact hits. Male vocals, clear pronunciation, energetic dynamic transitions, bright punchy mix with gritty low-end weight., metal, dynamic, rap, anime, male vocals, emotional

Llave En La Cintura
Reggaeton rap with dembow-locked percussion, crisp palm-clap snaps, and rolling sub-bass; verse rides sparse with tight rap cadences and jersey-shouted replies, pre-chorus strips to kick and hand percussion with rising vocal stacks, chorus hits with a catchy chant and short melodic doubles. Add reversed risers into each drop, metallic fills between lines, and a final hook with gang vocals. Bright, punchy, club-leaning mix with close-mic lead and wide ad-libs., rap

Wood of Rog
Drudkh and summoning. No singing without black metal vocals. Think Immortal but with a theme of fog in the woods. Ancient.

You Make Me Feel Alive
Catchy, gritty 80s rock in the Bulletproof Hart style of Pushed To Far and Loaded Truth. Tight punchy drums, dirty crunchy guitars, driving bass and a memorable lead-guitar riff. Confident, slightly raspy male vocal with female backing vocals. Keep it sexy, addictive and emotional, with attitude and tension. Not heavy metal, blues or arena rock. Big catchy chorus, short guitar solo and keep it around 3:10–3:20. INTRO: Start with a short, punchy guitar riff, drums hit in, then the vocal comes in immediately: “One touch… and I’m already losing control…” Then straight into the verse

Grip
Instrumental only. target runtime approximately four minutes.Dark aggressive relentless duel between a monstrous distorted bass guitar and a sharp high gain electric guitar. Bass is evil, low tuned, with heavy slap, bass slides, dive bombs, rumble, and crushing groove dominance. Guitar is fast, melodic, tense, with shredding precision, harmonics, and cutting leads. Call and response battle escalating each round. Bass grows heavier and more alpha, oppressive, more dominating, overpowering the mix with deeper tones and relentless rythum combos .Guitar fights back with rapid solos and chaotic phrasing but begins to lose ground. Final battle bass completely dominates, swallowing the guitar in massive low end, crushing grooves, and dark overwhelming force. Style extreme blackened satanic death metal, industrial edge, ultra heavy drums, double kick, double time blast beats, pounding tom and snare rolls, chaotic breakdowns 195-220 BPM, intense dark atmosphere, no vocals.

El Giiitoo
Spanish trap with hard-hitting dembow-adjacent bounce, syncopated percussion, muscular bass pulses, and a chant-heavy hook; verse stays dense and taunting, pre-chorus tightens with filtered tension, chorus opens into shouted group responses and clipped ad-lib doubles. Add reversed sweeps into each drop, metallic risers, and brief silence hits before the hook. Bright, aggressive, punchy mix with a sweaty arena feel and close-mic lead vocals.

Basement Teeth
Nu-metal with crushing down-tuned guitars, half-time stomp, and industrial drum hits; verse rides sparse bass and snapped snare, pre-chorus tightens with rising noise and gang shouts, chorus drops into a huge shout-along hook with octave-doubled screams. Female vocals shift from close-mic threat to feral layered screams, with reverse swells, sub drops, and metallic impacts between lines. Dark, aggressive, wide and punishing mix with a filthy low end., female vocals, deep, metal

Rotted Teeth
Extreme metal with down-tuned guitar chugs, half-time stomp, and abrupt stop-start riffs; verse crawls in with guttural low end and screaming female close-mic lines, pre-chorus tightens into snare hits and dissonant bends, chorus slams with gang shouts and female scream doubles, bridge drops to a trembling clean-guitar drone before the final riff returns heavier. Distorted, claustrophobic mix with sharp transients, blood-cold ambience, and eerie reversed swells between phrases; female vocals treated with breathy panic screams, and stereo delay throws.

Alone In The Fire
Cinematic dark ambient, slow-evolving drones and distant choirs under cavernous reverb. Low male vocals, whisper-close in the verses, opening into layered, chant-like harmonies in the chorus. Sub-bass swells, bowed metal textures, and sparse tom hits give a ritual pulse; synth pads and reversed chimes bloom in the bridge for a haunting, otherworldly rise before sinking back to a hollow fade., dark ambient

Földhullám Szív
Music Style Melodic metalcore with Finnish folk atmosphere. The song is emotional, driving and melodic. Strong rhythm and modern metalcore foundation combined with Nordic folk mood. The chorus is fully melodic, anthem-like and emotional. Soft vocals. Clear vocal separation between male and female voices. Male: finnish. Female: Hubgarian Instruments Low-tuned melodic electric guitars with flowing riffs, subtle folk-inspired lead melodies. Deep bass supporting the rhythm. Tight but melodic drums with steady drive. Light folk textures inspired by Nordic soundscapes. Clean production with focus on melody and emotion. Vocal Style (IMPORTANT FOR APP) Male vocals: Finnish language, clean singing, warm and steady tone. Female vocals: Hungarian language, clean singing, emotional and expressive. Clear separation of vocal roles.

„Sebesség”
Up-tempo tribal vocal music with deep droning vocal textures. Soft Mystic Metalcore. Psytrance Strong buzzing vocal resonance and overtone-style harmonics layered in the background. Low sustained vocal drones combined with higher harmonic vocal layers. Driving rhythmic pulse, energetic, not slow. Modern production, cinematic and powerful. Focus on vocal texture, vibration, and rhythm, not melodic singing. BPM 165–180

Other days are shit
Rock metal pop

Storm of Justice
Rock, metal

Yahia il più forte
Italian trap with bouncy half-time 808 bounce, crisp clap snaps, dark synth stabs, and a tight snare roll; verse rides sparse with bass and hats, pre-chorus lifts with filtered pads and rising vocal cuts, chorus lands on stacked gang doubles and a chantable hook. Lead vocal is close-mic and cocky, with ad-lib echoes and delay throws on the name. Ear candy: reverse swell into the hook, short tape-stop on the drop, and metallic percs in the final chorus. Bright, punchy, and ruthless in the mix.

Rudra
"A high-intensity, cinematic instrumental track capturing the fierce, cosmic fury of Lord Shiva’s pure Rudra Thandava. The rhythm is driven by the primal, thunderous, and frantic beats of a large Damaru drum, accelerating into a chaotic but divine tempo. Sharp, heavy metallic clashes from classical bronze cymbals (Manjira/Taal) slice through the composition with precise, aggressive timing. A powerful, dark, and resonant solo Bansuri flute plays a fierce, intense melody in a haunting classical raga like Revati or Bhairav, mimicking a brewing storm. The background features deep, droning Tanpura notes and heavy acoustic string plucks from a Rudra Veena, building a gripping, mystical atmosphere. The track reaches an epic, rapid-fire climax with fast-paced rhythmic syllables translated into pure percussion rolls, simulating the stomping feet of Nataraja shattering the cosmos. Raw, acoustic, and deeply divine."

ولا نبرة
Arabic drill with aggressive dembow-leaning percussion, fast half-time bounce, rattling hi-hats, weighty sub pulses, and tense call-and-response energy; verse rides sparse drums and a grim bass figure, pre-chorus tightens with risers and gang shouts, chorus hits hard with clipped doubles and chantable repetition. Vocal delivery is rough, close-mic, with shouted ad-libs, delay throws on the punch words, and short vocal stacks on the hook. Ear candy includes reversed swells, metallic fills, and abrupt dropouts into the hook. Mix is dark, punchy, and claustrophobic.

Broken Glass Prayer
Dark cinematic soundtrack with slow minor-key piano, grained low-end pulses, and half-time percussion; verse sits sparse with brittle piano notes and close-mic female whispered lines, pre-chorus tightens with bowed tension and a rising drone, chorus opens into slammed chords and scream-whisper doubles. Reverse swells, distant metallic hits, and a final black-out stop. Gritty, tense, and intimate with a wide, cold mix., slow, soundtrack

Rotted Teeth
Extreme metal with down-tuned guitar chugs, half-time stomp, and abrupt stop-start riffs; verse crawls in with guttural low end and whispered female close-mic lines, pre-chorus tightens into snare hits and dissonant bends, chorus slams with gang shouts and female scream doubles, bridge drops to a trembling clean-guitar drone before the final riff returns heavier. Distorted, claustrophobic mix with sharp transients, blood-cold ambience, and eerie reversed swells between phrases; female vocals treated with breathy whispers, panic screams, and stereo delay throws.

Black Veil Chapel
Symphonic horror metal with slow half-time chugs, tremolo strings, and blast-hit orchestral stabs; verse stalks with low guitar pulse and bowed bass while the pre-chorus tightens into whispered tension; chorus crashes with choir stacks, octave strings, and gang-shouted answers. Female vocals move from intimate whispers to cracked screams, with delay throws on key words, reversed swells into drops, and distant bell tones. Wide, brutal, and cinematic with a cold low-end roar., orchestral

Black Velvet Teeth
Orchestral horror with down-tuned guitar chugs and tortured string swells over a slow, stomping pulse; verse crawls with brittle pizzicato, low brass drones, and close-mic female whispered lines; pre-chorus tightens with rising violins and tom rolls; chorus slams with jagged chugs, stacked string hits, and doubled chant vocals. Reverse cymbal swoops, bowed metal scrapes, and a haunted hall mix, dark, wide, and crushing., orchestral

Yigo Sale de Noche
Champeta colombiana fiestera, groove caribeño sincopado con percusión de tambores, guacharaca y bajo saltarín; guitarras eléctricas cortas y respuestas de metales, coro pegajoso de llamada y respuesta, voz principal masculina teatral y carismática con coros de fiesta; versos narrativos, pre-coro ascendente, coro repetible, puente con pregón y cierre explosivo; mezcla cálida, percusiva y bailable, bajo firme, palmas y ambiente de verbena. Tono pícaro, afirmativo y celebratorio, sin denigrar identidades ni convertir preferencias en objeto de burla.

Nachtfahrt
Hard-hitting German trap with a dark half-time pulse, ratcheting hi-hats, heavy 808 slides, and tight kick-snare impact; verses stay lean and mean, pre-chorus strips to bass and handclaps with rising tension, chorus hits with stacked gang vocals and a sharp synth lead. Close-mic male vocal, gritty doubles on the hook, short delay throws on end words, metallic risers and tire-squeal ear candy into each drop, bright and punchy mix with a cold night-drive sheen.

Mario nel tombino
Trap italiana aggressiva a 142 BPM con batteria secca, 808 distorto e clap spezzati; verso incalzante e caotico, pre-chorus in salita con voci stratificate, chorus breve da coro da strada con grida in doppia, bridge che si svuota su cassa e synth cupo, poi ultimo ritornello più largo con ad-lib in eco. Voce maschile ruvida, close-mic nei versi, raddoppi urlati sui ganci, riverberi corti e piccoli fill di percussioni metalliche tra le frasi.

탈론
phonk 🎧 TALON — SHADOW OF NOXUS 150 BPM / D Minor / Dark Phonk + Cinematic Trap + Rave Intro: 녹서스 뒷골목의 어두운 분위기, 낮은 드론, 바람, 금속성 소리 Build: 고아로 살아남던 탈론 → 뒤 쿠토 장군과의 만남을 표현하는 긴장감 있는 저음 Drop: 암살자로 성장한 탈론. 강한 Distorted 808 + Heavy Kick + 빠른 Hi-hat 중간: 카타리나를 상징하는 날카로운 신스와 두 개의 칼날 같은 퍼커션 Break: 뒤 쿠토 장군의 실종. 드럼을 거의 없애고 낮은 심장박동 + 속삭임 Final Drop: 장군의 흔적을 쫓는 탈론. 가장 강한 808과 Dark Rave Bass 보컬 훅: > “Born in the dark” “Raised by the blade” “나는 그림자” “I am Talon” “No escape… No turning back.” 전체 느낌: 🗡️ 뒷골목의 고아 ⚔️ 뒤 쿠토의 암살자 → 🌑 녹서스의 그림자 → 🔥 사라진 장군의 진실을 쫓는 암살자. 음악 생성 프롬프트: Dark cinematic phonk trap rave inspired by Talon's story from League of Legends, 150 BPM, D minor, orphan surviving in the dark streets of Noxus, cold assassin atmosphere, distorted 808, heavy kick, sharp snare, rapid hi-hats, dark synth bass, metallic blade-like percussion, mysterious cinematic intro, tense build-up, explosive aggressive drop, dark male whispers, "B

Rouages et Blabla
Euro electro with robotic male vocals, tight four-on-the-floor pulse and syncopated claps; verse rides sparse synth stabs and ticking percussion, pre-chorus strips to filtered bass and rising digital clicks, chorus hits with a bigger saw bass, gang-vocal punch-ins, and a chopped robot hook. Short delay throws on key words, glitch risers into each drop, metallic chimes between lines. Bright, crisp, glossy mix with a hard club edge., electro

Rouages et Paroles
Rock-electro with a driving mid-tempo four-on-the-floor pulse, serrated guitar stabs over cold synth arpeggios and rigid drum-machine kicks; verse rides tight and mechanical, pre-chorus strips to voice, bass, and ticking percussion, chorus hits with stacked robotic doubles and gang shouts. Vocoder lead stays clipped and metallic, with delay throws on the hook, reversed swells into transitions, and a sharp, bright, compressed mix., rock, electro

67 Goku Boi
Drill with rattling off-beat hi-hats and grimy sub-bass, verse rides tense and clipped with doubled ad-libs; pre-chorus tightens to sparse drums and a rising siren; chorus lands on a gang-voiced chant with short stop-start cadence. Add reverse risers into the hook, slurred vocal drops on the last word, and metallic ear candy between lines. Dark, hard-edged, punchy mix with a cold street-battle sheen.

Сахурный стук
Horror folk with a tense mid-tempo pulse, sparse frame drum and low hand percussion; verse stays bare with close-mic male vocals and creaking room tone, pre-chorus tightens with rising drone and breathy doubles, chorus lands on a stark chant with stacked harmonies and a hollow call-and-response. Ear candy: reversed swells into the hook, distant metal knocks between lines, a final whispered tail on the last word. Mix is dark, intimate, and claustrophobic with a cold low end.

The Music is us
For “Nothing Sounds Like Us, ” I’d make it: Genre: Alternative Rock / Rap Rock / Nu Metal Ballad Think Hollywood Undead × Linkin Park, but more romantic and emotional rather than aggressive. The verses can be softer and reflective with clean guitar/piano, the rap bridge brings in the Hollywood Undead influence, and the chorus explodes into big distorted guitars and layered vocals. Overall sound: emotional rap-rock, cinematic alternative rock, melodic nu metal, pop-rock hooks, and a huge arena-style chorus. It should feel like a love song written by someone who normally hides his feelings behind swagger and loud music—which fits Ryder/Rogue perfectly.

Kill Bill
Dark pop with trap drums and tense minor-key synth pulses; verse stays sparse with close-mic vocal and clipped kick pattern, pre-chorus opens with rising toms and filtered strings, chorus hits with big stacked doubles and a chantable hook. Add reverse swells into the drop, metallic ticks between lines, and a short vocal chop answering the title. Bright but bruised mix, glossy and punchy.

Old Friends
Genre: Rap Rock / Alternative Rock / Nu Metal Style: Hollywood Undead-inspired, dark modern production, electronic beats, heavy drums, distorted guitars, melodic hook, aggressive rap verses. Avoid anything that could push it country: no acoustic-country guitar no twangy vocals no banjo/fiddle no southern-rock rhythm no country-style storytelling cadence It should sound urban, dark, emotional, cocky, and explosive rather than rustic or country-rock.

Mirrorball Riff
Disco-metal hybrid with a four-on-the-floor pulse colliding with down-tuned chugging djent guitars, syncopated palm-mute accents, and glittery hi-hat ticks. Verse rides bass, rhythm guitar, and tight clap snaps; pre-chorus strips to toms and filtered synth shimmer; chorus hits with soaring disco strings over brutal stop-start riffs. Dual vocals, stacked hooks, gang shouts, tape-stop fills, risers, bright punchy mix., djent, disco, metal, classic

Sombrero de Acero
Mariachi-djent metal with stomping 6/8 guitar swells against down-tuned chugs, off-kilter accents, and sharp palm-muted syncopation. Verse rides guitar+tuba-like bass pulse; pre-chorus strips to handclaps, vihuela twang, and rising toms; chorus slams full band with horn stabs and brutal riff hits. Gritty lead vocal with shouted gang doubles, falsetto cries, delay throws, and castanet ticks. Wide, loud, and dusty-bright., djent, mariachi, metal

Bad habits
Music Style Aggressive modern metal with a dark, chaotic and rhythm-driven sound. The song is raw, tense and explosive, built around heavy grooves, sudden breaks and constant pressure. while the chorus hits hard and repetitive, designed to feel like release. The overall atmosphere is violent, unstable and emotionally intense. Instruments Low-tuned distorted electric guitars with heavy palm-muting and dissonant riffs, aggressive bass following the rhythm tightly. Powerful acoustic drums with strong snare hits, double kick patterns and heavy tom work. Additional percussion elements and noise layers enhance the chaotic and industrial feel. Rare, unconventional, uniqe, clean voice !!!!! Clean soft voice!!!!!! Soooooooooft Voice!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
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