"Reggae"
Songs created with Voices AI

Songs made with Voices AI bring voice technology into music - from covers to original tracks. Hear how creators and our community are using AI voices to explore new sounds and ideas.

Until you dare

Until you dare

melodic, soulful reggae love song featuring island vibes and deep bass grooves., accordion, electric guitar, emotional piano, saxophone, trumpet, keyboard, acoustic guitar

Josías Hermoso

Josías Hermoso

Latin pop ballad with a light reggaeton pulse, mid-tempo and swaying rhythm; verse rides acoustic guitar and soft syncopated percussion, pre-chorus strips to handclaps and a rising bass note, chorus hits with warm synth pads and a singback hook. Lead vocal is intimate and close-mic with airy doubles, stacked harmony on the last word of each chorus line, plus short delay throws on the name. Reverse swells into the chorus and a delicate shaker lift before the final refrain. Bright, polished, romantic mix.

Until you dare

Until you dare

melodic, soulful reggae love song featuring island vibes and deep bass grooves., accordion, electric guitar, emotional piano, saxophone, trumpet and chorus

Dónde estás bb

Dónde estás bb

Reggaeton pop with dembow-locked groove and crisp syncopated percussion; verse rides a sparse bass pulse and handclaps, pre-chorus strips to filtered chords and a ticking hi-hat build, chorus hits with a chantable hook and bright synth stabs. Vocal is close-mic and intimate in verses, doubled on the hook with short delay throws and soft gang ad-libs. Ear candy includes reverse swells into the chorus, a breathy riser before each drop, and tiny percussion fills between lines. Mix is glossy, punchy, and wide, built for replay.

Until you dare

Until you dare

melodic, soulful reggae love song featuring island vibes and deep bass grooves., accordion, electric guitar, emotional piano, saxophone, trumpet

La Copa Se Discute

La Copa Se Discute

Reggaeton antiguo, dembow seco y sabroso, tempo medio-bajo, bajo redondo y percusión de calle; verso con piano stabs y güiro marcado, pre-coro apretando con filtros y palmas, coro pegajoso con coros de pandilla y trompetas cortas. Voz principal rasposa y cercana, dobles en el estribillo, ad-libs paneados, risers de tambor antes de caer, mezcla brillante y contundente con sabor clásico de barrio., reggaeton

Joe y José

Joe y José

Reggaeton dembow with swaggering syncopation, palm-clap percussion, deep sub pulses, and a cheeky club pulse; verse stays lean with sparse drums and playful vocal riffs, pre-chorus tightens with snare rolls and filtered chants, chorus drops with gang vocal echoes and short delay throws on the names. Close-mic lead vocal, doubled hooks, glossy and punchy mix with a teasing, infectious sheen.

Julin Vega Gana

Julin Vega Gana

Reggaeton dembow-locked at a party tempo with punchy kick-snare, rolling sub, and clacking rim percussion; verse stays lean with handclap gaps and call-and-response chants, pre-chorus tightens with filtered synth risers and stacked crowd vocal repeats, chorus drops bigger with brass stabs, short delay throws on the name, and gang vocals on the slogan. Male vocals, close-mic and gritty in verses, louder doubled hook lines, glossy and bright mix with ear-candy pauses and reverse swells into each chorus.

O Segredo do Meu Sorriso

O Segredo do Meu Sorriso

Reggaeton remix Techno remix

Wewe Ni Mrembo

Wewe Ni Mrembo

Reggaeton dembow-locked with bouncing hand percussion, rubbery sub-bass, and bright synth marimba accents; verse stays lean with clipped lead vocal and sparse rim taps, pre-chorus lifts with filtered claps and rising vocal stacks, chorus opens with punchy gang doubles and a horn-like synth stab on the hook. Short delay throws on key Swahili phrases, reversed swells into each drop, crisp sidechain pump, glossy and sunlit mix with intimate close-mic verses., reggaeton

Sally

Sally

Jamaican gospel + roots reggae muy suave + soul, comenzando

Te soñe

Te soñe

reggaeton

Te soñe

Te soñe

reggaeton, r&b

Entre Dos Caminos

Entre Dos Caminos

Latin pop urbano / reggaeton romántico at 92 BPM in A minor, swung dembow groove with smooth piano intro, deep sub bass, atmospheric synth pads and glossy percussion; verse stays intimate with close-mic female lead and airy doubles, pre-chorus lifts with filtered drums and stacked harmonies, chorus drops with fuller reggaeton bounce and chant-like backing vocals; ear candy includes reverse swells into the hook, quick risers before each drop, and delay throws on the last word of key lines; bright, polished, emotionally charged mix with club-ready punch, musical, pop

Andres in riva

Andres in riva

Latin pop-reggaeton with dembow-locked percussion and warm synth bass; verse rides tight syncopated guitar ticks and playful handclaps, pre-chorus strips to kick, bass, and a rising whistle, chorus hits with bright brass stabs and chanty gang doubles. Male vocals, close-mic and flirty in verses, stacked unison hook, delay throws on the name, palm-muted bridge, splashy ear candy and reverse swells into each drop. Crisp, sunlit, punchy mix.

Unámonos Diluvina

Unámonos Diluvina

Spanish-language Latin pop urbano with reggaeton pulse and militant handclaps, mid-tempo dembow groove, verses kept tight and tense, pre-chorus opens with stacked vocal lift and filtered percussion, chorus drops into a chantable group hook with doubled lead and gang vocals, bridge strips to voice and toms before a final lift with ad-lib shouts, bright punchy mix with heavy sub and sharp snares

Besame Como Solo

Besame Como Solo

Reggaeton dembow with a mid-tempo sway, syncopated palm-muted percussion and warm sub-bass; verse rides sparse drums, syncopated bass, and a short guiro loop, pre-chorus strips to handclaps and a filtered synth pulse, chorus hits with a rounded synth lead and stacked gang vocals on the hook. Close-mic lead vocal with airy doubles, occasional ad-lib panning, delay throws on the last word of each hook, risers and reversed swells into each drop, glossy and intimate mix with club-ready low end.

Baila Sin Parar

Baila Sin Parar

Reggaeton dembow at club-ready midtempo with rattling rim clicks and sub-bass pulses; verse stays sparse with handclaps, percussive synth blips, and close-mic lead; pre-chorus lifts with filtered risers, stacked chants, and snare climb; chorus opens wide with brass stabs, gang vocal hooks, and short delay throws on the chant. Bright, punchy, glossy mix with sweaty dancefloor energy.

O Segredo Que Vive em Mim

O Segredo Que Vive em Mim

Reggaeton remix Techno remix

Buzz‑Ball Brawl

Buzz‑Ball Brawl

Create an upbeat early-1980s British punk/new-wave track with a strong reggae and dance-rock influence. Use a tight, bouncing bassline as the backbone, energetic acoustic-style drums, bright staccato electric guitar chords, occasional jangly guitar fills, and quirky keyboard/piano accents. Keep the rhythm highly syncopated and danceable, with a punchy four-on-the-floor feeling mixed with reggae-inspired offbeat guitar. Tempo around 130 BPM. The verses should have a fast, conversational male vocal delivery with short rhythmic phrases that lock tightly into the bass and drums. The singer should sound cheeky, rebellious and slightly sarcastic rather than aggressive. Build each verse naturally into a huge, simple chant-along chorus: “Pass the Buzz Ball, Pass the Buzz Ball” Use multiple male gang vocals doubling the hook, with the lead singer throwing short responses between the repeated chorus lines. Keep the chorus melody extremely simple, repetitive and instantly memorable, with t

Brisa de discoteca

Brisa de discoteca

Reggaeton old-school with dembow-locked percussion, warm synth bass and handclaps; verse rides sparse conga-and-kick pockets, pre-chorus strips to percussion and filtered pads, chorus hits with bright synth stabs and gang vocals on the hook. Close-mic lead with stacked doubles, playful ad-libs, delay throws on the title phrase, and transitional vinyl crackle plus reversed swells. Glossy but sun-faded mix, coastal and nostalgic.

Notita Subida

Notita Subida

Reggaeton dembow with percussive kick-snare, syncopated güiro, and a wobbling sub bass; verse rides sparse drums and teasing synth blips, pre-chorus strips to handclaps and a filtered chant, chorus hits with full dembow, brass stabs, and call-and-response gang vocals. Close-mic lead with playful doubled hooks, ad-lib panning, and short delay throws on the anchor phrase; risers, reverse swells, and a rim-click pickup into each drop. Bright, punchy, club-ready mix with deep low end.

Musa y Castigo

Musa y Castigo

Reggaeton urbano with dembow-locked percussion and a sly trap undercurrent; verse rides sparse kicks, muted bass, and handclap snaps, pre-chorus lifts with filtered synth sweeps and whispered doubles, chorus hits with a catchy vocal chant and short ad-lib echoes. Close-mic male vocals, playful but tense delivery, delayed hook tails, reversed swells into transitions, bright punchy mix with glossy low end.

Lean Manco

Lean Manco

Reggaeton-trap with a dembow-locked bounce and rattling hi-hats; verse rides lean bass and clipped handclaps, pre-chorus strips to a filtered chant and rising percussion, chorus hits with a fat sub drop, brass stab, and gang vocals on the anchor phrase. Close-mic lead with doubled hook lines, ad-lib pings in the corners, reverse swells into each drop, glossy punchy mix with hard low-end.

Herencia de las Sombras

Herencia de las Sombras

Cinematic conscious hip-hop fused with soulful norteño, reggaeton soul, 106 BPM. Deep warm dembow, punchy hip-hop drums, 808 bass, congas, timbales, nylon guitar, atmospheric piano, low strings, norteño textures, brass and trumpet. Begin intimate: deep expressive male rap, controlled, conversational and prophetic, with space for dense lyrics. Build percussion and urgency through each verse. Pre-choruses rise with soulful harmonies and swelling strings; choruses explode into anthemic melody, gospel/Latin choir, huge drums, brass and orchestral lift—mournful yet triumphant, hope rising from ruins. Verse 3 shifts into urgent double-time rap over harder dembow/808s. Strip suddenly to piano, nylon guitar, heartbeat percussion and choir for “Gardens don’t conquer / They receive, ” then rebuild layer by layer into a massive final chorus. End sparse, sacred and hopeful. Ancient wisdom meets the modern street: investigation → confrontation → wisdom → restoration. No glossy pop or part

Desayuno Colón

Desayuno Colón

Reggae roots jingle with laid-back one-drop groove, warm skanking guitar, fat bassline, light congas, and cheerful call-and-response; verse 1 stays sparse with voice, bass, and rimshot, pre-coro lifts with handclaps and harmony replies, coro comes in catchy and repetitive with gang vocals, a short bridge drops to bass and percussion before the final chorus. Close-mic lead vocal, playful ad-libs on the hook, bright and punchy mix with sunny street-market energy., reggae

WHAT REACHES THE HOUSE

WHAT REACHES THE HOUSE

Cinematic conscious hip-hop fused with dark soulful reggaeton and Norteńo-soul, 102–106 BPM. Deep warm dembow rhythm, punchy hip-hop drums, sub-bass/808s, Latin percussion, atmospheric piano, haunting nylon-string guitar, low cinematic strings, brass swells and distant choir. Verses: intimate, intelligent rhythmic male rap—controlled, conversational, prophetic storytelling with space for dense lyrics. Let the reggaeton groove gradually intensify beneath the words. Chorus explodes into anthemic melodic vocals, gospel choir, huge drums and orchestral lift: powerful but mournful, like hope rising from ruins. Verse 3 switches into urgent double-time conscious rap over harder dembow/808 percussion. Strip everything down for “Gardens don’t conquer / They receive” to piano, guitar, heartbeat percussion and choir, then rebuild into the largest final chorus. Outro becomes sparse and reverent. Emotional arc: investigation → confrontation → wisd

Hola, Otra Vez

Hola, Otra Vez

Latin pop with a mid-tempo reggaeton sway, syncopated percussion, warm palm-muted guitar, and a bouncing bassline; verse starts intimate and sparse, pre-chorus lifts with filtered percussion and stacked harmonies, chorus opens wide with chanty group vocals and short delay throws on the hook word. Add ear candy with risers into each lift, tiny handclap fills, and a reverse swell into the final chorus. Bright, glossy, and radio-clean with a close-mic lead vocal

Diego Aguayo

Diego Aguayo

Reggaeton dembow con bajo profundo y palmas secas; verso con ritmo ágil y tono de barrio, pre-coro sube con coros cortados y tensión, coro entra abierto con cantos de grupo y respuesta pegadiza. Voz principal cercana con dobles en el gancho, ad-libs paneados, risers cortos y golpes de percusión antes del drop. Mezcla brillante y contundente, pensada para tarima y calle.

Recortadito y To'

Recortadito y To'

Reggaeton urbano dembow-locked at mid-tempo with dry kick, tight snare clap, and rubbery bass; verse rides sparse drums and a chopped vocal loop, pre-chorus strips to hand percussion and tension risers, chorus drops with gang unison and a bright synth stab. Lead vocal is close-mic and playful with double-tracked hook words, ad-libs ping-ponging on the ends. Ear candy: reversed swells into the pre, a quick tape stop before the chorus, tiny bell pops between phrases. Bright, punchy, and street-clean.

Trent, My New Buddy

Trent, My New Buddy

Warm roots reggae with a relaxed one-drop groove, round melodic bass, clean offbeat electric-guitar chops, rim-click snare, hand percussion, bubbling organ, and bright but uncluttered horn accents. Verses should feel conversational and affectionate; lift the chorus with stacked group harmonies and a memorable singalong hook. Add a short instrumental guitar-and-organ turnaround after the second chorus, then build the bridge with gentle backing vocals before a celebratory final chorus. Sunny, neighborly, grateful mood; polished live-band mix with soft tape warmth and spacious vocals.

Trent Next Door

Trent Next Door

Reggae with a laid-back one-drop groove, skanking guitar on the offbeat, warm bassline, and light conga accents; verse rides easy and conversational, pre-chorus opens with hand percussion and vocal lift, chorus lands with gang-style harmonies and a chantable anchor. Lead vocal stays close and relaxed with doubled hook lines, short delay throws on key words, and a few response ad-libs. Subtle tape hiss, dubby echo tails, and a bright, sunny mix with a soft low-end pulse.

Tommy And Ashley

Tommy And Ashley

Reggae with laid-back one-drop bounce, skanking guitar on the offbeat, warm bassline, and steady rimshot groove; verse stays intimate with sparse drums and hand percussion, pre-chorus lifts with harmony swells and a tambourine shake, chorus opens into gang vocals on the family names. Lead vocal is smooth and conversational with doubled hook lines, ad-lib echoes, and short delay throws on key phrases. Ear candy includes dubby tape echoes, a steel-drum sparkle between sections, and a filtered drum fill before each chorus. Mix is warm, sunny, and wide with a polished island glow., beautiful, world, strong

Mi Bombo

Mi Bombo

Reggaeton urbano with dembow-locked rhythm, palm-muted percussion, and a bouncing bassline; verse stays tight and sparse with clipped vocal phrasing, pre-chorus opens with filtered pads and rising handclaps, chorus lands on a chanty hook with stacked doubles and crowd-style ad-libs. Ear candy includes reverse swells into the drop, snapped snare fills, and a short percussion break before the final chorus. Bright, punchy, club-ready mix with close-mic lead vocal.

Pompom en alto

Pompom en alto

Latin pop reggaeton with a bouncy dembow groove, palm-muted synth bass, crisp claps, and playful chant rhythms; verse rides light and percussive, pre-chorus strips to handclaps and a rising bass pulse, chorus hits with gang vocals and a bright horn stab. Lead vocal stays close-mic and flirty with doubled hook lines, ad-lib echoes on the last word, and quick call-and-response chants. Ear candy: reverse swells into the pre-chorus, a whistle flick between lines, and a short stop-time before each chorus. Mix is glossy, punchy, and dance-floor bright.

Nombre Muerto

Nombre Muerto

Latin pop urbano with a slow reggaeton pulse and crisp dembow accents; verse rides sparse plucked synth and muted kick, pre-chorus lifts with snare rolls and a filtered pad, chorus opens with wider percussion and a singable hook line in stacked doubles. Add reverse swells into each section change, small vocal chops between phrases, and a short delay throw on the anchor phrase. Mix is glossy, intimate, and punchy with a warm low end.

Modo Criticón

Modo Criticón

Spanish trap urbano with reggaeton bounce, hard syncopated drums and dark minor-key synth pulses; verse rides tight and confrontational, pre-chorus strips to half-time claps and a rising synth, chorus hits with a chantable hook and gang vocal doubles. Add short delay throws on key words, reverse swells into the hook, and a gritty, forward mix with close-mic lead vocal

Soltera

Soltera

Reggaeton dembow with a punchy mid-tempo groove, rubbery kick and tight snare on the off-beat; verse stays stripped with bass, palm-muted guitar, and handclap snaps, pre-chorus lifts with filtered synth risers and stacked vocal chants, chorus hits wider with bright brass stabs and gang vocals on the hook. Lead vocal is close-mic and playful with doubled phrases, ad-lib callouts, and short delay throws on the title word. Sidechain pulses, reversed sweeps, and a final drop with extra percussion keep the energy moving. Bright, glossy, club-ready mix.

Cristiano Cavalcante

Cristiano Cavalcante

Samba-reggae with driving percussion, handclaps, and a warm brass lift; verse rides tight with conversational lead, pre-chorus strips to drums and crowd chants, chorus opens with gang vocals and call-and-response. Use stacked doubles on the name, short delay throws on the last word of each hook, a tamborim fill into every section change, and a bright, punchy mix with an intimate lead front and center.

Altijd Voor Je

Altijd Voor Je

Soul reggae with a warm mid-tempo skank, laid-back offbeat guitar, round bassline, brushed kit, and subtle organ swells; verse rides intimate and close, pre-chorus opens with rising harmonies, chorus lands with a short chantable hook and gentle gang vocals; vocal delivery is tender male lead with light doubles, soft ad-libs at line ends, and a few echo throws on the hook; ear candy includes a reversed swell into the chorus, a dubby delay tail on the title phrase, and hand percussion lifting the bridge; mix is warm, smooth, and intimate with a sunlit low end, soul

Mochables en Volvo

Mochables en Volvo

Latin urban reggaeton with dembow-locked percussion and bouncy syncopated bass; verse rides sparse with handclaps, muted synth plucks, and close-mic storytelling, pre-chorus strips to kick, bass, and rising vocal stacks, chorus hits with gang shouts, a catchy chant, and short delay throws on the key words. Add reversed swells into the hook, rim clicks between phrases, and a bright punchy mix with glossy low end and wide hooks.

Démission Kanak

Démission Kanak

Rap, r&b, percussion, djembe, reggaeton, afrobeat, a cappella, hip-hop, Catharsis, climax, hard stop, beat acceleration, crescendo structural

Démission Kanak

Démission Kanak

Rap, r&b, percussion, djembe, reggaeton, afrobeat, a cappella

Mp fighter

Mp fighter

Reggae Rap Stil, 90er

Démission Kanak

Démission Kanak

Rap, r&b, percussion, djembe, reggaeton, afrobeat

Nada De Nada

Nada De Nada

Reggaeton urbano lento con dembow pesado y palmas secas; verso con bajo mínimo y percusión recortada, pre-coro sube con coros filtrados y una línea de synth aguda, coro entra con voz doble y gritos en grupo. Puentes cortos con parones y eco en la última palabra, remates con risers de ruido y percusión de metal. Mezcla brillante y pegajosa, voz muy al frente y seca.

Sean and the Cups

Sean and the Cups

Reggae with a laid-back one-drop groove, skanking guitar on the offbeats, rubbery bass, and lightly syncopated percussion. Verse rides a warm minimal pocket with toaster-style phrasing; pre-chorus lifts with hand drums and rising organ bubbles; chorus opens wider with group shouts and a chantable hook. Close-mic lead vocal, doubled on the hook, with short delay throws and airy ad-libs. Bright, punchy, sunlit mix., sleep

Lo que quiero

Lo que quiero

4 minutes of 2020's country Spanish love making, reggaeton, edm dance-pop with a deep raspy male vocal

Kona On The Porch

Kona On The Porch

Reggae with a sun-warm one-drop groove, laid-back offbeat guitar skanks, bubbling bass, and soft hand percussion; verse rides sparse drums and keys, pre-chorus lifts with harmony swells and a tambourine push, chorus opens with gang vocals and a chantable hook. Close-mic lead with light delay throws, call-and-response ad-libs, steel-pan chimes, and a bright, earthy mix., country

Chris At Peachtree

Chris At Peachtree

Reggae with offbeat guitar skank, warm bassline, relaxed one-drop groove, verse keeps it lean with hand percussion and organ bubbles; pre-chorus lifts with snare pickups and short vocal doubles; chorus opens with gang harmonies on the hook and a bright horn lick. Add rimshot fills, tape-delay throws on key words, and a subtle steel drum sparkle. Clean, sun-warmed mix with intimate lead vocal and easy island bounce.

Mosquito Pa Tu Locis

Mosquito Pa Tu Locis

Reggaeton urbano con dembow seco, percusión picada y bajo profundo; verso con cadencia hablada y espacio para respuesta, pre-coro sube con palmas filtradas y coros apilados, coro cae con golpe de caja y frases cortas repetidas. Voz principal áspera y cercana, dobles en el estribillo, ad-libs laterales, barridos cortos y un salto de plato antes del hook. Mezcla brillante y pegajosa, muy frontal.

Messi in Strada

Messi in Strada

Latin pop reggaeton with dembow-locked percussion, bright guitar chops, and bouncing bass; verse rides tight handclaps and nimble topline phrases, pre-chorus strips to snapped rhythm and rising vocal stacks, chorus hits with a chantable group hook and short horn punches. Lead vocal stays close-mic and playful, with double-tracked hook lines, ad-lib repeats in parentheses, and quick delay throws on the name. Ear candy: reversed swells into the pre, a filtered break before the last chorus, and little crowd shouts between phrases. Mix is glossy, punchy, and club-ready.

Lena in My Cup

Lena in My Cup

Reggae with laid-back one-drop groove, skanking guitar on the offbeats, warm bassline, and a steady rimshot pulse; verse rides light percussion and muted organ, pre-chorus opens with harmony stabs and a rising hand drum, chorus lands with stacked vocal doubles and a chantable hook. Use little delay throws on Lena’s name, gentle ad-libs in parentheses, a conga fill into the chorus, and a soft dub echo on the last line of each section. Bright, sun-warmed mix with a cozy intimate vocal upfront., reggae

Declan Champion

Declan Champion

Reggae with laid-back offbeat skank, deep one-drop drums, rubbery bass, and sunny guitar chops; verse rides a playful storytelling groove, pre-chorus strips to bass and hand percussion, chorus opens with gang vocals and bubbling organ accents. Lead vocal stays warm and conversational with doubled hook lines, quick ad-lib replies, and a few echo throws on the name. Ear candy: conga fills into the pre-chorus, reversed cymbal swell before each chorus, and a short melodica lick between lines. Bright, roomy, and breezy with a handmade backyard feel., reggae

Sto Bene E Lo Dai

Sto Bene E Lo Dai

Italian reggaeton-pop with dembow-locked percussion and a bouncy offbeat bass; verse rides sparse handclaps, snapped snaps, and clipped synth stabs; pre-chorus strips to voice and toms with rising filters; chorus hits with bright accordion-like lead and stacked gang vocals on the anchor phrase. Vocal is close-mic and flirtatious in verses, doubled on hooks, with delay throws on the last word. Airy risers, reversed cymbal swells, and tiny vocal chops between lines. Crisp, glossy, club-ready mix

Vegas Con Botellas

Vegas Con Botellas

2020s Spanglish reggaeton, rap, EDM and dance-pop with a dembow-locked groove, punchy four-on-the-floor lifts, and trap-style bounce; verse rides sparse drums and sub with deep raspy male vocal, pre-chorus strips to claps and a rising synth, chorus hits with bright brass stabs, crowd chants, and a huge club hook. Vocal is close-mic, husky and cocky, with double-tracked ad-libs, delay throws on punchlines, and gang shouts on the hook. Ear candy includes reverse risers into drops, bottle-pour foley, and filtered synth sweeps. Mix is glossy, loud, and club-ready., deep, rap, pop, edm, vocal, reggaeton

Madame Bonjour

Madame Bonjour

Pop-reggaeton with a dembow pulse and glossy synth plucks, verse rides a tight hand percussion groove with clipped bass and playful call-and-response; pre-chorus strips to kick, snaps, and rising vocal stacks; chorus hits with a warm horn stab and gang doubles on the key phrases. Lead vocal stays close-mic and flirty, with ad-lib echoes and short delay throws on the language-switch lines, plus risers, reversed swells, and a bright, punchy mix.

Калейдоскоп Мамы

Калейдоскоп Мамы

harp, mariachi, fusion, reggae, electronic, choral, instrumental, ukulele, vocal, trumpet, bass, punk, percussion, chillout, trombone, jazz, xylophone, brass, cello, reggaeton

Negrito De Ojos Claros

Negrito De Ojos Claros

Reggaeton urbano with dembow-locked drums, punchy syncopated percussion, and warm synth bass; verse rides sparse congas and clipped plucks, pre-chorus lifts with filtered pads and riser sweeps, chorus hits with chunky claps, brass stabs, and group chant doubles. Lead vocal is intimate and playful with light auto-tune sheen, ad-lib panning on hook ends, and delay throws on the last word. Ear candy: reversed swell into chorus, bell ticks between lines, sidechain pump on the drop. Bright, glossy mix with club-sized low end.

Ma secreto

Ma secreto

Puerto rico reggaetón

Svetlost u Dalmatinskim Zvukovima

Svetlost u Dalmatinskim Zvukovima

Duet man and woman, hit melody, voices natural, zorba style, reggae ballad, electric gitar, mandolin, strings, acoustic, refren choral

Svetlost u Dalmatinskim Zvukovima

Svetlost u Dalmatinskim Zvukovima

Dalmatian klapa, voices natural, reggae, zorba style, ballad, accordeon, electric gitar, mandolin, strings, vesela pjesma, acoustic, refren choral

Sanquenme de este flop

Sanquenme de este flop

Latin pop-reggaeton with a bouncy dembow groove and crisp handclaps; verse stays tight with dry percussion and low synth stabs, pre-chorus lifts with filtered gang vocals and a rising snare roll, chorus drops wide with stacked lead doubles and chanty backing hooks. Add reverse swells into each chorus, quick vocal ad-libs on the last word of lines, and a glossy, bright mix with punchy low end and club-ready top sparkle.

Svetlost u Dalmatinskim Zvukovima

Svetlost u Dalmatinskim Zvukovima

klapa, voices natural, reggae, zorba style, ballad, accordeon, electric gitar, mandolin, strings, vesela pjesma, acoustic, refren choral

Esclavo de Este Amor

Esclavo de Este Amor

Latin pop ballad with slow reggaeton pulse, warm dembow accents, and restrained piano over airy pads; verse stays intimate and confessional, pre-chorus opens with rising harmonies and filtered percussion, chorus lands with a wide melodic lift and handclap emphasis. Lead vocal is close-mic and cracked in the verses, doubled on the hook, with short delay throws on key phrases and soft gang harmonies in the final chorus. Reverse swells, vocal chops, and a subtle tom lift mark transitions; bright, emotional, polished mix with a bittersweet sheen.

Sicilian Street Rumble

Sicilian Street Rumble

drill reggaeton

Bus to Mexico

Bus to Mexico

Pop-reggaeton with a steady dembow pulse and handclap accents, sun-baked guitar stabs, and a rubbery bassline; verse stays lean with close-mic vocals and sparse percussion, pre-chorus lifts with filtered backing chants and a rising snare roll, chorus opens wide with stacked doubles and a chantable hook. Add reverse cymbal swells into each drop, brief trumpet flourishes between lines, and a final chorus with crowd-like ad-libs. Bright, punchy, and glossy with warm low-end bounce.

Maré Sem Volta

Maré Sem Volta

Reggae-techno with cinematic pop pulse and a half-time dembow sway; verse rides warm skank guitar, sub bass, and clipped synth ticks, pre-chorus opens with rising pads and filtered claps, chorus hits wider with four-on-the-floor kick, dub delays, and a soaring hook synth. Dual lead vocal with tight doubles in verses, stacked harmonies and gang echoes on the chorus, delay throws on key words. Reverse swells, tape-stop transitions, and a final lift of choir-like synths. Glossy, emotional, wide, and punchy mix., reggae, pop, techno

Plancha Lavandería

Plancha Lavandería

Spanish reggaeton-pop with dembow groove and playful handclap percussion; verse stays light and conversational with sparse bass and marimba-like synth plucks, pre-chorus tightens with rising shakers and filtered harmony lifts, chorus drops into a catchy singalong with stacked doubles and gang shouts on the hook. Add reverse cymbal swells, coin-like chimes between lines, and a short instrumental turn after the second chorus. Bright, punchy, radio-clean mix with a warm low end and crisp vocal upfront.

Parrot On The Rail

Parrot On The Rail

Reggae with a laid-back skank groove, steady one-drop feel, bouncing bassline, clipped guitar upstrokes, and playful percussion. Verse stays light with sparse drums and a single organ bubble; pre-chorus lifts with hand drums and layered chirps; chorus opens with gang vocals, bright brass stabs, and call-and-response parrot chants. Lead vocal is warm and teasing with doubled hook lines, echo throws on punch words, and little bird-call ad-libs. Tropical, sunny, crisp, and punchy mix., playful, reggae

Atame el corazón

Atame el corazón

Reggaeton romántico lento with dembow-locked percussion, warm sub bass, and airy synth pads; verse rides sparse marimba plucks and finger snaps, pre-chorus strips to bass pulse and filtered clap rolls, chorus opens with stacked harmonies and a silky lead vocal. Add reverse swells into each hook, a soft riser before the drop, and brief delay throws on the last word. Intimate close-mic verses, doubled chorus lines, glossy and lush mix., sensual

Borrachos Total

Borrachos Total

Reggaeton-cumbia híbrido con dembow picado y palmas de barrio; verso juguetón con bajo saltón y guitarras cortas; pre-coro sube con coros apilados y filtro cerrado; coro entra seco con tumbao de percusión, frases cortas y respuesta gang; puente baja a voz sola con botella en la mesa y un riser de viento antes del último golpe. Voz masculina cercana con dobles en el hook, ad-libs a los lados, mezcla brillante y apretada con grave redondo.

One Dance

One Dance

Reggae, pop, dancehall, afropop, carriebean, tropical pop, uplifting, superhero, uptempo, bass

See me now

See me now

Reggae trap reverb voice

Za Pět Minut

Za Pět Minut

Pop-reggaeton with a bouncy dembow pulse, clipped handclaps, and a warm sub bass; verse rides sparse percussion and phone-call-style phrasing, pre-chorus tightens with rising synth blur, chorus opens with stacked gang vocals and a chantable hook. Lead vocal is close-mic and playful with short delay throws on the hook word, plus small ear-candy beeps, reverse swells, and a glossy punchy mix.

Me Lo Mamá

Me Lo Mamá

Reggaeton dembow, mid-tempo and perreo-locked with syncopated kick and dry rimshots; verse stays minimal with sub bass and clipped percussion, pre-chorus strips to handclaps and a filtered synth pulse, chorus drops wider with a sticky chant and horn stabs. Lead vocal is close-mic and breathy in verses, stacked doubles and crowd ad-libs on the hook, with risers into each drop, reverse sweeps on transitions, and a bright punchy mix with deep low-end

Fiesta de Pompika

Fiesta de Pompika

Latin pop infantil upbeat with bright reggaeton bounce, bouncy dembow-lite percussion, handclaps, simple synth bells, and a playful dance groove; verse stays light and storybook, pre-chorus lifts with claps and call-and-response, chorus bursts in with chantable kid singalong lines and a big group sing feel; lead child voice is sweet and clear with doubled hook phrases, tiny ad-libs, and playful crowd shouts; ear candy includes spooky risers, candy-bag shakers, and a cheeky whoosh before each hook; mix is shiny, colorful, and punchy, halloween, latin pop, banda

Anuel en Fuego

Anuel en Fuego

Latin trap with reggaeton bounce and hard dembow accents; verse rides moody sub-bass and clipped hi-hats, pre-chorus pulls back to handclaps and a rising synth sweep, chorus hits with thick 808s, sharp brass stabs, and chanty gang doubles on the anchor. Lead vocal is gritty and close-mic with ad-lib panning, delay throws on key words, and a reverse swell into each drop. Bright, punchy, radio-loud mix with a glossy low end.

Soleil en Riddim

Soleil en Riddim

Style / Genre: 2000s French Dancehall, Ragga Pop, Lovers Rock Riddim, Summer Reggae Fusion Tempo & Mood: Mid-tempo (around 92 BPM), warm, melodic, upbeat, smooth, catchy, sun-kissed Instruments: Sharp skank guitar chords on beat 2 and 4, deep rolling sub-bass (One Drop / Dancehall bassline), catchy synth brass stabs, clean electronic drums with a punchy kick and crisp snare, subtle organ bubble backing, bright bell melodies Vibe: Summer anthem, rhythmic, romantic dancehall, smooth grooves

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